Category: Fiction Page 104 of 348

Of Claws and Fangs by Faith Hunter: Tales of Vampires, Weres, Witches, Skinwalkers and More

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Of Claws and FangsOf Claws and Fangs

by Faith Hunter

DETAILS:
Series: Jane Yellowrock/Soulwood 
Publisher: Ace
Publication Date: May 3, 2022
Format: eARC
Length: 352 pg.
Read Date: April 26-28, 2022
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What’s Of Claws and Fangs About?

It’s a collection of 18 shorter works in the Jane Yellowrock/Soulwood universe—one novella, a couple of very short vignettes, and several short stories.

This is the second collection of such works (and I really should get that first one, I’m not sure how I’ve managed to miss it), and brings in material from a variety of collections and some things published online and brings them all together in one handy volume—which is great, most readers are like me and we’re not going to be able to get all these various collections, but you put them in a book like this, and we’re going to have a good time.

I briefly considered giving a sentence or two about each piece, instead, I’m going to focus on just a few:

Jane Tracks Down Miz A

This is the sole bit of new material for the book—it’s described as a “short-short story.” It’s a little longer than a vignette, but not quite a short story. It was originally written for someone who won a charity auction, and Hunter re-worked it for this collection. I wasn’t sure what to think of it originally, but by the time it was over I wanted it to keep going.

Bound into Darkness

This novella is the longest piece in the book, and as such, seems like it should get a little more attention than the rest. The story centers on Eli and Molly’s sister Liz Everheart. Several other characters get involved by the end, but it’s primarily about these two and one of the worst dates (that really wasn’t a date) in history. There were plenty of good character moments, a few good supernatural baddies, and a lot of Eli doing his thing.

The nicest touch, if you ask me, was the short story that followed it in this collection. It ties into the novella, talking about something that happens behind the scenes. It doesn’t really alter your understanding of the novella, it just adds a little color. I really liked it—not just because of the added color, but the story was nice, too. I didn’t realize I wanted to know more about Lincoln Shaddock, but I was wrong.

Other Highlights

I’m a big Soulwood fan, so I was pleased to run into two stories from that series here. There’s a cute story about Nell’s early days with PsyLED and Black Friday, which is followed by Occam’s origin story.

There’s a great story where Angie Baby gets to shine. I’ve been thinking it for a while, but this story (“My Dark Knight”) confirms it for me—I need a stand-alone novel featuring her, either at her current age or as a young adult. She’s possibly the most interesting character in this series that features several interesting characters.

Of course, there’s plenty of good material featuring Jane and Beast—it’s pretty much a requirement. My one note on “Life’s a Bitch and Then You Die” was that it would justify the book’s purchase price by itself. Then I read “Of Cats and Cars” (I posted an excerpt from that earlier today), “Anzu, Duba, Beast” and “Shiloh and the Brick”—I think I’d have said the same about any of them.

Lowlights?

Really, there weren’t any—not many collections like this can say that.

For me, the collection started off rough—but I’m going to be in the distinct minority on this. The first vignette and the story that followed focused on Leo Pellissier, and he’s really never been my cup of tea. I can enjoy him as an antagonist to Jane, and even a benefactor, but that’s it—as a secondary character, basically. But even then, I thought the story, “Make it Snappy,” ended well, with a nice reveal at the end.

So, what did I think about Of Claws and Fangs?

I had more fun with this than I expected. I expected to have a good time with it, don’t get me wrong, but with short story collections, I try to go in with low expectations (and usually have those met). Like I said above, there’s not a bad one in the batch—sure, there were a few I could’ve liked more, but none of the stories were disappointing or dull.

For readers of Jane Yellowrock and Soulwood, this is a must. You’ll enjoy the time with your favorites, get a new perspective on a handful of them, and will be exposed to a variety of adventures that wouldn’t fit into a novel.

There’s nothing to complain about here, and plenty to enjoy—go get your paws on Of Claws and Fangs.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

EXCERPT from Of Claws and Fangs by Faith Hunter: Of Cats and Cars

Of Claws and Fangs Banner

from Of Cats and Cars, a short story from Of Claws and Fangs by Faith Hunter

Of Cats and Cars
A Story of Beast and Cows with Trees on Heads
This short story, originally written from Edmund’s point of view, was first published on my blog in 2019 (for 30 hours), and as a serialized blog tour event. It has been rewritten and extended (with more of Beast’s point of view). It still fits nowhere in the existing Jane Yellowrock timeline. For the sake of argument, I am cramming it into a three-day period just after the end of the Sangre Duello between Leo Pellissier and Titus, the Emperor of the EU, and the end of Dark Queen. Also, after the short “Life’s a Bitch and Then You Die.” The timeline isn’t perfect. I know that. But it is a fun story. Enjoy!

Edmund

“No. Absolutely not. I forbid it.”

“But—”

“There is no way beneath heaven’s sun that I will allow that . . . that . . . cat creature to hunt from my car. The seats are original. The carpet is original. It has never been off road and it never will.” His voice rose. “She is in pristine cond—”

“That cat creature is your queen,” Eli said, his tone cutting into the beginnings of an excellent tirade and still managing to sound laconic.

Edmund Sebastian Hartley shut his mouth. There were times when being the titular Emperor of all of Europe and the defacto (though not titular) Master of the City of New Orleans meant nothing, most often when dealing with Jane Yellowrock or her heirs and business partners, Eli and Alex Younger. He had already made arrangements to ship his prized Maserati to France, where he would join Grégoire, Blood Master of Clan Arceneaux (and assorted French titles, properties, and cities) in his campaign to seize all of Europe for the Emperor of Europe—himself—and the Dark Queen of Mithrans—Jane.

The goal was to conquer the unruly, warring Blood Masters, claim their fealty, gain control over their hunting territories, and bring peace to the blood-families that had been left in limbo when Jane Yellowrock killed Titus, the former Emperor of Europe. Thanks to her, Edmund was now that titular, if moderately unwilling, Emperor. It was an empty title until he conquered the land and killed his enemies.

However, walking away from war wasn’t an option, now that the European Mithrans and Naturaleza were hunting and killing humans. He could not abdicate. Leo Pellissier had made clear what the ramifications of such an abdication would mean politically and in regard to world unrest. Therefore, Ed would fight. And he would win.

Ed frowned at the puma lounging in the kitchen, her eyes on the three men gathered in the living room. She yawned, showing off her fangs, and flicked her ear tabs at him. She was a magnificent creature, lean and muscular, and he had it on good authority that those curved and serrated fangs could tear the head from a powerful blood-servant or even a vampire. Apparently, there was photographic proof.

Ed didn’t know what was going on with Jane, but she hadn’t been herself since Leo had been defeated. When in human shape, she was pale and withdrawn, grieving as all of them were, but there was something more, something that had sent her into Puma concolor form for the last two days. Normally when in mountain lion form, Jane was present. She acknowledged comments, answered questions, participated in discussion as best as the cat form allowed. At such times she called herself Beast. But not now. Two days past, she had texted him with the request to take her Beast hunting for a cow, in his car.

For a cow. In his car.

He had refused. He still was refusing. Not. In. His. Maserati.

Except that the cat creature—sans Jane—was following him around, watching him, often vocalizing loudly with clicks and whistles and mewls, like a kitten begging for milk. This dusk, he had waked from his daily sleep to find her lying on his chest, her fangs inches from his eyes, breathing cat-breath upon him. That raw-blood-and-meat stink had been the scent of his first breath of the night. Her fangs had been his first sight. Had he been alive, he would have expired on the spot. Ed had no idea how she had opened the sealed door to his newly renovated, windowless, attic sanctuary or, more likely, who had let her in, but there it was. And because Jane, in whatever form, was his Dark Queen, his hands were bound to her in fealty. Her desires were his command. Blast and damn.

He dropped to the leather couch, leaned at an angle to the couch back and arm, and propped his chin on his fist, staring hard to his left at the cat in the kitchen. This is all utterly unacceptable.

The cat rose, all killing grace and muscle, and walked to him, her very long tail moving slightly. When she was ten feet away, she leaped, landing beside him. Despite his centuries as a human-hunting vampire, he flinched.

Eli chuckled.

The cat dropped to the sofa cushion, her head fell into his lap, and she started to purr. He had a ridiculous urge to scratch her ears. She batted her eyes at him, for all the world as if she were flirting. He had no idea that mountain lions had such long eyelashes. Or perhaps only Jane’s cat had them. Her golden eyes wore the loving expression of a cat who wanted something and wasn’t above emotional manipulation to get it. There was no sign of Jane in the cat’s eyes at all, and he wondered for a moment where Jane went when she disappeared and her cat roamed free.

The cat rubbed her jaw on his bespoke suit pants, scent-marking him and leaving behind cat hair. His tailor would be appalled. There would be no getting out the musky scent. “Stop that,” he demanded. The cat rolled over and stared at him from upside down, her belly exposed. “No. I am not scratching your belly and you are not hunting in my car.”

The cat mewled and began to purr, the vibration gently shaking the couch.


Read the rest in Of Claws and Fangs by Faith Hunter to see what happens from here—and spoiler: it’s ridiculous and fun.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

BOOK SPOTLIGHT: Of Claws and Fangs by Faith Hunter (and Giveaway!)

Today I’m very pleased to welcome the Book Tour for the collection of shorter works by Faith Hunter, Of Claws and Fangs. Along with this spotlight post, I have a fun excerpt to share. I’ll also be giving my take on the collection a little later. Those links’ll work when the posts go live in an hour or two. Be sure to scroll to the bottom of this post so you can be entered into a nifty giveaway.

First, let’s take a look at Of Claws and Fangs.
Of Claws and Fangs Banner

Book Details:

Book Title: Of Claws and Fangs by Faith Hunter
Publisher: Ace
Release date: May 3, 2022
Format: Ebook/Paperback
Length: 352 pages
ISBN: 9780593334348
Of Claws and Fangs Cover

About the Book:

New York Times bestselling author Faith Hunter presents a stunning collection of stories from the world of shape-shifting vampire hunter Jane Yellowrock and beyond.

Collected together for the first time, this volume contains shorter works featuring heroines Jane Yellowrock and Nell Ingram, as well as a host of other characters from the Jane Yellowrock and Soulwood series. Faith Hunter is “an expert at creating worlds filled with intriguing supernatural elements and exciting scenarios”* and her skills are on full display in this collection. From a vampire-filled Halloween evening in New Orleans to the searing tale of how a certain were-leopard first got his spots, this collection has something for everyone, and each story is sure to put the super in supernatural.

With eighteen stories in all, Of Claws and Fangs will enrich and entertain—it’s a must-have for Faith Hunter’s readers and all lovers of fantasy.

Purchase Links

Amazon ~ Barnes & Noble ~ Books-a-Million ~ IndieBound ~ The Book Depository ~ Kobo ~ Google Books ~ Apple Books

About the Author:

Faith HunterFaith Hunter is the award-winning New York Times and USAToday bestselling author of several series: Jane Yellowrock, Soulwood, Rogue Mage, and Junkyard Cats. In addition, she has edited multiple anthologies and coauthored the Rogue Mage RPG. She is the coauthor and author of 16 thrillers under pen names Gary Hunter and Gwen Hunter. Altogether she has 40+ books and dozens of short stories in print and is juggling multiple projects.

She sold her first book in 1989 and hasn’t stopped writing since.

Faith collects orchids and animal skulls, loves thunder storms, and writes. She drinks a lot of tea. She likes to kayak Class II & III whitewater rivers. Some days she’s a lady. Some days she ain’t.

Find Faith online at:

Website ~ Facebook (official) ~ Facebook Fan Group ~ Twitter ~

Yellowrock Securities website ~ Gwen Hunter website

GIVEAWAY:

There’s a tour-wide giveaway open to US residents!

  • 2 winners will receive a limited-edition leather Soulwood bracelet
  • 1 winner will receive their choice of a $50 gift card from Amazon or Barnes & Noble

a Rafflecopter giveaway

If the Widget isn’t showing up, just click here: http://www.rafflecopter.com/rafl/display/9751c04266/?

My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

Sixteen Ways to Defend a Walled City by K.J. Parker: A Curmudgeon to the Rescue?

Sixteen Ways to Defend a Walled CitySixteen Ways to Defend a Walled City

by K.J. Parker

DETAILS:
Series: The Siege, #1
Publisher: Orbit
Publication Date: April 8, 2019
Format: Paperback
Length:  350 pg.
Read Date: April 20-25, 2022
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According to the books (there’s an extensive literature on the subject) there are fifteen ways to defend a walled city. You can try one of them, and if that doesn’t work—

Indeed. But the books were written for generals, kings, emperors; better luck next time, and we have plenty more cities where that one came from. And, to be fair, each of the fifteen ways is practical and sensible, provided you’ve got an adequate garrison, and sufficient supplies and materiel, and a competent staff of trained officers making up a properly constituted chain of command.

What the books don’t tell you is, there’s a sixteenth way. You can use it when you’ve got nothing; no stuff, no men and nobody to lead them. Apart from that, it’s got nothing to recommend it whatsoever.

Fine, I thought. Let’s give it a go.

What’s Sixteen Ways to Defend a Walled City About?

Orhan is a colonel in charge of a company of engineers—and a very good one. He knows what it takes to work the system to equip his engineers with what they need (and if it takes forgery of official documents and bribery to get people to do their jobs, so be it). Then in the field, he gets his men to do what they need to do.

As his company returns from some bridge building and repair work, they start to suspect something is afoot (okay, more than that, but I’m trying to keep it vague) and they hustle back to “the City.” Once there, they discover that one mistake after another has been made and upon the engineers’ return, Orhan is the highest-ranking military officer in the City—and therefore, he’s solely responsible for defending the capital of the Robur empire.

Whoops.

Now, Orhan may not be the hero that the City deserves (although he might be), but is he the hero the City needs?

Orhan

This is one of those books where your enjoyment of the book is going to be wholly dependent on your opinion of the narrator/protagonist. If you enjoy his voice and are entertained by the idiomatic way he goes about his work, you’re going to have a good time reading this. If you read a few pages of this book and aren’t taken with him—do yourself a favor and move on.

He has almost no social skills and seems to thrive on offending those in power and authority (when he bothers to care about his social skills, that is). He’s confident-bordering-on-arrogant, misogynistic (although I think it’s more applied misanthropy than anything else), quick thinking, decisive, and too clever for his own good. This will strike some readers as off-putting, and would be in a real person, but it works in this fictional world.

Really, at the end of the day, it’s all about solving problems—give him a problem and he’ll come up with a solution, and everything else isn’t that important. It leaves a few bruised egos and ruffled feathers in his wake—but he gets the job done.

But man, the way he tells a story and his attitude throughout really works for me—I read those first few pages and knew we were going to be friends.

A Series?

I don’t see how this functions as the beginning of a trilogy without hurting the last couple of pages—I don’t know if this was intended to be the start of a series, or if that came later. If it was supposed to spawn a sequel all along, I misread the last chapter or two.

I really don’t think Sixteen Ways to Defend a Walled City needs more books to tell this story, but what do I know? Parker (and his alter-ego) have written so many books that they clearly understand story, so I assume that I’m wrong on this point—and he’s very likely doing something I don’t expect.

While I want to see how wrong I am, the fact that this works so well as a stand-alone makes me disinclined to jump on the sequel. I don’t need more in this story, as fun as it probably is.

So, what did I think about Sixteen Ways to Defend a Walled City?

“We’ve been ingenious, resourceful and inventive, and we haven’t let ourselves be hindered by outmoded or irrelevant ways of thinking. It’s a shame, really, because nobody will ever know how clever we were.”

The fact that the narrator lives long enough to leave a record suggests that his second-in-command is wrong in his evaluation of their chances—at least some will survive (and Orhan mentions that a few times). But still, you know that a besieged city doesn’t have a lot going for it, and reading about the siege should be grim going. And it is at times, but that doesn’t stop this from being a fun fantasy read—almost all of that is due to the narrative voice, this isn’t a comedy by any means. But it is frequently funny.

This really struck me as similar to what Sand dan Glokta went through in defending the city of Dagoska. However many his faults, Orhan is no Glotka—he’s not as vicious, he really doesn’t torture anyone, and he’s not as limited by his own injuries. But there is something about the two characters that are similar. Orhan also reminds me of R. Wilson Rogers from Zieja’s Epic Failure series—an engineer who knows how to get things done in the Armed Forces (by manipulating the system) who is thrust into a leadership role at a critical time. Orhan really is the overlapping area in the Venn diagram of Glotka and Rogers, the more I think of it.

Several of the characters could be drawn better—but they really don’t need to be, we get enough depth to understand them, but not much more. It fits with Orhan’s character—he sees most of them as tools to use in solving his problems. You don’t spend a lot of time thinking about your hammer’s backstory. He does understand, and helps the readers to understand, the more important figures in the story. In most books, I’d criticize the lack of depth, but in this one, it actually fits.

There are a few battle scenes, but not to the extent you would get in similar books—Orhan and his men aren’t fighters by trade, they’re builders. So even the fight scenes are different than what you’re used to. I’m all for variety—especially variety that fits with the story.

There’s a whole lot going for this book, and little to complain about—for a fun, fairly quick, fantasy read, give Sixteen Ways to Defend a Walled City a shot.


3.5 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: The Carnival of Ash by Tom Beckerlegge

I’m very pleased today to welcome The Write Reads Ultimate Blog Tour for Tom Beckerlegge’s The Carnival of Ash. I couldn’t fit it into my reading schedule, but if you take a look at the feed for https://twitter.com/WriteReadsTours, you’ll see a lot of bloggers who did find the time to write interesting things about it. Still, I wanted to spread the word a bit.

The Carnival of Ash Tour Banner

Book Details:

Genre: Adult Fantasy
Publisher: Rebellion Publishing
Release date: March 15, 2022
Format: Paperback/Ebook/Audiobook
Length: 528 pages
The Carnival of Ash

About the Book:

An extravagant, lyrical fantasy about a city of poets and librarians. A city that never was.

Cadenza is the City of Words, a city run by poets, its skyline dominated by the steepled towers of its libraries, its heart beating to the stamp and thrum of the printing presses in the Printing Quarter.

Carlo Mazzoni, a young wordsmith arrives at the city gates intent on making his name as the bells ring out with the news of the death of the city’s poet-leader. Instead, he finds himself embroiled with the intrigues of a city in turmoil, the looming prospect of war with their rival Venice ever-present. A war that threatens not only to destroy Cadenza but remove it from history altogether…

Book Links:

Amazon ~ Goodreads

About the Author:

Tom BeckerleggeTom Beckerlegge grew up in the northwest of England in a house filled with books. Writing as Tom Becker, he won the Waterstones Children’s Book Prize with his debut novel; The Carnival of Ash is his first adult book. He lives in Enfield with his wife and young son.
 


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Force of Nature (Audiobook) by C.J. Box, David Chandler (Narrator): Wyoming Requiem

I’ve ended up working on this post a lot longer than most—definitely longer than any other book in this series. I know I didn’t say everything I wanted to, but I think I covered all the essentials. I also think my trimming ideas/paragraphs/rabbit trails didn’t make this too difficult to follow. Let me know if I missed that mark, will you?


Force of NatureForce of Nature

by C. J. Box, David Chandler (Narrator)

DETAILS:
Series: Joe Pickett, #12
Publisher: Recorded Books
Publication Date: March 20, 2012
Format: Unabridged Audiobook
Length: 11 hrs., 23 min.
Read Date: April 13-15, 2022
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What’s Force of Nature About?

Nate Romanowski.

That’s the short version anyway—but it’s not a helpful answer.

Since we met Nate, we’ve known that he’s living off the grid for more than philosophical reasons—he’s not just a modern Thoreau, But we’ve never been given the story behind that. He’s offered to tell Joe, but Joe’s smart enough to know he shouldn’t know (but he is curious).

Well now, those people he’s been avoiding are getting close to finding him. They are approaching, questioning, kidnapping (if deemed necessary), and putting all other sorts of pressure on those who may know something about Nate or his whereabouts. This includes new characters as well as well-established characters—including all the Picketts, his friends on the reservation, his mysterious friends in Idaho, and others.

To protect those who are important to him, Nate has to stop hiding and go on the offense. Along the way, the reader gets answers to a lot of the questions about him that we’ve built up over the previous eleven novels.

We also get another lesson in watching out for your ears around Nate Romanowski, just in case Free Fire wasn’t enough for you.

Yes, there are several other things going on, but they all tie back to Nate Romanowski—his past, his present, and if he has a future.

A Gripe

This is semi-spoilery, but without this, I might have rated this higher, so I have to talk about it. I don’t think reading this is going to ruin anything plot-wise. Still, feel free to skip down to the next heading.

Nate, Joe, and Marybeth all agree that the Picketts have to get out of town for their own safety. So Joe, Marybeth, April, and Lucy get to the airport so they can get out of the reach of those who might try to use them to get to Nate.

See the problem there? I said nothing about Sheridan. Sure, she’s away at college, but we’re talking about people who have gone to Idaho and Colorado to find people to get leverage on Nate. Does anyone really think they can’t get to Laramie? Yes, Joe sends his FBI buddy to talk to her, but that’s to get information, not to watch out for her.

I literally kept talking back to the recording, “What about Sheridan?” Is it possible I missed the two sentences it would’ve taken for Box to justify this choice, but I don’t think that’s the case.

David Chandler

This is book 12, David Chandler has this series down—I’m sure he’s not on auto-pilot or anything, but at this point, it’s got to be comfortable for him.

That said, he’s on his game here, and really gets to stretch his wings a little—there’s (obviously) more Nate than usual, and Nate has a greater emotional range than usual, too. Bang-up job by Chandler.

So, what did I think about Force of Nature?

This is the most action-packed, violent, and unpredictable Joe Pickett novel yet. I’m not sure it’s even close—I’m not sure it’s the best novel in the series, but I’m guessing it’s quite the fan-favorite because of all the Nate material.

It’s the C.J. Box-equivalent of Robert Crais’ L.A. Requiem where we get all of Joe Pike’s background* in the midst of a gripping thrill ride. There’s a version of this post that contains several paragraphs comparing/contrasting these two novels that I’m sorely tempted to write, but I can’t imagine anyone wanting to read it all. This will both serve to humanize Nate as well as build up his mystique. A nice trick to be sure.

* I just got a very real lesson in careful typing by invoking Joe Pike in a discussion about a Joe Pickett novel.

Am I happy to have a lot of questions answered about Nate? Yes. Do I have a whole bunch of new questions about him? Yes. Do I sort of hope that he disappears for at least a book so we can refocus on Joe? Yes. Do I think that anyone with a mild interest in the Joe Pickett series will dig this novel? No doubt in my mind.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Opening Lines: Sixteen Ways to Defend a Walled City by K.J. Parker

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. This one grabbed me with the voice, the perspective, and the attitude. If Parker can maintain this, I’m in for a great time.

from Sixteen Ways to Defend a Walled City by K.J. Parker:

I was in Classis on business. I needed sixty miles of second-grade four-inch hemp rope—I build pontoon bridges—and all the military rope in the empire goes through Classis. What you’re supposed to do is put in a requisition to Divisional Supply, who send it on to Central Supply, who send it on to the Treasurer General, who approves it and sends it back to Divisional Supply, who send it on to Central Supply, who forward it to Classis, where the quartermaster says, sorry, we have no rope. Or you can hire a clever forger in Herennis to cut you an exact copy of the treasury seal, which you use to stamp your requisition, which you then take personally to the office of the deputy quartermaster in Classis, where there’s a senior clerk who’d have done time in the slate quarries if you hadn’t pulled certain documents out of the file a few years back. Of course, you burned the documents as soon as you took them, but he doesn’t know that. And that’s how you get sixty miles of rope in this man’s army.

Opening Lines Logo

Ordinary Grace by William Kent Krueger: A Summer In the Valley of the Shadow of Death

Ordinary GraceOrdinary Grace

by William Kent Krueger

DETAILS:
Publisher: Atria Books
Publication Date: March 26, 2013
Format: Hardcover
Length: 307 pg.
Read Date: April 19-20, 2022
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All the dying that summer began with the death of a child, a boy with golden hair and thick glasses, killed on the railroad tracks outside New Bremen, Minnesota, sliced into pieces by a thousand tons of steel speeding across the prairie toward South Dakota. His name was Bobby Cole. He was a sweet-looking kid and by that I mean he had eyes that seemed full of dreaming and he wore a half smile as if he was just about to understand something you’d spent an hour trying to explain. I should have known him better, been a better friend. He lived not far from my house and we were the same age. But he was two years behind me in school and might have been held back even more except for the kindness of certain teachers. He was a small kid, a simple child, no match at all for the diesel-fed drive of a Union Pacific locomotive.

What’s Ordinary Grace About?

It’s the summer of 1961, and thirteen-year-old Frank and his younger brother, Jake, are going to be irrevocably changed over the next few months. Their small Minnesotan town of New Bremen, will be rocked by five deaths and some near-deaths, as well.

Frank and James live there with their older sister, Ariel—eighteen and about to leave their parents’ home. Nathan and Ruth married before Nathan went to serve in WWII—when he came home, he became a Methodist minister instead of the lawyer he’d planned on being before the war changed him. Ruth hasn’t entirely forgiven him for that but does her best to take part in congregational life, and to make do with his small salary.

Ariel is their golden child, Julliard-bound. Jake stutters, and is clearly fearful of almost everything—and everyone—around him, drawing what little confidence he has from his proximity to Frank. Frank is the family rebel—by most standards, he’s only slightly mischievous, but compared to the rest of the Drum family, he’s the equivalent of Bart Simpson.

The first death (see the quotation of the novel’s first paragraph, above) is that of someone that Frank and Jake knew–even played with. The boys discover the second body, a stranger to them. Those two are enough to alter the course of their development to a degree—but the next three (and the accompanying events) are what will leave an indelible mark on the entire family.

God’s Awful Grace

Krueger likes to use the phrase “the awful grace of God,” and makes other references to it, he wants that idea in your head as you read about the horrible things and deaths the reader and the characters encounter. You’re supposed to think about the (apparent) contrast between “awful” and “grace”, as well as catch the references to Aeschylus and Robert F. Kennedy (and, by extension, Martin Luther King’s death).

As far as the Aeschylus/RFK allusions go—yes, think about those. I think there’s a lot to chew on there. Sure Kennedy has yet to cite that poem, but the narrator has heard it–he’s writing from the perspective of four decades later.

But the former suggestion? I’m sure that Krueger, and many/most of his readers, know the phrase isn’t to evoke something extremely bad or shocking/saddening, but the archaic definition of awe-inspiring or enormous. But the reflex for contemporary readers isn’t to go with the lesser-known/used understanding but to think of the surface and the tension between the ideas, and it bothers me that we’re supposed to spend time on that understanding, even if it’s only a little bit. I’m not sure why it does, but it does.

But while I’m here on the subject of God’s grace, can I just say that the one sermon that we get all of from Nathan Drum, during the darkest part of this book, is one of the best I’ve read in a long time. Drum doesn’t understand grace the same way that RFK or Aeschylus does—grace to him is the unmerited sort, the kind that will come to someone in loss, in misery, in despair, and will cause them to believe, hope, and love. The book was worth the effort for this sermon alone, the rest is just gravy.

Krueger’s Prose

On the one hand, the prose is gorgeous—Krueger’s one of those authors that feels like he’s writing, perpetrating hooptedoodle. He breaks most of Leonard’s rules for writing all over the place, notably, “If it sounds like writing, I rewrite it.” But, as Leonard notes himself, there are authors who can skip them–Krueger’s one of those authors.

Still, there are a couple of things that got under my skin and would frequently take me out of the moment. For one, Krueger is sparing in his use of commas—a couple of times, I’d read a sentence out loud the way it’s in the book, and then with the missing commas; and I think I could get close to understanding why he made the choice. I didn’t agree, but I could maybe see what he’s going for.

But the thing that really bothered me was the dialogue. It really reads like someone wrote it, everyone (or almost everyone) is almost constantly sounding like they’re making a profound point about whatever. Particularly when it comes to Frank and his brother—I don’t need prepubescent boys uttering sentences with layers of meaning and dripping with wisdom nearly every time they say something.

That doesn’t mean that some of those sentences aren’t great and readable and even quotable. It just means it bothered me.

So, what did I think about Ordinary Grace?

“… He’s a vet. Korea. Had a tough time over there. It’s eating at him, I believe. He drinks. He’s hard on his family…”

“Sometimes, Nathan, I think it wasn’t as what we took into the war. Whatever cracks were already there the war forced apart, and what we might otherwise have kept inside came spilling out.”

Once I’d gotten on board with the hooptedoodle, I was able to appreciate what Krueger was about. This really brought Tiffany McDaniel’s The Summer That Melted Everything to mind (and Betty to a lesser extent). I also was reminded of Songs In Ordinary Time by Mary McGarry Morris, A Prayer for Owen Meany by John Irving, and early Richard Russo, as I read this. None of which would ever be considered for the Edgar, Anthony, Macavity, or Barry Awards like Ordinary Grace won. I know those awards mean I should think of this as a Mystery or Crime novel, but I just don’t. It fits with the others better, I think (but I do see why it won those).

It’s a book that will get its hooks into you, if you let it, just not the way that most Mystery novels do. It will make you think, it will make you feel, and it may cause you to think deeper (or more shallow, I suppose) thoughts about God and His grace. But mostly, it’ll make you think about humanity and many of the ways we can harm each other, intentionally or not.

I won’t say that I enjoyed 98% of this book—but the entire time I spent reading it I was fully aware that I was reading something of quality–something that deserved my attention, and I was glad to give it. I also had no trouble seeing why my friend recommended it to me–and I owe her a solid recommendation in return.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Amongst Our Weapons by Ben Aaronovitch: Fear, and Surprise, and Ruthless Efficiency, and two Births.

Amongst Our WeaponsAmongst Our Weapons

by Ben Aaronovitch

DETAILS:
Series: Rivers of London, #9
Publisher: DAW
Publication Date: April 11, 2022
Format: Hardcover
Length: 294 pg.
Read Date: April 12-15
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What’s Amongst Our Weapons About?

Peter’s called in for an initial assessment on an odd murder scene, just to make sure that there’s nothing magical about it. He brings along the newest trainee to the Folly’s Course in magical policing, just to familiarize police throughout the country with their methods. On an initial glance, it looks like it’s something that would belong to the Folly, but there’s an odd lack of vestigium—almost a suspicious lack. The method of murder—and the damage to the more technical devices in the area make it clear that this is a magical murder.

So, Peter and his trainee, join Guleed and Stephanopoulos in their investigation. They soon discover that this murder is actually the second in a string—there’s little to tie the two victims together at first glance, except a similar taste in platinum rings. “Taste” is a poor word there, it’s more of an obsessive need to have their ring that invites Gollum comparisons (however they might be discouraged).

This case is likely the most International that the novels have recorded (although no one leaves the country—as helpful as that might have been) and involves history and magical disciplines that Nightingale and Postmartin can only speculate about. In other words—everyone’s in for a pretty steep learning curve before this is all done.

I feel like I’ve spent a lot of words there to say very little, but it’s one of those setups, I’m not sure what else to do.

Everyone Expects…

With a title like that, if the words “Spanish Inquisition,” aren’t on the tip of your tongue, something’s wrong with you. So, you can’t help but look for the Inquisition to show up in the novel—it’s the how it shows up that’s clever and wholly within what you expect for the series.

Aaronovitch doesn’t work Monty Python into this novel quite as thoroughly as he did with the Hitchhiker’s Guide references in False Value—but it’s there. Which is a fun little garnish.

Building Worlds and Bridges

If everything else in this novel was a “bleh” (and it wasn’t), I’d consider this one a win only for the things I’m talking about in this section.

The Rivers of London series has a pretty well-developed world, and there’s a lot of room to play already. But Aaronovitch keeps building it out—and we get a good deal of it here. There’s a whole other side to the world of practitioners in England pre-WWII that we didn’t know about and that Nightingale hasn’t seen a reason to share with Peter before. I loved this new discipline, how it was introduced, and how it ties in with other non-Society of the Wise British practitioners.

It’s very clear that whatever the Magical community looked like pre-WWII, the War devasted it—alliances are shattered, secrecy and nationalism became the order of the day—with a healthy dose of suspicion. Slowly some of the barriers are coming down and Peter has a lot to do with that—his activity alone has helped practitioners in other nations (see: Germany) become aware of the Folly’s current status. Also, Peter’s relationship with Beverly and her family is strengthening and altering the relationship between the Folly, the Demi-monde in general, and The Rivers in particular. We see a big jump on the domestic front with the other discipline and some other things in these pages—but also, there’s a real sign that Peter’s trying to forge a stronger connection between the magical communities of the U.K. and the U.S. I can only hope that this will soon result in Tobias Winter and Peter meeting up.

Also, there’s something that was briefly mentioned in False Value that’s returned to here, but isn’t given all that much attention. I think, ultimately, this is going to be the post-Faceless Man Big Bad, and this slow build-up to it in a series of 2+ is great. I’m including this with the Worldbuilding because it’s pretty clear that whatever this ends up being, Peter (and I bet Nightingale, too) are going to have to reconsider what they know about the world.

Awwwww…

When the book opens, Beverly is close to delivering the twins. In practically every conversation that Peter gets into, someone is asking him about the upcoming birth, the christening (or whatever they end up doing), etc. Seemingly every minor character from the series so far is talking about it.

There are all sorts of goings-on at Beverly’s home to prepare for the birth—and those who aren’t asking Peter questions are chipping in to get things ready.

All hands are on deck—several in unexpected ways—on this front, and for long-time fans, this whole story through the novel is going to be a real pleasure—it’s the emotional heart of the novel and it pays off well. This storyline—especially the last ten pages of the book—is almost enough to tip me from the 4 Stars I was going to give the novel to a 5.

So, what did I think about Amongst Our Weapons?

I’ve tipped my hand already, I realize, but I liked this novel—a lot. This is fairly predictable—it’s the ninth novel in a series that I’m a completist in. I’ve read and listened to the previous eight novels, short stories, and novellas at least once—and have read all the comics one or two times, too. So, it’d take a massive drop in quality for me to be negative about this. It’s not my favorite in the series—but it’s on the upper end of the spectrum.

I do wonder if the main story could’ve been focused on a bit more in the midst of the personal story and all the expansion of the world that’s going on, it sometimes seemed to take a backseat to other things. I think we got a simpler story so that Aaronovitch could do all the extra things without overcrowding the novel. Also, I can’t think of a thing he should’ve cut. If anything, I think it could’ve been improved with another 100-150 pages of material. For example, we’d have been better served to have our favorite FBI Agent, Kim Reynolds, get 2-4 scenes showing some work in the States related to the crimes.

There are some great character moments—including from some unexpected corners. For example, we get some background on one character that I’d simply assumed we’d never learn more about (I think Peter was with me on this point). Like so many things in this novel, that’s a real treat for the fans.

It’s hard to say without knowing where things are going, but it feels to me like the first arc wrapped up in Lies Sleeping and False Value served as a chance for the characters and readers to catch their breath after it, and Amongst our Weapons is setting things up for the next arc. Given all the things that are set up? It’s going to make taking down the Faceless Man seem easy. I can’t wait.

Obviously, I recommend this to those who’ve read this series—although I probably don’t need to. If you’ve read this far and haven’t read the series—I encourage you to do so. I don’t know that this is where I’d jump on—it’s not a bad place, per se, but it’s not the best. Maybe try False Value first—however, going back to the beginning would be best.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK BLITZ: Dead Man’s Stone by TG Reid

This morning I’m pleased to host a Book Blitz for TG Reid’s Dead Man’s Stone—the third DCI Bone Scottish Crime Thriller—to celebrate its publication today. It looks like a heckuva ride.

Dead Man's Stone Blitz Banner

Book Details:

Book Title: Dead Man’s Stone by TG Reid
Series: DCI Bone Scottish Crime Thriller
Publisher: Glass Work Pres
Release date: April 20, 2022
Format: Ebook/Paperback
Length: 342 pages

Dead Man's Grave Cover

About the Book:

Some secrets are worth killing for.

When DCI Duncan Bone is contacted by a terminally-ill psychiatric patient and given clues linking a forty-year-old unsolved murder to high-profile public figures, he finds himself locked into a conspiracy at the very heart of the Scottish criminal and political establishment.

With his bosses stonewalling the investigation, lives under threat, and his career on the line, Bone faces a race against time to hunt down a group of men who will stop at nothing to cover their murderous crime.

Can DCI Bone catch the killer before the killing starts again?

Set among the dramatic hills and glens of Scotland’s Campsie Fells, Dead Man’s Stone is the third in a series of edge-of-your-seat crime thrillers that will keep you guessing right up to the nail-biting, heart-stopping climax.

Perfect for fans of Ian Rankin, J.D. Kirk, Val McDermid and Stuart MacBride.

 

Purchase Link:

Amazon UK ~ Amazon US

My thanks to Love Books Group for the invitation to participate in this Blitz.

Love Books Group

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