Category: Fiction Page 1 of 313

Ghost Stations by M.D. Presley: Corbin’s Vagabond Shoes Are are Longing to Stray

Cover of Ghost Stations by M.D. PresleyGhost Stations

by M.D. Presley

DETAILS:
Series: The Inner Circle, #2
Publication Date: December 10, 2024
Format: eARC
Length: 396 pg.
Read Date: December 11-16, 2024
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What’s Ghost Stations About?

New York City is a bit much for Corbin—he’s more than out of his element (a status he’s getting used to after running from the cult he’d pretty much been raised in, finding himself in a strange world of magicians and magician factions). But this is where the task that Mister is set to tackle. There’s a new drug variant floating around in parts of the US that affects magicians in a dangerous way. The Circle can turn a blind eye to the standard version of the drug, but this new form is a step too far.

Kirin, meanwhile, is back home. A place she hadn’t expected to see for some time yet. Her family is here—with all the interfamily and intrafamily dynamics and politics that brings. As are her friends—that found family established in her teen years that seems tighter than blood. Corbin gets shunted off with them to stay out of the way while Mister and Isaac get into it.

It doesn’t take long for Kirin’s group to decide that they’re supposed to be sticking their noses into it anyway—and what else to they have to do? So, they seek out a source for this drug—they know someone who can do the right kind of analysis on it to see how it was made. The figure if they can get that information, they can trace it to the source.

While dealing with this, Corbin has to learn to navigate the powerful families that make up the Circle, the strange subcultures of magic in NYC, and the strangest challenge of them all—interpersonal relationships. Colin was never equipped to handle life outside the cult—to be thrown into the intense world of twenty-somethings with too much money, drugs, alcohol, and hormones flying around. (sure the drugs and the magic and the danger are the more pressing things—but Colin and handle that)

The Little More of the World

In Rites of Passage, we were told about the Circle—the group that runs the world of magic in the States—at least in the major population centers, while other areas have more of a local group controlling them. I’m not going to say that after this, the reader will understand the Circle and how it operates fully. But we get an idea—a good look at it.

And honestly, it’s not that pretty.

I think that The Inner Circle, like Jacka’s Stephen Oakwood, is doing a good thing in Urban Fantasy—a new thing, too. Where most Urban Fantasy deals with magic/groups in terms of detectives/police vs. criminal acts and structures (either organized crime or werewolf packs that act like motorcycle gangs). Presley and Jacka are presenting us with “legitimate” sources of power—economic elites.

In these worlds, it’s the 1% of the magic world (which is already an elite caste of sorts) that holds the power. Not only does this allow Presley, Jacka, and (I assume) others I am not thinking of/haven’t been exposed to comment on a rising oligarchy and the power of these elites. But it gives the reader a handy way to think about these things without getting too tied up in contemporary political labels or societal movements.

As Mister, Isaac, and Corbin keep traveling the country, I look forward to seeing other ways that this is shown and dissected.

So, what did I think about Ghost Stations?

All that aside—this is just a rollicking story. Most of the things I really want to talk about are spoilers (the way the drug works, the people that Corbin meets and makes deals with, and so on).

The change of setting—and the promise of more settings to come—helped this seem very fresh compared to the first, and should do the same for the following books (it’s the second, the series is obviously still fresh, it’s more of the promise here). And Corbin not understanding much of how this world he’s in now works, allows Presley to inform the reader while maintaining the story’s momentum. His cluelessness allows us to be. New case, new setting, Corbin and the reader both get to learn a lot. Thankfully, we readers are safe from whatever magic whammy is threatening our dowser.

As before, his magic helps. But it’s Corbin’s instincts, his watchfulness—even his outsiderness—that help him to get where he needs to go. While watching someone sling magic is always fun, it’s the guys like Dresden, Alex Verus, Mercy Thompson, and Corbin that really make a series like this work.

I liked most of the world we got to see—I wouldn’t want to live in this NYC (or any other, to be honest), but it was interesting. Her brother seemed cool and her friend TJ was someone I hope we see soon. The other member of her group was generally a tool who’d be a great antagonist in an 80s teen movie. Still, he was a good example of the type. Everyone else we met? Fascinating. Presley seems incapable of creating a dull character (even if we only see them for a chapter).

Ghost Stations is a solid follow-up with a great hook, a better world to explore, and enough turns and twists to keep you engaged from the creepy start to the satisfying conclusion and all points between.

I’m eager to see where the next novel takes us, but for now, I just want to encourage you to pick this one up.

Disclaimer: I received this eARC from the author in exchange for this post and my honest opinion—which I’ve delivered above.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Adrift in Currents Clean and Clear by Seanan McGuire: Water Loves Falling

Cover of Adrift in Currents Clean and Clear by Seanan McGuireAdrift in Currents Clean and Clear

by Seanan McGuire

DETAILS:
Series: Wayward Children, #10
Publisher: Tordotcom
Publication Date: January 7, 2025
Format: eARC
Length: 160 pgs.
Read Date: December 16-18, 2024
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What’s Adrift in Currents Clean and Clear About?

One of the advantages (and, to be fair, aggravating parts) of this series is that each book can be from anywhere on the series timeline. Here in the tenth installment, we get the origin story of someone that we got to know in the third book (Beneath the Sugar Sky). Reality itself is wibbly-wobbly in this series, why not timey wimey?

We meet Nadya at birth—where a young Russian woman who is not ready to be a mother is rushing to give her up—even before she’s freaked out that Nadya is missing an arm. As we watch Nadya growing up, she doesn’t really seem to care about the arm she never had. But when a couple of Americans come to adopt a disadvantaged Russian child, it starts to become a factor in her life.

She’s not comfortable with her new life in the States (yet?), but when a prosthetic arm is imposed on her (in the name of help—see below), she’s made to feel incomplete as well as Other. Her only solace is the pond a short walk from her adoptive parents’ home where she can watch turtles—an animal that has long fascinated her.

Before she knows it, she falls through a Door and ends up in a world she doesn’t understand or recognize (but really isn’t that much stranger than the change from a Russian orphanage to a Colorado suburb).

The Lost and the Lonely

I probably shouldn’t have—but I laughed when she got the “Be Sure” message. It’s in a seemingly-cruel place, but it was original and it meant the story was progressing. I also found her Door rather intriguing.

But better than that was the way her arrival in Belyrreka, the Land Beneath the Lake, was explained to her. Sometimes people come to Belyrreka* because a hero is needed to do something. But sometimes, it’s just that someone isn’t at home in their world and they need a place to fit in. Nadya is the latter, so it seems. Given that most of the children we’ve seen go through a Door to do something heroic, it’s nice to see this option.

This doesn’t mean she’s incapable of heroism, or of doing something important. It just means that she probably ended up in Belyrreka because she belonged there more than on Earth.

This is really a slice-of-life story. We just get to see how Nadya lives and matures in a place where she feels that she belongs, with family, friends, and a purpose. Yes, in the back of our minds, we know that something is going to happen and she’s going to end up at Eleanor West’s Home for Wayward Children. But until then… This novella is like the years between Aslan coronating the Pevensies and the fateful hunt for the White Stag—nothing heroic, nothing particularly notable. Just…life. Regular, ordinary, day-to-day life.

Well, “ordinary” in a world that’s described as Beneath a Lake, where everyone is underwater to one degree or another (breathing without gills), full of talking animals, and where a river can magically endow people with gifts/obligations. So it’s a loose use of the word “ordinary.”

* And by implication, other worlds

I’m Not Entirely Sure This One is Fair

Many of the children we’ve met—particularly if we’ve met their parents, too—aren’t all that fond of their parents. They’re critical of them (even before their Doors appear, definitely afterward). By and large, I’ve been with the children in their critiques and evaluations of the parents—even when it’s clear that the parents are doing their best (which doesn’t happen as often as it should).

I’m not convinced that Nadya is entirely fair when thinking about the adults in her life. Her appraisal of the orphanage staff (at least after they arranged for her to get adopted) is harsh when they really just did what they could to help her get out of the orphanage (which she sees, but attributes it to less-than-altruistic ends). Her parents really don’t understand her (beyond the language) and are clumsy at best in their attempts to help her fit into Colorado. It’s hard to tell how much of the assessment of their motivations and attempts comes from the omniscient narrator and how much is Nadya’s. But really, I think whoever is doing the assessing could be more charitable (without giving blanket approval).

Particularly her adoptive father—I really get the sense that his affection is real and that in time, he’d have become what she needs. I’m not so sure about his wife, however… On some level, they are trying to make life better. But her ideas of better and what needs improved differ.

Now, Nadya is a prepubescent child yanked out of the only home she ever knew, brought to another country and culture without warning (or consent), and forced into a mold and environment that she’s unprepared for. So, sure, she’s going to be less than charitable—it’s justified and understandable. I just wish the narration did a slightly better job of showing that.

So, what did I think about Adrift in Currents Clean and Clear?

That aside…I loved Nadya. Getting to know her like this was great.

This is a book about home. About acceptance. About finding your place in the world, with people who “get” you, who care about you, and who want the best for you—even if that best doesn’t necessarily make a lot of sense to them.

It’s nice, it’s comforting, and it’s reassuring to see Nadya find this for herself and getting to enjoy it for as long as she does. Yes, it’s hard to see her end up back in the “real world” knowing that means some misery before Eleanor comes to her (at least partial) rescue.

There’s a little less whimsy to this novella than many of the other installments in the series—outside of the construction of the world. But if I had to tag this with any description, I’d probably use “cozy.” If I didn’t know this series, I’d assume it would belong with Travis Baldtree or S.L. Rowland. Maybe Heather Fawcett. But I do know better—this series continues to transcend easy categorization. Wayward Children is its own subgenre.

McGuire brings the emotional depth that Nadya and her story need. Belyrreka is a great world that operates on its own (self-aware) logic—it’s a place I’d love to visit (assuming I wouldn’t panic at the whole living underwater thing, which I can’t promise), but wouldn’t want to live. But McGuire brings it to life and fills it with people I wish I could get to know more.

This is definitely one of the stronger books in this series that is on a great roll lately, I commend it to your attention. As with just about every book in the series, it can be read as a stand-alone or as an entry point (but I strongly encourage reading at least Every Heart a Doorway before any of the others). I was sad when it ended—not because of the way it ended, I just wasn’t ready to move on. I predict I won’t be alone in that.

Now, excuse me…I need to go figure out a way to cram in a re-read of Beneath a Sugar Sky to my schedule.

Disclaimer: I received this eARC from Tordotcom Publishing via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Letters from Father Christmas by J.R.R. Tolkien: It Must’ve Been Great to Grow Up a Tolkien

Cover of Letters from Father Christmas by J.R.R. TolkienLetters from Father Christmas, Centenary Edition

by J.R.R. Tolkien, edited by Baillie Tolkien

DETAILS:
Publisher: William Morrow & Company
Publication Date: October 27, 2020
Format: Hardcover
Length: 208 pg.
Read Date: December 21-24, 2024
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What’s Letters from Father Christmas About?

From 1920-1943 JRR Tolkien wrote letters to his children from Father Christmas—generally multiple letters per year. These were (generally) not quick little notes, but were letters that could take multiple pages. Tolkien wrote these in an ornate penmanship where Father Christmas talks about their letters to him, and tells stories about life at the North Pole. Part of his stories—and a frequent contributor to these letters was Polar Bear (with his own penmanship, and idiosyncratic spelling), and Ilbereth the Elf joins later and his handwriting might as well be one of those fancy typefaces people use for overpriced wedding invitations.

In addition to well-wishes, responses to the letters received from the children, and assurances of gifts coming the letters contain updates on life at the North Pole. Sometimes these updates are comical (usually involving the accident-prone PB), sometimes they talk about battles with goblins, or troubles with shipping and tracking addresses. Invariably, there will also be some sort of illustration to accompany the story.

This edition contains full-color reproductions of the letters and drawings in addition to typed versions (in varying typefaces so you can identify who is writing the letter).

The Art

I’m so glad this edition has full-color reproductions of the illustrations—the letters, too, which almost count as art. On the whole, it’s very similar to Pictures by J.R.R. Tolkien stylistically, which is is be expected. I bet his kids were thrilled to get this kind of thing from Father Christmas every year.

The Tolkien Estate’s website has several samples from this book to take a gander at. My favorites aren’t here, so, you’re going to have to track down copy yourself to see the best. But the samples are representative.

A Personal Observation

I was—and am—such a lazy and unimaginative father. Seriously—multiple letters, ornately illustrated, written in 1-3 distinctive handwriting, every year? I never came near that—not a bit. Never mind the content, full of imagination and whimsy—just the dedicated work that went into these letters.

Tolkien was something else…

So, what did I think about Letters from Father Christmas?

I loved this depiction of Santa—he’s more in the mold of the Kurt Russel/Dresden Files/Viking-ish Santa than the Clement Moore, Miracle on 34th Street, Rankin-Bass mold. Which fits with Tolkien’s interests, as I understand them. But in addition to being a Warrior Santa, he’s focused on his mission of spreading joy and presents—and is always expressing his affection for the children he’s writing to.

I enjoyed his stories about the battles and troubles he’d had that year. I wasn’t always into the Polar Bear mishaps, it seemed like picking on him to me. But I can see where kids would have fun with it.

One of the best parts for me was the way that Father Christmas talked to Priscilla about the difficulties in England in the 1940s—honestly (and age-appropriate) but filled with hope.

I can easily see this becoming a tradition to read with the Grandcritter and any siblings/cousins that might pop up. I also would enjoy revisiting this collection myself, I should add. I can also see better parents than me using this as inspiration for their own traditions.

If you haven’t tried this yet, I recommend it—for Tolkien fans or Santa/Father Christmas alike.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Killer’s Christmas List by Chris Frost: There’s Nothing Holly and Jolly About This Christmas

Cover of The Killer’s Christmas List by Chris FrostThe Killer’s Christmas List

by Chris Frost

DETAILS:
Series: DI Tom Stonem, Book 1
Publisher: Harpernorth
Publication Date: October 29, 2024
Format: eBook
Length: 320 pg.
Read Date: December 11, 2024
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A Quick Note

For reasons he’s probably detailed somewhere (and I likely read/heard and forgotten), Chris McDonald wrote this under the pen name Chris Frost (and who knows, McDonald might be a pen name, too). But as he’s not being covert about it (his Twitter account uses both names), I’m going to talk about them as if they’re the same person, because McDonald’s work informs the way I reacted to this.

What’s The Killer’s Christmas List About?

Previous drafts of this have been over-complicated as I explain too much and yet try to be spoiler-free, or they’ve been so bland as to be useless (“A new DI is assigned to a holiday-themed murder. Detecting ensues.”). So I’m going with the crutch of the Publisher’s description of this “anti-cosy Christmas” mystery:

In the picturesque village of Kibblesworth, DI Tom Stonem is dreaming of a quiet Christmas alone.

But in the shadow of the Angel of the North, a body lies waiting. The dead man is posed with a child’s Christmas list in his pocket, and the first mysterious item – 1. No angel – is crossed off.

When a second body is found – a woman, stabbed in the abdomen after her work Christmas do – Stonem is convinced there’s a grim connection between the crime scenes and the seemingly innocent list. 2. Red partee dress. Could this be a murderer’s twisted code?

As a blizzard rages in the Tyne & Wear countryside, the body count is snowballing. Can Stonem stop the killer before they get everyone on their Christmas list?

He’s So Good at This…

This is a minor thing, but Frost is so good at this (like McDonald, see A Wash of Black)—I can think of other examples, too, but few are as smooth as Frost/McDonald is. Stonem is really introduced to us as he arrives on the crime scene as his first day on the job in this station. So we get a blend of our introduction to him, the other officers, and the crime all at once.

The skeleton of the series is established, the kind of detective Stonem is, the identities and character of those he works with, and the kind of crimes we’re going to be seeing—both for the rest of this series and the rest of this novel. It’s so economical, so organic, and efficient that I can’t help but admire it. You start off with the whole world for DI Tom Stonem delivered in a chapter or two, rather than getting it in dribs and drabs like most people do. I have no problem with that approach—but when you see it done like this, it just seems so right.

The Flashbacks

We get regular flashbacks to someone’s childhood throughout the book—it’s a child who doesn’t have a lot in life, and a couple of parents who need financial help, and probably addiction treatment (and a lot more, too). It’s clearly connected to the killings the book focuses on. But, of course, just how it is connected is held back.

As a story-telling tool, I typically don’t like this approach.* It just seems mawkish, usually ungraceful, and I really dislike the way it’s generally used to give us insight into a killer (or someone associated with the crime) without identifiying the person, it just grates on me like nails on a chalkboard**. However, the way that Frost used it ended up really working for me, and was some of the more effective writing in the novel. Good on him.

* I say that, but I probably get sucked in regularly. But at least I don’t think I like this approach.
** Readers of a certain age should ask their parents. And maybe suggest an updated comparison for me to use.

Spoilerish thought, maybe skip this paragraph: This did not go the way that Frost seemed to be telegraphing—it may be that he had a better idea partway through and changed things, but it was probably (and it makes him seem cleverer) that he faked the reader out. A couple of times in the case of this reader. I’m so glad that he did—not just because I enjoy it when an author fakes me out without cheating, but because the way it ended up works so much better than where I thought he was going.

Just how Christmas-y is This?

Not very. Christmas plays a role in motive, and the thing is set in the days leading up to December 25th. But there’s not a very holiday feel to this. Some Christmas mysteries (even involving murder, kidnappings, serial killers, and other acts of violence) still give you a Christmas cheer vibe or something like that. There’s so little of that here as to make it negligible. The holiday is important to the plot, but not to the “vibe,” for lack of a better word.

Basically, read this one whenever you get around to it. You don’t need to sip on egg nog with Andy Williams playing in the background to appreciate it.

So, what did I think about The Killer’s Christmas List?

This is not Frost at his best, I’m sorry to say. Something about the prose felt clunky and occasionally overwritten—maybe Frost and his editor got in some strange groove and didn’t read as critically as they could’ve in the last passes. Was anything so bad that it took me out of the book? No. I winced a little and moved on. But it’s kind of a shame. Also…there were a couple of lines of investigation I just can’t imagine an experienced detective (or one who’s watched more than 3 episodes of Law & Order) didn’t take from the get-go. It didn’t hurt Stonem or his team, it just felt weird not to at least have them mentioned. And I grumbled about it to the book, which thankfully didn’t reply.

But whatever.

The plot though? Really good. Frost’s storytelling makes up for my quibbles—the way he develops the story, the momentum he gathers, and the twists were really nicely done. I’d sussed out the killer ahead of time (but I couldn’t have been wronger about motive)—and Frost convinced me I was wrong until he got to the reveal.

I liked Tom Stonem—he’s not as instantly compelling as Erkia Piper was, but it didn’t take too long for me to appreciate him, and I think in future books, I’ll end up liking him as much as, if not more, as Piper. And I’m really curious about where Frost intends to take him. Some of the rest of the team will be fun to hang out with, too. They’re not the typical detective team that I meet in British Police Procedurals (which frequently feel interchangeable between series).

The Killer’s Christmas List was a solid and quick read that was pretty satisfying. I’m looking forward to more of these.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: How the Grinch Stole Christmas! (Audiobook) by Dr. Seuss, read by Walter Matthau: A Great Read by One of the Greats

Grandpappy's Corner Logo with the Cover of How the Grinch Stole Christmas! by Dr. Seuss

How the Grinch Stole Christmas!

by Dr. Seuss, read by Walter Matthau

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: June 27, 2006
Format: Unabridged Audiobook
Length: 12 minutes
Read Date: December 13, 2024

An Audiobook of Seuss?

I repeatedly saw an advertisement on some social media site from Penguin Random House for this audiobook, and honestly didn’t see the point—isn’t half the reason to read a Seuss that distinctive artwork? Why lose that? And who could possibly tackle the narration?

Curiosity got the best of me and I clicked. Walter Matthau? And Libro.fm was selling it for less than $2? Well, okay.

What’s How the Grinch Stole Christmas! About?

The Grinch Frowning

Yeah, okay. That was a dumb question.

So, what did I think about How the Grinch Stole Christmas! Audiobook?

Really, there’s no question what I think about the story itself. Or Seuss’ rhymes, invented words, and everything else.

The essence is what did I think of Matthau’s narration? First, it’s so strange to hear his distinctive voice and accent rather than Thurl Ravenscroft and Boris Karloff. It’s hard to remember that Seuss never intended his Scrooge to sound like them.

Once you get past that (and it’s easy)…Matthau is so good at this. He’s just naturally crotchety (or at least he seems that way, he was probably a real charming guy), and that makes him an excellent choice for this book and this character. That’s not to say that he can’t pull off the character change, because he’s a pro (and not always a grump).

This is a great way to spend 12 minutes—and it’ll easily become something I regularly return to. And I can’t wait to introduce this to the Grandcritter when he’s got the attention span.

Give up a cup of coffee and get this.

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The Ballad of Bonaduke—Episode 64: Mourning Meeting by R. T. Slaywood: Looking Back and Looking Forward

Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 64: Mourning Meeting l

by R.T. Slaywood

DETAILS:
Series: Mourning Meeting , #64
Format: Kindle Vella Story
Read Date: Decemeber 20, 2024

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

Bonaduke gets fed up with his little groups plans and aims–deciding his own goals deserve attention and effort–he’s also not so sure about theirs. So, he heads back to the city. Does some fruitless stuff and goes back.

What’s Mourning Meeting About?

This episode is broken cleanly into two parts–the first part consists of Bonaduke thinking back on his relationship with his wife–particularly the beginning of it. It’s sweet, we get a little more of an idea of who his wife had been other than “wife.” Not too surprisingly, this doesn’t do much for his mood and he wake up pouting.

He doesn’t get to stick with that long–if only because there are too many people around making him talk. They have a plan to take on a group of vampires and cajole Bonaduke into helping out–it takes a little work, but they get there in the end.

So, what did I think about Mourning Meeting ?

Not only do we get a better understanding of Bonaduke (sure, you could argue that we should understand him better by this point–and you’d be right–but I’ll take it), we get some plot advancement, but this is also one of the better written episodes of this series.

Really, I have no complaints and would be very happy if this was the beginning of a trend.


3.5 Stars

REPOST: The Legendary Mo Seto by A. Y. Chan: And Though She Be But Little, She Is Fierce

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Cover for The Legendary Mo Seto by A. Y. ChanThe Legendary Mo Seto

by A. Y. Chan

DETAILS:
Series: The Legendary Mo Seto, #1
Publisher: Aladdin Paperbacks
Publication Date: June 4, 2024
Format: Hardcover
Length: 309 pg.
Read Date: August 8-10, 2024
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What’s The Legendary Mo Seto About?

This is one of those books that I could easily tell you everything in my enthusiasm, but that’d take away the need for you to read the book—and Chan’s much more entertaining than I could be. So, I’ll try to keep it to the essentials.

Modesty (please call her Mo) Seto is a devoted student of taekwondo and has been competing—and dominating—in competitions for years. But a fellow student recently hit a growth spurt that passed Mo by and he has started to beat her in competitions. This is getting to her, it’s just not fair. After coming in second to him (again), she sees a call for open auditions for people in her age range for a role in an upcoming martial arts movie starring her favorite movie star/martial artist in the world.

Technically, Mo is too short for their requirements—the height issue again, will she ever just grow? She comes up with a cunning plan* to get into the auditions anyway with the help of her best friend and his grandfather posing as her guardian. Why a faux grandfather? There’s no way that her mother would allow her to do anything like this and her father is away on a sudden business trip and isn’t communicating with Mo or her mother the way he usually would.

* Slightly more elaborate than anything Clark Kent has tried, and just as believable. Just roll with it.

We follow Mo through the audition process—which starts to take on unexpected peril as the set becomes plagued by threats and unexpected problems—possibly caused by sabotage. Oh, yeah, and her classmate/rival is also going up for the part.

Can Mo get the part without the truth being discovered? Will Mo be disillusioned by seeing behind the Movie Magic? Will Mo’s dad start responding to her? And what’s up with this old book with a little-known martial arts form Mo just found in her basement? More importantly, can she use any of it to her advantage?

The BTS Stuff

Let’s get this out of the way: This is an MG Novel, not Cinéma vérité. There’s no way that the auditions can work the way portrayed in the novel—especially when it comes to kids. It is impossible that any of Mo’s antics and hijinks to get her into—much less stay in—the auditions would work. If you’re looking for accuracy and an honest look at making martial arts movies with actors under 18, look elsewhere.

That said, there’s enough of a flavor of Hollywood to all of this to work. The attitudes of the casting people—the shallowness of the initial assessments, the stress of the director, the attitude toward the fight choreographer/stunt professionals, and so on—really feel like what you expect. They’re entertaining enough that you really don’t care how realistic things might be, too—feeling about right is good enough.

For my money, the best part of this is watching Cody Kwok in action and how everyone reacts to him. Kwok is a Jackie Chan-esque figure (only younger). He’s known for doing his own stunts—many of which are just incredible—as well as not being tied down to any one genre (but making them all, eventually, about martial arts). Kwok, his entourage, and the film’s executives know what they’re doing when it comes to preserving his image and promoting it, and the auditioning kids (and media) see exactly what they’re supposed to. Chan does an excellent job portraying both that and showing the reader that the Superstar’s image might not really be the truth.

Characters Who Aren’t Mo

There’s a really strong cast of supporting characters who are as engaging as you want, I want to touch on just a few of them because it’d be too easy just to talk about Mo, and that’s not giving Chan’s work the credit it needs.

Mo’s rivals in the auditions are largely bullies when it comes to Mo (and some of the others), but they’re not all that bad. They’re just adolescent twerps who are probably covering up insecurities (well, a couple of them are entitled jerks who are on their way to being 80s movie villains)—the way they treat Mo is bad enough so you don’t make the mistake of liking them, can root for Mo against them, but you’re not going to worry about what they’ll do to her.

On the other hand, you get Mo’s friends who just make you like her more—if someone as cool as Nacho (real name, Ignacio) is her best friend, she must be pretty cool herself. And Nacho is cool—he’s supportive, understanding, artistic, and nerdy in all the ways that Mo isn’t. Mo’s a little too hyper-focused on herself at the moment, but Nacho gets it and is willing to wait for her.

His grandfather is a hoot. Gramps is an honorary grandparent to Mo, as well as Nacho’s actual grandfather. He’s recently widowed and lonely, but he hasn’t let it get him down—at least not in front of the kids. He’s a loving and goofy character who really comes through for Nacho and Mo—he’s the kind of grandfather I’d like to be.

One of the auditioners who befriends Mo is named Sanjay. I hope they find a way to bring him back for the rest of the books in the series. He’s apparently pretty good at karate and is as gregarious as the others are antagonistic. He’s one of those kids who cannot stop talking once he starts and is not self-aware enough to realize he’s doing it or how people react to him. He’d probably be pretty annoying in real life but as a comic relief character? He’s great.

Lastly—Mo’s parents. Parents in MG novels are so tricky to get right (I’ve often thought), and Chan gets it right. Not just the characters, but how they treat Mo—and how Mo sees them and how they treat her. Mo’s dad introduced her to taekwondo and Cody Kwok. He’s her biggest fan and source of encouragement—he also pushes her (generally) in the way she needs to keep going. When he’s not there, the impact on Mo’s confidence and emotions cannot be overstated.

Things are complicated with her mother. Mom comes close to being a stereotype, at least the way the narration describes her. But I’m not sure she is, essentially they don’t get each other—from Mo’s perspective, her Mom doesn’t like who Mo is. She doesn’t want a daughter into taekwondo (especially not to the near-obsessive level Mo is), but would rather she pursued something more acceptable, like dancing and Chinese immersion camp, a dainty academic superstar in the waiting. The reader will see that Mo’s not understanding her mother quite right, but there’s nothing malicious in it. It’s just a tricky mother/daughter dynamic (that appears to be starting to work itself out).

Mo Herself

In case I gave the wrong impression when I talked about Nacho, Mo is a cool person, but since we see the whole book from her point of view, it might seem biased. Mo is a confident, optimistic, go-getter. The fact that she’s probably not going to keep growing past her 4’9″ stature while everyone around her (especially Dax) is still growing, isn’t doing her esteem any favors. Her recent tournament loss is doing a number on her—she’s upset that Dax’s size puts her at a disadvantage and is ready to give up, but she’s also so determined that she just can’t. Chan portraying both competing impulses is a tricky proposition, but she pulls it off.

The chance to work with Kwok is the opportunity of a lifetime for Mo. She’s re-read his autobiography a few times (can quote portions of it), and has watched countless interviews—she knows him as well as anyone who hasn’t met him can (and as well as many people who have met him could). She’s such a superfan that it’s hard not to want to see a few Kwok movies yourself. When she describes one of his films, she always introduces it as “my favorite Cody Kwok movie”—it doesn’t matter which one she’s talking about. It’s a tiny touch, but I loved it. Her enthusiasm is infectious.

Actually, not just her enthusiasm for Kwok—but for everything. Her despondency is a little catching, too, and comes when it should. But her personality can’t stay down for long. She grows a lot over the course of the novel*—as she needs to, it’s the point of adolescence anyway. But she also has plenty of room to grow, and that’s easy to see, too. It’ll be fun watching that over the rest of the series.

* That’s growth in terms of character. Much to her chagrin, she’s as tall at the end of the summer as she was at the beginning.

So, what did I think about The Legendary Mo Seto?

I had about as much fun as is permitted by law while reading this.

Sure, it’s an MG book, so I’m a few decades older than the target audience. I guessed almost all of the big reveals (I think attentive MG readers will get most of them, too), I’m pretty sure I know how the next two books are going to go, and I rolled my eyes at some of the sillier aspects of the book. That’s not a problem with Chan’s writing—I think it means she hit her target. The fact that she was able to write for them while keeping an old guy like me entertained is to be commended.

This is a fast, engaging read that will entice readers from the jump and keep them turning pages (likely with a grin) almost as fast as Mo can dash around. Older readers will want to adopt Mo and Nacho as kid siblings (or false grandparents), and younger readers will want to be like Mo—and hang out with her friends. As good as the story and the writing are (and Chan’s subtle prose is deceptively easy)—readers are going to walk away from this book thinking primarily of this determined and brave girl, who will muster up whatever she has to in order to get a shot at her dreams.

I’m leaving things out that I should be saying, I know I am—but I can’t think of what they are at the moment. So be sure to see what other people on the Tour are saying. So let me just wrap up by saying that for the young or young-at-heart reader, this is a sure-fire win.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials (including the novel) they provided.

Instruction in Shadow by Benedict Jacka: Second Verse, Same as the First (in a good way)

Cover of An Instruction in Shadow by Benedict JackaAn Instruction in Shadow

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #2
Publisher: Ace Books
Publication Date: October 15, 2024
Format: Paperback
Length: 310 pg. 
Read Date: December 9-11, 2024
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What’s An Instruction in Shadow About?

This picks up mere hours after An Inheritance of Magic, and Stephen is feeling pretty good about himself. His job is going okay, he’s continuing to improve in his magic, he’s got a good lead when it comes to his father’s location—sure, things with his mother weren’t quite what he’d hoped for. But she left the door open to further communication.

And it doesn’t take long for things to start going wrong—but nothing disastrous.

The best way to summarize this book is to say that: everything from the last book continues along the same trajectory, but gets harder. This means nothing if you haven’t read that book, but you really should (at the very least, go check out my post about it). Among the ways that happens—a cult (or cult-like group) tries to recruit him, an assassin makes an (almost successful) attempt on his life, he gets suspended from work, and he runs afoul of a group of Russian criminals.

Worst of all, Stephen gets in deeper with his mother’s family.

The World and Its Magic System

We don’t learn much more about sigl work or Wells—we see more examples of what we’ve already seen at work, but that’s about it. Alright, we get to see what medical sigls can do, so that’s new.

What we get more of-—and it’s just the tip of the iceberg, I’m sure–is insight into the families and companies that run the sigl economy and Well markets. If there are ethics governing them in any way, shape, or form, Stephen hasn’t shown them to us. It’s all about power, manipulation, and things that happen under the table and behind the scenes. It’s both unthinkable that things operate in this fashion in the 21st century—and somehow the part of the book that seems the least fictional or fantastic.

Much of this comes from an info drop or two—but they’re worked into the narrative perfectly. They’re neither disruptive to the overall story nor are they clunky exposition.

So, what did I think about An Instruction in Shadow?

Let me start with this: I would happily read books 3 and 4 in this series in the next couple of months, and still be eager for more. The more we see about this world—and the more questions we have raise, the more I want to learn and see.

Am I a little worried about the arc that Jacka is suggesting for Stephen? Yes. Am I also almost certain that the arc won’t go the way it looks, and that there’s nothing to worry about? Yes.

I really just want more of it—-I am not certain that I care too much about the whole “where’s Stephen’s dad” part of the overall story, but I’m pretty sure that I don’t need to, because the series has been inevitably moving in that direction since the beginning, and when the time comes, I’ll get invested.

But Jacka has got me sitting on the edge of my seat when it comes to everything else. I want to see more of how this economy works—on the legitimate side, the illegitimate side, and then the murky overlap. I want to understand how Stephen is going to operate and keep his head above water in it. He’s not just a MacGuffin, but he kind of feels that way right now.

I’m feeling really inarticulate when it comes to this series—and this installment in particular. Everything I said about the first one is still true. We really just got more of what he’d already given, so my position and thoughts are pretty much the same, too.

I did think that despite his struggles and the aforementioned almost successful assassination, things went a little too easy for Stephen this time. I’d have liked a failure or two. Or at least another draw or two. Even when things were at their hardest for him in this book, he found a way to turn the oncoming defeat into a victory. I typically really appreciate that kind of thing (obviously), but I had very little doubt each time that Stephen was going to come out on top. I just want a little more suspense and doubt on that front. But this wasn’t a major distraction or detraction—it’d just be good for Stephen’s life to be seen as difficult as he sees it.

Also, one of the better parts of An Inheritance of Magic was watching the trial and error Stephen went through—it was very effective in terms of character development and showing us the way sigls work. Give me more of that and I’m happy.

Again—I thoroughly enjoyed this book and am eager to read more. I just wanted it to be a teeny bit better.

If you’re into inventive UF, there’s no better time than now to jump on this series—I think you’ll be as invested in getting more as I am.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Ballad of Bonaduke—Episode 63: The Wall by R. T. Slaywood: We Don’t Need No Plot Advancement (apparently)

Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 63: The Wall

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #63
Format: Kindle Vella Story
Read Date: Decemeber 12, 2024

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

Bonaduke gets fed up with his little groups plans and aims–deciding his own goals deserve attention and effort–he’s also not so sure about theirs. So, he heads back to the city. Does some fruitless stuff and goes back.

What’s The Wall About?

Basically, Bonaduke goes back home after his escape in the city fizzles.

So, what did I think about The Wall?

After being so ticked by the previous episode, it was probably a bad idea to read this immediately. But I did.

And, well, it was just wheel spinning, getting is back to where we were at the beginning of Episode 58. We’ve accomplished nothing.


2 Stars

The Ballad of Bonaduke—Episode 62: Contract by R. T. Slaywood: After All That?

Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 62: Contract

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #62
Format: Kindle Vella Story
Read Date: Decemeber 12, 2024

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

Bonaduke gets fed up with his little groups plans and aims–deciding his own goals deserve attention and effort–he’s also not so sure about theirs. So, he heads back to the city. He comes across his sister-in-law and is prepared to get those answers he’s so determined to get and…is interrupted.

What’s contract About?

So, we get so many answers about the beginning of this story as Bonaduke gets in position to get his answers. Honestly I don’t know if I understand the answers, but we get them. And then Bonaduke gets his chance to ask his sister-in-law anything he wants, with a guarantee of honesty.

Annnnd…you’ve got to read it.

So, what did I think about Contract?

If you can’t say anything nice…


2 Stars

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