Category: Blog Series Page 99 of 220

Saturday Miscellany—9/17/22

How does being a parent of adult children take so much time? I’m not complaining about (actually enjoyed and would welcome more of) the interruptions they brought this week, but I had pages to read and posts to write, fer cryin’ out loud! It was far easier to claim my own time and send them to bed when bed wasn’t in a differnt building 7 miles away.

Still, I did manage to get a bit done, and even find a few things for this collection. Hope you enjoy.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Was It Ever Possible For One Person To Read Every Book Ever Written (in English)?—Randal Munroe tackles this ever-so pressing (or not) question
bullet You Can Procrastinate Anything If You Have Enough Books—Well, yeah…
bullet The Books That Made Me – The First Law by John Palladino—another fun installment of this series from Before We Go Blog (although it could use a quick fact check in the first paragraph).
bullet An Ode to Reading—a nice (and fairly relatable) memoir of a reader/introduction to a blog
bullet Have You Ever Suffered from Book Blogger Imposter Syndrome?
bullet The Best Way to Track Your Reading: 18 Bullet Journal Spread Ideas for Readers—I’ve tried Bullet Journaling a couple of times over the last few years, and it really seems like a good idea and I wish I could stick to it. Although I seem to enjoy reading about it more than actually doing it.
bullet Some Research to Ponder about Book Piracy—some good stuff on this regrettably evergreen topic

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon (after last weeks handful, only finding one this week makes me think I missed several—fill me in!):
bullet A Death in Door County by Annelise Ryan—a bookstore owner/cryptozoologist looks into a series of deaths that might indicate there’s an actual lake monster living nearby.

Definition of Bibliotaph

The Friday 56 for 9/16/22: Snowstorm in August by Marshall Karp

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
Snowstorm in August

Snowstorm in August by Marshall Karp

“How did you know what I…”

“I have eyes everywhere—human and electronic,” Quintana said. “I saw you kill him. What I don’t understand is why you gave him a fighting chance. You could have slit his throat in his sleep.”

“No, sir. He had to know it was me. So I waited until I was strong enough to go against him mano a mano. Also, today is my birthday. Five years ago, my father was murdered on this day. Now we are both at peace.”

Quintana took another puff on his cigar. “Are you done wreaking vengeance, or should I be concerned that more of my men will end up with their head on a stake?”

“No, sir. Justice has been done. Whatever you do to me, please tell my mother that my father’s death has been avenged.”

“Tell her yourself. And come back tonight.”

Joaquin looked puzzled. “Señor?”

“Suffering is bitter, but its fruits can be sweet. The stupidity of one of my men has caused you great pain, But that pain has helped you find a new life.”

Opening Lines: Confess, Fletch by Gregory Mcdonald

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit. This is one of my all-time favorite openings (and boy howdy, I had a hard time deciding when to stop). The movie adaptation releases this week, so it’s been on my mind.

Fletch snapped on the light and looked into the den.

Except for the long windows and the area over the desk, the walls were lined with books. There were two red leather wing chairs in the room, a small divan, and a coffee table.

On the little desk was a black telephone.

Fletch dialed “O.”

“Get me the police, please.”

“Is this an emergency?”

“Not at the moment.”

The painting over the desk was a Ford Madox Brown—a country couple wrapped against the wind.

“Then please dial ‘555-7523/”.

“Thank you.”

He did so.

“Sergeant McAuliffe speaking.”

“Sergeant, this is Mister Fletcher, 152 Beacon Street, apartment 6B.”

“Yes, sir.”

“There’s a murdered girl in my living room.”

“A what girl?”

“Murdered.”

Naked, her breasts and hips full, her stomach lean, she lay on her back between the coffee table and the divan. Her head was on the hardwood floor in the space between the carpet and the fireplace, Her face, whiter than the areas kept from the sun by her bikini, eyes staring, looked as if she were about to complain of some minor discomfort, such as, “Move your arm, wil] you?” or “Your watchband is scratching me.”

“Murdered,” Fletch repeated.

There was a raw spot behind the girl’s left ear. It had had time to neither swell nor bleed. There was just a gully with slim blood streaks running along it. Her hair streamed away from it as if to escape.

“This is the Police Business phone.”

“Isn’t murder police business?”

“You’re supposed to call Emergency with a murder.”

“J think the emergency is over.”

“I mean, I don’t even have a tape recorder on this phone.”

“So talk to your boss. Make a recommendation.”

“Is this some kinda joke?”

“No. It isn’t.”

“No one’s ever called Police Business phone to report a murder. Who is this?”

“Look, would you take a message? 152 Beacon Street, apartment 6B, murder, the name is Fletcher. Would you write that down?”

“156 Beacon Street?”

“152 Beacon Street, 6B.” Through the den doof, Fletch’s eyes passed over his empty suitcases standing in the hall. “Apartment is in the name of Connors.”

“Your name is Fletcher?”

“With an ‘F.’ Let Homicide know, will you? They’ll be interested.”

from Confess, Fletch by Gregory Mcdonald
Confess, Fletch

Opening Lines Logo

WWW Wednesday, September 14, 2022

It’s time for WWW Wednesday. I started an introduction to this earlier, which I thought was going to be amusing, but ended up a few miles from there. So, eh…let’s just go with: Hey, it’s Wednesday, let’s do the regular check-in!

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading the financial thriller (words that totally go together), Wealth Management by Edward Zuckerman, and am listening to The Man Who Died Twice by Richard Osman, Lesley Manville (Narrator) on audiobook, because.

Wealth ManagementBlank SpaceThe Man Who Died Twice

What did you recently finish reading?

I just finished Marshall Karp’s Snowstorm in August and Adequate Yearly Progress by Roxanna Elden, Roxana Ortega (Narrator) on audio.

Snowstorm in AugustBlank SpaceAdequate Yearly Progress

What do you think you’ll read next?

My next book should be the UF debut Dead Man’s Hand by James J. Butcher (I’m going to try not to compare him to that other UF author named Butcher) and my next audiobook should be the latest Stonebridge Mystery, All at Sea by Chris McDonald, Stephen Armstrong (Narrator).

Dead Man's HandBlank SpaceAll at Sea

Hit me with your Three W’s!

A Few Quick Questions with…Susan Grossey

I talked about the first of Susan Grossey’s Sam Plank mysteries, Fatal Forgery earlier today. Grossey was kind enough to take part in a Q&A with me, too. I really enjoyed these responses and hope you do to, and hopefully they make you inclined to check out the book.


Your website talks a little about your background and how you got into focusing on financial crime professionally—how did you get from writing Non-Fiction about it to writing Fiction about it?
Like most bookish people—and those who study English at university—I had always harbored dreams of writing a story book. In my professional life I wrote many technical books on the subject of money laundering and financial crime, and one day I came across a short account of a banker who had stolen all the money from his own bank and then inexplicably confessed to it quite readily. I started writing a straight biography of him, but then decided that fictionalizing it would be more fun—and that became, after many false starts and different iterations, “Fatal Forgery”. And once I’d written one fiction book, I found I couldn’t stop! It’s the temptation of hiding from the world in a fictional environment that I can control…

I don’t want to ask “where do you get your ideas?” But out of all the ideas floating around in your head, how did you latch on to Regency-era Financial Crimes? Can you talk a little about the decision to make this a series instead of just one novel?
Once I had come across the story of Henry Fauntleroy, I started to research his era more closely. And I found that the late Regency—the 1820s specifically—was a time of great upheaval in two arenas that fascinate me: finance and policing. In finance, paper money had just been introduced, and much as we today are having to come to terms with cryptocurrencies, people in the 1820s had to learn to trust paper money instead of weighty coins, where you had value in the actual metal. And stories of rogue bankers didn’t help! And in London—a growing city with escalating rates of crime—thoughts were turning to improving policing. Everyone has heard of the Bow Street Runners (founded in 1749) and their work tackling crime, but having men who are paid bounties according to who they arrest brings certain problems. In 1829, the world’s first organized police force—the Metropolitan Police—was created in London. Between the two, London had a system of “magistrates’ constables”—and Sam Plank, the narrator of my series, is one of these. As far as I have found, there are no other novels with a magistrates’ constable as the hero!

As for the series decision, it was actually Sam’s idea. When I first wrote “Fatal Forgery” I wrote it from the point of view of the banker, but it didn’t really come alive. As an experiment I tried a couple of chapters with the arresting constable telling the story, and it just leapt off the page. And I am afraid that by the time I finished I was hopelessly in love with Sam and couldn’t face saying goodbye. Just one more Sam book, I thought—as the first one was set in 1824, I’ll do one for 1825. And then Sam suggested that it would be logical to see what he would make of the arrival of the Met Police in 1829, and so I needed to write a book for each intervening year…

I have zero previous knowledge of the criminal justice system in this era of English history, but I really never felt too lost during this case. How did you approach weaving just enough information into the book to keep it authentic (or at least relatively authentic) without turning this into an information dump?
I am a research addict—I would happily spend the rest of my life in archives and libraries! But I once read a review of a book (sadly, now forgotten) which said, “The author wears his research lightly”. And this is what I strive for. I try to drop in just enough information for the reader to feel oriented, but not so much that it’s like reading a history book. I like to think that I hold all the information in the background, so that if a reader said to me, ah that’s interesting, but what would have happened in this instance, or where did that street actually go to, I would have the answer. I like the reader to feel that they can trust that I have done the research on their behalf and am sharing with them only the bits they actually need. And you should see my research files—they are ENORMOUS!

Who are some of your major influences? (whether or not you think those influences can be seen in your work—you know they’re there)
At the formative age of about twelve, I discovered that the “Poldark” stories I had loved on television were in fact books – and lots of them! I read them at a gulp, and I think my preference for historical series (rather than standalone books) started there, with author Winston Grahame and his dashing Cap’n Ross. In more mature years, I admire the historical writing skills of Antonia Fraser and CJ Sansom. And for sheer volume and sticking at it, there are few to beat Agatha Christie, Catherine Cookson and Barbara Cartland—all women, as it happens. When I am feeling lazy, I gee myself up with thoughts of their astonishing output: 66 novels for Agatha, 104 for Catherine and an unbelievable 723 for Barbara!

Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery/suspense/thriller reader when you’re not doing Financial Research?
For relaxation, I enjoy what are sometimes disparagingly called “Aga sagas”—slice of life family dramas by authors like Joanna Trollope and Maeve Binchy. I could never write them myself, as I am childfree and know very little about that sort of family life, but perhaps that’s why I enjoy learning about it. I actually read very little in the crime/thriller genre as I am rather squeamish and frankly have had enough of nasty things being done to women, which seems to be a trope these days. I do like more gentle whodunnits, but have no interest at all in gore, torture or psychological horrors.

I’ve often heard that writers, or artists in general, will forget hundreds of positive reviews but always remember the negative—what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
I don’t know whether I’m lucky or mercifully forgetful, but I honestly can’t remember a poor review. Someone once gave me one star on Amazon because “Amazon always asks for reviews too soon and I haven’t even started this book”, which was rather annoying – but it was no reflection on the book. After about book two in the Sam Plank series, a couple of readers asked for “more Martha” (she’s Sam’s wife) and so the later books have given them just that, albeit within what would have been realistic for a working class, uneducated woman in the 1820s.

This year you released the seventh and final book in this series. What’s next for your fiction?
I am already knee-deep in research for my new series, and have written about six chapters. I just can’t leave the 1820s so we’re still there, but this time we’re in Cambridge (my hometown) and our narrator is a university constable called Gregory Hardiman. There will be five books, each—again—with financial crime at its heart. It’s interesting knowing from the outset that this will be a series, as I’m allowing myself to wallow in the research (it will pay dividends down the line) and also I’m choosing my characters carefully as I know I’ll have to live with them for a long time! So far, Gregory’s friends include a coroner and an innkeeper, so we’ll see both life and death in action. I’m hoping that “Gregory 1” (with a much better title) will be out in spring 2023.

Thanks for your time—and thanks for Fatal Forgery and for introducing me to Sam Plank!


Saturday Miscellany—9/10/22

This is the 4,010th post to this blog—the ol’ odometer rolled over on 4,000 on Monday. I wasn’t prepared for that, and probably should’ve done something to commemorate it. I’ll have to try to remember to do something big for number 5,000 in 2025(??).

This was a rough week on the reading front—3 books I’d planned on reading on Release Day* came out (ignoring that 2 of them came out the same day), but I’m so behind on Review Copies that I’d also planned on prioritizing them. And then I literally grabbed the wrong book off the pile Thursday and didn’t realize it until I was 100 pages in. I’m glad I’m not getting paid for this stuff, because I’m such a disorganized mess right now.

Super-short list this week, but there’s hopefully something you’ll enjoy reading.

* Nothing against the fourth, I just needed a little break from that series after reading the initial trilogy this summer.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet In 2022, a New Urgency for Banned Books Week
bullet Library 101: Everything You Need to Know to Utilize Your Library—not sure any of this is news to anyone, but…who knows, you might pick up something new here
bullet Classic literature, rewritten for kids.
bullet Subtlety, Ideological Novels, and Me
bullet If you didn’t like this, try that…—This is a fun take on the tried-and-true method of recommendation (their more traditional list wasn’t bad either)
bullet How Do You Choose Your Next Read? (& 100 Reading Prompts!)—this post feels like it should forever eliminate take care of the “what do I read next question” (maybe I spent too much time going through the 100 prompts)

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Final Heir by Faith Hunter—The final book in the Jane Yellowrock hit the stands this week (although, how much actually stays dead in Jane’s world?). I went on and on about it a couple of weeks ago.
bullet Robert B. Parker’s Fallout by Mike Lupica—Lupica’s third Jesse Stone novel shakes Paradise from a couple of directions. I had a good time with this and should have a few things to say about it next week.
bullet Hell and Back by Craig Johnson—This looks like it picks up a dangling string from the last book and gives it a good yank. Looking forward to diving in ASAP.
bullet The Night Watch by Neil Lancaster—a vigilante killer on the team investigating murders. DS Max Craigie has his work cut out for him.
bullet A Grimm Sacrifice by Jeffrey H. Haskell—Grimm has to contend with training new officers while helping an unlikely ally against a common foe in a Cold War that isn’t that chilly anymore.
Problems of a Book Nerd 952

The Friday 56 for 9/9/22: An Easy Death by Charlaine Harris

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
An Easy Death

An Easy Death by Charlaine Harris

“We need to talk to you,” the woman said.

Maybe the man was looking a little harder, because he finally spoke. “We could come back in the morning,” he said, his voice quiet and even.

She half turned to him to say something, and he made a little hand gesture. She shut up. But she wasn’t used to taking hints. She was the boss.

“Any time is better than now. But most likely I won’t do whatever it is you want,” I said.

“Why?” She just couldn’t stop herself.

I picked the simplest reason. “I don’t want to have nothing to do with you,” I said. My mother would have given me the evil eye for bad grammar, but she wasn’t there and I was out of civil.

Book Blogger Hop: Finding New Books

Book Blogger Hop

 

This prompt was submitted by Billy @ Coffee Addicted Writer:

Is it hard to find new books in local stores?

There are a few ways to go with this question. But I should note that as of 9/1, I owned over 100 books that I haven’t read. Overall, not finding books in bookstores is not a besetting problem for me.

If I go into a bookstore, I’m almost guaranteed to spend money. So I’m pretty careful about venturing into one (there have been times I haven’t been that careful—and there will be times like that in the future, I’m sure). If I go into browse, I will almost definitely find something that piques my interest enough to reach for my wallet. If that’s what the question is asking, then my answer is a definitive “no.”

On the other hand, if I go in looking for specific titles/authors, I may find it difficult. Whoever does the buying for local stores has different tastes in Mystery/Crime/Thriller material than I do—yes, I may make some pleasant discoveries (see the previous paragraph), but I usually can’t get what I’m looking for. Same for Urban Fantasy (ironically, almost every UF series/author I read, I discovered in one of those stores—something’s changed). But SF/F? I’m almost guaranteed to find what I want. The same goes for YA or “non-genre” books. So the answer to the question phrased that way is a vague, “It depends” with an expressive shrug.

Unless I cheat and special order something, so I go in having already paid for a book.

How do you fare in your local bookstores?

WWW Wednesday, September 7, 2022

As always with a Monday holiday, I’m having a hard time thinking that it’s time for WWW Wednesday already. But I needed the day off enough that I’m not complaining—I relaxed, spent time with Mrs. Irresponsible Reader, and finished two books. Now I just have to find the time to write about them 🙂

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading the new Jesse Stone: Robert B. Parker’s Fallout by Mike Lupica. I’m also working on my current attempt to decide if I like Tom Perrotta by listening to his Tracy Flick Can’t Win narrated by: Lucy Liu, Dennis Boutsikaris, Jeremy Bobb, Ramona Young, Ali Andre Ali, and Pete Simonelli on audiobook.

FalloutBlank SpaceTracy Flick Can't Win

What did you recently finish reading?

I just finished Preeti Chhibber’s Spider-Man’s Social Dilemma, which was ridiculously entertaining, and Travel by Bullet by John Scalzi, Zachary Quinto (Narrator) on audio, which was so satisfying.

Spider-Man’s Social DilemmaBlank SpaceTravel by Bullet

What do you think you’ll read next?

I’m really looking forward to the next books on my docket: my next book should be Snowstorm in August by Marshall Karp and my next audiobook should be Adequate Yearly Progress by Roxanna Elden, Roxana Ortega (Narrator).

Snowstorm in AugustBlank SpaceAdequate Yearly Progress

What about you?

PUB DAY REPOST: Final Heir by Faith Hunter: It All Comes Down to This

Final Heir Banner

Final HeirFinal Heir

by Faith Hunter

DETAILS:
Series: Jane Yellowrock, #15
Publisher: Ace Books
Publication Date: September 5, 2022
Format: eARC
Length: 464 pg.
Read Date:  August 15-18, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Final Heir About?

The Vampire War in Europe is over—and the old guard seems to be defeated. Edmund is on his way to NOLA to be crowned and then some stability–and whatever passes for peace with the Mithrans should settle in for some time.

But first…there’s the Heir to deal with. The last hope of the Sons of Darkness, the old ways—and possibly a turn to a darker time for humanity—still needs to be dealt with. Years ago, Leo Pellissier was given a prophecy about the defeat of the Heir and after Jane came to work for him, he decided she was at the center of the prophecy. Jane, as the Dark Queen, could defeat him. So Leo set to work organizing things in the way that only he can.

Now it’s the endgame—time for the rest of the dominos that Leo set up to fall, for Jane to end the Heir, and change everything for the Mithrans. And possibly the rest of the supernatural world. Assuming she can. There’s no certainty about that. There’s also no certainty about who will survive this endgame—even if she manages to vanquish the Heir,* she may not survive the attempt. Even worse (in her mind) family, friends, and allies may die.

* He’s a significant enough power that I don’t feel too silly using a word like vanquish.

This isn’t going to be easy. This is for all the marbles—and that’s a great way to end a series.

The Youngers

Of all the characters we met along the way, I may miss Alex and Eli the most (as soon as I say that, I start to think about Angie, and question myself—but I really don’t have time to go into that). Eli hasn’t changed much since we first met him—he’s opened up a bit more, he may be a bit more emotionally mature, but he’s essentially the guy we met at the beginning. Faith Hunter’s answer to Joe Pike. He knows his business, he enjoys the work (as grim as it is)—maybe finds a peace in a fight that he can’t find elsewhere. He’s also incredibly loyal, he takes care of his people—first and foremost, his brother.

Aside from Jane, no character in the series has changed—grown, developed, and matured–than Alex Younger. He started off as a rebellious, unhygienic, hacker—focused only on what he could do with his computer. And maybe not letting his brother down (too much) again. He’s now an adult, he’s responsible, he can handle himself in a fight, and there are things/people he cares about in his life—he’s still a wiz with the computers, thankfully. He’s essentially a version of Alex with a different weapon-set.

Their humanity (Eli is still largely human) is one of the few lasting examples we have in the series at this point, and they keep things grounded in the middle of all the vampires, weres, witches, extradimensional beings, and whatnot. They’re great because of that, they’re great outside of that, too.

I do feel bad for poor Eli—in the last couple of books, he’s really taken a beating. It’s even worse in this novel. If he survives to the end (I’m carefully not answering), he’s going to have physical and psychological scars that are going to last. I know he wouldn’t have it any other way, he gets them doing what he thinks is right. But still, you can’t help but feel for the guy.

Beast

The Beast and Jane dialogue/interchanges in this novel were fantastic. I relished each of them.

Once again, Beast has her own agenda—as is her right and fitting for her character. But given the stakes here, some of the information she decides not to pass on to Jane is hard to believe. Sure, Beast may not get all the details, but I don’t see how she doesn’t understand the urgency and the importance of what’s going on.

But you know what? I just didn’t care. I like how Beast is her own creature—she comes through for Jane when the chips are down, but on her terms.

Homecoming Week

There are so many supporting characters in this book, that it’s really hard to fathom. There are so few characters from the series (that are still living/undead) that don’t at least get a named drop or a check-in. But several show up for more. There were characters that we’d lost track of—a couple that I’d forgotten even existed played a role in this book.

Hunter pulled out all the stops for this book.

I’m probably not alone in spending time reflecting on the series as a whole as I read this book, and bringing up so many names from the past (ones we may have regretted losing track of—and a couple we were probably happy to have lost) really helped with that.

The Chapter Titles

I don’t think I’ve talked about the chapter titles in these books before—and that’s a crying shame. I’m not a big fan of chapter titles in general, but this series has featured some doozies. Several of them in Final Heir are amongst the best in the series. I really don’t have a lot to say about them—but complimenting the chapter titles is overdue. There’s a lot that Hunter does right in these books, and this is just one of the more consistent and amusing.

Final Heir as a Series Finale

I’m not entirely sure it’s fair to do, but I can’t help but think about other series finales–particularly in the UF genre.* Last year, I compared the Alex Verus finale to the Iron Druid Chronicles. Final Heir doesn’t match up well with either of them–it’s more like the ending of the Kitty Norville series (and not dissimilar to the ending of The Hollows)—Jane and her friends and allies are up against a vampire (and his forces) bent on world domination in a final face-off. Okay, now that I start thinking about it, there are a lot of parallels between the two–but this isn’t the time for that.

* Benedict Jacka’s been talking about ending his series recently, and a lot of what he’s had to say is helpful when thinking about things like this. I’m not going to use his categories to talk about Final Heir because of spoilers, but if you haven’t read these posts (even if you haven’t read the Alex Verus series)—go check it out after you read Final Heir.

Hunter has spent several books lining things up for this confrontation—not unlike Leo Pellissier’s machinations in getting Jane to this point. Looking back at all the ins and outs from this perspective really is impressive. Final Heir is filled with combat and battles—maybe more than most novels in this series, they’re definitely more savage and meaningful. I don’t have a word-count, but I’d wager the final battle is longer than any we’ve yet encountered in the series. Hunter really gave her fans what they’ve been wanting (and will be missing). This is an epic villain, with giant stakes, it has to be an epic scene.

Better yet, following the battle, the novel’s dénouement also serves as one for the series—and if the final battle gave fans what they wanted, then they’re going to be knocked for a loop by the dénouement. We get the few dangling threads tied up and a good look at what the future offers for most of the characters.

I had expected a lot from the finale aspect of this book, and Hunter surpassed it.

So, what did I think about Final Heir?

I think this is a bit more rambling than I want to be—it’s also longer than it necessarily needs to be. Part of that is because there’s so much to talk about in this novel—and I’ve barely scratched the surface so I don’t give it all away. Part of the longer-than-usual nature of the post is also that there’s part of me that knows I’m pretty much done with these characters when I hit “Schedule.” Sure, I’ll listen to the audiobook sometime next year, and I’ll likely re-read/re-listen to the series sometime after that. But all of that is revisiting. Finishing here is finishing the series, so I’m trying to drag it out.

For the first four or five books, this series served to fill the time while I was waiting for other Urban Fantasy books to come out. But around then it took on the role of being something I needed filler for while waiting for the next Yellowrock book. And lately, it’s one of those series I organize my reading schedule around. Listening to the series on audio over the last year has really helped me see all the ways Hunter’s been preparing the characters and the readers for these events, and it’s truly impressive. As it now stands, the Jane Yellowrock series ranks near the top of the UF pantheon for me (completed or on-going series), beating out stiff competition.

But let’s set that aside for a moment and just focus on this book—it’s full of all the action, the heart, the magic, and sense of family we’ve grown accustomed to. Jane Yellowrock finally finds her place in this world (sure, she found it before, but it’s more solidified now), her priorities are intact, she’s doing good in ways she hasn’t been able to before–and those that she cares about (many she’d never have considered caring for 15 books ago) are in good places. Just for the character work alone around Jane, this book is worth the time.

I think someone new to this series would come away from this one entertained and impressed—I don’t know why someone would do that, but I’m sure someone will.

From the jaw-dropping (whoa, Hunter’s taking no prisoners!) first chapter to the last lines that genuinely made me misty, Final Heir was a great ride. If I have to say au revoir to Jane, Bruiser, Eli, Alex, and the rest—especially Beast—this is was quite the way to do it. Bravo, Faith Hunter.

Disclaimer: I received this eARC from Let’s Talk! Promotions and Berkley Publishing Group via NetGalley in exchange for this post — thanks to all for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

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