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BOOK SPOTLIGHT: Appointment with Yesterday by Christopher Stratakis

Book Details:

Book Title: Appointment with Yesterday: A Novel in Four Parts with a Prologue and an Epilogue
Author: Christopher Stratakis
Category: Adult Fiction, 334 pages
Genre: coming-of-age / WWII / immigrant experience
Publisher: IndieReader
Release date: January 2017
Tour dates: Oct 2 to 20, 2017
Content Rating: PG-13 + M (There is no bad language or violence, but there are references to sex and sexual situations (including between a pre-teen and teen)

Book Description:

A poignant and compelling first novel, Appointment with Yesterday tells the story of Yanni, a cheeky and delightful Greek boy growing up in a small town on an island in the eastern Aegean.

Left in the care of his loving grandparents, Yanni endures the deprivation and terror of the German occupation during World War II and finally leaves his beloved homeland and family to rejoin the parents who had left him behind to make a better life for themselves in America.

Filled with heartbreaking and heartwarming stories of love, devotion, disenchantment, and dashed dreams, Appointment with Yesterday is, ultimately, the story of hardships overcome and a determined boy’s journey toward finding his destiny.

Buy the Book:

 

 

 

 

 

Meet the Author:

 

Christopher Stratakis was born and raised in Greece. After moving to America, he graduated from Drexel University in 1951 and New York University School of Law in 1955. Shortly after joining the law firm of Poles, Tublin & Patestides in 1960, he became a partner, specializing in admiralty and corporate law.

He has written and published several articles, lectured on professional and historical subjects, served as Legal Advisor to several non-profits (pro bono), and was an arbitrator in maritime disputes. He is the author of Mnimes “Memories” (2010), a book of essays, short stories, and poems that he wrote as a teenager. In 2015, he co-edited Chains on Parallel Roads, a book published by Panchiaki “Korais” Society of New York. In recognition of his extensive community involvement, he has been the recipient of several awards from religious, governmental, and educational institutions.

Mr. Stratakis lives with his wife in New York City. He is the proud father of three and grandfather of three. This is his first novel.

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Saturday Miscellany – 10/7/17

Just a few odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:
  • The Name of the Wind 10th Anniversary Deluxe Edition by Patrick Rothfuss — squee!
  • The Ship of the Dead by Rick Riordan — the 3rd (and final?) installment in the Magnus Chase series.
  • Lastly, I’d like to say hi and welcome to Reasons To Resist.

    Travels and Travails of Small Minds by Daniel Falatko

    Travels and Travails of Small MindsTravels and Travails of Small Minds

    by Daniel Falatko

    eARC, 252 pg.
    The Ardent Writer Press, 2017

    Read: September 20 – 21, 2017

    “I feel like I’m stuck in a mystery novel written by an unhinged individual, Amy.”

    There’s a lot of truth to that lament Nathan makes to his girlfriend, Amy. In the same conversation, she had a different take on it:

    “Mystery Englishmen? Ever-evolving eccentric casts of characters? Intricate layers of plot involving absolutely nothing? Two unaware and wayward employees leading the story? Nathan, you are living in a Wes Anderson film. And I’m not sure if I like it. You’re definitely more Life Aquatic than Rushmore at this point.”

    There’s a lot truth to that, too. At the same time, neither of them is quite right (and please, don’t go looking for a Wes Anderson/unhinged mystery writer kind of book, you won’t get it. But you may get something that appeals to someone who’d like that kind of book). Just these commentaries on Nathan’s life during this novel shows you just how strange this is.

    I don’t want to say there isn’t a plot — there is one; nor do I want to say that it’s not important, or nonsensical — there is a good amount of sense and it is a pretty good story; but compared to the experience of spending time with Nathan, his friends and colleagues, as well as those he meets over the course of the novel outweighs the story.

    You’ve got Nathan; his girlfriend, Amy; his boss Dr. Behr, an elderly gentleman who just might be the living incarnation of “eccentric”; his coworker, Edward, who has spent far too many years working for Dr. Behr; and Nathan’s neighbor, who seems to do little other than use recreational pharmaceuticals. Throw in the study of a beatnik novelist of dubious quality, the attempted illegal eviction of a young woman, and some strange British citizens, and then step back and watch the lunacy begin. There’s a real estate deal at the core of this — which allows Falatko to indulge his fixation on NYC rental properties (and seals my conviction that I’ll never move there) — the sheer number of things that are wrong with the deal and that can go wrong with it. And here we are, proof that I can’t talk about this book in a way that makes a whole lot of sense.

    This is a funny book, but not a comedy. It’s absurd in the best sense. It’s a wild ride, with a very human — and relatable center. Relatable might not be the best word, because I can’t imagine that any reader will have an experience like it. But even at the strangest moments, you’ll find yourself nodding with Nathan’s actions and reactions, saying to yourself, “yeah, I can see why he’d do that.” Even the conclusion that the plot careens to — for most of the book you’d say that wouldn’t work at all, but by the time it happens, it seems pretty perfect.

    The illustrations are a nice touch — I don’t know that I needed them, and I don’t know that they really added all that much. At the same time, I enjoyed them. At what point was it decided that only kids could use a picture every now and then in their books?

    I wasn’t a fan of Falatko’s previous novel, Condominium, but I thought it did display an element of talent. Travels and Travails put a lot more on display, and kept me entertained and engaged (and frequently smiling) throughout the novel. Although, I should note that I also spent a good deal of time wondering what I’d just read and why — but I was having such a good time that I really didn’t care about the answers to those questions. You won’t read many books like this one, but you’ll wish you could.

    Disclaimer: I received a copy of this book from the author in exchange for my honest opinion and participation in this book tour. I just wish I had something more coherent to say about it.

    —–

    3.5 Stars

    Book Spotlight: Travels and Travails of Small Minds by Daniel Falatko


    Welcome to our Book Tour stop for Travels and Travails of Small Minds. Along with this blurb about the book, my take on the book will be posted in a little bit.

    Book Details:

    Book Title:  Travels and Travails of Small Minds
    Author: Daniel Falatko
    Details: 252 pages with 10 interior illustrations
    Publisher: The Ardent Writer Press
    Release date: October 1, 2017

    About the Book:

    Nathan is not ambitious, and he is perfectly happy doing nothing at the dusty and cluttered properties office of his boss, Dr. Behr, a quirky ex-literature professor pushing 80.

    But things are about to get tossed in the air as Nathan uncovers a mysterious plan of Behr’s to oust one of his
    renters for what appears to be a substantial but ill-gotten profit. Behr recruits his slacker employee to help in the plot, but as Nathan questions motives and discovers secrets, it is clear that Nathan might be in for surprises of his own.

    About the Author:


    Daniel Falatko is the author of a previous novel, Condominium. He is a graduate of the MFA in Writing program at Vermont College of Fine Arts. He lives in New York City.

    Book Spotlight: BLACKOUT by Lawrence Johnson Sr.

    Book Details:

    Book Title: Blackout by Lawrence Johnson Sr.
    ​Category: Adult Fiction; 126 pages
    ​Genre: Mystery, Crime, Detective
    Publisher: Self-published
    Release date: March 2011
    Tour dates: Sept 11 to 22, 2017
    Content Rating: PG

    Audiobook Details:

    Release Date:07-13-17
    Publisher: Lawrence Johnson Sr.
    Written by: Lawrence Johnson Sr.
    Narrated by: Alistair Dryburgh
    Length: 4 hrs and 9 mins
    Series: Alexander Steele Mysteries, Book 1
    Unabridged Audiobook

    Book Description:

    Alexander Steele is a private detective turned night club owner in the city of Philadelphia. Steele and his longtime girlfriend Shakia’s plans for him to retire are derailed when his cousin brings him an encrypted travel drive. The drive is opened by Steele’s hacker friend Stan. A few days earlier every transformer in Canada had been shut down by the terrorist. The drive in Steele’s possession gave details as to how the event would happen. What made it even more frightening was that the documents on the drive were created 3 months before the actual event; Steele finds himself drawn into the well-crafted mind games of a madman known as Chameleon an American terrorist.

    His goal is to shut down the country by collapsing the economy of the United States. From the snow cover streets of Montreal to the tropical beaches of Nassau Steele follows a trail of clues and dead bodies. As he gathers more puzzle pieces Steele inches closer hoping to reveal and thwart the plot to bring down the U S government. He finds himself narrowly surviving constant attempts on his life. The dramatic face-off between Steele and Chameleon takes place in downtown Philadelphia. How will it end? Find out in Blackout, now on Audible.

    Buy the Book:


    ​Watch the Trailer:

    Meet the Author:
    Born and raised in the city of Brotherly Love I have been writing for nearly 10 years. I am the author of the 2012 scifi novel Escape 2 Earth. In early 2009 I completed the second installment in the the Escape 2 Earth trilogy called Return 2 Earth also several short stories including a fantasy story titled Dimensions in Time and a sci fi story titled Planet of Doom.
    In 2011 I completed my first detective novel called Blackout. Before writing Escape 2 Earth I began putting together a collection of inspirational and motivational quotes titled Observations from the Edge of Society. I am currently working on the final book in the Escape 2 Earth series called Earth 2, Redemption which will be completed in 2017.
    Connect with the author:Website ~ Twitter ~  Facebook  ~ Instagram 
    Ends Sept 30

    Jamarr’s Promise by Kristin I. Morris & Joseph J. Zielinski, Ph.D

    Jamarr's PromiseJamarr’s Promise: A True Story of Corruption, Courage, and Child Welfare

    by Kristin I. Morris, Joseph J. Zielinski, Ph.D.

    ePUB, 160 pg.
    Wisdom House Books, 2017

    Read: August 31, 2017


    Here’s a book that should apply to a wide variety of people — others who believe that Child Protection Services (using that as a generic term for all sorts of states’ services); those who are convinced that the system will work if we trust it and have the right people in it; those who are convinced that New Jersey’s state government is impossibly corrupt; those who like True Crime; and many others. Sadly, what all these different potential readers get is a poor book.

    Jammarr Cruz was a nine-year-old whose Division of Youth and Family Services case worker was unable to keep his mother and her boyfriend from exercising their legal right to take the boy home. She fought it as hard as she could, but ultimately she was thwarted by those over her — the boy went home and died a few months later. Kristin Morris, the caseworker, despite a total lack of evidence of her culpability, lost her job because of it. The book details her efforts to clear her name, get her job back, and make changes to prevent this from happening again. Meanwhile her family suffers, her finances suffer, as does her health (mental and otherwise).

    Now, I’m supposed to be talking about the book, not about the events in it. Which is a shame, because I’d much rather talk about that.

    The book is told in the present tense — which is a choice that I do not understand. I rarely understand that as a choice in fiction, but in a book that is detailing past events in an actual person’s life? It just makes no sense.

    The biggest problem with this book is the length — 160 pages is not enough space to do it justice. 260 may have worked, 350 would’ve been better — I’m guessing on page length, but I know that 160 just didn’t do it. Too much of the book has to be told in summary form, where things had to be compressed and details had to be discarded. Sometimes, it made it hard to follow the sequence, sometimes it made it hard to sympathize with her because months would be brushed aside in a line or two. If they’d taken the time to fully explain how things happened, the reader would have a better sense of the chronology after Jamarr’s death, would better be able to understand what she went through, and how this all had a horrible impact on her family.

    Oddly, even given space limitation, there’d be a conversation that would recap the narrative we’d just read (or vice versa). Something else that didn’t make sense to me.

    Given the lack of details, the who so much is summed up and the reader is left to fill in many of the blanks themselves, this frequently comes across as a series of Facebook statuses from that friend who is always going on about how difficult their life is — not the reasoned defense of actions made my a competent and caring professional — which is what i think the book was intended to be, and I do think that’s what she is. Also, much of what she says seems more open to criticism and doubt since we’re just given a brief glimpse from a pretty biased source.

    This book could’ve been so much better. The tragedy it describes, the injustices it describes deserve something more than this. Morris herself should’ve had a better representation to the world at large than this. But all we’re given is this synopsis of a book, not the book itself (or at least what should be the synopsis of the book).

    Disclaimer: I was provided with a copy of this novel in exchange for this post, my participation in a book tour and my honest opinion. I think it’s clear that my opinion wasn’t swayed by that.

    —–

    2 Stars

    Book Spotlight: Jamarr’s Promise by Kristin I. Morris & Joseph J. Zielinski, Ph.D


    Check back later for my thoughts about this book.

     

    Book Details:

    Book Title: Jamarr’s Promise: A True Story of Corruption, Courage, and Child Welfare
    ​Category: Personal Memoir; 160 pages
    ​Genre: Family & Relationships / Abuse / Child Abuse / True Crime / Murder
    Publisher: Wisdom House Books
    Release date: May 1, 2017

    Synopsis

    A True Story of Corruption,
    Courage, and Child Welfare

    Jamarr’s Promise is the shocking personal memoir of social worker Kristin I. Morris’ fight to protect a nine-year-old child, Jamarr Cruz, that ended in his tragic murder and New Jersey’s Division of Youth and Family Services (DYFS)’s denial of its responsibility in the case.

    As a caseworker for DYFS, Kristin helped many children and families; it was her life’s passion. Nine-year-old Jamarr was living with his grandparents after his mother’s boyfriend, Vincent Williams, beat him repeatedly. Jamarr told Kristin it was not safe for him to return home. Kristin urgently tried to keep Jamarr safe with his grandparents, but was told by superiors that Latino children are kept in the home at all costs. This time, the cost was Jamarr Cruz’s life. In 2009 after Jamaar’s return to Omayra Cruz and Vincent Williams, Vincent beat Jamarr to death. Not only did Kristin’s superiors at the DYFS block her efforts to help Jamarr, but when he was killed, they blamed Kristin for his death.

    Jamarr’s Promise is a call to end corrupt loyalties in New Jersey’s DYFS. It is a call to protect children from Jamarr’s fate and promote child welfare. It is a call for justice for Kristin Morris, who did the right thing and was punished unjustly for it.

    The Authors

    Kristin I. Morris is an activist who volunteers her time with organizations for women, children and families, including Toys for Tots, She’s Got a Name, and Urban Promise. She has been with her husband Benny since she was nineteen and they have four very active children. She always wanted to help people, by working with the church teaching CCD, pro-life club, soup kitchen, and through charity work.

    Kristin earned her bachelor’s in Psychology from Rowan University. After school, she began to work as a social worker for the State of New Jersey’s Division of Child Protection and Permanency, formerly Division of Youth and Family Services. As part of the child welfare system, she found herself watching over New Jersey’s most vulnerable citizens: abused children. She was extremely excited and naïve, wanting to save the world. Working in the city of Camden among the people that needed the most help was extremely eye opening, but revealed the corruption of the inner systems of the Division. Jamarr’s Promise is the true story of Kristin’s battle with the State over the murder of a child she tried desperately to save.

    Kristin’s dream is to open and run a foster care organization as a safety net for abused children, and to eliminate the politics and hidden agendas of larger organizations.

    Joseph J. Zielinski, Ph.D. is a New Jersey licensed psychologist board certified in both Clinical Psychology and Clinical Neuropsychology. He completed his undergraduate in Psychology at the University of Pennsylvania and earned a Ph.D. in Clinical Psychology at Rutgers University, New Brunswick. He has been in private practice for forty years as a psychologist, often working concurrently for public schools in special education, in a headache clinic, and in a management consulting firm. He has published in professional journals. He most enjoys working as a practitioner and seeing patients of all backgrounds and experiences.

    For seventeen years, Dr. Zielinski has spearheaded the Committee for Prescriptive Authority, a group of pioneering psychologists, to pass legislation allowing trained psychologists to prescribe psychotropic
    medications. This is an effort to help the dire shortage of psychiatrists in New Jersey and around the country. Their efforts to help the people of New Jersey are near to fruition.

    Dr. Zielinski has been married for forty years, has two grown children and two grandchildren. He is an avid landscaper and is particularly fond of evergreens. He is a fitness enthusiast and a former marathoner.

    He enjoys classic rock and live concerts at local venues and attending professional sporting events with his daughter. He enjoys writing screenplays and has pitched a few to Hollywood professionals.

    Luck Favors the Prepared by Nathaniel Barber

    Luck Favors the PreparedLuck Favors the Prepared

    by Nathaniel Barber

    Kindle Edition, 204 pg.
    Take the Stairs Publishing, 2017

    Read: July 22 – 24, 2017


    If the title is true, Nathaniel Barber was/would have been one of the worst Boy Scouts in the world. You don’t have to read many of these non-fiction short stories to decide that luck and Barber are, at best, passing acquaintances. Which is probably good — they make for better reading that way (Barber, might disagree about the “good” there — it is his life).

    These stories don’t detail his life, they give you glimpses into experiences that have stuck with him for one reason or another, and largely they resonated with me. For example, his first (disastrous) experience with being a landlord. His goals for it were pretty much what I’d envisioned the time or three I thought about trying it. How it turned out for him, is pretty much what I feared would happen to me. A lot of what happened to him as a band geek made me think of what it was like when I was one (thankfully, it was a little tamer for me). I’ve never had a coworker like Dale Kendrick, but I can name one or two individuals that easily could’ve been.

    Not all of his stories are those the reader will be able to identify with — but there’s something in his telling of them that will allow you to see yourself in that situation, and feel the humanity.

    There is one important difference between his life experiences and mine — or most readers’ — his are funny. Or at least the way he’s able to present them is (probably more the latter than the former). Not always in a laugh-out-loud way, sometimes it’ll just be a wry smile, or shake of the head. But Barber’s been able to mine the humor in most of these situations — frequently at his expense.

    Each story has a different feel to it, so even though they’re all about the same central character, they’re individual stories. They don’t all flow chronologically — he jumps back and forth though his life, you won’t walk away with a “life story” or anything, you’ll just get a good understanding of various points in his life. It’s like sitting around a table with an old friend, “Did I ever tell you about the time . . . ”

    Barber’s writing chops are evident throughout this, whether he’s going for economy of words:

    Against the advice of my lawyer and stern warnings from my therapist, I accepted Elsbeth’s invitation to lunch.

    or if he’s going for a visual that will stick with you:

    Mr. Millson was a short, puggish man. He was skinny except for a cantaloupe gut he not only ignored but allowed to lend heft to his wagging swagger. He was short and compensated for this with a simmering, constant temper, always fired up and red-faced. Even when he was just trying to schmooze an extra scoop of Jell-O from the lunch lady. His lips were not lips, but the absence of lips. Sweaty flaps, really. Fleshy bits of face he pursed to a thin, kissy embouchure under a bulbous, alcoholic nose.

    you get exactly the idea he was going for — this isn’t some sort of arty-ambiguity here, it’s a precise brushstroke. He wants you to feel what he felt, he wants you to see what he saw — and he wants you to at least grin about it. Sometimes he’s not that subtle; infrequently, he could be more skillful about it — but he’s hitting his targets, he’s evoking memories about embarrassments of our youth, empathy over similar struggles of young adulthood, or a slight feeling of dread knowing that’s exactly how you’d react in that situation. Thankfully, he generally wants that to be followed with a chuckle.

    Creative, distinctive, amusing — this collection will leave you wanting to see more from Nathaniel Barber, while being very glad you have this.

    Disclaimer: I received a copy of this book in exchange for my honest opinion and participation in this book tour. I appreciated the book, but my opinions expressed are my own.

    —–

    4 Stars

    A Few Quick Questions With…Nathaniel Barber

    Like many things in this Book Tour stop, getting this Q&A together almost didn’t happen — but Barber stepped up and got some good A’s together for the Q’s a I threw at him. All while prepping for a book release party. Couldn’t have been easy, but it’s much appreciated.

    There was a good deal of jumping around in time in your arrangement here, why did you choose not to start with young Nathaniel and move forward? Was there a strategy (that you care to share) behind the arrangement?

    I’m aware that jumping around the timeline could seem like a gimmick. I understood that was a risk but it was a risk I felt was worth taking.

    Chronology is a tool. It is very useful. It sets the pace and sometimes, when there’s a lot of messiness and moving parts, chronology can be the only thing that holds a narrative together.

    Arranging these stories in chronological order demanded segues between the chapters. They just didn’t read right without them. Maybe it was somehow possible, but I was having a bear of a time trying to make them flow. These segues were lengthy and distracting. You can imagine, for example, the acrobatics required to naturally transition between hosting an exchange student from Paris, to an obsession about pants.

    “Time passed. The days grew into weeks and my thoughts turned to pants…” and so on. No thank you.

    I admire brevity. While these stories could use a bit more economy of language, the subject matter is very tight. The scope of the story is singular and isolated. These stories stand on their own. I like that about a short story. It demands so much from the reader: they must put the pieces together themselves. A short story reader is a smart reader. With barely enough information, they’re able to carry the weight. It’s participatory. A shared experience.

    Similarly — what led to you choosing the events to write about?
    Really, the stories chose me. I know that sounds glib. I can’t help but roll my eyes when I hear authors say things like, “The stories chose me.” But it’s true. As I mentioned, I struggled with these stories to an obscene length. They simply would not let me alone. Many of them were not easy to tell. I would have preferred something witty and artful, but instead I got stuck with these plain-jane stories. They’ve grown on me since though. I’ve developed a great appreciation for banality, thanks to these stories.
    What was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
    The biggest surprise for me was that there would be an end to working on these stories. Writing and editing a story is a suffocating experience. Sometimes it seems they will never be finished. Their arc, the characters and the concepts that are juggled around a story are sometimes so nebulous and scattershot it seems like a game of whack-a-mole. But I kept working on them, and eventually, story by story, I wrote that last sentence. It’s quite a thing, when you know you wrote the last sentence, even if it still needs to go through a number of edits—it’s a thrilling process, to fine-tune that last sentence.
    A lot of what makes a writer are the books that he’s read — what books in particular do you think made you the writer you are/the book the book it is?
    Kurt Vonnegut’s Galapagos and Pat Conroy’s The Death of Santini and Harper Lee’s To Kill A Mockingbird and Alice Munro’s Dear Life.
    You’re leading quite the interesting life — is there another book in you? (or are you waiting to see how this goes?)
    Yes, I contain multitudes (to quote Whitman). Luck Favors The Prepared is a way of asking for permission to write more. I have so much more in me, I can’t wait to get it out there. There’s two books of rhyme and meter poetry on the way. One is a book of childish poems for adults, and the other is a book of grown-up poems for children. What could go wrong? Also, soon I’ll have another collection of nonfiction short stories (and some fiction short stories) as well as as novel which I’ve begun but I hate. I hope I fall in love with this novel soon because so far, the outlook is grim. It doesn’t seem very funny, it deals with a lot of awful, horrible characters. There is violence, there are some terribly graphic scenes I don’t know how to write yet. And worst of all, I have no idea what will redeem the story. So, the jury’s out on that one.

    Guest Post: The Delicacies of Writing Non-Fiction by Nathaniel Barber

    The Delicacies of Writing Non-Fiction:
    What to Leave In or Omit and Why Asking Permission Is the Greatest Hurdle to Telling a Great Story

    Luck Favors The Prepared is a collection of nonfiction short stories. But, that ‘nonfiction’ part has been a tricky business. Nonfiction is rarely flattering. Seldom does its characters move about as gracefully or as tactfully as we believe we move about our own lives. Most people long for privacy—while the goal of nonfiction (as is the goal of any writing) is the opposite of privacy, to reach an audience. Additionally, the claim (and the sting) of nonfiction is that these are stories which have actually happened, concerning people who actually existed—people with feelings and, possibly, access to legal counsel.

    What if I get it wrong? What if I muddy up the dates or fail to nail the dialogue verbatim? These, while valid points, were the least of my concerns. The ultimate hang-up was whether a person would be not flattered by the character I’d made of them.

    The conclusion I always reached (which was no) held up the writing of these stories for many years, until, at long last, I was able to call a truce with my inhibitions and get to writing.

    What explains the shift?

    For starters, these are good stories so they were not easily dismissed. Given time and pressure, eventually their persistence forced me to reconcile this seeming insurmountable hurdle to nonfiction: the spectre of fairness.

    Readers of Luck Favors The Prepared will notice I traffic in some incredibly unsavory characters. Was it fair of me to write them so? Probably not. People, however, have had more than enough time to get along without fairness. Indeed, we’ve lived in a dearth of fairness since time immemorial. It is audacious of my characters to demand fairness would make a historically rare visit just to save their hide.

    The best we can do is be proactive, and behave ourselves. If you’re good, most assuredly, nobody will write about you.

    We’ve developed many ways to live well, even in this absence of fairness. Chances are you’ve had a brush with Christianity, the founding tenets of which warn we should (to paraphrase a number more eloquent passages) watch our ass. If you feel exempt from the offerings of Christianity, the scientific community has an equally potent formula coined by Newton’s third law: every action has an equal and opposite reaction. There are some still who feel left behind by both Christianity and science, for them I can only hope they have a magnanimous sense of humor. After that, you’re S.O.L.

    The idea is, in a world where what goes around, comes around—fairness is a red herring.

    It took me longer than it should have to come to this conclusion. When I did, it was like a fresh breath of air. Which is why I am now gleefully submitting Luck Favors The Prepared for publication, just under the wire, during this lapse in the Universal Calendar when fairness seems to have checked-out.

    If nothing is fair, what then, will keep the world from coming apart?

    In this supreme absence of fairness, Christianity, science or humor implores us to act with kindness, beauty and grace. It is, you could say, a last-ditch stopgap to prevent everything from going to pot. This is an idea I can get behind in a major way. It has allowed me to finally locate my voice—and write nonfiction to my heart’s content. But to do so compassionately, in spite of appearances to the contrary.

    In the spirit of kindness it is important to note: while I have not shied away from capturing a character at their very worst, that unfortunate snapshot is strictly happenstance. I am not aiming, specifically, to capture a character at their worst. Though, to be fair, I am not straining to capture a character at their finest either. One should not aim to catch a character behaving any which way. They should only aim to capture the story. Kindness should be, above all else, a commitment to the story.

    While many of my characters found themselves illuminated in such a harsh light, kindness suggests that (hopefully) they were just going through a rough spot. Their only real crime (in the universal sense) was they experienced a fevered lapse of judgement in the company of someone with such an impeccable memory.

    Kindness forces us to consider the angels of our better nature, that people are great, complex creatures. We are brimming with contradictions. Sometimes we are terrible and evil. Other times, we are beautiful and reaffirm all of the wonderful things.

    How does one know when they’re writing from a place of kindness? Crap stories are usually unkind. We’ve all heard an embittered divorcee seethe about their poisonous ex-wife or husband. It’s nothing you would treat yourself to after a day’s work. That’s what red wine is for.

    Nonfiction without kindness reads flat and vindictive. Any too-thin story is so obviously a sad revenge-vehicle to facilitate a tantrum. It is painfully uninteresting. Yes, sometimes unkind nonfiction is fun to read. But it’s a dirty, bitter pill and should be enjoyed sparingly.

    Are the stories objective?

    Just because I am the narrator, doesn’t mean I am exempt from the critique of these narratives. To lean faithfully on the story’s foundation means I should just as freely throw myself on the same pyre to which I’ve thrown these poor characters. Could I have been more critical of myself, the character? Maybe, but that’s above my paygrade.

    Writing nonfiction is to shoulder into unfairness. So the very least a nonfiction author can do is make well and sure they’re writing from a place of kindness and objectivity. Or, at least, try real hard to do so. This is why I still write with boundaries. Very strict boundaries in fact. There’s much more I could write, but it’s a waste of time if there’s no redeeming story.

    I am forty years old now. Does an inability to understand and reconcile the dueling perspectives of fairness and kindness explain why it’s taken me so dang long to offer Luck Favors The Prepared? Probably not. But lay off, I’m short on time. I suppose I could try harder, to completely throw myself at producing books, which is a lot like working a second job without pay. Try explaining that to a wife and a daughter.

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