Category: Authors Page 23 of 116

Pure by Jo Perry: A Murder Mystery and So Much More

Pure

Pure

by Jo Perry

Paperback, 289 pg.
Fahrenheit Press, 2021

Read: October 6, 2021

Doctor Christiansen waited a moment after the final shudder and wheeze. “She’s gone,” he said and to make sure I understood, and added, “I and everyone here at Sunny Morning Elder Care Living are deeply sorry for your loss.”

Well, my aunt wasn’t “gone.” She was right there, her small, cold hand in mine.”

What’s Pure About?

Ascher Lieb, arrives at her dying aunt’s bedside too late to say goodbye, she’s not going to wake up again. But she’s present when they turn off the ventilator keeping her lungs working. Ascher returns to her aunt’s apartment to check on her dog and go through her belongings just in time for the facility to be quarantined with her in it.

This is the early days of COVID-19 in Los Angeles, and no one is playing around. Ascher has to present herself twice daily for temperature/symptom checks, where she’s given some food to supplement the groceries her aunt had left behind—which Ascher supplements, in turn by frequent use of delivery apps. With most of the U.S. now out of lockdown—or anything resembling it—it might be hard to remember the early days—sanitizing everything, masks, gloves, shutting yourself away from everyone you can. A lonely, isolating, claustrophobic existence—made the worse for Ascher as she’s alone in someone else’s house with few of her own possessions, just a dog who doesn’t understand why his owner isn’t coming home.

And I’m going on far too long—how do I summarize this? Gross over-simplification:
Ascher volunteers briefly at a Jewish Burial Society. She’s convinced there’s something suspicious about the death of one of the people she attends to. Driven by impulses and emotions she’s not sure she can identify, Ascher seeks to discover this woman’s identity and learn what caused her death.

Ascher also has to come to terms with her aunt’s death (which opens a can of worms about other deaths in her family, too), dodge the officials at her aunt’s facility while she’s breaking quarantine, try to hew close to COVID restrictions, deal with a bunch of personal issues arising from her being quarantined away from her apartment/roommate, cope with the dumpster fire that was 2020, and…there’s a possible (probable?) supernatural element, too. That sounds like a lot going on—and it is—but it never feels that way. At least for the reader—Ascher feels it.

“Everything Else”

The mystery at the core of this novel is a pretty good one—and Ascher’s not a sleuth by any means, her attempts at being an amateur sleuth are as amateur as they come. It’s worth reading Pure for this aspect alone.

But for me, it was the least interesting part of the novel. Everything else going on (except maybe the stuff with her roommate) was much more interesting and worthy of reflection. For one: Ascher’s reaction to death—her aunt’s and others—have shaped her more than she realizes. Her coming to grips with it, her seeing how death has affected important choices she’s made throughout her life—and seeing what she does with these realizations? That’s what separates Pure from other mystery novels.

So, what did I think about Pure?

This is a great novel, an immersive read—I had a hard time putting the book down, and a harder time not thinking about it when I had put it down. And I was on vacation when I read this—I had plenty of things to do, see and think about when I wasn’t reading. If I only had routine day-to-day things to think about, I’m not sure I’d have been able to focus on work/home life instead of the book.

The characters who aren’t Ascher are interesting enough—and there’s a couple I can think of that I would’ve liked to spend more time with. But that’s not possible in this book—Spring of 2020 was not a time to meet people and spend a lot of time with them. But your appreciation for this book is going to come down to what you think of Ascher and her actions.

This is a mystery novel about something—it’s more than a whodunit (assuming there was something for a “who” to have “dun”). It, like pretty much everything Perry writes, is about death and how we deal with it as humans (and one neurotic Mini-Pinscher). THere’s more to chew on, too, but that’d be telling…

It’s trite to say “this moved me.” But it did, and I can’t think of a better way to phrase it, so trite it is. Pure is the best thing I’ve read by Perry—it’s not the most entertaining, but it’s the best, and will likely stay with me in more detail than the rest. You won’t be sorry if you pick this up. You may regret not doing so. So, why take the chance?


4 Stars

Grave Reservations by Cherie Priest: Move Over Shawn and Gus, It’s Time for the Real Deal

Grave Reservations

Grave Reservations

by Cherie Priest
Series: Booking Agents Series, #1

Hardcover, 289 pg.
Atria Books, 2021

Read: December 10-13
Grab a copy from your local indie bookstore!

“I’m not looking for a séance, Ms. Foley. I’m just telling you that I know there’s more to the world than what we can always see right in front of us. And I believe you when you tell me that you had a premonition, or a bad feeling, or a bad certainty—if that’s more like it. I believe you saved my life. Saved me a hell of a story and some smoke inhalation, that’s for damn sure. And now I want to hire you. Not to book any travel, and not to talk to my dead mother. I’ve got a case I’ve been beating my head against for a couple of years, and I’m all out of leads. I’m ready to try anything, which means I’m willing to try a psychic, Ms. Foley, I want you to help me solve a murder.”

What’s Grave Reservations About?

It’s pretty much about that quotation—Leda Foley is a travel agent* and self-described “inconsistent psychic.” Her intuition (or whatever you want to call it) leads her into changing the flight of a Seattle PD detective which prevents him from ending up in a plane that skidded off the runway during takeoff. Now he’s back in Seattle, grateful, and wants to use Leda to help him get a break on a cold case. Det. Grady isn’t that convinced this is going to work (Leda’s sure it won’t), but he doesn’t know what else to try.

* I’m as surprised as you to learn they still exist.

She agrees—not just because her agency is struggling and she needs pretty much any money she can earn, but because she wants to get on Det. Grady’s good side, because she wants his help on a cold case of her own—her fiancé was murdered and the police got nowhere with that investigation.

So, Leda, her bartender best friend, and Detective Gracy set out to see if her psychic abilities are at least a little more consistent than she thinks.

Leda’s Other Side Hustle

Leda’s had a large number of day jobs, none of which worked out for long. Her travel agency, Foley’s Far-Fetched Flights of Fancy, is an effort to make it on her own—and it’s pretty shaky. Leda also wants to strengthen and improve her psychic skills, so she gets on stage at a local bar for what she calls klairvoyant karaoke, but the bar’s owner prefers calling her a psychic psongstress.

Basically, she gets on stage, holds an object given to her by an audience member, and uses the impressions her abilities give her about the owner to sing a song that will be meaningful to the owner. In exchange, she gets free drinks. She’s gaining a little notoriety from this and the bar is having its most successful nights ever.

Tricky Tonal Balancing Act

This is not your typical murder mystery, that’s probably pretty clear. In her acknowledgments, Priest says she was aiming at “something lighter and funnier than my usual fare.” She hit what she aimed for. It’s comedic (sometimes very comedic), but not at a goofball level. It’s closer to Castle at its best. Or to stick to novel comparisons, think The Spellman Files (especially the slightly more serious last couple), Max Wirestone’s Dahlia Moss books or David Ahern’s Madam Tulip books. The latter is the best comparison (not just because Leda’s psychic abilities made me think of Derry more than a few times), but Leda’s friends remind me of Derry’s—but I threw in the others because too few people know anything about Madam Tulip.

Back to Grave Reservations—Priest walks the tightrope between too silly for a mystery and too serious for a story about a travel agent/inconsistent psychic–—which cannot be anywhere as easy as she makes it look. With all of the above comparisons, I occasionally wasn’t sure about the consistency of the tone (or the appropriateness of it when the creators weren’t on the top of their game). Priest didn’t have that problem at all. Which is a tribute to her skill.

So, what did I think about Grave Reservations?

I don’t have a lot to say here–it’s really good. Priest surrounds Leda and Det. Grady with a bunch of characters that bring the comedy on the personal side and suspects, victims, and witnesses that keep the serious side of the story working. Either set of characters make this a fun read—put them together and you have something special.

The mystery itself was pretty good—and having Leda’s abilities providing the leaps of logic that allow Grady to start looking in the right places is a great idea. Priest doesn’t have to “play fair” like most mystery novelists and she can just wave the Psychic ex Machina wand to get her out of tricky places.

Grave Reservations is a great bit of light escapist reading—and the way Priest set it up for a series suggests that we’ll be able to escape into this world for a little while longer. And we all could use something like that right now, can’t we?


4 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Better Off Dead by Lee Child and Andrew Child: Readers Would Be Better Off Without this Reacher 2.0 Mess

Better Off Dead

Better Off Dead

by Lee Child and Andrew Child
Series: Jack Reacher, #26

Hardcover, 325 pg.
Delacorte Press, 2021

Read: December 7-9, 2021
Grab a copy from your local indie bookstore!

What’s Better Off Dead About?

Continuing the westward journey he started back in Past Tense, Reacher finds himself about as close to the US/Mexican border as you can get in one of the smallest towns we’ve seen him in.

He encounters an Army vet hunting for her twin—who has gotten himself mixed up with some sort of smuggling operation—that might be getting into something more serious. Michaela Fenton gets Reacher to help out with a scheme to put her face-to-face with the head of the operation.

Things go south, and before you know it, it’s Reacher against this shadowy organization trying to save the Fenton twins and put an end to a plot that’s either an act of political protest or deadly attack (Reacher’s assuming the latter).

That doesn’t make a lot of sense—but trust me, something as convoluted as this plot doesn’t make it easy to summarize in a coherent fashion.

So, what did I think about Better Off Dead?

I strongly considered listing all my problems with this—but why bother? Venting my spleen might make me feel better, but I don’t want to spend the energy on it.

Let me try to be concise—it was a giant, implausible, mess. The original plan that Reacher and Fenton come up with to take down the bad guy makes every single machine that Rube Goldberg drew seem efficient and straightforward. I couldn’t believe that Reacher would sign on to it—and even after he started voicing concerns, he still went along with it. Reacher’s known for his brawn, but his brain has always been—up to this point, anyway–just as important (if not more so). This was just dumb.

I was annoyed very early on, texting a friend, “Worst.Reacher.Ever.” Although I noted that the Child brothers had 250 or so pages to make me change my mind. I really wanted them to. But man, those short stories about pre-teen/teenager Reacher in New York City or Okinawa look really good to me now.

The least troublesome part for me was the voice—Lee Child tended toward the third-person, but occasionally used first to great effect. This time, first-person didn’t help matter—and while I haven’t read any readers complain about it, a lot of what I have seen people complain about I think would’ve worked if it was in the third-person (and/or wouldn’t have been part of a third-person narration).

There were some good scenes, a handful of chapters that worked for me, in fact.* But they were a distinct minority. Still, in trying to be fair, I’d say if this was a thriller by a relative newcomer? I’d be more positive about it (not much more, but more). But Andrew Child (née Grant) has a dozen novels under his belt and Lee Child has twice that—also this is a Jack Reacher novel. There are standards that must be upheld.

*I’d planned on talking about some of those, but this post is longer than I’d intended it to be already, so let’s leave it at “the whole thing wasn’t a dumpster fire.”

I knew that there’s be some growing pains as Lee backed off to let Andrew take over, but this was worse than that. The Sentinel wasn’t perfect, but it was something to work from. Better Off Dead was a major setback and will take some work to recover from. Sadly, I bet that no one’s going to make Andrew buckle down and do that work (please, please, someone prove me wrong).

I walked away from the interview I heard with them a few weeks ago with the impression that Andrew doesn’t typically work with the “no outline” approach of Lee—maybe if he didn’t try to ape that style, he’d be better off. There were a few times in my notes I wondered if they’d changed their minds about where the plot was going.

Give this one a pass—go back and read/reread 61 Hours, Nothing to Lose, Personal, or…you know what? Anything from The Midnight Line or earlier. It’ll be time better spent.


2 Stars

2021 Library Love Challenge

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Mistletoe and Crime by Chris McDonald: Adam and Colin Get Called Back into Action

This is going up a bit later than intended because I cut out about 30-40% of what I’d written—you can only go on so long about a novella before you’re competing with the length of the material. Hopefully, it’s still coherent.


Mistletoe and Crime

Mistletoe and Crime

by Chris McDonald
Series: The Stonebridge Mysteries, #5

Kindle Edition, 115 pg.
Red Dog Press, 2021

Read: December 7, 2021
Grab a copy from your local indie bookstore!

The Intervening Year

So, it’s been a year since The Case of the Missing Firefly. Colin and Adam have seemingly retired from the jobs they never really had. They haven’t been in the wrong place at the right time to stumble upon a corpse or haven’t been recruited by loved ones frustrated by the police’s inaction, so they’ve been able to focus on things like Adam’s business and relationship, Colin’s job, and their ongoing PlayStation FIFA rivalry.

We’re given a little nugget about part of the reason for their inactivity:

After a number of embarrassing blunders, there was an investigation into the Stonebridge police force, which resulted in them taking crimes in the town a bit more seriously. This meant that the kinds of miscarriages and oversights that Adam and he had looked into had reduced in number, rendering the amateur detective duo obsolete.

I think it’s charming that protests, marches, and scandal are what lead to changes/potential changes in policing in series like Goldberg’s Eve Ronin or Connelly’s Renée Ballard, in Stonebridge’s universe, it takes a couple of guys who’ve spent too much time watching Sherlock to get the police in line. Of course, this is also a town where the “bad side” is characterized by “vegan food stores and hippy clothing bazaars.” If I can’t move to Stars Hollow, CT, maybe I can emigrate to Stonebridge…

Thankfully, in the Real World, Chris McDonald had plans for the duo, so their retirement is short-lived:

What’s Mistletoe and Crime About?

After watching a cheesy Holiday Rom-Com at the theater (and, no, Adam, did not cry at the ending, thank you very much), Adam and Helena take a shortcut through an alley to get to the car. Along the way, they come across an obviously dead body. Adam’s well-documented queasiness around blood rears its head (not before his subconscious notices something is wrong) while Helena’s nurse-reflexes lead her to snap a quick picture of the scene and before jumping to ensure that the man doesn’t need assistance.

The police quickly decide the homeless mana well-known Stonebridge fixturewas inebriated, slipped on the snowy ground, and died of the resulting injury.

A man approaches Adam and Colin soon after this asking the duo to look into the deathhis testimony isn’t unimpeachable, but it’s enough to move them into looking into things. The man’s claim is buttressed by the photo Helena took which shows a footprint suggesting that someone left the scene after the man was on the ground. So we’re off to the races…

The Boys Are Growing Up

In the year away, Adam and Colin have continued to mature. The impression I had during The Curious Dispatch of Daniel Costello was that these two would be the stereotypical 20-somethings who still lived with their mothers, jumping from entry-level gig to entry-level gig for quite a while (even if Colin seemed on the cusp of leaving that description behind when we meet him). But almost immediately, McDonald used their success as a catalyst for personal growth. One advantage of having them take a year off is that we can see the result of twelve months of incremental growth.

After a year away, Adam’s business has established itself pretty well. He’s doing well enough that at this time of year when there’s not a lawn to be cared for, he’s able to not have to worry about money. His relationship is going well enough that he and Colin don’t spend that much time together, and most of their gaming is done online.

Colin’s doing very well at his job and has been acting as a manager. He’s realizing that it’s time he finds a good relationship and is looking.

So, what did I think about Mistletoe and Crime?

No surprise hereI liked it. I liked it a lot. The first thing I did yesterday was to download it so I could spend my spare time in Stonebridgewhich made for a perfectly entertaining day.

In addition to the typical Stonebridge fun, McDonald takes full advantage of the seasonal setting. There are any number of nice little holiday touches and jokes, for example: have we known the mayor’s name before? If not, it’s the perfect subtle joke. If we have had it before, I’ve fallen into the classic English major blunder of reading too much into things.

But more than just for fun, McDonald is able to tap into the spirit of the seasonfamilies and friends coming together for festive fun, the general bonhomie brought on by the traditions, not to mention the consumer-madness too-often seen in department stores.

This is the fifth novella in this series that I’ve talked about this yearI don’t have a fresh way to express my appreciation of them. It’d help me as a blogger if McDonald would stumble a couple of times with this series so that I’d have the opportunity to talk about him returning to form after wondering if the magic was gone. But no, he has to be consistently good so that I sound like a broken record.

A clever mystery, characters that display a good amount of development, situations that are appropriately amusing/sweet/tense, and the kind of prose that welcomes you in and makes you feel at home. In other words, a cozya well-written and executed one.

As is to be expected, McDonald delivers, you’re missing out if you don’t join in the fun (this would be a fine jumping-on point, I should addbut go back to the beginning while you’re at it)!


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Dark Hours by Michael Connelly: Ballard Tackles a Pair of Tough Cases in this Timely Novel

Finally…I’d hoped to get this posted no later than November 17th. But every time I started writing something, I ended up overthinking or was distracted. I’m not sure the end result is that coherent, but…it’s finished. I can live with that.


The Dark Hours

The Dark Hours

by Michael Connelly
Series: Harry Bosch, #24/Renée Ballard, #4

Hardcover, 388 pg.
Little, Brown and Company, 2021

Read: November 12-15, 2021
Grab a copy from your local indie bookstore!

It was like a bag of popcorn cooking in a microwave. A few pops during the final countdown of the year and then the barrage as the frequency of gunfire made it impossible to separate it into individual discharges. A gunshot symphony. For a solid five minutes, there was an unbroken onslaught as revelers of the new year fired their weapons into the sky following a Los Angeles tradition of decades.

It didn’t matter that what goes up must come down. Every new year in the City of Angels began with risk.

The gunfire of course was joined by legitimate fireworks and firecrackers, creating a sound unique to the city and as reliable through the years as the changing of the calendar.

What’s The Dark Hours About?

It opens on December 31, 2020—Renée Ballard and a fellow detective are partnered up for the night—it’s a kind of all-hands-on-deck kind of night. These two are also part of a team on the trail of a pair of serial rapists that they’re calling the Midnight Men.

But on this night, they’re called out to a shooting death. Ballard’s role is to be the initial investigator and then pass off the case to the homicide detectives after the weekend—but she’s hoping she can keep it longer (their work on a different case could allow for that). There’s a match for the bullet—the same gun was used in an old unsolved case, investigated by Harry Bosch.*

Isn’t it always reassuring to see that no matter what kind of super cop he is, there are cases that Bosch couldn’t close?

The two put their heads together and quickly find a new angle for Bosch’s case as well as a promising line of investigation for Ballard’s.

Meanwhile, the Midnight Men strike again, and this time, there’s something a little different that Ballard picks up. A string she starts pulling that proves to be instrumental.

With Bosch to bounce her ideas off of, as well as a backup she can trust, Ballard gets her chance, once again, to bring a little light to the dark hours of the night.

Bosch

While this is by and large a Renée Ballard book, there’s enough about Harry Bosch to keep a fan satisfied. He’s doing okay with his medical condition, Maddie’s well (and is dating someone, so isn’t spending as much time with Bosch), he’s pretty much holed-up during COVID, studying old case files.

Not at all-surprisingly, when Renée’s path crosses with his, he’s ready to jump into action. Sure, he always is, but add in a lockdown-induced cabin fever? It’s a wonder that Harry wasn’t calling his mentee daily to see if she needed help with anything (although it’s clear that the two have kept in touch).

In the past, the pair have done a better job of keeping Harry’s involvement under the radar, but between Bosch’s Cabin Fever, Ballard’s need to make fast progress on the cases, and her lack of trust for any other detective at the moment they throw that out the window. Which does come back to bite Ballard (as it should).

The 2021-ness of It

… this was the new LAPD—officers stripped of the mandate of proactive enforcement and waiting to be reactive, to hit the streets only when it was requested and required, and only then doing the minimum so as not to engender a complaint or controversy.

To Ballard, much of the department had fallen into the pose of a citizen caught in the middle of a bank robbery. Head down, eyes averted, adhering to the warning: nobody move, and nobody gets hurt.

I don’t remember Connelly’s books being so obviously of the moment until last year’s The Law of Innocence which ended just as lockdowns were starting in California.

Connelly’s books have always felt contemporary—other mystery series might feel 5-10 years out of step, but not Connelly. Although, even the older books largely felt like they could’ve taken place a couple of years ago (except for the technology involved). But The Dark Hours has to be a 2021 novel—Ballard, Bosch, and the city are going through things that could only have happened after the protests of 2020 and the COVID-19 pandemic.

It makes things feel more immediate, but does it hurt readers in 5-10 years? Fair Warning, also published last year, could take place anytime after 2010 (maybe earlier). A lot of the other books felt timely to their context, but even now they don’t feel that dated. Will these?

I don’t know if this is a strength or a long-term weakness, but it is, as far as I can remember, a change.

However, seeing Renée having to adapt to COVID restrictions (no more living on the beach!) and struggling with the changes (temporary? long-lasting?) that the protests of Summer of 2020 about policing in America have brought to the LAPD is great to see. Connelly is able to show a department in flux, which can’t have been an easy tightrope to walk.

So, what did I think about The Dark Hours?

Ehhh…I’m not sure what to say here.

In the moment, while I was reading, it was typical Connelly—I was gripped, I was riveted, I couldn’t wait to see the murder solved. I was less invested in the rape case because once Ballard starts to get a little traction, once she starts to learn a little bit about these guys, I was repulsed. I really didn’t want to learn more—I just wanted them locked away—I even said something to a friend like “can’t we just get a quick, miraculous, resolution to this by page 180 and spend the rest of the book focusing on the murders?” Great job by Connelly creating some very horrible criminals, but I don’t want to spend time thinking about them.

But it’s not his best work—I’m not sure it’s not up to his par, even. The more I think about it, the more I’m bothered by parts of the story and storytelling. The Epilogue, by the way? It’s a scene from a TV show. Working on Bosch, Lincoln Lawyer, and Bosch: Legacy have impacted Connelly at least a little and it shows here.

I thought the stuff about the impact of COVID and the protests was fantastic—and you get no simple answers about the past/present/future of policing in LA. I’m just not sure the rest of the novel was as good as we’ve come to expect from Connelly (I’m open to being corrected by others who read it, though).

Good—but not good enough—I guess is my takeaway. Still, time with Bosch and Ballard? Always time well spent.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: Love & Bullets: Megabomb Edition by Nick Kolakowski: A Supersized Fast, Fun, and Bullet-Ridden Adventure

Be sure to check out the Q&A with the author fromlast week!

Love & Bullets: Megabomb Edition

Love & Bullets: Megabomb Edition

by Nick Kolakowski
Series: Love & Bullets

eARC, 300 pg.
Shotgun Honey, 2021

Read: November 8-12, 2021

A Little Background

Regular readers of this blog should recognize the name Nick Kolakowski, a couple of years ago I talked about a trilogy of novellas he wrote: A Brutal Bunch of Heartbroken Saps, Slaughterhouse Blues, and Main Bad Guy. Next week, these novellas, along with some additional material to tie them together and add a little something extra, are being published as one novel (you can read a bit about the circumstances behind that in the Q&A we did).

What’s Love & Bullets About?

Bill’s a con artist, a hustler with a hint of tech-savvy (and the sense to employ someone savvier) who has gotten comfortable doing small-time work for the Rockaway Mob. An encounter with a similar grifter delivers a swift, spiritual kick to the head that alters his reality and he decides to get out of the business and retire somewhere far away. After he helps himself to a sizeable amount of money from the Mob.

Unsure of his girlfriend’s intentions or loyalty, he doesn’t tell her or bring her along. This is an understandable move, but also a bad move, because she’s an assassin for the Rockaway Mob and one of the few that is sent after him. Fiona’s in a forgiving mood when she catches up to him (probably helped by the fact that she’s fairly incapacitated at the time and can listen to him). The two of them extricate Bill from some trouble that he stumbled into in Oklahoma on the way to the southern border, take care of a couple of other Rockaway employees, and head to Central America for a quieter life.

Which absolutely doesn’t work for long—they find themselves indebted to another criminal organization and the Rockaway Mob isn’t done with them, either. So we get to travel with them as they narrowly escape death in Nicaragua, slip away from a garotte (or worse) in Havana, and get into a much more hazardous situation or five back in New York.

The Rockaway Mob

Every named character, with one exception, in this book is a criminal (the overwhelming majority of unnamed characters, too). So you really can’t say something about “bad guys”*—it’s protagonists and antagonists, and maybe an ally or two.

* Difficult, but not impossible, the third novella was called Main Bad Guy, after all—although there are a couple of candidates for that title.

The main antagonists for Bill and Fiona are the Rockaway Mob. The Rockaway Mob is a wholly modern take on organized crime. There’s no family history, no tie to an ethnic/national origin overseas, nothing that Scorsese or Coppola would make a movie about. Instead, they’re a conglomeration of shady businessmen (and an academic) who started working together and then turned things up to 11.

A handful of hitmen are brought in by the Rockaway Mob to take care of Bill (and, later, Fiona)—some are more colorful than others (and at least three of them could make great main antagonists in any number of PI/Police Procedural novels). But all of them pale to the academic who finds himself leading the Mob (at least as far as we see), he goes by The Dean.

He’s an annoying, pretentious, fastidious man with the kind of vocabulary that people notice. Nothing about him suggests criminal—of any variety, much less an organized crime head. But when you see him with his temper flaring, when he’s pushed to the limit? Well, there’s a beast under all that civilization…I could easily read more about The Dean at the drop of a hat.

The New Material

Not unlike Boyd Crowder when they decided to turn Justified into a series, someone who was killed in the original story has their fate changed in the new material. Also like Boyd Crowder, keeping them alive and running around made the whole thing a lot more interesting.

It’s a little tricky to describe, without spoiling something for new—or old—readers. But I had a suspicion about who survived—and was very happy when I discovered I was right. I’d really started to enjoy the character when they’d been killed, and getting to see them in action some more was a real treat.

It’s hard to describe the new arc for that character—it’s not really a redemption arc (although it’s adjacent to one). It gets to show them in a slightly different light than we saw originally, but the effects from the events surrounding their initial appearance definitely leave their toll on their psyche, if not their health.

I loved the new material—I wouldn’t have minded a little more, but I didn’t need it to be satisfied. It fit perfectly into this world but was so unlike the original material that it felt even fresher than it was. Definitely worth reading the new edition just for it (but really, the whole thing in one package is justification enough)

Reading the Megabomb Version

It’s been years since I read the original trilogy—January of 2019—so my memory for the details is a little hazy. Sure, most of it came back right away—but I will admit to checking with my hard copies of the originals to see if I’d forgotten something if was new or not a couple of times.

But without the pressure of wondering what was going to happen to Bill and Fiona, I was able to soak in some of the other details that I’d just glanced at before. This was as rewarding as I’d hoped—particularly with the second novella’s material, I didn’t initially rate it as highly as the other parts and I think that was a mistake.

The important thing to take away from the rereading process (at least for me) is that it totally holds up to a re-read.

So, what did I think about Love & Bullets?

I struggled the first time around, and I’m struggling now to capture the feel of this book. When I wrote about, Main Bad Guy, I said, “This is the literary equivalent of a Martin McDonagh film (when he’s in a more playful mood)—or, if that doesn’t work for you, think Fargo meets Tarantino, but not as long-winded.” Which isn’t bad (and I’d forgotten I mentioned McDonagh, which is really apt)—this time I’m going to add that it has a Shane Black, but more violent, feel. Maybe if you average the two comments—and throw in what I said about the first novella “think Edgar Wright action scenes, but more lethal.”

Even as the 300-page Megabomb it is now, this is a fast-moving thrill ride. It’s funny. It has occasional moments of sweetness (very transient). The story and characters are visceral—you can see the action, you can practically hear Bill’s quips and feel Fiona’s patience evaporating at them (while she does love him for them). It will get a much-beloved (or much-disparaged) band’s music stuck in your head during one fight scene. Really, it covers almost all the senses—and given where they spend a lot of time, you’ll be glad it leaves the other two out.

Has Kolakowski written novels/stories that are technically better? Probably. Has he written something with greater entertainment value? Nope. Love & Bullets is just a blast from the opening lines through to the final image. Be sure you don’t miss it.

Disclaimer: I received a copy of the novel from the author in exchange for this post and my honest opinion, and I thank him for that, but it did not affect my opinion of this work.


4 1/2 Stars

Daughter of the Deep by Rick Riordan: An Overdue Sequel to Verne’s Nemo Stories

Daughter of the Deep

Daughter of the Deep

by Rick Riordan

Hardcover, 336 pg.
Disney-Hyperion, 2021

Read: November 18-22, 2021
Grab a copy from your local indie bookstore!

What’s Daughter of the Deep About?

So here’s the thing—the events and characters of 20,000 Leagues Under the Sea and The Mysterious Island are based on actual events and people—but Verne was given a few skewed details. One hundred-fifty years later, descendants of these people are running rival schools their ancestors founded, the Land Institute and the Harding-Pencroft Academy.

Students at HP are only told about their origins at a certain point, and their mission is to graduate future leaders in a variety of disciplines to guard the science that Nemo developed and slowly, carefully introduce it to the world.

Land Institute students are told their origins earlier and their mission is to rush that science out into the world—even if by doing so, it’ll unleash societal upheaval, economic trouble, and will upend established science for years.

The two schools are in sort of a cold war until the Land Institute launches an attack on HP, and the freshman class has to head to sea to try to survive. While on the run, the class is told about HP’s origins and our central character, Ana Dakkar, learns about her family history, forcing her to take a leadership position and more.

Can Ana and the rest of the freshman survive the Land Institute*? Can they utilize Nemo’s technology in ways no one else has? Who will control Nemo’s heritage?

* It is unfortunate that the ocean-going HP Academy is rivaled by the “Land Institute.” It feels a little too-on-the-nose, even though it’s named for Ned Land.

Plausibility

Because this is aimed at the MG crowd, I can buy the whole “a bunch of preteens/teens outsmart and outperform dangerous and super-smart older teens” nature of the plot—it’s pretty much a given in the genre.

Also, the whole Land Institute teachers/administrators allowing students to start killing people is a pretty hard pill to swallow. For some reason, I had an easier time buying competing mythological figures setting teens against teens.

But hey…if it’s in a universe where everything in 20,000 Leagues Under the Sea is based on reality, and that Nemo’s tech worked (and still does!)? Well, hey, I can buy a little less-than-plausible High School actions.

So, what did I think about Daughter of the Deep?

I had a lot of fun with this. A goofy premise, but well-executed. I dug the characters, the action was solid and the pacing was good—enough to keep the reader engaged and entertained, while giving enough breathing room for a little character development.

And there’s a giant cephalopod—every undersea adventure needs one of them.

If this is the beginning of a series (and it feels like it), there’s a good chance I’ll come back for more. But honestly? I think it’d be better as a stand-alone.

Either way, this is a fun ride—and one that’ll hopefully spur the target audience into giving Jules Verne himself a try.


3.5 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: The Case of the Missing Marquess; Dark Arts and a Daiquiri; Breaking Silence; Everything Happens; Based on a True Story: A Memoir; How to Resist Amazon and Why; Nothing Like I Imagined

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. This time, I’ve got a handful of 3 Star reads/listens (I don’t think I planned it that way, it just worked out).


The Case of the Missing Marquess

The Case of the Missing Marquess

by Nancy Springer, Katherine Kellgren (Narrator)
Series: Enola Holmes, #1
Unabridged Audiobook, 4 hrs., 31 min.
Recorded Books, 2008
Read: November 1, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
This is a cute read for people who like the idea of Sherlock Holmes, but aren’t that interested (or ready) in the real thing. Which may sound dismissive, but it’s not supposed to be. I can easily see why the people behind the movie(s) latched onto this character. I can also easily see why they tweaked the content of this book and expanded it for the first movie (does the second book some/all of what they used to expand?).

I don’t know that I’m going to go the distance with this series, but I can easily see going for one more dip in the pool.

Fast, amusing and pretty clever. This look at Sherlock and Mycroft’s little sister is a pleasant little book.

3 Stars

Dark Arts and a Daiquiri

Dark Arts and a Daiquiri

by Annette Marie, Cris Dukehart (Narrator)
Series: The Guild Codex: Spellbound, #2
Unabridged Audiobook, 7 hrs., 39 min.
Tantor Audio, 2018
Read: October 22-25, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
For book 2 to remove our non-magical bartender to a guild of Magic Users from the Guild Members for the majority of the book is a pretty gutsy move. I’m not sure it was the right way to go, and I’m not sure it was successful. But it was gutsy.

The story was…okay, I guess. It really didn’t do a lot for me, but the last few chapters—pretty much when Tori reunites with her friends made the whole thing worth it. And the Dresden File hat-tip was fantastic.

I’m still in on this series/group of series, but I bet when all is said and done, this’ll be the one to forget.

3 Stars

Breaking Silence

Breaking Silence

by Linda Castillo, Kathleen McInerney (Narrator)
Series: Kate Burkholder, #3
Unabridged Audiobook, 9 hrs., 21 min.
Macmillan Audio, 2011
Read: October 20-21, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Another horrific murder in Amish country. I’d love for a few books to involve other crimes in this community. I realize it’s her shtick, but a little variety could help things.

That aside—the villain of this piece is horrible and creepy, and you can feel the evil. Watching Kate and Agent Tomasetti try to figure out the motive behind the killing and the identity of the killer was a fun ride. I really do like these individually—even if I wonder about the series as a whole.

3 Stars

Everything Happens

Everything Happens

by Jo Perry
Kindle Edition, 119 pg.
Fahrenheit Press, 2019
Read: October 18-19, 2021

(the official blurb)
This starts as the story of a nurse trying to get a quickie divorce from a loser and then turns into a story of carjacking, kidnapping, attempted kidnapping, robbery, vengence, betrayal, and car chases.

Basically: just another weekend in Vegas.

I was riveted throughout, but…I couldn’t stop asking, “Why?” I’m not sure I saw the point of the whole thing—but you know what? I didn’t care, I enjoyed it too much to bother with things like that.

3 Stars

Based on a True Story: A Memoir

Based on a True Story: A Memoir

by Norm Macdonald, Tim O’Halloran (Narrators)
Unabridged Audiobook, 7 hrs., 18 min.
Random House Audio, 2016
Read: October 12-14, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
A fictionalized version of MacDonald’s memoir, it’s hard to tell what’s memoir, what’s a joke, what’s a mixture. The more obviously genuine moments are marred by their vicinity to the clearly fictional. As a book? This is a mess—a self-indulgent, erratic, mess.

But wow. This was funny—even most of what I didn’t like was funny.

Don’t go into this thinking you’ll understand MacDonald’s life, career, or humor better. Go into it expecting a strange performance art-like experience with some giant laughs and you’ll be set.

3 Stars

How to Resist Amazon and Why

How to Resist Amazon and Why:
The Fight for Local Economics,
Data Privacy, Fair Labor,
Independent Bookstores,
and a People-Powered Future!

by Danny Caine
Paperback, 113 pg.
Microcosm Publishing, 2021
Read: October 6, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
This is a no-holds barred critique (screed?) against Amazon—their business practices, the way they treat employees, the way they deal with governments, their security products…and just about everything else. It’s also a call to arms against the giant.

I have a lot of sympathies for Caine’s positions and desires—and agree with most of them. I also follow some of the practices he espouses (not as many as I want, but hey…I’m on a budget).

Still, I’m not sure the megastore is a super-villain—it may resemble one, very closely. As much as we might want it to be.

Read this—blanch at some of it—but take it with a grain of salt.

3 Stars

Nothing Like I Imagined

Nothing Like I Imagined (Except for Sometimes)

by Mindy Kaling
Unabridged Audiobook., 2 hrs., 19 min.
Brilliance Publishing, 2020
Read: October 1, 2021

(the official blurb)
I really enjoyed Is Everyone Hanging Out Without Me? (And Other Concerns) and Why Not Me?—this has the same kind of humor—and the audio versions of all three are equally charming.

But I don’t know, this seemed lifeless? Sweet and genuinely funny, but it left me wanting a bit more. I don’t think it was just the length, either.

3 Stars


This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Love & Bullets: Megabomb Edition by Nick Kolakowski: A Supersized Fast, Fun, and Bullet-Ridden Adventure

I somehow unpublished this last night—so here’s a fresh copy…

Be sure to check out the Q&A with the author

Love & Bullets: Megabomb Edition

Love & Bullets: Megabomb Edition

by Nick Kolakowski
Series: Love & Bullets

eARC, 300 pg.
Shotgun Honey, 2021

Read: November 8-12, 2021

A Little Background

Regular readers of this blog should recognize the name Nick Kolakowski, a couple of years ago I talked about a trilogy of novellas he wrote: A Brutal Bunch of Heartbroken Saps, Slaughterhouse Blues, and Main Bad Guy. Next week, these novellas, along with some additional material to tie them together and add a little something extra, are being published as one novel (you can read a bit about the circumstances behind that in the Q&A we did).

What’s Love & Bullets About?

Bill’s a con artist, a hustler with a hint of tech-savvy (and the sense to employ someone savvier) who has gotten comfortable doing small-time work for the Rockaway Mob. An encounter with a similar grifter delivers a swift, spiritual kick to the head that alters his reality and he decides to get out of the business and retire somewhere far away. After he helps himself to a sizeable amount of money from the Mob.

Unsure of his girlfriend’s intentions or loyalty, he doesn’t tell her or bring her along. This is an understandable move, but also a bad move, because she’s an assassin for the Rockaway Mob and one of the few that is sent after him. Fiona’s in a forgiving mood when she catches up to him (probably helped by the fact that she’s fairly incapacitated at the time and can listen to him). The two of them extricate Bill from some trouble that he stumbled into in Oklahoma on the way to the southern border, take care of a couple of other Rockaway employees, and head to Central America for a quieter life.

Which absolutely doesn’t work for long—they find themselves indebted to another criminal organization and the Rockaway Mob isn’t done with them, either. So we get to travel with them as they narrowly escape death in Nicaragua, slip away from a garotte (or worse) in Havana, and get into a much more hazardous situation or five back in New York.

The Rockaway Mob

Every named character, with one exception, in this book is a criminal (the overwhelming majority of unnamed characters, too). So you really can’t say something about “bad guys”*—it’s protagonists and antagonists, and maybe an ally or two.

* Difficult, but not impossible, the third novella was called Main Bad Guy, after all—although there are a couple of candidates for that title.

The main antagonists for Bill and Fiona are the Rockaway Mob. The Rockaway Mob is a wholly modern take on organized crime. There’s no family history, no tie to an ethnic/national origin overseas, nothing that Scorsese or Coppola would make a movie about. Instead, they’re a conglomeration of shady businessmen (and an academic) who started working together and then turned things up to 11.

A handful of hitmen are brought in by the Rockaway Mob to take care of Bill (and, later, Fiona)—some are more colorful than others (and at least three of them could make great main antagonists in any number of PI/Police Procedural novels). But all of them pale to the academic who finds himself leading the Mob (at least as far as we see), he goes by The Dean.

He’s an annoying, pretentious, fastidious man with the kind of vocabulary that people notice. Nothing about him suggests criminal—of any variety, much less an organized crime head. But when you see him with his temper flaring, when he’s pushed to the limit? Well, there’s a beast under all that civilization…I could easily read more about The Dean at the drop of a hat.

The New Material

Not unlike Boyd Crowder when they decided to turn Justified into a series, someone who was killed in the original story has their fate changed in the new material. Also like Boyd Crowder, keeping them alive and running around made the whole thing a lot more interesting.

It’s a little tricky to describe, without spoiling something for new—or old—readers. But I had a suspicion about who survived—and was very happy when I discovered I was right. I’d really started to enjoy the character when they’d been killed, and getting to see them in action some more was a real treat.

It’s hard to describe the new arc for that character—it’s not really a redemption arc (although it’s adjacent to one). It gets to show them in a slightly different light than we saw originally, but the effects from the events surrounding their initial appearance definitely leave their toll on their psyche, if not their health.

I loved the new material—I wouldn’t have minded a little more, but I didn’t need it to be satisfied. It fit perfectly into this world but was so unlike the original material that it felt even fresher than it was. Definitely worth reading the new edition just for it (but really, the whole thing in one package is justification enough)

Reading the Megabomb Version

It’s been years since I read the original trilogy—January of 2019—so my memory for the details is a little hazy. Sure, most of it came back right away—but I will admit to checking with my hard copies of the originals to see if I’d forgotten something if was new or not a couple of times.

But without the pressure of wondering what was going to happen to Bill and Fiona, I was able to soak in some of the other details that I’d just glanced at before. This was as rewarding as I’d hoped—particularly with the second novella’s material, I didn’t initially rate it as highly as the other parts and I think that was a mistake.

The important thing to take away from the rereading process (at least for me) is that it totally holds up to a re-read.

So, what did I think about Love & Bullets?

I struggled the first time around, and I’m struggling now to capture the feel of this book. When I wrote about, Main Bad Guy, I said, “This is the literary equivalent of a Martin McDonagh film (when he’s in a more playful mood)—or, if that doesn’t work for you, think Fargo meets Tarantino, but not as long-winded.” Which isn’t bad (and I’d forgotten I mentioned McDonagh, which is really apt)—this time I’m going to add that it has a Shane Black, but more violent, feel. Maybe if you average the two comments—and throw in what I said about the first novella “think Edgar Wright action scenes, but more lethal.”

Even as the 300-page Megabomb it is now, this is a fast-moving thrill ride. It’s funny. It has occasional moments of sweetness (very transient). The story and characters are visceral—you can see the action, you can practically hear Bill’s quips and feel Fiona’s patience evaporating at them (while she does love him for them). It will get a much-beloved (or much-disparaged) band’s music stuck in your head during one fight scene. Really, it covers almost all the senses—and given where they spend a lot of time, you’ll be glad it leaves the other two out.

Has Kolakowski written novels/stories that are technically better? Probably. Has he written something with greater entertainment value? Nope. Love & Bullets is just a blast from the opening lines through to the final image. Be sure you don’t miss it.

Disclaimer: I received a copy of the novel from the author in exchange for this post and my honest opinion, and I thank him for that, but it did not affect my opinion of this work.


4 1/2 Stars

A Few Quick Questions with…Nick Kolakowski (2021 edition)

I’ve given up trying to come up with titles for these, this is the fifth Q&A I’ve done with Nick Kolakowski. I’m going to revert to tracking them with years. The focus this time is on Love & Bullets: Megabomb Edition, that I’ll post about sometime today–you’re going to want to get your hands on it’s a lot of fun. In the meantime, I hope you enjoy the Q&A:


You address this in the Introduction to Love and Bullets: Megabomb Edition, but can you give a thumbnail version of the choice to combine the novellas into a novel?
I never intended to combine them—at least at first. But Suhrkamp Verlag, which is a pretty sizable German publisher, approached Down & Out Books and Shotgun Honey about doing a combined, translated edition. That hefty book proved a solid success in Europe when it came out in 2020, which inevitably led to thoughts of doing a combined, English edition over here.

I think most writers, when given the opportunity to tweak their work, will take it. In fact, they might take the opportunity a bit too far. I started out envisioning some minor alterations—akin to what we did with the German edition, mostly to clean up some timelines—and ended up steering hard into a full-on rewrite. And that, I found, was pretty good for the soul.

To create this version, you include, “a change in a major character’s fate that ripples throughout the narrative.” I was pleased once I saw who that character was, and I really enjoyed the new material (and it felt seamless). Was that a choice that leapt immediately to mind when you started thinking about this version, or was there a little bit of struggle to decide what kind of new material to put in this edition?
Yes! Bringing that character back was the first thing I wanted to do. His voice had always poured out so effortlessly, and I came to regret killing him off as quickly as I did. Plus, taking him on a cross-country journey, then setting him up for a bit of third-act revenge, nicely added to the overall page-count—I wanted to give a lot of new material to anyone who’d read the novellas before, and was potentially wondering what they might get out of picking up the combined edition.

Knowing how things ended up allowed me to focus a bit more on details of the book—I wasn’t racing to see what happened next. One of the things I wished I’d paid more attention to the first time was the descriptions of the artwork in the gallery in Slaughterhouse Blues. Your descriptions of them function really well as either a satire of contemporary art or a positive depiction of it (depending on the inclination of the reader, I suspect). Were any of those works inspired by actual works you’ve seen? Or did you just sit down and have fun with the idea?
Like so many of the things I write about, all that art was pulled from real life. In New York City’s Chelsea neighborhood, there used to be a string of warehouses near the West Side Highway that housed small galleries, and those galleries were filled with new art on what felt like a monthly basis (most of those galleries have been replaced by ultra-expensive condos, which is the way of NYC, I guess). When I was younger and broke, it was fun to grab a group of friends and head down there and drink free wine and view whatever was on display and selling for an absurd amount of money. Some of the art was quite good, and some of it was dreck so memorable it stayed in my head for years, just waiting to be translated into fiction.

I love a lot of modern art but it’s stunning what will sell for the cost of a new Tesla. I seriously suspect that money laundering is involved. Or very expensive favors between friends. It’s something I’d love to write about someday but haven’t quite come up with the time to invest in it.

I could come up with three or four questions about every supporting character in this book, but neither of us has that kind of time, so let’s focus on The Dean. He’s a both a comic figure (in mannerisms, vocabulary, etc.) and a violent criminal that should not be underestimated. How hard is that balance to strike (although, for this novel, it’s par for the course, so maybe no harder than any other). Where did The Dean come from?
I felt like too many books featured criminals who’d been born into the lifestyle. You read lots of thrillers with assassins who’d been taught the killing arts since birth, and/or were raised in a family or culture where criminality was as natural as breathing. I’d always wanted to construct a villain who was almost a criminal against their better instincts, someone who saw it as a way to make good money but who found it so stressful he basically woke up on the trembling edge of a coronary every day of his life.

With The Dean, having as a comic foil was also key. But as I wrote the novellas, I began to realize that his stress was also what made him dangerous—he prided himself on his rationality, but once his blood pressure skyrocketed past a certain point, he lost all control. When I was deep in the rewriting, I thought about extending his arc a bit, maybe giving him a bit more explicit backstory; but with villains, sometimes less is truly more.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like Love and Bullets?
Definitely Winslow’s Savages, which is a masterpiece of splattery, slapstick violence that also has real consequences. I feel like people who loved Anthony Bourdain’s snarkiness in Kitchen Confidential and Medium Raw would get into the tone of this one. Anyone who liked Frank Miller’s Sin City series would probably dig the action.

As usual, I’ve got to ask, what’s coming down the pike? Are you far enough into your next book to talk about it?
Right now I’m working on a novel-length sequel to “Love & Bullets,” which is set in Manhattan during a hurricane. I’m about a quarter of the way through writing it, and that’ll primarily be aimed at the European market. After that, I want to write a culinary-themed noir, but I’m still very much in research mode—I’ve been reading a lot of Anthony Bourdain and Bill Bufford, but also Kem Nunn’s Tapping the Source, which is a big inspiration for it. We’ll see how that goes.

Thanks for your time—and thanks for this fresh look at Bill and Fiona! I hope this version of their story finds a lot of new readers.
I do, too!


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