Category: Authors Page 2 of 124

REPOSTING JUST CUZ: Shadowed Souls edited by Jim Butcher, Kerrie L. Hughes

Shadowed SoulsShadowed Souls

edited by Jim Butcher, Kerrie L. Hughes
Series: The Dresden Files, #14.5; InCryptid, #531; Simon Canderous, #0.5 (I’m guessing) ; and some others that I don’t have a tag for right now
Paperback, 330 pg.
Roc, 2016
Read: January 10, 2017

This is a collection of stories

based on the idea that good and evil are just two aspects of a complicated and very human story . . . [with plots that] play with the concept and invite the reader to explore the edges of their own darkness.

Eleven of the best Urban Fantasy authors working today contributed to this book, each bringing their worlds to life from that basis.

I’m not going to talk about each story, just about those from authors I talk a lot about here — I don’t have the time and energy to talk about Kevin J. Anderson, Kat Richardson, Tanya Huff or the others. If for no other reason, I feel like I should read more of these series/characters/authors before talking about them — many of whom are on my “Try Out Sometime” list.

We, like the book, have to start with “Cold Case” by Jim Butcher. Harry’s former apprentice, Molly, gets to shine in this story. This is one of her first tasks in her new role as Winter Lady — in Alaska, fittingly enough. There’s a large amount of on-the-job training going on for her — more than she bargains for, really. We also get to spend some time with Warden Carlos Martinez — been too long since we saw him. Perfect mix of action, humor and atmosphere — we also get a good idea what’s in store for poor ol’ Molly.

We got to meet another member of the Price family in Seanan McGuire’s “Sleepover”. Elsie Harrington is a half-succubus cousin to Verity, Alex and Antimony. Their presence is felt in the story, but other than a couple of name-drops, they don’t factor into things, it’s just in that series’ universe. Elsie’s watching Antimony in a roller derby match and finds herself kidnapped. Not for any nefarious reasons — just because some people needed her help and are bad at asking for favors. Elsie has a very Price-like voice and outlook on life, but she’s got her own way of doing things. I really enjoyed this — even if the ending felt abrupt.

Anton Strout got to revisit the series that gave him his start in “Solus,” which featured Simon Canderous as a rookie DEA Agent dealing with a haunted house. His partner/mentor, Connor Christos, has almost no use for him at this point and seems to have no interest at all in working with him/training him. Maybe I’m not remembering the character as clearly as I thought, but I thought I liked him as a person more. Still, this was early enough in the relationship that it was probably the right way to deal with it. Other than happening before I was ready for it, I really enjoyed the conclusion of this story. In short, “Solus” was good, it reminded me why I liked the series and why I miss it.

My one complaint about all these stories (save for “Cold Case”), was that they were too short. It’s not just Strout and McGuire. In all the stories, just as things started to get going, they resolved. I’m not saying I wanted a collection of novellas, but another 5-10 pages each, maybe?

Yeah, like all collections, you’re going to get some that just don’t work for a particular reader, and others that are going to get a reader pumped – and maybe one that’ll make you wonder why you bothered. Your lists of each will be different from mine — but there’ll be more than enough of the good ones to make it worth your while. You may even find a new series/author to check out.

—–

3 Stars

2017 Library Love Challenge

Cat on a Hot Tin Woof by Spencer Quinn: Chet Searches for an Influencer Cat

This was supposed to go up yesterday…but apparently, the key is to press the “Schedule” button. Just a friendly tip from you to me.


Cover of Cat on a Hot Tin Woof by Spencer QuinnCat on a Hot Tin Woof

by Spencer Quinn

DETAILS:
Series: Chet and Bernie, #16
Publisher: Minotaur Books
Publication Date: April 14, 2026
Format: eARC
Length: 320 pg.
Read Date: April 1-6, 2026
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Before I get into things…that title is great (not that Quinn’s a stranger to good titles). I want to believe he wrote that title down some time ago and spent a couple of years thinking of a story to go with it.

What’s Cat on a Hot Tin Woof About?

One of the best things about the Chet and Bernie books is the wide diversity in cases they investigate—sure, the Little Detective Agency specializes in missing persons cases—but they do it all. Well, almost all. The clients they have this time are something that Bernie isn’t really ready for—and Chet would’ve been happier if they’d never run into them.

It’s a mother-daughter pair—the daughter had accidentally launched herself (well, her cat) to Internet fame and a very respectable income for a high schooler (well, more than respectable). Her mother is her business manager. Their problem? Miss Kitty is missing. Their sponsors are coming in soon to sign a new deal, and her audience is clamoring for fresh content. So the clock is ticking.

Bernie understands very little of this, but signs on—and quickly learns that despite what his clients believed—the cat didn’t slip out of the house somehow. She’s been stolen.

Naturally, it doesn’t stop with a stolen cat—more crimes turn up, as does an element of danger.

Bernie’s ex-wife, Leda, has some drama of her own, for him to deal with, too. But Bernie’s focus is on the case (although he takes time out for a fun scene to help Leda)

Why did I pick this up? Why did I keep reading?

That’s simple—while Quinn isn’t a stranger to less-impressive books, he’s incapable of writing an un-entertaining one—particularly with this series. And it’s been a while since he stumbled anyway.

Why did I keep at it? There is simply something infectious about Chet’s voice—as much as you want to figure out what happened—who kidnapped the cat and why, will they figure out the other mysteries along the way, will Bernie lose a lot of money doing something foolish, etc.—you want to stay in Chet’s head for longer than it’ll take to finish the book. This book is a textbook example of that.

What does this book tell us about humanity?

There’s a good deal here about the human propensity for making mistakes you’d regret later—if not sooner.

There’s a lot about good parenting and inadequate parenting/parents. There are a couple of good parents in this book (one came so late in the book, you’d almost despair of seeing another one ever again), and several inadequate ones. Most of those didn’t realize they were—but boy howdy, they should’ve.

What this book tells us most about humanity—and this is largely true for every Chet and Bernie book is the importance of a connection between a human and an animal. Even if it’s just a connection for a short-time. We’ve got cats, a pig, and a couple of dogs. The cats enrich (literally, in at least one case) the lives of those they stay with. Chet gets to comfort people going through rough times and gets to support Bernie. The pig? Well, it’s there. The cats and the dogs are just wonderful and will make you want your own (assuming you don’t already).

So, what did I think about Cat on a Hot Tin Woof?

It’s a Chet and Bernie book—of course, I had a good time.

I’d have liked a little more clarity on a point or two about the conclusion. But when your narrator is delightfully unreliable, that’s hard. I think about these cases in a way Chet wouldn’t bother with, so unless Bernie muses about some of the action, there’s just no way that we get the answers I want.

But you have to expect that going in, so it really doesn’t matter.

It’s been a minute since “old man Heydrich” was brought up (and I’m more than okay with that), and I think his replacement could be fun. We get some good Charlie and Leda stuff. Weatherly could’ve been in it more (but was used well). The client herself is the kind that you hope Quinn finds a way to bring back (as he does with another client here), and…well, it’s all just good.

It’s a fun mystery that will keep you smiling throughout—even when Chet solves the mystery (and doesn’t realize it)—maybe it’d be better to say that the reader solves it through Chet’s eyes—and you’re just sitting there waiting for Bernie to catch up. That’s frequently a frustrating experience when I’m that far ahead of the protagonist in a book—but here, it’s just fun.

If you’ve never met our intrepid pair of P.I.s, this would be a perfect book to jump into the series with—honestly, any of them would work, but you might as well start with this one. If you’ve been around the duo before, this is as good as you remember. Either way—check out Cat on a Hot Tin Woof.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Scattered Thoughts on Twelve Months by Jim Butcher from an Unabashed Fanboy

Cover of Twelve Months by Jim ButcherTwelve Months

by Jim Butcher

DETAILS:
Series: The Dresden Files, #18
Publisher: Ace
Publication Date: January 20, 2026
Format: Hardcover
Length: 463 pg.
Read Date: January 20-22, 2026
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So at this point, if you haven’t read Twelve Months, there are only a few reasons to explain it: You’re not a Harry Dresden fan; You’re a new Harry Dresden fan and haven’t gotten far enough yet; You’re still on a library wait list; you’re waiting for the paperback and are trying to avoid spoilers. If any of those are true, I’m not going to convince you to read it. And I’m okay with that. I still want to talk about it some. Spoilers for everything before this book.

If I tried to write a full post about this book, I wouldn’t finish. There’s just too much to say, so I’m going to fall back to one of my bullet point lists of things that I’d like to fully develop, but I know that I can’t. I’m most likely missing 6-12 things from this, too. I really have so much I want to talk about when it comes to this book. I just loved the whole experience I had with it.

bullet The book focuses on a grieving Harry—not just grieving Murph. But for all the damage, death, and destruction wreaked on Chicago. Also, the…you know, everything that’s happened in the 17 books before this. It’s raw, it hits you hard. And it is just what this series needed.
bullet This novel also gives a lot of the fans who are still trying to deal with Karrin’s death with the chance to do so with help from Harry. I still don’t want to think of the next few books being Murphy-free, but I’m better about it now.
bullet I didn’t expect to see Fitz return from Ghost Story. When I re-read or listen to Ghost Story, I enjoy him and wonder what happens to him after it—but I promptly forget him. Now that he’s back for the long haul, I’m more than happy to see that. Watching the way that Harry is working with him in ways he didn’t with Molly is interesting—a good sign of character growth (also just a reflection that Molly and Fitz are different).
bullet We got far, far more new characters to the series than I expected. Especially characters that look like they’re going to be around for a while. Better than the number is the quality of the characters.
bullet Of those, my favorite has to be the Valkyrie, Bear. She’s a mighty warrior. She’s wise and oddly emotionally aware. And she’s just fun. I can’t wait to see her and Thomas go into action side-by-side. It’s going to be fun.
bullet I should say something about how powerful the depiction of grief and (the beginnings of) dealing with it were.
bullet Yes, the new characters were great. But the established ones? Even better—Bob, Waldo, Mouse, Sanya, even Daniel Carpenter…I’d missed these guys (yeah, I just finished going through the series again a couple of months ago—but still, I’d missed them). And Will? Will should get a post unto himself.
bullet I’ve long enjoyed Lara as a semi-antagonist, a mostly-trustworthy ally (when they’re forced to work together), but now? I’m on the verge of actually liking her as a character. I’m a little uncomfortable with that. I also trust that I’ll get over that.
bullet I didn’t expect we’d learn so much about the origin of the White Court—and I really didn’t expect it to be anything like what it was.
bullet Part of me feels that the Thomas story arc in this book (and going back to Peace Talks) might have been a little too easy. I don’t know if I could defend that point outside of bullet points like this, but that’s my gut.
bullet I should say something more about how powerful the depiction of grief and (the beginnings of) dealing with it were.
bullet Everything with Maggie just melted my heart. I love this girl like she’s real.
bullet Everything with Molly was almost as good—there was no way to predict that Harry’s padawan would end up anything like she did (so far). I would’ve liked to see her involved some more in Harry’s adventures, but I see how that’s not possible all the time (and might make things less of a challenge for him, so it’s good that she’s not)
bullet There’s a major scene where Harry does some of the biggest and most complicated magic we’ve seen in this series—and wow. Butcher nailed that so well.
bullet In that aftermath, the way that Mab and Mother Winter interact with each other and with Harry? I got chills.
bullet I really want to stress how powerful the depiction of grief and (the beginnings of) dealing with it were.
bullet That said, I laughed a lot and hard throughout this book (right before or right after I got choked up, usually). I cheered so hard at things, too.

Simply put, this is the best thing that Butcher has written. I mean, I’ve spent almost two decades expecting to love a Jim Butcher novel (and have only been let down twice), but Twelve Months has impacted me in ways I didn’t expect. I’m just beyond impressed with this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Butterfly Effects by Seanan McGuire: The Johrlac vs. Sarah

Cover of Butterfly Effects by Seanan McGuireButterfly Effects

by Seanan McGuire

DETAILS:
Series: InCryptid, #15
Publisher: Tor Books
Publication Date: March 10, 2026
Format: eARC
Length: 432 pg.
Read Date: February 23-24, 2026
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Huh. Didn’t see that coming.

The InCryptid series is really a series of small arcs featuring a particular narrator before we move on to the next. Back in 2020 and 2021, we got an arc featuring Sarah Zellaby. Then we moved on to a pair of books focusing on Alice and then two on Aunt Mary.

But whoops–we’re not actually done with Sarah’s arc. It wasn’t a duology after all; it was a trilogy, and McGuire’s back to tie everything up.

I didn’t think we needed that. But now I see how much we did and how the series as a whole is better for it.

So, What is Butterfly Effects About?

So, we’d learned in Sarah’s books that the Johrlac on Earth (and in the wake of destruction they’d left behind) aren’t Johrlac-proper, they’re a bunch who’d been ejected from their home world for being as awful as we’d thought. These cuckoos were practically a separate species at this point, and most of what people on Earth knew about the cuckoos or Johrlac was horribly wrong.

And basically, everyone had moved on–it didn’t matter anymore, because there were only a handful left on Earth and Sarah had removed the ticking genetic time-bombs from them.

Except…the Johrlac are a really uptight bunch and once they saw what Sarah had done, they came to Earth and arrested her to be tried for crimes against Johrlac law. They also kidnapped Arthur to be used as State’s Exhibit A in the show trial, right out of the Edo of Rubicun III vs. Wesley Crusher on “Justice.”

Back on Earth, Annie and Alice get word of this, so they grab Thomas and use some of Alice’s remaining travel spells and inter-dimensional know-how to launch a rescue mission (and Sam insists on coming along).

And things get interesting from there…

We Sing It Anyway

I almost never discuss the novellas packaged with McGuire novels–and I’m not going to do that this time, either. Primarily because it’s solely “here’s what happens because of the novels conclusion next.” So to really talk about it would be to talk about the last half-chapter of the novel in detail.

So why am I talking about it at all? Just because I’m sure some readers are like me and don’t always read the novellas. Don’t skip this one. Trust me.

Why did I pick this up? Why did I keep reading?

I grabbed this because I’ve been on board for this series since the beginning.

Why did I keep reading? Pretty much everything I have said–or am about to say–about the book. I wasn’t prepared for McGuire to revisit this storyline, and I enjoyed getting to see what she was up to. I thought the world of the Johrlac was utterly fascinating–and watching the chaos that follows Annie, Sarah, and Alice as they interact with it was as entertaining as it could be.

What does this book tell us about humanity?

That’s the tricky thing, isn’t it? Given this series, I’m going to have to broaden this idea to “people” or “persons.” Also, a good part of it is about just how non-human some of these people can be.

Yet there’s something that humans and other non-human species can relate to in the middle of all the otherness.

(also, McGuire’s a human and all of her species are going to reflect that in some way, it can’t be helped)

The culture of the Johrlac is all about the collective–but there are several individuals expressing themselves (and we can assume some others we don’t encounter) in various and sundry ways. Most of these individual expressions are small–insignificant, really. But you get enough insignificant acts, and something noticeable can happen.

That’s one of the main things this book is about. While collectives–like both the Johrlac or the Price-Healys–are important, and together can accomplish great feats. It’s the individuals involved in them, and their interests and strengths, that make the collectives powerful.

So, what did I think about Butterfly Effects?

This is one of the better books in this series lately. I do worry that we’re becoming too dependent on the Annie/Sam/Alice/Thomas antics to the detriment of the others. But also? I don’t care, because I like Annie/Sam/Alice/Thomas, and everyone else is busy raising kids, so I prefer them out of danger.

The story took a lot of twists and turns that keep you on your toes. Not just on your toes, either, there are a few outright surprises. Some of those surprises come from the fact that the main action of this novel isn’t on Earth, and our friends don’t have to pull their punches so they can stay under the radar. Annie and her fire can do a whole lot when given the chance.

But this isn’t all danger, twists, and fire–there’s a lot of fun to be had on this alien world. It’s so strange that you just can’t help but have fun.

Action, heart, and plenty of smiles. This series shines brightest when McGuire brings these elements to the forefront. Butterfly Effects is proof of that.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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First Do No Harm by S. J. Rozan: A Hospital’s Seedy Underbelly

Cover of First Do No Harm by S. J. RozanFirst Do No Harm

by S. J. Rozan

DETAILS:
Series: Lydia Chin & Bill Smith, #16
Publisher: Pegasus Crime
Publication Date: January 6, 2026
Format: Hardcover
Length: 320 pg.
Read Date: February 18-19, 2026
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My brother needs a lawyer,” I told Bill over the phone from the sky diving hut.

“Your brother is a lawyer. Unless it’s a different brother, in which case his brother is a lawyer.”

“It’s Elliott, he needs a criminal lawyer, and it’s for a friend.”

“That’s what they all say. What happened?”

“The friend was found at the hospital in the company of a dead body.”

“Did he make it dead?”

“No.”

“That’s what they all say. New York City? Long Island, upstate, New Jersey? ”

“That’s as far as your reach extends?”

“God no. You need Nebraska? The Leeward Islands?”

“Just testing. Manhattan.”

“The guy’s in custody?”

“Yes, and he’d rather not be,”

“That’s what they all say.”

What’s First Do No Harm About?

That’s basically all you need to know. Lydia’s brother gets a call from a coworker that he’s friendly with, who’s the prime suspect in a murder at the hospital. After Bill connects him with a good criminal lawyer, that lawyer hires the duo to do the investigating for her.

It doesn’t go well at first—there’s a lot of institutional resistance to helping them—the hospital just wants to put the incident behind them—they’re on the verge of a nurses’ strike, and the additional bad press associated with a murder is too much for them. They’re perfectly willing to let this staff member be arrested and convicted, as long as it happens fast and keeps them out of the news.

Thankfully, Lydia and Bill are good at making allies and cashing in favors—once they start learning secrets and talking to the right people (probably in the reverse order), they start finding more people who will talk to them (willingly or not), and a picture—very slowly begins to emerge.

They’ve had some real doozies of a case before—and honestly, this is one of the more straightforward cases they’ve had (if you ignore all the distractions they encounter along the way)

Why did I pick this up? Why did I keep reading?

I picked this up because it’s a Lydia Chin/Bill Smith book.

I kept reading for the expected reasons: the mystery/crimes they uncovered and their chemistry and banter. It’s also a “Lydia” book, so it’s a bit more upbeat and fun.

The way these two interact has always been something that attracted me to the books, and it continues strong here. There’s a little competition between the two of them early on about who can charm the most people connected to the case—and neither of them does very well. Dismally, really. But it’s fun to watch them go back and forth about it—it’s a nice twist on Spenser’s strategy of going around annoying people until someone does something that leads him somewhere. At least they’re (superficially, at least) trying to charm people.

But really, just getting the chance to watch the two of them talk to each other is enough to keep me reading.

What does this book tell us about humanity?

This is a tricky one, because like most PI Fiction, the core of this book is people being despicable and trying to get away with it. But there’s a focus to this one.

“Seriously,” I said, sipping the cinnamony froth off my mug, “I’ve never seen so many people doing so many nefarious things. It’s a little disheartening. No, it’s a lot disheartening. A hospital? Isn’t it a thing that medical people are supposed to at least do no harm?”

Bill shrugged. “I always thought so.”

Lydia has seen a lot of…well, a lot. Crime, corruption, organized crime, family dysfunction, murder, and so on. A lot of what she’s seen would be too much for many of us (myself included). Yet this case disheartens her. She’s seen the various and sundry corruptions, backstabbing, machinations, poor conditions surrounding the workers at this hospital—and we’re not even talking about patient care/conditions—who knows what would show up if that happened. It’s all behind-the-scenes stuff. And it gets to her. She mentions it frequently.

Even with a brother who works in the ER in this hospital, all of this mess shocks her. Bill doesn’t seem as disturbed, but I don’t get the impression that he expected it to be this bad, either. Even people like them—given their experience, profession, and what they’ve heard—they expect hospitals to be about helping people. Healing people. Not trying to profit at other people’s expense.

I think it says something about how all of us have illusions about institutions. Or that even in the best places for humanity, our collective depravity shows up. Or maybe, that despite all the nefarious things going on, there are people (like her brother) who help people—and that even those who are getting away with things still manage to do some good.

Okay, I’m not sure what this book tells us about humanity. It’s not cut and dry—and on one level, we all know that, but something that Crime Fiction is good at is reminding us all that humanity is a mess, but still some good things happen.

So, what did I think about First Do No Harm?

I thoroughly enjoyed it. I think my only complaints are that we didn’t get enough of Lydia’s brother—because I enjoyed him in his element; and we definitely didn’t get more time with the accused murderer—because he was such a fun ball of chaos and earnestness. Seriously, can he get accused of another crime soon? I’d like to see him back in this series.

Everything else was great—good red herrings, a good twisty mystery that exposed a lot of other criminal/crime-adjacent activities, some winning characters. And more than one scuzzy person that you wouldn’t have minded being guilty of the murder—sadly, some that get to keep being less-than-upstanding and successful. The final reveal of the killer? I didn’t see it coming, but in perfect murder mystery style, once revealed, I couldn’t not see it and was annoyed with myself for missing it.

As one expects, Rozan did it again. And now we get to wait for her next successful outing. This would make a fine jumping-on point for the series. I think every book in the series would, for that matter. You’ve got no excuse not to read it.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Final Score by Don Winslow: Great Things Come in Small Packages

Cover of The Final Score by Don WinslowThe Final Score

by Don Winslow

DETAILS:
 Publisher: William Morrow
Publication Date: January 27, 2026
Format: Hardcover
Length: 284 pg.
Read Date: January 28-29, 2026
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Short Novels?

Let’s address this thing that’s been irking me. The title page calls these “Six Short Novels.”

Nope. Just nope.

I know, there are no hard and fast rules about length of a novel, novella, etc. But five of these works clock in around 40 pages. That is not—no way, no how—a novel.

The sixth, “Collision,” is around 90 pages. I’ll buy that as a novella—or a “short novel.” But even that feels like stretching things too much.

Just had to get that off of my chest—it’s been bugging me since I read the Table of Contents.

Also, that’s the last negative you’re going to see in this post.

What’s The Final Score?

Don Winslow un-retires with this stunning collection of six crime stories. Beyond that, it’s hard to describe them all as a group—they all differ in tone, voice, side of the law, style, and how much you’d like to see the protagonist punished/get away with something.

The Final Score

We start off with the “title track”—a story about a man who’s made a career of robbery, trying to go for his final score to provide for his wife as his career is ending. There’s something sweet about it (if you ignore all the felonies and risks to human life).

But there are surprises waiting for him.

This is a solid start to the book—I liked the characters, the pacing, and story. It’s not Winslow’s best, but I’m not complaining about it.

The Sunday List

This is only a crime story by technicality. But whatever it is, I really enjoyed it.

In the shadow of the Vietnam draft, Nick, a teenager with ambition beyond the hippie life his parents live, works hard to make it to college—and will do all sorts of things to get the money for it. Even if that means crossing a few lines.

The North Wing

There’s an old-school mafia vibe to this story. Family ties are tested when a police officer’s cousin gets into legal trouble.

There are so many beats in this story that feel familiar—even if only from Winslow’s oeuvre. But there’s a freshness to it, and Winslow’s ability to make you care about anything that separates this from the familiar.

True Story

Remember the part in Goodfellas where Henry Hill tells us all the names and nicknames of the men he works with? Imagine if that went on for pages and pages—with some digressions for stories about some of the men with those monikers.

In something that feels like it could’ve been a comic-relief in The Sopranos, this features two guys with some sort of mob ties in an extended conversation over breakfast. They’re basically gossiping about various men they know—what they’ve been up to lately, where their nickname comes from, and whatnot.

It was ridiculously fun—and every time you start to think that the shtick might be getting tired, they say something else that makes you get over it.

I strongly suggest making sure that you have enough time to finish this one before you start it—the end of my lunch break interrupted things for me, and it took a little too much effort to get back into the flow of things when I got home. But it was so worth it.

If it weren’t for the next story, I’d say it was the most entertaining entry in the collection.

The Lunch Break

But in any collection featuring Winslow’s Dawn Patrol, just about everything else is going to pale in comparison—at least for me. Boone is hired to watch over a movie star to keep her from getting carried away with drugs, drink, carousing, or anything else that will derail filming of her current film. He brings along Dave the Love God and High Tide to provide around-the-clock observation.

Things get wild from there.

“She sounds like trouble, bruddah.”

“She’s about five-three, can’t go more than a buck-five,” Dave said. “How much trouble could she be?”

Now he knows.

Bad things come in small packages.

This might be my favorite Dawn Patrol story since the first novel. (in a perfect world, Winslow’s next collection would be all his short Dawn Patrol stories with a few new ones thrown in)

Collision

The crowning achievement of the book. From the beginning you can tell that things are going too well, and that just can’t last.

And it doesn’t. What comes next will cause your stomach to drop. Your blood pressure to spike. Your heart to come close to breaking (if not further). I don’t know what to say that won’t take away from the experience for you—and I don’t want to do that.

It’s just so good.

Why did I pick this up? Why did I keep reading?

When I decided that I want to start talking about this kind of thing, I didn’t really think it through. Sometimes, it’s just this simple.

I picked it up because: Don Winslow.

I kept reading because: Don Winslow.

What does this book tell us about humanity?

One thing that seems prominent through all of these stories (with one possible exception) is the human potential, if not propensity, to change.

It’s not always going to be for the best—or even for the better. Sometimes change will just be change. Sometimes change will be for the detriment of the person doing the changing—or those they love.

But the characters in this book are not static, even in these short pages, they evolve, they develop, they show that whatever their lives may be like at one point in their life (not always in their youth), they can—through their choices and actions (frequently pushed by choices and actions of others), their stories, their lives, are not set in stone—they can change the direction they head in.

It’s both inspiring and a warning.

So, what did I think about The Final Score?

Reed Farrel Coleman pays tribute to Winslow in the Foreword to this collection, talking about Winslow’s dedication to the craft, his gifted writing, and the diversity of stories he tells. Which is incredibly fitting for this book—which really just shows off that ability of Winslow’s.

Every story in this collection was a winner, will likely end up in your personal “all time short story canon,” and will make you want to re-read them again and again to fully appreciate them.

I can’t recommend this enough.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Cover Reveal: Prey of Angels by JCM Berne

I’m very pleased today to welcome the Cover Reveals for the Eighth Turn in JCM Berne’s The Hybrid Helix series, Prey of Angels! For a lot of us, a new Rohan adventure is an autobuy anyway. But I can’t imagine people look at this cover and not get curious. But before we get to that, let’s learn a just a little bit about the book and author, shall we? It’ll just take a moment, and then we can all take a peak at the cover.

About the Book:

Rohan has been building alliances and solidifying his abilities, all to keep his friends, his family, his homeworld, and the Empire safe from anything that threatens them, from anywhere in the universe, whether from inside the sector or from a distant galaxy.

He thought he was doing a pretty good job.

He thought he had a pretty solid handle on what he needed to worry about.

He was wrong.

Book Link:

Amazon Preorder

 

About the Author

JCM BerneJCM Berne has reached middle age without outgrowing the notion that superheroes are cool. Code monkey by day, by night he slaves over a hot keyboard to prove that superhero stories can be engaging and funny without being dark or silly.

Author Links:

Website ~ Bluesky ~ Twitter ~ Instagram ~ Facebook ~ YouTube

and now…

The Cover

cover for Prey of Angels by JCM Berne

Kudos to these fine folk for their work on this eye-grabber:
Cover Art by Chris McGrath
Cover design by J Caleb Design

Go and do the right thing–place your orders now. This comes out on February 17, and you’re going to want to get to it ASAP.

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Everybody Wants to Rule the World by Ace Atkins: A Tale of Sussudio and Spies

Cover of Everybody Wants to Rule the World by Ace AtkinsEverybody Wants to Rule the World

by Ace Atkins

DETAILS:
Publisher: William Morrow
Publication Date: December 02, 2025
Format: Hardcover
Length: 368 pg.
Read Date: January 6-7, 2026
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What’s Everybody Wants to Rule the World About?

The year is 1985, and apparently, there are USSR spies everywhere. At least in Washington, D.C. and Atlanta, GA. Reagan’s push for his “Star Wars” program is strong, and the KGB wants to know all it can about it before a summit between Gorbachev and Reagan. Tensions are high, cards are set up, and one teenaged boy is about to send them toppling over.

Because his mom is dating a jerk and Peter has an active imagination fueled by pulp novels and sensationalized “news.” He becomes convinced that his mom is dating a Russian agent and tries to enlist the help of a mostly failed novelist (and his drag queen buddy, a retired NFL player) to expose the boyfriend.

Meanwhile, a KGB officer defects so he can reunite with the love of his life; an actual Russian agent (who may, or may not be the boyfriend) has killed someone; the FBI is investigating that death, and another Federal agent wants to run away with an exotic dancer and is trying to leverage that defector to help him do that.

There’s gotta be another storyline or three that I didnt’t squeeze into that paragraph, too.

The point is, there’s a lot going on. Few of the people involved are properly qualified to deal with it. And the direction of the Cold War hinges on what happens over the next few weeks.

It should be noted that this is a comedy.

Why did I pick this up? Why did I keep reading?

It’s Ace Atkins—the last decade has taught me that I’m likely to enjoy a book he writes. Also—a comedic take on Russian deep cover agents in the 80s is right up my alley. Put the two of those together…

I stuck with it because that’s exactly what was delivered. A great plot with more twists than a corkscrew, a great voice, and an oddball cast of characters.

What Does this Book Say about Humanity?

There is a deep thread of self-deception going on throughout the book—the stories we tell ourselves about who we are, how others regard us, and what we think we’re capable of.

There are a couple of major characters who are honest about themselves—and largely understand others. But the rest are deluded to one degree or another—how heroic they are, how things will go when they reunite with an old flame, how their life will be better when they ditch their wife and kids for someone new (who any rational person will see isn’t that into you), how the world is against them, and so on.

Some of these are understandable—the teenage male tossing aside common sense because a hot stranger seems into him. Some are relatable, maybe even admirable—the writer who hasn’t sold anything in ages continuing to try. But the others are kind of sad once you stop to think about them—but you do have to force yourself to stop and think about them, because Atkins has you too focused on jogging to keep up with the book and chuckling at their foibles.

The 80s of It

There are a couple of ways to approach the time setting of the 80s. One way is to go over-the-top like The Wedding Singer or That 80s Show. The other way is restrained—like The Americans or Mad Men (different era, but same idea).

Atkins mostly stuck to the restrained approach, it is an 80s story with 80s concerns and ideas and the setting is appropriately depicted.

But every now and then, in the spirit of the book’s flavor, I do think he went a little over-the-top with the references in a Sandler-esque way. And I loved each time he did that. Over all, Atkins goes for realism and restraint—but when he indulges himself (and/or the reader), it’s just a treat.

Oh, and this is maybe a Content Warning I should give…you’ll find yourselves thinking a lot about Prince and Phil Collins, possibly driven to listen to them…at the very least, you’ll have a couple of songs acting as earworms for days.

So, what did I think about Everybody Wants to Rule the World?

I wasn’t thrilled with Atkins stepping away from the Spenser or Quinn Colson series, as curious as I was about what he’d do next. I’m still not—but if this is what he’s doing instead? I’m getting over it quickly.

This was ridiculous fun. Fast-paced, not quite frantic (because Atkins doesn’t let it happen) filled with crazy coincidences, turns you cannot see coming, twists you think you see coming and are only right occasionally, real people doing stupid and human things—frequently illegal, too.

It is a comedic work, but that comedy is successful because none of the characters is in a comedy. They’re all deadly serious (though some will express that by being a smart arse), worried, scared, or scheming. The danger is real, the stakes are high, people get hurt, lives are changed—it’s a very straightforward thriller that way. But when you can see the whole board, see what they don’t know—it’ll bring a grin to your face and possibly a cackle from you.

A lot of social media/news media can make us all think that the world is ending (and, I’m not for a second suggesting that it might not be)—but this book reminds us that it’s almost ended before. And we’re now far enough away from the genuine, grounded, and realistic fears that we can laugh at them. Isn’t it nice to think that 40 years from now, someone can write a book about now to relieve some stress?

I expected to enjoy this book, I didn’t expect to have fun with it. I don’t know how readers who grew up post-Cold War will react to it. But readers of a certain age will have a good time with Everybody Wants to Rule the World.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Scattered Thoughts on My Latest Reading of The Last Battle by C.S. Lewis

Further Up and Further In A Year with C.S.Lewis

Cover of The Last Battle by C.S. LewisThe Last Battle

by C. S. Lewis , illustrated by Pauline Baynes

DETAILS:
Series: The Chronicles of Narnia, #7
Publication Date: June 25, 1994
Format: Paperback
Length: 211 pg.
Read Date: December 24, 2025
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If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this (more than some of the earlier), and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.

If only because everything worth saying has been said by other, better, writers. Probably several times.

I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.

But I feel the need to say something now, so here are a few things that jumped out at me during this read:

bullet Shift is the first Narnian primate we’ve seen, right? There’s probably a lot of meaning to be mined from that. hmmm….
bullet A couple of pages of watching Shift in action is enough to make a guy want to go hang out with pre-Dragon Island Eustace just for the company.
bullet I just want to yell at Tirian to pay attention to the Centaur and his reading of the stars. I mean sure the astrology is nonsense (or is it in Narnia?), but the rest of it…
bullet Then just a few pages later, we get word that “Aslan” is ordering tress to be cut down and sold. Sorry, just how clueless are Tirian, Jewel, and anyone else who thinks, “yeah, this could maybe be the guy.”
bullet

The King was so dizzy from being knocked down that he hardly knew what was happening until the Calormenes untied his wrists and put his arms straight down by his sides and set him with his back against an ash tree. Then they bound ropes round his ankles and his knees and his waist and his chest and left him there. What worried him worst at the moment—for it is often little things that are hardest to stand—was that his lip was bleeding where they had hit him and he couldn’t wipe the little trickle of blood away although it tickled him.

That is just a great little detail there at the end. Hard to resist the impulse to wipe your mouth/chin there.
bullet Even in the midst of the end of the world, Lewis can find time to bring a smile with something like this:

…in Narnia your good clothes were never your uncomfortable ones. They knew how to make things that felt beautiful as well as looking beautiful in Narnia: and there was no such thing as starch or flannel or elastic to be found from one end of the country to the other.

bullet I thought about talking about Susan’s absence at the end, but it seems even less controversial to me on this read than on others. Also, I just got my hands on Gaiman’s “The Problem with Susan,” and should keep my powder dry until I can read/interact with it.
bullet I didn’t take that many notes while reading this one–I think I just caught up in the reading. Oops. I really liked Jill here (nothing against Eustace, but Jill really got to shine).
bullet This isn’t a wholly satisfying ending to the series, but it’s such a good one. I wonder a bit if Lewis could’ve done more–but I really can’t complain. It’d have been really easy for him to bungle this–I’ll take a pretty good conclusion over a mess.

And as He spoke He no longer looked to them like a lion; but the things that began to happen after that were so great and beautiful that I cannot write them. And for us this is the end of all the stories, and we can: most truly say that they all lived happily ever after, But for them it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on forever: in which every chapter is better than the one before.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Through Gates of Garnet and Gold by Seanan McGuire: Quieting the Dead

Cover of Through Gates of Garnet and Gold by Seanan McGuireThrough Gates of Garnet and Gold

by Seanan McGuire

DETAILS:
Series: Wayward Children, #11
Publisher: Tordotcom
Publication Date: January 6, 2026
Format: eARC
Length: 148 pgs.
Read Date: December 23, 2025
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What’s Through Gates of Garnet and Gold About?

We watched Nancy get her door and get to go home 10 years ago (in publication time, I’m a little unclear about how long it’s been in Eleanor West’s School’s time, as is at least one student). And aside from a quick “hi,” a few books later, that was pretty much the end of her story.

Until now, obviously, otherwise, why would I start by talking about her?

She’s back, and there’s a rule-breaking quest involved. The twist this time is that Nancy has been sent by The Lady of the Dead. Something…someone…is attacking people like Nancy in the Halls. People who have come through their own Doors from their own worlds to their true home. The dead are left unmolested and undisturbed. But it’s the other living people there who are being attacked. Nancy’s friends (or as close as living statues have to friends), are being killed and they need help.

This is a first for Eleanor West and her students–but they can’t say no. They don’t want to. Kade, as almost always, the leader of the group. Christopher, who is more comfortable with the dead than anyone other than Nancy, and his bone flute come along as well. There’s no way that Sumi, Nancy’s old roommate, is going to pass up this opportunity. Talia demands to be part of it, too. She has no skills that seem to make sense for this task*, but she’s done the math. Going on a quest with other students is just about the best way to guarantee getting her Door when it’s completed. So no one had better stop her. I, for one, hadn’t done this connection–and I’m guessing many of the other students haven’t either, or there’d be several others clamoring for a change.

* Naturally, it turns out that it’s good she came along.

An Introduction to the Series

McGuire’s been clear from the get-go that this series can be read in any order–and that’s true enough. But I think there are a couple of books that should be read in a particular order, regardless of what she thinks. And you’re just better off in general going in publication order.

But let’s say that this is the first book you pick up–you’re in for a treat. In an Introduction of sorts–not really a prelude or prologue–a couple of pages before chapter one, whatever you want to call them–McGuire introduces this series, sketches the function of the Doors, the impact they make on those who pass through. Those who want them back, etc.

This isn’t a “The Story So Far…” kind of thing–but it’s the closest that this series is going to get. I hope we get these exact pages–or ones very like them–from here on out.

I Needed a Fresh Dose of Sumi

Sumi is one of the characters who appears with greater consistency than others in this series–and I, for one (but am probably not alone), am so grateful for that. Her weaponized optimism, utter lack of regard for social niceties, unwavering positivity, and generous affections emphasize all the good things to be found in a person and situation. She also brings a level of comedy and heart to every scene she’s in. She can also be profound, usually unintentionally, and add emotional weight to a scene when you didn’t realize it needed it.

And when she gives a warning–you know things are serious. But the reader gets to chuckle the way she does it.

Obviously, we needed Sumi if we’re going to spend time with Nancy (we’re going to need Kade for similar reasons). But I personally needed a dose of her in general. And while what we got was sufficient, I’m hoping it’s not too long before we spend time with her again.

So, what did I think about Through Gates of Garnet and Gold?

After last year’s Adrift in Currents Clean and Clear, I assumed we’d get something good, but not great for this book–we were due for McGuire to take her foot off the pedal a bit and coast a little. I’m very glad that McGuire wasn’t thinking like that and brought us another stellar installment in this series.

I mean, I was sold from the instant I saw that Nancy was coming back–and McGuire did right by this return. When Nancy got her door again, I wasn’t prepared for that to happen. I didn’t realize we were going to spend so little time with most of these characters, just enough to fall in love with them as characters, and then watch them go on to the next chapter of their lives–and that we’d very likely be done with them (aside from an occasional glance at most). I’ve embraced that when it comes to these books, and it no longer gets to me so much that we walk away from them. But I’ve always wanted more Nancy.

So, sure, that made me an easy sell for this book–but that didn’t mean I was guaranteed to rave over it. It just made it very likely.

I didn’t really understand what Nancy saw in the Halls of the Dead before, nor do I think I truly understood what was involved. This world made a lot less sense to me than any of the others, and I really wasn’t that interested in it other than as it served as Nancy’s true home. But we got to see much more of it than we have previously, we get some more mature description of it from Nancy (and her Lady). I see the appeal, the attraction. Or at least I understand where some would. Personally? The only world I’m less interested in is the underwater world that Nadya introduced us to last year (I just don’t think I could get over being underwater). But now, I get why Nancy and the others want to be there.

What the questors and readers learn about the forces attacking–and their plans–is pretty unsettling, and tells us a little more about McGuire’s universe and the stories she’s telling. In a way that made me uncomfortable and pleased me at the same time. You’ll have to read it yourself. But it’s such a fantastic touch.

As usual for this series, McGuire balances whimsy and danger, joy and weeping, with skill and aplomb. For Adrift in Currents Clean and Clear, I wrote:

This is definitely one of the stronger books in this series that is on a great roll lately, I commend it to your attention. As with just about every book in the series, it can be read as a stand-alone or as an entry point (but I strongly encourage reading at least Every Heart a Doorway before any of the others). I was sad when it ended—not because of the way it ended, I just wasn’t ready to move on. I predict I won’t be alone in that.

That’s a pretty good way to wrap up this post, too. With one significant difference–I need to know what happens after the last page, preferably now. It’s not a cliffhanger (this is not one of those series), in fact it’s a perfectly fitting ending for this novella. But I really need the next page–and fear McGuire is going to make us wait a bit before she gives it to us.

Disclaimer: I received this eARC from Tordotcom Publishing via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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