Category: Fiction Page 152 of 348

The Blues Don’t Care by Paul D. Marks: Jazz, Murder, and Rampant Phone Book Vandalism

Earlier, I posted an excerpt from this book (which you should read if you haven’t yet), now here’s what I thought about the book.


The Blues Don’t Care

The Blues Don’t Care

by Paul D. Marks
Series: Bobby Saxon, #1

Kindle Edition, 376 pg.
Down & Out Books, 2020

Read: July 30-31, 2019
Grab a copy from your local indie bookstore!

What’s The Blues Don’t Care About?

Bobby Sexton is a young Los Angeleno, of military age (who is not serving but wants to) during the height of World War II. His greatest desire in life is to be a piano player—he can’t get on with a serious band (mostly due to age, it seems—but there’s something else, too). So he starts spending time in black jazz clubs and finally works out the nerve to try to get in with the Booker ‘Boom-Boom’ Taylor Orchestra. He’s given a shot, and during his first gig, a white man is murdered. One of the other band members is arrested for the murder, but Booker (and Bobby) are sure he’s only arrested because he’s a convenient black man.

So, Booker makes Bobby a deal—use his whiteness in a way that no one else in the band can—find the killer. Or, at least, find a way to get James out of jail. Drawing on knowledge of detecting gained solely out of films, Bobby gives it a shot.

He catches a break by striking up the beginning of a friendship with a Deputy assigned to the case (who is not all that sure that James is guilty, but isn’t free to find an alternate suspect). Given the hints from that deputy, Bobby plunges in and soon finds himself lost in a maze of smuggling, big business, refugees, intelligence about the Concentration Camps, Nazis, and more. Bobby quickly learns (and relearns and relearns) that real life and real detective work isn’t like it looks in the movies, still he seems to have some talent for detecting (or is he just too stubborn to realize he doesn’t?).

A Couple of Thoughts about the Setting

It occurs to me, that every book I’ve read that takes place in World War II (and doesn’t involve the armed forces) takes place in or around New York City (or wherever the Pevensie children go). Seeing Los Angeles at this time was a nice change. I’d never really thought about what it was like during this time in L.A.—or anywhere that wasn’t where my grandparents lived or NYC.

For a book that’s largely about tolerance and acceptance of others, the era-appropriate racial and ethnic slurs fly pretty freely in this book. I can see a lot of people being made uncomfortable by it, being offended, or objecting to it. Not me, it’s how people talked—the slurs directed toward the African Americans Bobby plays with or spends time around did feel ugly, and those who used them weren’t depicted favorably. But the epithets for Axis powers (or their citizens) were casually used by just about every character. It didn’t strike me as hateful, just as slang. Maybe it says something about me (or maybe I read too many books written in the 1940s and 50s) that I didn’t care about it, it just seemed like context-appropriate dialogue. But I do know that not all readers will appreciate that aspect.

A Note about the Framing Device

There’s a framing device used here to introduce us to Bobby, Booker, Bobby’s music, and to give us a glance at their future. I’m not sure it was needed, I don’t know what it added—but I didn’t mind it. But as I thought about the book, I wondered, “why?” I just didn’t see the value.

I can see where in any sequels it could come back, and maybe turn into something I don’t wonder about, but I’m not convinced we need that device.

I’m not saying it was bad…just extraneous.

Has Bobby Never Heard of a Notepad?

Sure, I get it. There were shortages of everything, rations were the name of the game, but Bobby couldn’t have used a notepad, scratch paper, the back of sheet music, anything? Every time he looks something up, like an address in a phone book*, he rips out the page that has the information to take it with him.

* Kids and younger adults should ask your parents.

I remember reading other, older, PI novels where this happens some—and even some TV shows/movies. But Bobby’s a serial vandal—I lost count of who many phone books he ruined. Please, please, Mr. Marks, get the guy a pencil and a notepad for the sequel.

So, what did I think about The Blues Don’t Care?

First of all, I would’ve liked more about the jazz/band. Bobby playing, thinking about, or listening to music was the best part of the book. Yeah, I know, it’s a murder mystery, not a band novel, so the focus needs to be on the murder and hunt for the murderer. But, I tell you what, we could’ve used a lot more of the music scene for flavor, for grounding the story—and just for fun.

There are aspects of the novel, particularly about Bobby, that I don’t feel comfortable talking about at this point—I can’t do it without ruining some reveals. But I do appreciate the way that Marks deals with the characters and their circumstances. That’s really all I can say.

I see that this is listed as the first of a series, and I’m not sure how long you can use the “fish out of water” musician-turned-detective idea before it stops working, but I’m interested in seeing how Marks tries to do it. I’ll be back for at least the first sequel.

On the whole, though, I enjoyed this book. I enjoyed the amateur (very) detective stumbling his way through the L.A. underworld, through the racial divide, and through his first case—and through a degree of maturation and self-acceptance. It’s got the heart of a hard-boiled mystery, but isn’t as grim or violent as you’d expect (not that it’s a cozy by any means). Marks hits the right notes* with his prose and characters, creating a mystery that appeals on many levels. I recommend this for mystery readers looking for the kind of thing they haven’t read before.

* You know I had to.

Disclaimer: I received this book from the author via Saichek Publicity in exchange for this post and my honest opinion—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

EXCERPT from The Blues Don’t Care by Paul D. Marks

I was pretty excited when I got the email for this excerpt, it was precisely what I’d hoped Marks would give me (and a little more, but that’s just frosting on the cake). This is a great sample of the book.


From author Paul D. Marks: Bobby Saxon’s on a mission. He wants to play piano for the Booker ‘Boom-Boom’ Taylor Orchestra (big band), the house band at the famous Club Alabam on Central Avenue in the heart of Los Angeles during World War II. But there’s a problem: he’s young and he’s white. So if he gets the gig he’d be the only white player in the otherwise all-black band. That’s not the only thing standing in his way. In order to get the gig he must first solve a murder that one of the band members has been accused of. And if that’s still not enough there’s another big thing standing in his way…

This excerpt begins the morning after the murder of Hans Dietrich aboard the gambling ship Apollo offshore from Los Angeles. Bobby had just played his first gig with the Booker ‘Boom Boom’ Taylor Orchestra on the ship and the band’s sax player James Christmas has been arrested for Dietrich’s murder. Booker shows up at Bobby’s apartment and asks Bobby to try to clear James of the murder. He figures since Bobby is white he can go places and ask questions that Booker can’t. And he makes Bobby an offer he can’t refuse…a permanent place in the band if he agrees to help.

from Chapter Four of The Blues Don’t Care by Paul D. Marks (available from Down & Out Books)

Bobby’s head swirled with thoughts of James and the dead guy, Dietrich. Had James done it? Bobby didn’t know him very well but James seemed like a hot head. The way he overreacted to everything and seemed angry all the time, Bobby wouldn’t put it past him, especially since the dead German had made comments about colored people.

His wristwatch read five to twelve, almost the witching hour, but not very late by musicians’ standards, when he pulled up in front of his apartment in his 1935 Oldsmobile Six convertible. Several years old, it had been in an accident, so Bobby got it cheap. It was still one snazzy car and he loved the running boards, rag top, rumble seat, and magenta color. Not the original color, but a hot jazz color if ever there was.

Bobby grabbed his stuff, didn’t bother locking the car, headed up the walk. His building was like a thousand others in Hollywood, a million in L.A. White stucco and Spanish style, but it had seen better days. He opened the wood-and-glass-paneled front door, walked down the carpeted but threadbare hall to his tiny apartment in the back. He’d thought about going to a Gene Autry Western at the all-night theater to unwind, decided against it. A smoke and his couch would help him unwind just fine.

He threw off his hat and coat, yanked off his tie and shoes, and flopped on the sofa. It was too much trouble pulling down the Murphy bed. He pulled out the ever-present pack of Viceroys, lit up, drew hard, turned on the radio—war news, what else? It was as good as anything to drift off to sleep to.

Intense morning sun streamed through the venetian blinds, casting long shadows, while dust mites jitterbugged on the light. Bobby, asleep in his clothes on the couch, turned. A loud knock on the front door seeped into his semi-consciousness. Who the hell was it, the cops?

He got up, adjusted his shirt carefully, making sure everything was in place. He ran his hand over his chin and cheek, then headed to the door, saw Booker through the peephole. Booker was in the same suit he’d worn last night; looked like he’d slept in it.

“Booker,” he said, opening the door.

Booker stumbled in. “You got any coffee?”

“Sure.” Bobby walked to the kitchen on the far side of the room, followed by Booker. He started the percolator while Booker made himself comfortable at the banquette. “How ’bout some breakfast?”

“I didn’t sleep at all, Bobby. You?”

“Nothing keeps me from sleeping.”

“You’re lucky.”

“In some ways.” Bobby thought this was a slip, but Booker didn’t pick up on it. Bobby started frying up some eggs and bacon. Making toast. They would use up most of his rations for the week, but Booker was a guest.

“I got a funny look from one-a your neighbors coming here.”

“Probably Mrs. Hazelton, the landlady.”

“I don’t think she likes colored folk in her neighborhood.”

“She looks at everyone like that. I’ve been living here a year and she still looks at me funny.”

“I don’t know if you’re telling me the truth or not, but it makes me feel better anyways. Bobby, this is a nice place.”

“This dump? It’s all right, but I’m aiming to move to better digs.”

“You ain’t no rich white boy just slumming, playin’ on Central Avenue with the darkies to stick it to your folks?”

“Nope.”

“You go to school?”

“I graduated high school. I like to read. But I’ve never been to college.”

“That’s good. I don’t want no eggheads in my band. They tend to intellectualize everything.” Booker sipped the coffee Bobby gave him. He looked the room over. “So, where’s your piano?”

“If there was a piano in here there’d be no room for me. I go to my old piano teacher’s house in Edendale to practice.”

“Edendale? The land of kooks and crazies.”

“Maybe that’s why I fit in.” Booker laughed. “So who do you like? Musically.”

“Benny Goodman. Dorsey. Ellington. Armstrong.” “All the usual suspects.” Booker threw a hard glance at Bobby. “So whatd’d ya think about them hauling James off?”

Booker’s abrupt change of subject threw Bobby for a moment as he put out the plates of food and topped off Booker’s coffee. He set a bottle of ketchup on the table. Both of them dug in. Anyone looking at this scene from outside would have seen two pals chowing down.

“Do you think he did it?”

“I don’t know, man,” Booker said. “What I do know is that the cops don’t care. They got a suspect. A colored suspect. They’re happy. I know you and James aren’t exactly tight, but maybe you can do some checking around.”

“What do you mean?”

“You know, ask some questions. See what you can find out.”

“Criminy, Booker, I’m no detective.”

“I know that. But you got something I don’t, something no one else in the band has.”

“What’s that?”

“A passport.”

“Passport?” Booker pinched Bobby’s pink cheek. “White skin. You can go places we can’t. Ask questions we can’t and get away with it. Maybe even get some answers.”

“You want me to play Sam Spade? Like in that movie The Maltese Falcon?”

“Sure, why not? But you ain’t no ‘spade’ far as I can see.” Booker looked Bobby up and down, grinned.

“I’m no Humphrey Bogart either.”

“Hell no, you’re ten times better looking.”

“I’m not sure how much that says about me,” Bobby said. “But I do have a fedora. What else is there?”

“A gun.”

“Well, that I don’t have.”

“And hopefully you won’t need one.”

Bobby hoped not. He had never fired a gun, though he’d seen Gene Autry and Roy Rogers and Bogart all do it in the movies a million times. What was he getting himself into?

“What about the gig, I’ll have to be there every night to play.”

“There is no gig. The Apollo’s shut down, at least temporarily. And you’re on probation with the band. You solve this, you got the gig.”

“I thought I’d get the gig ’cause I can play.”

“That too. ’Sides, what else you got to do now that we’re on hiatus since they shut the Apollo down?” Booker shrugged. “If you get James off, I’ll give you a permanent spot with the band.”

“What if he’s guilty?”

“If he is, if you prove him innocent or guilty without a doubt either way, you got the gig.”

“So where do I start?”

“You seemed to be talking to that plainclothes deputy a long time. Maybe start with him. See what they have on James. I’m gonna try and get him a lawyer. White lawyer. Jewish lawyer.” Booker took a drag on his cig.

“I want a spot, but I want it ’cause I’m a good musician.” “You are a good musician. Now go and be a good detective.” Bobby had no idea where to begin, but something inside him liked the idea of playing detective, at least for a little while, even if he wouldn’t admit it to Booker. It might make him more of a man.

 

Bobby parked across the street from the Los Angeles County Hall of Justice, an imposing building and right now it was imposing itself on Bobby. The top five floors of the 1926 beaux arts structure housed the main jail for the county and that’s where Bobby was headed. He stood in its shadow, trying without success to light a cigarette in the wind. He stopped, looked at the columns of highly polished gray granite, tossed his match. Headed inside.

Ionic columns, marble walls, a gilded ceiling, and a vaulted foyer, looking like a Grecian palace and running the length of the building, belied the jail that lay on the top floors. All that majesty changed when Bobby got off the elevator on the fifth floor. The unwelcoming yellowed linoleum and hard-tiled walls made Bobby’s footsteps carom off the ceiling. The visitor’s area, with its filtered yellow light and stained dull green walls, didn’t improve his mood. And if this is what the county presented to the public, he couldn’t imagine what the jail’s cells were like. He longed for a drag on a cigarette.

A uniformed deputy sat him at a long wooden table. The scarred surface bore the marks of almost every prisoner who’d sat there. A large, pissed-off-looking man shuffled in, accompanied by a larger, more pissed-off deputy.

“Yer the last person I expected to see here,” James said, looking even angrier upon seeing Bobby.

“Booker asked me to come.”

“’Course you wouldn’t come on your own.”

Why the hell would I the way you went after me?  “Do you hate everyone or just whites?”

“Mostly whites. But I pretty much hate everyone equally.”

“I think you hate yourself more than anyone else.”

Instead of shutting James up, he came back with, “Don’t go being no Freud on me. Why don’t you go home to your silver spoon and perfect family?”

Bobby stifled a laugh. “Booker asked me to help you.”

“An’ what can you do for me, white boy? You who’s wet behind the ears and don’t even look like you started shaving yet.”

“I see that you don’t need my help. Enjoy the food, I hear it’s yummy in here.” Bobby got up to leave, turned his back on James.

“Bobby?” James stood. The deputy shoved him down on the chair—hard. “Wait.”

 

They stared at each other across the table. The deputy stood rock solid behind James. The look in his eyes said he hoped the big man would make a move. James disappointed him. In a very small voice that admitted defeat, he said, “Got a smoke?”

Was that James’ way of asking Bobby to stay, maybe even to help? Bobby shook out a Viceroy, started to pass it across the table. The deputy took it, rolled it around in his fingers, probably to make sure a Bowie knife wasn’t hidden inside, and handed what was left of the crumpled cigarette to James. He put it in his mouth and Bobby lit it for him.

“Maybe I do have a small chip on my shoulder.”

Bobby sat down again. “I’ll say. Only about as small as the Rock of Gibraltar.”

“Well, could be bigger. Could be as big as Everest.” James cracked the slightest smile, held up his arm. A long, angry slash. Fresh. He pulled up his shirt. More bruises. The deputy slapped his billy club on James’ shoulder. The shirt went down.

“What happened?”

James leaned in, talked softly, “They beat me. Of course, they kept away from my face. But they had a hell of a good time doin’ it. And my chip keeps growing. So what’d Booker send you here for? Got a hack saw up your sleeve?”

“He thought I might be able to help.”

“You got friends or maybe your daddy’s on the po-lice force?”

“No. But why don’t you tell me where you were when Dietrich was killed.”

“That his name? No one ever told me.” He sighed. “’Course no one knows exactly when he was killed. But they had to have enough time to haul the body up to the rafters. I think I was probably back in the lifeboat, smoking reefer. Wasn’t feeling too good that night. Seasick, you know. And mad as hell after my confrontation with this Dietrich.”

“Uh,” Bobby didn’t know how to proceed. He was no private eye. “Was anyone with you?”

“I know I’m just a lowly spade, but I don’t have to have someone holding my hand every minute.” “I’m trying to help. It would be good if we had someone to alibi you.” Bobby was getting into the rhythm of being a detective.

“Got no alibis. All I got is my sax and I don’t even have that here.”

“And we miss it in the band.” Bobby stared beyond James, at the grimy walls. “James, did you do it?”

“Hell no!”

Bobby figured people in jail lied. He didn’t know if James was lying or not. But for now he’d take him at his word. “I’ll do what I can.”

He pulled out his pack of Viceroys, tossed it on the table. The deputy grabbed it. Stuck his fingers inside, pulled two cigs, tossed them to James. Stuck the pack in his pocket.

Out on the street in front of the jail, Bobby sucked in a deep breath of fresh air, opened a new pack of smokes. Lit up and took one long drag. He looked across the road to the rundown Bijou Theatre, playing a re-release of The Maltese Falcon. Bobby darted across the street. Short of a correspondence course on private detecting, he figured this would be about as much of a class in the subject as he could hope for.

Bobby emerged from the theater a couple hours later to a dark Los Angeles, lit by streetlamps haloing in the low-hanging fog that had rolled in.  He got in the Olds, cut over to Beverly Boulevard, drove west. I should be playing music, not hunting for a killer. I didn’t take a correspondence course in Detecting 101. Criminy, I’m even more of a fish out of water than Booker knows. 

Where the hell do I go now? I guess it would help to know who the, uh, dead guy is, was. I have to look at this logically, Bobby thought on the drive home. The answer’s probably right in front of my face. 

He flopped on his sofa, listening to Artie Shaw’s sweet clarinet on the radio in between war news. Bobby flipped through the pages of his high school yearbook. He had tried calling Deputy Nicolai. He had gone home for the day. The desk sergeant wanted to take a message. Bobby didn’t leave one.

The Andrews Sisters’ “Boogie Woogie Bugle Boy” followed Shaw. Bobby’s eyes grew moist. All those boys overseas. The service flags in almost every window, gold star flags in too many of them. Sometimes he wished he could join the boys in Europe or the Pacific. He didn’t want to think about that now. He wanted to look at the pictures in the yearbook. Johnny Larkman, senior class president. Very handsome. Is that why he was prez? Jane Feldman, most likely to succeed. What else could she be with her glasses and librarian hair? David Chambers. Handsome, smart. The reason Bobby had pulled out the dusty old yearbook in the first place. David in drama club with Bobby. They had appeared in Cyrano de Bergerac together. In the lead roles. Georgiana Greene, voted prettiest and homecoming queen. Bobby had had a major crush on her. Who didn’t? Mary Cooper. Bobby’d sent her a love note in fifth grade and gotten in trouble for it. Mary never said another word to him. They all went through school together, elementary, junior high, high school. And now they were all out on their own, facing their demons. Facing the world. He kept turning pages and reliving memories. Band. Drama club. Lunches in the quad.

It was fun seeing David Chambers the other night, even if Bobby had been too shy to go up to him. He must be doing pretty good to have money to spend on the Apollo.

 

Bobby fell asleep on the sofa again.

The Malibu sheriff’s outpost, or station, wasn’t much to look at. At least parking was easy. Bobby got out of the Olds Six, inhaled fresh ocean air. Walked inside. After some palavering with the desk sergeant he was allowed back to the detective room. It looked a lot like detective rooms in the movies did. A bunch of wood desks with blotters, file cabinets, and telephones. Men in shirt sleeves and shoulder holsters, some with fedoras on their heads, some with their hats on their desks or hanging from a rack.

Bobby and Sergeant Nicolai sat at a desk in the corner, by the water cooler. Bobby explained he’d come to find out what he could about the Dietrich case.

“Why’re you so interested?”

“James is a member of the band. I’m a member of the band.”

“Doesn’t sound right. Gotta be something more.”

“We have no gig. The Apollo is shut down. We need to hold the band together,” Bobby vamped.

“With a murderer?”

“What if he isn’t?” Nicolai thought a moment. “I’d like to help you but I can’t divulge information on an ongoing investigation.”

“Is it ongoing, Sergeant? And that sounds like a very nice, very formal ‘don’t bother me, kid.’ ”

“I don’t buy your spiel. That boy a friend of yours?”

“I’d hardly say that. But he is a bandmate and we need our first sax.”

“So why doesn’t your leader, Mr. Booker Boom-Boom, come down here himself?”

Bobby’s eyes wandered the room. Nicolai followed. He knew the answer.

“All right, I know why he doesn’t come down. Still—”

“Can’t you give me something?”

“His name’s Hans. Hans Dietrich. I believe he worked in the import-export field. That’s all I know.”

Bobby looked down, then up and straight into Nicolai’s eyes. “I got that much from the papers.”

“You’re a persistent little cuss, aren’t you?” “I got Booker to give me a spot in the band.” “And now you think I’ll just give you information in an ongoing—”

“Tell me something I don’t know and I’ll get out of your hair.”

“Something tells me you’ll never be out of my hair.” Nicolai drew a deep breath. “He and his partner, Harlan Thomas, an American, worked as Dietrich Enterprises, on Third Street. Dietrich’s a German citizen, moved here a couple years ago. Forty-five. Unmarried. Blonde over blue. No arrests.”

“That should get me started. Thanks, Sergeant.” Bobby stood, tipping his hat to Nicolai.

Bobby lit up a Viceroy, stepped out into the raging sun and wind and fresh, stinging ocean scent.

“So who are you,” Bobby sucked in the cigarette, exhaled, “Mr. Hans Dietrich?”

 

Excerpted from THE BLUES DON’T CARE Copyright © 2020 by Paul D. Marks. Reprinted with permission. All rights reserved.


Read the rest in The Blues Don’t Care by Paul D. Marks to see what happens from here.

Thanks to Down & Out Books, Paul D. Marks and Saichek Publicity for this excerpt!

The History of Tom Jones, a Foundling by Henry Fielding: BOOK X., vi-BOOK XI., ii.

Fridays with the Foundling
Tom Jones Original CoverPartridge tries to talk Tom in to returning home, rather than getting further inolved with the military. That doesn’t go well at all, and the two start to bicker, when Tom finds the Muff, recognizes it and suddenly can only care aonly about it. He tries to set out to track Sophia down.

And, yeah, Mrs. Fitzpatrick was, after all, probably at the Inn—just not the woman that Tom was found with, and is already on the road. The coach that had likely brought Mrs. Fitzpatrick to the end is described:

The Coach which had brought the young Lady and her Maid, and which, perhaps, the Reader may have hitherto concluded was her own, was, indeed, a returned Coach belonging to Mr King, of Bath, one of the worthiest and honestest Men that ever dealt in Horse-flesh, and whose Coaches we heartily recommend to all our Readers who travel that Road. By which Means they may, perhaps, have the Pleasure of riding in the very Coach, and being driven by the very Coachman, that is recorded in this History.

According the footnotes in my edition, this was an actual business, making this appear to be one of the earliest examples of product placement?

Chapter vi ends with:

Here, Reader, it may be necessary to acquaint thee with some Matters, which, if thou dost know already, thou art wiser than I take thee to be. And this Information thou shalt receive in the next Chapter.

This is one of my all-time favorite chapter endings. I love it when Fielding narrates his narration like this. It’s the simple things in life, right?

The next chapter is such the comedy of errors, mistaken identities, mistaken motives, wild accusations, and general running about that I can’t summarize it well—I’d really have to just reprint the whole chapter. Suffice it to say that Squire Western is a couple of hours behind Sophia, and is still no friend of Tom’s. Oh, and Mrs. Fitzpatrick is the cousin of Sophia.

We then get flashback chapters, detailing how Sophia ran away from her home, and how her father reacted (hint: poorly) upon discovering it—oddly, her aunt defended her actions. Naturally, Fielding uses the chance to indulge his weakness for the young lady,

It is now Time to look after Sophia; whom the Reader, if he lovers half as well as I do, will rejoice to find escaped from the Clutches of her passionate Father, and from those of her dispassionate Lover.

We get a beginning of a Book digression—this one into a harangue against literary critics, who are nothing more than slanderers, attacking an author when they attack a book—

for, as no one can call another Bastard, without calling the Mother a Whore, so neither can any one give the Names of sad Stuff, horrid Nonsense, &c., to a Book, without calling the Author a Blockhead; which, though in a moral Sense it is a preferable Appellation to that of Villain, is perhaps rather more injurious to his worldly Interest.

(as much as I quibble with his argument, I enjoyed it)

Then we resume with Sophia’s journey after her close miss with Tom, she, her maid, and their guide rush toward London, and soon discover they’re being followed (unintentionally). It turns out that they’re being followed by none other than Sophia’s cousin, Mrs. Fitzpatrick. They had been very close not that long ago and decide to travel together. But are both so tired after their last couple of days that they don’t talk much, and resolve to keep their stories until they’ve had a chance to sleep. They get to an inn, and collapse almost immediately, so we’ll get to see them catch up with each other next week.

Some of this was just a bit too busy for my taste. I prefer Fielding a bit more streamlined, but overall, this was eventful, fun and should prove to make life interesting in the chapters to come.

Betty by Tiffany McDaniel: A Beautiful Novel about a Tragic Childhood

Betty

Betty

by Tiffany McDaniel

eARC, 480 pg.
Knopf, 2020

Read: July 25-28, 2020
Grab a copy from your local indie bookstore!


I’ve struggled with this one for days now and was tempted to say something like, “It’s a Tiffany McDaniel book. This means the writing is gorgeous, the subject will provoke you, you will be moved. And did I mention it’s wonderfully written?” But I knew I couldn’t post that…it doesn’t actually tell you anything about this book (“Tiffany McDaniel” and “gorgeous writing” is essentially a tautology) and since when do I express myself in twenty-seven words?

Who’s Betty About?

Yeah, I normally ask what a book is about, but the what is so unimportant in this book a reader could be excused for not remembering. You won’t forget the who anytime soon. The who is what matters.

It’s about a young, poor family’s struggles between 1939 and 1973—with a focus on 1961-73 (when Betty was 7-19) when the family settles in Appalachian Ohio (and largely stays there). The father is of Cherokee descent (Tsa-la-gi. A-vn-da-di-s-di), the mother is white—and you can imagine how easy life was for them and their children in that time (harder for Betty who takes more after her Cherokee lineage, while her siblings favor their mother). While none of the children has an easy life, there’s a greater degree of difficulty of Betty.

I could spend a good deal of time talking about various family members, but I’m going to focus on two of them.

Landon Carpenter (a.k.a. “Dad”)

When Landon Carpenter met Alka Lark, he was working as a gravedigger, he later worked at a clothespin factory—and then several other jobs, including a stint in a coal mine (which left him with a permanent limp due to a beating given by racists), while the family moved from state to state. When they settled in Breathed, Ohio*, he became known for selling moonshine, herbal remedies (based on “Cherokee wisdom” that was essentially what he happened to make up on the spot), and hand-crafting furniture.

* A fictional city that also served as the setting for The Summer that Melted Everything—one of several nods to that work included here.

But really, what he does with his time is father his children and try to take care of his wife. They don’t all appreciate it, or understand what he’s doing, but they’re (largely) devoted anyway. He will be frequently found passing on a bit of received knowledge through myths or parable form. He wasn’t ready to be a father when he became one and two decades later, he still wasn’t entirely ready when Betty arrived (or her younger siblings, either), but he rises to the occasion as best as he can. I don’t get the picture that he’s the easiest guy to get to know or get along with for prolonged periods. But for those who do get to know him, he’s clearly a loyal and supportive friend.

Betty (a.k.a. “Little Indian”)

Either as a quirk of personality or because she’s physically closer to her Cherokee heritage (likely a combination), Betty embraces the cultural lessons her father passes down more readily than her siblings do—and always wants more. She’s naive, inquisitive, and somehow despite everything she witnesses innocent and optimistic (not precisely, but that’s the best word I can come up with). Life hands her horrible experience after horrible experience, and while momentarily cowed, she comes back, wiser, but still innocent. Toward the end of the book, she has a couple of experiences (one thing she’s told about, one thing she witnesses) that drive her to the breaking point—but even then she holds on for a little longer.

She’s our Point of View character and doesn’t understand everything that’s going on around her for most of the book—things really kick off when she’s seven, after all. So we see a lot of the book through unreliable eyes, but very reliable emotions and reactions. From the latter, we can get a good understanding of what’s going on, better than she can.

The Magic (for lack of a better word)

In McDaniel’s The Summer that Melted Everything, many things happen that may be supernatural or magical in origin, there’s a semi-magical realism feel to it. That’s not the case here. Nor is the source of the “magic” in this novel one mysterious stranger.

The power that keeps Dad and Betty—and the rest of the family—going comes from story. Dad’s constantly telling stories to his children, Betty in particular—and, we learn, he even tells stories to his friends (I don’t think Landon’s wife has much patience for many such stories, as much as she needs them). Betty typically doesn’t tell her stories to anyone, but she writes them down, filling notebooks with them. Some she keeps, some she buries (to preserve or to hid), some she gives away. By their use of story—sometimes use of words—Dad and betty keep themselves, and those around them, going. They inspire, encourage, and teach with them.

A story that Betty’s mother tells her is arguably the most powerful story in the novel—and it explains more of the novel than anything else. Her story, is wholly true, and wholly heartbreaking, but even that comes down to the power of storytelling.

Drawbacks to the book

I don’t really want to label these as problems with the book, but there are a few things that keep me from being as enthusiastic about Betty as I was for The Summer that Melted Everything (which I am enthusiastic about to this day). I basically proselytized readers over that book, I won’t go that overboard for this.

The first is that it took me far longer than it should have to get what McDaniel was trying to accomplish, I kept waiting for a plot to emerge, and there’s never much of one by design. Instead, as I indicated above, this is about the characters. Growing, developing, faltering, stumbling, and retreating. It’s about how they react to the events (or non-events) in their lives that matters, now the events themselves. It’s entirely possible that this is all me and not the text. But I don’t think that’s the case (or I wouldn’t have gone on about it).

Secondly, the non-Carpenter characters. With two notable exceptions (the town Doctor who comes running when they call; and a friend of Landon’s who rents them the house they settle in. But the rest of the people (almost without exception), are simply horrible. Some of the Carpenters are okay, and most of them demonstrate growth (at least). But everyone else is horrible, blatantly so…so many people in authority of varying degrees are just horrible, spiteful, evil people. And it’s just hard to read that. I firmly believe in man’s inhumanity to man, but it’s usually tempered, at least on the surface/occasionally, with something positive. We aren’t given anything to look to and say, “Hey, there’s someone decent”, or “There’s someone doing something decent. Spiteful, racist, ignorant, misogynous, capricious, and evil. Those are the words that come to mind as I think about the non-Carpenter characters, and it’s just hard to read them.

So, what did I think about Betty?

I started off liking it, and that feeling slowly grew. There weren’t many moments that wow’ed me, but there were a handful that broke my heart. I sincerely want another 50 pages of the Dad’s odd little myths (some of which, I’m pretty sure contradict themselves, which Betty sees and rolls with). I wanted to help Betty through her challenges, to at least shoulder some of her burden with her.

And did I mention the prose is fantastic?

That said, I don’t think I connected with the characters (particularly those who aren’t Dad or Betty) the way McDaniel wanted me to. I don’t think there’s enough going on to urge people to read this, but I will recommend it strongly. That said, I think I will be in the minority with this book and most readers won’t understand my hesitation to rave over this. I do recommend this book, I do plan on re-reading it in a year or two, and I will be first in line for McDaniel’s next book.

Disclaimer: I received this eARC from Knopf Doubleday Publishing Group via NetGalley in exchange for this post—thanks to both for this. I also want to thank McDaniel for approaching me to let me know it was available for request. None of the above kept me from giving my honest opinion.


4 Stars
20 Books of Summer

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Heirs of Locksley by Carrie Vaughn: Robin’s Kids Go Looking for Fun and Find Trouble Again

The Heirs of Locksley

The Heirs of Locksley

by Carrie Vaughn
Series: The Locksley Chronicles, #2

Kindle Edition, 128 pg.
Tor.com, 2020

Read: August 4, 2020
Grab a copy from your local indie bookstore!

“Well,” Marian said calmly. “Perhaps they found an adventure.”

“Marian, they were supposed to be nothing like me. They were supposed to be sensible and quiet and not at all prone to adventures.”

“Hmm,” she said, refusing to state any opinion about what Robin’s children were meant to be like. If they were wild, she’d blame Sherwood Forest before she blamed Robin. Something about that place got into one’s bones and made one rash.

What’s The Heirs of Locksley About?

It’s about four years after the events of The Ghosts of Sherwood, King John is dead and the Locksley’s are at the coronation of his son, King Henry III.

Robin pushes his son John into taking care of some of the courtly duties as his heir (also, he’s the Locksley without any political baggage). His sisters accompany him to meet the new king, one thing leads to another, and Henry calls for an archery competition to see them at work.

The Locksleys being the Locksleys, trouble follows them—some comes at the competition, some comes later. Basically (like their father), the children go looking for fun, and adventure ensues—maybe it is Sherwood’s fault.

“So what did you think would happen, coming here? Knowing who their father is?”

[Redacted] was trapped. He had the look of a hound who had cornered a boar all by himself and then didn’t know what to do with it. “Those . . . They’re just stories. You aren’t him, not really.”

“No, of course not. That man lived a long time ago,” Robin murmured. “I am much angrier right now than he ever was.”

You can just see the glint in his eye as he said that…(and the way he laughed about that line when recounting this over the fire).

So, what did I think about The Heirs of Locksley?

Like its predecessor, this is a quick read. A fun read—it feels like one more entry in a long-running series, not just the second. We’ve only got to spend roughly 250 pages with these three and they already feel like old friends.

Vaughn tapped into something here and I’m so glad she did. In the afterword, she writes:

What makes a good Robin Hood story?

Adventure. Charm. Good people we like looking out for each other— it’s not enough to have a story about Robin Hood. He needs all his friends around him, and they need to be witty and skilled and admirable. Archery, of course we need archery. Clint Barton and Katniss Everdeen insist that we still need archery even in this modern day. And Robin needs to help people. He needs to denounce corruption and tyranny. He rebels and resists.

From where I sit, that’s exactly what Vaughn delivered. Most modern retellings (on-screen or in print) seem to miss the charm and witty parts in the gritty reboots—but Vaughn kept them.

I know it’s a duology, but I’d buy more—either the further adventures of the heirs or if she wanted to go back and tell some of Robin’s adventures.


4 Stars

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The Silence by Luca Veste: A Chilling Look at Spiraling Consequences of One Fatal Night

The Silence

The Silence

by Luca Veste

eARC, 400 pg.
Sourcebooks Landmark, 2020

Read: July 17-20, 2020
Grab a copy from your local indie bookstore!


This is one of those thrillers where it feels like if you say anything, you’ll ruin something. But, I’ve got to try (if only for the sake of my NetGally Feedback Ratio).

What’s The Silence About?

I’m going to borrow the blurb, because if that says too much, it’s on Sourcebooks, not me.

It was supposed to be our last weekend away as friends, before marriage and respectability beckoned. But what happened that Saturday changed everything.

We killed a stranger and covered it up.

In the middle of the night, someone died.

We didn’t know our victim was a serial killer.

The six of us promised each other we would not tell anyone about the body we buried.

But now the pact has been broken.

We don’t think he was working alone.

And the killing has started again …

The year following the killing of the serial killer was not easy on these six friends, the toll on them all is great. Then when the killing starts again, it’s even worse, the fragile hold that Matt (the narrator) has on his life and mental health is about to shatter. Sone of his friends are doing somewhat better, while others…well, you should read that for yourself.

While we what happens to these six around the one-year anniversary we get some quick glimpses at some of the formative experiences they shared through childhood, adolescence, and university that shaped who they are and how they reacted to the present crisis.

What can I talk about?

That borders on too much about the plot, and I really don’t think I can talk much about the characters for the same reason—almost everything we learn about them is tied to the story.

Let’s focus instead on the feel of the book, the atmosphere. Wow. The opening pages are upbeat, joyful—but you can tell that won’t last for long (and not just because you’ve read the blurb). Then it gets bad, and worse, and worse yet. And you can’t look away—like the proverbial car wreck you see coming. Not only can you not look away, you have to see more, you have to keep turning the pages to see just what kind of damage will be done. How these lives will be further shattered.

It’s horrible. It’s tragic. It’s compelling.

So, what did I think about The Silence?

I don’t know that I can honestly say that I enjoyed this book—I don’t think anyone can. It’s not that kind of book. It’s a serial killer novel like you’ve never read before. If for no other reason than the focus isn’t on the killer or the hunt for the killer. It’s about the victims, prospective victims, and those that are left behind. It’s about seeing the ripple effects of trauma.

It’s a great experience. An intense read. This will be lurking in my subconscious for a while. Veste tapped into something here, and you’ve gotta try it.

Disclaimer: I received this eARC from Sourcebooks Landmark via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes Timeless; Point Blank; Smarter Faster Better; Heartburn; In Plain Sight; Wonder Woman: Tempest Tossed; The Bitterroots

The point of these quick takes post to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. Half of this particular group bothers me to include here, but I’m afraid I’m about to lose track of them. The other half? Well, I might have trouble coming up with enough to talk about even in this format.

Timeless

Timeless

by Gail Carriger, Emily Gray (Narrator)
Series: The Parasol Protectorate, #5
Unabridged Audiobook, 11 hrs., 25 mins.
Hachette Audio, 2012
Read: May 13-18, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
I won’t deny that there were a couple of moments that had me on the edge of my seat, but overall this concluding novel felt like a letdown. There was just a lot of treading water going on, the plot just wouldn’t move for ages, it seemed.

An audiobook narrated by Emily Gray Unabridged Audiobooks a multitude of shortcomings, however. She’s just so much fun to listen to.

I’m glad I listened to this series, but I’m also glad that I’m done. It started strong, but over the course of the series, it kept getting weaker and weaker. A fun mash-up of Urban Fantasy and Victorian Steampunk, but ultimately unsatisfying.
3 Stars

Point Blank

Point Blank

by Anthony Horowitz, Simon Prebble (Narrator)
Series: Alex Rider, #2
Unabridged Audiobook, 5 hrs., 42 min.
Recorded Books, 2013
Read: May 29, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Alex Rider is back with another dose of escapist spy fiction for the MG set. It’s fun, but disposable. It’s the audiobook equivalent of NCIS, an entertaining way to spend some time, but that’s about it. I liked what Horowitz did with his character and I appreciated the growth in Alex.

This time, Alex is sent to an exclusive private school in the guise of a child of a rich and powerful man. Two similar fathers, from different parts of the world, with sons at this school, had recently been assassinated and M16 wants to get to the bottom of it.

Prebble did a fine job with the narration, I hope he continues.

This was clever and pretty exciting, I hope the series continues in this veinI can absolutely see why my son tore through them (and re-read them, probably the only things he re-read). I’ll be back for more (just wish I’d made myself do this back when he was reading them).
3 Stars

Smarter Faster Better

Smarter Faster Better: The Secrets of Being Productive in Life and Business

by Charles Duhigg, Mike Chamberlain (Narrator)
Unabridged Audiobook, 10 hrs., 23 min.
Random House Audio, 2016
Read: July 2-6, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
My chief complaint about Duhigg’s book, The Power of Habit, was that I expected something the reader could use for themselves. This isn’t as easy to apply as you might want, but it’s clearly written with an eye for the reader not just to understand the principles of efficiency and productivity, but to show some ways to bring the lessons home.

That said, it’s not a how-to book, it’s not self-improvement, it’s largely about the science/study/understanding of productivity. I found it just as fascinating as the last book, and can see where it’d be a useful guidebook for people in some sort of position of authority in an organization.

Duhigg also shows us his process while illustrating his own application of the book’s lessonswhich I really enjoyed.

I’m absolutely on board for whatever book Duhigg puts out next, Chamberlain is a great narrator for his material, too.
3.5 Stars

Heartburn

Heartburn

by Nora Ephron, Meryl Streep (Narrator)
Unabridged Audiobook, 5 hrs., 30 min.
Random House Audio, 2013
Read: July 7, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
A very pregnant cookbook writer/TV host/new mom’s marriage crumbles around her, as she attempts to salvage it, protect her children, and make a way for herself in the world. Really, she’s trying to do it all, and do it well. (that’s a lousy summary, just click the link above, will ya?)

The narrator? This Meryl Streep person? I tell you what, I think she’s going placesthere’s something special about her performance. Seriously, she did a great job, no surprise there.

Nor is it a surprise that Ephron can write a clever little book. I’m a long-time fan, I knew I should’ve picked this up when it was released. I don’t know that it’s necessarily deep, or that you walk away with new insight into the human condition, marriage, or love. But it was funny, it felt honest and real, and you get caught up in the life of Rachel Samstat right away. Solidly entertaining.
3.5 Stars

In Plain Sight

In Plain Sight

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #6
Unabridged Audiobook, 8 hrs., 23 min.
Recorded Books, 2008
Read: July 22-24, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
So this is all about chickens coming home to roostalmost everything that happened in this novel ties into one or more of the previous novels. And never the fun stuff from those novels. There’s the marital issues we got a glimpse at since Day 1 (and getting worse all the timeespecially in the last book), the dead former Sheriff, the new Sheriff and his issues with Joe, Joe’s new bossand more that I will just gloss over and let you read.

There’s a truly disturbing secret unearthed that really sheds light on so much of what happened in the book, most authors would’ve spent a lot more time on it than Box did here, he just let it be something that happened on the way to the major showdown. I like that he did it, but also kind of wish he’d given us a little more about it.

I did like the new governor and hope we get to see him again. (I especially like the fact that he’s a fictional politician and governs a neighboring state, not my own, I don’t even think I could enjoy him as a fictional Idaho governor).

There’s a lot left hanging at the close of this novel, I know the series continues (for many, many books to come), but I really have no idea what it’ll look like when I come back for Free Fire. Joe will be different, too, no matter what the circumstances around him are like. I assume Box is going to address it and I’m very curious about it.
3 Stars

Wonder Woman: Tempest Tossed

Wonder Woman: Tempest Tossed

by Laurie Halse Anderson, Leila del Duca (Art)
Paperback, 208 pg.
DC Comics, 2020
Read: July 25, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
I really didn’t need this book, Leigh Bardugo’s YA retelling of Wonder Woman’s origin was good enough, and superior to this one. But I’d read some largely positive reviews and decided to give it a shot.

It felt less like a Wonder Woman story, and more like Anderson wanted to find a way to talk about certain issues and shoved Diana into the necessary circumstances and then shaped the character around that, rather than making it feel organic and earned. Also, there was too much left unexplained. There was so much I didn’t understand about what was going on with Diana on the Themyscira and physically that it felt more like Anderson dropped the ball and less like she was being understated.

It wasn’t bad, but it sure wasn’t good.
2 1/2 Stars

The Bitterroots

The Bitterroots

by C. J. Box, Christina Delaine (Narrator)
Series: The Highway Quartet, #5
Unabridged Audiobook, 9 hrs., 49 min.
Macmillan Audio, 2019
Read: July 30-31, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Cassie’s done with law enforcement (but like Harry Bosch, will always think like a cop), and is making a living as a PI. A blast from the past calls in a favor owed and hires her to do some work as an investigator for the defense in a criminal proceeding. Cassie hates the idea in general, and loathes it in particularthe client is clearly guilty. Clearly guilty of raping his teenage niece, no less. He’s also a highly unpleasant personshe wouldn’t want to work for him even before the rape charge. But a debt’s a debt, and she figures she’ll find enough evidence to get him to switch his plea to guilty and work out a deal.

Readers/Listeners know all too well that the clearly guilty part guarantees that Cassie will eat some crow on this point, but that’s for later.

So Cassie travels to the very small town in northern Montana where the crime took place and the client’s estranged family runs everything from their ranch to the school board and all things in betweenincluding the Sheriff’s Office and Courts. Things do not go well for her and her investigationwhich just makes her think there’s something for her to find to help the client after all.

I definitely listened to this too soon after In Plain Sight, one of the themes of it is repeated herenot something I’d have noticed (at least not as much) if a few more weeks had passed.

Box ultimately won me over, but I came close to DNFing this a time or two, and I really didn’t enjoy most of the book. It was just a little heavy-handed, and the tie-in to a prior nemesis really didn’t work for me at all (and I’m not sure the introduction of the tie-in works now that I’ve seen where Box was taking itit’s too complicated to explain, especially for this post, let’s just say I didn’t like it). But by the end, I liked what Cassie got up to and how she handled herselfand I like the way that Box dealt with the climax and denouementboth were really strong (and semi-unexpected).
3 Stars

2020 Library Love Challenge
This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Luck and Judgement (Audiobook) by Peter Grainger, Gildart Jackson: Death at Sea, Corruption and Destruction on Land

Luck and Judgement

Luck and Judgement

Peter Grainger, Gildart Jackson (Narrator)
Series: A DC Smith Investigation, #2

Unabridged Audiobook, 11 hrs., 57 min.
Tantor Audio, 2016

Read: June 10-12, 2020
Grab a copy from your local indie bookstore!

…this was, when you thought about it, typical of the places that Smith brought you to, of the situations that you could find yourselves in when working with him…He had these ideas which somehow seemed to be more than hunches and a way of making things happen before you realized it. Half suggestions would have momentum before you could blink.

I’ve said it before, and I’ll keep saying it until it’s no longer true* but there’s a certain magic, an ineffable alchemy about Jackson narrating Grainger’s work. It’s just fantastic, I think I’d have liked these audiobooks with another narrator (or in print), but I don’t think I’d have liked them as much. I’ve enjoyed Jackson’s narration before, but it was (no offense intended) good, not great. But you put the two of them together? It’s fantastic.

* I expect that will be roughly the time that one of them retires.

The downside here is, that I don’t have a lot to say beyond that. And it kind of drives me crazy. I made a couple of notes, but I’ve misplaced them (which is pretty annoying).

What’s Luck and Judgement About?

We start off with Smith and Waters taking a helicopter to an oil rig with some other police to investigate a death/missing person (the helicopter rides inject a much-needed bit of levity to keep the beginning of this novel from being too dark). Smith and Waters are really along for the ride, most of the work will be done by the others, but the victim was in Smith’s jurisdiction—as it the rig. Or close enough, so they have to come along.

The higher-ups and the executives on the rig are willing to write it up as a suicide, but are leaning on an unfortunate accident as the explanation. Smith, shockingly, isn’t convinced. Suicide seems unlikely for several reasons, and one would have to work really hard to get around all the safety measures, guard rails, fences, gates, and whatnot in order to have an unfortunate accident. It makes him no friends, but Smith is convinced (and is more so by the hour) that this is a homicide.

As bad as it is for the victim, their suffering is over—but for their survivors, the crime (if there was one) will affect their lives for years to come. In this case, we’re talking about his wife and a small child. They didn’t have a lot of money coming in before his death, but now, there’s nothing. A small apartment, little financial security, and nothing else. Without becoming maudlin, or focusing on them too much, Grainger does allow us to see how these events will alter their lives and what the future may hold for them. We got a little bit of that in the previous novels, but it plays a larger role this time. It’s a small thing, but one that’s too often over-looked in Crime Fiction.

There’s a new detective on the team, a transfer, and one that Smith has a hard time relating to—he’s trying to be cautious and make sure she’s acclimating. At the same time, he’s worried that he’s not using her, and that the best way to get her acclimated is to throw her in. With the rest of the detectives (including those he doesn’t appreciate), you don’t see him uncertain or reflective. So watching Smith trying to figure out how to manage someone is a new side to him.

That same detective plays a role in an undercover operation that Smith undertakes to follow a lead—it’s possibly the most comedic part of the series to date—while not really being that funny at all. Judge for yourself.

As much as Smith’s hunches, his intuition, might start his team down a road, or help him to see a connection that others miss, once he makes that intuitive leap to start an investigation, procedure takes over. I can’t think of another “police procedural” where the procedure is as effective as it is in these books. Smith and the team (mostly the team) grind and grind and grind, doggedly going through all the steps before them, and it pays off—at least to a degree. I really respect that as a narrative choice—sure, Smith’s (or someone else’s) intuition (experience guided by intelligence, as Nero Wolfe would put it) will sometimes help set the direction, but it’s legwork that gets it done.

What’s Going On Other than the Main Case?

Smith continues to work with the True Crime writer on that previous case of his, and a friendship develops between the two As an ongoing arc, this is a real slow burn, and I’m enjoying it, as much as I don’t understand what Grainger is up to. I’m assuming instead of a B (or C) story, this will eventually become the A story for a novel—maybe the last in the series? But unless this is just going to demonstrate that Smith’s biggest case ever was his biggest failure and he’s going to have to find the real killer now, I’m not sure I see how.*

* Okay, I just came up with a half-baked idea where it would work, but I’ll hold off on that idea until it can get solidified.

Lastly, it’s time for Smith to be recertified as physically fit to carry on his duties. He’s missed two previous opportunities to qualify and he has no choice but to show up for this one. It feels pretty personal, the DCI who’s had it in for him since before the series started seems to be using this to force him out. The reasons he missed the previous two are legitimate reasons, and the DCI just looks petty for forcing his hand like this. But then when doesn’t this guy look petty? In the last book, he tried to get Smith to transfer to another office, and that didn’t work, so this is his new attempt. It’s short-sighted and small-minded to force Smith out, but the dies have been cast. While the new assignment was being dangled in front of Smith, a private-sector job was also offered—the lengths (the questionable, reckless, and likely illegal) that Smith goes go to pass this test demonstrates how un-tempting he actually found the offers last time, no matter what he may have thought. Smith loves this kind of police work and will have to be forced into retirement, kicking and screaming.

So, what did I think about Luck and Judgement?

So much for the three paragraphs that I was hoping to come up with for this post, I guess, eh?

I pretty much gave that away in my first paragraph, didn’t I? There is something about the combination of Grainger’s novels and Jackson’s performance that make these books so satisfying. Are they the best written, most exciting and suspenseful Police Procedurals? No. But they are just about the most satisfying, most immersive, most effective that I can think of—even when the ending isn’t what you’d want. There is a strong sense of humanity in these books, not just in the protagonists, but in the victim, the killer, the witnesses, the people who aren’t the killer but who aren’t up to anything legal/moral/ethical…everyone. There’s no one cartoon-y or over the top (in any direction). You just don’t see enough of that.

I was sucked into the intricacies of this case and thoroughly enjoyed spending time with Smith and the rest of the team—and I can’t wait to return to this world.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK BLITZ: The End of the Road by Anna Legat

I’m running inexcusably late, but today I’m pleased to welcome the Book Blitz Tour for Anna Legat’s The End of the Road. This was published yesterday and we’re celebrating that with this blitz. This looks like a gripping read, you should definitely check this out, why not escape our dystopian moment for a few hours with this dystopian nightmare?

Book Details:

Book Title: The End of the Road by Anna Legat
Release date: July 30, 2020
Format: Ebook/Paperback
Publisher: Crooked Cat / darkstroke
Length: 225 pages

Book Blurb:

The fight for survival has begun

All-out war spins out of control, and it doesn’t discriminate. Governments fall, continents are obliterated, deadly viruses consume everything in their path, and what’s left of humanity is on the run. Caught in this global refugee crisis are a few unlikely survivors.

Tony, a philandering London lawyer, escapes the doomed city and his own murky past as he evacuates to the continent.

A hapless flock of Belgian nuns prays for a miracle as they watch their city turn to rubble.

Bella, a naïve teenager, thinks she is going on holiday when her father drags her across the globe to New Zealand.

Reggie, a loyal employee of a mining corporation, guards a hoard of diamonds in the African plains, fending off desperate looters.

Alyosha, a nuclear scientist, has been looking for the God-particle in Siberia, but now the world is at an end, he wishes to return home to Chernobyl.

A pair of orphaned children are cowering in the Tatra Mountains, fearing the sky will fall in on them.

Will they find an escape route before it is too late? Or are they doomed to fail?

About the Author:

Anna LegatAnna Legat is a Wiltshire-based author, best known for her DI Gillian Marsh murder mystery series. A globe-trotter and Jack-of-all-trades, Anna has been an attorney, legal adviser, a silver-service waitress, a school teacher and a librarian. She read law at the University of South Africa and Warsaw University, then gained teaching qualifications in New Zealand. She has lived in far-flung places all over the world where she delighted in people-watching and collecting precious life experiences for her stories. Anna writes, reads, lives and breathes books and can no longer tell the difference between fact and fiction.

Purchase Links:

Amazon.UK ~ Amazon.US

My thanks to Love Books Group for the invitation to participate in this tour and the materials (including the novel) they provided..

Love Books Group

20 Books of Summer 2020: July Check-In

20 Books of Summer
So, I did a lousy job of taking into account new releases, review copies, and life when I made the original list. I only read 4 of the remaining 13 books in July, which doesn’t bode well for August. I think I can still pull this off, but I’m going to have to make a couple of more substitutions, based on how long it took me to read Winslow’s The Cartel and Hearne’s A Plague of Giants, I’m not going to be able to tackle their follow-ups in August (which annoys me greatly, I was counting on this challenge to help force my hand with these). So I’m substituting Hearne’s next book, the launch of a new series, Ink & Sigil (there’s a balance to that) and The Revelators by Ace Atkins (not as epic in scope as Winslow, but … it’s the best I can realistically do).


✔ 1. Nothing Is Wrong and Here Is Why by Alexandra Petri
2. The Last Smile in Sunder City by Luke Arnold
3. Screamcatcher: Dream Chasers by Christy J. Breedlove
✔ 4. The Finders by Jeffrey B. Burton
✔ 5. Fair Warning by Michael Connelly
✔ 6. One Man by Harry Connolly
✔ 7. The Curator by M. W. Craven
8. The Ninja Daughter by Tori Eldridge
9. The Rome of Fall by Chad Alan Gibbs
✔ 10. American Demon by Kim Harrison
11. Ink & Sigil by Kevin Hearne
12. Betty by Tiffany McDaniel
✔ 13. Imaginary Numbers by Seanan McGuire
14. Curse the Day by Judith O’Reilly
✔ 15. Of Mutts and Men by Spencer Quinn
16. Rather Be the Devil by Ian Rankin
✔ 17. Muzzled by David Rosenfelt
18. Bad Turn by Zoë Sharp
✔ 19. The Silence by Luca Veste
20. The Revelators by Ace Atkins

20 Books of Summer Chart July

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