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PUB DAY REPOST: Not Awkward by Matthew Hanover: Moving On by Looking Back

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On August 24, 2021

In Fiction, General Fiction/Literature, Matthew Hanover

I’m very excited to bring this back to the attention of my readers today. Mark me down as a big Matthew Hanover fan, and this book will show you why. I wrote this about the draft that I read as a beta reader, so the one that’s on sale today is surely a little different. I’m looking forward to seeing what the final product is like—I know it’ll be a good one. Be sure to come back a little later, I’ve got a Q&A with Hanover coming up.

Not Awkward

Not Awkward

by Matthew Hanover
Series: Wallflowers, #3

Beta Version
2021

Read: May 9-18, 2021

What’s Not Awkward About?

I’m assuming I’m not the only one who finds themselves in a situation like this—I halfway expected to find a Jeff Murdock monologue about this, but alas… You go to an event of some kind because of family obligation, an acquaintance, your Significant Other’s employer—not because you really want to, but you feel you should. Once there, you stay an adequate amount of time and try to make your excuses and leave. But the host or someone talks you into staying for a little longer, and a little longer after that. While you may not be actively hating the experience, you’re certainly not enjoying yourself much and are looking for an opportunity to make a tactful exit.

This is pretty much the situation that Scott finds himself in. But rather than a birthday party for your second cousin you haven’t seen in a decade, Scott finds himself as a guest at his ex-girlfriend’s house while they sit shiva for her father. Recently fired and about to get married, Scott felt like he should go to the funeral for the man who always treated him so well. One thing led to another and Leila’s mother compelled him to stay for a night, which turns into another, and another…

Scott’s fiance, Charlotte, is off for a bachelorette’s week with his sister and Charlotte’s closest friend, Quinn. So there’s nothing for him to go home to, and he can search for jobs from Leila’s as well as anywhere. So he sticks around as emotional support (and/or emotional punching bag, depending on Leila’s understandably shifting moods require), and finds himself with an opportunity to get the closure he didn’t realize he needed and maybe even an explanation for why she dumped him out of the blue six years ago. Or maybe, something else will end up happening between the two.

Speedcubing

A few months ago, one of the local newscasts had a feature about an area resident who used to take part in Rubik’s Cube competitions on a pretty high level, it looked back on his competitions and “does he still have it?” No, he doesn’t. But he’s still faster than at least 96% of anyone who’s ever solved one.

So when we learn that Charlotte is a speedcuber, going to competitions, posting videos to social media, my mind immediately went back to that and I was in. Most readers aren’t going to have that particular background, but Charlotte’s hobby (for lack of a better word, but it’s not quite right) is going to make her stand out in readers’ minds—how often have you come across a character who does that? What I appreciated most about the Rubik’s cube thing is that was it starts out as a character quirk, but by the end, Hanover finds some thoughtful things to do with it—revealing something about the character (and a little more).

The Sister Factor

A mistake that readers like me can make is to think they’ve figured out all a writer’s moves, I really thought I had a handle on the role of “protagonist’s sister” in Hanover’s books. So when Quinn shows up pretty early, I sat up and paid attention to her. Which is when I noticed that Quinn is going to serve another role in this novel. She’s not an antagonist, but she’s certainly an obstacle for both Charlotte and Scott to overcome.

She’s been best friends with Charlotte since childhood—and try as she might, she’s still having trouble shifting from being Charlotte’s best friend to her best friend and brother’s significant other/future sister-in-law. I wasn’t entirely sold on this particular arc, but it helped us get a different look at Scott and his love life, and in the final third or so of the novel, it really paid off.

Along the same lines, Hanover hasn’t given us a protagonist’s brother before. I really didn’t care for this one—but I wasn’t supposed to*, he was written in such a way that it’d be hard to like him at all. But Scott and Quinn having an older brother is a new dynamic for Hanover and it works pretty well.

* And I won’t even get started about his wife.

The Interconnectedness of It All

In Not Dressed, Hanover alludes to a couple of characters and events from Not Famous, but here in Not Awkward he goes a lot further—the characters and events actually show up in the text. Sure, it’s done in such a way that people who haven’t read the other books won’t be short-changed when it comes to understanding this novel. But if you have read them, you’ll appreciate the way that Hanover has woven them into these pages.

It’s a great way to make a reader smile when they recognize something. But better, it’s a fantastic way to touch base with characters from one of those books. “Oh, look X got engaged.” Or “hey, Y and Z will be working together.” We also get to see characters like that in a different setting and from a different perspective. Rather than having to go through the bother with writing a whole new novel about one of Not Dressed‘s characters, with a few scenes in this (that move the plot along and help us understand Scott better), we see that character in a whole new light and it may change what you think of some parts of that other book.

Again, I stress—if you haven’t read his other novels, or if you don’t remember the details, it won’t matter at all.

Eep! A Conservative!

There is a character in this book who is a political conservative who works in politics (in more of the pre-2015 mold, I should stress), but this is a non-political book. The fact that they are conservative is mentioned a few times, and two (I think—no more than three) positions are mentioned. There are no debates, explanations, or arguments for the positions.

I mention this only because in our current climate, a lot of readers (from all over the political spectrum) run for the hills when politics come up. There is no need for that here—it’s brought up occasionally, but not in any kind of detail. No political position is ever endorsed or supported, or discussed in any kind of depth.

So, what did I think about Not Awkward?

While this is a lighter read, as is the norm for a “lad lit” novel—it’s not as funny as Hanover’s earlier works. That said, there are a couple of moments that are comedic gold. Slap-stick humor is difficult to pull off in print, but Hanover makes it look fairly effortless.

At at least three points in this novel, I assumed I knew how the rest would play out, “Oh, it’s going to be ____ kind of a story.” And I was wrong each time—thankfully. Instead, Hanover has given us a different kind of story than he has in the past, a subtler one, a more mature one.* One still infused with his trademark warmth, heart, and appeal. But there’s more going on, there’s a little ambiguity about some things. Experience is making a better author out of Hanover.

* Although I would have been satisfactorily charmed and entertained by the kind of story he’s given us before.

There were aspects of the story or characters that I wasn’t crazy about—but I’m not going to get into that at this point, because I don’t know what will happen to those things between the beta stage and the final version (although I was told about some directions he was going and that made me feel better). Maybe I’ll update this when the final version is out—maybe I won’t, we’ll see how much I care once it hits. But whatever quibbles I might have had, that’s all they were, quibbles. And they paled in comparison to the novel as a whole.

Because I wanted to think carefully about this novel, I wouldn’t let myself read more than 10-15 percent of it a night. That was hard. I wanted to read the whole thing in one sitting—and easily could have. I literally had to force myself to stop reading each time I picked it up so I could send my feedback and do other things. But I wanted to keep going, I had such a great time with these characters, this story, and Hanover’s writing.

Somewhere in there is Hanover’s secret—no matter what dumb, reckless, obnoxious, or (have to say it) awkward thing his characters do, you like them. You can’t help but do so. Scott said a couple of things in the first chapter that really made me wonder if I wanted to go through an entire book with him. By the third, I was pulling for the guy. This goes for Leila, too—not only did she break Scott’s heart six years ago, but she didn’t even tell him why. But in no time flat, you’re hoping she’s doing okay after her father’s death and you feel bad for the situation she finds herself in. If it’s bad enough that she talks Scott into sticking around…

And I’ve gone on far too long here. I need to wrap things up.

Not Awkward is a warm and heart-filled story about revisiting the past, finding healing (whether or not you thought you needed it), and embracing a future that doesn’t look like you expected it would (and is probably better). It’s the kind of book that’ll make you feel a little better about life for a while—and who doesn’t want to read something like that?

4 1/2 Stars

Quote of the Moment: from Burned by Benedict Jacka

By

On August 23, 2021

In Alex Verus, Benedict Jacka, Books, Fiction, News/Misc., Quotations, Urban Fantasy

I’m not sure why, but since I listened to these paragraphs last week, I’ve come back to them a few times. Sure, Gildart Jackson’s narration was part of it, but I just really liked this. We tend to focus on plot, magic systems, characters, and whatnot–but it’s the little moments like this that really make a book stand out. They don’t advance the plot, they don’t really reveal a lot about the narrator, but they shed a little light–adding flavor to someone we know.

from:

Burned
Burned

by Benedict Jacka
Most people in the world don’t travel much. In a lot of cases, it’s because they just don’t want to. Either they don’t have any real interest in seeing other places, or they’re too occupied with the life they’re living already. But for a lot of people, it’s not a case of not wanting to, it’s that they can’t—either they don’t have the time or the money, or there’s something actively preventing them from leaving. When you’re in that second group, you usually have fantasies about getting to travel and see the world, visiting different cultures and having new experiences. There are people who spend their whole lives dreaming about journeys overseas.

So it’s really kind of sad that once you finally do get to spend a lot of time travelling, you tend not to appreciate it very much. Take me, for instance. I’ve visited more countries of the world than I can easily remember. I’ve even visited places not in this world, from bubble realms to shadow realms to the dreamscapes of Elsewhere. I’ve stood upon the tops of towers and looked out over castles the size of cities, walked through ancient forests where the trees have passed hundreds of years without hearing a human footstep, seen impossible alien landscapes that could never exist on Earth. Unfortunately, in pretty much every one of those cases, I’ve generally had more pressing concerns to worry about either there are people trying to kill me, or people who might want to kill me, or things that aren’t people that might want to kill me, or people or things that don’t necessarily want to kill me but nevertheless are important enough that it’s highly advisable for me to pay attention to them instead of spending my time sightseeing. Usually the place I’m visiting becomes a blur, a few brief images standing out in my memory while I spend my time dealing with various threats and problems. And by the time they’re all sorted out, it’s time to move on.

Reposting Just Cuz: Robert B. Parker’s Fool’s Paradise by Mike Lupica: Jesse Stone takes a Murder Case Personally

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On August 23, 2021

In Fiction, Jesse Stone, Mystery/Detective Fiction/Crime Fiction/Thriller, Robert B. Parker

Fool's Paradise

Robert B. Parker’s Fool’s Paradise

by Mike Lupica
Series: Jesse Stone, #19

eARC, 352 pg.
G.P. Putnam’s Sons, 2020

Read: September 2-3, 2020
Grab a copy from your local indie bookstore!

What’s Fool’s Paradise About?

Suitcase Simpson calls Jesse to the scene of a murder, an unidentified man has been found shot at the lakeshore. Jesse recognizes the man—they’d been at the same AA meeting the previous night. It’s not Jesse’s regular meeting, and he didn’t think this man was a regular, either. But at least they had a first name to go off of.

Suit is able to find out at least a little about what the man did after the meeting. He’d taken a taxi from the neighboring town into Paradise. He even had an address—the mansion of a rich and influential family who’d been in Paradise for ages. They’re quick to claim they didn’t know the man, or that he’d been at the house in the hours before he was shot. No member of PPD believes this, but there’s little they can do until they learn a bit more about the victim.

Jesse admits this isn’t entirely rational—but doesn’t back off from it—the fact that he and the victim came to the same meeting, both needing the help that can be found there, created a link for between the two of them. Jesse felt like he owed this man justice more than he would another victim (not that Jesse’s ever been known to not try to find justice for anyone, it’s just personal this time). I loved this little touch—it felt very true to the character and his circumstances, but something that a lot of authors wouldn’t do.

Not long after this, someone takes a shot at Jesse while he’s in his home. Soon, other members of the PPD are attacked off-duty. As always, Jesse, Molly, and Suit acknowledge that coincidences exist, but they have a hard time believing in them. So while they try to identify the murder victim and figure out what he’s going in Paradise (and that part of Paradise in particular), they also need to figure out why someone would be attacking the PPD. And are the two cases related?

A Nice Little Bonus

There’s a lot of Molly in this book. She gets whole chapters without Jesse in them, and a lot of space on her own in chapters with him. We get a little bit of an off-the-job look at Molly, as well as seeing her work part of the investigation. Yes, Jesse’s the central character and should be the focus—but any time that Lupica (or whoever) can flesh out Molly, Suitcase, or any of the others is time well spent (I like the new deputy, too—he was a nice touch). But Molly’s been a favorite since Night Passage introduced this world, and she’s rarely been used as well as the character should’ve been. It’s so nice to see that.

Lupica’s Take on Jesse Stone

I was worried about Lupica being given the reins of this series. I was such a fan of what Colman had done, saving the series from the Michael Brandman debacle—and even from some of the uneven quality that Parker had given toward the end.

But Lupica did exactly what he needed to do—and exactly what I’d hoped (and didn’t expect). He embraced the developments that Coleman introduced and built on them. He could’ve ignored them, or written around them, but he kept Jesse going to AA, he worked on the new relationship with Cole, and Paradise and the Paradise Police Department the same way Coleman had, treating that bit of the series with as much respect and influence as the first nine novels.

Stylistically, Lupica’s closer to Parker than Coleman—which makes sense, it’s the more natural way for him to write (and will likely win back some of Coleman’s detractors). It works for the series, it works for the author—all in all, it’s a good move.

I freely admit that I was skeptical and pessimistic about anyone but Coleman at the post-Parker helm of Jesse Stone and am glad to be proven wrong.

Something I was Pleasantly Surprised By

While I have thought in the past that the best use of Sunny Randall was when Parker used her in the Jesse Stone novels, I wasn’t thrilled to see her in these pages—I thought that Stone, at least, had grown past this relationship. It’s not what it was back in the 3-4 books that Parker wrote with them as a couple, but reflects where they both are now.

I’ve got to say, I liked her here. I liked her in Paradise more than I liked her in the two books that Lupica has written about Sunny. If he keeps this up, I won’t complain.

Lupica’s War on my Sanity

Sure, that’s hyperbolic. But it felt like he was doing this to just bug me.

The mansion that the taxi pulled up to that fateful night is owned by the Cain family, Whit and Lilly Cain. Whit suffered a stroke a few months back, so his wife, Lilly, is who Jesse primarily interacts with. She’s brash, confident, loud, and flirtatious.

Now, I’ve watched the Veronica Mars series more times than I should have. Season One more than the rest. Every time I read “Lilly Cain,” I couldn’t think about anything other than “Lily Kane,” Veronica’s brash, confident, loud, and flirtatious friend.

I know it’s a coincidence, that neither name is all that rare. But it didn’t feel that way.

So, what did I think about Fool’s Paradise?

I liked this so much more than I expected to. I went into this hoping I wouldn’t hate it, and it didn’t take long at all for me to realize I was enjoying it. The prose crackled and moved quickly. There was enough of Jesse’s quiet humor to keep me grinning. The relationships and banter between the characters was spot on. The cases were compelling, interestingly framed, and well-executed. Lupica tied his novel into the overall history of the series well (referencing over half of the books, I think) and established that he’s the right man for the job. I strongly recommend this—either for new readers or established fans. Robert B. Parker’s Fool’s Paradise is a satisfying read that’ll get you eager to see what comes next.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: In Ten Years by Ian Shane: They’re Perfect For Each Other…But Can They Make It Work? Do They Even Want to Try?

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On August 17, 2021

In Fiction, General Fiction/Literature, Ian Shane

In Ten Years

In Ten Years

by Ian Shane

eARC, 261 pg.
2021

Read: July 23-26, 2021

What’s In Ten Years About?

In 2000, two Denver University students meet in such a way that practically guarantees Jack will have one of dullest (and probably worse than just dull) twenty-first birthdays. Liz unintentionally contributed to that but also did everything she could to make up for that. After this, she decides that the two of them are going to be great friends.

After spending a couple of chapters in 2000, we see them again in 2009—and it turns out that Liz’s plan to be great friends worked. They’ve become incredibly close, the Two Musketeers. They’re so close that everyone (including every romantic interest they ever have) assumes they have/are/want to be involved. The idea never really lodges with either of them—and they don’t understand why no one believes them.

We catch up to them in 2018. At some point, they’ve made that pact that you’ve seen in countless sitcoms and movies, if they’re not married by _____ time, they’ll marry each other.* In this case, it’s when Jack turns 40 (he’s a little younger than her, so at that point, they’ll both be 40), and in 2018 that’s a year away.

* The scene where the pact is made is just about perfect, I should add.

Both of them try to treat the pact as a joke—while hoping the other forgot about it. But neither did and despite the preposterous notion—they both kind of take it seriously. They can’t imagine not growing old together, why not?

And then one of them starts to realize that their interest in the pact isn’t because of a drunken promise, pragmatism, or the lack of a better option—but there just might be something right about the whole idea, a reality that’s been before them all along.

Supporting Characters

I’d intended on spending a few paragraphs talking about both Jack and Liz, and after a couple of failed attempts, I realized I couldn’t do either justice without just recapping the whole novel. So, instead, let’s talk about the other characters.

I wasn’t that far into the 2018 part when I made a note about, “Of course they end up together, everyone else they know is horrible.” Which was a little harsh, but essentially true—that’s up to and including their closest friends. Thankfully, that didn’t stay that way—sure, their friends didn’t make a great first impression, but as I got to spend some more time with them, I ended up liking them. They also proved to be good friends to Jack and Liz.

But when it comes to other romantic interests or dalliances? The reader can understand the appeal of (most) of the people they’re interested in—at least initially. But you don’t spend time thinking, “yeah, Person X would really be a good long-term partner for them.” I might have appreciated it more had I actually considered anyone to be a rival for Liz or Jack. But maybe after a few chapters, I’d already ruled out anyone who wasn’t Jack or Liz for the other.

I’m not sure it matters, ultimately. But what Shane did give each character plenty of frogs of various sides and coloring to kiss so that they’d inevitably discover their Prince/Princess.

The supporting characters, from college roommates to overbearing and overly-inquisitive mothers, to Russian hockey players to waitresses in a bar or inappropriate former students are well-written, they all stand out as pretty well-rounded (at least as much as someone who’s only around for a few paragraphs can be).

The Dialogue

I talked about this a little in the Q&A with Shane, and you should read what he said about writing it. My favorite part of this novel was the dialogue. Jack has some great lines when he’s upset or angry with someone, for example.

But what really won me over was the interaction with Jack and Liz—either when they’re being silly about something or when they’re talking about something serious. This is fitting for a contemporary When Harry Met Sally-esque story, Harry and Sally talking to each other is what made viewers fall for the pair, and Shane hits some Ephron-level interchanges with Jack and Liz.

So, what did I think about In Ten Years?

There are a few other highlights that I really don’t have the time or space to get into, I’d recommend checking out the aforementioned Q&A with Shane that I posted yesterday to catch a few other selling points for this book.

The novel is just funny—humor that arises from the situations and the characters’ inherent and reflexive wit and charm. It’s in the way they react to situations, and not because silly and madcap things happen around or to them (well, sure, there’s a little bit of that). Shane’s voice is part of it, too—but mostly it’s because these are smart, funny people who express that.

I can’t get into it without ruining anything, but there’s a chapter in the 2009 portion of the book that is my favorite chapter of 2021—it was so painful, and yet so funny. Shane was careful not to go too far in either direction, which would’ve blunted the impact. Instead, he’s able to portray the emotionally damaging circumstance and let the character’s wit and the ridiculousness of the situation keep it from being maudlin. The rest of the book is just as good, and just as balanced.

In Ten Years ticked just about every box that I can think of as a reader. I both couldn’t wait to find out what happened and didn’t want to get to the end because I was having such a blast. There’s a fresh-feeling take on a tried-and-true story (two, I’d argue), characters I genuinely liked, dialogue that I’d frequently reread a time or to before moving on, and a great mix of emotion and laughs. I wasn’t even 20% through the book when I noticed I was highlighting and making notes too often—had I stopped there, I had more things than I could squeeze into a post. I can only imagine how massive my notes collection would’ve been had I not made a conscious effort to stop. There was just so much that I wanted to remember about this book.

I know that I’m going to be talking about this book in January when I look back on the best of 2021, and I probably won’t be alone.

5 Stars

PUB DAY REPOST: Paper & Blood by Kevin Hearne: Like the Spanish Inquisition, Nobody Expects a Turtle Dragon Spider.

By

On August 10, 2021

In Iron Druid Chronicles, Kevin Hearne, Urban Fantasy

Paper & Blood

Paper & Blood

by Kevin Hearne
Series: Ink & Sigil, #2

eARC, 304 pg.
Del Rey Books, 2021

Read: July 31-August 3, 2021
Grab a copy from your local indie bookstore!

What’s Paper & Blood About?

Al MacBharrais gets a message from an apprentice Sigil Agent—her teacher went to investigate an oddity in Australia and didn’t return—a nearby Agent went looking for her and hasn’t returned either. She’s (rightly) worried and needs help. She’s close to taking her exams, but she’s not at the point she’d need to be to take on whatever it was that seems to have captured—or killed—two veteran Agents.

Al and the hobgoblin in his service, Buck Foi, hitch a ride with a Fae to deliver them to Melbourne. Al also asks if a message can be delivered to the Iron Druid, Atticus O’Sullivan (now going by the alias Connor Molloy). If whatever this is has proved too much for two Sigil Agents, he knows that he and the apprentice are going to need all the help they can get.

Connor and his two dogs—Oberon (it’s been too long since I got to spend time with him, even if we only get a little bit of his speech) and Starbuck—join Al, Buck, and Ya-ping (Shu-hua’s apprentice) and they head to a hiking trail that was the last known location to find hikers screaming and fleeing from some sort of monster. There are injuries and casualties—and a monster unlike anything they’ve seen and/or read about. It’s not long before they decide that this monster is likely just the first thing they’ll have to deal with to find the Agents—and it’s probably going to get much more dangerous. Eventually, Nadia—the manager of Al’s print shop and battle seer—joins in the search when she starts getting visions of the danger they’re headed toward.

The Iron Druid Chronicles Postscript

This series is a spin-off of the Iron Druid Chronicles and functions very well in that way. But it frequently felt like Connor/Atticus was about to take over the focus of this book—just with Al’s narration rather than Connor’s first-person. That never happened, I just wondered a few times if it would.

At the same time, Paper & Blood served as a sequel to Scourged, or maybe it’d be more accurate to say that it was a belated epilogue to it. The more time that goes by the less satisfied I’ve become with the conclusion of Scourged and where it left Atticus and Oberon. This is the ending they needed, and even if I didn’t think Al, Buck, etc. were fully entertaining on their own, I’d be glad I read this for the Connor material.

I do hope that he can drop into this series from time to time, still—I’m not ready to say goodbye forever. But if I have to, this is the note I want to go out with.

Secondary Characters

In addition to those I mentioned above, there’s a local police officer, a couple of familiar faces from the Iron Druid Chronicles, and the return of someone from Ink & Sigil—it’s tough to describe without ruining the effect Hearne’s going for. But let me just say that something that I thought was a throwaway line in that book comes back and means so, so much more than I could’ve guessed (am pretty sure Al would say the same). Hearne is able to take these characters—new and established—and make you care about what they’re facing in no time flat. I’ve always been impressed in his skill in that and, if anything, he’s getting better at it than he was when Hounded first came out.

And, the monsters, too. I guess I should talk about them—Hearne let his very fertile imagination go crazy with these strange hybrid creatures (like the Turtle Dragon Spider that I mention in the headline)—it was great to see in action, and horrible to imagine.

Paper and Ink

Along the way, Al gives lessons about/tributes to the making and uses of both paper and ink in his narration. These little vignettes are just golden. They cement Al’s calling as a Sigil Agent—one who deals in ink and paper as their stock in magical trade—and capture the romance of these things that readers depend on just as much as the Agents do. Even in our world, these things are used to make magic and I appreciate Hearne reminding us of that.

So, what did I think about Paper & Blood?

There’s just so much to like about this book that it’s hard to know where to start. There’s the Glaswegian dialect that, like Ink & Sigil, the narration is written in (or at least a flavor of it)—Hearne gives us a nice Author’s Note describing it, too.

Next, I’d talk about the perspective that an elderly protagonist is able to approach things in—he has wisdom and experience that your typical UF narrator doesn’t. Something in the way that MacBharrais and the rest are able to use to defeat the final monster that gives him an idea about how to combat his curse—I’m assuming we’ll get to see it in action soon (I’m not sure how long Hearne plans this series, but I’m pretty sure it’s about over as soon as Al takes care of the curse). I don’t know if it’ll work or not, but I like that Hearne seems to be finding a way to resolve things that doesn’t fit the typical UF mold. Just the fact that Al is able to start making this plan says a lot about him. I should really spend a couple of paragraphs talking about what makes Al unique, but I don’t have the time.

There’s also all the fun of the supporting characters and what they bring to the story—again, something I should spend more time on, but I’d end up spoiling something—but while there’s nothing wrong with the main plot (killing monsters and trying to find the Agents), it’s these secondary characters and plots that make this so much fun.

There’s really just so much to commend about this book that I can’t list it, so I’ll just say that this is a must-read for anyone who enjoyed Ink & Sigil to any degree—this shows what Hearne can do in this world now that it’s established—and/or IDC. I don’t know that this is the best jumping on point—but if you do, you’re not going to regret it (your life would just be easier if you read the first book before this, though).

Hearne’s one of the best around, and this just cements this—go pick up Paper & Blood now.

4 Stars

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

In Ten Years by Ian Shane: They’re Perfect For Each Other…But Can They Make It Work? Do They Even Want to Try?

By

On August 10, 2021

In Fiction, General Fiction/Literature, Ian Shane

In Ten Years

In Ten Years

by Ian Shane

eARC, 261 pg.
2021

Read: July 23-26, 2021

What’s In Ten Years About?

In 2000, two Denver University students meet in such a way that practically guarantees Jack will have one of dullest (and probably worse than just dull) twenty-first birthdays. Liz unintentionally contributed to that but also did everything she could to make up for that. After this, she decides that the two of them are going to be great friends.

After spending a couple of chapters in 2000, we see them again in 2009—and it turns out that Liz’s plan to be great friends worked. They’ve become incredibly close, the Two Musketeers. They’re so close that everyone (including every romantic interest they ever have) assumes they have/are/want to be involved. The idea never really lodges with either of them—and they don’t understand why no one believes them.

We catch up to them in 2018. At some point, they’ve made that pact that you’ve seen in countless sitcoms and movies, if they’re not married by _____ time, they’ll marry each other.* In this case, it’s when Jack turns 40 (he’s a little younger than her, so at that point, they’ll both be 40), and in 2018 that’s a year away.

* The scene where the pact is made is just about perfect, I should add.

Both of them try to treat the pact as a joke—while hoping the other forgot about it. But neither did and despite the preposterous notion—they both kind of take it seriously. They can’t imagine not growing old together, why not?

And then one of them starts to realize that their interest in the pact isn’t because of a drunken promise, pragmatism, or the lack of a better option—but there just might be something right about the whole idea, a reality that’s been before them all along.

Supporting Characters

I’d intended on spending a few paragraphs talking about both Jack and Liz, and after a couple of failed attempts, I realized I couldn’t do either justice without just recapping the whole novel. So, instead, let’s talk about the other characters.

I wasn’t that far into the 2018 part when I made a note about, “Of course they end up together, everyone else they know is horrible.” Which was a little harsh, but essentially true—that’s up to and including their closest friends. Thankfully, that didn’t stay that way—sure, their friends didn’t make a great first impression, but as I got to spend some more time with them, I ended up liking them. They also proved to be good friends to Jack and Liz.

But when it comes to other romantic interests or dalliances? The reader can understand the appeal of (most) of the people they’re interested in—at least initially. But you don’t spend time thinking, “yeah, Person X would really be a good long-term partner for them.” I might have appreciated it more had I actually considered anyone to be a rival for Liz or Jack. But maybe after a few chapters, I’d already ruled out anyone who wasn’t Jack or Liz for the other.

I’m not sure it matters, ultimately. But what Shane did give each character plenty of frogs of various sides and coloring to kiss so that they’d inevitably discover their Prince/Princess.

The supporting characters, from college roommates to overbearing and overly-inquisitive mothers, to Russian hockey players to waitresses in a bar or inappropriate former students are well-written, they all stand out as pretty well-rounded (at least as much as someone who’s only around for a few paragraphs can be).

The Dialogue

I talked about this a little in the Q&A with Shane, and you should read what he said about writing it. My favorite part of this novel was the dialogue. Jack has some great lines when he’s upset or angry with someone, for example.

But what really won me over was the interaction with Jack and Liz—either when they’re being silly about something or when they’re talking about something serious. This is fitting for a contemporary When Harry Met Sally-esque story, Harry and Sally talking to each other is what made viewers fall for the pair, and Shane hits some Ephron-level interchanges with Jack and Liz.

So, what did I think about In Ten Years?

There are a few other highlights that I really don’t have the time or space to get into, I’d recommend checking out the aforementioned Q&A with Shane that I posted yesterday to catch a few other selling points for this book.

The novel is just funny—humor that arises from the situations and the characters’ inherent and reflexive wit and charm. It’s in the way they react to situations, and not because silly and madcap things happen around or to them (well, sure, there’s a little bit of that). Shane’s voice is part of it, too—but mostly it’s because these are smart, funny people who express that.

I can’t get into it without ruining anything, but there’s a chapter in the 2009 portion of the book that is my favorite chapter of 2021—it was so painful, and yet so funny. Shane was careful not to go too far in either direction, which would’ve blunted the impact. Instead, he’s able to portray the emotionally damaging circumstance and let the character’s wit and the ridiculousness of the situation keep it from being maudlin. The rest of the book is just as good, and just as balanced.

In Ten Years ticked just about every box that I can think of as a reader. I both couldn’t wait to find out what happened and didn’t want to get to the end because I was having such a blast. There’s a fresh-feeling take on a tried-and-true story (two, I’d argue), characters I genuinely liked, dialogue that I’d frequently reread a time or to before moving on, and a great mix of emotion and laughs. I wasn’t even 20% through the book when I noticed I was highlighting and making notes too often—had I stopped there, I had more things than I could squeeze into a post. I can only imagine how massive my notes collection would’ve been had I not made a conscious effort to stop. There was just so much that I wanted to remember about this book.

I know that I’m going to be talking about this book in January when I look back on the best of 2021, and I probably won’t be alone.

5 Stars

A Few (More) Quick Questions with…Ian Shane

By

On August 9, 2021

In A Few Quick Questions With..., Fiction, General Fiction/Literature, Ian Shane

In Ten YearsI’d fully intended for my post about In Ten Years by Ian Shane to go up this morning along with this Q&A. But as is so often the case with a book that I absolutely loved, I just don’t like what I’ve managed to write about it—and even then, I’m only half-done with my outline.

But I want to start talking about this book and hopefully convince some of my readers to read it—or at the very least, to buy it. It comes out on August 17, but don’t wait until then to order it. So, let’s start with the synopsis from Shane’s website, so you’ll have a general idea what we’re talking about in a couple of the questions. Then I’ll dive in with this great Q&A—well, the Qs are passable, the great stuff comes in the As.

Jock Jack and socially awkward Liz weren’t likely to become best friends, but they’ve had each other’s back since college. On a night both of their romantic lives implode, they make a pact; if they aren’t married in ten years, they will marry each other. With a year left before their deadline, Jack and Liz make a mad dash to find “The One” while navigating a minefield of modern dating complications.

Despite their friends’ efforts to convince them that it’s a terrible idea, Jack and Liz devise an unconventional life partnership plan. However, a face from the past and hidden jealousies and feelings neither one will ever admit threatens their friendship.

Your male protagonist, Jack, is a former college hockey player, and now plays with a bunch of other men in their thirties. I don’t think I’d ever read a hockey scene before—as far as I can tell, you capture both the feel of a game and feel of being on the stakes realistically. Is this first-hand knowledge, or the product of research? How do you decide to let this be Jack’s “thing”?

First off, I’m a huge hockey fan. Skill level be damned; if I find a hockey game on TV, there’s a better than average chance that the next three hours of my life have just been planned. Growing up in southern Indiana, there wasn’t a huge youth hockey movement there, so I never played the game. However, a good friend of mine in college, Turner, did. I had pieced together things he talked about over the years and wrote a draft of the pick-up game scene. I sent it to Turner, and he told me my description was about ninety percent accurate. He gave me some notes on what I needed to change.

I live in Denver now, and it’s a huge hockey town. The University of Denver has a rich tradition of winning championships. It just seemed too perfect to have him be a hockey player.

You’ve called this “a contemporary When Harry Met Sally,” was that the goal, or did that just come out once you started writing? How did you land on doing your take on the “if we’re not married by X…” story?

The idea for the story hit me when I found an article online about marriage pacts and platonic marriages, and I thought it was good fodder for a story. I originally planned for In Ten Years to be a novella, just focusing on the present-day storyline. The more I thought about the story, the more of a background of who these people were and how they became friends. As I was writing their backstories, I knew that there would have to be three eras of their lives, just like When Harry Met Sally, so I decided to run with it. I even name-checked the movie in the first part just for the fun of it.

I also wanted to put in some of the more modern means for dating, which didn’t exist when When Harry Met Sally came out. There’s a chapter devoted to Tinder and one that makes fun of speed dating.

Speaking of When Harry Met Sally, what’s your favorite Nora Ephron work (novel, screenplay, essay, etc)?

Not to sound like an uneducated rube, but I’m not that well versed in her work . . . so I’ll stick with When Harry Met Sally.

It’s hard to beath WHMS anyway, no matter how versed you are.

You used dual perspectives here, for the first time, I believe. What were the specific challenges of telling your story that way? How was it writing from the female Point of View? Are you going to be returning to one/both of those in the future?

Yes, this is my first time. Not too long before I wrote In Ten Years, I read Nick Spalding’s hilarious book, Dry Hard, and I loved the multiple narrations. I really wanted to give it a try. It was challenging to arrange the story so Jack and Liz could alternate chapters. Some chapters could have easily been told from either’s point of view, but others had to be from a specific character. I pantsed this book more than plotting it, so it was challenging to make sure I had the proper balance.

Writing from the female point of view was a bit challenging. My first draft was designed to be as light on Liz as possible, and then I would present it to a female beta and get some feedback. The response was . . . polite. She gave me some pointers on things women would never say.

I also ignored the paradigm that two different characters would not think and talk alike. I figured since Liz and Jack had been a massive part of each other’s lives for almost twenty years, their phraseology would blend.

I absolutely loved this dialogue. How do you approach a scene (especially a Liz/Jack scene)? How many rewrites does it take to get something right? Do you sit around talking to yourself so you can hear it? Or do you just know?

Thank you very much. Dialogue is where I start with a book. I treat the early writings almost like a screenplay. I love witty banter. As I’ve mentioned before, I’m a huge fan of Aaron Sorkin, and I want to bring that kind of level dialogue to my writing. As I’m writing dialogue, I write responses as I wish I would say in real life, but it wouldn’t be the right thing to say for most people I talk to. The case with Jack and Liz is that they have been around each other for so long, they bypass social convention and just say it like it is.

I’ve also been known to talk out dialogue as it’s forming in my mind. Before the pandemic, I took public transportation to work, and I would be inspired to work out dialogue with many people around. I would put on my headphones, record on my phone, and act like I was on a call.

As far as rewriting, it takes time to figure out the right words. Again, going back to my Sorkin devotion, I want the words to play like music. I’ll read it aloud, and I’ll listen to it with Word’s “Read Aloud” tool to get the rhythm right. It’s amazing how you can punch up a line of dialogue just by making a minor adjustment.

You’ve got a memoir coming out shortly, can you tell us a little about that? Do you have anything else in progress?

Being the guy who wrote two novels centered around music, it should come as no surprise that my memoir will be based on songs that have been important to my life with stories from my life. As the pandemic started, I was having a hard time writing fiction. Hearing nothing but COVID was stifling my mojo. In Ten Years had already been written and I was going to release it last June, but the last part of the story was supposed to take place in the spring of 2020. I shelved In Ten Years until I could figure out what I wanted to do with it. I took a lot of time researching elements that happened in the years in the backstory, so it wasn’t as simple as just shifting the dates.

A very close friend suggested that if I can’t write fiction, I should write non-fiction to keep the muscle memory. It started a blog series titled, Sundry Notes of Music. It started off like Songbook by Nick Hornby, which was approached by a music critic, then it evolved into my version of Al Young’s musical memoir, Drowning in the Sea of Love. Sundry Notes of Music will have stories about lost loves, my first trip to Europe, and how I started writing my first book.

I’m also plotting a sequel to my first novel, Radio Radio, but that’s way into the future.

Thanks for your time and for In Ten Years—I loved it, and hope you have a lot of success with it.

Thank you so much for reading it and the kind words.

Paper & Blood by Kevin Hearne: Like the Spanish Inquisition, Nobody Expects a Turtle Dragon Spider.

By

On August 5, 2021

In Iron Druid Chronicles, Kevin Hearne, Urban Fantasy

Paper & Blood

Paper & Blood

by Kevin Hearne
Series: Ink & Sigil, #2

eARC, 304 pg.
Del Rey Books, 2021

Read: July 31-August 3, 2021
Grab a copy from your local indie bookstore!

What’s Paper & Blood About?

Al MacBharrais gets a message from an apprentice Sigil Agent—her teacher went to investigate an oddity in Australia and didn’t return—a nearby Agent went looking for her and hasn’t returned either. She’s (rightly) worried and needs help. She’s close to taking her exams, but she’s not at the point she’d need to be to take on whatever it was that seems to have captured—or killed—two veteran Agents.

Al and the hobgoblin in his service, Buck Foi, hitch a ride with a Fae to deliver them to Melbourne. Al also asks if a message can be delivered to the Iron Druid, Atticus O’Sullivan (now going by the alias Connor Molloy). If whatever this is has proved too much for two Sigil Agents, he knows that he and the apprentice are going to need all the help they can get.

Connor and his two dogs—Oberon (it’s been too long since I got to spend time with him, even if we only get a little bit of his speech) and Starbuck—join Al, Buck, and Ya-ping (Shu-hua’s apprentice) and they head to a hiking trail that was the last known location to find hikers screaming and fleeing from some sort of monster. There are injuries and casualties—and a monster unlike anything they’ve seen and/or read about. It’s not long before they decide that this monster is likely just the first thing they’ll have to deal with to find the Agents—and it’s probably going to get much more dangerous. Eventually, Nadia—the manager of Al’s print shop and battle seer—joins in the search when she starts getting visions of the danger they’re headed toward.

The Iron Druid Chronicles Postscript

This series is a spin-off of the Iron Druid Chronicles and functions very well in that way. But it frequently felt like Connor/Atticus was about to take over the focus of this book—just with Al’s narration rather than Connor’s first-person. That never happened, I just wondered a few times if it would.

At the same time, Paper & Blood served as a sequel to Scourged, or maybe it’d be more accurate to say that it was a belated epilogue to it. The more time that goes by the less satisfied I’ve become with the conclusion of Scourged and where it left Atticus and Oberon. This is the ending they needed, and even if I didn’t think Al, Buck, etc. were fully entertaining on their own, I’d be glad I read this for the Connor material.

I do hope that he can drop into this series from time to time, still—I’m not ready to say goodbye forever. But if I have to, this is the note I want to go out with.

Secondary Characters

In addition to those I mentioned above, there’s a local police officer, a couple of familiar faces from the Iron Druid Chronicles, and the return of someone from Ink & Sigil—it’s tough to describe without ruining the effect Hearne’s going for. But let me just say that something that I thought was a throwaway line in that book comes back and means so, so much more than I could’ve guessed (am pretty sure Al would say the same). Hearne is able to take these characters—new and established—and make you care about what they’re facing in no time flat. I’ve always been impressed in his skill in that and, if anything, he’s getting better at it than he was when Hounded first came out.

And, the monsters, too. I guess I should talk about them—Hearne let his very fertile imagination go crazy with these strange hybrid creatures (like the Turtle Dragon Spider that I mention in the headline)—it was great to see in action, and horrible to imagine.

Paper and Ink

Along the way, Al gives lessons about/tributes to the making and uses of both paper and ink in his narration. These little vignettes are just golden. They cement Al’s calling as a Sigil Agent—one who deals in ink and paper as their stock in magical trade—and capture the romance of these things that readers depend on just as much as the Agents do. Even in our world, these things are used to make magic and I appreciate Hearne reminding us of that.

So, what did I think about Paper & Blood?

There’s just so much to like about this book that it’s hard to know where to start. There’s the Glaswegian dialect that, like Ink & Sigil, the narration is written in (or at least a flavor of it)—Hearne gives us a nice Author’s Note describing it, too.

Next, I’d talk about the perspective that an elderly protagonist is able to approach things in—he has wisdom and experience that your typical UF narrator doesn’t. Something in the way that MacBharrais and the rest are able to use to defeat the final monster that gives him an idea about how to combat his curse—I’m assuming we’ll get to see it in action soon (I’m not sure how long Hearne plans this series, but I’m pretty sure it’s about over as soon as Al takes care of the curse). I don’t know if it’ll work or not, but I like that Hearne seems to be finding a way to resolve things that doesn’t fit the typical UF mold. Just the fact that Al is able to start making this plan says a lot about him. I should really spend a couple of paragraphs talking about what makes Al unique, but I don’t have the time.

There’s also all the fun of the supporting characters and what they bring to the story—again, something I should spend more time on, but I’d end up spoiling something—but while there’s nothing wrong with the main plot (killing monsters and trying to find the Agents), it’s these secondary characters and plots that make this so much fun.

There’s really just so much to commend about this book that I can’t list it, so I’ll just say that this is a must-read for anyone who enjoyed Ink & Sigil to any degree—this shows what Hearne can do in this world now that it’s established—and/or IDC. I don’t know that this is the best jumping on point—but if you do, you’re not going to regret it (your life would just be easier if you read the first book before this, though).

Hearne’s one of the best around, and this just cements this—go pick up Paper & Blood now.

4 Stars

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Heathens by Ace Atkins: Colson and Virgil Try to Stop a Modern Bonnie and Clyde

By

On August 4, 2021

In Ace Atkins, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Quinn Colson

The Heathens

The Heathens

by Ace Atkins
Series: Quinn Colson, #11

Hardcover, 400 pg.
G.P. Putnam’s Sons, 2021

Read: July 20-23, 2021
Grab a copy from your local indie bookstore!

Tanya Jane Byrd, known to her friends as TJ, never gave a damn about being famous. But here she was, four days on the run from Tibbehah County, Mississippi, with that girl Chastity passing along the burner phone to show they now had more than a hundred thousand followers on Instagram. They only had six posts, the newest one from just two hours ago after TJ cut her hair boy short, dyed it black as a raven’s wing, and made her ultimatum to that cowardly son of 2 bitch Chester Pratt. She called him out for not only her mother’s murder but the money she and her little brother John Wesley were owed.

On the forty-five-second clip shot outside the Tri-State Motel in Texarkana, she held up her fist on the diving board to an empty pool and said, “Fair is fair,” remembering the line from one of her mothers old VHS tapes in the trailer.

“What do you think?” Chastity asked.

“I think I better drop that phone into the nearest creek.”

What’s The Heathens About?

Seventeen-year-old TJ Byrd has spent her life convinced that her father was killed by Tibbehah County’s Sherriff, the uncle of the current Sherriff. This has left her with a pretty jaded view of law enforcement. So when she’s suspected in the disappearance—and then the murder of her mother, it’s understandable that she doesn’t assume she’s going to get a fair shake from those that suspect her. So, she grabs her little brother and with her best friend and her boyfriend, they hit the road and run. They’re not sure where they’re driving to, but it’s far away from Tibbehah.

That’s maybe not the brightest move, but she’s desperate.

Former Deputy/now US Marshall, Lilly Virgil assumes that TJ killed her mother. Lilly has seen what happens when the two of them fight and assumes that TJ has gone one step too far. Lilly pulls some strings and gets herself assigned to the fugitive hunt for TJ and the rest.

Sheriff Quinn Colson isn’t that convinced of TJ’s guilt but would like to talk to her about what happened. With her on the run, he does some legwork on the case on his own—looking into her mother’s boyfriend, finances, and history. The more he finds, the less he’s convinced that TJ had anything to do with her death, he just needs to find enough evidence to convince Lilly.

Meanwhile, Johnny Stagg is at work greasing palms and making plans for the future—and what he has in mind will look entirely different than anything we’ve already seen from him. He’s also trying to get a father and son to join his team—they have a penchant for violence, and Stagg is pretty sure he’ll have some work for them.

TJ Byrd

…I’m real sorry, TJ. You’re too young to got through a mess like this.”

“My life’s been a mess since I was born,” TJ said. “Don’t shed a tear for me, Sheriff.”

TJ Byrd is one of those characters that you can sense that an author really enjoys writing, and it carries over to the reader—she’s just a blast to read about. I felt like I got a better sense of her than I have a couple of protagonists this year. I want to write a lot about her, but I won’t because I just don’t want to take away the joy of discovery from a reader. So let me just say that if you can see the joy in reading about a rebellious, stubborn, delinquent teenager on the run from the law because she’s suspected of the gruesome murder of her mother, you’re really going to have fun with her. If that kind of character doesn’t really seem like something you’d enjoy—give Atkins a chance to prove you wrong.

The only thing I do feel safe in saying is that Atkins made a great Spotify playlist based on the character, and it tells you a lot about her (and makes pretty good reading/writing music if you’re dragging a bit).

A New Side of Colson?

The little girl wide awake now, as Maggie wiped her face with a napkin and handed her over to Quinn. He held his daughter tight, the child’s eyes wide and unfocused. Halley so small, light in his lap, while she checked out all the smells and sounds of the Fillin’ Station diner.

“She sure is curious,” Maggie said.

“Skeptical,” Quinn said.

“I guess she comes by it naturally.”

Quinn’s been a great step-dad to Brandon—and was a good uncle to Jason. But it feels different now with Halley in the picture. It seems like Quinn’s going to be a good, involved dad (as much as his job allows). I got a real Joe Pickett-vibe off of a couple of passages with Quinn at home in this one. Which is good—Joe at home is the most appealing part of the character, so seeing Quinn in this light makes me look forward to seeing how he develops along these lines.

Mythology vs. “Monster of the Week”

It’s a little off-genre here, but when I was thinking about this novel and its relation to the rest of the series, I thought about The X-Files and Fringe. There were essentially two types of episodes for those series—”Mythology” episodes that advanced or at least explored the overarching story about the series, and “monster of the week” episodes that were pretty much about some freakish thing that was taken care of within one episode—and while nods might have been made towards the mythology, overall it was independent of that story.

The Heathens follows a major mythology novel, The Revelators that tied up storylines that went back to the beginning as well as some new ones. The Heathens takes a break from it, telling a largely stand-alone story. This is good, it gives readers a chance to catch their breath, it gives Atkins a chance to tell a different kind of story while beginning to set the stage for the next big mythology chapter.

That said, it’s not “mythology”-free. The “new, improved” Johnny Stagg (who will remind you a lot of the “old, corrupt” Johnny Stagg) starts making plans, giving readers a hint about the kind of misery that’s heading to Tibbehah County and Quinn’s life. And there are references to and advances on some of the ongoing subplots, but they’re not the focus of the novel.

Edging Toward a Spoiler In This Paragraph

I don’t like to think this—even about fictional characters—but there’s a character death that brought me just so much pleasure. I’m not going to ruin it, as much as I want to. Murdered Character is someone I find nothing redeemable about—Stagg, at least, is entertaining to read about/detest. But this one? Didn’t enjoy reading about them, was hoping never to see them again—but if Atkins is going to bring them back just so he can kill them off? That’s more than okay by me.

So, what did I think about The Heathens?

This is a great way to start phase 2 of the Quinn Colson series, taking a little breather from major arcs to focus on this story—one that Quinn and Lilly really play supporting roles in—is a nice break from the intensity of the last couple of novels.

It’s also a great place to come on board the series if you haven’t read any of it before.

Lilly and Quinn being on opposite sides of the case—not really working against each other but sure not helping each other too obviously—is another nice touch. There’s an honest difference of opinion, and on the whole, they treat each other like adults set out to get to the bottom of something, no matter their divergent positions when it comes to how to deal with TJ.

Especially in the Quinn Colson series, Atkins has a history of giving us solid plots, great characters, and something extra. That’s the same here, but it feels a little fresher, a little rejuvenated after The Heathens. Choosing to focus on a few kids from Tibbehah County, while Lilly and Quinn are closing in on the truth (and the teens) is a nice change of pace, too.

As much as I enjoy his Spenser novels, it’s these Quinn Colson books where Atkins can show the world what he’s capable of. This is no exception to the rule—do yourself a favor and pick this up.

4 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: Nowhere To Run; Sworn to Silence; Three Mages and a Margarita

By

On August 2, 2021

In Audiobook, C. J. Box, Joe Pickett, Mystery/Detective Fiction/Crime Fiction/Thriller, Urban Fantasy

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. This time we’re looking at some recent Aduiobooks I got from the Library.

Nowhere To Run

Nowhere To Run

C. J. Box, David Chandler (Narrator)
Series: Joe Pickett,, #10
Unabridged Audiobook, 10 hrs., 13 min.
Recorded Books, 2010
Read: June 4-7, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Joe vs. a couple of hard-core survivalists and possibly breaking a missing-persons case that’s been dormant for years. It’s a great set-up—Joe stumbles onto these survivalists poaching and in the end, becomes hunted by them. He escapes, barely, but no one else can find them. So Joe and Nate gear up to go hunting for them on their own—if for no other reason, than to prove that Joe isn’t making the whole thing up.

At a certain point, don’t Wyoming Law Enforcement Officers need to start giving Joe the benefit of the doubt? Maybe believe his hunches, theories—at the very least give credence to the things he says he’s actually seen and done? Sure, there’s the petty rivalries, and I get where the local sheriff can’t give Pickett any credit. But surely everyone else can—he’s got a pretty solid track record.

It was a decent read, with some good tension, some good character moments. I’m not blown away by any of it, but I enjoyed it and am eager to see what’s next. I’m not sure I like how the Picketts are dealing with April, but there’s time to turn it around.
3 Stars

Sworn to Silence

Sworn to Silence

by Linda Castillo, Kathleen McInerney (Narrator)
Series: Kate Burkholder, #1
Unabridged Audiobook, 11 hrs., 45 min.
Macmillan Audio, 2009
Read: April 20-23, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
When she was a teenager, Kate Burkholder left her Amish family and faith. Not long after that, she began a career in the Columbus, Ohio Police Department. Now she’s been brought back to her hometown as Police Chief—she brings the ability to understand the language and culture of the Amish as well as the background in law enforcement among “the English.”

Then a victim of a grisly murder is found. And then another. There are similarities between these and murders that occurred in the area before Kate left home. Public pressure is mounting for a quick solution and city leaders bring in a State Investigator to “help” Kate out.

This was a solid read—with maybe a touch of melodrama here and there. I enjoyed this and see a lot of potential in the setting as this series continues.
3 Stars

Three Mages and a Margarita

Three Mages and a Margarita

by Annette Marie, Cris Dukehart (Narrator)
Series: The Guild Codex: Spellbound, #1
Unabridged Audiobook, 7 hrs. 14 min.
Tantor Audio, 2018
Read: May 21-22, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
This was a lighter Urban Fantasy, like the Ella Grey books. Tori’s a waitress who can’t keep a job—she has this annoying tendency to stick up for herself when a customer gets out of line. Desperate for work, she finds a Help Wanted ad in the street. They’re looking for a bartender at a social club in a less-than-nice part of town. She shows up, gets a try out and does well.

But there’s one little thing—the social club is actually a guild of magic users. Yeah, that’s right, magic is a thing, and the guild is made up of a variety of specialists. Some of them have taken a liking to her and she’s hired on as the regular bartender. Tori strikes up a friendship with three mages in particular—and the four of them stumble into something big and dangerous.

This was fun, the dialogue moved well, the interplay between Tori and the three was great, and I can see this lasting quite a while. Looking forward to coming back for more.

3 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

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