Category: Authors Page 97 of 123

Opening Lines – Kickback

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I’ll throw it up here. Dare you not to read the rest of the book

On the first day of February, the coldest day of the year so far, I took it as a very good omen that a woman I’d never met brought be a sandwich. I had my pair of steel-toed Red Wings kicked up on the corner of my desk, thawing out, when she arrived. My morning coffee and two corn muffins were a distant memory.

She laid down the sandwich wrapped in wax paper and asked if my name was Spenser.

“Depends on the sandwich.”

“A grinder from Coppa in the South End,” she said. “Extra provolone and pickled cherry peppers.”

“Then my name is Spenser,” I said. “With an S like the English poet.”

“Rita said you were easy.”

“If you mean Rita Fiore, she’s not one to judge.”

from Kickback by Ace Atkins


(technically, not the opening lines, but this is the beginning of Chapter 1, so it sorta counts)

Gone Readin’ – Robert B. Parker’s Kickback by Ace Atkins

Just as soon as I start to make headway on my backlog, I pull something like this…

No post today, unless something big happens — yesterday, I received the latest Spenser novel, Kickback by Ace Atkins and well…nothing’s happening ’til I’m done with that.
Kickback
Even if you don’t like Spenser, or Atkins, if you’re reading this blog, I trust you understand the impulse.

See you tomorrow.

add atkins to the authors, tag this with current reading, etc.

Review Catch Up: Rolling Thunder; Fun House; Free Fall by Chris Grabenstein

It infuriates me that I haven’t written anything on these books — Ceepak and Boyle (and, probably, Grabenstein) deserve better. But…here’s something, at least.

The points I’ve had all along are still here — I like Grabenstein’s voice and tone. I like the subtle character growth. Ceepak is a super-hero. Danny, on the other hand, is the real star of this series (no matter what it’s called) — we’re watching him grow in to a real cop, into a man. Yes, he’s trying to model himself off Ceepak, but he’s the focus, he’s our entry into this world and Ceepak’s mission.

The biggest problem with this series is that I just can’t bring myself to listen to enough Bruce Springsteen to appreciate all the references. I’ve tried. Really I have.

Rolling ThunderRolling Thunder

by Chris Grabenstein
Series:John Ceepak Mystery, #6

Hardcover, 304 pg.
Pegasus, 2010
Read: November 24 – 25, 2014


Not much worse than a prominent citizen dying on the initial run of the new Roller Coaster that was supposed to guarantee one of the best tourist seasons in recent years for Sea Haven. The resulting investigation is as filled with the typical twists and turns, heroics from Ceepak and good tries from Danny.

Not that Danny doesn’t get his chance to shine — and brightly, I should add.

I liked this one, not as much as I wanted to, but spending time with good friends in NJ is always a treat.

I’ll take a moment to say that I’m not crazy about the whole arc about Ceepak’s father. Initially, I liked it — but now? I don’t know — maybe they’re just spending too much time with it without resolving anything, but I’m done with it. There’s another arc kicked off here that works much better (particularly as it’s a subtle kick-off here, that grows into prominence).
3.5 Stars

Fun HouseFun House

by Chris Grabenstein
Series:John Ceepak Mystery, #7

Hardcover, 336 pg.
Pegasus, 2012
Read: February 25, 2015


A competitive version of The Jersey Shore comes to Sea Haven, and with it comes chaos, attention, and gobs of money. Oh, and because this is Sea Haven — murder.

We’re treated to a nice bit of social satire/cultural commentary along with our usual Ceepak/Boyle antics. Sure, it’s at the admittedly easy targets of The Jersey Shore/”Reality TV” in general. Still, it was fun, like this little bit about the host of just before a commercial break:

…teases Chip, because they like to do that a lot on these shows: hint that something good is coming. In fact, they do more hinting and teasing than actual entertaining.

I’ve had the same thought (not as well-articulated) more than once and appreciated someone else saying the same thing.

I also liked that the book starts with drunk and disorderly charge and then an investigation into anabolic steroids. Not every book (especially those set in small towns) has to be about murder or serial killers, right?

Overall, one of the weaker entries — but the TV commentary and Danny’s personal story made up for it.
0 Stars

Free FallFree Fall

by Chris Grabenstein
Series:John Ceepak Mystery, #8

Hardcover, 352 pg.
Pegasus, 2013
Read: March 11 – 12, 2015


Sure, there are draw backs to having a mystery series in a smaller town – at some point the crime rate gets ridiculously high, for example. On the other hand, when at least one of your characters has known half of the victims/suspects/witnesses all their lives, you can save a lot of time getting to know them finding narrative hooks, emotional ties, etc. That helps a lot here.

There’s something to this murder — this victim that doesn’t seem like the typical Ceepak/Boyle case. Same with the motive, really. I really liked the characters, the murder, the way this pushed our protagonists in different ways. If this wasn’t the best mystery — the best book in the series, it’s the best in a long time. Hope it’s a sign of things to come.
4 Stars

Another Man’s Moccasins by Craig Johnson

Another Man’s MoccasinsAnother Man’s Moccasins

by Craig Johnson
Series: Walt Longmire, #4

Hardcover, 290 pg.
Viking Adult, 2008
Read: May 11 – 12, 2015

“Do you think I’m a racist?”
[Ruby] smiled and then covered it with a hand. “You?”
“Me.” I stuffed my hands in my pockets.
She tipped her head up and considered me, and I felt like I should be wearing a lead vest. “You mean because of your experiences in the war?”
“Yep.”
“No.”
It was a strong response, and one that didn’t leave a lot of room for further discussion. I glanced at her unyielding eyes and shrugged, turning to look back as Virgil’s arm moved and he looked at the two of us. “Just wondering.”
“You do have one prejudice though.” I looked back at her again from under the brim of my hat. “You don’t care about the living as much as you do the dead.”

There’s a lot to that observation. It’s what makes Walt Longmire, like Harry Bosch, such a good investigator — and a character that readers want to spend more and more time with. They have friends, family — even loved ones. But the dead — murder victims or those they’ve lost over their lives — those seem to carry the weight of their attention and care. Could make an iffy friend, a frustrating spouse — but (as Arthur Fancy once said of a certain Polish detective) “If a member of my family was murdered, I’d want [him] to catch the case.”

The dead in this particular book take two forms — first and foremost is the young Vietnamese girl dumped off the side of the road and almost baled with hay. It’s the kind of thing that Walt — and similar lawmen dread — “There you stand by some numbered roadway with a victim, no ID, no crime scene, no suspects, nothing.” This woman’s ancestry does help her stick out in Absaroka County, and it doesn’t take Walt too long before he’s able to find a thread to pull. But he has no idea what’s on the other end of that thread, and it takes a lot of work to find it.

Walt Longmire books aren’t just about what’s going on in Absaroka County, Wyoming — at least not in the physical realm. There’s something going on in the spiritual, spectral, or some other realm — typically tied in with Cheyenne thought. This time there are spirits of a different kind, the ghosts that haunt each of us — the ones we bring along with us all the time. In particular, the ghosts of Walt’s past, specifically his time in Vietnam as a Marine Investigator. The narrative cuts back and forth between the present day investigation and one that young Walt Longmire is involved with as a Marine Inspector in Vietnam in the days immediately preceding the Tet Offensive. The Marine we meet isn’t the Sheriff we know — he doesn’t have the experience or authority — but the essence of the man is there, he just needs a little refining.

Additionally, Walt, Cady and Vic are dealing with the various forms of fallout from Kindness Goes Unpunished, with various levels of success. It’s not that Walt necessarily cares more for the dead — recent or decades old — it’s just that their needs seem far more immediate, and probably more importantly, Walt knows what to do to help them. With the living? He has far less idea what he should do.

You take those three plotlines, mix them together with a giant homeless Crow Indian and you’ve got yourself one compelling read.

This had a slightly different feel than Kindness Goes Unpunished — which is good, I don’t want to read the same novel over and over. Where Kindness was light and fun (when not harrowing and deadly), this was sober, thoughtful. Walt’s not sure what to do on various fronts of his personal life, he’s remembering a lot of things he could’ve done better in Vietnam and trying not to make mistakes with the case in front of him.

This is the fourth installment in this series, and you know pretty much what you’re going to get at this point when you pick one up. Which is exactly what this delivers. A straight-forward, thoughtful mystery novel with a protagonist who matches that description. A good choice for fans of Connelly, Crais, or Parker that don’t mind urban sprawl being replaced by ghost towns.

—–

3.5 Stars

The Younger Gods by Michael R. Underwood

yyyyyeeeeesh, almost, but not quite 6 months late. What is wrong with me? Let’s see if I can remember enough to make this work:

The Younger GodsThe Younger Gods

by Michael R. Underwood
Series:The Younger Gods, #1


ebook, 280 pg.
Pocket Star, 2014
Read: November 20 – 22, 2014

Are you quite sure you don’t want to even try to seek cover?” I asked.
“Cover is what stands between me and stabbing things,” [Carter] said by way of response.
Let it not be said to my resident assistant that I constrained my roommate. He was his own man. Even if that man was insane at times.

One of Michael R. Underwood’s most impressive traits is his versatility. We’ve got the fun Urban Fantasy adventures of Ree Reyes, the strange superheroes of Audec-Hal, and now, this darker UF about a cult’s white sheep trying to stop the apocalypse.

Jacob Greene — of those Greenes (apparently) — has come to New York to attend university — and get away from his family and their demon-worshiping apocalyptic cultish practices that will usher in The End of the World as We Know It. He’s had enough of all of it, and is trying to get beyond their teachings, their practices, their . . . murderous ways. It’s more difficult than he expects, especially when his sister comes to town in order to usher in Doomsday.

Jacob finds himself surrounded with a motley crew of allies — mostly in the mold of the-enemy-of-my-enemy — trying to keep his sister from accomplishing her Ultimate To-Do list. Let me tell you, this particular UF version of NYC is full of quite the assortment of magical cultures/subcultures. The rules governing them, the way they interact with each other are one of the strengths of this novel — a nice little bit of world-building that was revealed, not dumped on the reader.

Jacob, understandably, spends a good deal of the book sorting out his identity in light of his family — as well as his feelings for/about them. There are no easy answers waiting for him. It’s here, not his running away from his family, not his attempts to stop his sister, that Jacob finds that bit of humanity that he’s been missing.

Was it still love if the people that loved you were monsters? Did their actions taint everything they did, or was there some humanity in the family? Had they ever really loved one another, or was it a mask, a role that each Greene has played to further the goals of the Bold and awaken the unborn? There was a film, some film, that matched this feeling. I’d heard someone talk about it in class.

Jacob’s ending gambit had me groaning, “Underwood’s not going to do that, is he?” Turns out 1. He did; and 2. It totally worked. I couldn’t believe it. I was expecting a cheesy car wreck, but he nailed it. Note to self: don’t doubt Michael R. Underwood again.

My biggest gripe was Jacob’s language. He starts off with the most formal, stilted dialogue this side of an Austen novel; slang was a foreign language he was trying to adopt. By the end of the novel, however, a lot of that was gone. Now, it’s possible, I just got used to his language — but I don’t think so. Mostly, it was his use of slang that improved dramatically. Now, if it had happened slower — over a book or two, I wouldn’t have noticed — or, more likely, I’d have given Underwood props for it. But . . .this book covers events of a few days, far too quickly for Jacob to pull that off. Still, as far as gripes go . . . that’s pretty small.

It’s not Underwood’s best — but it’s a good start, and I can eventually see me saying something different about the series as a whole. Great magic system, a situation I’ve never encountered in any of the UF I’ve read, a solid group of characters to build from — I can honestly say that I have almost no idea what’s up next for Jacob Greene et al. But I’m looking forward to finding out.

—–

3.5 Stars

Dark Heir by Faith Hunter

Dark HeirDark Heir

by Faith Hunter
Series: Jane Yellowrock, #9

Mass Market Paperback, 363 pg.
Roc, 2015
Read: April 22 – 24, 2015
So, how much trouble does Jane Yellowrock find herself in this time out? Almost all of it, I think.

Even as she left his desiccated near-corpse hanging on the wall in Leo’s sub-basement, we all knew that Jane was going to have to deal with The Son of Darkness sooner than later. So did she. Turns out it’s a lot sooner than anyone expected or wanted (well, maybe some readers wanted it now, so sooner than Jane et al. wanted it). Joses Bar-Judas is probably the nastiest, toughest, most despicable supernatural creature we’ve encountered in these books — and I don’t see him being topped any time soon (well, maybe his brother).

The body count in this one is high — and the ramifications for that are probably going to be felt for a book or two. Oddly, the police and people of New Orleans don’t take kindly to an out-of-control vampire. Relations between the general populace and the Mithrans are near the breaking point.

But that’s not the worst — whatever this original vamp* is capable of doing — it’s far more than Jane’s ready for. Keeping fairly spoiler-free, let’s just say that whatever punishment our Skinwalker’s taken thus far is nothing compared to what she’s got coming.

Along the way, Jane learns some things — thanks to the vamps playing everything super, super close to their chests — that changes how she thinks about and understands almost everything that’s happened since she first came to New Orleans.

Which isn’t to say this is a perfect book — I’ve about had it with Molly, really. I’ll always be interested in her daughter (and the way Beast thinks of that little kit), but Hunter needs to do something interesting with Molly soon. I didn’t like the way that Jane’s church (particularly their baptismal waters) were depicted. I’ve always appreciated how in the middle of all this crazy supernatural stuff, there’s been a real drive in Jane for a connection to this church, which was fairly realistically depicted. Hunter sorta tossed that out of the window this time, and made it just as supernatural as everything else. I understand that impulse and how it fits into this world — I just like it less. Lastly, there were plenty of opportunities for Jane and Jodi (and the rest of the police) to work together here, or at least for Jane to do a better job explaining things to her pal with the badge. But for the most part, all that was shoved to the sidelines in a pretty poor way. Yes, there’s only so much Hunter can fit into 360 pages, but still.

Nevertheless, in the grand scheme of things, these are minor complaints when weighed against what Hunter did accomplish here. The chapters involving the final show-down were some of the best things I’ve read in this series, and were definitely filled with all the “what the — ?!” moments you could ask for and a couple “did I just read that?” paragraphs as well.

In the midst of things at their worst — we get some really nice moments with her not-boyfriend, Bruiser. Best of all, we’re treated to some great, heartfelt, “Awww” inducing developments with Eli and Alex. I’ve liked Alex from the get-go, but Eli is about to become my favorite character in the series (sorry, Jane).

For most of the time I’ve been reading this series, I’ve pretty much thought of it as a decent UF series to tide me over between installments of my favorites. But as of the last two or three, I think I’ve come to realize that this is one of my favorites and that I’m really, really looking forward to seeing what comes next.** Dark Heir is probably the best so far, and it’ll take something big to top it.

—–

* Not to be confused with the CW’s collection of teen heart-throb Originals.
** Which I fear means that Hunter will wrap things up in a book or two.

—–

4 1/2 Stars

Reread Project: The Commitments by Roddy Doyle

The CommitmentsThe Commitments

by Roddy Doyle
Series: The Barrytown Trilogy, #1

Paperback, 165 pg.
Vintage Contemporaries, 1987
Read: April 15, 2015

Will yeh please put your workin’ class hands together for your heroes. The Saviours o’ Soul, The Hardest Workin’ Band in the World, —Yes, Yes, Yes, Yes —The Commitments.

This is a tough one for me to talk about — I’m a long-time fan, I’ve read it a dozen or so times, it’s all I can do to not turn total fan-boy and just gush. eh, I might not try too hard.

My college roommates and I became fans of the music video for “Try a Little Tenderness” from the soundtrack for the movie adaptation, and we waited for what seemed like a interminable amount of time before the movie came to the art-house theater in town. I loved it from the opening sequence on and tracked down the novel the next day. It blew my mind (for reasons I’ll get into in a bit), and I read it a dozen or so times over the few years until I loaned it (and the rest of the trilogy) to someone at work. Naturally, I never saw him again (I ended up with a copy of Gaines’ A Lesson Before Dying and another book in the transaction). I finally let myself buy a replacement copy a few years ago (found a used copy with the same cover), and have now read it twice. And, if anything, my appreciation grows each time.

It’s the late 80’s and three young Dubliners (from the poorest part of Dublin) have formed a band — sort of. Not everyone in it are musicians yet, but they’re working on it. Thanks to the direction of their keyboard (defined in the loosest possible way) player, they’re going to play synth-pop and go by the name “And And! And” (and, yes, I got the exclamation point in the right place). Their first order of business (while learning how to play) is to hire a manager. Jimmy Rabbitte is the guy from their school/neighborhood who’s the area’s music/music industry expert. As evidenced by the fact that he’s the first one anybody knew of that was aware of Frankie Goes to Hollywood — and, even greater — he’s the first to realize how bad they were. Jimmie gets things going immediately by dropping the name (especially that !) and the keyboard player.

Instead, they’re going to play American soul music — and then put an Irish twist on it — local slang, geographic references, and so on. Jimmie puts an ad in the paper to recruit some musicians, hits up a coworker he heard at a company party, and so on. As a result, he collects a very strange crew of musicians — including a trumpet player decades older than the rest of them, with plenty of professional experience (the trumpet in “All You Need is Love,” for example). The rest, as they say, is history.

The story of The Commitments is told through a very unconventional prose and dialogue style. It’s like Doyle took Leonard’s 10 Rules to the furthest point possible (other than #7, which he violates in every line). You can hear these characters talk, you can feel the energy in the room — heck, this book comes closer to capturing musical performances better than anything this side of Memorex or vinyl. Couldn’t tell you what anyone looks like (well, The Commitmentettes are pretty attractive — especially Imelda), what their homes are like, the weather, or anything of that other stuff that tends to fill the pages of novels. But I can tell you what happened, to whom, and how all related reacted. Which is good enough for me.

This isn’t one of those books that gives you diminishing returns upon re-reading. It’s fresh (while dated — no idea how Doyle pulls that off), funny, and full of soul. Dublin soul, of course. Just like the rag-tag musicians that come to life in its pages.

Oh, if you can get your hands on the soundtrack albums (or find them streaming somewhere) to listen to while reading, it makes it all better (even though there’s almost no overlap between songs).

—–

5 Stars

Dead Heat by Patricia Briggs

Dead HeatDead Heat

by Patricia Briggs
Series: Alpha and Omega, #4


Hardcover, 324 pg.
Ace Books, 2015
Read: March 6 – 7, 2015
One of the biggest difficulties I have here on this ol’ blog is coming up with something to say about later books in a series. What (barring a significant shift in quality) can I say that I haven’t already said? I’m honestly not sure here, but I’ll give it a try.

It’s been three years since the jaw-dropping conclusion of Fair Game, and we’re finally able to get back to Brigg’s Alpha and Omega series. Things seem to have been pretty quiet for these two. We’re not given a lot (or any, as far as I can recall) of information about what’s been going on in the lives of Charles and Anna since then, but we can guess — they’ve grown closer, Charles has done a little enforcing for his father, Anna’s. . . well, honestly, I don’t know, she’s been doing her own thing.

Hunting Game is a nice departure from the typical setup for these books. There’s no assignment, no renegade werewolf, no investigation — just Charles trying to get a gift for Anna and introducing her to an old friend. Sure — something supernatural comes up, there’s something/someone that needs to be stopped before people die. Thankfully, conveniently, fortuitously, Charles and Anna are in town and they (with the help of the local pack) can take charge to protect those who need it the most.

There’s not a lot here that will progress the story of either series, no dramatic character growth or supernatural threat that will shake things up. It’s about spending time with these people, understanding them a bit better — at least in a new light. Seeing Charles away from his family — but amidst friends that might as well be, sheds a good deal of light on his character — not just his past. It’s also interesting seeing the way this particular pack acts together (as opposed to Bran’s or Adams’s).

There’s a warmth to this book, even when things got hairy and tense — which fits a novel about an Omega — the same way that Mercy’s books have a very different feel. A welcome addition to the growing Brigg’s world.

—–

4 Stars

Kindness Goes Unpunished by Craig Johnson

Kindness Goes UnpunishedKindness Goes Unpunished

by Craig Johnson
Series: Walt Longmire, #3

Paperback, 336 pg.
Penguin Books, 2014
Read: April 1, 2015
3.5 Stars
I hate covers that are just images for TV/movie adaptations, don’t you? Blame my local library for this one.

It’s a sure sign that I need to spend more time reading Johnson than watching the show based on this series in that I’m consistently surprised at how funny these books are. Sure Henry Standing Bear’s dry wit is there, Vic is brash and inappropriate — amusing enough — but the narration, Walt himself? I chuckled a lot.

So, Walt and Henry (and Dog!) are off to the City of Brotherly Love to visit Walt’s daughter, Cady, meet her boyfriend, and for Henry to do something at a museum (just an excuse to see Cady). Oh, and conveniently enough, to meet Vic’s family (three police officers, one former police officer, and one attractive mother). After arriving in town, Walt doesn’t even get to see Cady before she’s brutally attacked and hospitalized.

Naturally, Walt stumbles upon the one person in Philadelphia who’s more knowledgeable and interested in Indians than Henry. It’s that interest (obsession?) and his connection to Walt that makes Walt the best man to track down the man who put Cady in the hospital (and other assorted nefarious acts). That’s a level of coincidence that you just buy — like Gideon Oliver vacationing somewhere that a set of bones surprisingly shows up; Nero Wolfe needing information from someone who’s a sucker for orchids; or that every falsely accused murderers that Andy Carpenter stumbles upon happen to own a cute dog.

There’s enough twists, turns — and one seeming unnecessary but entertaining diversion (that turns out to be not so ancillary) — to satisfy any mystery reader. Even out of water, this fish can swim. There’s some very interesting things that go on in the character’s personal lives that should make things interesting down the road (and that I can’t talk about while remaining spoiler free) — enough to make this more than a tale of a father’s vengeance.

The first chapter (only one in Wyoming) is great — Walt totally failing to connect with an elementary school classroom, a fun and prototypical Absaroka County shootout, and other things that make up a typical day for Sheriff Longmire on the eve of his trip.

I’ve enjoyed each of these Longmire books — but I’ve taken a really casual approach to them, I think one a year so far is my rate. Kindness Goes Unpunished has convinced me that has to end, I’m pretty sure I’ll catch up with Johnson before the year is up.

—–

3.5 Stars

Pocket Apocalypse by Seanan McGuire

Pocket ApocalypsePocket Apocalypse

by Seanan McGuire
Series: InCryptid, #4


Mass Market Paperback, 341 pg.
DAW, 2015
Read: March 14 – 17, 2015

Airplanes: essentially buses that fly, and hence have the potential to drop out of the sky at any moment, spreading your insides — which will no doubt become your outsides sometime during the collision — across whatever you happen to have been flying over. Since we were flying mainly over ocean, I was sure the sharks would appreciate our sacrifice.

So where, pray tell, are Alex and Shelby flying off to? Her home country of Australia, to help out her family and the cryptozoologist group/alliance/whatnot they’re part of deal with the continent’s first outbreak of the werewolf virus. Unlike everyone else there, Alex has dealt with werewolves before, and he’s a Price — that has some benefit (although how much is debatable, as he soon learns). He’s also going to meet Shelby’s family for the first time. It’s pretty unclear which of these two items are the most hazardous to his health.

We’ve had a lot of exposure to the idea that the Price family isn’t like the Covenant — in motives or means. Now we’re introduced to the Thirty-Six Society, who aren’t as nasty as the Covenant is to cryptids; but nowhere near as interested in understanding and cooperating with them as the Prices are. Also, they’re not so sure that the Price’s are all that different than the Covenant (which is really odd to think about from the point-of-view of the reader). So, all told — they’re not to interested in a know-it-all Price coming in from the U. S. to tell them how to take care of a problem. Particularly when that Price is sleeping with one of their own, and perhaps leading her away from them.

I did tire a bit — more than a bit, to be honest — with the way that Alex and various members of the Tanner family had the same conversation over and over about his allegiances, intentions toward Shelby, and methods. I realize in Real Life™ that you do repeat yourself, but so much of these conversations were essentially “second verse, same as the first,” and got pretty darn tiring. It would’ve been better if Alex wasn’t quite as right as he was all the time, too.

But that’s the backdrop, really. The very real likelihood that Australia is going to be overrun with werewolves in the coming weeks is the main concern (although I’m not convinced the word count would reflect that). With so much exposure to Patricia Briggs and Carrie Vaughn (not to mention Jim Butcher, Kim Harrison, Kevin Hearne, and so on) it’s easy to forget that werewolves used to be a horror movie staple. Leave it to McGuire to remind me that werewolves are generally thought of as monsters. These werewolves are pretty monstrous, and what they do to their victims isn’t pretty.

We don’t see as many of the native cryptids as we get hints of them — the couple that we do see are pretty interesting, but I could’ve used more. As with any inCryptid novel, you have to talk about the Aeslin mice. If for no other reason than they’re fun. This is probably their best showcase yet — they’re more than comic relief here, they help out — in a way that Alex could never have predicted. Some of the raw-est emotion (and not just joy and rapture over a new religious observance) comes from these little guys. I honestly don’t know if I’ll ever tire of these mice.

Occasionally, the humor feels forced — as if McGuire’s done a word-count since the last quip and shoves one in. This is typical for the series, and still occasionally works, oddly enough. But McGuire’s narrative flows better — and is funnier — when she allows the humor to flow naturally (as much as anything as crafted as one of her books is “natural”) and not imposed on the text.

This novel contains the word “denuded” more than I can recall ever seeing in a single work — there was one chapter, in fact, that nailed that record — but “denuded” showed up later, too. It doesn’t matter one way or the other, but it showed up so frequently (and so rarely anywhere else) that it couldn’t help but make an impression.

I don’t know why, but it took me forever to really “get into” this one. From page 1 it looked interesting and entertaining, but I kept putting it down after a half a chapter or so. When it did pick up, I didn’t take the time to jot it down because I didn’t want to stop reading, but I think it was a little after page 100. From that point on, I was into it the way I expected to from the get-go, and it kept my interest to the end. I think I like this more than the others (maybe Discount Armageddon was as good), and really look forward to the next one — it’ll be good to see Verity again.

—–

4 Stars

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