Category: Seanan McGuire Page 2 of 7

Spelunking Through Hell by Seanan McGuire: It’s Always the Last Place You Look, Right?

Spelunking Through HellSpelunking Through Hell:
A Visitor’s Guide to the Underworld

by Seanan McGuire

DETAILS:
Series: InCryptid, #11
Publisher: DAW
Publication Date: February 28, 2022
Format: Trade Paperback
Length: 267
Read Date: March 14, 2022
Support Independent Bookstores - Visit IndieBound.org

If Thomas is there, if he’s still alive and waiting for me to find him, I can’t make him wait because I’m finally stopping to worry about my own neck. My neck doesn’t matter. My neck made a lot of choices, and none of them said ‘hey, it would be fun to survive a long, long time.’

What’s Spelunking Through Hell About?

Alice Price—grandmother to the primary protagonists of this series—has spent the last fifty years jumping from one dimensional reality to another, seeking her husband who has been taken from her as part of the deal he made with the crossroads. Alice has sacrificed just about everything—her health, almost every waking moment, her children’s childhoods, and her relationship with them, for starters.

Now, given some information Annie was given as she defeated the crossroads recently, Alice knows that the clock is running out, she’s going to have to take some risky and dramatic moves in a last-ditch effort to bring her husband home. Assuming she can find him, that he’s still alive, and interested in coming home, that is.

Alice calls in markers, gets help from several allies, and takes some big—possibly fatal—risks to follow her last theory about where to look.

Hopefully, it’s worth it.

Quo Vadimus

The first five books in the series, while interconnected, felt very stand-aloneish. Then we got Annie trilogy—which started out as something in the same vein, but then shifted into something else, something else that ended up informing this book—and then we had the pretty intense duology about Sarah. Now we have this one, which feels stand-aloneish again, but is also the consummation of things that go back to the beginning.

That’s how the series struck me as I read it, anyway—although between what McGuire has said and a little bit of thinking I’ve done in the last day or so, maybe it’s not the best way to think of things—easier to say from this vantage point. At any rate, this book sure feels like a turning point in the InCryptid series.

So where does the series go from here? Well, it can go back to the whole Covenant of St. George vs. the Prices (and all Cryptids in North America) conflict. Maybe touching base with things in Australia, along the way? It’d be nice if we saw Alex and Shelby again. Maybe there’s more fallout from Annie’s Crossroads takedown or Sarah’s adventures to deal with, too. Or something that seems out-of-nowhere but that McGuire’s been planting seeds for since at least the second book—I put nothing past her.

I realize it’s silly to speculate, but when a book is where a series has been heading for a while, it invites theories about where the series might be going next. Knowing McGuire, the answers are somewhere online already, but I’m going to wait until Book 12 to see.

So, what did I think about Spelunking Through Hell?

The last couple of books just didn’t do as much for me as the earlier books in the series did, I was so glad to get back to the previous levels here (sorry, Sarah!). There’s just so much to commend about this book, and so little to complain about. There was at least one point in the book that was a “Eureka!” moment for me—I couldn’t believe McGuire had tied X into this book. Thirty seconds or so after I got that surprise, I realized I should’ve been expecting it. I’m glad I hadn’t taken the time to think about things so that I would expect it, it’s more fun to get the Eureka.

Alice shares the same quippy attitude as her grandchildren, the same stubborn streak and aptitude for violence—which isn’t that surprising, really, where did I think the kids got it? Still, as has been the case for the other four narrators in the series, while there’s a family resemblance, there are individual distinctives so that you don’t confuse her with the previous narrators.

Inside the crunchy candy shell of quips, magic, trans-dimensional travel, and people fighting for their survival, there’s a chewy center of a very sweet love story. I have no problem with the crunch shell, but like with a Tootsie Pop, the center is what makes it all worth it. The dénouement may be better, however—I know I didn’t get through it with dry eyes.

This is not the book to jump into this series with. Yeah, I’ve said it feels like a stand-alone, which seems like it’d serve as a jumping-on point, but it’s really not. Go back at least to Magic for Nothing, but you’d be best served going back to Discount Armageddon. Just know that when you start (and you really should if you haven’t yet) at one of those points, you’re in for a heckuva ride when you get to this book.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 1/14/21: Where the Drowned Girls Go by Seanan McGuire

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from Page 56 (and a little bit of 57) of:
Where the Drowned Girls Go

Where the Drowned Girls Go by Seanan McGuire

The matron narrowed her eyes. “Can scarecrows talk?” she repeated, tone clearly implying that there was only one right answer, and it wasn’t the one she expected from Emily.

…Silence and blending into the background were Cora’s forte. She was good at it. But she was also a hero, and heroes didn’t stand idly by while someone smaller was victimized.

“Scarecrows don’t talk,” she scoffed, loudly enough and clearly enough to guarantee she would be overheard. The matron stiffened. Cora acted like she hadn’t noticed, continuing blithely, “They’re just straw stuffed into old potato sacks. If scarecrows could talk, that would mean straw could talk, and if straw could talk, grass would be able to talk, and no one could mow their lawns.”

Where the Drowned Girls Go by Seanan McGuire: A Mermaid Saves Herself

Where the Drowned Girls GoWhere the Drowned Girls Go

by Seanan McGuire

DETAILS:
Series: Wayward Children, #7
Publisher: Tor 
Publication Year: 2022
Format: Hardcover
Length: 150
Read Date: January 10-11, 2022
Support Independent Bookstores - Visit IndieBound.org

And everyone knew that things from the other side of the door could absolutely leak through into this reality. Her hair had been brown, not aquamarine, before she found her fins. Christopher would die without his flute—literally die. Seraphina was the kind of beautiful that stopped hearts, and everyone who’d seen pictures of her from before her travels said that she hadn’t always been like that. She’d been attractive, not impossible. The doors made changes. The doors stayed with you.

What’s Where the Drowned Girls Go About?

Things have gone poorly for Cora since her return from the Moors, and things are getting worse for her. She’s now afraid of getting a door—because it might not lead to the world she wants. So now that “other school” starts to sound appealing to her. Maybe it wouldn’t be so bad to feel at home in this world—it’s certainly better than one of the alternatives. There’s no way that she’ll get those tools at this school (as much as she likes/loves her friends).

So she talks West into transferring her—and regrets the decision before the ink is dried. Still, she sets out to make the best of a bad situation—it’s still going to get her the results she’s been desiring, just not in a pleasant way.

Cora tackles the situation in a “no pain, no gain” manner. West’s school wasn’t helping (at least not the way she wanted), the Whitethorn Institute isn’t going to save her, it’s up to Cora to save herself.

Whitethorn Institute

“You’ve always said that there was a second school.”

Eleanor pulled her hands away. “The Whitethorn Institute. Cora, you can’t intend—”

“You said they steal your students sometimes. That when you’re not fast enough, or when the children are having a harder time adapting to life in this reality, that sometimes Whitethorn gets there first.” She sat up straight, giving Eleanor a challenging look. “You said it was where students go when they want to believe that everything that happened on the other side of the door was just a dream, or a delusion, and not a real thing at all.”

We’ve known about “the other school” for children who come back through their doors into our world—one for those who didn’t want to see their doors again, one for those who want to feel at home in this world. But this is the first time we’ve seen it.

It is not a nice place to be.

That’s about all I feel comfortable about saying—you’ll need to read the book to see how it’s not a nice place to be. I get that (especially as the series takes a pro-Eleanor West’s Home for Wayward Children stance) it’s not going to seem as nice, welcoming, and affirming as the school we’re used to. I expected that this school would come across as wanting, not just in contrast, but objectively,

But I think McGuire approached that idea in a lazy manner. It’s too obviously a bad environment. She had the chance to go subtle, and she didn’t take it. I kept thinking, “Oh, she’s making a commentary about X or Y” in the real world—but she was doing so with too broad a brush, and it’d end up applying to things she didn’t mean to attack.

Still, if you’re looking to make an establishment a villain, she did an effective job. I think it’d have been more interesting—and more fitting with the series—if there’d been more nuance to it. Give the readers a second school that has differing goals from the Home for Wayward Children, but let us respect them while disagreeing—then you’ve got something. Instead, we get an institution that might as well be twirling its mustache.

Regan

It’s not just Cora that we see here, Regan’s also came to this school after returning from the Hooflands. I appreciated that. I didn’t think we had enough of Regan—but it didn’t feel like the character would be showing up at West’s.

So, what did I think about Where the Drowned Girls Go?

McGuire is simply one of the best around—and this world she’s created in this series is just wonderful and I really enjoy all the time I spend in it. But this book seemed to be missing something. The previous books in the series all left the possibility open to revisiting the world on the other side of the door, the POV character, and so on—while telling a complete story.

This novel is also a complete story—but it feels (at least to me) too much like a Part One of at least a two-parter (if not three). And I think the book suffered from it. When we get to that second part, I might change my mind about this book, but now it just feels incomplete. Add in my problems with the presentation of Whitethorn and it makes for a less-satisfying read than I’m used to for this series.

I still recommend it as a read—you’re instantly sucked into this world, it’s fantastic to get a look at Whitethorn (if nothing else); the story of Cora, Regan, and the others is well-worth telling and reading; and McGuire’s language and imagination in this series are always fascinating. I just wanted more of this good thing.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Non-Crime Fiction of 2021

2021 Favorite Non-Crime
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s almost 40% Crime/Thriller Fiction, and Urban Fantasy has only topped 20% once in the last decade—it was 16% the last two years, SFF combined for about 14% in 2021.

Which is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

We Could Be Heroes

by Mike Chen

My original post
A super-hero and a super-villain become friends after meeting (as civilians) at a support group meeting and delve into their shared past to figure out how they got their powers and who they used to be. That old story. 🙂 In typical Chen fashion, the SF/super-hero elements are just an excuse to tell a story about friendship, memory, and identity. It’s a story about people, who just happen to be super-powered.

4 Stars

LoveLove

by Roddy Doyle

My original post
This is about as close as you can get to a novel without a plot. You’ve got a pair of old friends, getting together for drinks (many, many drinks) and to catch up on each other’s lives. They end up revisiting their past (as you do), arguing about what really happened then, and seeing how it’s impacted where they are now. There’s more to it, but that’ll do for our purposes. The novel is primarily told through dialogue (although we do get memories and internal commentary from one of the men). As is to be expected from Doyle, that dialogue sings. You can practically hear it jump off of the page–I’m not sure I could conjure up a mental image of anyone in the book, but I know exactly what they’d sound like.

4 Stars

Tom Jones Original CoverThe History of Tom Jones, A Foundling

by Henry Fielding

My wrap-up post for the project
I read most of this in 2020, but didn’t finish it until 2021, so it goes on this list. Just for the (mostly rewarding) time spent on this book, it deserves a spot on this list. It’s not really the kind of book I thought it would be, but it’s so much more interesting. I’ve said enough about this book, I don’t really have it in me for more–it’s a classic, anyway, what can I say that hasn’t been said for hundreds of years?

5 Stars

All the Lonely PeopleAll the Lonely People

by Mike Gayle

My original post
This is nothing but an all-out attack on the cockles of your heart. I described it to a friend, “Imagine a book by Fredrick Backman–but instead of a crotchety old Swedish man, it’s about a lonely man who left Kingston for London in the 50s.” It’s so heartwarming, so Capra-esque, so…eh, you get the point.

5 Stars

Not AwkwardNot Awkward

by Matthew Hanover

My original post
Hanover’s third Wallflowers novel came out last year and shows real growth as a writer, while not losing any of the charm, heart, and likability of his previous novels. Just before his wedding, Scott goes to the funeral for his ex’s father, and somehow ends up spending a few days with the family. Not Awkward is a warm and heart-filled story about revisiting the past, finding healing (whether or not you thought you needed it), and embracing a future that doesn’t look like you expected it would (and is probably better). It’s the kind of book that’ll make you feel a little better about life for a while—and who doesn’t want to read something like that?

4 1/2 Stars

RisenRisen

by Benedict Jacka

My original post
The twelfth and final book in the Alex Verus series blew me away. It’s one of the best series finales I remember reading. It was hard to say good-bye to this world and these characters, but Jacka did such a satisfying job with this novel that it took some of the sting out of it.

5 Stars

When Sorrows ComeWhen Sorrows Come

by When Sorrows Come

by Seanan McGuire

My original post
If (and that feels like a big “if”) October Day is going to get a Happily Ever After, it’s going to be years down the road. Thankfully, she got a “Happy Right Now” by marrying Tybalt. That’s pretty much what this novel is–a big dollop of happiness (with Toby putting down a palace coup along the way). It was so nice seeing that.

5 Stars

Headphones and HeartachesHeadphones and Heartaches

by Wesley Parker

My original post
Percy’s a teen who gets put into Foster Care after his mother’s latest OD. While she’s in a treatment program, Percy comes to trust and love his foster mother–a woman with a huge heart, who takes in this boy and gives him a safe place to be for the first time in his life. This is a sweet book, a touching book—an occasionally hilarious book (with some truly cringe-worthy beats)—I guess it’s best summed up as a very human book. Parker got me to feel all sorts of things for these characters, to a degree I didn’t expect or was prepared for.

5 Stars

PurePure

by Jo Perry

My original post
(sure, you could make the case that this is Crime Fiction, but I don’t buy it) After Ascher gets quarantined in her late aunt’s retirement condo during the early days of COVID. She sneaks around volunteering for a Jewish Burial Society, and then becomes convinced that one of the women she helped with was the victim of foul play. So Ascher tries to figure out what happened and who is responsible–again, while sneaking around the retirement community’s quarantine. This is a mystery novel about something—it’s more than a whodunit (assuming there was something for a “who” to have “dun”). It, like pretty much everything Perry writes, is about death and how we deal with it as humans (and one neurotic and grieving Mini-Pinscher). THere’s more to chew on, too, but that’d be telling…

This is one that’s going to stay with me for a while.

4 Stars

In Ten YearsIn Ten Years

by Ian Shane

My original post
A contemporary When Harry Met Sally that makes me just as happy as the movie ever did. Tried and true plotlines that felt fresh thanks to Shane’s light touch and ear for dialogue. It contains what’s probably my favorite chapter of 2021–and more than a couple of my favorite lines. I wanted to race through it to see how it ended, and I wanted to slow down to savor it (the impulse control side lost–what do you expect from someone who tagged himself “Irresponsible”?).

5 Stars

My Favorite Audiobooks of 2021

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the ShiverThe Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing ItFinlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim CurryA Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

This Bright FutureIn This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & SigilInk & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest TideThe Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate ProblemWe Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson's Greek GodsPercy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage CrewThe Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

10 Reasons You Should Read When Sorrows Come (& And With Reveling) by Seanan McGuire

When Sorrows Come

When Sorrows Come

by Seanan McGuire
Series: Toby Daye, #15

Hardcover, 304 pg.
DAW, 2021

Read: September 15-16, 2021
Grab a copy from your local indie bookstore!

“Look, I know we’re a feudal system and everything, but we’re living in a modern world,” I said, exasperated. “My underwear has elastic. I have a phone. We can talk like normal people. No one’s going to take points off the final score if we stop sounding like we gargle with bad BBC dramas.”

“Yes, but where’s the fun in talking like normal people?” asked Aethlin. “Half the time I’m a King of Faerie. The other half, I’m standing in line at Tim Hortons and some asshole in a hockey uniform has just taken the last sour cream glazed. We have to wallow in the aesthetic when we get the chance.”

“I will overthrow your kingdom myself,” I threatened genially. Not genially enough: several of his guard reached for their swords. High King Aethlin sighed and raised a hand for them to stop.

“Your reputation precedes you, Sir Daye. Could you please not make jokes about sedition?”

“Yeah, sorry,” I said.

I am just not capable of doing my typical post about this book, period. Instead, I’m going to give you a list of reasons why you should read When Sorrows Come. But first…

The Dust Jacket Flap

Because it feels wrong to start talking about a book without some sort of description, here’s the information from the flap:

It’s hard to be a hero. There’s always something needing October “Toby” Daye’s attention, and her own desires tend to fall by the wayside in favor of solving the Kingdom’s problems. That includes the desire to marry her long-time suitor and current fiancé, Tybalt, San Francisco’s King of Cats. She doesn’t mean to keep delaying the wedding, it just sort of…happens. And that’s why her closest friends have taken the choice out of her hands, ambushing her with a court wedding at the High Court in Toronto. Once the High King gets involved, there’s not much even Toby can do to delay things…

…except for getting involved in stopping a plot to overthrow the High Throne itself, destabilizing the Westlands entirely, and keeping her from getting married through nothing more than the sheer volume of chaos it would cause. Can Toby save the Westlands and make it to her own wedding on time? Or is she going to have to choose one over the other?
Includes an all-new bonus novella!

The (only?) Reason to Not Read When Sorrows Come

bullet You haven’t read the first fourteen Toby Daye novels—or you didn’t like them. The former I completely understand, the number of supposedly great series that I don’t have time for is large enough that I can sympathize. The latter? I can accept that people like you exist, but I don’t know if I can ever understand it

10 Reasons to Read When Sorrows Come

(In no real order whatsoever)
bullet If you’ve read books 1-14, reading this is a no-brainer, and you probably don’t need to be reading this.
bullet You get to see an incredibly Canadian knowe. How Canadian? Think Alpha Flight, The Kids in the Hall, Bob & Doug McKenzie, poutine, Tim Horton’s coffee, and extraordinarily polite people saying “eh”. That’s how Canadian I’m talking about.
bullet Getting to see the Luidaeg terrify a whole new cast of characters.
bullet The fun in seeing who actually shows up to see the wedding. (Hint: Just about everyone)
bullet The chance to see if Toby can make it through her wedding without bleeding all over her wedding dress.
bullet You can see what you-know-who from A Killing Frost is up to.
bullet You get to see Toby channel Harry Bosch:

Everyone matters. If there’s one thing I’ve learned from how hard Evening and her ilk have tried to convince me I don’t matter it’s that everyone matters. The alternative is a world where no one matters, and since I know that isn’t true, “everyone” is the only option we have left.

bullet Quentin gets a jaw-dropping makeover.
bullet A hint about a new squire…
bullet You need some joy.

And With Reveling

I’ve never talked about one of the bonus novellas that come with a Toby Daye novel, for reasons too complicated to get into (and frankly boring to me). But I have to say something about this one.

First, this is my biggest complaint in this volume—it shouldn’t be a novella. It should be the last chapter (or chapters) of When Sorrows Come. At the very least, an extended epilogue. It should not be read separately from the novel, and the novel shouldn’t be read without out it.

Essentially, it’s about the wedding reception. Toby and Tybalt relaxing, enjoying their friends and loved ones. Receiving gifts, blessings, and well-wishes—including one gift for Toby that made me laugh out loud. And another that

I absolutely loved it. It was the thick, buttercream frosting on the perfect cake of the novel.

A Final Thought about When Sorrows Come

I mentioned joy earlier because, on the eve of its release, Seanan McGuire tweeted:

…the purpose of this book is joy. I wrote it in 2020. I needed joy. Very, very badly.

I need joy even more now. And if I can’t make it for myself, I can damn well give it to my imaginary friend.

So you can pan the book for being simple, but I have no regrets. I needed joy. I think you need joy too.

Hopefully, McGuire got enough joy to keep going from what she gave her Imaginary Friend—I know she provided this fan with some, I imagine I’m not alone.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Calculated Risks by Seanan McGuire: Toto, I Have A Feeling They’re Not In Kansas Anymore

I had more I wanted to say about this novel, but I’ve lost track of where I was going with a few of the paragraphs I started. Which is annoying. I could spend another two weeks to figure out what those points were going to be and get further behind, or I could post this with a lot of what I wanted to talk about and be able to move on with my To Write list.


Calculated Risks

Calculated Risks

by Seanan McGuire
Series: InCryptid, #10

Mass Market Paperback, 353 pg.
DAW, 2021

Read: February 26-March 3, 2021
Grab a copy from your local indie bookstore!

“I have so many knives,” said Annie. “I am the Costco of having knives. You really want to provoke me right now, cuckoo-boy?”

“I am not a good place to store your knives,” he said. “I don’t know how many times I need to tell you this, but sticking knives in living people just because they say something you don’t like is the reason no one likes you or the rest of your fucked-up family.”

What’s Calculated Risks About?

So, the cliffhanger ending of Imaginary Numbers led to Sarah Zellaby transporting herself, her adopted cousins Artie, Annie, James, and a fellow cuckoo, Mark, to an alternate universe. Part of that transporting resulted in Sarah being deleted from their memories.

Which is a pretty inconvenient thing to do. Sarah has to spend a lot of time convincing the Prices (and friends) to not kill her. And then she has to earn their trust. Just so they can all survive long enough to allow her to attempt to return them to their home dimension.

Of course, they have to learn how magic works in this reality, find ways to survive the indigenous flora and fauna, and try to keep the humans that were dragged along with them alive, without breaking their minds by realizing where they are.

The Mice!

You can’t talk about an InCryptid novel without talking about the Aeslin Mice. As usual, they were a delight. But better than that, their presence is important for the plot. But not important enough—they almost vanish for most of the book, but what they do at the beginning of the novel allows everything else to happen (and is frequently invoked), so it’s hard to complain. But I’d have like to see them a bit more.

Nature vs. Nurture

One of the givens of this world is that the Johrlac (aka cuckoo) are nasty, territorial, apex predators that must be killed. With the exception of Sarah and Angela Baker. And now, Mark. Something about their circumstances has allowed them to not fall into the mind-controlling sociopath mold that every other one has been fit into.

So…why? What’s made them different? It can’t be something inherent in them, as we’re told time after time after time, the various members of this species are so similar that they’re practically interchangeable. So is it something in their environment? Or are they just individuals like humans, gorgons, or dragons? And as such, shouldn’t the Prices abandon their stab first-ask questions later approach to these? Sarah starts to ask questions like this in this novel, and I’m hoping it’s revisited soon.

So, what did I think about Calculated Risks?

I hate it when people tell me not to be afraid. They never do that when something awesome is aout to happen. No one says “dont’ be afraid” and hands you an ice cream cone, or a kitten, or tickets to Comic-Con.

This was a fun adventure—making up for whatever reservations I had about Imaginary Numbers—and together they serve as a good follow-up to the Annie-trilogy that preceded it.

The last chapter was a perfect way to end it, a great mix of magic, hope, and heart. My heart didn’t grow three sizes or anything, but it was certainly warmed.

I have no idea where this series is headed, and I don’t care, I’m eager to find out. There’s nothing like this in Urban Fantasy, McGuire tells different stories with this series, the kind that show what the genre is capable of when it breaks outside the typical mold (nothing against that mold, I love it).


3.5 Stars

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Across the Green Grass Fields by Seanan McGuire: The Sixth Wayward Children Novel is a Let-Down

Across the Green Grass Fields

Across the Green Grass Fields

by Seanan McGuire
Series: Wayward Children, #6

Hardcover, 174pg.
Tor, 2021

Read: January 25-26, 2021
Grab a copy from your local indie bookstore!

Regan slowed again, suddenly eager for her journey to take as long as possible. Maybe that was why the shape in the nearby growth caught her eye, and she stopped abruptly, sending a pebble clattering into the creek as she cocked her head and blinked at what was surely a trick of the light.

Two trees had grown around each other, branches tangling and twisting like the wicker of a basket. They looped in and out of one another’s embrace, until they formed what looked almost like a doorway. That was interesting, but not unique; branches often grew together, and the shapes they made in the process could be remarkably architectural. She’d seen castles in the trees when she was little, castles and dragons and all manner of fabulous things.

But she’d never seen a doorway before.

What’s Across the Green Grass Fields About?

Regan is ten-years-old when she finds this doorway, but we meet her when she’s a little younger. We see her making regrettable, entirely predictable (and understandable) mistakes when it comes to friendship, the kind of mistakes that shape her social future in ways she can’t imagine. We readers cringe, hope she’d make better choices, and then just wait to see how bad the damage is going to be when she realizes (probably too late) that she’s befriended and trusted the wrong sort of person. Other than that mistake, she seems like a sweet girl, she loves horses and riding, her family, and her friend.

The day after she learns something devastating from her parents, she learns that lesson about trust the hard way and runs away from school into the less-developed area between her school and home.

As children do in this series, she walks through that doorway and finds herself in a new world. The first person she meets (a centaur) tells her it’s called The Hoooflands. And she is excited to find a human. Humans arrive in The Hooflands when something is about to happen—when something that is plaguing their society will be confronted and defeated by the human (who have thumbs and can fit in places a centaur can’t, so there are two big advantages for the human).

But first, the centaur takes Regan to meet her family. And then years pass. She matures, she sees the errors she made in trusting the wrong people on Earth. She picks up skills, she learns who she is. Yes, she misses her family, but this is home to her and she’s content.

The Hooflands

…and there were people. Centaurs like the ones Regan knew. More delicate centaurs with the lower bodies of graceful deer and the spreading antlers to match. Satyrs and fauns and minotaurs and bipeds with human torsos but equine legs and haunches, like centaurs that had been clipped nearly in half. It was a wider variety of hooved humanity that Regan could have imagined.

On the one hand, I really like this world—of all the worlds on other sides of doors that we’ve visited in this series, it seems more viable than any of them (except maybe for maybe The Goblin Market), it takes a little less suspension of disbelief to see how the world works (once you accept the population, anyway).

At the same time…there’s something about this society that I don’t understand how it functions at all given the way that other species see each other. Obviously, this is a not-at-all-thinly-veiled metaphor for our society, but even metaphors should have some sort of air of believability. Maybe it’s just me, but every time that came up, it took me out of the story for a bit, because I couldn’t understand how the world functions (set aside justice and morality, I’m talking just in terms of practicality). It’d take too long to flesh this out, so I won’t. But it bugged me.

The individual people we spend time with in The Hooflands? Loved ’em.  They’re the best characters we’ve met in this series that weren’t connected to the School. I resented how much time McGuire let pass between chapters because I wanted to spend more time with them and to understand the Centaur culture a bit more.

So, what did I think about Across the Green Grass Fields?

It had been more than five years since Regan ran away from school on purpose and ran away from home by mistake.

So begins the endgame for this particular novella, Regan heads off to meet the Queen and do what she was brought to the Hooflands to do once and for all, and then (she assumes) to get her door back home. She doesn’t really want to leave the Hooflands, but circumstances are forcing her hand.

This is the crux of probably my biggest problem with the book—she’s spent five years telling anyone who’ll listen (primarily herself) that she doesn’t believe in Destiny, she won’t bend to Destiny. But in the end, that’s exactly what she does. I’m not going to get into a debate about determinism here, but Regan would be a great Exhibit A for my case if I wanted to.

This is not a subtle book, McGuire has things she wants to say about destiny, about the choices that others make on behalf of others that are just as binding as the choices they make themselves. And she goes about it in a blatant, almost ABC After School Special* manner. And this series is better than that. Or it usually is.

* Readers of a certain age might want to consult with a parent to fully understand that reference

I liked Across the Green Grass Fields, but this is not up to either McGuire’s standard or the standard of The Wayward Children series, and it was far enough short of those high marks that I’m having trouble generating much enthusiasm for it. The language, the storytelling style, the imaginative world were there. But they were overshadowed too frequently for my taste by the rest.

I was disappointed. Hopefully, you’re not, or if you were, it doesn’t put you off from trying the rest of this really wonderful series.

I fully expect (and hope) to see Regan at Eleanor West’s School for Wayward Children in the future and look forward to seeing what happens after she makes her way back home (even if I don’t think it’ll go well for her long-term). I’ll be back for the 2022 novella in this series, eager for what McGuire has in store, confident it won’t be like this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

A Killing Frost by Seanan McGuire: McGuire’s Latest Will Satisfy—and Shock—All of Toby’s Fans.

A Killing Frost

A Killing Frost

by Seanan McGuire
Series: Toby Daye, #14

Hardcover, 302 pg.
DAW, 2020

Read: September 9-11, 2020
Grab a copy from your local indie bookstore!

…I was about to do something monumentally stupid for the sake of potentially saving Simon.

Simon Torquill. The man I’d once considered to be be my greatest enemy The man I was now willingly risking everything I had for the opportunity to save. Faerie isn’t fair and the world doesn’t make sense.

“You sound scared.” [Danny said]

“I am.”

“If this is somethin’ that scares you…”

What’s A Killing Frost About?

Simon Torquill. Is there any name that promises as much upheaval to Toby Daye’s life as much as his? I’m getting ahead of myself, though. Actually, I could just answer my first question with his name and move on to the next section of this post…

Anyway, Toby takes a break from working with May to find a wedding dress that she a. likes and b. doesn’t mind getting covered in blood—because who are we kidding here, if Toby’s wearing it, it’s going to be covered in blood before the end of the day. She and Tybalt are out on a date, having a perfectly enjoyable time when they’re interrupted by Patrick and Dianda Lorden. The Lordens are worried that Toby’s lack of diplomatic training has opened her up to a problem.

See, if she doesn’t invite Simon Torquill to her wedding—thanks to some silly Faerie custom—she’s liable to create an opportunity for Simon or someone claiming to act on his behalf to attack her in a pretty grievous way. Of course, to invite him, she’s going to have to find him—and after The Brightest Fell, we all know that’s not going to be easy.

So, May, Quentin, Toby and Spike(!) head out to do the nigh-impossible, find Simon and get him to the wedding.

Wither art Thou, Tybalt?

Thanks to a warning from Karen, for everyone to survive, Tybalt can’t accompany Toby on this little quest. This is just about the most Tybalt-free book I can think of (second only to The Brightest Fell). When he’s around, it’s important that he is and he makes a big impact.

It’s strange to have him gone so much, but I think it worked pretty well as a change of pace and heightened the reader’s appreciation for him when he was around.

At one point, [name withheld] describes the relationship between Tybalt and Toby,

It’s clear to anyone with eyes how much he loves you, and I’ve held your blood on my tongue. Your love for him flavors everything you are.

In any other series, that might be disgusting/strange. But in this context? That’s one of the sweetest sentences I can think of.

There’s Just So Much I Can’t Talk About

Because I keep a pretty strict no-spoiler policy to these posts, there’s just so much that I can’t talk about that I really want to. Even if I spoiled things, I couldn’t talk about them too much because we’re going to need a book or five to figure out how things work out. McGuire’s one of the best at planting seeds and then seemingly ignoring them for several books just to have them spring up and bear fruit when you least expect it.

One of those forgotten seeds bears series-altering fruit here while she’s planting seeds relating to Walther and Cassie—but more importantly to Stacy. There’s a shattering scene with Luna and Sylvester. There’s something afoot with Rayseline, too. August does something surprising. Amandine’s furious by the end of the novel (that can’t be good). And we learn something blood-curdling about Eira Rosynhwyr that might make an enraged Amandine seem trivial.

And then there’s…yeah, you know what? I just can’t even hint at the rest. Go read it and we can talk.

So, what did I think about A Killing Frost?

This is not a book designed to welcome new readers to the series. I’m sure there’s enough to draw in someone who’s said to themselves, “I keep hearing about this series, I wonder what it’s about?” But really, it’s not a great entry point. If you’re one of those readers, drop a comment and I’ll try to give you a better entry point.

But for readers of this series? They’re going to be in hog-heaven. Take out all of the spoiler stuff I alluded to/avoided above, and you’ve got yourself a great Toby adventure, full of thrills, twists, grievous wounds, nasty curses, and heroism of all sorts.

Include the stuff I didn’t talk about? You’ve got a jaw-dropping novel full of so many heart-warming and heart-wrenching moments that it’d be hard to enumerate them. This isn’t McGuire’s best novel in the series, but it’s great. And fans will be discussing, dissecting and reveling in it for years.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Imaginary Numbers by Seanan McGuire: The Most Exciting Mathematician This Side of Charlie Eppes and Dr. Larry Fleinhardt

Imaginary Numbers

Imaginary Numbers

by Seanan McGuire
Series: InCryptid, #9

Mass Market Paperback, 365 pg.
DAW Books, 2020

Read: June 16-19, 2020
Grab a copy from your local indie bookstore!

What’s Imaginary Numbers About?

The Price’s cousin, Sarah, the Johrlac (aka “cuckoo”) adopted by the family years ago and last really seen in Midnight Blue-Light Special—but mentioned in almost/every book since—has finally recovered from the events of that book (5 years ago, in the series chronology), or at least recovered enough to travel on her own. She’s still not at 100% (and is further from it than anyone but Sarah realizes).

She flies out to Portland to reconnect with the family out there, and while she does reconnect with the Prices, she also finds herself connecting to a bunch of other cuckoos. Which is something that the species just doesn’t do—these telepathic apex predators have developed in such a way that they can’t share territory for long at all. So the fact that you have a group of them working together spells trouble for Sarah and any cryptozoologists trying to keep the peace between the species (and, in this case, to preserve a spot for every species that isn’t a Johrlac to live).

That’s a little brief, but I don’t know how else to be.

Imaginary Numbers’ Place in the Series

It’s been five years in series’ time, seven years and seven novels in our timeline, since we spent any real time with Sarah. I remember really liking her as a character for the first two books and couldn’t believe McGuire would do what she did to her so soon out of the gate for the series. But over the years, as she’s been largely “off screen” recovering, I’ve pretty much forgotten everything about her and what made her click for me as a character. I remembered enough to understand what a big deal it was for Sarah and Artie to see each other and to be say all they needed to say. But beyond that…it’d just been too long for me. Maybe if I’d re-read Midnight Blue-Light Special recently (or ever), this wouldn’t have been a problem.

This is our fourth narrator (fourth plus? There’s a lot of this book not narrated by Sarah) in this series, and like most fans, I’ve embraced that as a feature and as a strength. But this one feels more like a sequel to the Annie books (the previous three novels) than we usually get with a narrator switch. There’s a direct connection between the events of Verity’s Chaos Choreography and Annie’s Magic for Nothing, and all the other books show an awareness of the others. But the cast from <‘b>That Ain’t Witchcraft is present and accounted for here, and Imaginary Numbers is happening in its shadow. This isn’t good bad or indifferent, it just gives this book a different vibe than I’m used to in this series.

And the way this ends is pretty different, too—McGuire hasn’t given us a cliffhanger (this is a pretty complete story, thankfully) before. It’s a good one, but, again, not something I’m used to in these books.

One of the advantages of the way this series is set up is that it can do things like this—each book, or each “set” of books*, can take on a different flavor, a different way of approaching the story, a different way to fit in the series, a different way to end a book. While all being part of a larger, overarching story. But there are some dangers with this approach, too. And right now I’m not sure what to think of the Sarah set’s approach.

* The initial “Verity” set, the “Alex” set, then the three “Annie”s and now, two (at least) “Sarah”s, I’m not sure how to group the Verity novel between the Alex and Annie sets.

Hail, Aeslin Mice!

There was much rejoicing here (and I’m betting among all fans) that the Aeslin Mice were back in these pages. If we took nothing else from their absence in the last two books, it’s just how important they are for the telling of these stories—they’re far more than comic relief (although they are that), and for me, the best emotional moments of this particular novel came from them.

So, what did I think about Imaginary Numbers?

I liked it, but not as much as I expected to, not as much as I wanted to. There was just so much space devoted to getting everyone caught up with Sarah (and reminding us who she was/what happened to her). Then another big chunk explaining Jorlacs—and then there was another exposition dump when the Johrlacs explained what was going on to Sarah (and then another chunk when it was explained to the Prices). Just so much talking that it felt like the story got pushed out of the way.

Based on the way this ended, I’m not sure I can actually say what I thought about the book. I might have to wait until the end of Calculated Risks. Still, I enjoyed it. I like this world, I like the characters. McGurie writes a good book, and is probably incapable of writing anything but.


3.5 Stars

20 Books of Summer

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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