Author: HCNewton Page 227 of 628

Fatal Forgery by Susan Grossey: A New Type of Crime Calls for a New Type of Investigator

I’ve got a Q&A with the author coming up in a little bit, be sure to check back later for that.


Fatal ForgeryFatal Forgery

by Susan Grossey

DETAILS:
Series: Sam Plank Mysteries, #1
Publication Date: December 17, 2018
Format: Kindle Edition
Length: 282 pg.
Read Date: September 3-5, 2022
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But the theft of that which represents money—of pieces of paper that can be exchanged for money—well, there we have something new. Mr Fauntleroy is not accused of going into his bank’s vaults and taking money belonging to others, but of changing pieces of paper to make it look as though their money belonged to him. We police officers will have to learn new skills to catch such people.

What’s Fatal Forgery About?

It’s 1824, and Henry Fauntleroy is one of the leading bankers of London—it’s a smaller bank, but it has a stellar reputation. Fauntleroy is the son of one of the founders, and while he’s an utter and complete cad in his personal life, he earned both his position and reputation—it wasn’t handed to him.

But then evidence comes to light that he’s been forging documents and moving large sums of money around in some sort of complicated scheme. He’s determined to plead guilty and avoid a trial. While the winds of reform are blowing, this type of offense is a capital crime. Fauntleroy knows this and is still ready to plead guilty and accept the sentence.

At least one magistrate involved wants to make sure that the investigation is handled properly and there isn’t a rush to judgment/punishment. Sam Plank is a constable that works for him and has the same concerns–he is the one who arrested Fauntleroy and becomes somewhat invested in the investigation and his welfare (beyond what’s called for in his duties). Plank is convinced that everyone is missing something vital in this case, but he’s struggling to see what it is.

Will he be able to put the pieces together in time to save Fauntleroy’s life?

Financial Crimes

I get the impression that the monetary system was in a time of transition at the time the book was set, and the kind of crime at the center of this book was a new thing that the legal system wasn’t quite prepared for. Much like we might be today with cryptocurrencies and we’re still trying to figure out how to effectively police identify theft-type crimes. I’ve lost track of the number of books that I’ve read this year that include a discourse on cryptocurrencies (and I have a book to start this week that will likely feature a few of them), so it was nice to walk into a book about financial crimes that was sure not to include one—but behind all this is the equivalent, which is thankfully much easier to understand.

Now, I’m not a complete dunderhead when it comes to finance and economics, but (in both real life and fiction) things don’t have to get too detailed before my mind checks out. I was a little daunted about trying to understand 1820s banking in the first place—much less any kind of scheme involving defrauding it. But Grossey’s depiction of it was easy to follow—she wrote it in such a way that you don’t have to come in knowing the nuts and bolts* of the machinery to follow Fauntleroy’s crimes

* Nor will you walk out knowing them—it easily could’ve become a Tom Clancy-deep dive into Nineteenth Century monetary systems.

Martha Plank

I think that Sam’s wife, Martha, is going to turn out to be one of those supporting characters that turns out to be one of the MVPs of the series. At first glance, she seems to be simply a nice, supporting wife, who understands her husband’s moods better than he does—and understands that she’ll take a backseat to his job (at least from time to time). But at one point, she takes the reins for a bit and gets more information out of a witness than Sam would’ve been able to—and with far less fuss and bother.

I’m not saying she’ll become the asset that Marybeth Pickett is to Joe’s investigations, but I wouldn’t be surprised if it turns into something in the same vein.

So, what did I think about Fatal Forgery?

While Plank was clearly drawn to the case, trying to understand what made Fauntleroy ticked, and was disturbed by some of his non-financial crime activity, there isn’t the same kind of emotional investment that characterizes so much of Police Procedural/Detective Fiction today. Part of that has to do with the era, I’m sure—Plank caring the way that Renée Ballard or Malcolm Fox does about a case would be unseemly. Still, he spends personal time on the case—even using a date with his wife as a pretense to go track down someone associated with Fauntleroy–and will later go to great lengths to wrap things up.

I liked that feel to the character, and think it serves to help establish the setting. But that might say more about my preconceptions about the time—and how it’s been depicted in the fiction I’ve read.

I wondered if the setting—and the type of crime—would end up being a hurdle to reading and/or enjoying the book. But neither proved to be the case, I was pleased to see how easy it was to get into the book. And the pages just melted away when I got past the first chapter or so, which felt more like a speed bump than a learning curve. In the end, the setting and subject made this a very pleasant change of pace.

Fatal Forgery isn’t the kind of thing that would catch my eye when I browse, and ultimately, not it’s exactly my cup of tea–but I’m shooting to read at least one more in the series because I enjoyed this and am curious about what else can be done with the character (and I can see that easily turning into me reading all of them). I do know one reader who will likely burn through the whole series as soon as I give her the first one—if you’re like her and a Regency-era police procedural with a minimal amount of violence piques your interest at all (even if it makes you mildly curious)—give this a try.

Disclaimer: I received this book from the author in exchange for this post and my honest opinion.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Soul Taken by Patricia Briggs: Mercy May Find Herself Up Against a Horror Movie Character

Soul TakenSoul Taken

by Patricia Briggs

DETAILS:
Series: Mercy Thompson, #13
Publisher: Ace
Publication Date: August 22, 2022
Format: Hardcover
Length: 388 pg.
Read Date: August 29-30, 2022
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“The thing that we thought might end up with Adam dead looks like it will work out okay,” I told her dryly as her feet hit the ground again. “We have another situation to replace it that might end up with Adam dead. Or me dead. Or maybe the whole pack. But at least we solved one deadly situation before we picked up another one.”

“Business as usual,” said Tad.

What’s Soul Taken About?

Wulfe continues to act strangely—for him, that is—as he was last time. Then he goes missing. And Marsilia tasks Mercy with finding him, or she and the Pack will face the consequences (not life and death consequences, either—something worse).

But it’s not just Wulfe who’s missing—there are others, too. The paths seem to lead to a Fae artifact believed to have been destroyed and a local Urban Legend/subject of a new Horror movie.

Sure, this isn’t as strange as the miniature zombie goats, but it’s close. And slightly less cute.

Sherwood Post

“I’ll call Samuel and bug him.”

“Why not ask Sherwood?” Adam said.

“Did he sound like someone who was going to spill the beans to you?” I queried. “He talks more, but he doesn’t say more. He hasn’t changed that much.” I found that reassuring.

After a lot of speculation, we finally get to know Sherwood Post’s actual identity. And, um. Wow. As she clearly intended, the answer Briggs gave us only leads to more questions.

Several more questions.

For example: was this identity her plan when she first introduced the character? (likely, but I can see a scenario where it wasn’t) Given how this changes what we know about the world, when did she decide to shake things up to this extent? Lastly, when do we start seeing the ripple effects from this revelation? Okay, maybe one more: how many other things has she been lying to us about? (okay, that last one is a joke. Pretty much)

Unintended Consequences

Mercy (and therefore, we) are aware of a decent segment of the supernatural/paranatural population of the Tri-Cities area (although I think I remember her being surprised by some early on in the series)—she knows all the werewolves, many of the Fae, the goblins, vampires, etc.

But we learn along the way in this book that because of Mercy’s declaration a few books back that the area is under the Pack’s protection many “lower powered” supernatural beings have moved into the area for that protection. Mercy and the Pack were unaware of this until they met some in the midst of their investigation. Briggs didn’t spend much time on the idea, but it laid the groundwork for potentially several future storylines.

Even aside from that, I thought it was a great idea—and really seems likely to have happened given Mercy’s action.

So, what did I think about Soul Taken?

I’m never going to complain about getting to spend time with Mercy and the crowd. But I felt let down with this novel. The premise was promising, maybe even more than that; I thought the threats brought by Marsilia and how that played out were intriguing; I was glad to see who the Big Bad behind it all was; and the future ramifications for the seethe are promising. But the stuff in between the premise and the defeat of the Big Bad? Eh. Even the big fight scene wasn’t that good—nor am I that invested in the means by which they were defeated (dancing around a spoiler there).

Really the things that interested me the most about the book were the ongoing arcs and development—the stuff about Sherwood, the lesser powers, some internal Pack matters, and Zee (there was a lot of great material with Zee here). When the subplots and the things the novel isn’t about are what grab me, there’s a problem with the book. The solution was too rushed, it was all too easy, really. If Briggs had taken another hundred pages or so to really dig into the premise and the hunt for the Big Bad, maybe that would’ve worked (but that’d make the book super-sized by her standards).

I just wanted more, I guess. It was fun enough to justify the time and I’ll be back for more—but I expect more from Briggs. I do think long-time fans will enjoy Soul Taken—and despite what it might sound like, I did—but it will leave you wanting.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

When Archie Met Lily

84 years ago today, Archie Goodwin—one of my top 5 All-Time Favorite Characters — met the only woman who could keep his attention for more than a few months, Lily Rowan. Lily shows up several times in the series and threatens to steal every scene she appears in (and frequently succeeds). Check out this post from Today in Mystery Fiction for the details—one of my favorite scenes, from one of my favorite books in possibly my favorite series—(I think I have 3 or 4 copies of it), so I had to say something.

 

Besides, it’s not like I have a long list of dates associated with fictional events (but really should work on one).

How they met 84 years ago, when Archie’s only in his mid-30’s, is beyond me. But Math was never my strong suit, I’m sure it makes sense, surely Charlie Epps (or Larry or Amita) could explain it to me.

Crossway Short Classics: Scougal

Crossway Short Classics SeriesCrossway Short Classics Series

DETAILS:
Publisher: Crossway Books
Format: Paperback
Read Date: July 2022

Some Thoughts on the Series as a Whole

The point of this series is to take classic short works—sermons, tracts, articles—package them attractively, edit a bit (modernize language, eliminate footnotes, tweak grammar, etc.) and make them widely available. Each is given a short introduction to help the reader get the context and a bit of information about the author.

I think this is a great idea, and I don’t know how I didn’t hear about this until a few weeks ago. I do hope they put out new books in the series (at least one of the books on the original list isn’t out yet, but they did publish one not on that list, so maybe they exchanged the titles).

I wonder a bit about the cover design—I wonder if the floral theme is a bit off-putting (Evangelical publishers usually reserve that for books marketed for women, and I don’t get the impression that this series is designed for that).

I don’t want to try to cover the whole series in one post, so I’m going to do this in chunks. This is the third in the series of posts I’ll be doing (and the last until early next year, when other volumes are due).

The Life of God in the Soul of ManThe Life of God in the Soul of Man

by Henry Scougal, Joel R. Beeke (Foreward), Robin Taylor (Abridgement)

DETAILS:
Publication Date: May 30, 2022
Length: 181 pg. 
Read Date: July 31, 2022
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I’ve read this book a handful of times, and never walked away from it as impressed as I’ve heard I should be—but I keep trying. It was while reading the foreword by Beeke that I think I got an idea.

In reading Scougal’s work, one must remember that he assumes a doctrinal foundation that he does not explicitly lay out. All that Scougal writes about union with God presupposes the gospel that God the Father sent God the Son to become a man, die for our sins, rise from the dead, ascend into heaven, and reign as Lord, so that by faith in him God the Holy Spirit dwells within the heart. Scougal’s focus is quite narrow—namely, to assert that the Christian religion consists of more than just mental understanding and outward religious life by requiring an inward transformation that arises from spiritual union with Christ and communion with God.

This may say more about me than I intended, but I didn’t get that Scougal was presupposing anything, but always felt he was missing something. Working from that assumption, however, helped a lot during this read.

The last sentence in Beeke’s paragraph is a very effective summary of the book (the rest of the foreword is plenty helpful, too). Scougal focuses on the inward man, the change that has to take place—and the supernatural resources to make that change. His Christianity is an experiential, wholehearted, and supernatural one. It is near-impossible to read his work and not sense your need for deep spiritual renovation.

I don’t know the work well enough to really comment on the abridgment—but I had a couple of thoughts. The work is short enough that I wouldn’t have imagined it needed an abridgment to fit in this series. Despite having been abridged, it feels complete. So that’s got to be a good sign, right?

I’m still not convinced that I fully appreciate Scougal’s work—but I’m closer to it this time. There’s a lot to admire here, and it’s enough to make me want to keep reading until I get it.

3 Stars

This post contains affiliate links. If you purchase from them, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Saturday Miscellany—9/10/22

This is the 4,010th post to this blog—the ol’ odometer rolled over on 4,000 on Monday. I wasn’t prepared for that, and probably should’ve done something to commemorate it. I’ll have to try to remember to do something big for number 5,000 in 2025(??).

This was a rough week on the reading front—3 books I’d planned on reading on Release Day* came out (ignoring that 2 of them came out the same day), but I’m so behind on Review Copies that I’d also planned on prioritizing them. And then I literally grabbed the wrong book off the pile Thursday and didn’t realize it until I was 100 pages in. I’m glad I’m not getting paid for this stuff, because I’m such a disorganized mess right now.

Super-short list this week, but there’s hopefully something you’ll enjoy reading.

* Nothing against the fourth, I just needed a little break from that series after reading the initial trilogy this summer.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet In 2022, a New Urgency for Banned Books Week
bullet Library 101: Everything You Need to Know to Utilize Your Library—not sure any of this is news to anyone, but…who knows, you might pick up something new here
bullet Classic literature, rewritten for kids.
bullet Subtlety, Ideological Novels, and Me
bullet If you didn’t like this, try that…—This is a fun take on the tried-and-true method of recommendation (their more traditional list wasn’t bad either)
bullet How Do You Choose Your Next Read? (& 100 Reading Prompts!)—this post feels like it should forever eliminate take care of the “what do I read next question” (maybe I spent too much time going through the 100 prompts)

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Final Heir by Faith Hunter—The final book in the Jane Yellowrock hit the stands this week (although, how much actually stays dead in Jane’s world?). I went on and on about it a couple of weeks ago.
bullet Robert B. Parker’s Fallout by Mike Lupica—Lupica’s third Jesse Stone novel shakes Paradise from a couple of directions. I had a good time with this and should have a few things to say about it next week.
bullet Hell and Back by Craig Johnson—This looks like it picks up a dangling string from the last book and gives it a good yank. Looking forward to diving in ASAP.
bullet The Night Watch by Neil Lancaster—a vigilante killer on the team investigating murders. DS Max Craigie has his work cut out for him.
bullet A Grimm Sacrifice by Jeffrey H. Haskell—Grimm has to contend with training new officers while helping an unlikely ally against a common foe in a Cold War that isn’t that chilly anymore.
Problems of a Book Nerd 952

Blood Sugar (Audiobook) by Sascha Rothchild, Allyson Ryan: She Didn’t Kill Her Husband, But…

Blood SugarBlood Sugar

by Sascha Rothchild, Allyson Ryan (Narrator)

DETAILS:
Publisher: Penguin Audio
Publication Date: April 18, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 38 min.
Read Date: August 31-September 1, 2022
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This is one of those books that grabbed my interest and then I immediately forgot about it for months. Thankfully, the library system here had it in their audiobook catalog where I stumbled on it. Knowing what I know about it now, I’m pretty annoyed that I took this long to get to it.

The Hook

The book opens with the protagonist/narrator in a police interrogation room. Ruby Simon is being questioned about her husband’s death. She’s innocent–100% guiltless–it’s clear from the get-go, that she did not murder her husband.

But…there are three other people that Ruby has killed over the last couple of decades. She’s never even been looked at as a suspect in these deaths–they’d previously been judged to be accidental, in fact.

But after death #4, it’s hard to believe that with all this smoke, there might not be a fire.

What Comes After the Hook

The first part of the book focuses on the events in the interrogation room–the detective presses for details on these four deaths, and as Ruby dances around her answers, we get to see her life story in flashbacks. Her childhood (punctuated by a murder), her party days as a teen (punctuated by a murder), her college years and training as a psychologist (punctuated by a murder), and then her falling in love with her husband and beginning their life together (punctuated by his death by natural causes).

The rest of the book focuses on the legal battle that ensues–the investigation that follows, her eventual arrest, the decimation of her career and reputation that results, and the eventual resolution of it all.

Conflicting Impulses

Ruby is a completely horrible person, she’s a murderer–and in two of the three cases, it’s entirely unjustified. The motives behind those two are so…pointless is the best I can come up with. The third murder probably wasn’t necessary, Ruby could’ve found a non-lethal solution to the situation–but you can understand and appreciate why she did it. She deserves to be behind bars (at least), she needs to be tried, convicted, and punished. It’s the right thing.

And yet she’s innocent here. She loved her husband, would never have killed him, and shouldn’t be dragged through the mud over this. The reader/listener constantly finds themselves rooting for this character that in normal circumstances you want to be pursued by a dogged investigator.

It’s similar to Dexter or Hannibal–with them, we embrace their homicidal acts and desires while rooting for them. There’s part of you that wants Dexter to get away with it so he can take down another serial killer. A similar part of you wants Hannibal to slip away from custody because he’s disturbingly charming. But it’s different in Blood Sugar–we have an actual injustice, and we instinctually recoil from that and want her exonerated.

But…you can’t get away from the injustice of her getting away with the other murders.

At the same time, you resent Detective Jackson for doing his job. He’s absolutely wrong about Jason’s death and shouldn’t be in Ruby’s life. But in any other book/series, we’d be rooting for him. He might as well be Harry Bosch or a similar character–he’s got all these pieces before him and is assembling a case that’s 75% correct. He’s doing everything right, and has an actual killer in his sights–and you want him to fail. Not only that, you probably are angry with him and have some active distaste for him.

But if this book was told from his perspective? You’d love him and admire his ingenuity and intuitive leaps.

For a long-time reader of detective fiction, this is a great twist on the conventions.

Ruby’s Antagonist

Someone has to be behind all her problems right? Det. Jackson isn’t going to look into Jason’s death without someone or something prompting him. Once you figure that out–which will probably happen before the actual reveal–it’s delicious. This might be my favorite thing that Rothchild does in this book.

For a book that’s full of confusing impulses for the reader, it’s nice to have an adverse reaction to someone that’s straightforward and uncomplicated.

A Brief Thought about the Narration

Ryan did a great job of this–she made Ruby Simon a human being. Her portrayal helps you identify and embrace Ruby as the innocent–with a shady past. You want to believe her when she says that she’s not a sociopath.

There were a couple of scenes (with one of Ruby’s patients in particular, and some involving Ruby’s dog) where I was moved because of the narration. I don’t know if they’d have been as effective (or affective) if I’d read the book, but with Ryan’s work, I was absolutely gripped.

So, what did I think about Blood Sugar?

I thought this was a great listen–a great experience.

I relished this approach to the story and characters, and the way you were forced time and time again to re-evaluate the characters, their actions, and your reactions to them.

Do I want a steady diet of this? No. Do I hope that a future Rothchild novel is either more conventional–or tweaks conventions in a different way? Absolutely. I can see Rothchild being a Lisa Lutz-type of writer. With stand-alones where you never know what you’re going to get–other than some wry humor, deep characters, and an approach to Crime Fiction that you hadn’t considered before.

I strongly recommend you pick this up in audio or print.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Spider-Man’s Social Dilemma by Preeti Chhibber: A Fun Time with Everyone’s Favorite Webhead

Spider-Man’s Social DilemmaSpider-Man’s Social Dilemma

by Preeti Chhibber

DETAILS:
Publisher: Marvel Press
Publication Date: July 26, 2022
Format: Hardcover
Length: 325 pg.
Read Date: September 6, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Spider-Man’s Social Dilemma About?

So this is a Peter Parker in High School story—he’s been Spider-Man for 6 months or so, he’s fought some bigger villains, but he’s still got a lot to learn. J. Jonah Jameson is campaigning against him. He’s learning how to balance school and web-slinging. It’s definitely set in 2022, and isn’t in a comic timeline or one from any of the movie universes. It feels a little like the early Ultimate Spider-Man, but MJ is closer to the MCU version.

Sandman and Beetle have attempted to steal a 100+-year-old device that is powered by something alien (or so rumor has it). But both of them are acting a little strangely lately—Peter can’t say what it is exactly, but they’re more violent, more determined. He’s still able to hold his own against them, but it’s a little work.

So, what did I think about Spider-Man’s Social Dilemma?

I really don’t have a lot to say about this—it’s a fun Spider-Man story. And who needs more than that? But let me try…

It’s fun and fast-paced, with good action. Chhibber combined tried-and-true Spider-Foes with a new threat, I appreciate mixing the two rather than just giving us one more ride with the Green Goblin—or someone we’re not at all familiar with. The action scenes are handled deftly and you can see them as clearly as if a Romita or a Bagley were bringing them to life.

Chhibber clearly knows this universe well and has a strong affection for the series—and that shines through. I may not have been able to keep up with the comics over the last decade or so, but Spider-Man has long* been my favorite, and to see him handled like this does my heart good.

* In this case, long = since 1980.

Yeah, this is targeted for an MG audience—but it didn’t feel that way. It felt more All-Ages to me. A classic Spider-Man story—with requisite numbers of laughs, action, and optimism. If Marvel Press has Chhibber return (and the stage is set here for a sequel), I’ll be first in line for this. It was a blast.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Friday 56 for 9/9/22: An Easy Death by Charlaine Harris

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
An Easy Death

An Easy Death by Charlaine Harris

“We need to talk to you,” the woman said.

Maybe the man was looking a little harder, because he finally spoke. “We could come back in the morning,” he said, his voice quiet and even.

She half turned to him to say something, and he made a little hand gesture. She shut up. But she wasn’t used to taking hints. She was the boss.

“Any time is better than now. But most likely I won’t do whatever it is you want,” I said.

“Why?” She just couldn’t stop herself.

I picked the simplest reason. “I don’t want to have nothing to do with you,” I said. My mother would have given me the evil eye for bad grammar, but she wasn’t there and I was out of civil.

Travel by Bullet (Audiobook) by John Scalzi, Zachary Quinto: The Dispatcher is Back Again

(and clearly, I can’t think of anything to put in the headline)

Travel by BulletTravel by Bullet

John Scalzi, Zachary Quinto (Narrator)

DETAILS:
Series: The Dispatcher, #3
Publisher: Audible
Publication Date: September 1, 2022
Format: Audible Original
Length: 3 hrs., 44 min.
Read Date: September 2, 2022

What’s Travel by Bullet About?

A recent pandemic* has resulted in all Dispatchers being strongarmed into working long and hard shifts in hospitals. Their work isn’t that effective in light of the disease, but that doesn’t change the requirement. In the middle of a shift, Tony Valdez is called to the ER.

* It was never named, but you’re probably not wrong to assume it’s one you recognize.

A friend (or a reasonable facsimile thereof) and colleague, who spends a lot more time on the morally ambiguous side of the vocation, is in the ER after throwing himself out of a moving vehicle and getting hit by a car. Clearly, things aren’t going well for him. He looks to Tony for help, and well…things go bad from there.

The duo finds themselves mixed up with a handful of the city’s richest and most powerful, who are busy trying to get the best of each other while staying off the radars of both the Chicago Police and the FBI.

As much as Tony might try to fool the reader/the police/himself, he’s no stranger to the morally ambiguous—sure, he tries not to stray as far as his friend does, but still. Making this book, like the others in the series, another bit of Urban Fantasy Noir.

The Urban Fantasy-ness

I’ve always thought there was a vaguely SF feel to this series like it’s set a couple of decades in the future or something. In retrospect, I don’t know why. It was just an impression I picked up. This one struck me as incredibly contemporary and made me feel pretty silly for thinking that about the others.

When I wasn’t kicking myself for getting the chronology wrong, I spent a little time admiring the simplicity of Scalzi’s approach to Urban Fantasy and how it makes The Dispatcher stories really stand out. In most UF, you get something like magic, or a lycanthrope, or a vampire—and then before you know it, you’ve got all of those. But here, this world is just one tweak away from our world—no wizards, no Fae, no were-anythings—just that murder almost always doesn’t work (see earlier posts about this series for details if you want them, I don’t want to reinvent the wheel here).

The number of changes that this one butterfly wing flap makes in this world—health care, law enforcement, and crime (and who knows what else…)—is pretty monumental. You don’t need the Fae or a Council of Mages or anything to radically reshape the world. Yet it still is very recognizably our world.

Zachary Quinto

Quinto really needs to do more audiobook narration—I’m not sure how he got attached to this series, but it’s such a good thing that he did. He’s really able to embody Valdez and bring the stories to life. I really enjoyed this performance, and look forward to more.

So, what did I think about Travel by Bullet?

This was a blast—this world has always felt realized, but I felt more “at home” in it this time than I remember. I enjoyed this ride more than I remember enjoying the last one (not that I had any real problems with it). I don’t know if those two sentences are all that related, and if so, which came first—I also don’t think it matters.

This is a tight thriller—no wasted moments, but nothing’s rushed, either. Just settle in and enjoy the ride.

I feel like I should have more to say, but I don’t. All I can think to add at this point is that I want more of these, and hope that Audible and Scalzi provide them. Providing more soon would be a great bonus.


3.5 Stars

Highlights from August: Lines Worth Repeating

Highlights from the Month
I’m a couple of days late with this, it took a bit of choosing (and I had to verify selections from a couple of ARCs, too). Here are the lines from August that really stood out to me.


Hell of a Mess

Hell of a Mess by Nick Kolakowski

Don’t worry, sweetie, she’d told him on the way out the door. Anything goes wrong, I got the gun!

What about not killing? he’d retorted— because she was trying to become more Zen, right? Kinder and gentler and all that other crap?

I’ll just shoot them in the kneecap! she said before the door slammed behind her.

His wife had a funny concept of Zen.

The assassin raised a hand. “Sorry, I have this medical condition, it makes me draw the nearest firearm whenever I hear the word ‘Bitcoin.’”

“When did you become an explosives expert?” the assassin asked.

“I saw ‘The Hurt Locker’ at least twice,” Bill said, snipping a wider gap.


Summerland

Summerland by Michael Chabon

The fundamental truth: a baseball game is nothing but a great slow contraption for getting you to pay attention to the cadence of a summer day.


Composite Creatures

Composite Creatures by Caroline Hardaker

I was in the waiting area, drinking from a bottle of mineral water when Art first walked in. He wore a forest green velvet jacket and bright mustard trousers, and darted through the clinic’s duck-egg like a greenfinch. The world didn’t dim around him, my heart didn’t skip a beat, but I felt as if I could know him, and could anticipate his nature if only I knew his voice. He sat directly opposite me on a plush red chair, and after a single scan around the waiting room, picked up a copy of National Geographic and started to read. I knew who he was, even if he didn’t immediately know me. Art was at once a mystery and a map.

I purged the kitchen of potted carcasses. Despite them all sitting in a row and sharing the same light, each plant had died in its own discrete way. Most had shrivelled back into a gnarled stump, and others had become mushy, sinking down like a creamy concertina. Aubrey’s succulent had finally given up its last leaf, and the stalk stood obscenely naked, coiling towards the sun like an earthworm. I tossed them all into the composter and left the empty pots by the back door. I’d replace them with artificial plants later…


Plugged

Plugged by Eoin Colfer

Everyone wants to kill me lately. It’s enough to make a fellow paranoid.

I am not qualified to deal with this. Why does everyone I meet seem to have mental problems?

Ah…but did they have mental problems before meeting you? Who’s the common denominator here, Dan?

I do not have mental problems! I say to the voice in my head, perfectly aware how damning it would sound were I to say it aloud.

The great Stephen King once wrote don’t sweat the small stuff, which I mulled over for long enough to realise that I don’t entirely agree with it. I get what he means: we all have enough major sorrow in our lives without freaking out over the day-today hangnails and such, but sometimes sweating the small stuff helps you make it through the big stuff.


When Sorrows Come

When Sorrows Come by Seanan McGuire

Faerie’s relationship to physics is often casual at best, and sometimes it consists of Faerie promising to call when physics knows it never will.

Congratulations on the occasion of your marriage, and may the blessings piled upon your house be so vast the roof is in danger of collapse before you can get the wedding party to safety.


Grave Reservations

Grave Reservations by Cherie Priest

If they couldn’t agree on which Sci Fi memes to deploy in conversation, how could they work together long enough to fix anything, solve anything, save anybody?


Out of Spite, Out of Mind

Out of Spite, Out of Mind by Scott Meyer

Shooting yourself in the foot has the same effect whether you do it to get out of the army or to kill a mosquito on your shoe.”


The Case of the Missing Firefly

Case of the Missing Firefly by Chris McDonald

If this were a novel, Adam perhaps might’ve realised that he’d been holding his breath the whole time. As it was, his respiratory system had carried on as normal, collecting oxygen without his explicit command.


The Art of Prophecy

The Art of Prophecy by Wesley Chu

She had wanted to refuse the assignment but the terms he offered were too good to pass up: tax exemption for life and not going to jail for refusing her duke. Taishi was not a big fan of taxes or imprisonment.

Taishi had been so busy she kept forgetting to tell Faaru to put out a call for educators. The boy needed to know more than eight ways to throw a punch. She needed to hire teachers: philosophers, mathematicians, politicians … and probably someone to teach him how to dress himself. He would need to be versed in diplomacy, cultures, logistics, art, and etiquette. Half of a leader’s job was to not be an idiot.

The seconds ticked by. Taishi bided her time. In battle, only fools hurried, and they either learned or died learning.

Jian remembered [redacted] death-punching him in the chest, his veins feeling like they were scalding in hot oil. Everything was hazy after that. To be honest, part of him felt he owed his former master an apology: No one ever believed any war artist who claimed to know some form of death punch. Out ofall his masters, only Luda had boasted that knowledge, and the rest had teased him relentlessly about it. Being on the receiving end of a death touch was a pretty awful way to confirm its existence.

Unlike many war artists who had put forth tremendous effort to maintain a stoic expression at all times, Taishi suffered no qualms about vocalizing her feelings, and she preferred those under her to do the same. It was better to show fear than false courage. A soldier who showed fear—in moderation—was an alert and sharp soldier, and more likely to follow orders. Someone who was busy acting brave was preoccupied with the wrong thing.

Haaren leaned over the side and studied the row of vendor stalk “Everything is so cheap.”

“That’s because everyone’s so broke,” said Koteuni, “I’ve never seen so many unemployed soldiers and war artists waiting around in one place.”

“That’s what those dummies get for winning the war,” replied Qisami.

Burandin pointed at a recruiter off to the side enlisting soldiers. The crowd surrounding him looked like piranhas during a feed. “The army’s mustering again.”

Koteuni snorted. “To fight whom? There’s no one left.”

He shrugged. “There’s always someone to fight.”


Down the River Unto the Sea

Down the River Unto the Sea by Walter Mosley

When Aja was a baby I’d watch her sleep, sometimes for an hour or more. Her face changed expressions with whatever dream she was having or with anything shifting in the room or inside her. She made errant noises and reached out now and again.

Sleeping, it seemed to me, was an act of innocence. That’s why I stayed awake after almost murdering [redacted ]. I knew that peaceful slumber was for babies, whereas only nightmares awaited a man like me.

One thing I had learned in high school was that in sports you always had to move in a direction that your opponent did not expect. From Ping-Pong to prizefighting, the man with the unexpected moves was the player most likely to win.

Police work is a kind of intellectual sport, like Go or chess. And sometimes you have to make a move to fool yourself, a move that will keep you from putting yourself in the enemy’s line of fire.

(Image by DaModernDaVinci from Pixabay)

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