Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 1 of 145

Pigeon-Blood Red (Audiobook) Ed Duncan, read by Dave Keyser: No Muss, No Fuss, Just a Solid Thriller

Be sure to come back in a couple of hours to read a Q&A with the author, Ed Duncan.


Cover of Pigeon-Blood Red by Ed DuncanPigeon-Blood Red

by Ed Duncan, read by Dave Keyser

DETAILS:
Series: Pigeon-Blood Red, Book 1
Publisher: Next Chapter Audio LTD
Publication Date: September 2, 2022
Format: Unabridged Audiobook
Length: 5 hr., 59 min.
Read Date: October 28, 2024

A Quick Word

You should’ve read this in early November. But communication errors, busy schedules, and (I’m assuming) life in general got in the way of both Mr. Duncan and myself. And I feel bad about my part in that. Thought I’d take a moment up front to issue an apology to Mr. Duncan and his publicist.

What’s Pigeon-Blood Red About?

Stop me if you’ve heard this before, but a grizzled enforcer and his partner make a mistake that leads to a panicky guy stealing from their boss. This guy, Robert, is already in some serious debt to their boss, Litvak, and this just makes it worse—especially when Robert leaves town suddenly and tries to use the theft to leverage Litvak into writing off the debt. Litvak doesn’t like this idea, and sends the enforcer, Rico, to track down Robert, deal out some punishment, and come back with at least the stolen item—and maybe more.

Yeah, this feels incredibly familiar—which is not a deal-breaker at all, it just makes it easy for the reader/listener to get into the story. As always, it’s what the author does with a familiar set-up that makes it worth the ride. And Duncan doesn’t disappoint there.

That largely has to do with other people that Rico and Robert encounter along the way—some of whom get swept up in Rober’s foolhardy and desperate moves and find themselves in Rico’s cross-hairs when they’re just trying to live their lives. But you should learn about them for yourselves.

Some of These People are the Worst

Seriously, you can hear Jean-Ralphio singing it as you think of some of these people. I’m not even talking about the hitman here—but some of his targets. Okay, his boss isn’t that great, either. But he’s supposed to be a morally bankrupt scoundrel. The more we get to know—and the more we see from—Robert and some others and you can’t help but wonder if the world will be a better place without them.

I will say that it took me a little longer to warm up to Rico than is usual in this type of book. Our introduction to the character—the first real thing we see from him—really made it hard for me to want anything more than to see Litvak put him in a hole somewhere, but that changed.

How Was the Narration?

My initial reaction to the thought was “absolutely fine,” and I was prepared to move on. However brief that answer was.

But Keyser deserves a little more than that, I think. He really was a great match for this material—I wish I could find other audiobook credits for him to see how he does with other genres (and am a little discouraged to see that he’s not attached to the rest of this trilogy). He could handle the lighter moments–the sweet moments–as well as the not-even-close-to-sweet moments when bullets are flying equally well (and we’ve all heard narrators that can’t quite pull that off in the same book).

I really enjoyed his work and think he made a series of really smart choices and executed them well.

So, what did I think about Pigeon-Blood Red?

After various and sundry delays, it was hard for me to remember some details that I wanted to, so I listened to a few bits again—and I really had a hard time forcing myself not to just listen to the whole book again (if I had one more day on a Libby book, I probably would’ve indulged myself). I think that says plenty about this book.

Duncan assembled this particular book very well, there were a lot of moving pieces—and plenty of backstories to bring in—and he managed to keep the reader engaged with all the characters while maintaining the pace and building the tension. I really admired that–in a longer book that might have been easier, actually, but this is a quick listen and to cram as much in as he does is no mean feat (and it never feels crowded, crammed, or rushed).

There’s a scene that I’ve spent some time thinking about again and again since I listened to this–it’s a pivotal scene toward the end. It could be a scene from a farce—it’s full of mistaken identities, close calls, crazy chains of events, and so on. You add a jaunty, bouncy soundtrack and an exaggerated facial expression or two, and it could be seen as comical. If you ignore the blood, terror, and death, that is. I could see it all very clearly in my mind, and I think Duncan faked me out a little bit (see: mistaken identities). Duncan and Keyser both were spot-on during this scene/sequence and earned a lot of trust from me there.

I found something to like in all the primary characters, (other than Robert and unnamed persons from the above section), and got invested in the outcomes surrounding them. By the end of the book, I wasn’t actually sure what character(s) the trilogy would follow and could see myself signing on to whatever ones Duncan stuck with. I was pretty sure it’d be Rico—and the title of the third book, Rico Stays gives it away. But that I’d have been open to some others, I think tells you a lot.

Was this a book that ever really blew me away? I don’t think so—but I was engaged and entertained through it all. It was entirely satisfying (if you ignore the bump with Rico in the beginning, but I got over it). And now that I’ve finished this post, I can get to listen to the rest of the trilogy in short order. Be prepared to sign on to a trilogy if you start this (a quick-moving trilogy, I should stress).

Disclaimer: I received a copy of this audiobook from the author and Kelsey Butts at Book Publicity Services. Other than giving me something to opine about, this did not influence my opinion which is honestly reflected above.

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Broken Bonds by Amy Mantravadi: 16th Century Figures Come to Life in This Novel

Cover of Broken Bonds by Amy MantravadiBroken Bonds

by Amy Mantravadi

DETAILS:
Publisher: 1517 Publishing
Publication Date: November 26, 2024
Format: Paperback
Length: 300 pg.
Read Date: December 15-22, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Broken Bonds About?

This is a work of historical fiction focusing on April 1524-January 1525, at what will prove to be a significant period in the German Reformation. The narrative focuses on three men: Desiderius Erasmus, probably the greatest scholar of the era, and a would-be reformer of the Church; Martin Luther, the Reformer (who went further than Erasmus would’ve), and Philipp Melanchthon, a promising young scholar with ties to them both.

The book follows their connections and interactions with each other—as theoretical as some of them might be—as leaders put pressure on all three to sway them one way or the other, to pick up their pen (or lay it down) for an end, to cease their efforts to reform the Church, to increase their efforts to reform the Church (in ways they cannot agree with), and so on.

Martin Luther

Luther is the most well-known of the trio today, for good reason. In this novel we see Luther trying to reason with his former friend Karlstadt as the latter continues to cause trouble for Luther and everyone in their area. Luther is also trying to get more compensation for and more opportunities to teach and write for Melanchthon—for the sake of the young man’s family and the University of Wittenberg, who could use him.

He’s also dealing with some personal issues—how far does he go himself? Does he give up the monastic robe for that of an academic? It’s so much of his identity, he still holds the vows he swore before him, it cost Luther so much personally to follow this path—and despite the upheaval in his life, is he prepared to lay it all aside? This was so excellently done.

We get some glimpses of some of Luther’s multiple medical issues, a little bit of his humor, and a delightful relationship with and interaction with his goddaughter, too. Mantravadi is careful to present us with a human Luther, not some superhero.

Looming over all that Luther does here is an impending intellectual showdown with the one man he’s not sure he wants to debate with, but is steeling himself to lock horns with:

Desiderius Erasmus

Before Luther burst on the stage, it was easy to think of Erasmus as the greatest Christian thinker, writer, and scholar of his time. Erasmus did try to push for some institutional reforms and had many of the same aims as Luther, but he went about things in a less inflammatory way.

He’s been dodging requests and pleas to interact with Luther for quite some time now—but the pressure is mounting and he’s not certain he can do so much longer. Reluctantly, he picks up his pen to compose On Free Will to directly counter some of Luther’s teachings.

We get a very sympathetic view of Erasmus and his interactions with friends and Protestants he interacts with daily. His health struggles are different than Luther’s but painted just as vividly here. One bout of kidney stones, in particular, almost triggered flashbacks to my last one. I found myself really liking Erasmus and pulling for him.

One of Erasmus’ greatest goals—to chill the Lutheran movement, to further promote diverse ideas in the Academy/Church, and to hand off his work to a brilliant scholar—is to get Melanchthon to come to work with him, and essentially assume his mantle when he’s gone.

Philipp Melanchthon

Melanchthon is a struggling academic, just trying to make enough money to provide for his wife and daughter. He loves to be in the classroom (and it shows), but he’s equally open to teaching in other places, too. He sides with Luther, just not as vociferously as some may want—but Luther appears to trust him.

Melanchthon is tempted to take Erasmus’ offer—it’s a dream situation for him, it’s exactly what he wants. But he’s afraid that he’d have to water down or abandon his Protestant convictions and he’s not ready to do that.

His depiction is easily the most relatable, the most appealing—between the way other characters (particularly Erasmus and Luther) talk about him and the way that Mantravadi shows him, you could make the argument that the others are supporting characters in a novel where the young man is the protagonist.

He does frequently seem too much like a 21st-century man rather than one from the 16th. Particularly when it comes to talking about his wife and daughter. But maybe that’s just me. I really liked it, so I don’t care. Hopefully, it’s close to the truth.

The last thing I want to say about Melanchthon is that there’s a scene with a bunch of students for a sort of study club (best way I can summarize it). It is one of my favorite fictional depictions of a teacher and a group of students since John Keating and that ill-fated group at Welton Academy. I don’t want to give you details, but more than I want his family life to be the way that Mantravadi depicts it, I want this to be true.

The S-Word

So, a lot of the subjects of this book—particularly when it comes to health, but even beyond it—are what some would call “earthy.” It wasn’t a pleasant time to live in many ways, particularly digestive. Anyone who’s read much of Luther’s daily life, humor, or personal history well knows that he can be somewhat scatological. The working of his bowels is a frequent topic for him.

Erasmus isn’t much different. Melanchthon, thankfully, is—but not the people he spends time with.

It’s likely not enough to put anyone off—if anything, it might recruit some younger readers 🙂 But Mantravadi has her characters use vocabulary that Christians in the 16th Century would for these processes and products, even if most 20th/21st Christians would hesitate to use it. Just a word of warning for those who might be put off.

So, what did I think about Broken Bonds?

I went into this with some hesitation—the last two fictional works I read about this time period put me off in a serious way. (one was pre-blog, so I can’t point you at anything I wrote, and I don’t feel like picking on the other again). But I know that Mantravadi has a good reputation among some Church Historians—and even heard her interviewed by one a few years ago, so I felt safe.

I’m so glad that I did—these characters came alive to me in a way that two of them haven’t before (even if I think she handled Luther with kid gloves). She used their positions, arguments—sometimes even words—well in the progress of the novel. There are plenty of footnotes for those who want to dive more into their works. Which is always a bonus in this kind of work (also, footnotes—not endnotes).

The historical detail is there, but not so much of it that you get bogged down in it—the pacing keeps moving at a good clip throughout. Are some of these events overly-dramatized? Quite possibly. Are some of these under-dramatized? Equally possible. It is, in the end, a work of fiction and that needs to be remembered.

It’s a fast-paced read for something in this genre, it’s sympathetic to all its protagonists (even when they’re at odds), there’s good tension—even when it comes to talking about academic pursuits (not the easiest thing to dramatize), and there’s a heart and warmth to it all.

I think this would work for middle school-aged readers, and for most adults, too. You might even learn a little about history and theology while you’re at it. It’s definitely worth the investment of time. I’m more than ready for the second in this duology.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST ‘CUZ: Deep Dark Night by Steph Broadribb: High Stakes Danger for Lori Anderson in the Windy City

Deep Dark Night

Deep Dark Night

by Steph Broadribb
Series: Lori Anderson, #4

Kindle Edition, 320 pg.
Orenda Books, 2020

Read: January 16-17, 2020
Grab a Steph Broadribb book from your local indie bookstore!

I’ve always felt an element of fear about the jobs I do. In the right dosage it can help you. It gets your adrenaline firing, makes you think clearer, faster—gets you alert and ready to tackle anything that comes your way. But if the fear builds too much, all that good stuff swings things around; the nerves make you hesitant, jumpy and too cautious. That’s when you start making mistakes. And mistakes, in my world, can be fatal.

After barely getting to take a breath following the events of Deep Dirty Truth, Lori finally gets the chance to work off her debt to FBI Agent Monroe. This puts Lori and JT in Chicago trying to get the mobster Cabressa to take possession of some stolen goods. Once that’s done, a series of dominoes will fall and Monroe will be able to put him away for a very long time.

So he insists, anyway.

Step one involves Lori getting an invite to an incredibly exclusive Poker game, Step two involves giving her a crash course in playing Poker so she seems mostly credible in the game. (this isn’t presented as a comedic segment, but I chuckled at this part of the book—also, I’m jealous, I wish I could learn how to play like this).

Now, every thriller reader knows what will happen next—no plan, no matter how thorough, how well-thought-out no matter who’s involved, will work. If for no other reason than it would produce a dull novel. But also, every thriller reader has heard the line, “no plan survives first contact with the enemy” and knows it to be true. The questions that need to be answered are: how badly will the plan go awry? and How will Lori and JT react to it?

So let me assure you, when this plan is derailed, it’s derailed in a spectacular fashion, providing a lot of danger for our heroes, peril for those around them, and more than enough tension to satisfy a hungry reader. Lori and JT respond appropriately, not perfectly (which would be boring), but they display the stamina, resourcefulness, and tenacity we’ve come to expect from them.

The poker game collected quite the interesting mix of players—sports figures, politicians, as well as shady characters like Cabressa. When things go wrong during the game, it opens things up for a lot of drama and conflicting interests causing trouble for all involved. Suddenly, Lori and JT can’t focus solely on getting Cabressa to fall into Monroe’s trap—they have to worry about survival—their own, and as many others that they can help. Sure, Cabressa is still their target, but there’s a lot they have to go through before they can make him a priority.

I’m not going to get more in-depth than that, I’ll leave it there and say there’s more than enough going on plot-wise to fuel a book at least half again as long as this one. Broadribb has stacked the deck against the pair and it’s great to watch them try to navigate the situation.

The game takes place at the top of a pretty high building in Chicago and the action centers around that location, stories above the ground. In the real world, I’m pretty acrophobic—and occasionally (okay, more than occasionally), a movie can get me to feel the anxiety that heights can bring out in me. I don’t remember ever feeling symptoms while reading a book, but I did here. It’s not like Broadribb focused all that much on the height and risk of falling (it was there, but she didn’t belabor the point), but something about the way that she told the story, flicked that particular switch in my brain. There’s something very disconcerting about sitting in a comfortable seat (on the ground level like a sane person) but feeling like I was standing in a precarious* location several feet off the ground. I’m not promising that anyone else will experience what I did, I assume the rest of humanity is a bit better adjusted than I am, but for me that was an unexpected “bonus” to the book.

* Yeah, fine, my definition of a precarious location applies to perfectly safe—even benign—spots.

I’m a little worried about the long-term health of Lori’s elbows. She uses them so often as weapons, she probably heads back to Florida with at least one of them horribly bruised. I don’t remember this being the case in the previous novels, maybe I just forgot—or maybe she’s just relying on the technique in these circumstances (I remember more than once the narration in a Jack Reacher novel talking about the usefulness of that tactic compared to the use of a fist).

As far as long-term character development goes, Lori and JT start a conversation they’ve needed to have since, well, since we met the two of them about Dakota and why Lori didn’t tell JT about her before she did. This will prove helpful in the future and provide the opportunity for the relationship to grow and change. The two of them have some sort of plan going forward about their careers and daughter, but we’re going to have to come back to find out what they have in mind. Seeing these two deal with each other and their daughter is almost as rewarding to me as the action-hero kind of thing is, and Broadribb’s featuring both sides of Lori like this is a real strength of the series.

For my money, this is the best of the series—she’s got a real handle on these characters by now and knows just how to put them through the wringer in a way that provides real tension and thrills. I got more wrapped up in this than I expected to (and I had pretty high expectations at this point in the series), and it was absolutely worth it. Book five cannot arrive soon enough for me.

If you haven’t met this bounty hunter yet, you need to—either in the pages of this book or the beginning, either would work (but you might as well just buy the set all at once, you won’t be satisfied until you read them all). Deep Dark Night will win Broadribb some new fans and confirm those readers already along for the ride.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Robert B. Parker’s Hot Property by Mike Lupica: Even Tough-As-Nails Attorneys are Mortal

This has taken me far too long to get to. But I’m here now.


Cover of Robert B. Parker's Hot Property by Mike LupicaRobert B. Parker’s Hot Property

by Mike Lupica

DETAILS:
Series: Spenser, #51
Publisher: G.P. Putnam's Sons
Publication Date: November 26, 2024
Format: Hardcover
Length: 334 pg.
Read Date: December 3-4, 2024
Buy from Bookshop.org Support Indie Bookstores

She closed her eyes again and was still, and I was afraid she’d gone back to sleep. Three tough guys in here with her, as tough as she had ever known, but she had always considered herself to be as tough as we were, even making her way in a mostly man’s world. But now she had found out what all of us found out eventually, that tough was always the one with the gun.

What’s Hot Property About?

Rita Fiore is shot while walking to the gym. It’s serious—no one knows if she’ll make it. Spenser, Hawk, Frank Belson, and Martin Quirk assemble at the hospital to wait for word and begin plotting how they’ll find those responsible.

Quirk and Belson will oversee the official investigation, and Spenser will take on the one that they all anticipate will get results. Hawk will be waiting in the wings for when he’s needed.

There are plenty of people who’d be interested in hurting Rita, sadly—a few dissatisfied clients, and many people that she faced off against in court and who came away hurting. Spenser starts there and then starts looking into her personal life, too.

Both of these angles end up revealing more than Spenser expected. Then someone dies—and Rita’s health remains uncertain. While she and the doctors do what they can to keep her going, Spenser, Hawk, and others will have to make sure she’ll be safe outside the hospital.

Honest Question

Do we know that Quirk and Belson are friends with Rita? I don’t remember them interacting in the books before—but we’re on 52 now, it’d be easy to forget. When she was a Norfolk County D.A., she probably didn’t interact with them much (if at all). And I don’t see how a litigator—particularly a defense lawyer—for the kind of firm she works for has a tendency to befriend Homicide detectives (or vice versa).

Lupica clearly knows his Parker lore, so I should assume that he’s right to portray things this way. But I just don’t remember it, and I can’t see why they would befriend her.

I do like the way this all played out, so I’m not complaining, either. It’s just pointing to a lacuna in my memory and it bugs me.

Susan

Susan always said that the problem with a good idea was that once it got inside your head, it was almost impossible to get it out.

I thought I might have one now.

One in a row.

I thought this was a decent usage of Susan throughout this book—she does a little more than just serve as an excuse for a plot recap and some banter (which even Atkins slipped into, although never as much as Parker did toward the end).

I was disappointed in her early reaction to Rita’s situation—but I should’ve trusted that Lupica wouldn’t leave her as petty (but not insensitive).

Lupica’s Style

“You’re a pretty funny guy,’ he said.

“Yeah,” I said, “but I’m trying to quit.”

Some of the humor lines felt a bit forced, but they still worked. It frequently felt like Spenser was trying to hone his crowd-work before his next stand-up gig, rather than just an inveterate smart-ass.

But that does bring up Lupica’s style as a whole. I’ve seen some people online (and in the comment section here) talk about how he doesn’t match Parker’s (or Atkins’) style. I think this is a good thing—I think he seemed to shoot for Parker’s voice with his Sunny and Stone novels, but here he’s not trying (or he’s doing a really bad job of it, probably the former). I don’t remember the voice in his Spenser debut, Broken Trust.

Instead of trying to mimic, he’s taking the path that Reed Farrel Coleman chose for his Jesse Stone books—he used his own while staying true (more or less) to the characters. Spenser and Hawk banter, Susan and Rita exchange suggestive dialogue with Spenser, Tony Marcus is obnoxious and code switches his diction on a whim, and so on.

Obviously, some people are going to prefer one take over another—I can actually argue both ways (and I think if you look back at what I’ve said about all the post-Parker writers you’ll see me doing that). But for now, I like what Lupica’s doing.

This is where I invite Robert Germaux to demur in the comment section (or in a Guest Post if he has a lot to get off of his chest). 🙂

So, what did I think about Hot Property?

“The dogs bark,” I said, “and the caravan moves on.”

Walsh raised an eyebrow. When I tried to do that, Susan said it looked as if ‘d developed a twitch.

“First Tennyson with you, and now Arab proverbs,” he said. “Are you absolutely certain you’re a private detective?”

“I can’t tell you how many times I’ve asked myself that exact same question lately,” I said.

While I’m not completely sold on all aspects of this book, I do think it was an improvement over Lupica’s first Spenser novel (and I considered that his strongest Parker-verse work!).

It was an interesting choice to go diving into Rita’s personal life—as well as seeing some of her legal work that didn’t require a certain P.I. to help. It was a look into Rita that we’d never really got before. I don’t know that her creator would’ve made all the same choices with her but the current torch-carrier did right by the character (and Christopher Farnsworth followed up on this well, but that’s for another day).

Lupica had all the requisite twists and turns to keep the reader guessing, the pacing just right, and there were some real sweet moments (and some not so sweet) between characters in ways we don’t typically get to see.

It’s gotta be hard to find new ways to satisfy readers in the 52nd book in a series, without just pumping out replicas of earlier books—but Lupica has done that here, and I’m looking forward to seeing what he brings us later this year.

For readers used to this series or those who are looking for a new one to try, this Hot Property is worth your time and attention—you’ll be glad you gave it a shot.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Serial Killer’s Guide to Marriage by Asia Mackay: Vigilante Power Coupling

Cover of A Serial Killer's Guide to Marriage by Asia MackayA Serial Killer’s Guide to Marriage

by Asia Mackay

DETAILS:
Publisher: Bantam
Publication Date: January 14, 2025
Format: eARC
Length: 352 pg.
Read Date: December 23-26, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s A Serial Killer’s Guide to Marriage About?

I had a long and drawn-out version of this planned, but I scrapped it when I realized it would be longer than everything else in the post—and you’d be in better hands if you read Mackay’s version.

So I’m going to try to be brief.

Every parent knows that having a child changes your life. There are two distinct phases—pre-child and post-child. If you’re in a marriage/long-term relationship, that changes, too. Significantly. Generally, it’s worth it—but we all know the “remember when we did X when we wanted to?” feeling. We all have to find new ways to relate to our partners, ways to keep things exciting.

But what if that X was killing people? People who abused women, in particular. What if the thing that brought them together, their joint purpose was this particular vigilantism—along with the travel necessary? What would they do after they had to put it aside for the safety and well-being of a daughter?

What would that do to their relationship? What would it do to them as individuals? What kinds of strain would be caused?

These, and many other questions, are answered in A Serial Killer’s Guide to Marriage

Hazel

You are going to almost instantly appreciate Hazel’s voice and perspective (assuming you can put up with the whole serial killing thing. But if you can’t, you’re probably not reading a book with this title)—part of that is because we start with her POV, partially because she’s a great character that anyone wants to identify with and empathize with.

She wants the best for her daughter and her husband. She’s a devoted mother and dotes on the girl. But she misses who she was. She misses who she and Fox were. She feels shackled by his decision to hang up their knives and live a “straight” life while raising their daughter (children?). She mostly agrees with the choice, but it chafes.

Hazel has never been good at making friends, but she’s trying to fit into her new, suburban life—going to mommy and baby groups, trying to forge relationships. And she is beginning to forge a friendship with a fellow mother when she discovers she’s made a bad choice. This new friend is a police officer.

Whoops.

Gripe #1: Fox’s Perspective

Fox does not make a good first impression—or at least Hazel doesn’t leave us with a good first impression. Thankfully, it didn’t take too long to see something from his perspective and it became possible to empathize with him some. In fact, once we get to see his self-deprecating wit, it’s hard for a reader not to like the guy a little—and to realize that Hazel was being (understandably) uncharitable.

It’s a thing that happens in marriage from time to time—especially the kind that could probably use a guide to marriage.

Fox is incredibly careful and thoughtful (about their criminal activities, anyway, not so much about his wife’s feelings). He does do much for Hazel—for their family’s sake—that he doesn’t tell her about, or explain fully.

There were two angles to things with Fox’s perspective that I think hurt the book as a whole while being things that Mackay clearly intended and I probably just don’t appreciate enough. The first is that we don’t know everything he’s up to and/or knows—this is done so we can learn about it at the same time as Hazel, which works for dramatic effect. But it feels like Mackay is cheating a little bit to get us there.

The other part comes as a result of Fox’s place in the novel—as a character, he’s second banana to Hazel. What she’s doing and thinking is far more important (and I get that), but in addition to having a lot hidden from us, parts of his story are rushed. There’s…a situation back in the States with his family’s company. We get a glimpse or two at it, and then it’s largely resolved—off-screen. It felt like a missed opportunity.

Gripe #2: Communication

One decent conversation with the person each thinks of as a soulmate. One decent conversation between people we see do so much for each other. One decent conversation between people who would die—or kill—for the other.

That’s all it’d take to make this a short story instead of a novel.

Or better yet, put them on a better footing so they could do other things together.

Yes, this is what happens between marriages all the time. Even ones where neither is a criminal of any kind. So it makes sense for Mackay to show this. But it could’ve been resolved quicker so we could see them as a couple (more or less on the same page, but not at loggerheads) when dealing with Fox’s family, Haze’s complicated taste in friends, parenting, etc., etc.

Sure, that’s not the story Mackay wanted to write—so I really shouldn’t gripe about it. But watching how she did everything else (very well, I want to stress), I’d have enjoyed seeing this version more.

So, what did I think about A Serial Killer’s Guide to Marriage?

I really enjoyed it. I wanted more from it though, as my second gripe (which looks worse on the page than it is in my mind) indicates—I think Mackay could easily have brought us something better. More like the Mr. and Mrs. Smith TV show than the movie (not that this is a great comparison in several ways, but it captures the gist).

So I’m going to move on from it there.

This is really aspirational in so many ways—their lifestyle? (obviously minus the murdering bits) Either in the carefree pre-parenthood days, or even the suburban version—is something that few of us will see. The travel, the house, the standard of living—it’s fun to imagine yourself there.

And honestly, we all sort of like the idea of being a lone vigilante (or a pair), doing the things the authorities don’t or can’t. Fox sees the comparison to a comic book figure—and embraces it with a grin. Readers will do the same.

At the end of the day, this is silly, trashy, fun—and I mean that as a compliment. I’m pretty sure that’s what Mackay was going for, and she achieved it. (if that wasn’t her aim, she still hit the mark). I think most readers are going to like it more than I did—I have a short list of people I’m gifting it to, and I am confident they will. Anyone who finds the pitch appealing is going to have fun with this Dexter-ish* comedy, and I recommend it to you.

* Heavy on the “ish.”

Disclaimer: I received this eARC from Random House Publishing Group via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: The Big Empty by Robert Crais: The Muffins Rode Shotgun

The post title there really has little to do with the book, but I loved the line so much, I had to use it.


Cover of The Big Empty by Robert CraisThe Big Empty

by Robert Crais

DETAILS:
Series: Elvis Cole, #19
Publisher: G.P. Putnam's Sons
Publication Date: January 14, 2025
Format: eARC
Length: 384 pg. 
Read Date: December 18-20, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s The Big Empty About?

I’m tempted to skip this part and rush to the bit where I insist you go pick this up, throw up the five stars, and call it a day. But I won’t—I’d feel guilty about it. But honestly, feel free to skip this. It’s just filler until I get to the .jpg with the stars.

The Baker Next Door is an Internet sensation, she’s moving on to TV and brick-and-mortar stores. But her success isn’t enough for her, something’s been chewing at her for a long time, so Traci Beller comes to Elvis with a cold case. The ten-year anniversary of her father’s disappearance is coming up, and she wants some answers. She’d prefer Elvis find him hale and hearty, but she doesn’t expect it. But she wants to know what happened before. Five years ago good investigators that Elvis knows couldn’t find him, and the state declared him deceased. But Traci wants to try again.

Something about her and her determination gets to Elvis, and he agrees to look at the LAPD’s file—as well as the records from the other PIs. Also, Traci gave him muffins. It probably doesn’t hurt that Ben Chenier is fan, either.

Still, it’s a cold case. It’s not going to be easy to find something new—and it’s only something new that will move the case forward. Otherwise, he’s just going to be doing what his predecessors did, just probably less fruitfully. Thankfully (otherwise this would be a short story, not a novel), Elvis asks the right question and gets the answer he needs.

On the other hand, he might have preferred the less eventful version.

Elvis and Joe

At this point, Joe Pike is practically a super-human, or maybe a human so fantastic as to be unbelievable—like Batman or Jack Reacher. And I don’t care (I don’t think anyone does)—because he’s not infallible and we all love to see him come in to save the day.

Meanwhile, Elvis has always seemed pretty mortal. Something happens in The Big Empty that emphasizes this mortality. It is not like what happened to Spenser in Small Vices, but it reminded me of it. But Crais handles it better and more believably—Elvis is not infallible, he’s not invincible, and it’s good for the reader—and for him—to get a reminder of it.

Still, it appears that Crais has taken the “stop the characters aging” route—we don’t get references to Vietnam anymore to keep them from seeming as old as they are (see also: Spenser dropping references to Korea). I don’t care how much Tai Chi or whatever Elvis does—he’s too old to do half of what he does. I’m absolutely okay with that, I don’t need to see inconveniently-timed sciatica messing up Pike’s silent approach to a building or Elvis needing a cane or a hearing aid to get through the day.

Basically, I wouldn’t change a thing about what Crais has done with these characters, nor what he’s doing with them now—and The Big Empty is one of the best books to showcase the strengths of his approach to the characters since The Last Detective.

On the Other Hand, We Have John Chen

Really, truly, John Chen is a lousy excuse for a human being—he’s a decent criminalist (it seems) and he’s really easy for Elvis to manipulate into getting what he needs. But the guy is about as self-aware as a piece of toast. His self-delusions are at the level of Pike’s omnicompetence—this doesn’t make him any less entertaining (or cringe-inducing) to read, but wow…some growth in his character would restore some of my faith in humanity.

I was so happy when he showed up in these pages, and I loved every moment with him. (so, yeah, I really don’t want him to grow or develop as a character)

But what I really want—and I don’t know how this could happen—is a short story/novella where John Chen and Roddy Ho have to team up. It would be the ultimate in HR nightmares, and the two would hate each other (I assume). But boy howdy, would it be fun to watch.

So, what did I think about The Big Empty?

Yes, it’s almost a foregone conclusion that I’m going to love a new Elvis Cole novel. But that shouldn’t take away from just how ____ing good this was. If this was my first time reading Crais, it would not have been my last—and I’d have a stack of library books next to me now (which would be replaced by a stack of paperbacks fresh from the bookstore after I read one or two more).

There’s just something about Crais’ prose that makes you race through it. Because of the pace at which he puts books out lately, I wanted to take my time and savor it. Relish each paragraph. But you just can’t do it—the prose is so smooth, so well put together, that every time you try to slow down, Crais comes along behind you and gives you a nudge and you remember that you’re on a bobsled hurtling down the track. That almost sounds like you’re out of control—but you’re not. Maybe a better metaphor would be that you’re in a Lamborghini Murciélago, trying to drive slowly down a deserted highway to take in the scenery. But that car isn’t built for 35 MPH, and before you notice, you’re doing at least 80.

Also, that wasn’t me complaining (too much) about the pace Crais is publishing lately—if he was faster, that prose wouldn’t be as honed. He can take as long as he wants.

We got a larger-than-usual cast of supporting characters for a Cole or Pike novel (or so it seemed, I didn’t do a headcount, nor am I going to go back and do one for the last few books). I thought they were all great—from the antagonists, to the villains, the witnesses, and the innocent parties that got sucked up into something they shouldn’t have been. I believed them all and would like to see almost all of them again (if only it were possible). I can’t tell you the best characters because it would ruin too much, and I want to stay on Putnam’s good side. But when you get to the last chapter, the character there that I haven’t mentioned in this post? That’s the best character (by a nose) in this one.

The first chapter was great—maybe it didn’t do much in terms of story, but it gets you right back into Elvis and Lucy. Then we meet Traci and her manager (that you want Elvis to punch almost as much as he wants to), and you’re with Elvis in wanting to help her—and the book keeps building from strength to strength there—right up to the perfect closing paragraph.

The sole quibble I have with this was the way that the relationship between Elvis and the Sherriff Department’s detective. It just seemed off the way it developed from the natural antagonism to the endpoint where it seemed more (not completely) collegial easier than it should’ve.

So, yeah, I think I’ve made it clear that I really enjoyed The Big Empty, I don’t think it’s the best thing that Crais has written—but it’s gotta be in the top 5 (it could be recency bias talking, but I don’t think so). I’d have to think long and hard to come up with many (other than The Promise, because of Maggie). Regardless of how it stacks up with the rest of Crais’ oeuvre, it’s a dynamite novel, one of the highlights of 2024 for me—and I predict many people will say it’s a highlight of 2025 for them when it’s published next week.

Get your pre-orders or library holds in now, friends, you want to get your hands on this.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Thoughts on The Bang-Bang Sisters (Audiobook) by Rio Youers, read by Kristen Sieh: Rock and Roll!

Cover of The Bang-Bang Sisters by Rio YouersThe Bang-Bang Sisters

by Rio Youers, Kristen Sieh (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: July 16, 2024
Format: Unabridged Audiobook
Length: 15 hrs. 23 min.
Read Date: January 3-8, 2025

What’s The Bang-Bang Sisters About?

I’m not even going to try to pretend to be able to summarize this, so I’m going to copy and paste the official description:

Meet the Bang-Bang Sisters: Brea, Jessie, and Flo. Together, they’re a kick-ass rock band with an unbreakable bond.

But that’s only half the story. Offstage, they’re highly skilled vigilantes, traveling the country in their beaten-up tour van to exact justice on criminals who have slipped through the system. Part rock stars, part assassins, they’re a force to be reckoned with.

Drawn by a tantalizing lead, the sisters head to Reedsville, Alabama—a city crawling with destitution and corruption—where they close in on a notorious serial killer known as “the wren.” But they soon discover that they have walked straight into a trap set by Chance Kotter, a ruthless mobster with a personal vendetta.

Bruised and beaten, the sisters find themselves at the mercy of Chance and a sadistic game of survival that will pit them against each other: Forty-eight hours. One city. Three sisters. Only one of them can survive.

Full of gripping action and shocking twists that come at a breakneck pace, The Bang-Bang Sisters is a relentless, edge-of-your-seat thrill ride that will leave you breathless.

What did I think about The Bang-Bang Sisters?

I’m afraid if I spend my usual amount of time talking about this (or trying to come up with something coherent to say), I’m going to put it off for too long, and maybe overexplain. So let’s just go with this:

It captures the spirit of music and live performance (and inter-band dynamics) as…well, any rock novel I can think of.

You have a serial killer equal to Francis Dolarhyde.

You’ve got a violent, kill-or-be-killed, “game” as nasty as The Hunger Games, without the love triangle.*

You’ve got a violent, kill-or-be-killed, “game” as nasty and detailed as Chain-Gang All-Stars without the redeeming social commentary.

You’ve got a rich Southern guy as fat as Boss Hogg, as corrupt as Johnny Stagg, as weasely as Gríma Wormtongue.

You’ve got three great women characters with all the style, skill, and general badassery as The Deadly Viper squad.

Throw it all into a book with the violence level equal to—if not greater than—Kill Bill, Vol. 1.

It’s got the pacing of a classic rock song—with occasional bursts of speed metal.

It’s fast, it’s furious, it’s bloody, it’s raw emotion, it’s dangerous. It is so much fun. It is Rock and Roll.

If you can handle that combination, you’re in for a great ride. If one part of the above doesn’t appeal to you? Skip this.

I thought this was great, I hated to walk away from it every time I had to. Kristen Sieh’s narration was precisely what this book needed.

By the time the book ended, I felt like you do after a great concert—elated, a little worn out, and riding a high you don’t want to come down from.

* There is a love triangle, but it’s a good kind—it’s a supportive, sororal triangle.


5 Stars

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The Big Empty by Robert Crais: The Muffins Rode Shotgun

The post title there really has little to do with the book, but I loved the line so much, I had to use it.


Cover of The Big Empty by Robert CraisThe Big Empty

by Robert Crais

DETAILS:
Series: Elvis Cole, #19
Publisher: G.P. Putnam's Sons
Publication Date: January 14, 2025
Format: eARC
Length: 384 pg. 
Read Date: December 18-20, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s The Big Empty About?

I’m tempted to skip this part and rush to the bit where I insist you go pick this up, throw up the five stars, and call it a day. But I won’t—I’d feel guilty about it. But honestly, feel free to skip this. It’s just filler until I get to the .jpg with the stars.

The Baker Next Door is an Internet sensation, she’s moving on to TV and brick-and-mortar stores. But her success isn’t enough for her, something’s been chewing at her for a long time, so Traci Beller comes to Elvis with a cold case. The ten-year anniversary of her father’s disappearance is coming up, and she wants some answers. She’d prefer Elvis find him hale and hearty, but she doesn’t expect it. But she wants to know what happened before. Five years ago good investigators that Elvis knows couldn’t find him, and the state declared him deceased. But Traci wants to try again.

Something about her and her determination gets to Elvis, and he agrees to look at the LAPD’s file—as well as the records from the other PIs. Also, Traci gave him muffins. It probably doesn’t hurt that Ben Chenier is fan, either.

Still, it’s a cold case. It’s not going to be easy to find something new—and it’s only something new that will move the case forward. Otherwise, he’s just going to be doing what his predecessors did, just probably less fruitfully. Thankfully (otherwise this would be a short story, not a novel), Elvis asks the right question and gets the answer he needs.

On the other hand, he might have preferred the less eventful version.

Elvis and Joe

At this point, Joe Pike is practically a super-human, or maybe a human so fantastic as to be unbelievable—like Batman or Jack Reacher. And I don’t care (I don’t think anyone does)—because he’s not infallible and we all love to see him come in to save the day.

Meanwhile, Elvis has always seemed pretty mortal. Something happens in The Big Empty that emphasizes this mortality. It is not like what happened to Spenser in Small Vices, but it reminded me of it. But Crais handles it better and more believably—Elvis is not infallible, he’s not invincible, and it’s good for the reader—and for him—to get a reminder of it.

Still, it appears that Crais has taken the “stop the characters aging” route—we don’t get references to Vietnam anymore to keep them from seeming as old as they are (see also: Spenser dropping references to Korea). I don’t care how much Tai Chi or whatever Elvis does—he’s too old to do half of what he does. I’m absolutely okay with that, I don’t need to see inconveniently-timed sciatica messing up Pike’s silent approach to a building or Elvis needing a cane or a hearing aid to get through the day.

Basically, I wouldn’t change a thing about what Crais has done with these characters, nor what he’s doing with them now—and The Big Empty is one of the best books to showcase the strengths of his approach to the characters since The Last Detective.

On the Other Hand, We Have John Chen

Really, truly, John Chen is a lousy excuse for a human being—he’s a decent criminalist (it seems) and he’s really easy for Elvis to manipulate into getting what he needs. But the guy is about as self-aware as a piece of toast. His self-delusions are at the level of Pike’s omnicompetence—this doesn’t make him any less entertaining (or cringe-inducing) to read, but wow…some growth in his character would restore some of my faith in humanity.

I was so happy when he showed up in these pages, and I loved every moment with him. (so, yeah, I really don’t want him to grow or develop as a character)

But what I really want—and I don’t know how this could happen—is a short story/novella where John Chen and Roddy Ho have to team up. It would be the ultimate in HR nightmares, and the two would hate each other (I assume). But boy howdy, would it be fun to watch.

So, what did I think about The Big Empty?

Yes, it’s almost a foregone conclusion that I’m going to love a new Elvis Cole novel. But that shouldn’t take away from just how ____ing good this was. If this was my first time reading Crais, it would not have been my last—and I’d have a stack of library books next to me now (which would be replaced by a stack of paperbacks fresh from the bookstore after I read one or two more).

There’s just something about Crais’ prose that makes you race through it. Because of the pace at which he puts books out lately, I wanted to take my time and savor it. Relish each paragraph. But you just can’t do it—the prose is so smooth, so well put together, that every time you try to slow down, Crais comes along behind you and gives you a nudge and you remember that you’re on a bobsled hurtling down the track. That almost sounds like you’re out of control—but you’re not. Maybe a better metaphor would be that you’re in a Lamborghini Murciélago, trying to drive slowly down a deserted highway to take in the scenery. But that car isn’t built for 35 MPH, and before you notice, you’re doing at least 80.

Also, that wasn’t me complaining (too much) about the pace Crais is publishing lately—if he was faster, that prose wouldn’t be as honed. He can take as long as he wants.

We got a larger-than-usual cast of supporting characters for a Cole or Pike novel (or so it seemed, I didn’t do a headcount, nor am I going to go back and do one for the last few books). I thought they were all great—from the antagonists, to the villains, the witnesses, and the innocent parties that got sucked up into something they shouldn’t have been. I believed them all and would like to see almost all of them again (if only it were possible). I can’t tell you the best characters because it would ruin too much, and I want to stay on Putnam’s good side. But when you get to the last chapter, the character there that I haven’t mentioned in this post? That’s the best character (by a nose) in this one.

The first chapter was great—maybe it didn’t do much in terms of story, but it gets you right back into Elvis and Lucy. Then we meet Traci and her manager (that you want Elvis to punch almost as much as he wants to), and you’re with Elvis in wanting to help her—and the book keeps building from strength to strength there—right up to the perfect closing paragraph.

The sole quibble I have with this was the way that the relationship between Elvis and the Sherriff Department’s detective. It just seemed off the way it developed from the natural antagonism to the endpoint where it seemed more (not completely) collegial easier than it should’ve.

So, yeah, I think I’ve made it clear that I really enjoyed The Big Empty, I don’t think it’s the best thing that Crais has written—but it’s gotta be in the top 5 (it could be recency bias talking, but I don’t think so). I’d have to think long and hard to come up with many (other than The Promise, because of Maggie). Regardless of how it stacks up with the rest of Crais’ oeuvre, it’s a dynamite novel, one of the highlights of 2024 for me—and I predict many people will say it’s a highlight of 2025 for them when it’s published next week.

Get your pre-orders or library holds in now, friends, you want to get your hands on this.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Killer’s Christmas List by Chris Frost: There’s Nothing Holly and Jolly About This Christmas

Cover of The Killer’s Christmas List by Chris FrostThe Killer’s Christmas List

by Chris Frost

DETAILS:
Series: DI Tom Stonem, Book 1
Publisher: Harpernorth
Publication Date: October 29, 2024
Format: eBook
Length: 320 pg.
Read Date: December 11, 2024
Buy from Bookshop.org Support Indie Bookstores

A Quick Note

For reasons he’s probably detailed somewhere (and I likely read/heard and forgotten), Chris McDonald wrote this under the pen name Chris Frost (and who knows, McDonald might be a pen name, too). But as he’s not being covert about it (his Twitter account uses both names), I’m going to talk about them as if they’re the same person, because McDonald’s work informs the way I reacted to this.

What’s The Killer’s Christmas List About?

Previous drafts of this have been over-complicated as I explain too much and yet try to be spoiler-free, or they’ve been so bland as to be useless (“A new DI is assigned to a holiday-themed murder. Detecting ensues.”). So I’m going with the crutch of the Publisher’s description of this “anti-cosy Christmas” mystery:

In the picturesque village of Kibblesworth, DI Tom Stonem is dreaming of a quiet Christmas alone.

But in the shadow of the Angel of the North, a body lies waiting. The dead man is posed with a child’s Christmas list in his pocket, and the first mysterious item – 1. No angel – is crossed off.

When a second body is found – a woman, stabbed in the abdomen after her work Christmas do – Stonem is convinced there’s a grim connection between the crime scenes and the seemingly innocent list. 2. Red partee dress. Could this be a murderer’s twisted code?

As a blizzard rages in the Tyne & Wear countryside, the body count is snowballing. Can Stonem stop the killer before they get everyone on their Christmas list?

He’s So Good at This…

This is a minor thing, but Frost is so good at this (like McDonald, see A Wash of Black)—I can think of other examples, too, but few are as smooth as Frost/McDonald is. Stonem is really introduced to us as he arrives on the crime scene as his first day on the job in this station. So we get a blend of our introduction to him, the other officers, and the crime all at once.

The skeleton of the series is established, the kind of detective Stonem is, the identities and character of those he works with, and the kind of crimes we’re going to be seeing—both for the rest of this series and the rest of this novel. It’s so economical, so organic, and efficient that I can’t help but admire it. You start off with the whole world for DI Tom Stonem delivered in a chapter or two, rather than getting it in dribs and drabs like most people do. I have no problem with that approach—but when you see it done like this, it just seems so right.

The Flashbacks

We get regular flashbacks to someone’s childhood throughout the book—it’s a child who doesn’t have a lot in life, and a couple of parents who need financial help, and probably addiction treatment (and a lot more, too). It’s clearly connected to the killings the book focuses on. But, of course, just how it is connected is held back.

As a story-telling tool, I typically don’t like this approach.* It just seems mawkish, usually ungraceful, and I really dislike the way it’s generally used to give us insight into a killer (or someone associated with the crime) without identifiying the person, it just grates on me like nails on a chalkboard**. However, the way that Frost used it ended up really working for me, and was some of the more effective writing in the novel. Good on him.

* I say that, but I probably get sucked in regularly. But at least I don’t think I like this approach.
** Readers of a certain age should ask their parents. And maybe suggest an updated comparison for me to use.

Spoilerish thought, maybe skip this paragraph: This did not go the way that Frost seemed to be telegraphing—it may be that he had a better idea partway through and changed things, but it was probably (and it makes him seem cleverer) that he faked the reader out. A couple of times in the case of this reader. I’m so glad that he did—not just because I enjoy it when an author fakes me out without cheating, but because the way it ended up works so much better than where I thought he was going.

Just how Christmas-y is This?

Not very. Christmas plays a role in motive, and the thing is set in the days leading up to December 25th. But there’s not a very holiday feel to this. Some Christmas mysteries (even involving murder, kidnappings, serial killers, and other acts of violence) still give you a Christmas cheer vibe or something like that. There’s so little of that here as to make it negligible. The holiday is important to the plot, but not to the “vibe,” for lack of a better word.

Basically, read this one whenever you get around to it. You don’t need to sip on egg nog with Andy Williams playing in the background to appreciate it.

So, what did I think about The Killer’s Christmas List?

This is not Frost at his best, I’m sorry to say. Something about the prose felt clunky and occasionally overwritten—maybe Frost and his editor got in some strange groove and didn’t read as critically as they could’ve in the last passes. Was anything so bad that it took me out of the book? No. I winced a little and moved on. But it’s kind of a shame. Also…there were a couple of lines of investigation I just can’t imagine an experienced detective (or one who’s watched more than 3 episodes of Law & Order) didn’t take from the get-go. It didn’t hurt Stonem or his team, it just felt weird not to at least have them mentioned. And I grumbled about it to the book, which thankfully didn’t reply.

But whatever.

The plot though? Really good. Frost’s storytelling makes up for my quibbles—the way he develops the story, the momentum he gathers, and the twists were really nicely done. I’d sussed out the killer ahead of time (but I couldn’t have been wronger about motive)—and Frost convinced me I was wrong until he got to the reveal.

I liked Tom Stonem—he’s not as instantly compelling as Erkia Piper was, but it didn’t take too long for me to appreciate him, and I think in future books, I’ll end up liking him as much as, if not more, as Piper. And I’m really curious about where Frost intends to take him. Some of the rest of the team will be fun to hang out with, too. They’re not the typical detective team that I meet in British Police Procedurals (which frequently feel interchangeable between series).

The Killer’s Christmas List was a solid and quick read that was pretty satisfying. I’m looking forward to more of these.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOST: The Legendary Mo Seto by A. Y. Chan: And Though She Be But Little, She Is Fierce

The Legendary Mo Seto Tour Banner

Cover for The Legendary Mo Seto by A. Y. ChanThe Legendary Mo Seto

by A. Y. Chan

DETAILS:
Series: The Legendary Mo Seto, #1
Publisher: Aladdin Paperbacks
Publication Date: June 4, 2024
Format: Hardcover
Length: 309 pg.
Read Date: August 8-10, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s The Legendary Mo Seto About?

This is one of those books that I could easily tell you everything in my enthusiasm, but that’d take away the need for you to read the book—and Chan’s much more entertaining than I could be. So, I’ll try to keep it to the essentials.

Modesty (please call her Mo) Seto is a devoted student of taekwondo and has been competing—and dominating—in competitions for years. But a fellow student recently hit a growth spurt that passed Mo by and he has started to beat her in competitions. This is getting to her, it’s just not fair. After coming in second to him (again), she sees a call for open auditions for people in her age range for a role in an upcoming martial arts movie starring her favorite movie star/martial artist in the world.

Technically, Mo is too short for their requirements—the height issue again, will she ever just grow? She comes up with a cunning plan* to get into the auditions anyway with the help of her best friend and his grandfather posing as her guardian. Why a faux grandfather? There’s no way that her mother would allow her to do anything like this and her father is away on a sudden business trip and isn’t communicating with Mo or her mother the way he usually would.

* Slightly more elaborate than anything Clark Kent has tried, and just as believable. Just roll with it.

We follow Mo through the audition process—which starts to take on unexpected peril as the set becomes plagued by threats and unexpected problems—possibly caused by sabotage. Oh, yeah, and her classmate/rival is also going up for the part.

Can Mo get the part without the truth being discovered? Will Mo be disillusioned by seeing behind the Movie Magic? Will Mo’s dad start responding to her? And what’s up with this old book with a little-known martial arts form Mo just found in her basement? More importantly, can she use any of it to her advantage?

The BTS Stuff

Let’s get this out of the way: This is an MG Novel, not Cinéma vérité. There’s no way that the auditions can work the way portrayed in the novel—especially when it comes to kids. It is impossible that any of Mo’s antics and hijinks to get her into—much less stay in—the auditions would work. If you’re looking for accuracy and an honest look at making martial arts movies with actors under 18, look elsewhere.

That said, there’s enough of a flavor of Hollywood to all of this to work. The attitudes of the casting people—the shallowness of the initial assessments, the stress of the director, the attitude toward the fight choreographer/stunt professionals, and so on—really feel like what you expect. They’re entertaining enough that you really don’t care how realistic things might be, too—feeling about right is good enough.

For my money, the best part of this is watching Cody Kwok in action and how everyone reacts to him. Kwok is a Jackie Chan-esque figure (only younger). He’s known for doing his own stunts—many of which are just incredible—as well as not being tied down to any one genre (but making them all, eventually, about martial arts). Kwok, his entourage, and the film’s executives know what they’re doing when it comes to preserving his image and promoting it, and the auditioning kids (and media) see exactly what they’re supposed to. Chan does an excellent job portraying both that and showing the reader that the Superstar’s image might not really be the truth.

Characters Who Aren’t Mo

There’s a really strong cast of supporting characters who are as engaging as you want, I want to touch on just a few of them because it’d be too easy just to talk about Mo, and that’s not giving Chan’s work the credit it needs.

Mo’s rivals in the auditions are largely bullies when it comes to Mo (and some of the others), but they’re not all that bad. They’re just adolescent twerps who are probably covering up insecurities (well, a couple of them are entitled jerks who are on their way to being 80s movie villains)—the way they treat Mo is bad enough so you don’t make the mistake of liking them, can root for Mo against them, but you’re not going to worry about what they’ll do to her.

On the other hand, you get Mo’s friends who just make you like her more—if someone as cool as Nacho (real name, Ignacio) is her best friend, she must be pretty cool herself. And Nacho is cool—he’s supportive, understanding, artistic, and nerdy in all the ways that Mo isn’t. Mo’s a little too hyper-focused on herself at the moment, but Nacho gets it and is willing to wait for her.

His grandfather is a hoot. Gramps is an honorary grandparent to Mo, as well as Nacho’s actual grandfather. He’s recently widowed and lonely, but he hasn’t let it get him down—at least not in front of the kids. He’s a loving and goofy character who really comes through for Nacho and Mo—he’s the kind of grandfather I’d like to be.

One of the auditioners who befriends Mo is named Sanjay. I hope they find a way to bring him back for the rest of the books in the series. He’s apparently pretty good at karate and is as gregarious as the others are antagonistic. He’s one of those kids who cannot stop talking once he starts and is not self-aware enough to realize he’s doing it or how people react to him. He’d probably be pretty annoying in real life but as a comic relief character? He’s great.

Lastly—Mo’s parents. Parents in MG novels are so tricky to get right (I’ve often thought), and Chan gets it right. Not just the characters, but how they treat Mo—and how Mo sees them and how they treat her. Mo’s dad introduced her to taekwondo and Cody Kwok. He’s her biggest fan and source of encouragement—he also pushes her (generally) in the way she needs to keep going. When he’s not there, the impact on Mo’s confidence and emotions cannot be overstated.

Things are complicated with her mother. Mom comes close to being a stereotype, at least the way the narration describes her. But I’m not sure she is, essentially they don’t get each other—from Mo’s perspective, her Mom doesn’t like who Mo is. She doesn’t want a daughter into taekwondo (especially not to the near-obsessive level Mo is), but would rather she pursued something more acceptable, like dancing and Chinese immersion camp, a dainty academic superstar in the waiting. The reader will see that Mo’s not understanding her mother quite right, but there’s nothing malicious in it. It’s just a tricky mother/daughter dynamic (that appears to be starting to work itself out).

Mo Herself

In case I gave the wrong impression when I talked about Nacho, Mo is a cool person, but since we see the whole book from her point of view, it might seem biased. Mo is a confident, optimistic, go-getter. The fact that she’s probably not going to keep growing past her 4’9″ stature while everyone around her (especially Dax) is still growing, isn’t doing her esteem any favors. Her recent tournament loss is doing a number on her—she’s upset that Dax’s size puts her at a disadvantage and is ready to give up, but she’s also so determined that she just can’t. Chan portraying both competing impulses is a tricky proposition, but she pulls it off.

The chance to work with Kwok is the opportunity of a lifetime for Mo. She’s re-read his autobiography a few times (can quote portions of it), and has watched countless interviews—she knows him as well as anyone who hasn’t met him can (and as well as many people who have met him could). She’s such a superfan that it’s hard not to want to see a few Kwok movies yourself. When she describes one of his films, she always introduces it as “my favorite Cody Kwok movie”—it doesn’t matter which one she’s talking about. It’s a tiny touch, but I loved it. Her enthusiasm is infectious.

Actually, not just her enthusiasm for Kwok—but for everything. Her despondency is a little catching, too, and comes when it should. But her personality can’t stay down for long. She grows a lot over the course of the novel*—as she needs to, it’s the point of adolescence anyway. But she also has plenty of room to grow, and that’s easy to see, too. It’ll be fun watching that over the rest of the series.

* That’s growth in terms of character. Much to her chagrin, she’s as tall at the end of the summer as she was at the beginning.

So, what did I think about The Legendary Mo Seto?

I had about as much fun as is permitted by law while reading this.

Sure, it’s an MG book, so I’m a few decades older than the target audience. I guessed almost all of the big reveals (I think attentive MG readers will get most of them, too), I’m pretty sure I know how the next two books are going to go, and I rolled my eyes at some of the sillier aspects of the book. That’s not a problem with Chan’s writing—I think it means she hit her target. The fact that she was able to write for them while keeping an old guy like me entertained is to be commended.

This is a fast, engaging read that will entice readers from the jump and keep them turning pages (likely with a grin) almost as fast as Mo can dash around. Older readers will want to adopt Mo and Nacho as kid siblings (or false grandparents), and younger readers will want to be like Mo—and hang out with her friends. As good as the story and the writing are (and Chan’s subtle prose is deceptively easy)—readers are going to walk away from this book thinking primarily of this determined and brave girl, who will muster up whatever she has to in order to get a shot at her dreams.

I’m leaving things out that I should be saying, I know I am—but I can’t think of what they are at the moment. So be sure to see what other people on the Tour are saying. So let me just wrap up by saying that for the young or young-at-heart reader, this is a sure-fire win.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials (including the novel) they provided.

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