Fiction - The Irresponsible Reader

I didn’t quite finish my post about Kolakowski’s upcoming release last night (read: I wrote 2 paragraphs that probably need revision/expansion). So, let’s revisit this bold crime novel instead.

Payback Is Forever

by Nick Kolakowski

DETAILS:
Publisher: Shotgun Honey Books
Publication Date: March 24, 2022
Format: Kindle Edition
Length: 170 pg.
Read Date: March 29-30, 2022

What’s Payback Is Forever About?

Miller’s a thief, a fairly successful one. This comes in handy because he’s not as successful when it comes to gambling. He needs to pay a debt, so he takes a job with a couple of strangers. They betray him, the job goes wrong, and Miller (and the cash) escape without his partners. They don’t know his name or home base, so he figures he’s safe for a little bit.

He’s soon contacted by a figure from his past, Rick Redfield:

“I’ve entered into an arrangement with some… men of violence, shall we say. Which means I need the services of the most violent man I know. Which is you.”

“I’m no bodyguard.”

“No. You’re capable of terrible acts, and that’s the necessary thing here. Besides, bodyguards ask too many questions.”

With the promise of a large payday on the horizon, Miller’s in—and soon finds himself involved with some Nazis who escaped from Germany in the waning days of the war, Nazi hunters, and a few more dead bodies than Miller was prepared to deal with.

Supporting Cast

Miller and most of the characters that he deals with are of a fairly typical sort—you’ll recognize the types easily. They’re interestingly-drawn and well-used, but they’re types.

Then there’s Jill Reilly—she’s Miller’s love interest and is a secretary in the Medical Examiner’s office. Given the proper circumstances, she’d probably make a pretty good Examiner herself—but between the education, she’d need, and the rampant chauvinism in the office, that’s probably not going to happen. Reilly feels like she’s got one foot in the Girl Friday type, but with a rebellious streak that keeps the other foot out of the type.

The other character that stands out as not fitting into a typical mold is Scott, Redfield’s friend who acts as a liaison to the outside world when Redfield needs to stay out of the light. He’s a timid, uncertain man—who needs to use a ventriloquist’s dummy, Colonel Longshanks, to communicate those things that are too much for Scott to handle. Miller has no patience for either of them—but can force himself to work with Scott. The Colonel on the other hand…

There was a moment where I wondered if Scott/Colonel Longshanks would over-take Monkey Man as my favorite strange Kolakowski character. He didn’t, but that he was in the running says something about the character development in this short novel.

The Hidden Agenda

If what I’ve described seems pretty straight-forward, it is. If anyone’s read Kolakowski before, that’s not how he rolls. Right?

There is something else afoot here. I don’t know that it added much (if anything), but it didn’t hurt anything either. Maybe if I was in a different mood when I read this I’d have a more positive take on the “something else,” but right now, I can take it or leave it.

The material with Miller, the Nazis, Nazi Hunters is enough to focus on and keep you entertained. If you happen to get the rest of it, that’s gravy.

So, what did I think about Payback Is Forever?

This feels like the kind of pulpy thrillers from the 1960s and 70s I’ve read—just in a post-WWII setting with a dash of Nathanael West thrown in. It’s a surprisingly effective combination, and I’d have read another 200 pages of it without blinking. Although I do think this lean, mean, streamlined approach is far more effective.

Miller’s absolutely the kind of character you want in this setting—his morality is stuck in the gray—it’s a pretty dark gray, but he’s not a full-on villain. And he’s thinking about reforming, at least a little.

There were two scenes—or parts of scenes—that make this more than a quick, fun read. There’s a visual in the last big gunfight that’s so ridiculous, so comical, in the middle of a big action scene that makes you want a film version immediately (but it may be better in your imagination).

Before that there’s another scene that I can’t describe—you start it assuming X might happen, and yet when X does happen you still sit up and pay attention because you can’t believe that Kolakowski actually did that. And then over the next 3 or 4 paragraphs, the shocking scene becomes something so unexpected that you have to read it a couple of times to make sure you read it right. Cackling while you read it every time makes the comprehension a little difficult.

A solid, stylish thriller with Kolakowski’s style and sense of character is exactly what I needed to read last week, and Payback is Forever delivered. Do yourself a favor and pick it up.

4 Stars

PUB DAY REPOST: Don’t Tell Me How to Die by Marshall Karp: The Last Days of Maggie Dunn

By HCNewton

On March 4, 2025

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Don’t Tell Me How to Die

by Marshall Karp

DETAILS:
Publisher: Blackstone Publishing
Publication Date: March 4, 2025
Format: eARC
Length: 336
Read Date: January 29-31, 2025

A Note of Introduction

I typically stay away from spoilers, but this is one of those books where almost everything I want to say feels like it’s in that general neighborhood. So I use illustrations from other books that are pretty well-known by this point. I can’t think of another way to do it that’s fair to Karp and this text.

What’s Don’t Tell Me How to Die About?

This is one of those novels where it’d be easy to say too much, so let me rely on whoever wrote the jacket copy at Blackstone:

I have one thing to do before I die. And time is running out.

I had it all: a fantastic husband, two great kids, an exciting career. And then, at the age of forty-three, I found out I would be dead before my next birthday.

My mother also died young. I was seventeen, and she warned me that women would flock to my suddenly single father like stray cats to an overturned milk truck. They did. And one absolutely evil woman practically destroyed his life, mine, and my sister’s.

I am not letting that happen to my family.

I have three months, and I plan to spend every waking minute searching for the perfect woman to take my place as Alex’s wife, and mother to Kevin and Katie.

You’re probably thinking, She’ll never do it. Did I mention that in high school I was voted “Most Likely to Kill Someone to Get What She Wants”?

The book takes place in three parts: 1. When Maggie and her twin sister were seventeen and was dealing with their mother’s impending death and the events after it. 2. After Maggie’s diagnosis and her trying to implement the above plan. 3. Where the weaknesses in her plan threaten to overtake everything else.

Tone/Humor

For much of this book, it felt like Women’s Commercial Fiction more than anything. But two things kept me from concluding that—1. Marshall Karp is going to write something with a mystery/crime element, period. and 2. that cover image with the blood (or whatever) writing the word “Die.”

Even before I figured out what Karp was up to with this book, it became clear that this fit in more with some of the recent books by Lisa Lutz (particularly The Accomplice)—I’m also thinking of Sascha Rothchild’s Blood Sugar or a restrained Darynda Jones—than it did with a Jennifer Weiner or Abbi Waxman.

So as I was preparing to read this novel, I said that it “looks like a return to his roots” because of some of the blurbs talking about Karp’s humor and so on. When I think of Karp and humor, I think of his Lomax and Biggs series. So that’s what I expected.

I was very wrong. It took less than a couple of pages to realize that this was a different Marshall Karp than I’d ran into before. That’s not an evaluation, that’s a description. Here’s an evaluation: he pulls it off well. Again, see Rothchild or Lutz. The more I think about the Lutz comparison, the more I like it—if you think of the change between her Spellman Files and things like The Accomplice, Karp’s new tone is somewhat similar.

Either way, you’re getting a guy who knows how to write comedy, no matter the flavor. He also knows when to pull back and let the drama take center stage.

Twists/Structure

I know that when it comes to psychological or domestic thrillers the twists are what generate headlines. While I appreciate a good twist as much as the next reader, what’s more important to me is the reveal of the twist. Plots go in strange directions sometimes—it’s how the author prepares the reader for the twist and how the author lets us in on the strange direction.

As an illustration: Benjamin Stevenson’s Everyone in My Family Has Killed Someone has a moment when he says that so-and-so enjoyed her final cigarette, or maybe she lit it, or something like that. The phrase “final cigarette” is the important part. Now, the reader has two guesses as to why that phrase is used here—1. She quits smoking after this or 2. She dies. As this is in the middle of a stressful weekend with her ex-husband’s family, with her on the verge of financial problem, her ex is definitely not coming back and is with his new partner, they’re all snowed in, there’s a killer on the loose, and the book isn’t close to ending…you pretty much know how that’s going to go for her. Does that matter? Not really, it’s how Stevenson sets us up for this and then how he shows us how she dies that’s important.

Now I’m not going to spill any of the twists or reveals in this book, but Karp does a few things like Stevenson did—they’re even more blatant, you could say. But he will distract you, make you wait a lot longer for the reveal, and will throw a bunch of red herrings at you (I won’t tell you how often I made a note like, “Oh, is this how he pays off X?” because I’d also have to tell you that I was wrong equally often). I didn’t guess anything right.

He also pulls a few things from seemingly nowhere—but explains them in such a way that you retrospectively say, “of course” or “y’know, that makes sense.”

Maggie

This is one of those books that you’re only going to keep reading (initially, anyway) if you get invested in Maggie, our protagonist/narrator quickly. Other elements might keep you going eventually, but Maggie’s diagnosis, Maggie’s plight (and kooky plan), and character/voice are what’s going to get you to commit.

If you ask me, you’re going to want to commit. You can tell from the beginning that she’s smart. She’s driven. She’s brave (at least in the face of some things…like dying). She loves her family. She’s gone through a lot. She’s pretty funny. (probably pretty, too, but that’s not that important, especially when you see the world through her eyes). You later learn what a good friend she can be and why she was elected.

Now, like a parfait, or an onion, or an ogre—Maggie has layers. I’m not going to talk about those layers because you need to discover them for yourself. But she has them—and you keep learning about those layers as the book continues. Each layer—for me, anyway, and I predict for most readers—got me to like her more as a person (pretty frequently) and as a character (always). Is there a difference? Sure—one extreme example (that doesn’t apply here, but gets my point across) would be Dr. Lecter. Fantastic character, but not someone you’d want to hang out with.

So, what did I think about Don’t Tell Me How to Die?

Is this as good as the first two or three Lomax and Biggs books? Probably not—although it’s been a long time since I last re-read them, also this is a different sub-genre, so I could be wrong. Also, that’s really high bar. Is this better than anything else that Karp has done since then? Yes.

The way that Karp unspooled this was so well done. I sat back and enjoyed the ride more often than I “ought” to have, and didn’t take as many notes and whatnot as usual—I was just into the ride that much that continuing was more important than jotting things down. At least in the moment…I’d be sure to write that idea down, right after this part. Well, maybe the next bit.

I should note that I dipped back in a couple of times while writing this post to fact-check myself and even now I ended up reading a few pages or a chapter when I only needed a clause or a name. Karp just doesn’t want to let me go.

Anyone picking this book up—unless you do it blindly (and even then it’s told to you within a chapter)—knows that Maggie’s mom died almost two decades before these events. And yet—in her final moments, her last personal triumph—I was moved. I shouldn’t care this much about the impending death of a character I knew was long dead. But I did. And again, even though it’s right there in the description, “And one absolutely evil woman practically destroyed [“my suddenly single father”‘s] life, mine, and my sister’s,” watching it feels like a traffic accident—you know it’s coming, but you can’t stop watching.

Maggie’s plot, when introduced, feels like a silly rom-com plot that’s going to blow up in her face. And for most of the book, her sister treats it that way. You kind of do while you’re reading, too. It feels like one, you react like one. Then…well, you start to take her seriously. As does her sister, Lizzie (eventually).

Speaking of Lizzie. I really would’ve enjoyed more time with her, she seemed like a hoot and a half. Her kids Katie and Kevin were also the kind of characters you want more of. And if we were looking at any other part of Maggie’s life, we would’ve had more time with all three and we would’ve been perfectly content watching them go through their life. But this book just introduces them, lets us spend some time enjoying them (in pretty un-enjoyable circumstances) and then we just have to imagine the rest of their lives. Which is enjoyable enough.

I feel like I’ve talked around the book a lot, hopefully, I’ve talked about it enough. But I’m not sure what else to say. On March 4, go pick yourself up a copy (or go put it on reserve at your library now, and read it ASAP). Then we can email or chat or something about it and I can say all the things I can’t put here.

Don’t Tell Me How to Die isn’t the Marshall Karp I know, enjoy, and respect. It’s a new flavor of him that I’m getting to know, that I did enjoy and respect. And I can’t wait to see what other sides he has up his sleeve (to torture the metaphor). I’m trying too hard. I’m babbling. Go read this and I’ll shut up. Deal?

Disclaimer: I received this eARC from Blackstone Publishing via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Cover Reveal: The Dreams of Dust and Steel series—The Price of Power and A Graveyard for Heroes by Michael Michel

By HCNewton

On March 3, 2025

In Fantasy

I’m very pleased today to welcome the Cover Reveals for Michael Michel’s upcoming new editions of his series, The Dreams of Dust and Steel— series: The Price of Power and A Graveyard for Heroes to this patch o’ cyberspace this morning! I’ve been looking forward to reading these books for too long now, I’m glad that I waited until now. Before the main event, let’s learn a little bit about the series, the new edition, and author, shall we? It’ll just take a moment, and then we can all take a peak at the cover.

About the Books:

Loss. Redemption. Grief. And the dangers of belief.

Prince Barodane could not hold back the darkness. Not even in himself. He laid an innocent city in its grave and then died a hero.

In his absence, war whispers across the land.

Power-hungry Highborn dispatch spies and assassins to the shadows as they maneuver for the throne, while an even greater threat rises in the South. Monsters and cultists flock to the banners of a mad prophet determined to control reality…and then shatter it.

Destiny stalks three to the brink of oblivion.

A dead prince that isn’t actually dead. Barodane buried his shameful past in a stupor of drugs, drink, and crime, and now, he’d rather watch the world fall apart than wear a crown again.

An orphan with hero’s blood who is forced to make a harrowing choice: betray her country or sacrifice her first love.

And a powerful seer who has no choice at all–her grandson must die.

If any of them fails to pay the price…

The cost will be the world’s complete annihilation.

“Dreams of Dust and Steel has the feel of a muddy boot heel, and the size and scope of the classics. Here, pain can be turned into magic powers, and the price of success is often worse than failure. This is Game of Thrones meets X-Men, and it’s as rooted in spirituality as it is steeped in bloody violence. A character-driven epic–that once finished–will span five books, a million words, and birth a dozen other analogous works you won’t want to miss.”

“During a dark prophet’s rise to power, fate calls on four heroes to sacrifice everything they love…or face oblivion.”

The New Edition

The Dreams of Dust and Steel series launches April 2nd, 2025 with The Price of Power in eBook and paperback. It features custom chapter header icons, a dramatis personae, new covers, and a fancy new map.

There’s an ARC application form for those who’d like to read and review The Price of Power here: https://docs.google.com/forms/d/1VcbEGJ5Tan9veDzoafBAqzKW5hBWbSVdz20uShussg0/viewform?edit_requested=true

About the Author

Michel lives in Bend, Oregon with the love of his life and their two children. When he isn’t obsessively writing, editing, or doing publishing work, he can be found exercising, coaching leaders in the corporate world, and dancing his butt off at amazing festivals like Burning Man. His favorite shows are Dark, The Wire, Arcane, and Norsemen. He loves nature and deep conversations. Few things bring him more joy than a couple of hours playing table tennis.

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p style=”text-align: center;”>Website ~ Twitter ~ Instagram ~ Goodreads

and now…

The Covers

cover for The Price of Power by Michael Michel
cover for A Graveyard for Heroes by Michael Michel
Don’t those look great? The Cover Art & Typography are by Christopher Cant and Rachel St. Clair. They did a bang-up job if you ask me.
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Hit The Ground Running by Kate Ashwin: 2 Jailbreaks, 1 Heist, 1 Outrageous Utility Bill, and 1 Potted Plant.

By HCNewton

On March 3, 2025

In Fiction, Science Fiction

Be sure to come back in a couple of hours for a Q&A with Kate Ashwin.

Hit the Ground Running

by Kate Ashwin

DETAILS:
Series: No Loose Ends, #1
Publisher: Kate Ashin
Publication Date: November 11, 2024
Format: eBook
Length: 314 pg.
Read Date: January 25-29, 2025

You, like me, may assume that all Cyberpunk novels are set in joyless dystopias, where the neon lights and other brightly colored signs shine out against a gray and raining night (like every scene with Rick Deckard walking on his way to get some food). You’re largely correct. But what if I told you that didn’t have to be the case? Well, read on…

It was around 10 p.m. on a Thursday when Renji thought he might have a go at breaking out of prison. This idea was terrible for several reasons.
One, the prison in question was an Imperium International Forces Containment Facility, the kind widely reputed for being near-impossible to escape. Two, said facility was an airship in flight some fifty storeys above solid ground. The third, and perhaps most important reason was that he wasn’t even a prisoner, he was a guard.
But to I.I. Forces Cadet Renjiro Starkweather, the young man leaning out of the mess hall kitchen’s window to sneak a crafty cig, these reasons didn’t seem quite good enough to not at least have a try.

What’s Hit The Ground Running About?

Renji really doesn’t belong in the Forces—he doesn’t have the mindset, the discipline, any interest at all in serving, But he does have an Aunt who did most of the work in raising him. She’s rich, she’s powerful, she’s overly-indulgent of Renji, but she also has expectations. Hence, his presence in the Forces (which he probably would’ve washed out of already, if not for her influence).

But Renji’s at his breaking point, and he probably would’ve made an attempt at escape if not for the fact that he quite inadvertently interrupted an attempted jailbreak. The downside to this is that he ends up in custody with the jailbreakers—who turn out to be affiliated with a group Renji has been cheering on. They’ve recently released a lot of really embarrassing information about the Imperium International Corporation and other leaders of the city of Unity, in a WikiLeaks-type move. It didn’t do the damage anyone was really hoping for, but it did make a splash and get some people talking.

Okay, I’m taking too long here—Renji and the others (with some help from a super-competent hacker/”gal in the chair”) do eventually escape from the Facility in quite the flashy way, but without everyone they hoped to bring along with them. And Renji ends up visiting a part of the city of Unity he’s not that familiar with, Buried—it’s the part where the workers that support the corporation and government live (as well as their families, the unemployed, and whatnot). If you think of the city of Unity as The Titanic, this would be the third-class passenger area, but not as nice.

Renji wants to throw his lot in with the group, the Loose Ends. He wants to fight back against I.I., not out of any real outrage against them. But he thinks it’d be a fun adventure, and he does want to see things get better for the citizens down below—and to take I.I. down a peg or two. They’re leery of taking him on (mostly because they can tell his motives are shaky and he’ll probably get going when going gets tough—and not in the good way). But when a crisis hits, Renji comes up with a plan that just might work.

It’s nutty, it’s risky (mostly for him), but if he can pull it off with a little assistance from the Loose Ends and an older, battle-tested temporary ally of the Loose Ends, a lot of good can be done and the crisis could be averted.

The Characters and World

So the villain of this book is really “the System” as represented by Imperium International Corporation (and as you get to know them, you’ll be able to imagine any number of mega-corps of today turning into them).

But we get a few representatives of The System to focus on—nothing more than low-level hench-persons really. But higher-level reps will have to wait for the sequels. Primarily, we’re looking at Renji’s sergeant and three fellow-cadets who absolutely are not Malfoy, Crabbe, and Goyle. But they do fit the same character types that those three do. All four of these antagonists are the kind you will enjoy seeing foiled—even if they are the bottom of the rung, you’ll have a lot of fun seeing Renji go up against them. Especially when he comes out on top.

The heroes—sort of a rag-tag rebel group (who really aren’t trying to overthrow anyone, just trying to survive). They’re a hodge-podge of ages, temperaments, and skills. You will almost instantly like them—while wanting to ask so many questions about all of them. I’m tempted to talk about all of them for a sentence or two, but that would get old. But I like their internal dynamics, I like them as individual characters and cannot wait to see Ashwin develop them all. They also have a number of allies—from people who work in food stalls, to a club owner, to a strange medic/tech repair duo. Really, the Loose ends and the allies we meet in this book deserve a short story or two each, just to give them a chance to shine. (Ashwin, if you see this post and run with it—no need to cut me in, the results will be reward enough. Unless this lands you a TV deal or something.).

Then there are the largely nameless and faceless people in Buried. They suffer due to what I.i. does. They have to deal with any retaliation that comes down due to Loose Ends. We don’t see much of them, but we get to meet their Community Council (even in a dystopia, lower-level government officials are petty and useless, good to know some things are constants). There’s enough citizens, and enough grudges, seen that Loose Ends will have a steady supply of potential allies in future books (and probably future turn-coats, but let’s focus on the positives).

Unity City, once-upon-a-not-too-distant time, was the city of Steelpool, which the corporation bought from a struggling U.K. government to act as its wold headquarters. It’s from Unity that I.I. can distribute it’s Internet programming, sell and market its products, and so on. Mid-level Executives on up, live there. The workers, support staff, their families, etc. are stuck in Buried.

Is This Actually Cyberpunk?

“Please, look at him. He’s even worse of a blagger than you. He looks like he’s gonna sell you life-coaching advice through the internet.”

“Does not.”

“Does too. He’s a budget vampire. That’s a bargain bin Dracula, that is.”

“You are not being a very supportive friend right now.”

“I’m not supportive. Or your friend. Besides, actual supportive friends would tell you when you’re dating an evil executive from a shitty Robocop sequel. He looks like he’s going to have his plans to bulldoze the zoo foiled by some plucky teenagers.”

It’s being marketed as cyberpunk. But I think a lot of readers are going to bump up against the tone—the humor, the snark, the optimism that Renji brings and wonder about that.

If you look at the tech (which I haven’t done a good job of describing), the merger of corporation/government/city-state military, the dystopian nightmare that most of these people endure. You’ve got yourselves the making of a decent cyberpunk reality. But what about tone?

But you’ll be grinning throughout this book, there’s some good laughs, there are some goofy moments, and so on. How does that fit with William Gibson and Bruce Sterling’s Mirrorshade vision? Can you do a non-noir cyberpunk? I think yes. Think of Snow Crash while Hiro is a pizza delivery driver (sure, that’s post-cyberpunk), some of Rudy Rucker’s work, and …a couple of others I suddenly can’t think of the names of. There are even bits of Gibson’s Sprawl trilogy that are about this amount of fun. So yeah, it’s an outlier, but it’s not without precedent.

I only bring this up because I’m pretty sure there are some purists who’d complain about this. People who ignore the whole “punk” part of the aesthetic, no rules, etc. I really don’t care what others think. I’ll take a cyberpunk that makes me grin any day (especially now).

So, what did I think about Hit The Ground Running?

“Stopping them.” The tired look in Minjun’s dark eyes seemed as though it came from a much older man. “This isn’t afable with some terrible dragon for the heroes to hunt down, or a magic combination of words that will break the overlords’ evil spell. This is a city, a society, an ecosystem with problems embedded in its very roots. How exactly do you stop a society?”

This is a heist novel and I wait until now to talk about a heist? What is wrong with me? It’s an audacious plan with a great and benevolent pay-off. Naturally, as any self-respecting heist story demands—it goes awry. The reader knows that even before Renji outlines his plan—the questions are: how does it go awry, and how do our heroes respond? All I’m going to say about that is that I’m eager for book 2 in this series.

This is a fast-moving story with a lot of moving pieces—Ashwin keeps the plates spinning just fine and moves the story along just fine. This is so hard to talk about without getting into the details of the heist, the character twists (of the two bigger ones, I saw one coming miles away and the other took me totally unawares) were revealed with panache, or anything else.

Ashwin’s been storytelling for a long time in graphic novels, she knows how to tell a story and bring characters to life. Turns out she can do that just as well with words as she can do with pictures and words (or so I assume, I haven’t dipped a to in to that yet).

There’s a bit of a budding romance (or is it just a lust story?) that acts as a great distraction for Renji, too. That didn’t do much for me, I thought we had enough other things to keep the story going—but it’s a good plot complication—and who knows, maybe it lays the groundwork for something better.

This is a quick read. A fun read. There are so many bits and pieces I’d call out here, but you should read them for yourselves.

If you’re up for a good time (even if cyberpunk isn’t your thing—just think of it as snarky SF), you’d do yourself a favor to give this a whirl. I need to see what comes next, and I expect after your introduction to the Loose Ends, you will, too.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Thriller – This or That

By HCNewton

On February 28, 2025

In Books, Miscellany, Mystery/Detective Fiction/Crime Fiction/Thriller

Thriller - This or That

Thanks to it being named The Write Reads’ Blog of the Day, I read February Reading Challenge: Dive into the World of Thrillers with “This or That” a few weeks ago, and instantly spent too long thinking about it. I know the post called for social media posts or comments to reply, but I decided to go for this instead. I thought I’d work in some recommendations along with my answers, but I have 143 pages of posts about this genre and that’s just too much to sift through.

Still, the prompts got into my head and I had to get something out.

1. Psychological Thriller or Action-Packed Thriller?

A good psychological thriller will keep me on the edge of my seat and jumping at shadows like everyone else. But I typically prefer the action-packed thriller—as long as there’s some depth to it, some decent psychology to the action and/or characters. Mindless action and destruction can be fun for a little bit, but they’re ultimately dissatisfying. By the same token, a bit of action goes a long way to improving a psychological thriller.

2. Unreliable Narrator or Detective Protagonist?

I won’t turn up my nose at a well-written unreliable narrator (or do I?). But Detective Protagonists are what got me into reading, sustained me when I really didn’t have time or resources to really read fiction, and—as anyone who’s spent 5 minutes looking at this site knows—I still read an unhealthy amount of Detective Novels. No contest.

3. Slow-Burn Suspense or Fast-Paced Plot Twists?

I honestly can’t decide—I’ve argued with myself for a few days over this. I really can’t choose. I probabaly read more Fast-Paced reads with good twists, but a Slow-Burn can be so satisfying that I don’t want to discount them. (as long as the slow-burn is actually burning, and not just meandering). This one’s a coin-toss.

4. Domestic Thriller or Crime Thriller?

I can enjoy and really get into a solid Domestic Thriller, one of my favorites so far this year is one. But Crime Thrillers are really my thing, part of that is their similarity to a good Detective novel. But it’s more than that—whether it’s a jaded criminal, a newbie criminal (who very likely won’t be around long enough to get jaded, a normal person having the worst day of their lives (whether or not they made a bad choice to put themselves there), or something beyond the typical Crime Thrillers—I can read those all day.

Go read the original and weigh-in there.

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(slightly updated) REPOST: Buddy the Knight and The Queen of Sorrow by Peter David: A Tale of Friendship, Devotion, Bravery and Heart

By HCNewton

On February 26, 2025

In Fantasy, Fiction, YA/MG/Children's Books

I’m excited to welcome The Write Reads Blog Tour for Peter David’s Buddy the Knight and The Queen of Sorrow to The Irresponsible Reader today. It was one of my favorite fantasy novels of 2024, and I named David as one of my 10 favorite New-to-Me Authors because of this book. So getting the chance to share about this book again is something I had to jump at. I’ve posted a Spotlight about the book earlier and now’s here’s a tweaked version of my original post about the book. I’d also encourage you to go to https://twitter.com/WriteReadsTours feed to see all the great things that have been said about the book over the last week or so. Then get the book. Or get the book and then read everything we wrote about it. Or just get the book. I’m not picky.

Buddy the Knight and The Queen of Sorrow

by Peter David

DETAILS:
Publication Date: August 22, 2024
Format: eARC
Length: 168 pg.
Read Date: September 2, 2024

What’s Buddy the Knight and The Queen of Sorrow About?

Buddy the Knight is a teddy bear. A valiant teddy bear, devoted to protecting his Person from the monsters from The Realm-Under-The-Bed. He’s a knight and has spent years defending a little girl named Mieya from these fearsome foes. He’s frequently assisted by his companion, a stuffed tamarin—a mandolin-playing bard. Esteban not only fights at Buddy’s side, but his songs frequently tell the tales of Buddy’s victories.

One night before Buddy can dispatch it, a monster inscribes a rune over Mieya—one that will bring her certain doom unless Buddy can defeat the monster’s master—the Queen of Sorrows. Buddy is given an enchanted googly eye to guide him and Esteban as they journey to the heart of The Realm-Under-The-Bed to find this Queen. There are countless enemies and obstacles along the way, but they have until dawn breaks to complete their quest, so they will have to be quick as well as brave.

The Cover

I don’t do this enough, but I need to call out the cover here. Candice Broersma knocked it out of the park with this one. I just love this cover. It’s one that you want to have on your shelf/eReader.

Also, I’d buy a print if Broersma/David were to make them available.*

* After my original post, Peter David let me know that Broersma does sell these prints. My copy looks as good as I’d figured.

A Little Treat

There’s a reference at one point to a series of books that Mieya read. I hope, hope, hope that kids who read this have their curiosity piqued and go ask someone (like a librarian or bookseller) what it might be a reference to and then read those books. They’ll be in for (another) treat if they do.

Just seeing the reference was enough for me.

There are other nods to fiction and movies, too—cleverly hidden throughout, and just enough to make the grown-ups reading this smile (the Captain Shakespeare/Captain Johannas Alberic nod was particularly well done). None of them made me quite as happy as the series of books she read, but that’s me. You (if you’re above the age of 15), will likely have other favorites—but you’ll enjoy all that you catch.

So, what did I think about Buddy the Knight and The Queen of Sorrow?

I know that many people think that Paladins are boring characters. I’m not one of them—just think of Sturm Brightblade, Superman, Michael Carpenter, or Paksenarrion and tell me they aren’t great to read (okay, some people have made Supes a little boring—but not all of them). Buddy the Knight is yet another entry in the Great Paladin Characters list I should get around to compiling sometime.

Esteban is one of the better comic relief sidekicks with a lot of heart, too. He’s as funny and heartfelt as Shrek‘s Donkey with the devotion of Samwise Gamgee. The other allies and people—including the sentient magic sword—who help Buddy out are really well done, too.

The monsters, other antagonists, and (of course) the Queen of Sorrows are equally well depicted—but unlike the above, you really don’t want to spend time with them. They’re all drawn from types we’ve all seen before, but given a twist to make them feel new—and the reason we’ve all seen them before anyway is that they’re just about always compelling, and with David’s twist? They’re just what this book needed.

Throughout the book—either in flashbacks that Buddy has to his maker’s lessons or in the things the characters say to motivate each other or themselves—the reader is going to get a lot of slogans, life lessons, or morals thrown at them. I appreciated reading them—and I expect that readers 40 years (plus or minus a couple) younger than me will, too. Coming from stuffed animals probably makes them more palatable and somehow less corny than they’d be coming from an authority figure (in fiction or real life). It’s likely that some of these will get lodged in the back of a young reader’s mind and will prove beneficial later in life.

The story itself is a pretty straightforward Fantasy tale—the hero and his allies (some picked up along the way) are on a journey with a deadline to fight a powerful in order to rescue someone. As always, it too, is effective.

There’s a lightness to the prose, but it’s not a comedy—it comes across as whimsical and fantastical. It will charm you as it draws you in. We don’t really see Mieya in action and don’t get to know her, but we want her safe, we worry for her, because Buddy, Esteban, and the others are so devoted to her. We care about her because we care about the bear and the tamarin, and anything they think is important we think is important.

This is the kind of book that 10 year-old me would’ve curled up with and read and re-read. It’s also the kind of thing that my kids would’ve loved—and I’d have had a blast reading to them. And 51 year-old me was just about as captivated with it as my younger self would’ve been. I strongly recommend this to those young at heart and those young readers you happen to buy books for. I’ll note that the grown-ups that I’ve suggested this to in the months since I originally posted this have all agreed with me. You’ll be glad you gave this Teddy Bear Fantasy a try.

Disclaimer: I received a copy of this eARC from the author in exchange for my honest opinion.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: Buddy the Knight and The Queen of Sorrow by Peter David

By HCNewton

On February 26, 2025

In Book Tour, Fantasy, Fiction

I’m excited to welcome The Write Reads Blog Tour for Peter David’s Buddy the Knight and The Queen of Sorrow to The Irresponsible Reader today. It was one of my favorite fantasy novels of 2024, and I named David as one of my 10 favorite New-to-Me Authors because of this book. So getting the chance to share about this book again is something I had to jump at. I’ll be reposting a slightly modified version of my original post about the book here in a bit. But for now, let’s look at this Spotlight. You should also go to https://twitter.com/WriteReadsTours feed to see all the great things that have been said about the book over the last week or so. Then get the book. Or get the book and then read everything we wrote about it. Or just get the book. I’m not picky.

Book Details:

Title: Buddy the Knight and The Queen of Sorrow by Peter David
Genre: Fantasy
Age Category: Middle Grade
Format: Paperback/eBook
Length: 160 pages
Publication Date: August 30, 2024

About the Book:

Buddy is no ordinary teddy bear.

He’s a Knight, crafted by The Nameless Wizard himself, and sworn to protect his Person, 10-year old Mieya, from all the Things-That-Go-Bump-In-The-Night.

When Mieya is cursed into a magical sleep, it’s up to Buddy and his friends Esteban the Bard, Sasha the Warrior-Princess, and Copper the Butterfly to journey across The Realm-Under-The-Bed and find the one responsible.

But this is no ordinary Quest. The Realm is a dangerous place, filled with jungles, deserts, lightning storms, and Monsters. But worst of all is The Queen of Sorrow who waits for them in her dark castle in the crags. To break her curse, Buddy will need more than his skill with a blade, Esteban’s witty songs, or Sasha’s ferocious might.

He’ll need Heart.

Book Links:

Amazon UK ~ Amazon US ~ Amazon CA ~ Goodreads ~ Storygraph ~ Universal Link

About the Author:

A native son of Massachusetts, Peter has been living in the Deep South for over 25 years. By day, he’s an insurance professional, saving the world one policy at a time. But at night, well, no one really wants to see him fighting crime in his Spider-Man onesie. Instead, Peter develops new worlds of adventure influenced by his love of science fiction, mysteries, music and fantasy. Whether it’s running role-playing games for his long-time friends, watching his beloved New England sporting teams vie for another championship, or just chilling with a movie, his wife, two boys, one puppy and three cats, Peter’s imagination is always on the move. It’s the reason why his stories are an eclectic blend of intrigue, excitement, humor and magic, drawn from four decade’s worth of television, film, novels and comic books.

Author Links:

Website ~ Bluesky ~ Twitter

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Installment Immortality by Seanan McGuire: G-G-G-Ghosts!

By HCNewton

On February 24, 2025

In Fiction, InCryptid, Seanan McGuire, Urban Fantasy

Installment Immortality

by Seanan McGuire

DETAILS:
Series: InCryptid, #14
Publisher: Tor Books
Publication Date: March 11, 2025
Format: eARC
Length: 432 pg.
Read Date: February 12-17, 2025

Obviously, there are some spoilers about the previous novel in the series, Aftermarket Afterlife to follow. And, you could probably say the same for the series as a whole. Take that into consideration if you read beyond the period at the end of this sentence.

What’s Installment Immortality About?

In the months that it took Mary to put herself back together after the attack on their training headquarters, the Covenant hasn’t been quiet. In fact, as they knew a ghost was involved in the attack, some of them have been targeting ghosts up and down the East Coast.

The anima mundi, still rebuilding its control, recruits (to put it nicely) Mary to stop them and rescue what ghosts she can. Mary gets permission to bring along some help from her family (the kind of help that can’t, say, get stuck in a ghost jar)—she doesn’t intend to, but she ends up bringing along Elsie and Arthur who have a need to do something, anything, to help them move on from their mother’s death.

So begins a cross-country trip filled with more danger than they expect (and they expect a lot).

More Mary

This book, like its predecessor, has done a fantastic job of showing the place of Mary in this family. She’s far more than just a quick message-delivery-system, or a genie that can show up at just the right time (she never really came across that way, but it’d be easy to see her filling those roles). It’s both heart-warming and heart-tugging.

She’s also changed a lot—thanks to Annie’s intervention at the Crossroads, and because of her new/growing relationship to the anima mundi. And there are more changes on the horizon—which will be fun to watch as people like me have become more invested in her after the last book.

I thought I had several things to say about Mary here, but just about all of them would need to be redacted. I really enjoyed our time with her, and while I expect that we’re going to be spending a few books focused on other characters after this one (Verity or Elsie are my guesses, which means it’ll probably be Alex), I’m looking forward to seeing what this new part of her life—ahem, afterlife—brings us.

Elsie and Arthur

Poor Arthur—I thought I had a pretty good handle on what was going on with him after the last book, but of course, there’s a lot more afoot than we could’ve known. With plenty of time with him—to see him interact with Mary and his sister, we get to hear a lot more from him and understand things from his perspective.

Then we learn even more from some outsiders. We’re going to have to spend some more time with Arthur soon, because leaving him where McGuire did is not comfortable.

Elsie, on the other hand, surprised me. I figured that like with Alex and Annie—and even the babysitter—when she got a chance to shine, she’d step up and show herself to be exactly the kind of kick-ass heroine that the Prices and Healys seem to specialize in. I won’t get into details, but she’s not cut from the same cloth as her cousins—but that doesn’t mean she should be taken lightly. It’s just that there’s an element of diversity even here that I wasn’t expecting, and I’m glad to see. I think it would’ve been boring to see her transform into a variation of Verity or Alice.

More interestingly than that for her was seeing her relationship with Arthur and how she’s reacting toward the Aeslin mice in their home.

So, what did I think about Installment Immortality?

This was a little bit of a let-down after the Aftermarket Afterlife. It was primarily a follow-up to it, tying up loose ends and getting us all ready for whatever is next. As such, it’s not going to be as good, it can’t be as powerful, and it should help the reader catch our breath. Also, saying it’s not quite as good as one of the best books in this series is not much of an insult.

But, oh man…there were so many things that are great about this book. For one example, there’s a conversation between Mary and one of the Aeslin Mice that is incredibly strange. And if you remember that we’re talking about a conversation between a ghost and a sentient, talking mouse with a perfect memory…strange should be expected. Not this level of it.

Of course, we get to meet new Cryptids, and more than a few ghosts. Their perspectives on the Prices, on the war with the Covenant, on Mary and the Crossroads (many don’t believe the Crossroads are gone, for example), and so on, are fascinating. It’s a good reminder—that we occasionally get, but not as strongly as we do here—how much people don’t instinctively trust this family. But we also get a variety of reactions to them along those lines.

This was very satisfying in terms of long-term character arcs, the war arc, and so on. Installment Immortality was also satisfying on its own terms. There’s some good supernatural, ghosty action. Some good reminders that the dead should not be messed with. Strong character development—no one leaves this book the way they came in. And some sweet moments that remind you that everyone can use a dog in their life.

This is not a book to jump into the series with, unless you want to spend a lot of time confused—Aftermarket Afterlife would function far better for that (as would starting at the beginning). But for long-term fans, this is exactly what they were looking for.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

4 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Don’t Tell Me How to Die by Marshall Karp: The Last Days of Maggie Dunn

By HCNewton

On February 17, 2025

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Don’t Tell Me How to Die

by Marshall Karp

DETAILS:
Publisher: Blackstone Publishing
Publication Date: March 4, 2025
Format: eARC
Length: 336
Read Date: January 29-31, 2025

A Note of Introduction

I typically stay away from spoilers, but this is one of those books where almost everything I want to say feels like it’s in that general neighborhood. So I use illustrations from other books that are pretty well-known by this point. I can’t think of another way to do it that’s fair to Karp and this text.

What’s Don’t Tell Me How to Die About?

This is one of those novels where it’d be easy to say too much, so let me rely on whoever wrote the jacket copy at Blackstone:

I have one thing to do before I die. And time is running out.

I had it all: a fantastic husband, two great kids, an exciting career. And then, at the age of forty-three, I found out I would be dead before my next birthday.

My mother also died young. I was seventeen, and she warned me that women would flock to my sudWherdenly single father like stray cats to an overturned milk truck. They did. And one absolutely evil woman practically destroyed his life, mine, and my sister’s.

I am not letting that happen to my family.

I have three months, and I plan to spend every waking minute searching for the perfect woman to take my place as Alex’s wife, and mother to Kevin and Katie.

You’re probably thinking, She’ll never do it. Did I mention that in high school I was voted “Most Likely to Kill Someone to Get What She Wants”?