Author: HCNewton Page 238 of 610

Book Blogger Hop: Author Feedback?

This prompt was submitted by Heather @ MM Romance Reviewed:

Do you have a threshold on books where you will offer the author feedback but won’t review?

No. It seems arrogant* to hit up an author with “you need to hear what I have to say about your book” and then list issues/problems/complaints. I write for other readers. Period. If an author reads what I have to say, especially the negative/less positive, that’s on them. I love to hear when an author reads my stuff–it’s even better when they appreciate what I had to say. But an author has editors/publishers/beta readers, etc. to give them feedback. That’s not my role.

* I’m sure some people can do this without coming across as a jerk–more power to you if you can, I’d also love to see how you do it. It’s just not in my wheelhouse.

What about you?

Double Take by Elizabeth Breck: It’s As If This PI Novel Was Customized For Me…

Double TakeDouble Take

by Elizabeth Breck

DETAILS:
Series: Madison Kelly, #2
Publisher: Crooked Lane Books
Publication Date: October 11, 2021
Format: Hardcover
Length: 321 pg.
Read Date: March 21-22, 2022
Support Independent Bookstores - Visit IndieBound.org

Five days was an eternity with a missing person; forty-eight or even seventy-two hours was the cut-off for a good chance of finding the person alive. But five days was still something to work with. Madison could help bring another person safely home. Finding someone who was kidnapped or lost or just needed help to get home was so fulfilling, it was like having a life’s purpose she’d never known she’d been without.

What’s Double Take About?

Madison is approached by Travis, the desperate boyfriend of Barrett Brown, a reporter for an almost impossibly-small newspaper who’s been missing for five days. He’s afraid she’s been abducted, he’s afraid she’s being tortured or worse, and is about to die.

Madison is dealing with some medical issues and just finished a case that took her out of state, but how can she possibly leave this to the police (who don’t seem to believe that Barrett didn’t just ghost Travis)? So she jumps into action—retracing Barrett’s steps, figuring out what story she was working on—assuming that’s the reason she’s missing.

This leads Madison down a twisty path into a criminal conspiracy that she can only see the barest outlines of—and might end up leading her into grave danger.

While she’s searching, Madison has to deal with someone having her followed, the aforementioned medical issues, and a truly inconvenient spark of attraction between her and Travis. Who might not be the great boyfriend he gives the initial impression of being.

My Alma Mater

Chapter One takes place on the campus of the University of Idaho—so you know Breck gets extra points from me for that. Would’ve been an easy 5-Star read if the whole book had taken place there—or at least most of it.

But no, Madison has to go home to San Diego—sure, it’s hard to blame her, San Diego in October has got to be more pleasant—wrecking my hope for a PI novel on campus.

Madison’s Development

After the events of Anonymous, Madison’s picked up some notoriety—she’s become a go-to for missing persons. This is great, she’d been bemoaning how all she’d been doing was insurance work in Anonymous, and it wasn’t that fulfilling—but as we see in the above quotation, she’s finding satisfaction in her work. It’s also nice to see that she’s getting some attention, you frequently get the idea in P.I. fiction that the work is largely unseen.

Another departure from the norm is that Madison’s monetarily successful at the moment—the typical PI is scraping by. Not Madison—at least not now.

The focus on missing persons reminded me of Elvis Cole, just up the coast from Madison—but despite some wealthy clients, you don’t get the idea that he’s as successful. He definitely doesn’t seem to get the notoriety. So, I guess I have to update my one sentence description of Madison from being “Kinsey Millhone for today” to add “with an Elvis Cole twist.”

It’s good that she’s got money coming in, because this self-employed, and likely under-insured woman has medical bills. I wasn’t sure what to think of the discussion of Madison’s past cancer in the first book, but seeing it here, I’m seeing what Beck’s intention is and I like the way it gives the character another dimension and unconsciously (sometimes, anyway) shapes her actions.

Madison and Barrett

One of the ways you can see the appropriateness of the title is that from the first conversation with Travis, Madison starts noting all the coincidental parallels between what’s she’s told about Barrett and what she knows about herself. This can go one of two ways, typically—either this becomes a large hurdle for the protagonist doing their job, or it’s a motivator. This largely serves as a motivation—but it also causes a couple of problems for Madison—at most it’s a distraction occasionally.

It’s arguable that she gets invested pretty quickly because of the parallels, but not by much. Also, Breck finds a way to use this sense of them being so similar in both a positive and negative way for Madison—and then adds a new layer to this later in the book. It didn’t go the way I expected, fully, but I appreciated it.

So, what did I think about Double Take?

I was pretty enthusiastic about Anyonymous, and this cemented my initial impression of Breck and Madison. I was enjoying this the entire time, but toward the end, Beck shifts into high gear and…wow. It’s the kind of ending where you find yourself leaning forward as you read, because somehow that helps you get to what happens next faster; you don’t hear the music/people/animals around you; and your eyes move just too slowly. Okay, maybe I’m exaggerating there, but woe betide anyone who attempted to distract me during the last quarter or so of the book.

This is a fast-paced book. The main action starts Monday evening and ends in the pre-dawn on Friday. In that time, Madison has to find a missing (hopefully still alive woman), figure out why she’s missing/abducted (which leads to a larger criminal act), deal with some personal (some of which should have been dealt with already) and medical issues—and maybe catch a wink or two of sleep. All that in a short amount of time helps explain a couple of the blunders she makes—but those help ground and humanize her, so who cares about them? Especially the way Breck uses those mistakes.

And, hey, she still quotes Nero Wolfe twice. University of Idaho and Wolfe quotations—it’s really like Elizabeth Breck wrote this for me. A delusional thought, I realize, but I like my delusions.

I do wish Breck had made it a little more difficult for the reader to see the things that Madison didn’t/couldn’t put together. I get why she did that, and it was probably the right move, but I still would’ve preferred to work a little harder. That’s the sole issue I have with Double Take, and who knows, any other day, I might have considered that a feature instead of a bug.

Even if you’re not me, if you’re a fan of P.I. novels, I don’t see how this novel/author/character/series doesn’t appeal to you. Madison’s tough, smart, lucky (and knows how important that is), and committed. Brisk and assured writing. A nice bit of sleuthing to find a pretty clever crime (committed by some people who really shouldn’t ever get into criminal activity—and some who seem born to it). My only regret is that I have to wait for the third book in this series to be published before I can dive in.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

WWW Wednesday, March 23, 2022

Spring has sprung, and sure, that’s messing with my Seasonal Allergies, but I’ll take it. I just stuck my head outside to get the dogs in and I’m going to have a hard time convincing myself to go back to work here in a few minutes…I was able to hold my attention together long enough to remember that it’s time for a WWW Wednesday, tnough.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading Halo: The Fall of Reach by Eric Nylund, which is not a sentence I’d have expected to utter even four months ago (which is the kind of snobbery I’m trying to get over) and I’m listening to The Two Towers by J.R.R. Tolkien, Andy Serkis (Narrator) on audiobook, and probably will be until sometime next week.

Halo: The Fall of ReachBlank SpaceThe Two Towers

What did you recently finish reading?

I just finished Elizabeth Breck’s dynamite Double Take and really enjoyed revisitng False Value by Ben Aaronovitch, Kobna Holdbrook-Smith (Narrator) on audio.

Double TakeBlank SpaceFalse Value

What do you think you’ll read next?

My next book should be DoubleBlind by Libby Fischer Hellmann and my next audiobook should be Murder Under Her Skin by Stephen Spotswood, Kirsten Potter (Narrator).

DoubleBlindBlank SpaceMurder Under Her Skin

You reading anything good right now?

Pay Dirt Road by Samantha Jayne Allen: A Tale of Oil, Murder, and Land

Pay Dirt RoadPay Dirt Road

by Samantha Jayne Allen

DETAILS:
Series: Annie McIntyre Mysteries, Volume 1
Publisher: Minotaur Books
Publication Date: April 19, 2022
Format: eARC
Length: 304 pg.
Read Date: March 21, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Pay Dirt Road About?

Annie just graduated from college and moves back to her hometown to decide her next move. That’s the generous way to look at it, anyway, we’ll get back to that in a bit. She’s waiting tables at a local diner—well, the local diner in Garnett, TX. It’s hard to say exactly how large Garnett is, but it’s not big. But given the nearby oil fields, there’s a lot of money as well as a lot of poverty in this smaller town.

Annie and her roommate/cousin spend a lot of their evenings drinking, frequently with others they graduated from high school with. One night they go to a bonfire at the home of one of Annie’s former classmates and unexpectedly run into a co-worker, Victoria. Victoria has overserved herself at this point and doesn’t show signs of slowing down. When Annie decides to leave, she tries to find Victoria but is told that she’s gone off with someone.

That’s the last anyone sees Victoria—the last anyone will admit to, anyway. Her body is found a few days later. Driven by guilt for abandoning her, Annie takes advantage of an offer from her grandfather—former sheriff, now a PI—to work for him and look into the case.

Annie

Annie is what many would call a deeply flawed character, but others would just say human. She’s trapped by her own insecurities as well as ego. She knows she could likely do well in law school—but it would be hard and risky. She could probably talk herself into the challenge, but failing means losing hope she could get away from Garnett, and I don’t think she’s willing to do that.

Like so many people in similar circumstances, not knowing what to do, she drinks, so she doesn’t have to think about it for a while. And drinks a lot. This wouldn’t be a big deal for me as a reader, but Annie spends a lot of time judging her grandfather for his drinking—especially when they’re supposed to be working. She doesn’t say anything to him, she just keeps it inside and lets herself indulge. It’s things like this that make her a wonderful, complex character.

The Sense of Place

I’m vague on a lot about the town of Garnett (size, demographics, etc.), but I also have some concrete visions of certain parts of it. It reminds me a lot of the TV version of Dillon, Texas—which seemed to change size, economic status, and makeup from week to week, depending on what the story called for.

As I type that, I realize that my ideas about Garnett are basically half-Samantha Jayne Allen/half-Friday Night Lights. Annie would basically fit in with the Tyra Colletes and Tim Riggins of the world, not the Jason Streets and Lyla Garritys (although we get glimpses of that part of Garnett, too). I just thought of three paragraphs I could do paralleling the worlds of these two fictional towns, so I’d better move on before this becomes a very different kind of post.

What I kept getting was a feel for the town more than anything—it’s the kind of place where the best and brightest leave after high school, and the big question is: will they come back? You get the impression that if they do, it’s not because they chose to—they either have no choice, or it’s just as a way station–like Annie intends. Some of those in the latter category end up sticking around, usually not by choice. This bleakness covers the whole of the novel—in the successes as well as the failures (and the in-between moments).

At the same time, it seems that few of these people are there by choice. It is their home. Up until two weeks before her death, Victoria had been tied to Garnett, but she had plans. Annie intends on leaving. But when it comes to the land of Garnett? Their families’ acres? There’s a reflexive, instinctive, and deep sense of possession and binding. Everyone knows that Annie’s going to leave town at some point—but when there’s a suggestion that someone is going to buy the land she’s set to eventually inherit? That sets an emotional fire in her that I think surprised even her. You see something similar with Victoria, too. People like them may not like Garnett, may not want to live there but it’s home. It’s their home, and will be.

So, what did I think about Pay Dirt Road?

I don’t know that I can say that I particularly enjoyed this book—by design, it’s not a good time. But it’s a great experience. Allen’s sense of character and sense of place ensures that the reader feels what’s going on. Particularly, but not limited to, Annie’s experiences.

Like with any good mystery—and look at character—Pay Dirt Road is as much about the investigation as it is the history of the characters—for Annie, this goes back to High School, for her family, the history we see goes back far before that. The past illumines the present, and helps the reader—and eventually, Annie and others—to see what’s going on in the present.

Last year, I finally got around to reading The Far Empty by J. Todd Scott. Garnett doesn’t have the same kind of corruption (at least that we see) going on, but it has the sense of setting, of bleakness, and dedication to place/city/home. Between these two books—not to mention Locke’s Bluebird, Bluebird and Kent’s The Dime—I’m starting to think I should focus more of my Crime reading on the Lone Star State.

This could be the beginning of a series—and if it is, I’ll be at the front of the line for the sequel. This could be a stand-alone, and if so, it leaves the characters in a good place—both in terms of closure and promise for the future. Either way, this is a book that’s going to linger in the back of my mind for a while, and I think that’ll be true for others.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Death in the Sunshine by Steph Broadribb: Detectives Hitting “Pause” on their Retirement

Death in the SunshineDeath in the Sunshine

by Steph Broadribb

DETAILS:
Series: The Retired Detectives Club, #1
Publisher: Thomas & Mercer
Publication Date: February 28, 2022
Format: Kindle Edition
Length: 319 pg.
Read Date: March 16-18, 2022
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Moira takes one last look towards the park and feels a pang of . . . something. She remembers how it felt when she saw the body, and how she switched from retired lady of leisure, Moira Flynn, back into her old, original skin. It’d felt like she was on autopilot– confident, professional, and knowing exactly what to do and what to say– and it had felt good. So good. Like she was useful again. Like there was a point to her. Like she still had purpose.

What’s Death in the Sunshine About?

Moira retired as a DCI doing undercover work, moved into a retirement community in Florida, adopted three dogs, and started on the next stage of her life—and tried to put everything that happened before retirement behind her. That was her goal, she was done with all that. Until early one morning when she finds a murdered woman floating in the swimming pool.

A neighbor and acquaintance—and leader of the community watch—comes upon the crime scene after the police arrive, sees Moira, and brings her back to his house to find out what’s going on. His wife was a CSI officer back in the UK, and Philip was also a DCI—he and Moira never crossed paths in England, just once she moved in. Philips’s friend, Rick, is a retired DEA agent and is also involved in the community watch.

Philip and Rick see this murder as an opportunity to get back into their old lives and bring some peace of mind to their neighbors—there’d been a string of burglaries recently, and now a murder, in their supposedly incredibly safe and secure community. They take it upon themselves to drag Moira and Lizzie into their impromptu investigation into the murder.

The police have no interest in, or patience with, what these four are discovering. They’ve got a quick and easy theory and solution in mind and are pursuing that—no matter how off-base they might be.

In addition to this murder (and possibly the string of burglaries that have gotten more than a few residents on edge), there are other mysteries bubbling under the surface—some involving the retired detectives, and others around their new home. We’re not going to get a resolution to them all in this book, maybe the sequel. Broadribb gives us just enough to get really invested in them without the reader feeling cheated that we didn’t get a resolution while making sure we’re coming back to see if we get to uncover the answer.

Un-likeable Leads

I’m not one who thinks you need to like all the protagonists in a book as people—but it helps if you like them as fictional characters. Death in the Sunshine gives a prime example of how it’s not necessary to like all the protagonists for a book to work.

I’m going to withhold the names, but I only liked two of these four as people—but all four made compelling characters. One of those I didn’t like, I might end up liking, once I decide how much I can trust them. But the fourth just rubbed me the wrong way all the time.

I can’t believe how many times I grumbled about Character X in my notes. I understood a lot of what made X act in the ways that made me dislike them so much, but that doesn’t excuse the choices they make throughout—that could have easily put the kibosh on their whole investigation.

Is it possible that Broadribb will change my mind about X in the next book? Absolutely. But I kind of hope she doesn’t, as long as I can keep liking the other two.

Pet Peeve

It’s been a bit since I’ve grumbled about this, but if a UK-based writer is going to write American characters, they really should get an American Beta reader to focus solely on making sure they sound like people who grew up and live here. I assume the experience for me is similar to someone from London listening to Dick Van Dyke’s Mary Poppins accent.

Now, I will say that it’s not that bad in this book, it’d take me only a little browsing through my archives to find worse offenders. But I expect a bit more out of Broadribb. She did make a wise move, I think, by having three of her four leads be from the UK, though.

So, what did I think about Death in the Sunshine?

Is that what this investigation is about? Is he trying to rekindle his old life? He misses it bad; misses it like a piece of him was amputated on the day he retired. If he’s honest about it he misses it as much, and maybe even a bit more, than he does his own children.

You start this thing having read the description, and you think this is going to be The Thursday Murder Club with different accents and a less amatuer-ish feel. This assumption lasts maybe two chapters before crashing headlong into the sharp rocks of reality.

It’s a wholly different setup, wholly different tone, with wholly different kinds of characters, and a wholly different relationship to the local police. This is a grittier kind of feel, with characters that feel like they could’ve stepped from the pages of other series right into this one.

Broadribb does a pretty good job of balancing the point-of-view characters, but I thought we could’ve gotten a little more of Rick, the ex-DEA agent, but that might just be me. Some of the supporting characters were a lot of fun, too—hopefully, they’re around in the sequel(s).

I particularly enjoyed the way Broadribb had these four reflect on what got them into investigating this case, and what it brought back for them. I’m years away from having to think about what life’ll be like when I leave the workforce, but there’s something about their reactions that spoke to me.

Strong characters and settings that we don’t see a lot of in Crime/Detective Fiction, some voices/perspectives that we could use more of, neck-deep in a case that should satisfy most genre fans. Now that Broadribb has established this world and characters, I’m expecting things to get better from here (and they’re pretty good where they are).

Jump on board this train while you can, readers.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: These Walls Were Never Really There by Bryan Blears

I’m very pleased to welcome The Write Reads Blog Tour for by Bryan Blears to the blog today. I couldn’t fit this into my schedule on time, sadly, but you should absolutely check out some of the posts about it at https://twitter.com/WriteReadsTours to see why you should give it a read. But before you go there, let’s learn a little about this book, shall we?

These Walls Were Never Really There Tour Banner

Book Details:

Book Title: These Walls Were Never Really There by Bryan Blears
Publisher: 2qt Limited
Release date: April 1, 2022
Format: Paperback/Ebook
Length: 286 pages
These Walls Were Never Really There

About the Book:

Based on the author’s own experiences of leaving home and traveling across Europe on less than a pound a day, These Walls Were Never Really There is a compelling true story described by publishing editors as ‘immersive and moving’ and ‘a potential prizewinner in the making’.

Initially set in the heart of Manchester’s homeless community, These Walls follows twenty-year-old Cameron, who is propelled on a physical and spiritual journey which will take him far from the life he once knew.

A surprising story about mental health, friendship, and redemption, this compelling debut will take you on a journey across Europe and beyond, as Cameron and his traveling companion Jacob navigate perilous border crossings, packs of wolves, and the harsh realities of life on the road.

Set against the backdrop of the emerging Arab Spring, Cameron and Jacob will have their friendship pushed to its limits as they find themselves trapped thousands of miles away from home…

Book Links:

Amazon US ~ Amazon UK ~ Goodreads

About the Author:

Bryan BlearsBryan Blears is an author of contemporary literary fiction from Salford, Manchester. He has written for the Huffington Post, the New Statesman, and the Philosophical Society of England, among others.

Focusing on social issues, mental health, and overcoming personal adversity, his fiction has been compared to George Orwell, Sylvia Plath, and Donna Tartt. His debut novel, These Walls Were Never Really There, has been described by critics as an ‘immersive and moving true story’ and ‘a fantastic talent, and a potential prizewinner in the making.’

Author Links:

Website ~ Twitter

 


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

REPOSTING JUST CUZ: Who Shall Ascend the Mountain of the Lord? by L. Michael Morales

Fatigue is winning over my will to get the post I intended for today finished. So, I’m going to repost this—I’ve been thinking a lot about this book recently, but I feel like I remember too much of it to commit, even if I want to master the arguments. I didn’t do justice to the book when I wrote the original post, but maybe it’ll nudge someone to read the book.


Who Shall Ascend the Mountain of the Lord Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of the Book of Leviticus

by L. Michael Morales
Series: New Studies in Biblical Theology, #37Paperback, 306 pg.
IVP Academic, 2015
Read: October 16 – November 27, 2016

So this is another one of those books that I’m not really qualified to talk about, but . . . whoops, here I go.

Morales doesn’t give us what you typically find/look for in a study of Leviticus — detailed explanations — or dodges — of the various purity laws and other commands and regulations contained in it. Instead, he begins by explaining his conclusion that Leviticus is the center of the Pentateuch, and that Chapter 16 is the center of it. Beginning in Genesis, everything is leading up to the Day of Atonement, and then everything from that is to be seen as the result of, or in light of that day.

That’s a lousy summary, but that’s the best you’re going to get from me in a couple of sentences. The argument is so detailed, so complex that I can’t really do much better without spending a few pages on it — and no one wants to read that (especially since you can read Morales doing a better job). At first, I thought that it was an interesting idea, but it really didn’t matter much. But as I read on and understood what he was doing better, it started to capture my imagination and draw me in. This was well argued, well researched — and well explained for even non-technical types like me.

But when it comes to Biblical Theology, the proof in the pudding comes from tying in his theses to the unfolding story of redemption — first in Israel’s story and then showing how it leads to Christ and His work on earth, His Ascension and pouring out of His Spirit to prepare a people to meet with Him on Mount Zion. The last two chapters were fantastic — and I’m going to have to reread them a few times to really wrap my brain around it all. There were moments of beauty here — it’s hard for an academically-inclined work to inspire and touch the emotions of a reader, but Morales did it.

This volume is the first I’ve read in New Studies in Biblical Theology (I believe it’s the first I heard of it, too) — the series is edited by D. A. Carson. The series aims “to simultaneously instruct and to edify, to interact with current scholarship and to point the way ahead. . . While volume notes interact with the best of recent research, the text of each work avoids untransliterated Greek and Hebrew or too much specialist jargon. The volumes are written within the framework of confessional evangelicalism, but they also engage a variety of other relevant viewpoints and significant literature.” If this is a representative volume, it won’t be my last in the series. If I can just pick another — the list of 41 is daunting — just too many choices.

Anyway, Who Shall Ascend was a challenging, interesting, educational and inspiring work — there’s not much more that you can ask for. If you’re up for the work, I heartily recommend it.

—–

4 Stars

Saturday Miscellany—3/19/22

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet How It Felt to Have My Novel Stolen—Peter C. Baker talks about being the victim of a manuscript thief
bullet How to write an audiobook—Rob Parker discusses his approach to writing for an audio-first format.
bullet The best books for people who love sweet old dogs—because I needed more books about dogs in my life? I think I’m going to have to get all of these…(Hat-tip: David Rosenfelt)
bullet Hardcover.app—is a new Goodreads competitor, anyone else try it?
bullet Booktuber, Shelf Centered, provides a through, in-depth, and definitive answer to the question: Do Audiobooks COUNT as Reading?—hopefully the debate is over now.
bullet I’ve been enjoying this series on Before We Go Blog, The Books That Made Us, this week had a couple of entries that really resonated with me: Time of the Twins (Dragonlance Legends) by Margaret Weis and Tracy Hickman and As I lay Dying by William Faulkner.
bullet New is Not Always Better- Hollywood’s Butchery of Good Stories
bullet How to Read More—Kopratic shares some tips that you probably haven’t seen before

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet TFTB Ep.34: A Conversation with John Scalzi

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Kaiju Preservation Society by John Scalzi—”Jamie Gray is stuck as a dead-end driver for food delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization.” Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on.” He’s not told that the animals are Kaiju, and, well…trouble ensues
bullet The Cartographers by Peng Shepherd—is one of those that I can’t think of a way to compress the synopsis into a sentence or two. Just click the link, looks like a lot of fun.
bullet Under Lock & Skeleton Key by Gigi Pandian—a strange, locked-room style mystery
bullet Blessed Are the Bank Robbers: The True Adventures of an Evangelical Outlaw by Chas Smith—the true story of a bank robber reared and enmeshed in Southern California’s Evangelical subculture.

Drown Her Sorrows by Melinda Leigh: Another Satisfying Entry in this Series

Drown Her SorrowsDrown Her Sorrows

by Melinda Leigh

DETAILS:
Series: Bree Taggert, #3
Publisher: Montlake
Publication Date: March 15, 2021
Format: Hardcover
Length: 304 pg.
Read Date: March 15, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Drown Her Sorrows About?

A new deputy investigates a report about an abandoned vehicle and calls Bree for backup, the owner left her home three days earlier after a fight with her husband and hasn’t been seen since. He’s been waiting for her to cool down and hasn’t been worried about her—it’s not the first time this has happened. But given the state of her vehicle, the deputy and Bree fear the worst and begin searching the area. They soon discover the body of a woman who looks like she jumped off a bridge into the river—they presume it’s the missing woman, but can’t be sure because of the body’s condition.

Once it’s determined that the woman has been murdered—Bree and her investigator, Matt, get to work—was she killed by her husband? Was it her sister—driven by repeated disagreements on how to deal with their mother’s medical bills? Was it her temperamental boss with the shifty-looking business practices?

Throw in her continued adjustment to a domestic life and helping her niece and nephew process their grief, learning how to be the top banana in a Sheriff’s Department (including having to work with deputies that aren’t interested in doing things by the book; the beginning of a secretive romantic relationship with Matt who happens to work for the department as a consultant)—and you’ve got yourself a novel.

Chief Deputy Todd Harvey

Something that struck me in the last book, but jumped out to me here, and bugged me throughout—Leigh isn’t doing right by at least one of her supporting characters—Chief Deputy Todd Harvey. We’re told that Todd was one of the non-corrupt members of the department under the previous sheriff; he tried to do right by Matt during his troubles, and he’s been super supportive and helpful to Bree. He knows the area—and the politics—and yet he’s basically Detectives Ryan and Esposito—he’s around to deliver exposition, deliver timely information, get warrants, etc. That’s all.

There’s a pretty similar dynamic to Bree/Matt in the Walt Longmire books with Sheriff Longmire and his undersheriff, Moretti—those two are at the forefront of the cases, doing most of the work that the reader sees with other members of the department playing supporting roles. But even there, Saizarbitoria, Double Tuff, or even the new hire whose name escapes me at the moment, get to do more than deliver exposition or do behind-the-scenes work. If they appear in a book, there’s something that they bring to the story beyond delivering messages or warrants.

Ol’ Todd deserves better. Let him sit around and participate in the brainstorming. Let him handle an interrogation, or find the missing evidence, etc. Just give him any kind of storyline. Bree’s old partner, now housemate, serves a similar role on the homefront—and Leigh started to give her a story in this one, so I know it’s possible.

Series Timeline

We’re told that this book starts roughly four months after the murder of Bree’s sister. That doesn’t seem like enough time.

It may be about the right time frame for Bree’s niece, and you could argue that it’s about right for her older nephew. They’re still adjusting, still grieving, still trying to figure out how to behave in school, etc. But you mean to tell me that in four months, Bree’s closed two major cases (with one more underway), settled into her new job, started a (secret) romantic relationship, hired some new deputies, and is getting the runaround from elected officials about her budget? I just don’t buy it. That’s not enough time.

Another way to look at it is: you’re telling me the spate of murders in the last four months doesn’t have them throwing money at her to crack down on the crime stats?

Does this really affect me or my enjoyment of the book? Not really, but every time they bring it up I have to stop and think about it for a minute before shrugging and moving along. It’d be great if that part wasn’t necessary.

So, what did I think about Drown Her Sorrows?

This is another engrossing and entertaining read from Melinda Leigh. Once you get the setup for the novel, the pages just melt away. I always finish these faster than I expect to and am surprised when they end.

There’s something effortless in the prose and engaging about the characters and stories. Sure, I have quibbles and questions about some of Leigh’s choices after I put the book down. But while I’m reading (other than the Todd stuff), they don’t register with me, and I’m just wanting to find out what happens next and if I was right about the killer’s identity. The reveals are satisfying, the twists are well-delivered, and the herrings are just the right shade of red to keep you guessing.

These are fast and fun books, you should check them out. So far, these work as stand-alones or entries in a series, so you’re probably safe to jump in at any point.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.


			

Spelunking Through Hell by Seanan McGuire: It’s Always the Last Place You Look, Right?

Spelunking Through HellSpelunking Through Hell:
A Visitor’s Guide to the Underworld

by Seanan McGuire

DETAILS:
Series: InCryptid, #11
Publisher: DAW
Publication Date: February 28, 2022
Format: Trade Paperback
Length: 267
Read Date: March 14, 2022
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If Thomas is there, if he’s still alive and waiting for me to find him, I can’t make him wait because I’m finally stopping to worry about my own neck. My neck doesn’t matter. My neck made a lot of choices, and none of them said ‘hey, it would be fun to survive a long, long time.’

What’s Spelunking Through Hell About?

Alice Price—grandmother to the primary protagonists of this series—has spent the last fifty years jumping from one dimensional reality to another, seeking her husband who has been taken from her as part of the deal he made with the crossroads. Alice has sacrificed just about everything—her health, almost every waking moment, her children’s childhoods, and her relationship with them, for starters.

Now, given some information Annie was given as she defeated the crossroads recently, Alice knows that the clock is running out, she’s going to have to take some risky and dramatic moves in a last-ditch effort to bring her husband home. Assuming she can find him, that he’s still alive, and interested in coming home, that is.

Alice calls in markers, gets help from several allies, and takes some big—possibly fatal—risks to follow her last theory about where to look.

Hopefully, it’s worth it.

Quo Vadimus

The first five books in the series, while interconnected, felt very stand-aloneish. Then we got Annie trilogy—which started out as something in the same vein, but then shifted into something else, something else that ended up informing this book—and then we had the pretty intense duology about Sarah. Now we have this one, which feels stand-aloneish again, but is also the consummation of things that go back to the beginning.

That’s how the series struck me as I read it, anyway—although between what McGuire has said and a little bit of thinking I’ve done in the last day or so, maybe it’s not the best way to think of things—easier to say from this vantage point. At any rate, this book sure feels like a turning point in the InCryptid series.

So where does the series go from here? Well, it can go back to the whole Covenant of St. George vs. the Prices (and all Cryptids in North America) conflict. Maybe touching base with things in Australia, along the way? It’d be nice if we saw Alex and Shelby again. Maybe there’s more fallout from Annie’s Crossroads takedown or Sarah’s adventures to deal with, too. Or something that seems out-of-nowhere but that McGuire’s been planting seeds for since at least the second book—I put nothing past her.

I realize it’s silly to speculate, but when a book is where a series has been heading for a while, it invites theories about where the series might be going next. Knowing McGuire, the answers are somewhere online already, but I’m going to wait until Book 12 to see.

So, what did I think about Spelunking Through Hell?

The last couple of books just didn’t do as much for me as the earlier books in the series did, I was so glad to get back to the previous levels here (sorry, Sarah!). There’s just so much to commend about this book, and so little to complain about. There was at least one point in the book that was a “Eureka!” moment for me—I couldn’t believe McGuire had tied X into this book. Thirty seconds or so after I got that surprise, I realized I should’ve been expecting it. I’m glad I hadn’t taken the time to think about things so that I would expect it, it’s more fun to get the Eureka.

Alice shares the same quippy attitude as her grandchildren, the same stubborn streak and aptitude for violence—which isn’t that surprising, really, where did I think the kids got it? Still, as has been the case for the other four narrators in the series, while there’s a family resemblance, there are individual distinctives so that you don’t confuse her with the previous narrators.

Inside the crunchy candy shell of quips, magic, trans-dimensional travel, and people fighting for their survival, there’s a chewy center of a very sweet love story. I have no problem with the crunch shell, but like with a Tootsie Pop, the center is what makes it all worth it. The dénouement may be better, however—I know I didn’t get through it with dry eyes.

This is not the book to jump into this series with. Yeah, I’ve said it feels like a stand-alone, which seems like it’d serve as a jumping-on point, but it’s really not. Go back at least to Magic for Nothing, but you’d be best served going back to Discount Armageddon. Just know that when you start (and you really should if you haven’t yet) at one of those points, you’re in for a heckuva ride when you get to this book.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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