Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 36 of 146

Shots Fired by Ian Robinson: The Hunt for a Gun

Shots Fired

Shots Fired

by Ian Robinson
Series: DI Nash and DS Moretti, #3

Kindle Edition, 179 pg.
The Book Folks, 2021

Read: September 10-13, 2021
Grab a copy from your local indie bookstore!

What’s Shots Fired About?

Oddly for a London-based series, we start with a murder in Glasgow. The gun used is quickly tied to a three-year-old murder case in London. This connection reinvigorates the investigation into the old case.

A theory or two comes up about the gun—the leading theory involves the idea that the gun is rented out, and if they can follow the gun back to the source they can solve both crimes—and maybe more.

Nash and Moretti look into shootings in Glasgow and Northern Ireland to look at the evidence around them to see if they led to the gun’s provenance and maybe shed some light on the London murder.

A Cultural Divide

I’m very, very carefully and intentionally not making an evaluation of any set of laws here, I’m simply describing the experience from the point of view of an American raised and living in one of the “reddest states” and a watcher/reader of a lot of US Crime Fiction.

But wow…it is so weird for an American to read about the police so focused on one gun as it is used in multiple crimes over a long period of time in different countries. This is the kind of thing that would be tossed in a river or a dumpster and easily replaced in a US-based police procedural. And the travel involved in tracing the gun’s whereabouts is mind-boggling to me, if only because it suggests that the gun did that at least that much traveling, too.

So, what did I think about Shots Fired?

I’m still mystified by the way that Nash treats Moretti—hot and cold at the same time, and with little to provoke a change (from my perspective). Pretty much everything I said about Cover Blown applies here*—although there’s at least one moment where she seems to notice that she’s not treating him quite the way he deserves. So maybe she’ll come around.

* I actually had a couple of paragraphs more to say on this point, but before I hit publish, I glanced at my Cover Blown post and realized it was largely the same.

Compared to the previous volumes in this series, the procedural nature of this novel seemed a bit light—as did the realism. But maybe that’s just me. Either way, it’s a fun read with a solid cast of characters. I’m hoping a fourth Nash and Moretti is arriving soon, and I’ll be jumping on it as soon as I can.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Word Is Murder (Audiobook) by Anthony Horowitz, Rory Kinnear: A Great Start to an Unique Take on a Holmes/Watson Duo

The Word Is Murder

The Word Is Murder

by Anthony Horowitz, Rory Kinnear (Narrator)
Series: A Hawthorne and Horowitz Mystery, #1

Unabridged Audiobook, 9 hrs. and 2 min.
HarperAudio, 2018

Read: August 30-31, 2021
Grab a copy from your local indie bookstore!

What’s The Word Is Murder About?

The setup here is that a former police detective, Daniel Hawthorne, is doing some work as a consulting detective and as a consultant for TV. He’s one of the consultants on Anthony Horowitz’s show, in fact. And now he comes to Horowitz with a proposal, Horowitz should follow him around on some of his cases, watch him at work and write True Crime books about it, with the two splitting the profits.

Horowitz is hesitant but is talked into the deal. And regrets it almost immediately—and would probably walk away from the deal if he wasn’t intrigued by Hawthorne (who he really didn’t know at all until this point) and the case.

It’s hard to say if the murder case is the “A Story” or the “B Story” in this novel—I think it’s the A, with the storyline focusing on the writing of Horowitz’s first Hawthorne book as the B Story. But it’d be easy to argue the other way—which really doesn’t matter, I’m just bringing it up to describe how the novel works.

I should probably talk about the murder case, though—it’s pretty clever. A wealthy woman (also the mother of a famous actor) goes to a funeral parlor and starts making arrangements for her funeral. A few hours later, she’s murdered. It’s not as if she predicted her death (maybe not, anyway, that’s to be determined), just the kind of freaky coincidence that gets the attention of journalists, consulting detectives, and spy novelists looking for a new project.

It’s not just a good hook—plenty of twists, turns, intrigue, and colorful suspects follow.

Not the Most Flattering Depictions

When you first meet him, you think that Hawthorne’s probably just a misunderstood guy because of a combination of his brusque manner and genius. You may even think that this work with Horowitz may lead to a redemptive arc, a rehabilitation arc, or something. But as the book goes on, the less convinced I was of any of that. I think he’s just a foul sort of person who’s really good at something. By most measures, he’s not a good sort of person—but those are frequently fun characters.

Horowitz really doesn’t come across much better. I remember in junior high when I came across a handful of mysteries that Steve Allen (yeah, that one) wrote and I couldn’t help but wonder why someone would write himself so unflatteringly. I eventually sussed it out and by the time I got to Kinky Friedman’s mysteries, I expected it. See also, Brent Spiner’s new book. Horowitz fits into that scheme—he’s bright enough but doesn’t have the stomach, the instincts, or cynicism to handle a murder investigation on his own—which is fitting, he’s a writer, not a detective. He’s a good Watson figure to Hawthorne—even while it’s clear that he wants to do better.

How was the Narration?

I’ve listened to interviews with Horowitz before, but I halfway wonder if I listened to another one and it didn’t sound like Rory Kinnear if I’d believe it was him. Kinnear did a great job embodying the narration and characters–he’s definitely the kind of narrator I’d want to listen to again.

So, what did I think about The Word Is Murder?

This was a fun mystery—you put any PI/PI duo in the mystery part of the story and it would’ve worked well*, it’s just so well-conceived. Not surprisingly at all, Horowitz can construct a strong mystery/story and he does that here. I’m ready to read/listen to something like that any day. The victim, the suspects, the various motives, the red herrings, and the ultimate reveal provide everything you want.

* In my mind, that’s a compliment to the design of the story. I’m not sure it reads that way when it’s read.

What makes this distinct is the characters of Hawthorne and Horowitz—how they interact with each other and the suspects. Their new business relationship and its ups and downs over the course of the novel make this more than just a good PI story and turn it into a series that you’re going to want to come back to.

And you will want to. I’m glad there are at least two more and am looking forward to diving in.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Ninja Betrayed by Tori Eldridge: Trouble in Hong Kong

The Ninja Betrayed

The Ninja Betrayed

by Tori Eldridge
Series: Lily Wong, #3

Paperback, 313 pg.
Agora Books, 2021

Read: October 7, 2021
Grab a copy from your local indie bookstore!

What’s The Ninja Betrayed About?

Hot on the heels of their trip to L.A., Lily’s grandfather summons her mother to Hong Kong for a board meeting where it looks like her mother’s future will be decided (and it doesn’t look like a bright future). Lily comes along with her mother for emotional support and to spend some time with her grandparents. The fact that her love interest, Daniel Kwok, is in the city on business doesn’t hurt either.

As things start to look grim for her mother, Lily’s spider-sense goes off and she starts looking into things. She has to learn a little about international finance and corporate politics (dicey in the first place, but worse when family is added in) in order to make sense of things—and it gets more complicated when someone attacks her when she’s at the home of a family friend.

Lily has to balance her under-the-radar investigation, dating, family obligations, and tourism (and a little extra-curricular fun, see below)—what could go wrong?

Protests and Peril

Pro-democracy protests are common at the time of the visit—and Lily notices how the police are treating the protesters—at times goading them into a riot, or reacting more violently than a situation calls for (or a combination of the two). Her grandparents, and others of similar age/social standing, have a very different take on the protests than those who are closer to Lily’s age.

Because romance and financial intrigue aren’t enough to occupy her mind, Lily gets involved in a little more trouble. Her grandfather’s driver, Mr. Tam strikes up a friendship with Lily—she helps him extract his daughter from a couple of heavy situations related to the protests.

Both Mr. Tam’s relationship with Lily and her escapades near the protests are the most fun part of the novel—they’re the closest this book gets to being an action movie. But it’s more than that—there’s something about these scenes where Lily is more herself, she’s not trying to say and do the right things around her grandfather’s business (or for her mother), she’s not trying to figure out the right things to say and do with Daniel—it’s the closest to her being the L.A. version of Lily—no airs, just trying to keep a young woman out of trouble.

This’ll Even Warm the Cockles of Your Heart

I sank lower and snuggled my face against my mother’s heart, clutching her waist as she rocked me like a child. What childish woes used to bring me to such despair? A broken toy? A stubbed toe? An injured bird? I’d had no idea about the true meaning of pain. Nor had my mother.

“I can’t lose you, Lily.”

“I know, Ma.”

The emotional stresses Lily and her mother are under—from family, her mother’s professional circumstances, and the physical peril that Lily is in and has survived since their arrival in Hong Kong (some of which her mother is aware of for a change) brings them to a breaking point—and brings them closer than we’ve ever seen them. By a long way. Possibly closer than they’ve been since the death of her sister. Knowing her mother, possibly ever.

I’m assuming that once everyone is back in L.A., things will return to how they were before Hong Kong—or at least close to it. But this warming of the relationship (however temporary it may be) was really great to see and adds depth and nuance to both characters. I’ve really been intrigued by the Wong family dynamic throughout this series and this just made the whole thing better.

Whisky Tango Foxtrot?

There was a moment near the end (that’s as specific as I’m going to get) where Eldrige literally caused me to yell, “WHAT?” at the book. I didn’t drop the book, but I may have bobbled it a bit. It was something I absolutely didn’t see coming, yet was completely believable.

And I’ve probably said too much about it. I could easily do at least another two paragraphs, though.

So, what did I think about The Ninja Betrayed?

This was almost a one-sitting read for me, and I was gripped throughout. Due to an appointment, I had to set it aside with only 30 pages left to go, and it took me about eight hours to get back to it—talk about torture.

This is Eldridge’s best so far—in terms of action, suspense, emotional weight, complexity—and sheer entertainment value. Lily’s brain is almost as important as her fighting skills this time—it was almost possible for Lily to save the day without having to exercise any of her martial arts. Almost—fans might want character growth and development, but we want to see Lily do her thing.

There’s a lot of strong character growth and development, some new layers to the relationships in Lily’s life—a worrying development with a character back in L.A.—and a heckuva secret is revealed. There’s almost nothing to complain about here and a lot to relish.

I can’t wait to see what happens next—the last chapter doesn’t really end on a cliff-hanger, but it sure propels the reader toward the opening pages of the next Lily Wong adventure.

Go read this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Man Who Died Twice by Richard Osman: Laughter, Tears, and a Thrilling Plot. Who Could Ask for More?

The Man Who Died Twice

The Man Who Died Twice

by Richard Osman
Series: Thursday Murder Club, #2

Hardcover, 352 pg.
Pamela Dorman Books, 2021

Read: November 5-8, 2021
Grab a copy from your local indie bookstore!

TL;DR Version of the Post

I’m going to try not to go on for a few thousand words here, but I can’t make any promises. Just in case, let me provide this version of the post first:

Why waste time wondering about this book? Go read it now.

“It is fine to say ‘what doesn’t kill you makes you stronger’. It is admirable. But it no longer applies when you’re eighty. When you are eighty, whatever doesn’t kill you just ushers you through the next door, and the next door and the next, and all of these doors lock behind you. No bouncing back. The gravitational pull of youth disappears, and you just float up and up.”

What’s The Man Who Died Twice About?

Right on the heels of the events of The Thursday Murder Club, a figure out of Elizabeth’s past arrives at Cooper’s Chase in need of her help (which means they get the help of Ibrahim, Ron, and Joyce, too—they’re a package deal now). He’s been accused of stealing diamonds worth millions—this is bad enough in any circumstances, but when these diamonds belong to a New York mafia family, the accusation takes on a particular level of seriousness.

As the quartet starts to help him, one of their members is mugged and there’s not a lot the police can do about it, as much as they want to. You know that Elizabeth and the rest will not take that lying down for a moment, and you almost feel sorry for the mugger. It’d probably be better for him to turn himself into the police than face what Elizabeth will cook up.

At the same time, our police friends, DCI Chris Hudson and PC Donna De Freitas, are trying to take down the unlikeliest drug kingpin since Nancy Botwin. There are also some nice (and potentially strange) developments in their social lives.

I shouldn’t forget to add that Joyce takes up making friendship bracelets to sell for charity, gets an Instagram account, and decides to adopt a dog. You’ll be surprised which of those becomes important for the plot, but you’ll enjoy them all.

Crowdsourcing Vengence

The last book’s mysteries involved people near The Club, which got them involved—but it’s largely due to curiosity/boredom/proximity. In this book, the crimes are personal, members of The Thursday Murder Club are affected and involved—either directly or indirectly. They’re not acting for their amusement (well, maybe a little), they have a need to see justice done and someone punished.

In both cases, it feels like they’re practically crowdsourcing their revenge. They are able to quickly get anyone they ask to chip in. “Oh, this is for X?” or “This is because of Y?” “Sure, I’m in.” “Someone hurt So-and-so? What do you need.” It’s heartwarming to see the community come together like this, selflessly ready to help. It’s also a little disturbing how quickly willing everyone is to ignore the law (not just because two of the people who are involved are police officers).

A Shared Attitude

At (at least) one point both Ron and Elizabeth reflect on their life at the moment and say something about how lucky they are. It’s certainly possible that Joyce and Ibrahim said the same thing at one point in the book (if I had an e-copy, I’d have done a search or two so I’d know)—but even if they don’t, they come close enough. I wish I had their sense of perspective, hopefully I get as wise as they are one day.

At the same time, they all know that life is short. And what they enjoy right now can be taken from them without warning (there are examples aplenty in the two books of the series). Which probably helps them enjoy their luck as long as they have it.

Elizabeth, in particular, knows that her luck is about to run out. Her husband loses his battle with dementia a little every day, and it’ll soon be over. Each scene with the two of them together (or when Elizabeth thinks about him) is a fantastic combination of sweetness and heartbreak.

Come to think of it, that’s a pretty good description of the series.

A Joyce Sampler

I can’t find some way to shoe-horn in these quotations, but I feel compelled to share them. Joyce’s journal entries are gold. A couple of samples:

What would I do with five million pounds, I wonder?

I need new patio doors, they’re about fifteen thousand, though Ron knows someone who could do it for eight.

I could buy £14.99 wine instead of £8.99 wine, but would I notice the difference?

…So I probably don’t really need five million pounds but, nonetheless, I’m sure I shall dream about it tonight. You would too, wouldn’t you?

By the way, earlier, when I said Elizabeth is a terrible flirt, I didn’t mean she’s a terrible flirt like I’m a terrible flirt. I mean that when she flirts, she’s terrible at it. Really all over the place. I like to see things Elizabeth is bad at. There aren’t many, but at least it levels the playing field a bit for the rest of us.

So, what did I think about The Man Who Died Twice?

“Anyone interested in something very weird at Coopers Chase?” says Chris.

Yes. Everyone is.

That bit of narration speaks for everyone* who’s spent any time with The Thursday Murder Club and will likely continue to do so until Osman steps away from the series.

* I guess I should say “nearly everyone” I’m sure there are readers who weren’t taken in by Osman’s charm. I don’t understand those people, but I should acknowledge their existence.

I’m not sure what to possibly say at this point in the post—this is a fantastically entertaining read. Osman has a gift for making you laugh, appreciate the depth of grief, muse on aging, and ponder the random vicissitudes of life all within a page or two—all while telling a first-class amateur detective story.

As much as I loved The Thursday Murder Club, I think this was a more entertaining read. I was chuckling almost instantly, and audible laughter soon followed that. But by the last paragraph of Chapter 3, I was reminded that Osman is as skillful at playing your heartstrings as he is tickling your funny bone. This is a winner. Stop wasting time with this post and go read the book.


5 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Finlay Donovan Is Killing It (Audiobook) by Elle Cosimano, Angela Dawe: A Clever Idea, Well Executed

Finlay Donovan Is Killing It

Finlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)
Series: Finlay Donovan, #1

Unabridged Audiobook, 9 hrs., 59 min.
Macmillan Audio, 2021

Read: October 25-27, 2021
Grab a copy from your local indie bookstore!

What’s Finlay Donovan Is Killing It About?

Finlay Donovan is a writer of romantic crime novels who is struggling to meet her deadline—that’s not true, she’s so late that her publisher is on the verge of demanding a return of her advance.

What’s caused her to get behind is turmoil and upheaval in her life—she’s in the middle of a messy divorce, she has almost no money for rent (paid to her soon-to-be-ex to live in their house), food, or gas. Her husband’s lawyer is gearing up to wrest custody of their kids from her. This has shot her confidence, her trust in herself, and her ability to focus on anything.

So, she’s in a Panara, meeting her long-suffering agent, trying to get a little more time for the overdue novel, and is overheard by someone at a nearby table. This woman is convinced that Finlay is describing a contract killing and offers her a good sum of money to kill her husband.

Finlay doesn’t want to take the job—because she’s not a monster—but is curious about the husband, does a little research on him, and then arranges to meet him. Shortly thereafter, he’s killed. Finlay and her kids’ nanny, Vero, dispose of the body (to keep from having to answer uncomfortable questions).

Finlay soon has a guilty conscience, a healthy dose of paranoia, a nice stack of money, a referral for another job, and (most importantly) a plot for her new novel. She and Vero form an alliance to deal with it all—and, well, things go nuts from there.

How was the Narration?

Angela Dawe’s narration was solid—she captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too. This book really was a balancing act between the various tones and characters, and Dawe dealt with it admirably.

So, what did I think about Finlay Donovan Is Killing It?

I really don’t have a lot to say about this one, as much as I’ve tried. It’s a clever idea and it was executed well. I think the pacing could’ve been a bit tighter—it seemed like there was a good amount of wheel spinning at the end of the second act/beginning of the third. Not enough to turn me off of the book, but enough to make me impatient.

This is a good mix of suspense, quirky humor, and a dash of romance. I enjoyed the characters and situations. I’m pretty curious about where the second book is going to take the characters and hopefully answer a couple of lingering questions I have. For example: why was Vero so willing to throw her lot in with Finlay and jump into this life of crime (or a life adjacent to crime)?

It’s a fun ride, you should give it a whirl.


3.5 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Mermaid’s Pool by David Nolan: Nolan Delivers Another Dose of Manc Noir

The Mermaid's Pool

The Mermaid’s Pool

by David Nolan
Series: Manc Noir Book 2

Kindle Edition, 192 pg.
Fahrenheit Press, 2020

Read: August 20-23, 2021
Grab a copy from your local indie bookstore!

‘Wow,’ the young man deadpanned. ‘Nazi cops. Absolute shocker.’

‘Is that how you see it?’ Smithdown asked.

‘Yes, I do. And it appears that I’m entirely right.’

‘This is the bit when I tell you about a few bad apples isn’t it? About what a great lot we all are – on the whole; just good people doing a tough job as best we can? But under the circumstances, I’m going to say nowt. I don’t know what I know anymore. Or who.’ Smithdown looked around the darkening landscape. ‘I’m a bit lost, to be honest.’

What’s The Mermaid’s Pool About?

The predecessor to this novel, Black Moss, took place in two different timelines—the first was April of 1990. This book takes place two years earlier, and involves (to one degree or another) two of the characters from Black Moss, and shows them starting on the path that leads them to where they were in the second storyline of 2016.

Which is a long-winded way of saying it’s a prequel.

There are (essentially) two separate storylines.

Storyline A

The first involves a missing mother—Naomi’s daughter has been put in children’s care home after her boyfriend slapped her. Soon after this, Naomi’s hand is found by a man walking his dog. Smithdown focuses on the boyfriend as the culprit, but needs to know if Naomi’s still alive, too.

This case takes him to a nearby town where another grizzly discovery has been made—near a lake (subject of many urban legends), a mutilated body has been found.

Storyline B

Immigrants from Bangladesh and Pakistan are being attacked in the night, creating—practically overnight—a spike in racial tensions between the two communities.

As Smithdown and other detectives try to put a stop to these attacks, he starts to believe that there’s something going on that is trying to take advantage of—and is perhaps stoking—this tension as it mounts to near-riotous levels.

So, what did I think about The Mermaid’s Pool?

Of course, it’s not just the two storylines at work—they’re intermingled and there are a couple of more personal subplots involving Smithdown and his family. But let’s keep things simple and pretend that the storylines are hermetically sealed from one another.

In my imaginary world, if you could excise Storyline B; tweak A so it’s not dependent on B; or create an easier-to-believe B, and keep the personal subplots—you’d have yourself a winner. Most of B is great—but at a certain point, it just jumps too far and I can’t buy it. I’ve seen similar things tried by other authors—Robert B. Parker and Rob Parker jump to mind.*

* I’m at a loss for other examples at the moment, but Nolan’s not the first non-Parker to try.

That said, while I had checked out on that story working for me as soon as I saw where Nolan was going—I was gripped by it. How was he going to pull off a satisfying resolution while balancing the smaller story of one presumed-dead woman in the middle of this? I was on the edge of my seat and rolling my eyes simultaneously.

And it’s a shame I felt this way because, underneath all of this, Nolan was painting a gripping picture about hate—hate in many varied forms—and how that hate can shape and harm a community, how it can corrupt noble institutions, and twist individuals of all backgrounds. And I was too distracted to be able to spend as much time musing on that as I think I should have.

Is there some light in all of the hate? Some hope? Yes, some. But as with Black Moss, Nolan makes you hunt for it. Maybe so you value it more.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Appeal by Janice Hallett: You Have Not Read a Mystery Like This Before.

The Appeal

The Appeal

by Janice Hallett

eARC, 448 pg.
Atria Books, 2022

Read: October 30-November 4, 2021
Grab a copy from your local indie bookstore!

What’s The Appeal About?

The setup is basically this: a pair of law students have been given a stack of documents—emails, texts, voicemail transcripts, letters, and so on. They’re to read through this stack and be prepared to work out what crime(s) happened in what’s documented and who did what (and maybe why).

The correspondence focuses on a period of March-July in the lives of people in The Fairway Players or their associates. The Fairway Players are a local amateur theater group from a small community. As the group starts to plan their next play, the director makes a horrible announcement: his granddaughter, Poppy, has just been diagnosed with a rare form of brain cancer. He’s going to have to step back for a while, and Poppy’s uncle will be stepping up to direct, etc. There’s an experimental drug from the U.S. that’s her best shot at a cure, but it’s expensive and the family’s trying to crowdfund the treatment.

The Players are galvanized into action—individually and as a whole. People do charity runs, have a fundraising gala, a raffle, direct contributions, and so on—and, of course, all the proceeds from The Fairway Players’ next play will go to the Fund.

The stack of documents chronicles the messages about this fundraising appeal, the emails of support, and a lot of the behind-the-scenes work at the appeal and the play, and assorted tangential matters. There’s a lot of gossip, backstabbing, emotional manipulation, and…well, you start to get the idea that not everything is on the up-and-up with the appeal, the treatment, and some of the people involved. The more you start to piece together the picture these emails, etc. are painting, the more you’re pretty sure you’re missing something big. Maybe a few somethings. A crime has been committed, one or two may be in progress, and there may be more on the way.

The only way to find out is to see what the next email has to say.

Isabel Beck

When it comes to sheer word count, we hear more from Isabel Beck than any of the other characters. This doesn’t necessarily mean that we know more about her than some of the others—we just get more input from her about what’s going on. Or at least what she says is going on.

Issy is clearly a lonely person. Until she recruits a couple of new colleagues, she’s the newest member of The Fairway Players and isn’t really liked by most (and, in fact, the people she brings in are quickly more welcome than she is). She’s described as “mousy,” “drippy,” who “latches on to” people—and some things not as complimentary. Between her emails and what others say about her, you really start to pity Issy.

And that feeling just grows—like just about every person in the book, she does some truly lousy things. But unlike just about every person in the book, I only felt bad for her. I really hoped for a heaping dose of comeuppance to be given to everyone else but kept hoping something good would happen for Issy.

If I liked nothing else about The Appeal, Isabel Beck would be enough for me to tell you to go read this book. I’m so glad I met this character, one of the best of 2021.

The Stroke of Genius

The law students, Femi and Charlotte, communicate with each other via WhatsApp about these documents as they read—as you read, too. They get exactly the same information as the reader does when the reader does. As they write back and forth, it’s like you’re a part of the conversation with them. Instead of texting/messaging your friend(s) as you read the same novel, in this case, you’re reading along with a couple of the characters.

In mysteries, as the reader, you’re always looking back at things, seeing what happened. Even if the narration is in the present tense, it’s going through things that have already happened. Which is the case here, too. But you’re with Femi and Charlotte in the trenches—it feels very “now”—while you and those two are looking towards the future, what documents are going to be coming? As they start to put things together, you do, too (sometimes faster than them, sometimes a beat or two behind them). It’s a fun—and brilliant—layer on top of what’s already a great book that kicks it up a notch or two of cleverness.

Lingering Questions

One of the downsides/advantages (depending on your point of view) of this type of storytelling is that you don’t have an omniscient narrator—or even a first person—to tie up all the loose ends.

I have several lingering questions about some of the events of the book, many of which can’t even make a decent guess about the answer for. If Connelly, Rankin, Holten, Goldberg, or anyone else had left this much hanging—you can believe I’d be jumping up and down shouting my objections to the heavens. But I’m oddly at peace with this. I have been and am going to be spending some time chewing on my questions, make no mistake, but I’m fine with Hallett not tieing everything up in a nice bow.

I should stress that all the important questions, the ones that keep the reader turning pages for, are answered in definitive ways.

So, what did I think about The Appeal?

I ordered this book as soon as I read Noelle Holten’s post about it in July. Then listening to Hallet on The Blood Brothers Podcast just made me anticipate it more. So when I saw this on NetGalley, I had to jump—who wants to wait until January for the US release?

I am so glad that I didn’t wait.

As I read this, I kept saying to myself things like, “oh, this is clever;” “this is great;” “oohh, impressive;” and so on. And then 30-60 minutes later, I’d say the same thing again, but mean it more. And then again 30-minutes later. Right up to the final paragraphs, this kept getting better and better—and it started off great.

Now that I’ve said such grandiose things that no book can possibly live up to them, I’m not sure there’s a whole lot left to say.

The Appeal is a funny, thought-provoking, and suspenseful novel full of great, believable characters—not a whole lot of likable characters, but believable and interesting, sure—with a multi-layered plot that will keep you guessing and thinking as it pushes you to keep going; all presented in a format that you’ve seen rarely (if ever) in a mystery novel. If the execution isn’t flawless, it’s close enough that you won’t notice.

One of the best of the year. Period.


5 Stars

Disclaimer: I received this eARC from Atria via NetGalley in exchange for this post and my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Gated Prey by Lee Goldberg: Starts Off with a Bang and Doesn’t Let Up

Gated Prey

Gated Prey

by Lee Goldberg
Series: Eve Ronin, #3

Kindle Edition, 255 pg.
Thomas & Mercer, 2021

Read: October 26-27, 2021
Grab a copy from your local indie bookstore!

“The people who live in these places think the gates protect them from all the crime and misery that’s out there, but it doesn’t. It just locks them in with it.”

“You think whatever happened came from within the gates?”

“I don’t know where it came from, that’s your job. But I’m sure there’s as much evil inside these gates as there is outside of them. Maybe more.”

What’s Gated Prey About?

LASD Detectives Eve Ronain and Duncan Pavone are in the midst of a sting operation when the novel opens—to trap a home invasion team, the pair are pretending to be a well-moneyed couple who’d make pretty easy marks to lure the team in. They go out daily to shop a little—making sure to flash a lot of cash—and then go back to their McMansion in a gated community to wait. Duncan’s loving the excuse to sit around all day and watch movies, while it’s driving Eve crazy to not be active.

The LASD has tried traditional investigational methods, but they just haven’t worked—no one can figure out how the team is getting past the security gates, much less who they are, and how they select their targets.

The trap works and the LASD chalks it up as a win. But Eve’s uncomfortable with the number of questions (and possible accomplices) that remain about it. Also, there are indications that Eve still has enemies within the department—and they might have prevented backup that Eve and Duncan needed from acting to keep them safe.

That’s not the only crime Eve and Duncan encounter behind the protective gates—while trying to close the home invasion case, the pair pick up another assignment. It’s not covered in the publisher’s description, and I’m not sure how to talk about it without giving away too much. So let’s just say that it will underscore that “Maybe more” from my opening quotation.

Eve Off-the-Clock

“You’re doing it again,” Duncan said.

“Doing what?”

“Obsessing over your case to the point of exhaustion. You need a life and some sleep. You can’t physically, mentally, or emotionally sustain being relentless.” “

I’m only doing it now because we’ve got a ticking clock on this one.”

“You’ve done it on every case we’ve had.”

“You make it seem like years. We’ve only been working together for a few months. It hasn’t been that long.”

But like Duncan, readers know if the two had been working together longer, she’d be doing the same thing. This is not a good way to live—it’s not healthy, and if Eve doesn’t learn how to take her foot off the gas, she’s going to burn out or make some big mistakes—likely both. But this is the kind of character I love reading about. Yes, I do hope that she learns how to balance things a bit—for the sake of character development, I think it’d be interesting. But until she does? I’m going to love watching her burn herself out.

Eve spends so much time working over the course of the novel that there’s almost no time for anything but her work. We do get to see most of Eve’s family, but very briefly—and the most we see is of her sister, thanks to Lisa’s work in the ER. I’d have liked a bit more time with her, she humanizes Eve, but that’s not always possible in every book.

Conversely, I thought it was good to have a scaled-down presence of Eve’s mom (especially with Eve’s agent being able to carry the water of “supporting character annoyingly-fixated on the superficial”). I find Jen an amusing and important part of the series, but man, a little of her goes a long way.

Duncan “Dunkin’ Donuts” Pavone

I’m not sure if I should use the nickname in that section header, I’m not sure if Goldberg used it this time. But, eh, I like it. I made so many notes while reading that were variations of “love this character.”

While he remains the wise and largely-comic-relief figure he’s been, there’s a darkness to Duncan we haven’t really seen before, expressed in a couple of different ways. There’s a certain invulnerability that his fast-approaching retirement date gives him that allows him to give this side a free rein—Duncan notes repeatedly that his career is over, he has nothing to lose. I really wouldn’t want him as an enemy (not that I want any, I have to say, but really not him).

We also get some insight into his reason for retirement—one of those things I hadn’t questioned. He was introduced to us in Lost Hills as being on the verge of retirement, and that’s just how I’ve thought about him. But now I want to know more about what got him to this point.

She’s Still Learning

Eve’s only been a homicide detective for a few months, and she still has a lot to learn. Not just the lessons that Duncan’s trying to teach her about overworking and getting along with colleagues.

But she’s still learning how to be a detective—she doesn’t know basic routines and procedures. She embarrasses herself in front of a morgue attendant and in an autopsy—nothing horrible, just the kind of stumbling people make when they’re new at something. Some of what she does within the Sheriff’s department is a little more than embarrassing—and will likely come back to haunt her, but again, that’s realistic growing pains.

It’s not often that we get to see this kind of thing in police procedurals—especially with the central/titular character. And this approach is a treat.

So, what did I think about Gated Prey?

“…I just got lucky.”

Duncan leaned against the wall and looked at her. “It isn’t luck, Eve. It’s instinct. You’re a natural at this. What you haven’t learned yet is how to do it without making enemies.”

I’ve gone on too long at this point—and there’s so much that I still wanted to talk about: the ongoing role of the media (both news and entertainment) in Eve’s life and career—not to mention at least one fellow detective; the politics within and outside the LASD and how that impacts their investigation; personnel changes within the Department; and racial and economic prejudices that the security gates seem to magnify.

Also, while Duncan (especially) and Eve have always seemed to have some fun meals—there are three references to food that almost induced a between-meal DoorDash order on my part. Don’t read this on an empty stomach, folks.

Great characters all around, a couple of gripping cases, and a breakneck pace—all par for the course for this series. If you haven’t jumped on the Eve Ronin train—now’s the time. I literally organized my reading schedule the last couple of weeks so that I could start this as soon as it was delivered to my Kindle, and it was worth it. You want to get your hands—and eyes*—on this, readers.

* Or ears, come to think of it, Nicol Zanzarella does a great job with the audiobook narrations for these books.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Daughter of the Morning Star by Craig Johnson: A Cheyenne boogeyman, A Recalcitrant Teen Sports Star, and a Wyoming Sheriff

Daughter of the Morning Star

Daughter of the Morning Star

by Craig Johnson
Series: Walt Longmire, #17

Hardcover, 322 pg.
Viking, 2021

Read: September 28-29, 2021
Grab a copy from your local indie bookstore!

“Everybody thinks the dead of the night is the scary time, but it’s not. The time of danger for the living is the time of change, from day into night or night into day, when the world isn’t sure what it is or what it wants to be.”

What’s Daughter of the Morning Star About?

Midway through the last novel, Next to Last Stand, Walt and Henry stop by a High School Girl’s Basketball game to watch Lolo Long’s niece, Jaya “Longshot” Long, do what she does best. But they don’t stop by to enjoy the game, really, they’re there because Lolo wants help. Jaya’s been receiving death threats and there’s only so much an aunt can do (even if that aunt is a Tribal Police Chief).

This is where we pick up now—the threats are real, repeated, and don’t seem to be a prank. Adding to the danger is the fact that Jaya’s older sister disappeared the prior year under suspicious circumstances. There’s no need to think the two are linked, but Walt has to consider the possibility.

If nothing else, Lolo hopes that bringing Walt into the investigation(s) will draw attention to him—he tends to get people watching and talking about his escapades, and hopefully, his involvement will get enough people interested in what’s going on to generate some leads.

There are plenty of suspects—on the reservation and off—for both the threats and the disappearance, so Walt and Henry have their hands full.

A Recurring Question

“I’m sorry, but I don’t believe in the things you believe in, Henry.”

He nodded. “I know that, but I respect your belief in humanity, if for only one reason.”

“What’s that?”

“It makes you very resolute.”

“Is that a compliment?”

“Sometimes.”

There is a strong possible supernatural thread running through this novel. I’m not going to do justice to explaining the particular spirits that are suspected to be at work in this book, but there’s a real sense of hazard around them. And a lot of what Walt encounters during these events cannot be easily explained by something other than a spiritual force.

Of course, this isn’t the first time that this concept has been explored in the Longmire books. I don’t have hard numbers on it (I expect someone on the Internet does), but I’d guess that it’s a little less than one-half of them that feature this in a significant way.

And for all his protesting (see above), I’m not so sure that Walt doesn’t believe most of what Henry does. If your actions are an expression of your beliefs, he sure seems to. Not simply his actions over the course of this novel, there’s just about every other novel in the series—look at everything involving Virgil White Buffalo, for example (but there are several other pieces of evidence). Given both his background, what his wife believed, and his lack of knowledge about the details of Cheyenne beliefs, I can believe that Walt’s hesitant to claim that belief, but he sure does walk the walk.

Of course, there’s this observation Walt makes:

Funny how your attitude about spirituality could change when the chips were down.

A Sobering Beginning And Unfortunate Coincidence

In the midst of all the media coverage surrounding the search for Gabby Petito this summer, one of the things I frequently saw was people listing the statistics surrounding the numbers of missing Native American women every year.

The Acknowledgements in the front of this book listed similar statistics regarding missing and murdered Native American women, which are partially where Johnson drew the idea for this novel from. These numbers are repeated in the text itself, too.

This isn’t the first time that Johnson has used Walt’s case to comment on something in the news (or something that should be), but an accident of timing made this novel particularly germane.

Missing Friends

The downside to a Longmire book that takes place outside of Absaroka County is that most of the Sheriff’s department and the residents of Durant aren’t in the book. We didn’t get Sancho, Ruby, or Lucian (for example). And Vic was largely absent as well—but was well used for little time she was around.

I get the need to have Walt do things outside of Durant/Absaroka County to prevent Durant from becoming Murder Central, U.S.A. (it’s likely the most murder-filled town/county in Wyoming), but I really wish it didn’t involve leaving so many of the characters out of the books.

Here’s hoping that #18 brings them all back.

So, what did I think about Daughter of the Morning Star?

I thought some of the basketball material in the book (particularly the further in the novel we got) was a little eye-roll-inducing. It was just too much for a cynical guy like me. But somehow Johnson made it work.

There’s a lot said about hope in Daughter of the Morning Star–mostly about its absence. But, as hope tends to do, it shows up in the unlikeliest of places and in the midst of the darkest times. When this book is finished, there’s no happily ever afters promised (as usual for this series), but there’ve been moments of triumph, and maybe a dawning of hope for some.

This is really the most entertaining Longmire book in quite a while. When Johnson is on his game, he’s great. And that’s what we got here. Readers new and old will find a lot to be satisfied with here.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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