Author: HCNewton Page 237 of 623

The Readers Problem Book Tag

The Readers Problem Book Tag
I saw this over at Rab’s Bookish Planet last year and finally got around to giving my answers.

Yeah, there’s probably a little .gif overkill here—I used a couple without thinking, and then the rest of the prompts looked boring. So I had to go hunting and gathering some more. If it’s too much for you, leave a comment below and I’ll refund your subscription price.

1. You have 20,000 books on your TBR. How in the world do you decide what to read next?

First, I’ve really cut down on the TBR, so it’s really only 19,873. So let’s give me a little credit.
So Many Books, So Little Time
At the beginning of a year, or month, or periodically (say, when I’m assembling a WWW Wednesday or a Month-end retrospective, or…) I’ll do some sketching out about the order I’ll be tackling books. Or I’ll say I want to read Book X by May. So I’ll schedule it for mid-March to be sure I read it by late April (no later than June). Or, it’ll have something to do about release dates (either because of NetGalley or it’s a book in a series I want to read as soon as it comes out), or library due dates, or a Book Tour date, or when I agreed to read something an author/publicist gave me…ugh. I really don’t know how I decide what to read next. It’s madness, I say. Madness.

There’s a strange alchemy of whim, obligation, and happenstance, I guess.

I really envy those people who have a list/rotation/schedule and pretty much stick to it.

2. You’re halfway through a book and you’re just not loving it. Do you quit or are you committed?

I'm Not Letting This Go
Almost always committed. I talked about it in Book Blogger Hop: From Beginning to End?. There’ve been a few times that when I’ve stuck it out, I end up changing my mind about a book, too. Which is enough to reinforce the behavior.

Mostly, it’s curiosity—can the author fix this? Where are they going with it? Is it maybe worth it?

3. The end of the year is coming and you’re so close, but so far away on your Goodreads reading challenge. Do you try to catch up and how?

Baby Intense Reading
It’s been a few years since this happened to me—the last time it happened, I won’t say I picked short books, or a series of novellas or anything. But I did stay away from books that I knew would be slower reads. As I recall, that involved grabbing a 370+ book and leaving a 220 for later—that author just always slowed me down. The details are vague, that was 2015, I think…so, who knows really what happened. Since then I blow past my goal in October or so.

4. The covers of a series you love do. not. match. How do you cope?

Not well. Not well at all.
Not Great, Bob
Book 4 of my Codex Alera collection is a different height (it was the one, not surprisingly, that I couldn’t get from my local store). A few years back, the dimensions of the Stephanie Plum mass-market paperbacks changed—I’ve got 20+ of these all with the same dimensions (except page count variance), and all of the sudden, they’re taller and skinnier? ARGH. A few years before that, the Michael Connelly mass-market paperbacks did the same thing. I made my position clear to Connelly’s publishers and started buying the hardcovers—I’m sure they learned their lesson! (I won’t do that for Plum, though, I’m learning to live with change.)

It’s like nails on a chalkboard to me. I put up with it because I’m cheap (sort of). But…ugh.

5. Everyone and their mother loves a book you really don’t like. Who do you bond with over shared feelings?

Joey Alone
I draw strength from swimming against the stream. I’m a maverick. I’m a lone wolf. The Irresponsible Reader contra mundum! (yes, I really did compare my opinions on popular fiction with Athanasius’ stand against the Arians…)

Okay, that’s not true. Mostly, I just shrug my shoulders and move on with a sense of confusion and bemusement. Frequently, I can put my finger on what everyone else likes that I didn’t (or vice-versa when I’m alone throwing 5-stars at something), and that helps. Rarely changes my mind, but at least I can understand where everyone’s coming from.

There are too many books out there I can agree with, or pay attention to, that I don’t spend a lot of time thinking about how messed up everyone else is when it comes to liking the wrong books.

6. You’re reading a book and you are about to start crying in public. How do you deal?

Who, me? Cry? I’m far too masculine for that kind of thing…
Andy Dwyer I'm not crying

Actdually, it doesn’t happen often—but it has (especially when I listen to an audiobook at work). Not because I’m great at planning things like that, or avoiding those kind of books when I’m at break/lunch at work, it just hasn’t happened. Thankfully, when a book does move me to tears, it’s rarely a full-blown thing, just very I just get watery-eyed and a tear or two will trickle. Which I can cover up with a fake sneeze or two.

I remember when I read my kids The Prydain Chronicles that a couple of moments in The High King hit me hard (despite having read the books countless times growing up), and they all kind of gave me odd looks as I pulled myself together.

This has nothing to do with the question, really, but I was just struck by the memory of a classmate in 8th grade breaking down at a couple of deaths in the Dragonlance Chronicles—which really bothered me, because that particular teacher had already warned her about reading them when she was supposed to be doing Math, and I was afraid she’d get the copies she’d borrowed from me confiscated.

7. A sequel of a book you loved just came out, but you’ve forgotten a lot from the prior novel. Will you re-read the book? Skip the sequel? Try to find a synopsis on Goodreads? Cry in frustration?!?!?!?

I Still Have those Memories
I used to re-read the previous 1-3 books as I waited for a favorite series to drop a new installment. But I don’t have time for that any more. With some series, I’ll to the audiobook for the previous novel as a way of getting my brain back in gear. For example, a couple of weeks ago, I listened to Lost Hills to prime the pump for Movieland which released today. I’m also listening to Amari and the Night Brothers and Daughter of the Morning Star this week to prep for the August installments of those series.

But on the whole, since I’ve started book blogging I don’t need to re-read the series/previous books—these posts cement most of the details I need in my mind. Or I can re-read my post in time for a new book.

Still, those authors/publishers that include a “where we are in the series” kind of page or three? I love you so much. Seriously. Hit me up for blood transfusions, marrow donations, etc. if you need one.

8. You do not want anyone. ANYONE. borrowing your books. How do you politely tell people nope when they ask?

Nope
There are some books that I just refuse to loan—signed copies, some with personal meaning, or books that you just can’t find anymore. I hem and haw a bit, when someone asks for one of those, but give a pretty firm “no”—with regrets. By and large, though, I loan books out without much problem. I do tend to ask people to note the condition the book is in when I hand it to them and ask that it look pretty much the same when I get it back.

(and I’m always prepared to go buy myself a new copy, just in case)

Years ago, I had a friend who’d borrow books from me once or twice a year—and then find himself writing notes, highlighting sentences, and so on. And he’d feel bad and buy me a copy without my asking (or even wanting…I liked using his notes! So did he, though). He ended up moving across the country before he got to the point where he’d stop borrowing and would just start taking a recommendation from me and just buy a copy for himself. I kind of miss our little routine.

9. Reading ADD. You’ve picked up and put down 5 books in the last month. How do you get over your reading slump?

King Louie
I haven’t had a reading slump in so long, I honestly don’t know. I don’t have time for them.

I think what I’d do is grab a Nero Wolfe/Archie Goodwin or a Spenser novel—maybe another beloved book if I needed another genre. But usually one of them, it’d remind me that I liked books and I’d be able to jump on whatever was next.

10. There are so many new books coming out that you’re dying to read! How many do you actually buy?

Spend Every Last Cent
A lot. Not as many as I want, obviously. But…I’m buying about 13 books a month so far this year. Wow. That suprised me (only 7 in February, somehow). How I decide what will be a purchase and what will be borrowed from the library is instinctual, I don’t know if I can put it into words.

Thirteen? Good grief. I hope this isn’t one of the 10% of my posts that my wife reads.


As usual, I’m not tagging anyone in this—but I’d like to see what you all have to come up with.

The Lost by Jeffrey B. Burton: Mace and Vira Race the Clock to Find a Kidnapped Girl

I was interrupted more than usual while writing this post by one of my dogs seeking attention. “Could I give you scritches later, girl? I’m trying to talk about fictional dogs,” is a strange mind space to be in.


The LostThe Lost

by Jeffrey B. Burton

DETAILS:
Series: Mace Reid K-9 Mystery, Volume 3
Publisher: Minotaur Books
Publication Date: June 27, 2022
Format: eARC
Length: 288 pg.
Read Date: June 16-17, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s The Lost About?

Mace and his dogs are moving in different circles after the events of The Keepers, and get called to help the FBI look for a missing mother and daughter—they were kidnapped after a home invasion went wrong. Their husband/father, financier Kenneth J. Druckman, was beaten and left behind. It’s up to Mace and Vira to give them a lead.

Sadly, it doesn’t take long for Vira to find the mother’s body on Druckman’s land, or for her to act like Druckman did the killing. It’s not like Mace can just point at the billionaire and shout, “J’accuse!” He’s going to need to find more than the word of his young dog—he also needs to help the FBI (if he can) to find the five-year-old girl before it’s too late.

Kippy Gimm (now a detective) and the rest of Mace’s dogs are, of course, in on this, too.

Non-Mace Perspectives

Typically, I’m not a fan of a first-person narrated book frequently switching to the third person—usually the killer. It doesn’t turn me off of a book, but I really don’t enjoy it. Burton, however, has done a better job of it in this series than most authors. I don’t know that I can say that I’ve enjoyed every instance of it—but, unlike most, in the previous two books in this series, those sections have added to the novel.

That really doesn’t sound like a compliment, but it was one.

In The Lost, most of those scenes/chapters are essential. The way this novel is set up—and the crimes perpetrated by the various criminals involved (and there are a handful)—necessitates that we see things from several perspectives that aren’t Mace’s. There’s just no way that he can find this information (he doesn’t require it, but the reader is going to demand to know what’s going on)—and it’d take months of investigation after these events for the FBI to figure some of this out (assuming they’d try).

The later in the book we get, the better these non-Mace portions get. Particularly those from the daughter’s point of view, they brought a lot to the table and got me really invested in these characters.

I still think I’d prefer more Mace and less of everyone else in future books in the series—but The Lost really shows that this approach can work. It also underlines how good at it Burton is.

So, what did I think about The Lost?

I’m not sure how the space is given to the non-Mace perspectives in this book compares to the previous novels, but it’s significantly more—that alone makes this novel feel different. The fact that many/most of those sections of the book take place prior to Mace’s involvement with the Druckman family also contributes to that feeling. I appreciate the fact that Burton’s doing things in Book 3 to make sure the series doesn’t get in a rut.

Sure, it’d be a fine rut to get stuck in and I’d have gladly read more books that were structurally similar to The Finders and The Keepers.* But I’m glad Burton made the step now and didn’t wait until he needed to shake things up.

* I read The Keepers a year ago and didn’t get the title until right this moment. I’m not too proud to admit that.

I’m not sure that we needed to learn about Kippy’s job woes at this point—it didn’t have an impact on this book, as FBI-centric as it was. It might have been better to talk about her difficulties with her new assignment when it’d have a bearing on the plot, and wouldn’t risk feeling like a repeat when it does come up. It’s not a good position for her to be in—I don’t want to minimize that—I’m just not sure the reader needed to get that information now, I don’t know what we’re supposed to do with it. As complaints go (and I think it’s the only one I had with this book), that’s a pretty minor one.

The pacing on this is strong—we hit the ground running with Mace and Vira at the beginning and we really don’t stop. There isn’t a lot of time here for contemplation and rumination—it’s not a breakneck speed, but it’s a steady jog. Again, it shows that Burton’s doing something different in this book.

I feel like I’m spending too much time talking about how different The Lost is from the other books—and I don’t mean to harp on it, I’m just commenting on the various ways it is. I don’t know that readers who aren’t writing about the book are going to spend that much time thinking about it—I think they’ll note the freshness of it, they’ll feel the overall effect, though. I’m not saying it’s better or worse than the other two, just appreciatively different. And that’s a nice thing.

As always, any time spent with Sue, Maggie May, Delta Dawn, Vira, and Billie Joe is a boon. They’re a fun pack of animals to read about—and I’m already looking forward to their next adventure. Mace and Kippy are good, too—but we all know who the stars are here.

This would be an okay jumping-on point to the series, I’m not sure you’d get the full idea of Vira’s special talents—but that’s okay, it’s not required to appreciate the books. The important thing is that mystery readers—particularly the dog-loving kind—jump on to the series at some point.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

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REPOSTING JUST CUZ: The Christ of Wisdom by O. Palmer Robertson

The Christ of WisdomThe Christ of Wisdom: A Redemptive-Historical Exploration of the Wisdom Books of the Old Testament

by O. Palmer Robertson

eARC, 432 pg.
P&R Publishing, 2017

Read: May 7 – 21, 2017


Robertson’s preface laments the way that the Wisdom Literature of the Old Testament is usually ignored in Redemptive-Historical studies —

…how do you fit these wisdom books into the flow of redemptive history that consummates in the Christ? By letting them be what they are in their own distinctiveness. They are, it should be remembered, canonical, divinely revealed, and authoritative writings that tell the world how and what to think about the deeper mysteries of human life. Rather than submitting to the moldings and bendings of modernity, these books broaden our understanding of the nature of redemptive history. Divine progress in the complete restoration of reality does not merely move in a purely linear fashion like the flight of an arrow moving across time and space without deviation until it reaches its target. This “third dimension” of redemptive history moves in a cyclical pattern. For certain aspects of God’s salvation perform according to a pattern of regulated repetition.

To ignore this dimension of redemptive history is to exclude a major portion of the old covenant canon—and that you do not want to do.

So how do you discuss these books from a RH point of view? This is what Robertson seeks to do in this book — not as a final answer, but as the beginning of a search for wisdom along these paths.

In one sense, Robertson could’ve made this easier to talk about this book — there’s not one central argument developed throughout. There’s a general discussion (brief) of wisdom, wisdom Biblically defined, that is. And then using that discussion, Robertson looks at the Wisdom Literature of the Old Testament (and Lamentations, which is not usually considered Wisdom Literature, but can function as such), summarizing each book, looking at the various forms of wisdom described and passed on through it.

Simply,

Wisdom is the ability to understand the basic principles inherent in God’s created order, and to live by those principles. Wisdom enables a person to summarize these basic principles in a succinct and memorable fashion. Wisdom is living out the whole of life with a constant awareness of accountability before a loving, gracious, and just Creator and Redeemer.

The work he does to get to this summary is well worth the time and effort to work through. Actually, that goes for everything in the book, but I’ll hold off on saying that kind of thing for a few paragraphs.

The chapter on Proverbs is, fittingly, the longest and most developed. He discusses various approaches to the book, to understanding its construction and from there trying to understand it:

A much more accurate view of the theology of Proverbs may be gained from a covenantal perspective. The wise sayings of the book are not presented in a vacuum. They are not purely moralistic aphorisms. Instead, they are steeped in theistic assumptions. These wise observations about how the world works assume that God the Creator is none other than Yahweh, the Lord of the Covenant.

This, right here, would help so much of what I’ve read about Proverbs over the last few decades. To get into everything that Robertson says about the pursuit of Wisdom, passing it on and living by it from this book would make this post unbearably long — but it builds the foundation for everything that comes. Proverbs covers Wisdom as a whole — the rest of the book deals with it in specific areas.

While dealing with the personification of Wisdom in Proverbs 8, Robertson gives an excursus, “Athanasius as the Champion of the opponents of Arianism,” that is just gold. I’d love to see this developed into something longer.

Following Proverbs, he moves on to Job. Job doesn’t give us the answers to the puzzling circumstances of life, but for those who understand the book, they learn how to puzzle through the circumstances, how to think about them — how to ask God about them. Yes, there are answers given in the book — not easy answers, not the answers anyone necessarily wants, but answers — answers tied to the hope of the Resurrection. But wisdom knows to look for those answers in the difficulties of life, with a sure faith that is willing to look at dark circumstances and say, “I don’t know why this is happening, but I trust in Him Who does.”

Ecclesiastes, is, naturally, a tricky chapter — Robertson threw me a curveball when setting aside the usual discussion of authorship of the book to note

But a related question of some significance for understanding the book has been generally neglected. This neglected question is the identity of the “target audience”of Ecclesiastes.

Chewing on this a little helps get through some of the discussion of authorship. There are so many divergent readings of Ecclesiastes that your head can swim just trying to get a sense of them, Robertson is a pretty sure guide through them before landing on his conclusion that Ecclesiastes presents a “realistic picture of life” — one that is a precursor to Paul’s discussion in Romans 8, where creation is subjected to frustration, but that this is being renewed. I do think this chapter could’ve been organized in a more straight-forward way, but I appreciate the way that Robertson makes you work through various considerations and themes before leading to his conclusions — which are all very helpful.

His discussion of Lamentations, summed up in the subtitle “How to Weep,” was one of the best things I’ve read on the book (an admittedly too-short list). You may think that’s a pretty easy thing to learn — but there’s a wise way, a godly way to weep over the tragedies that will come into our lives. The book of Lamentations teaches us that — and, here’s the RH emphasis coming through — there’s a hope tied to the wise weeping. A hope tied to faith in God’s commitment to preserving a repentant people to Himself.

Lastly, we get to the wisdom of “How to Love” (in a marital sense) in the Song of Songs. The way he reads the book is a “Redemptive-Historical” way, in

terms of the redemptive work of God in restoring humanity to the situation prevailing at the time of creation . . . a restoration of the initial blessing of man and woman in their relation to each other, just as when they first stood in each other’s presence “both naked” but feeling “no shame” (Gen. 2:25). This Song rejoices in the fullness of God’s redemption of the marriage relationship.

He concludes this chapter uniquely, with a script for a Dramatic Reading of the Song of Songs — I think there could’ve been a bit more instruction on how to approach such a Reading — and why — than he gave. But I really appreciated that part.

He could’ve used a conclusion to wrap things up — returning to the closing admonition of the opening chapter. But that’s probably just a taste thing on my part.

There’s a focus on the literary/poetic forms in each book tying in the themes and teachings of them to the way the author presents them. This kind of discussion — no matter the type of literature (inspired or not) always stretches me. I imagine I’m not alone in that — in fact, I bet many people will skip those parts. This is to their own detriment. Robertson discusses these matters in a way that takes some effort to understand, but it’s effort that pays off.

This is a truly helpful book — not full-fledged commentaries on any of the books, but helpful summaries pointed towards seeing the wisdom passed down in each book, and tied into the Redemptive work going on in history all around us. I found it interesting that the recent A Biblical-Theological Introduction to the Old Testament doesn’t approach some of these books the same way as Robertson — in some ways flatly contradicting him. I’d hoped for more overlap between the two works approaching this material from the same framework — but none of the contradictions or differences change the overall message of the Biblical material, just shadings. Honestly, in each case, I think Robertson’s readings are easier to square with the texts in consideration (and not just because he has more pages to develop his points, either).

Robertson, as always, delivers the goods with this book. The reader has to think about what he says, has to drag out their Bible and use the two books together, but will ultimately come out the better for it. I found this book to be incredibly helpful, insightful and something that drove me back to the fullness and fulfillment of all the wisdom of God — Jesus the Messiah. Just where Robertson wants his readers to focus.

Disclaimer: I received this eARC from P&R Publishing via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

4 Stars

Saturday Miscellany—6/18/22

Weeks (like this one) where I don’t have a lot of fodder for this post always make me wonder: Did I have an off week? Was it just one of those weeks where everyone was thinking about other things? Does it matter—it takes three things to make a list, as long as I have that…
I tend to lean toward the last one, my streak of these is long enough that as long as I’ve got those three…

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet 29 Works of Nonfiction You Need to Read This Summer—I will not be reading any of these this summer (which goes for all of LitHub’s summer lists), but most of these look interesting a couple might find their way to the Fall list.
bullet Constable signs three more titles from Craven in six-figure deal—The lines there about “global brand” and “North American rights” warm my heart. The idea of not having to put up with the cost/time (mostly time) involved in getting Craven from the UK makes me very happy.
bullet When Will Novels Fix Society Already?—I dunno…tell me the U.S. hasn’t been “fixed” into a dystopian/cyberpunk prequel? We just need to pick better books (see also: less pretentious works than this piece talks about)
bullet Peat Long posted a couple of good ones this week (well more than a couple, but I’m sharing two): Secondary Belief vs Suspension of Disbelief—Secondary Belief is a term I’ve been grasping after for months. Good stuff…
bullet As much as I enjoyed that post, and will be reacting to it (not that anyone but me will likely be able to tell) for a while, On Objectivity as a Reviewer is better.
bullet 10 Quick Takes on Common Bookish Controversies—Sure, I’d co-sign 80% of this (likely 90%, if pushed, but my reflex is to shudder at the upscaling idea). If I disagreed, it’d still be a fun post to read.

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Trouble with the Cursed by Kim Harrison—the latest Hollows novel dropped this week, it looks like Rachel has some cleaning up to do/keep doing after last year’s novel.

Lastly, I’d like to say hi and extend a warm welcome to Shristy Singh, who followed the blog this week.

Against All Odds by Jeffery H. Haskell: It’s the Chance He’s Gotta Take

Against All OddsAgainst All Odds

by Jeffrey H. Haskell

DETAILS:
Series: Grimm's War, #1
Publisher: Aethon Books
Publication Date: April 19, 2022
Format: Kindle Edition
Length: 448 pgs.
Read Date: June 13-16, 2022

Chief Boudreqx rolled the ship until the belly faced Kremlin and the cockpit looed out into open space…open except for her.

The Interceptor. The front of her hull was painted like a shark’s head, but it was old and faded, scratched and worn.

Jacob had spent most of his life waiting for this moment, and in it, all his concerns about his past, his present, and his future faded away.

He didn’t care if she looked like a beaten prizefighter with her armored hull dented and streaked from action. Or if the turrets were scratched, streaked, and patched.

Only that she was his.

What’s Against All Odds About?

Two years ago, Lt. Jacob Grimm, did the right thing in a crisis situation. Sadly, the optics of his action were horrible and the political fallout from it turned a promising Naval career into a dead-end endeavor. He’s assigned to an obscure post—where he does well but is destined to fall into obscurity and having to leave the navy.

Then politics intervenes again—and he’s assigned a ship to command. The commander unexpectedly died of natural causes a couple of months ago, and Interceptor needs someone to get it back into shape. Grimm doesn’t know the politics behind this assignment—and doesn’t care. This is his last hope of doing anything with his time in the Navy that won’t be covered in scandal.

In the intervening months, the ship has fallen into disrepair (its major drive component is missing!), and there’s little-to-no discipline among the crew. Grimm has his work cut out for him.

Meanwhile, a hostile (foreign) government, pirates, other criminals, and an obsessed scientist are at work in this sector—naval high command is up to something, too. Grimm and his crew only know about the pirates, so they don’t realize just how interesting/dangerous life is going to get.

The Technology of this Universe

He wasn’t in uniform, but the cap was a universal spacer adornment. Ships were almost always on the cold side, enough to be uncomfortable without warm clothes and a watch cap. If a ship was warm, something was terribly wrong.

One thing every book about interstellar travel has to deal with is how both travel and communication are handled. I appreciated Haskell’s approach, it feels as grounded as any series that’s not going to force generation ships on everything can be.

The way he designed the technology/construction/etc. of the ships really appealed to me. There’s a very Star Trek-feel to the whole thing, but without the shiny panels and great lighting, the physical aspects of the ships are more Firefly-like. Think Moore’s Battlestar Galactica, just slightly less advanced.* There’s also a feel of 20th Century Navy ships and submarines—unforgiving metal everywhere, a focus on function over comfort/aesthetics; cold temperatures everywhere; worrying about what could happen to things that aren’t bolted down while the ship moves; food that’s nutritious, but not necessarily appealing.

* I’m a little annoyed with myself here. I spent the entire novel thinking about the Star Trek/Firefly comparison and only got around to BSG because I wanted to throw on some Bear McCreary as I wrote this. BSG is a better way to envision the tech/atmosphere. There’s a very non-subtle Star Trek homage in the novel, so I feel okay getting it stuck in my mind.

So, what did I think about Against All Odds?

I’ve enjoyed the first two novels in Haskell’s Full Metal Superhero series (and have been kicking myself for years for not reading more of them), but this? He’s clearly been working his craft since 2017, and it has paid off here.

I spent a good portion of the novel wishing he’d spend less time on the subplots—assuming they’d end up being important, but all I wanted to do was get back to the Interceptor. It made me question several of my reading choices over the last couple of years—why didn’t I read more things like this? There was a brief spy vs. spy thing, too, as part of a subplot—I could’ve used more of that. But once the subplots started converging on the Grimm/Interceptor story? It was like having my cake, eating it, too—and not caring about my A1C levels.

My impatience aside, this was skillfully paced—he kept the tension mounting as you become more invested in the various crews and characters, and as the layers of the plot get pulled back to reveal Haskell’s game plan. The combat scenes—the ship vs. ship scenes in particular—were great. There are times I feel shallow and adolescent for enjoying that kind of thing the way I do, but I get over that pretty quickly.

I would say the Epilogue felt unnecessary—if the reader didn’t assume most of what we got there already, I’m not sure they were paying attention. I think it’d have been better for Haskell to trust the reader to assume the Epilogue and/or to see the effects of it play out over the next book or two without spelling it out quite the way he did. That’s my major beef with the book, and if it takes until the Epilogue to get something like that? That’s a pretty good sign. There were a couple of other choices I questioned, but I want to see what Haskell does with them before I spend too much ink on them.

I’ve got Book 2, With Grimm Resolve, scheduled for mid-July—and at least one too many books on my June schedule—but it took all my discipline not to dive into it after finishing this. Do yourself a favor, grab some popcorn and settle down with this for a couple of hours—you’ll have a whale of a time.


4 Stars

20 Books of Summer

The Friday 56 for 6/17/22: Against All Odds by Jeffrey H. Haskell

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 55 (because 56 was blank) of:
Against All Odds

Against All Odds by Jeffrey H. Haskell

“Don’t worry, sir, you’re in good hands. I’ll take care of everything so you can focus on your research,” she said with a smile.

She was certainly chipper. An optimist to keep him company wasn’t a bad idea. Not to mention, nothing made an old man feel young like a beautiful girl at his side. He sighed. Those days were long past, but the reminder would be nice. Not that she would think of him that way, nor would he ever try anything. It would just be nice to have her along.

Yes, this was going to be the best year of his life.

The aircar swooped out of the sky and came to hover next to them. Iker picked up his bag and loaded it in the trunk with a smile, daydreaming about how the future of the galaxy was about to change.

Magic Kingdom for Sale–Sold! (Audiobook) by Terry Brooks, Jeremy Arthur (Narrator): A Nostalgic Trip I Maybe Shouldn’t Have Taken

Magic Kingdom for Sale–Sold!Magic Kingdom for Sale–Sold!

by Terry Brooks, Jeremy Arthur (Narrator)

DETAILS:
Series: Landover, #1
Publisher: Random House Audio
Publication Date: March 28, 2022
Format: Unabridged Audiobook
Length: 12 hrs.,  48 min.
Read Date: May 19-24, 2022
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What’s Magic Kingdom for Sale–Sold! About?

Ben Holiday is a recently widowed trial lawyer from Chicago. His wife’s death has left him devastated, he is essentially going through the motions in all aspects of his life. One wintery day, his mail includes a holiday catalog addressed to his wife (younger readers should consult their parents about mail-order catalogs). She loved those kind of things, so Ben flips through it as a way to connect with her. One listing catches his eye—an offer to purchase a magic kingdom, with all that is implied by that.

He can’t get the idea out of his mind, eventually flying to New York to meet with the representative for the company about the offer. It’s sincere, he’s told, for one-million dollars (largely refundable within a brief period of time), he can buy a kingdom—becoming its king, with all the benefits that come with that.

He’s so desperate to change his life that Ben gambles on it. Takes a leave of absence from his practice, liquidates 1/3 of his investments, and buys it.

He’s astounded to find out that the advertisement was true—it’s another world, he gets there magically and the world is full of magic. He has a wizard advisor, a scribe who’s a talking dog (okay, technically a man accidentally turned into a dog), a magic castle, and a pair of kobolds as servants.

Sadly, it’s been so long since a legitimate king sat on the throne that the Kingdom’s magic is dying. The magic is weakening, and the people, plants, and animals are suffering. If something doesn’t stop it, Landover will cease to exist.

Does Ben Holiday have the ability, conviction, and grit to restore Landover to its former glory?

Ben’s Emotional State

One of the best things about this book is the depiction of Ben’s clinical depression. It’s never described in those terms, but it was clearly shown. His desperation at finding a way out of this life—and then his second thoughts, once he saw how real (and un-fairy tale-like) Landover was, also rang true.

I’m not quite as convinced that Brooks’ depiction of his resolve to stay and fix things—or the reasoning behind it—was quite as successful. It was clear, but it was a bit more telling than showing.

I’m willing to bet that when I read this back in the 80s/90s, I didn’t appreciate this aspect as much as I should’ve, but I sure do now.

How Was the Narration?

This was a much different book than the other time I listened to Jeremy Arthur (Looking for Calvin and Hobbes), so I wasn’t sure what to expect. I would’ve hoped for a little more “life” to it—I wanted him to bring out the personalities just a little more. I’m not saying he did a bad job, at all, he could’ve brought a little more “oomph” to it, is all.

I do wonder if a little of that impression should be directed at the text and not Arthur. That’s absolutely possible, maybe even likely.

I do see that the previous version of the audiobook was recorded by Dick Hill. Nothing against Hill, but man, I’m glad I got this version—I just don’t see how he was the right guy for the job. Then again, I’d have said the same thing about Dave Barry books, and he surprised me with Best. State. Ever., so what do I know?

I guess what I’m saying is that Arthur did a fine job—I’m not over the moon, but I’m not complaining. I don’t think I did a great job of conveying that.

So, what did I think about Magic Kingdom for Sale–Sold!?

I don’t remember exactly the first time I read this book—it was published in 1987, and it’s entirely possible I read it that year. If not, it was soon after that. I loved it and read it several times in the following years. I wasn’t sure how it’d hold up after all this time, but I had hope that it’d be okay.

It largely was. As is so often the case, the memory was better than the reality. Nostalgia a tricky thing.

Some of the language—especially in dialogue—was a bit stiff and stuffy. I kept thinking, this is a story about a guy who buys a magic kingdom, it should be a little more fun. Holiday didn’t have quite the sense of wonder about Landover that I wanted—he had some, but he was a bit too serious about everything. He wasn’t quite like Eustace Scrubb pre-dragon cave, but he sure wasn’t like the Pevensies, either.

I love the concept, I think all the characters are exactly what you want in this kind of story, and the worldbuilding was spot-on—all the ingredients are there, I just didn’t love the execution. It was an entertaining read and did everything right—it just felt reserved. If this was first published today, the drama would’ve been starker, the joy/wonder would’ve been turned up and it’d have been more amusing overall.

Basically, I probably should’ve left good memories stay that way.

I remember thinking the first sequel was okay but the next one really disappointed me, and I didn’t continue with the series. I went into this thinking I probably wouldn’t continue—and I likely won’t. If only to keep what luster is still attached to my memories.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, any opinions expressed are my own.

Spelling the Month in Books: June

Spelling the Month in Books: June
Okay, I broke my streak of sticking with books I haven’t blogged about—but it’s not that easy finding books that start with “U.” Sue me.

J Jurassic Park

Jurassic Park

It took me several tries to get into Michael Crichton’s best-known work, I kept getting bogged down in some of the early science-y info dumps, but I had a couple of friends who kept insisting that I read it, so I kept trying and failing. Then, with just a month or so left before the movie was released, I forced myself to try again—and pushed ten or so pages further than I’d gotten before and read the rest in one sitting. Or maybe it took two—it was 1993, who knows? I just remember being captivated and loving every second of the rest of the book. It wasn’t like anything I’d read before. I do wonder what I’d think of it today, but not enough to take the time to try, the memory’s enough.

U Uneasy Relations

Uneasy Relations

Aaron J. Elkins’ Gideon Oliver series was one of the early “adult” mystery series that I got hooked on, so they’re always going to have a sentimental appeal to me. Thankfully, even without that, they’re clever little reads with characters that feel like old friends, so I’m always game for one. The setting for this one, Gibraltar, is the star for sure. Elkins is either very well-traveled or great at research (likely both) and is the rare kind of author I’d like to read travelogues by.

When I initially posted about this I said, in addition to the archeology the book features “some satirical takes on publishing, literary agents, and academics…Oh yeah, and the murder—there’s that. That was a good puzzle…The solution to the murder was a nice twist, and the Skeleton Detective was as clever as ever.”

N The Name of the Wind

The Name of the Wind

What is there to say about the novel that launched Patrick Rothfuss to Fantasy novelist stardom that hasn’t been said a million times? For me, it took very little time before I was in love with this book. I’ve read it three times—and even sought out a hardcover so I could use my paperback as a loaner (and then had to replace that when my first one wasn’t returned). I love the way Rothfuss uses words, I want to spend more time with every other character (except Ambrose, natch—cannot stand that guy). I’m familiar with—and even agree with—many of the criticisms of the book. And you know what? I don’t care because the overall impact of the book just works for me on levels I can’t express.

Yeah, I know, I know, I know—Rothfuss is as bad as/worse than Martin when it comes to needing to finish a series. But as much as I want to see how things wrap up here, I’ll be forever grateful I got to spend some time with this book—no matter what happens with the rest.

E Evil Ways

Evil Ways

This is the second novel in Justin Gustainis’ too-short series about an Occult investigator and his white witch consultant. Think Harry Dresden but split into two roles, just not as funny.

Evil Ways focuses on someone killing white witches around the country, and the FBI’s investigation into a series of child murders. From that grim and sober premise, the reader gets a wild and intense thriller about a ritual to bring Hell on Earth (literally).

WWW Wednesday, June 15, 2022

I don’t have the vim, much less the vigor, to come up with an introduction, let’s move on with the WWW Wednesday!

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading the first in a SF trilogy, Against All Odds by Jeffrey H. Haskell, and the short story collection, Love and Other Monsters in the Dark by K.B. Jensen. I’m listening to We Are Legion (We Are Bob) by Dennis E. Taylor, Ray Porter (Narrator) on audiobook–it’s a blast and Ray Porter is a great narrator.

Against All OddsBlank SpaceLove and Other Monsters in the DarkBlank SpaceWe Are Legion (We Are Bob)

What did you recently finish reading?

I just finished the procedural Payback by R.C. Bridgestock and the novella Deep Hole by Don Winslow, Ed Harris (Narrator) on audio.

PaybackBlank SpaceDeep Hole

What do you think you’ll read next?

My next book should be A Wash of Black by Chris McDonald and my next audiobook should be Amari and the Night Brothers by B. B. Alston, Imani Parks (Narrator)–I really could use its sense of fun and hope.

A Wash of BlackBlank SpaceAmari and the Night Brothers

And you?

Payback by RC Bridgestock: A Decent Start for this Procedural Series

PaybackPayback

by RC Bridgestock

DETAILS:
Series: DI Charley Mann Crime Thrillers, #1
Publisher: Canelo
Publication Date: January 11, 2021
Format: Kindle Edition
Length: 334 pg.
Read Date: June 8-11, 2022

What’s Payback About?

Newly minted DI, Charley Mann, returns to her hometown in Yorkshire. She grew up here, fell in (and out of) love here, and started her career in the police here. She clashed a bit with a superior, got promoted, and was sent to London for a few years to get some more experience.

Now she’s back and ready to get to work with the people and area she loves. As is the rule for newly transferred DIs/DSs in British procedurals, before she can even meet with her team or superior, she catches a murder case. I’d pay good money to read a book where someone transfers into a new assignment, settles into their office, gets to know people, and starts to wonder if anything ever happens in these parts before being hit with a major case (if only to see how an author could give us a couple of interesting chapters along those lines).

Back to Payback—this is a gruesome and odd murder. It’s not an easy crime scene to understand—there are too many things that are incongruous. Charley begins to suspect that’s intentional—a suspicion that grows after another body is discovered just as the investigation starts to stall. Things get really interesting from there.

So, what did I think about Payback?

I don’t have a lot to say about Payback, and that bothers me. Hopefully, Condemned sparks more thought.

I’m conflicted here, I’ll admit. Let me start by saying that I enjoyed this book, I’m looking forward to picking up the second one, and I think that I can recommend it (with some provisos) to you.

At the same time, there are some big problems with the book. The dialogue is typically wanting—frequently, it feels like they use 33% more words than they need to. Quippy bits, snappish retorts, etc. would land a lot better if they’d chop off a third of the lines. Trust your audience to get what you’re going for without the explanation. The narrative portions—especially those explaining Charley’s backstory or emotions—are less than good*. It’s the telling vs. showing thing, it’s a lot of being too wordy (see above), there’s some unexplained motivations—it’s hard to explain without spending more time than it’s worth. Lastly, the characters—with the exception of the killer—all need a little more sketching out. It’s the first in a series, so you can assume that’ll happen and I’m not going to complain about that (too much).

* That said, there were a couple of moments that shone—I just wish they weren’t buried amongst the “meh.”

That’s a lot to complain about there, so why did I say I enjoy it? The police procedural part of the book—thankfully, the bulk—saves this. The murders, the motive, the way that Charley leads the investigation, all the ups, downs, and curveballs—that was exactly what I came looking for in this book. Even some of the “Charley over-explains things” work because she’s trying to help a detective and a uniformed officer understand some things about the job. The moment when Charley starts putting everything together, connecting all the dots, and so on at the end? That was great. I can shrug off a lot of problems when the central plot is executed as well as this.

I realize a lot of people are going to disagree with me about some of my problems, and that’s okay, we’re all wrong sometimes. I do recommend this, I just think you need to go into it with the right expectations. I am looking forward to the next two books—I want to see if Bridgestock can build from this, how a story arc or two are developed, and if the one impending personnel change brings a better character than the one being replaced.


3 Stars

20 Books of Summer

Page 237 of 623

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