Category: Authors Page 107 of 123

Unleashed by David Rosenfelt

Unleashed
Unleashed

by David Rosenfelt
Series: Andy Carpenter, #11

Hardcover, 308 p.
Minotaur Books, 2013

Granted, he has 13 less books under his belt, but at this point Rosenfelt’s Andy Carpenter series is managing to do something that Evanovich’s Stephanie Plum series has failed at — it’s still funny, still smart, and the criminal/suspense elements are as serious as any hard-boiled novel. Sometimes, sure, certain elements of the series — Hike’s depression, Marcus’ size/appetite, Edna’s allergy to work, for example — are overdone, and by being overdone, aren’t as funny as they could be. But Rosenfelt can rein in his impulses and produce a book that balances the whackiness with the grim and result it’s easy to forgive him for indulging his too-silly moments.

MAJOR COMPLAINT: How long has it been since Sam & Andy have song talked? Multiple books, not sure how many, but far, far, far too many books. Sure, part of the upside is Sam being a more critical character, and well-rounded. But it’s too high a price to pay.

This starts off like a typical Andy Carpenter book — a trip to the Tara Foundation, someone wanting Andy to take a job and him not being interested (I actually thought he was wrong in this — Sam was asking, not a stranger), and then Andy getting sucked in anyway — and away we go. Laughs, twists, Andy talking about his dog (and other people’s, too), smart-aleck courtroom antics, and so on. And that’s good enough for me. Sign me up for another 11 of them right now. But this one’s a little special.

The first adult mysteries I ever read were Erle Stanley Gardner’s Perry Mason books — I read and reread my public library’s collection I don’t know how many times — and when I could find them, I bought every one I saw. Andy’s more entertaining then Mr. Mason ever was, but his legal strategies aren’t quite up to his level. By this time, I really thought I knew all of Rosenfelt’s tricks (and he plays them well enough I don’t care if I can see them coming), but he pulled the rug out from underneath me in Unleashed. I may have gasped audibly, I’m not sure — I do know my jaw literally dropped.

Without giving too much away, Andy gets a little more into the nitty-gritty of the outside the courthouse action this time, as shown here:

[Marcus] does give me the handgun I’ll be using. He had shown me how to use it in the motel — basically just pointing and pulling the trigger. If I have to use it, I may add in some moaning and whimpering, just to jazz it up.

Perfect Rosenfelt, real, self-deprecating, and just funny.

Unleashed is another successful outing for this series — imagine Janet Evanovich ghostwriting Erle Stanley Gardner.

EVEN MAJOR-ER COMPLAINT: I’ve now worked through the Andy Carpenter series. I have to wait until Rosenfelt finishes the next one. Ugh.

—–

4 Stars

T is for Trespass by Sue Grafton

T is for Trespass
T is for Trespass by Sue Grafton
Series: Kinsey Millhone, #20

Hardcover, 374 pg.
G.P. Putnam’s Sons, 2007

First thing I noted about this was, “This Prologue’s a bit heavy handed and overly dramatic . . . who knows? Maybe it’ll be justified.” I still think it was a bit too much — but on the whole, it was justified.

This was a slow burn of a novel. Sure, the reader is introduced to the villain, Solana Rojas, right off the bat (thanks to third person narration focusing on her in chapters interspersed with Kinsey’s narration), but Kinsey isn’t even hired for anything regarding her until roughly 100 pages in. The whole setup for this book is so unlike Grafton. I liked this, and it bugged me at the same time. Mostly the former, though, I’m all for Grafton stretching herself.

There was a time where Rojas had the upper hand over Kinsey, and while we know in the end that Kinsey will win out, Grafton sure could’ve made things look a little more dire for Santa Teresa’s hero. It was just a little too easy for Kinsey to convince others what was going on. In the end, that didn’t make this less satisfying.

Grafton’s never been a slouch, but in these last few books she’s really upped her game — this is the best thing she’s done. Her characters are better drawn, the plot’s more intricate, Rojas was probably a little more evil than anyone that Kinsey’s crossed paths with before. This is definitely the creepiest, most disturbing Grafton novel — haven’t read much in the last couple of years that’s as unnerving, really, when I stopped to think of it. Not as gory or violent as many in the genre (nowhere near that), but when you look at the trail of destruction that Rojas has left before she’s stopped — she’s unsettling in a way that your typical fictional serial killer isn’t.

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4 1/2 Stars

Fangirl by Rainbow Rowell

Fangirl
Fangirl

by Rainbow Rowell
Hardcover, 438 pg.
St. Martin’s Griffin, 2013

No one can write messed-up characters like Rainbow Rowell can — socially awkward, clever, emotionally scarred, and incredibly likeable. A lot like many people.

Speaking of likeable, it takes no more than a few pages, maybe even a couple of paragraphs before Cath wins the reader over completely. Okay, so she’s a little too into this semi-Harry Potter world, and spends what many would consider an unhealthy amount of time on her fanfic — but she gets great grades, and something resembling a social life, who’s to judge? She’s having a hard time adjusting to college life — her identical twin (Wren — get it?) is taking the opportunity to go out on her own, and Cath’s just not ready for that. For the first time in her life, she’s really not half of a set, and that takes a toll on her esteem, confidence, and — actually — everything. Her high school boyfriend being in another state and mostly incommunicado makes it all worse.

Slowly, Cath starts to find a place in college — makes a friends (most of which are worth having). There’s a lot of ups and downs along the way — there’s plenty of family drama — friction between the sisters, emotional troubles for their dad at home, and a lot of unresolved issues surrounding their mother’s/wife’s abandoning the family years ago. Which doesn’t help out her schoolwork at all — and drives her further into her fanfic.

This is done in such a way that it doesn’t feel like silly teen/young adult dramatics — it feels like a rough patch that a dear friend is going through. The former would be easy for many authors to evoke, and I’d probably end up walking away from the book. But because Rowell can make us feel the latter, we pull for Cath, and keep reading on, getting further invested in her character.

There are bright spots — Cath and others make some progress in dealing with troubles from their past, Cath meets some fans of her fanfic, and — not at all surprisingly — there’s some fun (and awkward) and heartwarming romance kindled.

I know precious little about fanfic, honestly — I’ve read a few authors pouring out the hate for it, and some defending and/or celebrating it. I hardly have enough time to read the original works set in the worlds I like, I certainly have no time for the “unofficial” takes on it. So I really didn’t care about Cath’s passion for her hobby — or for those who had a different take on it. I thought Rowell dealt with it pretty well, on the whole, and was fair enough to both poles while staying fairly realistic.

Not as gut- and heart-wrenching as Eleanor & Park, but told with the same amount of heart (and more laughs). This is one of those books that when you see the end coming, you start to read slower, because you’re just not done with these people yet. If she had the story, I’d have read another few hundred pages just to stick with Cath, Wren, Levi, Reagan and the rest for a little longer — honestly, I’d have done it without the story.

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4 1/2 Stars

Dusted-Off: Lunatics by Dave Barry, Alan Zweibel

LunaticsLunatics

by Dave Barry
Hardcover, 320 pg.
Putnam Adult,2012

How does one write a book like this? First, you take a couple of characters, that while not exactly people you can meet each day, are close enough that you can buy them as characters in a novel. Then you put them in a relatable, if exaggerated, bad situation. Then you let that situation spin wildly, and hilariously, out of control and right into a worse situation–and let that one spin wildly, and hilariously, out of control and right into another–and repeat. Several times.

If you do that juuuust right, you might come close to capturing the brilliantly wacky madness that is Lunatics.

More than once, I laughed, guffawed, choked, chuckled, cracked-up, cackled, and did a spit-take. I’m sure my wife was as glad I was done with the book as I was disappointed it was over–a day and a half of my very loud reactions to this book were little more than she could tolerate.

Find yourself a nice, secluded little spot and read this. Soon. Sooner, even.

—–

4 Stars

Saturday Miscellany — 11/23

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    Just one New Releases this week on any of my lists:

  • Takedown Twenty by Janet Evanovich — I’m still 2 behind, plan on catching up on the paperbacks by the end of this year, will probably wait ’til this is out in paperback to read it, but it’s notable the series made it this far.

Twenty Palaces by Harry Connolly

Twenty Palaces
Twenty Palaces

by Harry Connolly
Series: Twenty Palaces, #.5


E-book, 250 pages
Radar Avenue Press, 2011

I’m not usually one for prequels — if the author/filmmakers have done their job, we know what we need to know already. Sure, it allows the creator to fill in some blanks, make the in-joke — but on the whole, they just seem to serve as red meat for fans*, while offering little new.

But a well-done prequel can be a lot of fun — and in the end, if you’re not reading genre fiction for fun — what’s the point?

Between the rest of the books in this criminally-underselling series, we’re given a decent idea what happened between Ray and Annalise before Child of Fire, how Ray got his Knife (one of the coolest tools I can remember reading about), and about Wally getting Ray into this mess. So, I put off reading this one longer than I’d intended to. Glad I finally got around to it — this was a blast.

Ray Lilly is a messed up, broken, not-so-good guy trying to live straight — to become a “seat belt person,” as he puts it. He’s fresh from prison, but he knows he hasn’t finished paying his debt to society (his policeman uncle helps drive this home) and really wants to get on with his new life.

Naturally, his old life — particularly his old friends, are there to drag him off his new path. But this isn’t your garden-variety recidivism at work. There’s some otherworldly magic using his friends — and almost everyone around him — for ends that even a guy of Ray’s questionable morality can’t abide.

The new reality that Ray steps into here is unlike anything you’ve seen before — dark, scary, amoral, and uncaring — a lot like our world seems too often. The magic system that Connolly has created in this series is something special — I so, so wish we’d gotten to see more of it following Circle of Enemies.

This was fun, very satisfying — and most of all, it made me want to re-read the rest of the books, I’d forgotten just how addicting these books were.

If you’ve read the Twenty Palaces series, this is a nice little cherry on top — if you haven’t? Skip this for now, and run to your indie bookstore (or internet retailer, I guess) and grab them.

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* Not that I’m against red meat for fans — as a fan of many things, including red meat, I like when creators entertain me.

—–

4 Stars

The Affair by Lee Child

The Affair
The Affair

by Lee Child
Series: Jack Reacher, #16

Hardcover, 405 pg.
Delacorte Press, 2011

“You want me to impersonate a civilian?” [Reacher said]

“It’s not that hard. we’re all members of the same species, more our less. You’ll figure it out.”

Thus begins the sixteenth Jack Reacher novel. Taking place in 1997, he’s still an MP, and is being sent undercover into a small town near an army base, while another investigator is being sent into the base it self to investigate a murder possibly tied to base personnel.

His undercover disguise looks pretty much like the post-discharge Jack Reacher we know — no job, good pair of boots, a toothbrush and one shirt. He wanders into town, finds an ally or two and gets to work.

It takes very little time for Reacher to find himself at odds with some locals (I didn’t think this storyline was all that satisfying, but it gave Reacher a chance to bash in a few heads). Not that he’s ever short of ego, but he seems cockier than I’m used to — I’m assuming that comes from the inherent authority of an MP as opposed to a loan wanderer. Regardless, it was a kick to read his encounters, with this extended family:

He said, “Is there a reason I don’t get out of this truck and kick your butt?”

I said, “Two hundred and six reasons.”

He said, “What?”

“That’s how many bones you got in your body. I could break them all before you put a glove on me.”

Which got his buddy going. Hist instinct was to stick up for his friend and face down a challenge. He leaned further out his own window and said, “You think?”

I said, “Often all day long. It’s a good habit to have.”

The local county sheriff is a former Marine MP, and it takes her no time at all to suss out Reacher’s purpose and to recruit him to help her investigation into this — and related — murders. Yes, her — that particular plotline is self-evident (although this is a bit . . . more explicit than Child’s norm).

There’s little suspense in this — 1. It takes place before Killing Floor, so you know Reacher’s not killed, 2. how seriously worried are you ever that Reacher will survive? Sure, you wonder what will happen to those around him — what the collateral damage is going to be, but that’s about it. Nevertheless — the final hundred pages or so of this is an edge of your seat ride. Which is par for the course for Child, doesn’t make it any less fun.

Beyond the murder investigation — or more properly, around it — are politics (federal, local and military), discussion of the role (and shape) of the military, the future of the U. S. Army (contrasted with some other branches). In the end, the identity of the murder is pretty obvious — but the twisty path that Reacher and the others travel to find it, what obstacles they overcome, and the fallout — that’s what makes this a very satisfying read.

—–

4 1/2 Stars

Dusted Off: Old Man’s War by John Scalzi

Old Man's War (Old Man's War, #1)Old Man’s War

by John Scalzi
Mass Market Paperback, 362 pg.
Tor Books, 2007

I have to admit, I came to this with a degree of trepidation. I’ve really enjoyed Scalzi’s “lighter” works and wasn’t sure I was going to be able to get into his more serious SF. Boy, was I wrong. This was a blast–sure, not as funny as Agent to the Stars or The Android’s Dream, but it wasn’t supposed to be, it was still a rollicking good time–action, hard SF, and heart (even a couple of laughs)–everything you could ask for.

It starts out as sort of an inverse Ender’s Game, instead of kids being recruited to fight far-off aliens, we get senior citizens enlisting. Humanity’s colonies are spreading through the galaxy and running into all sorts of other species who are trying to do the same, and conflicts ensue. I can’t think of much more to say here without major spoilers.

Great cast of characters, believable future tech, creepy aliens, intense battles…fun, solid read, really looking forward to the sequel.

—–

4 Stars

The Black Box by Michael Connelly

The Black Box
The Black Box

by Michael Connelly
Series: Harry Bosch, #18

Paperback, 480 pg.
Grand Central Publishing, 2013

There are few mystery series as satisfying as the Harry Bosch novels (those who’ve read the last couple of “Saturday Miscellany” posts have probably noticed my geeking out about the Bosch pilot for Amazon). Whenever a new paperback comes out, I grab it as soon as I can, and post a “Go Away, I’m Reading” sign*. I can’t get enough of this guy.

A while back, Connelly moved Harry to the Open-Unsolved Unit, which was a very smart move that’s paid off in variety of cases and gives an extra edge to Harry’s cases — he’s always been obsessive about giving resolution to the victim’s families and loved ones, but now it’s also about justice delayed, about being able to start getting past years — decades even — of pain.

Harry’s got a personal connection to the cold case he’s focusing on this time — during the riots that broke out after the Rodney King verdict, Harry and his partner were called out on a series of homicides. One in particular was a white woman in an alley, shot execution-style. Before being forced to go to the next victim, they were only able to spend about half an hour looking over the crime scene and finding practically no evidence that wasn’t contaminated. As with many other homicides over those few days, this one remained unsolved. But for the 20th anniversary of the riots, all these cases are being looked at again, in hopes of garnering some good PR for the LAPD.

Naturally, the only case that Harry (or pretty much anyone else) finds the most traction on involves a white woman — and Harry starts being pressured by his lieutenant and some even higher to hold off on the investigation for a few months. Naturally, Harry doesn’t take well to that and does what he can to solve this case once and for all. There’s a lot of luck involved in Harry uncovering what he needs here — but that’s the beauty of routine and thorough investigative work — you end up creating your own luck.

Meanwhile, Harry has to deal with a politically-motivated Professional Standards Bureau (Internal Affairs) investigation into a perfectly legitimate activity. The good news for Harry is that the investigator assigned to the case is as driven and thorough as he is. The bad news is that means she’ll be a persistent interference in his life until she uncovers the truth — and that’s the last thing Harry can tolerate.

Of course, there’s a good storyline featuring Harry’s daughter, Maddie. He’s still new to the “Dad” scene, and makes more mistakes with her than he can tolerate — it’s tough enough being a father to a teenage girl, but when the girl is dropped on you because her mother was murdered and you have to be a parent for the first time? You’ve already got 2 strikes on you. As almost superhuman as he is as a cop, as a father? Harry’s very human. It’s good to see.

And if he’s human as a father, as a romantic interest? You have to feel sorry for Hannah Stone, his current main squeeze. Harry’s practically inept. Still, it’s a good storyline, and I’m glad to see that Harry hasn’t blow it (yet) with Hannah.

If you’ve never read Connelly before — the guy can make a trip to a food truck to grab some tacos into a thriller. So he has no problem making a 20 year-old unsolved murder into an edge-of-your-seat experience. You don’t need to have read the previous 15 books in this series to appreciate this one — jump in, the water’s more than fine.

—–

*Not literally, but my kids can attest that my expression conveys that message effectively.

—–

4 Stars

S is for Silence by Sue Grafton

S is for Silence
S is for Silence

by Sue Grafton
Series: Kinsey Millhone, #19

Hardcover, 374 pg.
G.P. Putnam’s Sons, 2005

Grafton’s clearly stretching her craft in these last few books, which is commendable — and, on the whole, pretty successful. Like in Q is for Quarry, Kinsey’s working a cold case, this time she’s not even sure if it’s a missing person or a murder that she’s been hired for.

There’s an interesting pattern to these chapters — one or two in Kinsey’s present, and then a chapter from the Point of View of one of the people that knew the subject of her investigation a couple of decades before. Not only is this a stylistic leap for Grafton, it’s pretty interesting for her to be giving the reader that much more insight into the characters. But overall, I wasn’t crazy about seeing how every one’s a liar, before or after they talk to Kinsey. I’d rather watch Kinsey discover the lie, or see that they’re lying, rather than we readers knowing that and Kinsey being lost.

As we move along, we are given a more complex look at our victim than Grafton’s usually able to provide. We get to know her better and better each time we’re given a look at the past. We see how various people saw her through their perspectives and end up caring a lot more about her when we learn what happened to her than we normally would.

I’m not convinced that the case itself was that interesting, but the way that Grafton told it was very interesting and raised the level of the book. Making this satisfying in a way that Kinsey stories usually aren’t.

Grafton essentially ignores the ongoing family and romance stories she’s been pursuing lately — a nice break, but hopefully she returns to them soon — as much growth as the books have displayed lately, it’d be nice if Kinsey could catch up.

Grafton took a chance this time, and it paid off. Hope she keeps stretching herself as eh move on towards Z.

—–

3.5 Stars

Page 107 of 123

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