Category: Authors Page 96 of 124

by Alex Bledsoe
Series: Tufa, #3

Hardcover, 377 pg.

Tor Books, 2015

Read: June 11 – 13, 2015

5 Stars
This book was practically un-put-downable. Not because I was driven to find out what happens next — like a Finder, or Child etc. This is one of those kind of books you don’t want to put down because you don’t want to leave that world, not for a minute, to step back into this one, as nice as it is — filled with your stuff, and your great wife and frequently tolerable children. But this book’s little corner of Appalachia that touches another world (in more ways than one) is a place you just want to exist in. Granted, I’d rather be in one of the earlier books than this one (not a reflection of the quality of the book, just the events portrayed).

Not all that long ago, especially by Tufa standards, Bo-Kate Wisby and her beau, Jefferson Powell wreaked all sorts of havoc. They were so terrible that they were banished from the community, unable to return — or, worst of all, make music. WHen you think of some of the despicable things that have happened or have been described in the previous two novels by citizens in good standing, you get an idea just how bad this was. Both have spent decades yearning to return, to play music — but have had to settle for incredibly successful careers in the music business. Which would be a special kind of torture and pleasure — being that close but not able to partake, still being able to appreciate it though. Somehow, however, this curse was lifted without anyone realizing it.

Well, anyone but Bo-Kate. She returns to get revenge and bow the Tufa to her will, destroying their heritage, their way of life and instituting her own. Her approach is not subtle, she clearly learned a little bit from the “Shock and Awe” tactics of a recent war. My jaw almost dropped when i saw the first step that was taken by Bo-Kate. I — like most of the Tufa — didn’t think that was possible, or at least likely. Although there was something to appreciate about that action, there wasn’t in the rest of what she did to the community — I can’t think of any fictional character I’ve had such a visceral reaction to (especially this quickly) this side of Joffrey ~~Lannister~~ Baratheon, first of his name.

It should go without saying with this world, the way the rest of the Tufa respond and defend themselves isn’t how you’d expect. Which goes double for how things play out.

Thankfully, I did really enjoy the rest of the Wisbys — especially Bo-Kate’s sister. I hope to spend more time with them. Actually, I liked getting to know all the new characters — including Bo-Kate’s allies (or those characters who weren’t new, but we hadn’t really spent time with). The characters in this community are so well drawn, so real that you almost don’t need a plot to enjoy a book about them.

As always, I’m jealous of the relationship between these people and music. I don’t have it — a couple of my kids do, at least. I think the way the two banished Tufa react to their returning musical ability tells you almost everything you need to know about them. These are books that need to come with their own score, their own soundtrack. Sadly, I don’t think humans are capable of putting out anything worthy of the books. As good as some of the music inspired by this series has been, it’s not good enough to live up to Tufa standards.

Two things that detracted from the book for me. First is the sex. Not that Bledsoe’s a model of Victorian attitudes toward sex before this, but Long Black Curl is pretty sexually explicit — moreso and more often than before (I’m reasonably sure, but am not interested enough to go back and check). I don’t think it was necessary, but don’t think it hurt things. It was just one of those things that seemed to stick out to me.

Secondly, this is absolutely the most straight-forward of the series, which is both a strength and a weakness. It’s more accessible. There’s almost no doubt whatsoever whats going on. The previous two books haven’t been exactly subtle about the magic and how it works out in the lives of the Tufa — but (and I’m struggling to express this the way I want to) they mostly just let us see what happened and say “hey, that’s magic.” There’s some winking and nudging, but primarily the reader has to do the heavy lifting. To switch metaphors, Bledsoe gave us all the numbers and equations, but we had solve for x on our own. But here? It’s all spelled out. It’s somewhat refreshing, but a little disappointing, too.

But that’s just a little tarnish to the series. It’s still one of the best out there. This book changes the world, but not so much that you won’t recognize it — this is all about growth, development. It does my heart good to know that Bledoe is writing #5 at the moment, so we’ve got at least a few hundred more pages of this world to come.

You can absolutely start here, but I think you’d be better off starting with the first, The Hum and the Shiver to you can catch all the nuance and atmosphere and all that. What it means that character X shows up and does Y. That kind of thing. Either way, dive into this world.

—–

4 1/2 Stars

Scents and Sensibility by Spencer Quinn

By HCNewton

On July 31, 2015

In Authors, Chet and Bernie, Dogs, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Spencer Quinn

Scents and Sensibility

by Spencer Quinn
Series: Chet and Bernie, #8

Hardcover, 305 pg.

Atria Books, 2015

Read: July 16 – 17, 2015Bernie Little is back from his cross-country adventures, not much worse for wear, probably with a little coin in his pocket (knowing Bernie. He gets home to find one of his elderly neighbors in the hospital and her husband being investigated by some overreaching environmental authority. Which gets Bernie’s protective instincts engaged. Oh, yeah, and there’s a hole in Bernie’s wall where a safe used to be. That’s in the mix, too — but it takes a back seat to the Parsons’ plight.

It seems that the Parsons’ son was recently released from prison, making the timing of Mr. Parson’s troubles (and the missing safe), a little suspicious. Bernie starts investigating the son — which leads into looking at the crime that put him away in the first place. Which leads Bernie to cross paths with an old rival. An old rival who may have had something to do with the fact that Bernie is no longer employed by the Phoenix Police Department.

The past and present mingle with the personal and professional for Bernie as the case gets more complicated and dangerous. Which makes this a pretty decent detective novel — then throw in our loyal narrator, Chet with his uniquely irrepressible voice and perspective. That’s a thick layer of icing on a pretty good cake.

Which I guess makes the presence of a young dog who looks and smells like Chet (he’s the source of the latter observation) a nice fondant?

I think the illustration is getting away from me, so I’d better move on.

There are a few certainties in crime fiction, in every novel: a vehicle operated by Stephanie Plum will explode; Nero Wolfe will have beer; Harry Bosch will listen to jazz; and Chet will be separated from Bernie. Sometimes, this annoys me because it seems so forced, but this time it snuck up on me so naturally that I was three or four paragraphs into it before I realized it had happened. There’s some other Ce and Bernie mainstays here: Bernie says something he regrets to Suzie; Bernie’s ex seems to go out of her way to misunderstand Bernie, Chet is spoiled and eats like a goat. Really, it has all the elements of this series, Quinn just uses them better than usual here.

A compelling story, the characters back in their stride, and we learn a little bit more about Bernie — if that’s all this had, I’d jumping with excitement. But when you add those last few paragraphs? Forget it — this is the best thing Quinn’s done since introducing us to this pair.

—–

4 1/2 Stars

Junkyard Dogs by Craig Johnson

By HCNewton

On July 30, 2015

In Craig Johnson, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Walt Longmire

Junkyard Dogs

by Craig Johnson
Series: Walt Longmire, #6

Hardcover, 306 pg.

Viking Adult, 2010

Read: July 25, 2015This one opens with probably the funniest incidents in the series, I don’t want to spoil it, just trust me. Actually, there’s quite a few things in the opening chapters of this book to chuckle at or with.

But it wouldn’t be much of a mystery novel if it stayed that way. And so one chuckle-worthy happening is used by Walt to try to help one of his deputies. And then another string of comic events and characters ends with a corpse or two turning up. Which pretty much stops the laughter. It’s really a shame, I liked one of the people who died — and the family of one of the others. (Which isn’t to say that it’s not a shame when it happens to characters I don’t like)

The mystery was a little easier to solve than I really like, but these books aren’t really so much about the whodunit as they are about what happens with Walt and co. while they figure it out. On that front, this was pretty entertaining.

Seeds were planted for something involving Henry’s brother. Well, seeds have been planted already — I guess I should say that the previously planted seeds about Henry’s brother got a decent watering. However you want to look at it — something’s brewing on that front, and it’s not going to be pretty when it’s done. I hope the same isn’t the case with the impending nuptials.

As usual, with a book that takes in a part of the country like Absaroka County, WY, you have to worry about the number of murders and the risk posed to everyday residents of it. But at least they’ve got a lawman on their side who’ll make sure that those who disturb that corner of the woods pay for it. And not to sound too callous, but as long as these books keep being that entertaining, I can live with the hit to the census.

—–

3.5 Stars

Kitty Saves the World by Carrie Vaughn

By HCNewton

On July 21, 2015

In Authors, Carrie Vaughn, Fiction, Kitty Norville

Kitty Saves the World

by Carrie Vaughn
Series: Kitty Norville, #14

ARC, 325 pg.
Tor Books, 2015
Read: July 14 – 15, 2015
4 1/2 Stars
Easy title to live up to, no?

About the same time that I posted my review of the previous book, Low Midnight, where I talked about “future Kitty novels,” Carrie Vaughn announced that this one would be the end. So much for my predictive ability. Now, at the end, I see that Low Midnight was well-placed in the series, and I have a better understanding of the role it played in setting up this book. Which is not to say that I wouldn’t have preferred a few more books in this series, but if Vaughn had to end it now, I’m glad she did it like this.

This couldn’t be less obvious a last novel. Kitty name checks and/or visits everybody we’ve met along the way, it’s like the last few minutes of “The End of Time” before The Doctor regenerates into Matt Smith. But Vaughn does it so smoothly, it’s only when you stop and think about who’s shown up that you even notice what she’s done.

I don’t really have much to say about this — it’s the 14^th and final novel in a series. Don’t let this be the first one you read — do let this be the last. Start with one of the first few (if not the first, Kitty and the Midnight Hour).

This is different than the rest of the series, not just because it’s the end. There’s plenty of action to be found — not a lot of time for character development, growth, relationships, new characters (well, maybe a couple) — it’s all about Regina Luporum and her allies versus Dux Bellorum, anything else is a distraction (however pleasant a distraction). Which isn’t to say that the characters are unimportant — it’s Carrie Vaughn, characters are the core. But they’re very busy here, and don’t have a lot of time to chat, reflect, or anything like that — they have a world to save.

The final showdown with Roman didn’t go as expected, but better. The scenes following that were great, and the ending was everything a fan could hope for.

One criticism — and, now that I think about it, this applies to the series as a whole — Kitty tells us time after time that her pack is what’s important, it drives her restaurant/bar New Moon, it keeps her in Denver, it’s what motivates her, blah, blah, blah. But really, outside of the occasional chat while picking up an order with Shaun and references to the group hunting on the Full Moon, we don’t see them. The pack that Kitty cares about is the other one — Ben, Cormac, Amelia, Alette, Odysseus Grant, Tina, Rick, Matt, and the others that fill her life and align themselves with her against the Long Game. I’d be fine with it if Kitty were just a little bit more honest with herself/us about it.

I’m going to miss Kitty, Ben, Cormac and the rest, and the next year is going to feel a little strange not getting any new adventures from them. But this was a great way to say goodbye.

—–

4 1/2 Stars

Dusted Off: Kitty’s Big Trouble by Carrie Vaughn

By HCNewton

On July 15, 2015

In Carrie Vaughn, Fiction, Kitty Norville

While starting the post for Kitty Saves the World, I noticed I’d reviewed only two other books in this series here. Unthinkable. It was one of the first UF series I ever tried and it’s one of my favorites to this day. Turns out, that somehow I’ve only written one other post on the series. I’m still having trouble coming to grips with that. So, I figured I’d better throw this up before I forgot.
—

Kitty’s Big Trouble

by Carrie Vaughn
Series: Kitty Norville, #9

Mass Market Paperback, 307 pg.

Tor Books, 2011

Read: July 3 – 4, 2011
It’s been far too long since we’ve had a new Kitty Norville adventure, and Carrie Vaughn didn’t disappoint with this one.

We begin with Kitty’s most recent hobby–trying to out historical figures as weres or vampires or whatever. Which is a lot of fun, and is a well Vaughn hopefully returns to.

But the main action focuses on the Long Game between various vampire factions that we’ve seen a few peaks into lately. Kitty’s ally Anastasia is racing against Roman for possession of a magical artifact that could turn the tide in this competition forever.

Honestly, I don’t think this was the strongest entry in the series plotwise–this seems more about setting the stage for bigger things down the road. But while setting the stage, we get to spend some good quality time with some great characters, learn more about Cormac’s situation, and meet a few new characters (a couple of which I hope to see again, soon).

Should add that it took me far too long to get the title, and when I finally did I wondered where my head had been for a couple hundred pages.

Can’t wait to see what trouble Kitty gets into next.

—–

4 Stars

Reread Project: The Snapper by Roddy Doyle

By HCNewton

On July 10, 2015

In Authors, Blog Series, Fiction, Reread Project, Roddy Doyle

The Snapper

by Roddy Doyle
Series: The Barrytown Trilogy, #2

Paperback, 212 pg.

Penguin, 1992

Read: May 20 – 21, 2015Naturally, after one of the best rock band novels ever — one fully of music, laughs, and style — Doyle follows it up with a heartfelt story of a young woman who gets pregnant after a one-night stand. Who wouldn’t?

Now, Sharon (the young woman in question) is the sister of Jimmy Rabbitte — The Commitments’ manager. So there is a tie — and we saw a little of their father and the rest of the family last time. Still, this feels so different, it’s hard to conceive of them being part of a trilogy. Oh well — it works — so who cares?. Carried along by Doyle’s inimitable style, this story — which could easily have been maudlin, overly sentimental, or sappy; comes across as genuine and heartfelt instead.
Where The Commitments was full of laughs, raunch, and style; The Snapper is full of laughs, family and heart. It’s not just about one member of the family this time — it’s all of them. The focus is on Sharon and her father, Jimmy, Sr.

Sharon finds herself “up the pole,” much to her distress. She knows who the father is, a one-night stand (something far less meaningful, actually) she wishes had never happened. Unwilling to let anyone know the father’s real identity, she makes one up (which also relieves her of the need to let the real guy have anything to do with the kid). Initially, she’s in sort of a denial — she knows the baby will change everything. But that’s months away — right now, she and her friends can still hit the pub after she gets off working at the supermarket and pretend that everything’s just like it was a couple of weeks ago. Eventually, she starts to make the changes necessary, but only when she has to. There’s personal growth here for Sharon, when she has no choice. But honestly — other than questionable taste in men, and an utter lack of awareness about Fetal Alcohol Syndrome — she seems like she’s got her head screwed on right already.

Jimmy, Sr. seems like the kind of guy you’d like to hang out in a pub with occasionally — I think he (and his friends) would get old quickly if you hung out with them all the time. Generous, funny, and gregarious. Maybe not the most responsible guy around — but he’s making ends meet (mostly), and doing (almost) his best for his kids. Eventually, he seems to get his act together for Sharon — or at least he tries. Which just makes you like him more — even as (because?) he just doesn’t make it some times.

While these two are on the forefront of Doyle’s attention, we do get some time with Sharon’s siblings (even Jimmy, Jr. — a little bit — who’s still trying to make it in the music business) and long-suffering mother. We watch the family stumble along through financial woes, various school clubs, a bicycle club or two, and being the subject of neighborhood gossip. These all might not be as well-rounded as Sharon and her father are, but they’re close enough that you think you know them.

Back in college, I read The Commitments a lot — but I think I read The Snapper more. It’s not as fun as its predecessor, but it’s a better novel — populated with actual people, actual growth, and something that looks a lot like actual life for many people. The Rabbites could be your neighbors, and you’d be happy to have them, which makes getting to spend time with them between the covers of a book just that pleasant.

—–

4 1/2 Stars

Top Secret Twenty-One by Janet Evanovich

By HCNewton

On June 30, 2015

In Authors, Fiction, Janet Evanovich, Mystery/Detective Fiction/Crime Fiction/Thriller, Stephanie Plum

Top Secret Twenty-One

by Janet Evanovich
Series: Stephanie Plum, #21

Mass Market Paperback, 326 pg.

Bantam, 2015

Read: June 27, 2015

What to say, what to say . . . I mean seriously, these are like 80’s sitcoms at this point. A big reset to the status quo at the end of the novel, most of the jokes are variations on previous novels. Which makes it hard to talk about them. Let’s break this one down quickly:

The Good: Vinnie didn’t appear. Joyce Barnhardt only appeared as an allusion. The pacing was a bit different, I thought. Stephanie’s main target was taken care of pretty early, freeing her up to help Ranger.
The Bad: The main target for Stephanie was so close to the guy in Takedown Twenty that I briefly wondered if I’d already read this one.
The Surprising: The other big case for this book — Ranger’s case, was a lot more serious (grading on a Plum curve here) than we’re used to. Involving a bit more peril than one expects. Grandma was used well, and Evanovich showed a little restraint with her and her antics.
The Funny: There was the standard amount of general amusement. But, and this is important, (at least until Evanovich figures it out and drives it into the ground), Bob + Ranger = Comedy Gold. Who knew? I actually laughed out loud. That whole scene lifted this from a 2-2.5 star rating to a three. It’s been a long time since I actually laughed at one of these.

On the whole, once I settled into it, I enjoyed myself. I’m glad I read it — would I prefer that Evnovich reintroduce a real sense of serialization, let things progress with one of the two romantic leads, let Stephanie get better at her job, introducing real stakes would also improve the humor. Otherwise, this remains fairly reliable, decent, disposable reading material.

—–

3 Stars

The Dark Horse by Craig Johnson

By HCNewton

On June 24, 2015

In Authors, Craig Johnson, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Walt Longmire

The Dark Horse

by Craig Johnson
Series: Walt Longmire, #5

Hardcover, 318 pg.
Viking Adult, 2009

Read: June 22 – 23, 2015

. . . we walked into the middle of the rutted and powdery two-track that stretched to the horizon; the only other road curled off to the right and disappeared into the distance as well.

I thought about how we tilled and cultivated the land, planted trees on it, fenced it, built houses on it, and did everything we could to hold off the eternity of distance–anything to give the landscape some sort of human scale. No matter what we did to try and form the West, however, the West inevitably formed us instead.

One thing I particularly appreciate about the Longmire books is the effort that Johnson puts into making them distinct from each other — one of the hazards of mystery series is that books can blend in with each other, but that’s not the case (so far) with these. There are two distinct features to this book — 1. Narratively: Walt tries (and kind of succeeds) to go undercover to investigate a murder in a nearby county; 2. Mechanically: the narration keeps jumping back and forth from “the present,” where Walt’s been investigating for a couple of weeks, and then to the point a few weeks earlier where Walt starts to becoming involved in the investigation.

I guess it’s also noteworthy that there’s really no Indian spirituality to speak of — practically no Henry, for that matter (although he makes his presence felt when he’s around).

Anyway, a Sheriff of a neighboring county gets Walt to hold a prisoner for trial for him — a woman who confessed to murdering her louse of a husband. Repeatedly confessed, no less. Given the confession (and some other evidence), he can’t investigate things further — as much as he thinks it might be needed. Still, he knows ol’ Walt won’t worry about the politics or difficulties involved if he sniffs something rotten in Wyoming. Walt falls into the not-so-cleverly-lain trap and starts finding the problems with the confession. Which leads to him assuming the identity of an insurance investigator and doing a little investigating.

He’s almost comically bad at it, but he’s enough of a stranger that it doesn’t matter — he can just be Walt, talking history, drinking beer and nosing around. Add in some horses, some fisticuffs, a spunky kid and a little gunplay — and you’ve got yourself a solid mystery novel.

One of the episodes of the show Longmire was loosely based on this novel, but by “loosely” I mean there are horses, a fire, Walt, and a married couple. That’s pretty much it. So, those who’ve seen the episode can feel free to read the book without any fear of knowing whodunit (and vice versa).

There’s a little movement on the character development front — people recovering from wounds, some other recurring characters moving in the background, and some development on various romantic fronts, too. The serialized component isn’t a major factor in this series, but it’s there — mostly downplayed this time, but still, present. Oh, the election that’s been lurking in the background for forever? Taken care of so quickly, your head’ll spin — what the results mean for things going forward, time will tell. I think I like that approach to it — just blink and you’ll miss it.

Yet again, Johnson delivers a great read — and Sheriff Longmire and Absaroka County prove they can be just as interesting as Det. Bosch and L.A., Spenser and Boston, or Det. Hatcher and NYC.

—–

3.5 Stars

The Rebirths of Tao by Wesley Chu

By HCNewton

On June 24, 2015

In Authors, Fiction, Science Fiction, Wesley Chu

The Rebirths of Tao

by Wesley Chu
Series: Tao Trilogy, #3

Mass Market Paperback, 506 pg.
Angry Robot Books, 2015
Read: June 15 – 20, 2015That was satisfying.

Really, that’s about all I have to say about this one. But let’s see if I can’t expand a bit. Overall, I enjoyed The Lives more than this, and this one engaged me more throughout than The Deaths did, but The Rebirths brought the Tao Trilogy to a satisfying conclusion, wrapping up what needed to be wrapped up, dealing with all the arcs that needed to be concluded and generally leaving things in a place where we can say goodbye to these characters (not that we necessarily want to, but we can) — oh, and was a solid SF adventure in its own right.

One personal note, a large part of the action takes place in Ontario, Oregon. Most people reading this book aren’t going to think much about that at all, but I grew up about 10 minutes away from Ontario — so I thought that was pretty cool. On the other hand, now I know how Bostonians feel when reading Robert B. Parker or Dennis Lehane, or a life-long Chicago resident when reading Jim Butcher. The geography is bad, and if you wanted to buy a nicer car, you wouldn’t bother driving to Boise, you’d get the same car (probably cheaper) in Ontario.

But that matters so little to the book as a whole, that those four sentences are at least two too many.

So, anyway, this book (like The Deaths) takes place a few years after we’d left Roen and the rest. His son, Cameron, is a teenager — with all the stubbornness, rebellion, and hormone-addled fun that entails. Of course, his rebellion takes the form of wanting to join in the war against the Genjix, while his parents do all they can to steer him away.

It’s safe to say that very few (if any) of the Quasing are happy with Jill’s little revelation at the end of The Deaths — Genjix or Prophus — which puts them in the same boat as humanity. Governments all over the world are attempting to hunt down any and all Quasing. Which hasn’t done any favors for the Prophus, but at least seems to have hurt the Genjix effort more.

Which is not to say they’re down for the count by any means. Enzo, the Adonis, is still out there strutting like a peacock and working to bring about the end of humanity. We finally get to see the Genjix plan in full, and I’ve got to say, reading about their plan for re-making Earth makes me really glad that this is fiction.

Right?

So, we’ve got the Ontario storyline — which looks like a pretty routine mission for Roen and Marcos (yeah, not quite Felix & Oscar, but close enough), until it gets bad. And then worse. There’s a conflict in the leadership of the Genjix (so nice to see that even some of them don’t like Enzo). And then there’s a major breach in security which leaves the rest of our Prophus friends on the run — our focus is on Cameron, but not exclusively here. I was a little surprised how Chu concluded the Ontario storyline — which is what made it effective, really. These three threads, ultimately, naturally, converged into one big battle — like the two books before.

Once again, what Chu did with Roen between the books isn’t exactly what one expects, but it fits his character. Ditto for Jill. We didn’t know Cameron enough for me to say. Tao? Sure — Tao’s the same, being centuries old helps him stay consistent. When it comes to the machinery of the Genjix, Prophus and the US Government (and/or everyone else) — things didn’t go the way I figured they would following The Deaths — but I think I liked it more that way. It’s because of the fallout from Jill’s revelation that most of the character changes happened the way they did. Chu really was effective here.

There are some great fight scenes, if that’s your kind of thing (and if it’s not, why are you reading these books?). The final scene is as epic — yet personal — as you want from the end of a third book in a trilogy. Part of that battle are back-to-back hand-to-hand combat scenes featuring an Adonis vessel and people near and dear to us. By this point, I had no idea what Chu was going to give us and I was hanging on every hit. I’m so glad that Chu sprinkles so much humor through these books — after these fights were over, I needed the joke that followed.

It may not work for everyone, but I really liked where everything was left off. Particularly for Enzo.

A really solid novel, a satisfying conclusion — making the Tao trilogy a keeper. I’m very much looking forward to what Chu’s got in store next.

—–

4 1/2 Stars

How to Start a Fire by Lisa Lutz

By HCNewton

On June 19, 2015

In Authors, Fiction, General Fiction/Literature, K-O, Lisa Lutz

How to Start a Fire

by Lisa Lutz

Hardcover, 337 pg.
Houghton Mifflin Harcourt, 2015
Read: June 5 – 6, 2015
I really enjoyed Lisa Lutz’s latest, best, and most mature novel and want to encourage you to give it a read. That said, I’m not really sure how to start this post — or how to finish it, now that I think about it. It’s not really a plot-driven book, it’s more about the relationships between the three main characters, and others in their lives. But, it’s really difficult to talk about the book without talking about the two (maybe three) plot points that drive the whole thing.

Early on, I jotted down the note, “I’m either going to love or hate this book,” and while I stayed in the former camp, I could easily see where some wouldn’t (a quick skim of goodreads today, suggests I was right). This book plays with chronology, skipping around throughout the 20+ year history of the characters (plus some in-chapter flashbacks), with no easily noticeable pattern. So, in the first few chapters (most of Part One), once I started a new chapter, I’d have to flip back to the first page of the 3-4 previous chapters to make sure I was placing the current one in the right spot on my mental timeline. Eventually, I didn’t have to physically turn the pages, and was able to re-arrange things without much thought — and I know two other readers that experienced the same

At its core, How to Start a Fire is about the relationships of three women over time, from meeting in college through everything that happens over the next twenty plus years — ups, downs, fights, make-ups, forgiveness, betrayal, estrangement, personal growth, self-destruction, and the ability of friendship to forget all of that and just care in the moment. To boil it down to its essence: real friendship.

I had to repeatedly remind myself that this was a Lisa Lutz novel, it didn’t feel like one. Not any of The Spellman Files or Heads you Lose, this was a totally different creature (not being a mystery novel plays into that, obviously). Of course, like with my fixation on chronology eventually I got into the book and stopped caring about that. Most of the humor is different, most of the heart is different — the types of people are different, too. Still, the humor is solid, the heart is genuine, and the people are, y’know, people.

Yet . . . there’s no denying the Lutz DNA here. The three main characters were aggressively quirky like Izzy or Rae, Anna ‘s brother could’ve been David), and Malcom has a very Henry-esque quality. There’s so much more about the novel to think about than the parallels to the Spellman books. I don’t want to focus on it, but I did make those notes at one point. I think if I hadn’t written it down, I’d have forgotten about it by the time I reached the end.

This is Chick Lit that can be appreciated by the non-Chick reader^* — there’s a little bit of something for just about everything in these pages, laughs, chuckles, an “Aww” or three, and maybe a something to make your eyes misty. It’s a bit too fresh for me to confirm this, but I’m betting this is one of those novels that rewards re-reads (especially when you’re not trying to figure out what’s going on in the opening chapters). Not my favorite Lutz book, but probably her best — and it demonstrates what many of her readers have suspected: she can write whatever she sets her mind to. Frankly, I want something back in the comedy/crime area again, but I’ll line up for whatever.

—–

^* Which is the mark of the best of Chick-Lit — or any genre — even those outside the target demographic can appreciate it.

—–

4 Stars