Category: G-L Page 7 of 17

Series G-F

Fahrenbruary Repost: A Mint-Conditioned Corpse by Duncan MacMaster: I run out of superlatives and can’t stop talking about this Mystery that filled me with joy.

On February 20, 2019

In 2018 Indie-Fever Challenge, Duncan MacMaster, Fiction, Kirby Baxter, Mystery/Detective Fiction/Crime Fiction/Thriller

Kirby Baxter is possibly my favorite new-to-me character from 2018, you can probably tell that from these next two reposts…And, yes, I’m sticking with the classic cover, although the paperback I bought myself last year has a niftier cover.
—
This is one of those times that I liked something so much that I just blathered on for a bit, and I’m not sure how much sense it made. The first and last paragraphs are coherent, I’m not really sure the rest is…
—

A Mint Condition Corpse

by Duncan MacMaster
Series: Kirby Baxter, #1
Kindle Edition, 275 pg.
Fahrenheit Press, 2016
Read: July 27, 2018

Is this the best-writing I’ve encountered in a Detective Novel this year? Nope. Is this the most compelling, the tensest thrill-ride of a Mystery novel this year? Nope. Is this full of the darkest noir, the grittiest realism, the starkest exposure of humanity’s depths? Good gravy, no! This is, however, a joy to read; full of characters you’ll want to spend days with, that you’ll want to have over for Thanksgiving dinner just to lighten things up and distract you from Aunt Martha’s overcooked yams and dry turkey; a completely fun time that’s very likely most I’ve enjoyed a book in 2018. It is escapist. It is silly. It is clever.

Think Monk at it’s best. Psych at its least annoying. Castle at it’s most charming. Moonlighting season 1 — I’m going to stop now.

So Kirby Baxter is a comic book writer/artist who breathed new life into a stagnant character which led to the revitalizing of an entire comic book company (not quite as old as DC, nowhere near as successful as Marvel — and somehow hadn’t been bought out by either). He was unceremoniously fired just before he became incredibly well-off (and investments only improved that). Following his new wealth, a thing or two happened in Europe and he gained some notoriety there helping the police in a few countries. Now, he’s coming back to North America to attend OmniCon — a giant comic con in Toronto — returning to see a mentor rumored to attend and maybe stick his toe back in the industry that he loves.

While there we meet his colorist and friend, Mitch — a diminutive fellow, convinced he’s God’s gift to the ladies (most of whom hope he comes with a gift receipt), and just a riot to read about. Molly, a fan, former coworker and friend of Kirby’s who wears her heart on her sleeve (it’s not her fault if people don’t notice it). That needs to be better. Erica is many a dream-come-true — an impossibly good-looking model and would-be actress who is sincere and sweet. Her assistant Bruce is a pretty good guy, too. Her best friend and former mentor, Andi is almost as too-good-to-be-true, and married to a renowned DJ who is providing some of the entertainment at OmniCon. There’s comic dealers, a film director, a crazy actress, Kirby’s former boss, and so many other colorful characters that my notes include a joke about a cast the size of Game of Thrones.

And then there’s Gustav. Words I don’t know how to describe Gustav. Imagine having Batman as your Jeeves. He’s a valet/driver/bodyguard that Kirby picked up in Europe, combining the cool and lethal factor of Spenser’s Hawk, Plum’s Ranger and Elvis’ Pike (except he makes Pike seem chatty). I’d include Wolfe’s Saul Panzer, but Saul isn’t the lethal type that the rest are — but Gustav has the effortless magic about him that makes Saul a winner. If the rest of the book was “meh” and Gustav was still in it? I’d tell you to read the book.

At some point, a corpse shows up — and like the comic book world’s answer to Jessica Fletcher, Kirby identifies the death as a murder — not the accident it appears to be to many. For various and sundry reasons — starting with him being correct, and continuing on to the incidents in Europe — Kirby is roped into helping the police with the investigation. Also, like Fletcher, he’s uniquely gifted to help the police in these circumstances. He’s smart, he has a eidetic memory, can catch a tell or a microexpression like nobody’s business. You throw him into a consulting role with the police, with his friends along for the ride and I’m telling you, you’ve got the most entertaining mystery novel I’ve read this year.

This book’s look at comic conventions reminded me of A Hundred Thousand Worlds by Bob Proehl. But where this one is played for laughs, Proehl was serious — but both show an appreciation for, an affection for the culture that surrounds the cons and the people involved. After reading this, I was ready to buy tickets for the OmniCon.

It’s a funny, fast, romp — a very contemporary take on a Golden Age-mystery. Lots of twists and turns, more crimes than you think are happening and more villains than you can shake a stick at. I thought (and still do) that Duncan MacMaster’s Hack showed that he was an author to keep an eye on — this is better.

A Mint-Conditioned Corpse hit the sweet spot for me — a convergence of so many of my likes told with just the right tone (another one of my likes), while maintaining a pretty decent whodunit at the core. I probably smiled for the entire time I spent reading it — well, at least the last 90% once I started to get a feel for things — at 8% I made a note about Kirby “I’m really going to like him,” and a few paragraphs later, I wrote “I already really like him” about Mitch. And I was right about Kirby, and kept liking Mitch — the rest of the characters are about as good as them, and the story is as good as the people in it are. Is everyone going to enjoy this one as much as me? Nope. But I can’t imagine someone not having a ball reading this. Probably the 5-Star-est 5-Stars I’ve given this year.

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5 Stars

Standing in Another Man’s Grave by Ian Rankin: Back in the saddle again, Out where Cafferty is a friend?

By HCNewton

On February 18, 2019

In Fiction, Ian Rankin, John Rebus, Mystery/Detective Fiction/Crime Fiction/Thriller

Standing in Another Man’s Grave

by Ian Rankin

Series: John Rebus, #18

Paperback, 432 pg.
Back Bay Books, 2013
Read: February 1 – 4, 2019

Rebus had lost count of the number of cases he’d worked, cases often as complex as this one, requiring interview after interview, statement after statement. He thought of the material in the boxes, now being pared over by those around him–paperwork generated in order to show effort rather than with any great hope of achieving a result. Yes, he’d been on cases like that, and others where he’d despaired of all the doors knocked on, the blank faces of the questioned. But sometimes a due or a lead emerged, or two people came forward to furnish the same name. Suspects were whittled down. Alibis and stories unraveling after the third or fourth retelling. Pressure was sustained, enough evidence garnered to present to the Procurator Fiscal.

And then there were the lucky breaks–the things that just happened. Nothing to do with dogged perseverance or shrewd deduction: just sheer bloody happenstance. Was the end result any less of a victory? Yes, always. It was possible that there was something he had missed in the files, some connection or thread. Watching the team at work, he couldn’t decide if he would want them to find it or not. It would make him look stupid, lazy, out of touch. On the other hand, they needed a break, even at the expense of his vanity.

The book opens with Rebus at the funeral for another retired cop — it’s a strong reminder that there’s not much else in his future. A few more drinks, another handful of cigarettes, a few more unfinished books and then death. He’s got to find away to keep himself going. Having taken to retirement like a duck to the Sahara, Rebus has found work as a civilian in a cold-case unit. It doesn’t seem to be the most effective or active unit, but it’s something. True to form, he spends a lot of time butting heads with the head of the unit — who is actually a serving detective, unlike the rest of the civilians. There’s a chance when the book opens that Rebus could get re-hired as a detective, and he’s looking for anything to help that. When someone comes to visit the man who started this unit — who is now very retired and unavailable — Rebus sees his chance. He meets with this woman who claims that the recent disappearance of a young woman matches the circumstances of her daughter over a decade ago. Not just her daughter’s disappearance, but some others in the intervening years. If Rebus can demonstrate there’s a tie to these disappearances — and find out what’s happened to them and who’s responsible (preferably while the latest victim is still alive), that would go a long way to ensuring him a way back from retirement.

It doesn’t hurt that before coming to him, this distraught mother spoke to someone about the new missing person — DI Siobhan Clarke. Now, Clarke (and her boss) aren’t instantly convinced that Rebus has anything other than the desperate rantings of this woman, but she’s willing to give him enough rope to get started. Which is all Rebus needs to throw himself into things.

The latest woman to go missing has some tenuous connections to organized crime figures in Edinburgh, which may have made her a target — and also may give Rebus resources to find her that other victims’ families can’t give. He’s not shy about exploiting either option there. He also starts diving into the files and lives of the other missing women. What he finds isn’t encouraging, but it’s enough to keep investigation going. Rebus being Rebus, it’s not long before he starts finding enough strings to pull to get at least a few things unraveling. And once that starts, the rest of the case is vintage Rebus — asking questions, annoying the right (and the wrong) people, and finally putting everything together. The mystery is solved in a satisfactory way, but a lot of things were uncovered along the way that some would’ve preferred not being uncovered, relationships damaged, people hurt and lives changed. Even the positive outcomes were largely muddied, and the grays probably outnumbered the blacks and the whites.

Naturally, there’s a lot going on in this book beside the case(s). In this book, this primarily focused on three people in Rebus’ life (whether he wants them there or not).

One thing that’s new in Rebus’ retirement is that he’s picked up a new drinking buddy. Big Ger Cafferty has decided that he owes his life to Rebus (something that Rebus isn’t incredibly comfortable with). So Cafferty will take Rebus out for drinks on a regular basis. Rebus’ impression of Big Ger hasn’t changed at all, but free drinks are free drinks. so he lets Cafferty buy. The two of them being seen in public regularly together is proof to his detractors that all the rumors were true, however. This isn’t really making his case for him.

Having Rebus around is a challenge for his old friend and former mentee, Siobhan Clarke. She knows that Rebus is capable of pulling more than his fair share of rabbits from hats, and with a case/cases as messy as this, she’ll take his brand of results over nothing. But, he undercuts her leadership, he distracts her people from their tasks, and frankly, makes her look bad in front of her bosses. If she can’t control this civilian interloper, maybe she’s not the leader they thought she was. Maybe it’s just me, but I don’t think Siobhan of Exit Music and before wants to think she’d turn into the kind of DI she has, either. And Rebus makes her take stock of how much she may have “sold out” just by being around. Not that she’s become 100% by the book and in blind lockstep with the chain of command, but she’s a lot closer to it than she had been.

And, of course, we don’t say goodbye to our new friend, Malcolm Fox. We just get to see him in a new light. He’s now cast as an antagonist to Rebus. He’s not a villain, don’t get me wrong — but he’s working against Rebus, and definitely making his life harder. Of course, the way things were headed for much of this book, Siobhan might soon find herself as an antagonist to Rebus, too. It’s difficult seeing Fox in these terms, but thankfully we know we can like and trust him from his own two books, because there’s very little in these pages to commend him. But we know that Fox is a straight-shooter and he’s only got Rebus in his sights because he thinks he deserves it. Well, and maybe he got his nose bent out of shape by the man when he was in CID with him. But primarily it’s Rebus’ lifestyle — the smoking, the drinking, the going off on his own to investigate — Fox sees Rebus as a relic, the old model of detective that the service is trying to get away from. The kind of bad influence that could tank Clarke’s promising career. And then there’s his public drinking with Cafferty (not to mention all the rumors about the two of them). We know Fox is wrong — about the serious stuff anyway. But we also know he’s not totally wrong about Rebus. The only question is, will Rebus be able to win Fox over, or will he be able to work around him?

I like the Fox-Rebus dynamic, in the short-term. But I think it could get really old, really fast.

It looks like the next book will have Rebus back in CID, which is a shame. In a sense. Now, let me explain myself before Paul (and maybe others) fills my inbox/comments with objections. I’m not opposed to Rebus becoming a detective again. But I like Rebus doing cold case work. When he’s worked cold cases before — whether out of curiosity or because they’ve been reopened — he’s done really well, and the resulting books were really good. Fox did pretty good with a cold case, too, let’s not forget. In other words, Ian Rankin can write a very effective novel with his protagonists working cold cases, and I’d like to see Rebus doing nothing else for a while (especially as a civilian). Then again, we got a handful of Bosch novels doing that, why get greedy?

I enjoyed the Fox books, but this felt like coming home. It was only a few lines into the book before I think I “felt” the difference, we were back where we were supposed to be. I’m not sure how accurate that was then, but the book as a whole felt different than the Fox books did. Rankin kept a lot of plates spinning, balls in the air, or whatever cliché you want to use, here — he brought back Rebus, shook up his life a bit more, showed that Clarke was doing fine on her own, brought Fox in, showed what post-Big Ger Edinburgh was like, set up the next stage of Rebus’ career, and managed to tell a heckuva twisty murder/missing persons story. He probably accomplished a few other things, too, but that list is enough. Standing in Another Man’s Grave is just another bit of proof that Rankin is among the genre’s crème de la crème.

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4 Stars

Main Bad Guy by Nick Kolakowski: A Blast of an Ending to this Trilogy

By HCNewton

On February 9, 2019

In Fiction, Love & Bullets Hookups, Mystery/Detective Fiction/Crime Fiction/Thriller, Nick Kolakowski

Yeah, weird day for me to post something like this, but it’s what Kolakowski asked for — and he wasn’t a jerk about it like the last guy who wanted a Saturday post.
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Main Bad Guy

by Nick Kolakowski
Series: A Love & Bullets Hookup, #3

Kindle Edition, 152 pg.
Shotgun Honey, 2019
Read: January 28 – 29, 2019

Bill could tell you all about things going haywire.

Like Fiona’s plan, for instance.

How the hell had he agreed to this insanity?

The answer was obvious: They had no choice.

It had to come down to this, didn’t it? After being on the run for a book to a book and a half (depending on the character), Bill and Fiona have to face off with the Dean, the Rockaway Mob leader who put out the hits on them both. They really don’t much choice, the whole starting over quietly thing didn’t work too well. Or at all.

This picks up right after Slaughterhouse Blues, the pair are having a difficult time getting out of New York, and ultimately find themselves locked in a panic room at the top of a skyscraper, surrounded by Crow Man — “a stellar chemist, and a better botanist” — his crew, and his product. Which is a pretty awkward place to be. Unsurprisingly, Crow Man works for the Dean (don’t you love these names?). The Dean had been having a pretty lousy day up until this point — and when the Dean has a bad day, a lot of people suffer. Then things start looking up, and the Dean is handed two of his most wanted on a silver platter.

Meanwhile, a mysterious figure named Walker is making his way from Canada to New York. He’s seen that the pair found some trouble in Oklahoma and assumed Fiona wold need help. By the time that word got out that they were in New York, he was already on the way, knowing that’d be the case. Walker is one of those classic aged “been there, done that” characters. The old pro who’s tried to retire and ends up having to get back into action one more time — which is good, because they really don’t do well with the quiet life anyway. I’d sign up for a series focusing on him in a heartbeat. I’d almost say this is worth reading just for Walker — even if you know nothing about Bill, Fiona, the Dean, etc. Eh, I’ll go ahead and say it, read this just for Walker. But you’ll like it more if you’ve read the others.

Walker’s travel is beset by trouble from uneasy allies, his age, and just how much the city has changed. One of the best scenes with him starts with Walker revisiting a favorite dive bar that had been “gentrified into a monstrosity” where he felt like he was “attending a wake for someone that nobody in the room had liked” in the middle of the velvet art, sky-blue walls and pop music. Kolakowski grounds this with reflections on September 11 and the effect it had on the City and its citizens — making it more than just a fun moment in the book. The intelligence he picks up in the bar justifies his brush with gentrification and enables him to come to Fiona’s aid. Hopefully in time.

Bill and Fiona are great together, their dialogue crackles. Watching these two try to get out of Dodge is so much fun, you find yourself wishing that Kolakowski had figured out way to stretch this into a quatrology. One of the problems I had, I now realize, with Slaughterhouse Blues was how little Bill and Fiona were together. They spent a lot of A Brutal Bunch of Heartbroken Saps apart, too — but that was different. Bill’s a better character with her around, and Fiona works better too — if for no other reason than she has to be a bad-ass and watch out for him, instead of just being pure bad-ass all the time. I’m not sure that makes sense to anyone not living in my head. Hopefully it does.

There’s excitement, there’s gunplay, there are explosives, violence, witty dialogue and a whole lot of bad-ass characters facing off with each other (and Bill’s around, too). This is the literary equivalent of a Martin McDonagh film (when he’s in a more playful mood) — or, if that doesn’t work for you, think Fargo meets Tarantino, but not as long-winded. Kolakowski ties this to A Brutal Bunch so well (and in ways you won’t expect), providing a perfect ending to this saga. There are so many quote-worthy lines in this brief novella that it’s driving me crazy that I can’t work more of them into this.

A lot of novella-series can be read in a clump, like one big novel. This is not one of them. Each novella has its own feel, its own themes and structure — while being one story. Last year, Kolakowski impressed me with his novel, Boise Longpig Hunting Club, this series has shown me that wasn’t a fluke at all and that I need to read anything I can by him.

I can’t tell you what’s holding me back from making this a full 5 Star, but something is. It’s close enough, though (and on Amazon/Goodreads, I round up), so I don’t feel too bad about chopping off that half-star here. But focus on the important things here — it’s a great read, a great conclusion and about as much fun as you’ll have in a thriller this year. Bill and Fiona are a great couple (at least in fiction, they’d probably crash and burn in real life) — and a lot of fun to read about.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion.

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4 1/2 Stars

Slaughterhouse Blues by Nick Kolakowski: Broken Antiheroes on a Last Chance Power Drive

By HCNewton

On February 4, 2019

In Fiction, Love & Bullets Hookups, Mystery/Detective Fiction/Crime Fiction/Thriller, Nick Kolakowski

Slaughterhouse Blues

by Nick Kolakowski
Series: A Love & Bullets Hookup, #2

Kindle Edition, 172 pg.
Shotgun Honey, 2018
Read: January 21, 2018

“What’d you put in there?” Don said, nodding at the soiled duffel bag in the backseat.

“About twenty pounds of tobacco, but don’t worry, no leaves, just the little bits. I asked the sweepers to give me the scraps.”

Don laughed. “A couple years back, we tried taking those scraps, making cigarettes out of them. They sold, but not enough. You can’t fight Big Tobacco.”

“You know what’s a good rule for life?” Fiona said. “Don’t fight groups dedicated to killing millions of people.”

It didn’t take long for Bill and Fiona to realize that the business relationship they found themselves in at the end of the last novella to be just as unpleasant as the one they’d just left. They hadn’t jumped into the fire per se, more like they’d jumped from one frying pan into another. And their new associates took a similar approach to their older associates to their exit — they wanted them dead. So now the pair are trying to avoid two large-scale criminal enterprises bent on revenge, while trying to secure enough of a nest-egg to retire and disappear.

That doesn’t sound fun. At least not for them, for readers on the other hand…

Fiona is off doing a small — but hopefully profitable — job for a couple of brothers she’s worked for before. They’re cigar manufacturers in Nicaragua, where the competition might just be getting lethal. Bill, on the other hand, is in another country trying to hide out among the throngs of tourists. Let’s just say that neither of them meet with a lot of success — but Fiona does manage to get a lead on what should be an easy heist. The catch is, it’s in New York. Right in their old backyard.

So we have an easy heist, an uneasy alliance between the couple and a less-than-trustworthy man who can lead them to a big pay, assassins on their tail and some others who discovered that the couple has delivered themselves to their city. Chaos ensues.

It’s action-packed, but with a smaller body count than the previous novel. But at least one of the deaths happens in a way that will stay with you. Not in a haunting way — but in a “wow, what a cool visual” way (something you can appreciate in fiction — in real life, it’d be horrific and witnesses would likely need therapy).

There’s an interesting tie-in here to some things that happened at the end of World War II, reminding the reader just how much moral gray area existed for US troops in those last days of the War in Europe. Well, a lot of gray existed, and some of it might have been made. Either way, it was there.

At the end of the day, I didn’t enjoy Slaughterhouse Blues nearly as much as A Brutal Bunch of Heartbroken Saps, but I think it says more about the latter than the former. It’s a solid piece of writing, expanding and deepening the universe of these characters a tad. It gives us another opportunity to see them in action while doing some important things for Fiona’s character. If nothing else, Slaughterhouse Blues sets up the third novella (which is better than either of the other two). But most importantly, it tells a good, entertaining story on its own. If I’d read this one not knowing who Bill, Fiona or Nick Kolakowski were — I’d have sought out more about them and by him. That’s good enough for me.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion.

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3 Stars

A Brutal Bunch of Heartbroken Saps by Nick Kolakowski: A fast, fun, and bullet-ridden adventure

By HCNewton

On January 24, 2019

In Fiction, Love & Bullets Hookups, Mystery/Detective Fiction/Crime Fiction/Thriller, Nick Kolakowski

A Brutal Bunch of Heartbroken Saps

by Nick Kolakowski
Series: A Love & Bullets Hookup, #1

Kindle Edition, 128 pg.
Shotgun Honey, 2017

Read: January 17, 2019

Bill is a con man, a hustler, a grifter with a gift — one that has been put to good use by the Rockaway Mob until the day that Bill has had enough. He just can’t keep going the way he’s been going. So he leaves New York and heads off on his secret plan to leave the country. Of course, before he left town, he helped himself to a large amount of the Mob’s money to fund his retirement. Which is as popular a choice as you can expect.

Only . . . his plan isn’t as secret as he thinks and people are on his tail immediately. A pair of employees are sent to take care of Bill and retrieve the cash. And then another is shooter is sent before those first two have even had a chance to fail. And it’s a good thing that happened.

Which is all I should probably say about the plot. Very little goes the way you think it’ll go once things get rolling. What follows is fast, fun and violent. It’s the least subtle critique of civil forfeiture possible — and a whole host of other things.

The backup assassin is our entry into this world, these characters — .he’s notorious, he’s infamous, he’s “that guy.” And . . . he’s kind of falling apart — his wife can’t handle his vocation any more and is divorcing him. His point of view chapters are a mix of attitude, a little snark, mayhem and despondency. Somehow, that mix is a blast.

On the other hand, we have Bill — who you somehow can’t believe was ever brought into the fold by the Rockaway Mob, but he’s clearly good at what he does. But little else, it seems. He has a real knack for moving from fire to fireplace to somewhere hotter yet. One of the other assassins sent after him was the one who brought him to the Rockaway Mob, who vouched for him. Her name is Fiona, and she’s one of the fiercest, deadly, aggressive characters you’ve met recently — and at least until recently, was in love with Bill (not that he treated her too well in his exit, and probably cooled her affections as a result).

This is a novella — and there’s not a lot of space for character development, for fully drawing out a character — and while these three aren’t as well drawn as Kolakowski has in other work, they’re good enough for what he’s wanting to accomplish here. (I hope that doesn’t sound like a slight — it’s not supposed to be). They may not be fully drawn, but they’re a lot of fun — and there’s some intriguing emotional beats between them and some of the other characters in these pages.

This book is primarily an exercise in violence — there’s a hint of torture, just a hint (but most of it happens off-screen). What’s not hinted at are explosions and gunfire. There’s a lot of it — the literary equivalent of so much of the stylized cinematic violence inspired by Tarantino in the 90’s. It’s adrenaline set to music — think Edgar Wright action scenes, but more lethal — to skip a couple of decades (actually, I bet this novella would pair well with much of the Baby Driver soundtrack).

I had a hard time accepting how the last few chapters went, because I had the wrong idea about what Kolakowski was up to with this book (and, I bet, the next two books that follow). But I had a blast with it — even the last chapters, once I gave up my preconceptions.

This is a fast, lean novella — there’s not an ounce of fat, not one unnecessary sentence to this. Kolakowski has a story to tell and he tells it. I knew going in that this was going to be a fast read, but I couldn’t believe how quickly I got through it — between the lean prose, the fast pace of the book and the action scenes, this was just a bullet train of a read (no pun intended).

Disclaimer: I received a copy of this book from the author. My opinions expressed above are my own. I appreciate the book, but I didn’t sell out my opinions because of that..

—–

3.5 Stars

Opening Lines – A Brutal Bunch of Heartbroken Saps by Nick Kolakowski

By HCNewton

On January 17, 2019

In Blog Series, Currently Reading, Fiction, Love & Bullets Hookups, Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Nick Kolakowski, Opening Lines, Quotations, Spenser

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author — but nothing beats a great opening for getting a reader to commit. This is one of the better openings I’ve read recently. Would it make you commit? How can you not?

Listen.

At some point, a poor sap will look at you and say, “This is the worst day of my life.”

But as long as you have breath in your lungs to say those words, you’re not having your worst day. You haven’t even hit rock bottom, much less started to dig. You can still come back from a car wreck, or that terrifying shadow on your lung X-ray, or finding your wife in bed with the well-hung quarterback from the local high school. Sometimes all you need to solve your supposedly world-ending problems is time and care, or some cash, or a shovel and a couple of garbage bags.

If you see me coming, on the other hand, I guarantee you’re having your worst day. Not to mention your last.

Let me show you how bad it can get. How deep the hole goes. And the next time your idiot friend says something about worst days, as the two of you stand there watching his house burn down with his pets and one-of-a-kind porn collection inside, you can tell him this story. It might even shut him up.

Let me tell you about Bill, my last client.

from A Brutal Bunch of Heartbroken Saps by Nick Kolakowski

My Favorite Crime/Mystery/Detective/Thriller Fiction of 2018

By HCNewton

On January 7, 2019

In Books, Fiction, Ian Rankin, IQ/Isaiah Quintabe, John Rebus, Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Steph Broadribb/Stephanie Marland, Trouble (Zoe/Digby), YA/MG/Children's Books

Once I settled on dividing this chunk of my reading out for its own list, I knew instantly half of the books that’d make it before I looked at just what I’d read in 2018. After going through that list, I had 15 more candidates for the other 5 spots. Whittling those down was hard, but I’m pretty comfortable with this list. That doesn’t mean the other 90 or so books I read in this family of genres were bad — most were great (I can think of maybe 5 I could’ve missed). But these are the crème de la crème.

Man, I wanted to write the crème de la crime there. But I’m better than that.

Not all of these were published in 2018 — but my first exposure to them was. As always, I don’t count re-reads, or almost no one could stand up to Stout, early Parker, etc. and my year-end lists would get old fast.

Now that I’m done with this, I can focus on 2019.

(in alphabetical order by author)

The Puppet Show

by M. W. Craven

My original post
A book with some of the darkest moments I came across last year — and some of the brightest, too. The mystery was great, the character moments (not just between the protagonists) were better — great rounded, human, characters. Even after I saw where Craven was going with things, I refused to believe it — and only gave up when I had no other choice. Two (at least) fantastic reveals in this book, very compelling writing and fantastic characters. What more do you want? Washington Poe and Tilly Bradshaw are two of my favorite new characters and I can’t wait to see where they go next.

5 Stars

Needle Song

by Russell Day

My original post
I could pretty much copy and paste that above paragraph for this one. It never gets as dark as The Puppet Show, but the depravity displayed is bad enough to unsettle any reader. What makes this story compelling isn’t really the crime, it’s the way the crime impacts the people near it — those who lost a family member (I don’t want to say loved one) and those who are close to the suspects. Yakky and Doc Slidesmith are characters I hope to see again soon, and I want to bask in Day’s prose even more.

5 Stars

She Rides Shotgun

by Jordan Harper

My original post
The story of a little girl being surrounded by death and destruction, with both looming and threatening her all the time, and her discovering how to be brave. The story of a man trying to be a good father — or just a father. The story of survival. A story of revenge. A story about all kinds of violence. Wonderfully told.

4 Stars

Wrecked

by Joe Ide

My original post
Not as entertaining as IQ, but it works as a novel in ways the previous two didn’t. I don’t know if I could put my finger on it, but it’s there. Wrecked is a clear step in evolution for Isaiah, Dodson, and probably Ide. It definitely demonstrates that the three are here to stay as long as Ide wants, and that these characters aren’t satisfied with being inner-city Sherlock/Watson, but they’re going places beyond that. Some good laughs, some good scares, some real “I can’t believe Ide ‘let’ them do that to Isaiah” moments — a great read.

5 Stars

A Mint Condition Corpse

by Duncan MacMaster

My original post
I put off reading this for reasons I really don’t understand and haven’t forgiven myself for yet. But the important thing is that I read it — it took me a chapter or two to really get into it, but once I did, I was in hook, like and sinker. In my original post I said this is “a joy to read; full of characters you’ll want to spend days with, that you’ll want to have over for Thanksgiving dinner just to lighten things up and distract you from Aunt Martha’s overcooked yams and dry turkey; a completely fun time that’s very likely most I’ve enjoyed a book in 2018. It is escapist. It is silly. It is clever.” I also said, “Probably the 5-Star-est 5-Stars I’ve given this year.” There are a couple of books that could compete for that line, but I’m not sure they’d win.

5 Stars

My Little Eye

by Stephanie Marland

My original post
Fantastic, fantastic premise. Great hook. Another great pair of protagonists (although most of their work is independent of each other). A True Crime blogger and a DI racing to uncover a serial killer, while battling dark secrets, dark pasts, and outside pressures that threaten to derail them at every turn. Marland surprised me more often and in more ways than just about any author this year. I was floored by some of them, too. A great puzzle, a great mish-mash of amateur detective and police procedural.

4 1/2 Stars

Her Last Move

by John Marrs

My original post
I didn’t realize what I was getting myself into when I said yes to this Book Tour request. I’m not sure I could have — no offense to Mr. Marrs, but I don’t think I’d heard of him before. He’s definitely on my radar now. This was brutal, devastating, shocking, and just about every other adjective reviewers (professional and otherwise) overuse when describing a thriller. Marrs did so many things I didn’t think he would do. He didn’t do a lot that I thought he would (and seemed to mock the idea that he’d so some of what I wanted him to do). I spent a lot of time while reading this book not liking him very much, but so grateful I was getting to read the book. I’m still upset by some of it, but in awe of the experience.

5 Stars

Stoned Love

by Ian Patrick

My original post
Sam Batford, undercover cop, is back in a sequel that shows real growth from a very impressive debut. Batford is in incredibly murky ethical and legal waters — and that’s not counting what his undercover op is. Any misstep could ruin his career, end his life, land him in prison — or all three. Actually, those options hold true even if he doesn’t make any missteps. There are so many balls in the air with this one that it’d be easy to lose track of one or more. But Patrick doesn’t seem to struggle with that at all — and he writes in such a way that a reader doesn’t either. That’s a gift not to be overlooked. I liked the overall story more than it’s predecessor and think that Patrick’s writing was better here. This is a series — and a character — that you really need to get to know.

4 1/2 Stars (I remember liking it more than that…I’m sure I had a reason at the time)

Exit Music

by Ian Rankin

My original post
I’ve spent enough time with John Rebus over the last couple of years that I knew one of the books had to end p here, I just wasn’t sure which one. Exit Music ended up on the Top 10 not so much for the main mysteries (although they put the book in contention), but for all rest of the things that the novel was about — Rebus’ moving on (not knowing how to or to where), Siobhan moving on (and not sure she wants to), and the dozen or so little things surrounding the two of them and their work. Even Big Ger was kind of moving on here — and that’s just strange to read about. Exit Music would’ve been a great way to say farewell to John Rebus, I’m just glad it wasn’t that.

5 Stars

Trouble is a Friend of Mine

by Stephanie Tromly, Kathleen McInerney (Narrator)

My original post
If not for Kirby Baxter (above), I could say this was the most fun I had with a Mystery novel this year (not to take anything away from the sequels on that front). This is just the right mix of high school hijinks, teen drama, quirky characters and writing with panache. Zoe and Digby are a great combo of smarts, recklessness and responsibility as they work their way through puzzles surrounding missing kids, drug dealing doctors, and some strange cult-like group. You can feel the chemistry between them — like Remington Steele and Laura Holt, David Addison and Maddy Hays, Cumberbatch’s Sherlock and Freeman’s Watson. Throw in their friends and frenemies and you’ve got a recipe for fun and suspense. I listened to this on audiobook (and bought the paperback for my daughter before I got to the end, I should add) and McInerney’s narration was perfect — she captured the spirit of the book and made the characters come alive.

4 Stars

My Favorite 2018 (Fictional) Dogs

By HCNewton

On January 3, 2019

In Dogs, Fantasy, Fiction, Harry Dresden, IQ/Isaiah Quintabe, Iron Druid Chronicles, Jim Butcher, Kevin Hearne, Mystery/Detective Fiction/Crime Fiction/Thriller, Nicholas/Nick Petrie, YA/MG/Children's Books

In one of the lightest moments of Robert B. Parker’s Valediction (just before one of the darker), Spenser describes his reservation about the first two Star Wars movies: “No horses . . . I don’t like a movie without horses.” After watching Return of the Jedi, he comments that it was a silly movie, but “Horses would have saved it.” Which makes me wonder what he’d have thought about The Last Jedi. Horses aren’t my thing, it’s dogs. I’m not quite as bad as Spenser is about them — I like books without dogs. But occasionally a good dog would save a book for me — or make a good book even better. I got to thinking about this a few weeks back when I realized just how many books I’d read last year that featured great dogs — and then I counted those books and couldn’t believe it. I tried to stick to 10 (because that’s de rigueur), but I failed. I also tried to leave it with books that I read for the first time in 2018 — but I couldn’t cut two of my re-reads.

So, here are my favorite dogs from 2018 — they added something to their novels that made me like them more, usually they played big roles in the books (but not always).

(in alphabetical order by author)

Edgar from The Puppet Show by M. W. Craven (my post about the book) — Edgar has a pretty small role in the book, really. But there’s something about him that made me like Washington Poe a little more — and he made Tilly Bradshaw pretty happy, and that makes Edgar a winner in my book.
Kenji from Smoke Eaters by Sean Grigsby (my post about the book) — The moment that Grigsby introduced Kenji to the novel, it locked in my appreciation for it. I’m not sure I can explain it, but the added detail of robot dogs — at once a trivial notion, and yet it says so much about the culture Cole Brannigan lives in. Also, he was a pretty fun dog.
Rutherford from The TV Detective by Simon Hall (my post about the book) — Dan Groves’ German Shepherd is a great character. He provides Dan with companionship, a sounding board, a reason to leave the house — a way to bond with the ladies. Dan just felt more like a real person with Rutherford in his life. Yeah, he’s never integral to the plot (at least in the first two books of the series), but the books wouldn’t work quite as well without him.
Oberon from Scourged by Kevin Hearne (my post about the book) — Everyone’s favorite Irish Wolfhound doesn’t get to do much in this book, because Atticus is so focused on keeping him safe (as he should be). But when he’s “on screen,” he makes it count. He brings almost all of the laughs and has one of the best ideas in the novel.
Mouse from Brief Cases by Jim Butcher (my post about the book) — From the moment we read, “My name is Mouse and I am a Good Dog. Everyone says so,” a good novella becomes a great one. As the series has progressed, Mouse consistently (and increasingly) steals scenes from his friend, Harry Dresden, and anyone else who might be around. But here where we get a story (in part) from his perspective, Mouse takes the scene stealing to a whole new level. He’s brave, he’s wise, he’s scary, he’s loyal — he’s a very good dog.
Ruffin from Wrecked by Joe Ide (my post about the book) — Without Isaiah Quintabe’s dog opening up conversation between IQ and Grace, most of this book wouldn’t have happened — so it’s good for Grace’s sake that Ruffin was around. And that case is made even more from the way that Ruffin is a support for Grace. He also is a fantastic guard dog and saves lives. His presence is a great addition to this book.
Dog from An Obvious Fact by Craig Johnson (my post about the book) — I might have been able to talk myself into ignoring re-reads if I hadn’t listened to this audiobook (or any of the series, come to think of it) last year — or if Dog had been around in last year’s novel. Dog’s a looming presence, sometimes comic relief (or at least a mood-lightener), sometimes a force of nature. Dog probably gets to do more for Walt in this book — he helps Walt capture some, he attacks others, just being around acts as a deterrent for many who’d want to make things rough on Walt. Walt couldn’t ask for a better partner.
Trogdor from The Frame-Up by Meghan Scott Molin (my post about the book) — Honestly, Trogdor probably has the least impact on the book than any of the dogs on this list. But, come on, a Corgi names Trodgor? The idea is cute enough to justify inclusion here. He’s a good pet, a fitting companion for MG — not unlike Dan’s Rutherford. He just adds a little something to the mix that helps ground and flesh-out his human companion.
Mingus from The Drifter by Nicholas Petrie (my post about the book) — Like Trogdor, a great name. Like Mouse and Dog, a great weapon. He’s really a combination of the two of them (just lacking Mouse’s magical nature). He’s vital in many different ways to the plot and the safety of those we readers care about. Petrie made a good move when he added this beast of a dog to the novel.
Chet from Dog On It by Spencer Quinn (my posts about Chet) — If I couldn’t cut Dog, I couldn’t cut Chet. Listening to this audiobook (my 4th or 5th time through the novel, I believe) reminded me how much I love and miss Chet — and how eager I am for his return this year. This Police Academy reject is almost as good a detective as his partner, Bernie, is. Chet will make you laugh, he’ll warm your heart, he’ll make you want a dog of your own (actually, all of these dogs will)
Zoey from Deck the Hounds by David Rosenfelt (my post about the book) — how do I not invoke Tara when discussing an Andy Carpenter book? Good question. It’s Zoey that brings Andy into the story, it’s Zoey that helps Don to cope with his own issues, it’s Zoey that defends Don and saves him (in many ways). Sure, Tara’s the best dog in New Jersey, but Zoey comes close to challenging her status in this book.
Lopside from Voyage of the Dogs by Greg van Eekhout (my post about the book) — It almost feels like cheating to bring in a dog from a novel about dogs — conversely, it’s hard to limit it to just one dog from this book. But Lopside the Barkonaut would demand a place here if he was the only dog among a bunch of humans — or if he was surrounded by more dogs. He’s brave, he’s self-sacrificing, he’s a hero. He’ll charm you and get you to rooting for these abandoned canines in record time.

Just the Clothes on My Back – a collaboration with Lee Child by Naked Blue: Jack Reacher Rocks

By HCNewton

On December 31, 2018

In Fiction, Jack Reacher, Lee Child, Mystery/Detective Fiction/Crime Fiction/Thriller

Just the Clothes on My Back – a collaboration with Lee Child

by Naked Blue
Series: Jack Reacher

CD, 10 tracks
Bluetick Records, 2018

Mutual fans/friends Naked Blue and Lee Child collaborated on this album — 10 songs from Jack Reacher’s point of view. Well, 9 from his POV and 1 (“Reacher Said Nothing”) that could be the soundtrack for about 90% of the books.

I’ve listened to this album a lot since it came out and I’ thoroughly enjoy it. I think it does a great job capturing the “inner essence” of Reacher (a concept he’d probably boggle at) and delivering it with some great bluesy-rock/Americana tunes. Even if you’re not Reacher-obsessed, or you don’t think about the character the songs hold up just fine — you don’t even have to know anything about the album to appreciate it. But if you are a Reacher fan, you’ll enjoy it a lot more.

“Just the Clothes on My Back” and “Big Man” do great jobs of encapsulating Reacher’s approach to life. “Killing Floor” and “Blessed or Cursed,” are almost as good. All of them have great tunes that get into your head and threaten to take up earworm-like residence.

It’s not all about the action-hero side of Reacher. “The Midnight Line” does a great job of capturing a chapter (or part of one) with the allusions and euphemisms for sex and “Sanctuary,” also does a fine job of recreating the kind of scene in a Reacher book that I skim. This doesn’t mean they’re bad songs, in fact, they’ll be selling points for many. They just don’t work for me.

As for “Reacher Said Nothing”? An almost entirely instrumental piece (with some vocals by Lee Child himself) — how that hasn’t become my ringtone is beyond me. Just love that song.

Now, Jennifer Ferguson Smith might not seem the ideal person to give musical voice to the 6’5″, 210–250 lbs., ex-MP with a 50″ chest, but she somehow pulls it off. The vocals are great — I don’t really know how to describe someone’s singing voice, so I’m not going to try. They match the rootsy-bluesy-rock well. I don’t know if it’s helpful to anyone, but she reminds me of Amy Rigby.

A great album for fans of Reacher. An album that should earn Naked Blue some new fans/listeners. A good album just in and of itself. Give it a whirl.I’m going to give it 4 stars, but based on the way that music like this tends to grow on me, if you ask me in 6-9 months, I’ll probably rate it higher.

—–

4 Stars

Past Tense by Lee Child: If this wasn’t a Reacher book, I’d probably like it more…

By HCNewton

On December 31, 2018

In 2018 Library Love Challenge, Fiction, Jack Reacher, Lee Child, Mystery/Detective Fiction/Crime Fiction/Thriller

Past Tense

by Lee Child
Series: Jack Reacher, #23

Hardcover, 382 pg.
Delacorte Press, 2018

Read: December 6 – 7, 2018
Shorty and Patty are a young couple from a rural Canadian community on their way to New York City to sell off some beloved possessions in order to make enough money to go to Florida and start their lives. Which sounds like a great idea (assuming they’re not ripped off in NYC) — if only they’d ever done basic maintenance on the car they’re driving. They end up breaking down outside a small town in New Hampshire, nowhere near a decent city.

The owners of a newly refurbished hotel outside town take pity on them and rent them a room for a little cheaper than they should and offer to help with getting their car going again — they even invite them to dinner their first night with them. Yes, I said first night — home repairs aren’t doing the job, so they have to call a tow truck/mechanic to fix the car — which is going to pretty much wipe the couple out. But what choice do they have?

Still, something doesn’t seem right about the whole thing. Shorty’s a trusting guy and rolls with everything that happens, but Patty smells something. She thinks a lot — incidentally, she thinks a lot like Reacher. Which is annoying when you’re reading a book starring Reacher that you get a clone. But it’s good for her and Shorty and just might end up saving their lives. It’d be better for the both of them if she had any of Reacher’s skills other than his ability to analyze a situation, but, I guess you take what you can get.

Meanwhile, Jack Reacher comes into the same town those two are stranded outside of. He was passing near by and on a lark decides to stop in Laconia, his father’s birthplace. He’s never met anyone from that side of the family, and his father said almost nothing about his childhood experiences there. So Reacher’s a bit curious about the town — he doesn’t even know if there might be a cousin or three around. It turns out that finding anything about his family is almost impossible in the official records — and there’s a decent chance that there’s no one around who knows anything about them that’s not in the official records.

While that’s going on, in the middle of the night Reacher encounters an attempted sexual assault and, ahem, dissuades the attacker. This attacker doesn’t press charges or anything, but it turns out that he’s connected to a significant crime family in the Northeast. Reacher is informed about this and is encouraged to leave town soon by a former MP turned local law enforcement officer that he’s become acquainted with. Reacher doesn’t like to be told what to do — by anyone — and there’s something about his father’s past that has him more curious than he’s been before and wants to track that down.

These two stories run independently of each other, while happening very near each other. Reacher does come to the hotel and asks a couple of questions about his quest about the same time that Patty’s getting suspicious, but the two don’t cross paths.

Now, I didn’t right down the page number when Reacher’s story intersects with Shorty’s and Patty’s — but I do know that it hadn’t happened by page 245 (of 382). Which is pretty astounding, and is definitely a new way to bring Reacher into the main events of a novel. I doubt it’s a trick Child can pull off again, but I’d like to see him try. If he doesn’t show up, bad things will happen — and will likely continue to happen — but it’s hard to say just how bad it’d all be. But Reacher does show up, and he does his usual thing, and many more people live than otherwise would have. Which isn’t to suggest that no one dies after he shows up, it’s just that most of them aren’t the people that seemed likely to die 30 pages earlier.

There’s little violence until the end of the book (there’s Reacher’s dissuasion, and two other minor — by Reacher’s standards — fights), but once the fighting starts, it doesn’t stop until there’s a whole lot of violence and bloodshed. Tension and unease that’s been mounting slowly over the whole book, are unleashed – and most of the last twenty percent (or so, I’m just guessing) of the novel is as violent and action-packed as you could hope for. Once that switch is flipped, it’s on.

This wasn’t my favorite Reacher novel — by far — but it was a really engrossing read. I enjoyed it — and really think if Jack Reacher hadn’t been the fly in the ointment for the people trying to manipulate and hurt Shorty and Patty, I think I’d have enjoyed this much more. But I expect more from Lee Child than I do other writers, and this time, I just don’t think he pulled it off. I’m willing to bet he does better next year, and I’ll content myself with that hope.

—–

3.5 Stars