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The Ballad of Bonaduke—Episode 41: Garden Conversation by R. T. Slaywood: Did We Just Get Some Answers?!?

The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 41: Garden Conversation

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #41
Format: Kindle Vella Story
Read Date: December 15, 2023

I felt one step closer to knowing what was going on, however I was a long way off from having enough information to decide if I wanted to throw in my hat with these guys.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better.

What’s Garden Conversation About?

Um. On the one hand, not much happens. But it’s the way that not much happens that’s the interesting bit. Alan and Om deal with the lock that Bonaduke had flexed his magic on in the last episode. The results are better read than explained.

Then the injured Bonaduke and his two associates climb the apartment building’s stairs to the roof where they encounter, once again, something better read than explained.

Like I said, not much happens.

So, what did I think about Garden Conversation?

That opening quotation speaks for me–both in context and at the end of the episode. Still, we get so much information here about magic and how it works in general (and some more details about Bonaduke in particular), that I am comforted and pleased. I need someone to reciprocate Bonaduke’s opening up and a good follow-up to what Om told us still–but we’re so close to being given enough to grasp the magic system.

We also learn a lot more about the various players.

Sure, I could belly-ache (again)* about how it took 41 episodes to get this. But why? We got it. The explanations we had to assume were forthcoming have started to arrive. Also, the plot inches along a bit–and we get one of the best visuals in the series so far (followed shortly by one of the most disturbing).

* Same goes for the grammar and spelling.

Great closing. Possibly Slaywood’s best yet.


4 Stars

The Ballad of Bonaduke—Episode 40: Close/Open by R. T. Slaywood: Moving Day Cont’d

The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 40: Close/Open

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #40
Format: Kindle Vella Story
Read Date: November 24, 2023

Alann smiled like a kid who was about to show something they thought was really cool, but ultimately underwhelming. However when he pushed open the door he spoke in a confident tone that would make any potential buyer visualize the open road.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better.

What’s Close/Open About?

Um. On the one hand, not much happens. But it’s the way that not much happens that’s the interesting bit. Alan and Om deal with the lock that Bonaduke had flexed his magic on in the last episode. The results are better read than explained.

Then the injured Bonaduke and his two associates climb the apartment building’s stairs to the roof where they encounter, once again, something better read than explained.

Like I said, not much happens.

So, what did I think about Close/Open?

I’m not really sure what to say here. I think I liked it, but since so much of this episode needs grounding or fuller explanation in a future episode (hopefully 41), it’s hard to really know what I think.

I’m really tempted to spend the rest of the evening catching up to where Slaywood is currently with the story–if only so I have something to say here. I get this way from time to time, but I’m committed to the episodic approach.

But really, I don’t know what to say. It was well-written, worth sticking with, and I’m curious about what comes next.


3 Stars

EXCERPT from Nameless Queen by Marie Sinadjan: Who is She?

We continue to celebrate Release Day for Marie Sinadjan’s Nameless Queen here with this excerpt.


from Nameless Queen by Marie Sinadjan

Standing on the bank of the river Gjoll, Hel listened to the names of the Dead in the wind. This was her life now, as difficult and strange as it was to accept.

The Allfather had banished her from Asgard for treason, trapping her in Niflheim and erasing her name. However, she eventually realized that the realm itself was alive and had other plans. Niflheim did not intend for her to merely wallow in her despair and slowly starve herself to death.

The realm wanted her to be its caretaker.

A line of longships stretched toward the horizon and disappeared into the mist. In the ships were bodies, and the first one had come alive at Hel’s accidental touch.

The man lurched like he had been holding his breath underwater for far too long. “Where am I?”

For a moment she stared back at him with an equal measure of fear. What just happened? Was it her appearance that scared him?

But it soon became clear that it was not the case. “Who am I?” he asked her, distraught.

His name came to her in the wind. “Egil Hringson,” she repeated.

Her eyes flew wide as the man clung to her and wept like a child. She hadn’t realized how important it was for the Dead to be remembered, not until then. And while she did not have the details of his life, revealing his name seemed to help him find peace.

She did not sleep for three whole days, traversing the bank of the river to bring the newly deceased out of their stupor. There were surely hundreds of them; she’d stopped bothering to count after she reached twenty. Some ships had elaborate carvings on the prow, while others were simple wooden vessels that appeared to have been put together at the last minute. None of that mattered to her, however. It was not her place to judge or choose who awakened in this realm, unlike Odin the Allfather and his band of Valkyries.

At first, only the old woman helped her. But after three days of tireless work by the river, the inhabitants of Niflheim came to see that she was something more than merely a deranged soul who could not embrace the fact that she was dead. One by one, they joined her, seeing those she’d awakened into settlements and communities. Most of them were patterned and named after actual Midgardian locations, which provided a small comfort to the Dead.

“Who is she?” Egil asked the old woman when he returned to the river the day after his awakening.

“Hel,” the old woman answered.

It was not Hel’s real name, but it was all she had.

The one she had been born with had been taken away from her.

 


Interested in the rest? Go grab your copy of Nameless Queen by Marie Sinadjan now at https://books2read.com/NamelessQueen!


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RELEASE DAY SPOTLIGHT: Nameless Queen by Marie Sinadjan

This morning, I’m very pleased to bring you this Release Day Spotlight for Marie Sinadjan’s Nameless Queen, part of the Norse-inspired Urban Fantasy series, The Prophecies of Ragnorak. Like the rest of this series, this really looks like something to check out.

Book Details:

Book Title: Nameless Queen by Marie Sinadjan
Series: The Prophecies of Ragnarok
Genre: Norse Mythology Urban Fantasy
Release date: November 30, 2023
Format: eBook
Length: 70 pages
Release Price: 99c (US) and equivalent / 99p (UK)
Nameless Queen Cover

About the Book

All things end, and all must die.
But death is not always the end.

When Geiravor Lokisdottir was stripped of her name and cast out of Asgard, torn from her family and the life she had known, she thought she’d lost it all. But in the shadows of Niflheim she discovers the path to her destiny, and what it truly means to be queen.

This is a prequel to THE PROPHECIES OF RAGNAROK trilogy by Meri Benson and Marie Sinadjan, and a retelling of the myths involving Hel, the Norse goddess of death and the queen of the underworld.

Purchase Links

Universal Purchase Link ~ Goodreads

About the Author

Marie Sinadjan is a Filipino fantasy author, singer-songwriter, and musical theatre actress. She is the co-author of The Prophecies of Ragnarok series, and her short stories have appeared in anthologies, magazines, and literary journals. She mainly writes fantasy of the mythology, fairytales, and folklore variety.

When not crunching numbers for her full-time job or spending time with her family, she’s traveling, drinking coffee, reading and reviewing books, dreaming up more worlds, writing more songs, or serenading vegetables. She currently lives in the United Kingdom with her husband.

You can find her online at @marienettist or at linktr.ee/mariesinadjan.

The Ballad of Bonaduke—Episode 39: In The Dark by R. T. Slaywood: Moving Day

The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 39: In The Dark

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #39
Format: Kindle Vella Story
Read Date: November 24, 2023

“You don’t remember?”

“Haven’t tried to yet. Everything hurts.”

Om came over and picked up a cane from next to the couch that I had failed to notice then handed it to me. “Probably for the best. Death is an experience most would want to forget.”

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not.

What’s In The Dark About?

Bonaduke wakes up, not remembering being in the apartment—actually, he doesn’t remember much (see above). To say that he’s weak is an understatement—think Westley during his final confrontation with Humperdinck. Alan and Om are packing up and leaving the apartment, for reasons alluded to, but not fully explained.

Bonaduke mostly watches things, given his strength, and then gets to use his magic just a touch.

And that’s basically it.

Thank you, Mr. Slaywood!

The whole he/she thing about Zero is addressed briefly in a way that confirms I was right to be confused.

So, what did I think about In The Dark?

Yes, I’ve complained a bit in the past about these transition episodes. This one seems more blatant than usual—Slaywood is moving the saga from one section to another, being coy about the details (as per usual). I’m not going to do that this time.

This is a good point for the transition, particularly when it comes to the whole death thing. Isn’t that what the Death card represents in Tarot readings? (at least the ones I’ve seen in print and on TV say that). So let’s move (literally, for Alan and Om) to something else.

Now, if we’re not given more information about his coming back to life, why they’re moving, and what the ritual, etc. they referenced at the end of the episode are about soon. Then I’ll complain. But for now, let’s let everyone catch their breath and call it a good day.


3.5 Stars

Long Past Dues by James J. Butcher: This Series has Legs

Long Past DuesLong Past Dues

by James J. Butcher

DETAILS:
Series: The Unorthodox Chronicles, #2
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 401 pg.
Read Date: November 13-15, 2023
Buy from Bookshop.org Support Indie Bookstores

“You make them sound like monsters.” [Grimsby said]

He scoffed. “If only. Monsters are much simpler to deal with than people.” His face grew grim. “Much simpler.”

What’s Long Past Dues About?

Tired of the grunt-work and make-work befitting a rookie and relatively-untested Auditor (despite the heroics that got him his job), Grimsby acts on impulse and hijacks a case assignment from the closest thing he has to a friend in the Department of Unorthodox Affairs. It’s an investigation into the remains of an unidentified ritual. His job is to figure out what the ritual was supposed to do and who was behind it—particularly if the ritual was intended to produce something hazardous to humans. Rayne can’t—or won’t—tell anyone why she was so curious about this particular ritual, but the fact that Grimsby stole the assignment from her is enough to put their already tenuous relationship at risk.

Jumping into something out of his depth and under orders to make sure he’s not working alone, Grimsby tries to shake Mayflower off of his new/renewed attempts at putting the bottle to his head and pulling the trigger. Mayflower eventually emerges to help—not because of anything Grimsby said, or out of a sense of duty. But Grimsby dropped a photo that reminded Mayflower of one of his biggest successes, one of the rare times he shot someone and wasn’t haunted by it. How is anything about it back to rear its head?

Grimbsy and Rayne fluctuate between working together, racing each other, and trying to save each other while on this case.

While Grimsby was waiting for the Huntsman to come around, he spent a little time trying to help Wudge with something. It didn’t go wholly according to plan. Or much according to plan at all, really. Along the way, Grimsby picked up something that twists his magic in a way he’s having trouble adjusting to. And picked up an enemy—or at least adversary—or three. All of which is going to complicate things for him in the immediate future.

Digging Deeper into Mayflower

The first book explored both partners, but we learned more about Grimsby for sure. The accent fell more to Mayflower in this book—at least when it came to backstory and filling out the character—Grimsby was the focus of the plot again, to be sure.

That said, I think most readers would’ve guessed correctly to 95+% of what we learned about Mayflower here. But it’s good to have it spelled out for us—not in a spoon-feeding way, but the kind of confirmation that’s welcome. We also get a better understanding of what Mayflower sees in Grimsby, why he stuck up for him, and did what he had to to get Grimsby recruited by the Department.

Again, we probably could’ve guessed it, too. But I liked actually getting to see it.

I enjoy the way the two partners see themselves and each other—the way those perspectives conflict with each other and the way they roughly match up.

Wudge

It’d be super-easy to consider Wudge as comic relief primarily—with a hint of pathetic. Sure, he’s good for another perspective on the supernatural world and to help Grimsby out in a pinch—but he’s first and foremost someone to laugh at. Like Dobby. (I’m saying that because I’ve slipped into it, and that makes me feel better)

But it’s a mistake to think that—he’s more like Gurgi early on—funny, pitiful, with a hint of malice. Like Hearne’s hobgoblin Buck, but less trustworthy (and less easily amused). He’s dangerous, he’s looking out for himself more than anything—and is perfectly willing to take advantage of Grimsby. You, like Grimsby, can’t help but like him when he’s around. You feel bad for the guy and hope that Grimsby can give him the assistance he needs.

But something tells me that he’s more like the scorpion that stings the frog as they’re crossing the water together—his nature isn’t to pal around with a human. And we’re going to regret chuckling at him in the near future.

Or, I’m way off base and I’m going to have to come along and issue a retraction.

The Anti-Nick Fury?

Without getting into particulars, this book ends in a very similar way to the way its predecessor did. Someone out there is scheming, picking up the pieces from whatever Grimsby, Mayflower, and the rest of the Department left behind (and one has to assume they’re doing this with non-Grimsby cases, too). Exactly what they’re doing with the people and artifacts left behind we’re not told. It’s clearly ominous, but that’s about it.

It’s like the opposite of the post/mid-credit scenes in the early MCU movies where Fury is recruiting people for the Avengers Initiative. It’s more like those scenes in the Garfield Spider-Man movies (although, it’s been a few years so my memory is pretty fuzzy)—everyone, including Spidey, has thought he saved the day, righted the wrongs, and sent the bad guys packing, someone is out there coming along behind him with something clearly nefarious in mind.

Now, if James J. Butcher has really learned much from Jim Butcher, I expect that we’ll see/start to see what this has all been leading up to in Book 5. But I figure he knows that readers might expect that—so maybe it’ll be Book 4 or 6 instead. Whenever he reveals what’s cooking in these last looks, it’s going to be big. And it’s going to be bad news for Grimsby and Mayflower. It’ll be good for the reader, no mistake, but bad for our heroes.

Grimsby climbed out of the jeep and glanced around at the lot of black, mirrorless cars. Mayflower’s rusted-out vehicle stuck out like a mountain crag in the middle of a rolling black sea.

“Didn’t they offer you a car when you came back?” he asked as they entered the building’s concrete facade.

“They tried,” Mayflower said, then scoffed. “Even insisted.”

“And you said no?”

“That jeep has been with me since the start. I’ve rebuilt her from little more than scrap more than once. I know every sound she makes, every grind of every gear. You think I’d trade that for anything?”

“Okay, but have you ever thought about the ship of Theseus?”

“Yes.” The Huntsman scowled. “But Theseus never had a jeep.”

So, what did I think about Long Past Dues?

So, yeah, I picked up on the big twist pretty early on. And then the twist to that twist, too—although I’m not sure I got that earlier than Butcher wanted us to. Being ahead (?) of where we were supposed to be didn’t diminish things at all for me—if anything it amped up the suspense for me because I wondered how long it was going to take for Grimsby and Mayflower to suss it out, and how bad things were going to have to get for them to see it.

I’m rarely that into a twist surprising me—I’m far more interested in how the reveal is executed and Butcher did it just right here—I wouldn’t have minded the heroes putting the pieces together a bit quicker, but I’m not going to complain about how it came about. What I didn’t expect was just how it was going to play out after the reveal—and what the long-term ramifications were going to look at. And…whoa.

So much of what I thought was going to happen to/hoped would happen for Grimsby over the next few books went away in a paragraph or two. I feel so bad for him—and am so filled with anticipation to see what Butcher replaces my expectations with.

I really appreciate the way the partnership between the Huntsman and the rookie Auditor is developing. Whatever their bond in Dead Man’s Hand may have been, they’re not BFF’s by any means at this point. There are growing pains ahead, stops and starts to their partnership, and some pretty big obstacles they need to work through. But at the core—that relationship, respect for, need (?) for each other is a great starting point to see both grow as people and agents. I don’t know that Mayflower will ever get all his issues resolved, all his personal demons exorcised, etc. But he can get closer, he can maybe become really functional again—and that’s enough.

We got a couple of new and potentially recurring characters here that I really enjoyed. The magic—and the magical worlds—are enough to satisfy an Urban Fantasy fan. The monsters—and how they manifest in the real world—are great. The societies—Usual and Unorthodox—are intriguing in all the right ways. The banter is just what a buddy-cop reader wants to read. The moral choices aren’t easy or too clear-cut (which is great). The principal characters are engaging and believable. Basically, this series is really working for me. I can’t list all the things it’s doing right, actually.

I don’t have any major criticisms or complaints—I just want more of this series. Next year and for at least a handful of years to come. Long Past Dues didn’t disappoint and lived up to the promise of Dead Man’s Hand. Can’t ask for much more.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Ballad of Bonaduke—Episode 38: Operator by R. T. Slaywood: An Overall Lack of Bedside Manner


The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 38: Operator

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #38
Format: Kindle Vella Story
Read Date: November 9, 2023

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

What’s Operator About?

Bonaduke is in rough shape when they get him back to the apartment, collapsing before he can really do much at all. The others rush to his aid, but since doesn’t realize how much he’s injured he struggles against it. He more than struggles–he lashes out (effectively, it should be noted) when the treatment/examination hurts as much as the injuries do, or inflames them.

The others struggle to restrain him and largely have success until Myrrh enters the room, and his rage toward her fuels him to attack her with magic unlike he’s been able to before–and when that fight is over, everything fades to black.

If it weren’t for the fact that there are dozens of episodes left (with more to come), you could make the case that this was a cliffhanger. But the suspense around Michael’s continuing existence is low. The real question is…what’s the situation going to be like when he comes to?

So, what did I think about Operator?

Too often in fiction (on page or on screen) I can’t help get frustrated by the lack of communication–honestly, if someone had taken a moment to talk to Bonaduke–or to listen to him–here, things might have gone better for all involved. Maybe not, but it would’ve been nice to see some effort.

There’s a point or two that would’ve been helped with a dialogue tag, honestly. The other part that would’ve been nice is to refer to some of these old faces with more than a name–something to help those of us who haven’t thought of them in 20 episodes or so to remember who they were. None of these are significant issues, and might say more about my memory than anything.

Overall, it was good to dip my toe back into the water here–and hopefully, I get back into regular reading of it. And, most importantly, I want to see what the next episode holds.


3 Stars

The Ballad of Bonaduke—Episode 37: Last Leg by R. T. Slaywood: Some Aftermath, and a Glimpse of What’s to Come


The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 36: Roadside Assistance

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #37
Format: Kindle Vella Story
Read Date: October 19, 2023

“C’mon, we need to get going.” His words pinballed in my mind and took me a couple seconds to take hold. He offered me a hand.

“I don’t think I can.”

“I told you, I can’t leave you, and we need to go before we draw any more attention.”

“No, I mean I don’t think I can move.” I said barely clinging to consciousness. Looking down I could see how bad I was beat up. A wet borrowed shirt, covered in blood and watered down ink was now torn in a dozen places. Beneath which were scraps and gouges at various points of bleeding. My legs and jeans were not looking much better.

I also seemed to have lost a boot.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars).

What’s Last Leg About?

It takes some work for Bonaduke to pull himself together after the ending of Episode 36–no matter what he knows really happened, his mind saw something else. And you just can’t shrug that off.

But he has to get moving–Zero helps him (one boot and all) to the car so they can go get some medical attention, get off the street, and regroup.

Eric’s not doing well–everything he’s experienced is so far from what he’s capable of understanding that his mind is having a hard time coping.

And, well, that’s about it, really.

So, what did I think about Last Leg?

This felt longer than usual (but I’m not doing word counts, so who knows). Which is good–things got to breathe a little bit. This is still very much a transition from the last mini-arc to the next, but Slaywood accomplished a little more than that.

I think we’re about done with Eric–which is good and bad, I liked him, but I think he’s served his purpose. Although it’s possible that he’s going to get drawn in even deeper with Bonaduke and the rest. Which will not end well for him.

I may have an idea where we’re headed for the next episode or two, and I’m intrigued.

I don’t have much to say, really. Good episode overall.


3 Stars

PUB DAY REPOST: An Inheritance of Magic by Benedict Jacka: I Cannot Recall the Last Time I was This Excited about a New UF Series

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #1
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 384 pg.
Read Date: September 22-26, 2023
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This is Hard

I want to limit my comparisons between this new series and Jacka’s previous series to just one section—but that’s not going to happen. It makes sense, I suppose. It’s Jacka’s first non-Alex Verus book (other than the two hard-to-find children’s novels), so comparisons are inevitable, but I don’t want to turn this into an X vs. Y situation.

I will say at the outset, that if it wasn’t for the name on the cover, I don’t know that I’d have known they had the same author—so that tells you something about the comparisons. (except in quality—this is definitely up to the standards Jacka has established)

What’s An Inheritance of Magic About?

This is tricky. The Author’s Note at the beginning of the book tells us that this book is an introduction to the series. We are introduced to the world, the characters, the magic, and so on. Yes, there is a plot—a handful, actually—but the main point is for us to get oriented.

Basically, we meet Stephen—he’s roughly 20 and is fairly aimless. He doesn’t have the money (or, really, ambition) to go to University. He bounces from temp job to temp job, hangs out at his local with his friends regularly, takes care of his cat, and works on his magic in his spare time. It’s his real passion, but he doesn’t do much with it.

Then one day, some distant relatives that he’s never heard of come into his life (it’d be too complicated to list the reasons they give, and I think they’re half-truths at best, anyway). Suddenly, Stephen is thrown into a dangerous, high-stakes world of money and power—and he’s just a pawn to be used in the games of his “family” (and by family, I mean people that 23andMe would identify as relatives, but he’s never been in contact with or aware of for his entire existence). He’s a relatively unimportant pawn at that. He’s sort of grateful for that as he realizes it—but he’d have been happier if they never bothered him in the first place. Happier and with significantly fewer bruises.

However, through their machinations, he’s introduced to new levels of magic society and ways that the magic in this world works. Best of all he finds ways that he can be employed and use his magic—the best of both worlds. Sure, his friends don’t get it (not that he tells many of them, because he prefers that they think he’s sane), but he’s bringing in enough money to live and he’s getting stronger and more capable.

The World and Its Magic System

So, where the Alex Verus series was about one man and his friends/allies trying to navigate (and survive) the politics and power of the magical society in England (largely), at this point the Stephen Oakwood series appears to be about one man making his way (and hopefully surviving) the money and power of a different sort magical society—and it’s intersection with the non-magical world. We’re not just talking Econ 101 kind of stuff here—Stephen’s family appears to be some of the 1% of the 1% and there are huge multi-national corporations involved here with defense contracts to governments all over the world.

Basically, Alex had an easier place to navigate.

Most of the magic that’s used in this world comes from sigils—physical objects created from various kinds of energy wells (earth magic, life magic, light magic, and so on) to do particular tasks (shine a light, augment strength, heal minor wounds, etc.). There are likely bigger and better things along those lines (hence defense contracts), but that should give you an idea. The overwhelming number of these sigils are pumped out by some sort of industrial companies and are only good for a limited amount of time.

Stephen was taught (by his father, and by himself) to make sigils on his own—his are individualized, artisanal kinds of things. Think of a sweater you get from some hobbyist off of Etsy vs. the kind of thing you can get for much less at Walmart or on Wish—quality that lasts vs. cheap and disposable. He also reverse engineers almost all of his sigils—he sees something in a catalog (no, really, this is how people get their sigils for personal use) or in use and tries to figure out how such a thing will work and then sets out to create one.

I don’t know where Jacka is going to go with all of this, obviously. But I love this setup.

Alex and Stephen

It wasn’t until I was just about done with the book that I finally figured out what Alex and Stephen had in common—which is odd, it was staring me in the face for most of the novel. But before that, I really wouldn’t have said they had much in common at all.

Stephen is our entry point to this world, and he only knows a little bit about it so as he learns, so does the reader. Alex pretty much knew everything that was going on in his world, so he had to catch the reader up—or he could help Luna understand something (and make it easier for the reader to learn that way). Stephen has to learn almost everything by getting someone to teach him, or through trial and error—either way, the reader is along for the ride and learns with him.

Similarly, Stephen’s really just starting to get the knack of his abilities where Alex was already a pro—sure he had more to learn (and his power increased), but Stephen’s not even a rookie, really when things get going.

Stephen had a loving and supportive father growing up, a strong group of friends, and experience outside the area of magic users—something we never got a strong idea that Alex ever had. Alex had trauma and hardships behind him—Stephen doesn’t. So their personalities, outlooks, etc. are very different from the outset.

It’s not really that shocking that the protagonists of two different series wouldn’t be that similar. And yet…we’ve all read a second or third series from an author with a protagonist that’s just a variation of their initial breakout character. So it’s good to see that Jacka’s able to make that transition between his two series—it gives you hope for what he’s going to do in the future.

Oh, what did I finally realize the two characters shared? They watch and learn. Alex does it because that’s essentially what his abilities were—he could sift through the various futures and decide what to do based on that. Stephen just doesn’t know enough about anything so he has to sit and observe—and from there he can decide how to act. But where others will try to think first and act second, Stephen and Alex watch first—and for a long time—before they think and then act. It’s something not enough characters (especially in Urban Fantasy) seem to spend much time doing. So I’m glad to see it.

So, what did I think about An Inheritance of Magic?

I am just so excited about this series. I didn’t know how Jacka could successfully follow up the Verus series. I trusted he would, because he’s earned that over the last decade—but, I didn’t expect that I’d respond so positively so soon.

We need to start with Stephen’s spunky attitude—with a little bit of a chip on his shoulder due to his circumstances in life (that grows to a degree as he learns how much he and his father missed out on and starts to guess why)—is a real winner. He’s got a gritty (in an Angela Duckworth sense, not Raymond Chandler or William Gibson sense) outlook, is generally optimistic—and can even be funny—all the attributes you want in an underdog.

Then there’s the world-building that I tried to sketch out above—and did a not-wholly-inadequate job of. I want to know more about it—and figure increased familiarity is just going to make me more curious.

I have so many questions about the family members who’ve inserted themselves in Stephen’s life related to their motivations, trustworthiness (I suspect at least one will turn out to be an ally, however temporary), goals, and abilities. I have those questions about Stephen’s guides and allies—and think at least one of them is going to turn on him in a devastating way (thankfully, he doesn’t trust most of them completely). There’s also this priest who keeps assigning him theological work to study. Some good theology, too. I don’t fully know where this is going—but I’m dying to find out.

Are we going to get a Big Bad—or several—for Stephen to face off against? Or is this simply going to be about a series of obstacles Stephen has to overcome until he can carve out an okay existence for himself? Is this about Stephen becoming one of those 1% and the corruption of his character that will necessitate?

I’m not giving this a full 5 stars mostly because of the introductory nature of the book—also because I want to be able to say that book 2 or 3 is an improvement over this (which I fully expect). But that says more about me and my fussy standards than it does about this book. I loved it, and am filled with nothing but anticipation for the sequel/rest of the series. It’s entirely likely that as this series wraps up that we’re going to talk about the Alex Verus series as Jacka with his training wheels on.

I’m now in danger of over-hyping. Also, I’m going to just start repeating laudatory ideas. Urban Fantasy readers need to get on this now.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.

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4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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COVER REVEAL: Mist Gallows by Meri Benson, Marie Sinadjan

I’m very pleased to welcome the Cover Reveal for Meri Benson and Marie Sinadjan’s Mist Gallows to The Irresponsible Reader this morning! This novel is the third in the series, The Prophecies of Ragnorak. Before we get to revealing the cover, let’s learn a little bit about the book and author, shall we? It’ll just take a moment, and then we can all feast our eyes on the cover. Oh, and there’s a word about a sale on the series, too.

Book Details:

Book Title: Mist Gallows by Meri Benson, Marie Sinadjan
Series: The Prophecies of Ragnorak, Book 3
Genre: Norse Mythology Based Urban Fantasy
Digital Release Date: October 13, 2023
DPaperback/Hardcover/Audiobook Release Date: TBA

About the Book

Are you ready for the battle of a lifetime?

The end has begun. Ragnarok has arrived as prophesied. The Great Winter has brought Midgard to its knees, and it’s only a matter of time before the gods and their armies clash on Vigrid one last time.

Desperate to save the realms, Victor leads his friends on a mission to the underworld. He intends to seek out Hel, daughter of Loki and Hodr’s lover, and convince their side to stand down and make peace with Odin, therefore averting the war.

But a far greater threat than the reckoning of an ancient feud looms on the horizon. Silje learns that Yggdrasil is dying, and if the Tree of Worlds dies, the worlds die along with it…

Book Links

Pre-Release Sale

Digital Edition Sale (October 6-13) Info:

About the Authors

Meri Benson is a Chicago native that has always been in love with the written word. When not living in other people’s worlds, she’s creating her own. From urban fantasy worlds that mirror our own to fantasy worlds that are all their own. Her favorite distractions from creative endeavors and writing are her two cats that enjoy ‘helping’ by settling themselves on her, or whatever project has stolen her attention away from her number one “fans”.

Website ~ Twitter ~ Instagram ~ TikTok ~ Threads ~ Newsletter ~ Linktree

Marie Sinadjan is a Filipino fantasy author, singer-songwriter, and musical theatre actress. The Prophecies of Ragnarok is her debut series, though her short stories have appeared in anthologies, magazines and literary journals. She mainly writes fantasy of the mythology, fairytales and folklore variety. When not crunching numbers for her full-time job or spending time with her family, she’s traveling, drinking coffee, reading and reviewing books, dreaming up more worlds, writing more songs, or serenading vegetables. She currently lives in the United Kingdom with her husband.

Website ~ Twitter ~ Instagram ~ Facebook ~ TikTok ~ BlueSky ~ Threads ~ Newsletter ~ Linktree

and now…

The Cover

Mist Gallows Cover

You see that on a shelf, you’re taking a second look to catch the details, right?

It’s out next week, be ready to jump on it then!

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