Category: Fiction Page 201 of 341

The Summer Holidays Survival Guide by Jon Rance: Heart-warming and Funny Bone-Tickling

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On November 30, 2018

In 2018 First Reads Challenge, 2018 Indie-Fever Challenge, Fiction, General Fiction/Literature

The Summer Holidays Survival GuideThe Summer Holidays Survival Guide

by Jon Rance

Kindle Edition, 262 pg.
2018

Read: November 14 – 15, 2018

‘Oh, Dad, how little you know,’ said Liv, her head returning to her phone.

How little I know. I have a feeling this one cold, hard sentence, uttered from my twelve-year-old daughter’s lips, might sum up my life.

Ben Robinson is an art teacher, in his mid-40s, and is trying to figure out how he’ll survive the upcoming summer holidays — 6 weeks with his three kids, and a marriage who’s spark is gone out (possibly for good). Oh yeah, and an aging father with dementia moving in with them, rather than a nursing home. Meanwhile, he’s trying to prepare for a half-marathon, which is about a whole marathon more than he’s ready for.

We get a day by day (or close to it) account of how this goes for Ben. The short version is: not very well. Particularly in the beginning. Ben meddles in his fifteen year old son’s love life (with some really bad sex tips — all of which I’m considering passing on to my kids), cannot understand his twelve-year-old daughter’s social media life (and nascent pubescence), and derails his eight year old son’s summer plans without trying. Things go downhill from there, really.

His dad is having trouble remembering that he doesn’t live in the same home, or that his wife has been dead for a few years — this is a source of strain for both Ben and his father — and the relationship becomes strained. Ben is having trouble seeing his father this way, and his father is having trouble being this way. Both are trying their best, but this

Speaking of a strained relationship, the number of things wrong with his marriage keeps growing, and every thing that Ben tries to do to fix it just makes things worse. He and his wife aren’t communicating well — one of those problems that keeps feeding itself and growing worse.

Throw in an accidental participation in an anti-Brexit demonstration, a road rage incident leading to social media notoriety for one member of the family, teen romance problems, summer-altering injuries, and well — clearly, someone needs to write a survival guide.

As Ben and his family try to get through their struggles intact — and maybe even better than that — there’s plenty of fodder for humor. There’s a lot of heartwarming material, some real laughs and more than a few chuckles. There’s some really effective writing and characterization.

However, there’s also Rance’s need to go for the big laugh. And here, he basically turns Ben into Basil Fawlty — with all the wild schemes, failing schemes, shouting, misunderstandings and slapstick involved. I don’t think any of these scenes or moments worked for me. When he’s going for subtle laughs, or those that grow from character, I really enjoyed it. When the subject matter is serious (or at least non-comedic), Rance is really strong. It’s when he’s obviously trying that he falters.

‘Marriage,’ said Dad. ‘There’s always ups and downs. You just keep riding it, son. It’s like a rollercoaster. You can’t get off, so you just hold on, and do your best to enjoy it.’

‘I’m holding on for dear life, but life is harder than it was, Dad. The world has changed. The rollercoasters are bigger and scarier now. The drops are bigger, the hills higher.’

‘Oh tosh. The world might change, but people don’t. Love is still love, clear and simple. Don’t blame the world for your problems, son. Hold on tighter. Love stronger.’

That’s one of the more earnest moments — and there are plenty of them in the latter part of the novel, all set up well in the early part — and it shows the heart of the book — and there’s plenty of heart. Rance won me over, and got me to put more of his books on my list because of these kind of moments, and the genuine laughs I got from the smaller moments, I’ve got more of his stuff on the TBR.

It’s a nice, pleasant book that’ll tickle your funny bone and warm your heart.

—–

3 Stars

Pub Day Repost: Blood Feud by Mike Lupica: Sunny Randall’s Back in this Promising Reintroduction

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On November 27, 2018

In 2018 First Reads Challenge, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Robert B. Parker

Blood FuedRobert B. Parker’s Blood Feud

by Mike Lupica
Series: Sunny Randall, #7
eARC, 352 pg.
G. P. Putnam’s Sons, 2018
Read: October 5 – 9, 2018

I have a complicated relationship with Sunny Randall. Readers of this site have been frequently exposed to my love for Robert B. Parker’s Spenser and Jesse Stone novels, both by Parker and the continuations by Ace Atkins and Reed Farrel Coleman (let’s overlook Michael Brandman’s contributions for the moment). I enjoyed his stand-alone works, and I thought the first couple of Virgil Cole & Everett Hitch books were fun (I haven’t tried the Robert Knott continuations). Which leaves us with Sunny.

Sunny Randall, the story goes, was written to be adapted into a film series for Parker’s chum, Helen Hunt (incidentally, I’ve never been able to envision Helen Hunt in a single Sunny scene, but that’s just me). She’s a private investigator; a former cop; part-time painter (art, not house); emotionally entangled with her ex-husband, but can’t live with him; lives in Boston; and enjoys good food. But she’s totally not a female Spenser — she doesn’t like baseball, see? I’ve read all the books — some multiple times — and while I enjoyed them, I’ve never clicked with Sunny the way I have with others. Including every other Parker protagonist. Most of her novels are mashups and remixes of various Spenser novels, entertaining to see things in a different light — but that’s about it. Frankly, the most I ever liked Sunny was in the three Jesse Stone novels late in Parker’s run (but both characters are better off without each other).

So when it was announced that Mike Lupica would be taking up the reins of this series I was intrigued but not incredibly enthused. I only know Lupica from having bought a few of his books for my sons when they were younger. I didn’t get around to reading any of them, so he’s really a new author for me. And sure, I was a little worried about a YA/MG author taking the reins of a “grown-up” series. But not much — if you can write a novel, you can write a novel, it’s just adjusting your voice and language to be appropriate for the audience.

Enough blather — let’s talk about Blood Feud. Since we saw her last, Sunny has had to move, Richie (her ex-) has gotten another divorce (giving them the chance to date or whatever you want to call it) and has replaced her late dog, Rosie, with another Rosie. Other than that, things are basically where they were after the end of Spare Change 11 years ago (for us, anyway, I’m not sure how long for her, but less time has passed you can bet).

By the way — does anyone other than Robert B. Parker, Spenser and Sunny really do this? Your dog dies, so you go and get another one of the same breed and call him/her the same name? Is this really a thing?

Then one night — Richie is shot. It’s not fatal, but was done in such a way that no one doubts for a moment that it could have been had the assailant wanted it to be. For those who don’t know (or don’t remember), Richie is the son of an Irish mob boss, although he has nothing to do with the family business. He’s given a message for his father — his shooter is coming for him, but wants him to suffer first. This kicks off a race for the shooter — Sunny, the Burke family and the police (led by Sgt. Frank Belson) are vying to be the one to find the shooter.

Before long, the violence spreads to other people the Burkes employ — both property and persons are targeted by this stranger. It’s clear that whoever is doing this has a grudge going back years. So Sunny dives into the Burke family history as much as she can, so she can get an answer before her ex-father-in-law is killed. Not just the family history — but the family’s present, too. As much as the roots of the violence are in the past, Sunny’s convinced what the Burkes are up to now is just as important to the shooter.

Richie’s father, Desmond, isn’t happy about Sunny sticking her nose into things. Not just because of the crimes she might uncover — but he really wants to leave the past in the past. But as long as someone might come take another shot at Richie, Sunny won’t stop. This brings her into contact with several criminal figures in Boston (like Parker-verse constants Tony Marcus and Vinnie Morris) as well as some we’ve only met in Sunny books.

There are a couple of new characters in these pages, but most of them we’ve met before — Lupica is re-establishing this universe and doesn’t have time to bring in many outsiders, but really just reminds us who the players are. Other than the new Rosie, I can’t point at a character and say “that’s different.” He’s done a pretty good job of stepping into Parker’s shoes. Not the pre-Catskill Eagle Parker like Atkins, but the Parker of Sunny Randall books, which is what it should feel like (( wouldn’t have objected to a Coleman-esque true to the character, just told in a different way). I think some of the jokes were overused (her Sox-apathy, for one), but it wasn’t too bad. Lupica did make some interesting choices, particularly toward the end, which should set up some interesting situations for future installments.

The mystery was decent enough, and fit both the situations and the characters — I spent a lot of the novel far ahead of Sunny (but it’s easier on this side of the page). I enjoyed the book — it’s not the best thing I’ve read this year, but it’s a good entry novel for Lupica in this series, a good reintroduction for the characters/world, and an entertaining read in general. If you’re new to this series, this would be as good a place to hop on as it was for Lupica.

I want better for Parker’s creation (but I think I’d have said that for most of Parker’s run with the series), and Lupica’s set things up in a way that we could get that in the near-future. He’s demonstrated that he has a good handle on the character he inherited, the question is, what can he do with her from here? I was ambivalent about this series coming back, but I can honestly say that I’m eager to see what happens to it next.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post — thanks to both for this.

—–

3.5 Stars

My Sister, the Serial Killer by Oyinkan Braithwaite: A Charming, Dark, and (somehow) Fun Serial Killer Tale

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On November 27, 2018

In 2018 First Reads Challenge, 2018 Library Love Challenge, Fiction, General Fiction/Literature, Mystery/Detective Fiction/Crime Fiction/Thriller

My Sister, the Serial KillerMy Sister, the Serial Killer

by Oyinkan Braithwaite

Hardcover, 223 pg.
Doubleday Books, 2018

Read: November 23, 2018

Ayoola summons me with these words — Korede, I killed him.

I had hoped I would never hear those words again.

That’s one of the best pair of opening sentences I can recall. How do you not get hooked right there? You get so much in those two sentences, you know that Ayoola has killed multiple times, at least three (otherwise, Korede would’ve said something like “What, again?”); the fact that she says “him,” instead of “someone” or a name suggests that Korede will know who she’s talking about without explanation; and you hear a put upon sibling fed up with their sister’s antics.

And yeah, that’s the book in essence — Ayoola has killed her third boyfriend (in self-defense, she swears . . . again), and calls on her big sister to come help clean up. Korede’s a clean freak — she’s not quite OCD, but close. When life gets stressful, she cleans, and with her little sister, she’s got plenty of stress in her life.

Korede is beginning to think that Ayoola might not just be the innocent girl who has been able narrowly escape assault. Three kills, she’s read online, qualifies you to be a serial killer. And what’s worse — the doctor that Korede has unrequited feelings for has caught her sister’s eye, too (and vice versa) — and that can’t be good for him. I had about a dozen ideas how this was going to end — and I was wrong on every point. Which is good, because Braithwaite’s ideas were far better than mine would’ve been. She zagged when most would’ve zigged and nailed the resolution to this book.

This is enough to make an entertaining and suspense filled book. But then you throw in the characters that Braithwaite has created and things take on a different twist.

Korede’s a nurse — a demanding, dedicated, compassionate one. Ayoola is a vapid knockout who knows that it doesn’t matter what she knows, does, or thinks — she’s convinced that all she has to do is continue to look good and make men feel good about themselves and she’s set. This seems shallow, but neither Ayoola or Korede can prove that she’s wrong.

The dynamic of the long-suffering, responsible, plain(er) sibling doing the right thing and looking out for the spontaneous, outgoing, super attractive one isn’t new. Adding a mother who takes the responsible one for granted and dotes on the other, doesn’t change things, either. But somehow, Braithwaite is able to depict these three in a way that seems wholly familiar (so you can make assumptions about a lot of the relationship) and yet it feels so fresh she might have invented the archetypes.

If Jennifer Weiner lived in and wrote about Lagos, Nigeria and included murders in a tale of sibling rivalry and learning to accept yourself — you’d get something a lot like this book. There’s an intangible, ineffable quality to Braithwaite’s writing that I cannot capture better than that — but it’s better than my illustration sounds. The story goes to some really dark places, and there’s really no reason to find the characters or story so charming — but that’s all down to Braithwaite’s fantastic authorial voice. Yes, it’s about murder, the importance of family, self-sacrifice and what’s more important in this life — skill, intelligence and dedication, or beauty and sex appeal; but you might as well be reading about Bridget Jones counting cigarettes and worrying about Daniel Cleaver and Mark Darcy.

One other thing — this is just a wonderfully designed book. The size — smaller than your typical hardcover — is distinctive, the typeface used in chapter headings and page numbers are peculiar enough to stand out. The whole thing just feels like a different kind of book. Does this make an impact on your enjoyment of the novel? Probably not, but I appreciated the experience and look.

I can’t think of enough ways to praise Braithwaite — there’s an intangible quality to this book that just won me over pretty much on page one. You will not believe that this is her first novel — and you will hope it’s not her last. The sibling rivalry story was well-told and engaging, the hospital stories were enough to be the core of a very different novel by themselves, the serial killer story was unpredictable. The characters are the kind that you’ll remember for a long time. Stop reading me and go find a copy of this book.

—–

4 Stars

2018 Library Love Challenge

Small Town Nightmare by Anna Willett: A Creepy and Fast Adventure

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On November 26, 2018

In 2018 First Reads Challenge, 2018 Indie-Fever Challenge, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Small Town NightmareSmall Town Nightmare

by Anna Willett

Kindle Edition, 227 pg.
The Book Folks, 2018

Read: November 22, 2018

           She wondered how much she should reveal. Her history was painful, and rehashing it for a stranger wouldn’t really help.

“It’s complicated, but I know he wouldn’t not show.”“Not unless something stopped him?” Damon asked, finishing her thought.

“Something or someone.” As she spoke, they rounded a bend and the road tapered downwards. In the distance she could see a cluster of buildings dotted with patches of open fields and circled by forests. Night Town. The sight of it sent a ripple of gooseflesh running up her arms.

“You think he’s down there somewhere?” Damon had turned in his seat and was studying her as if searching her reaction.

“It’s the last place he mentioned before disappearing.” She gripped the wheel tighter. “If he’s there, I intend to find him.”

When your younger brother, the one you spent a few years raising yourself after your parents’ death, goes missing — you throw caution to the wind to go find him. Especially if you’re a gutsy crime reporter like Lucy. She heads of into a part of the country she’s not familiar with, into a town she’d never heard of, to find out what happened to her brother in the week since she’d heard from him last. Along the way, she comes across a helpful stranger — a drifter of sorts, like her brother — who is willing to lend a hand to the search. Lucy doesn’t care (much) why he’s willing to help, she’s just glad someone is taking her seriously.

When she gets to Night Town (such a friendly, welcoming name, isn’t it?), she’s met with general apathy toward her plight — and maybe a trace of antagonism. It’s tough to say why people are so resistant to helping her — maybe because she’s a stranger, maybe they don’t like drifters, Lucy could come up with a dozen reasons, but that wouldn’t change things. None of the local residents seem inclined to help. It’s a good thing she’s found Damon. One of the men at the local police station seems indifferent (at best) to her problem, but the Senior Sergeant is eager to take a report and do what he can to find her brother.

Now, as is the norm for small fictional towns that outsiders find trouble in, there’s one family that owns about half the town, and employs the other half. Samuel Nightmesser is the only living representative of that family at the moment, so Lucy and Damon look into him (lacking any other ideas, hoping they’ll come to them), while Senior Sergent Day investigates in a more official capacity. We don’t see much of the official investigation, but it’s reassuring to know that not everyone in town is necessarily in Nightmesser’s pocket.

It soon becomes evident that there’s more afoot than a missing drifter, and that someone in town is prepared and willing to take steps to dissuade Lucy from turning over any more rocks to see what’s underneath. The reader knows a bit more than Lucy, and learns pretty quickly that there’s more to some of the people in her life than meets the eye. From there, it’s just a matter of Lucy and her associates putting the pieces together, uncovering all that’s afoot and trying to survive — and maybe help her brother to survive, too.

It didn’t take me long to write in my notes that “this is going to get creepy soon.” It did. I also noted “this is going to have an ugly end.” It did, and not necessarily in the way I expected. I also guessed right about a couple of identities. I think most readers will guess these things around the same point I did. Doing this doesn’t make any of the reveals or the novel less effective. If anything, it helped build the tension, because you were waiting for particular shoes to fall. I should also add, that there were at least three reveals and twists that I didn’t see coming, and one of them took me completely by surprise.

The morbid and creepifying elements of this book are really well done — I’d have liked to seen a bit more of them, honestly (and I don’t typically need a lot of that — but it would’ve helped, I think). Willet has a gift for using that kind of thing to reveal character, not just to advance the plot. I should probably note there’s at least one sentence toward the end of the novel that you should probably not be eating anything while you read. Just a friendly tip — set aside your snacks during the last 20 percent of the book.

The action is fast, the book grabs your attention and keeps it throughout — there’s not a lull in the action and there’s nothing dull within a mile of the text. It’s a quick read (perhaps, too quick) and one that’ll keep you entertained.

I want to stress that I enjoyed Small Town Nightmare, and my guess is that I’m not alone in this. However, it felt rushed. It felt undercooked. If things — details, tension, mystery, relationships, etc. — had been given a little more time to develop and grow; if threads hadn’t been left dangling (or had been cut entirely); if motivations were clearer; I can easily see myself excited about recommending it. But, I can’t do that — I can recommend it, and I do think most of my readers will like it. I’m just not over the moon about it.

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided, which did not influence my opinion, merely gave me something upon which to opine.

—–

3 Stars

BOOK SPOTLIGHT: Small Town Nightmare by Anna Willett

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On November 26, 2018

In Book Tour, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Today I welcome the Book Tour for the thrill-ride Small Town Nightmare by Anna Willett. Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: Small Town Nightmare by Anna Willett
Publisher: The Book Folks
Release date: August 27, 2018
Format: Paperback/ebook
Length: 227 pages

Book Blurb:

A young drifter is in deep trouble, his sister is his only hope…

Lucy’s younger brother has gone missing. When she sets out to find him, the trail takes her to Night Town. It’s a rural backwater deep in the forests of south western Australia.

Lucy tries to enlist the help of the local police, but she is met with hostility. She befriends a man who might help her cause. Yet he is not quite who he says he is.

As the locals begin to resent her presence in the town, danger quickly mounts. The town has secrets and they seem to centre on the enigmatic Samuel Nightmesser, its wealthy benefactor.

What connects her missing brother to this grim boondock? And why do the townsfolk want rid of Lucy?

As the story unfolds we are immersed in a creepy, claustrophobic drama in which everything is at stake. If you like books with a strong female lead that keep you on the edge of your seat, you’ve found your next favourite read.

About Anna Willett:

Anna WillettAnna Willett is the author of Backwoods Ripper, Retribution Ridge, Forgotten Crimes, Cruelty’s Daughter and the best-selling thriller, Unwelcome Guests. Her new release, Small Town Nightmare is available on Amazon. Raised in Western Australia Anna developed a love for fiction at an early age and began writing short stories in high school. Drawn to dark tales, Anna relishes writing thrillers with strong female characters. When she’s not writing, Anna enjoys reading, traveling and spending time with her husband, two children and their dogs.

Anna Willett’s Social Media:

Facebook ~ Website ~ Pinterest ~ Goodreads ~ Amazon Author Page

Purchase Links for Small Town Nightmare:

Amazon UK ~ Amazon US ~ BookBub


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

Kitties Are Not Good To Eat by Cassandra Gelvin: and other useful and cute advice on feline care for the younger set.

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On November 23, 2018

In 2018 First Reads Challenge, 2018 Indie-Fever Challenge, Fiction, YA/MG/Children's Books

Kitties Are Not Good To EatKitties Are Not Good To Eat

by Cassandra Gelvin
Kindle Edition, 14 pg.
2018
Read: November 17, 2018

This is just adorable. That’s really all I have to say.

This is a board book — I’d honestly forgotten those existed — so dial those expectation in to the correct channel. This is a collection of cute cat pictures (you know, the things the Internet was full of before we entered the era of heightened political discourse we’re now in) that are sure to delight little kids. Accompanying these pictures are handy rhyming tips like, “Kitties were not made to fly / And they do not want to try.”

Maybe not advice you need, but for a 2 year-old this could be life changing stuff — life extending, even.

The photos are fun, the text is, too. I can’t imagine that the target audience of a board book (or their electronic equivalent) wouldn’t love to hear this read to them a few times a day. Potentially more importantly, this won’t become really annoying to the reader all that quickly (it will eventually, but what doesn’t?)

A cute book that will entertain and/or not annoy — that’s pretty much all you can hope for with a board book. Give this a shot.

Disclaimer: I received a copy of this book from the author in exchange for my honest take.

—–

3 Stars

Degrading Orbits by Bradley Horner: What comes next for the Star-Crossed Axel and Helen

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On November 23, 2018

In 2018 Indie-Fever Challenge, Fiction, Science Fiction

Degrading OrbitsDegrading Orbits

by Bradley Horner
Series: Darkside Earther, #2

Kindle Edition, 225 pg.
2018
Read: November 12 – 13, 2018

So, in each of the three books by Horner that I’ve read, he throws his readers deep into a technologically-enhanced future that requires a very specialized vocabulary. The books are chock full of what I’ll be calling SF hooptedoodle, which is cool — it can be intimidating at times, it can be overwhelming at times, but it suits his fiction well. Now, in Darkside Earther (this book’s predecessor), Horner told a sweet teen love story surrounded by SF hooptedoodle. Degrading Orbits, on the other hand, frequently feels like a swamp of SF hooptedoodle with a little bit of a human story here and there.

This is all about the fallout from the climatic events from Darkside Earther, how Axel’s parents are trying to save him, the Ring, and their careers (not necessarily in that order). They do this by putting Axel under the care of a security team to protect, heal and train him into being what his parents need him to be.

The biggest part of this protection and training takes the form of cutting off all communication with Helen and the rest of his friends and former life. Axel obviously doesn’t want this, but is unable to do anything else.

Thankfully, Helen, his friends and the large gaming community they’re part of are busy trying to hack into his brain — among other things. We don’t get to see most of what they’re up to, but we do get to hear summaries of it in the brief moments that Axel and Helen get to spend communicating. And it sounds very promising.

My biggest problem with this book is that Helen and Axel have practically zero agency — what they do has almost no impact at all on the events of this novel. And the events of the novel aren’t affected all that much (with one exception) by anything Axel does. Now, it’s pretty clear that what they did do in this novel will have huge impact on what’s to come. But here it was less useful than using a piece of crabgrass to pick a deadbolt. I know that’s how things have to go sometimes, but it’s more than frustrating in a novel.

I liked these characters going in and was looking forward to seeing how they recovered from the previous book. So I was a little disappointed in this one, but I do have every confidence that this was necessary to set up a great finale. I’m looking forward to being proven right. In the meantime, I had enough fun watching Axel get put through his paces and Helen trying to save the day. I even enjoyed trying to suss out what was going on with the SF hooptedoodle.

In the end, while this didn’t work for me as much as I wanted it to, I still enjoyed it and am looking forward to seeing how Horner wraps up this trilogy — I’m sure that this book set up things for that conclusion in such a way that the things that I wasn’t crazy about in Degrading Orbits won’t be as prominent in it. It’s a good book, even with my quibbles — but it could’ve been a little better.

—–

3 Stars

Dry Hard by Nick Spalding: Who needs to drink when you can have this much fun reading?

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On November 21, 2018

In 2018 First Reads Challenge, 2018 Indie-Fever Challenge, Fiction, General Fiction/Literature

Dry HardDry Hard

by Nick Spalding

eARC, 293 pg.
Amazon Publishing UK, 2019
Read: November 19, 2018

Kate Temple’s in PR, Scott Temple’s a marketing director for a distillery. Both of them rely on alcohol to get through their days (and nights). They used to have each other to rely on and curb their use, but as they’ve become more successful, they have to do more things away from each other and they really don’t have anyone to watch out for them. Also, because they spend less time with each other, both have a hole they need to fill throughout their days — which usually involves more drinking.

Things are getting bad enough that they both endanger their jobs (not to mention the property and safety of others) thanks to drunken escapades. But this doesn’t give either of them much pause — if anything it drives them to the bottle even more. Their teenaged daughter, Holly, can’t understand why these two can’t see how bad their drinking is, how much it’s hurting their marriage, how much it’s affecting her life. So, at Christmas, she decides to secretly film them at their drunken worst (which starts pretty early in the evening) and then she shows it to them, hoping this video intervention will awaken them to their problem.

It doesn’t work — her parents defend their drinking, downplay the mortifying things they do on video and generally blow her off. So in a fit of adolescent pique, she uploads the video to YouTube so her friends can see it. But the video catches the attention of a couple of popular YouTube celebrities and next thing they know, Kate and Scott are a viral sensation.

This very public shaming convinces them that they need to make some changes, and decide to cut out drinking totally. Holly tries to get them public support by uploading videos chronicling their efforts to live dry for a year, attaching the hashtag #DryHard. Things do not go well — well, maybe well, but not smoothly.

Now, here’s where Spalding distinguishes himself from almost every other writer on the planet — he makes all of that hilarious. Yes, Holly’s going through a lot because of her parents, but even in the way that Spalding describes it, her hardships are funny. At the 14% mark, I wrote in my notes “I have no idea if he can tell a story, but Spalding can make me laugh!”

I can thankfully report, he can tell a story — and still makes me laugh. The comedy comes from the situations, from the slapstick-y way his characters navigate the situations, and just the way he narrates (typically through the protagonists’ voices). It’s not just one thing that he does well — he can bring the laughs through multiple channels. Yes, the couple are careening toward rock bottom, but you laugh about it; yes, they’re dealing with very serious life and death issues — but Spalding makes you find the humor in the situations; they have monumental struggles that don’t go away just because they sober up, but you’ll ber chuckling and chortling while watching them flounder.

Oh, also, this has nothing to do with the plot, but Spalding’s description of Gin Fawkes — a flavored gin using orange peel and cinnamon produced by Scott’s distillery — is enough to make me consider becoming a teetotaler. Fantastic stuff. Funny and horrifying in equal measures.

This is the story of a family in crisis and the great lengths they go to to preserve that family. That right there sells me on the book — everyone wants the same thing — Kate and Scott’s marriage to recover. There’s not one person in the family thinking of pulling away, there’s not one more committed than the rest — both spouses are flawed and fallible, even Holly makes mistakes and loses her way, however briefly. No one’s blameless, no one’s to blame, Scott and Kate have got themselves to this point together, and together they’ll make it out. Too many books like this will take the “side” of one spouse — one is committed, one is faithful, one is stupid and blind to their own faults and one is the bigger/wiser person, etc., etc. Spalding doesn’t do that — he presents the Temples as mutually dysfunctional, mutually aspirational, and human.

Unlike a lot of similar authors, if Spalding had the opportunity for an honest, heartfelt emotional scene or a series of laughs — he’d pick the laughs 99 times out of 100. Thankfully, if he could go for a fairly honest and quite heartfelt scene with laughs, he’d go for that too. If he’d gone for fewer laughs and more of the honest and heartfelt moments, he might have a more complex, realistic, and substantive novel. Something more akin to Jonathan Tropper or Nick Hornby at their best. Instead, Spalding produced an entertaining, funny and frequently hilarious novel. The substance is there — but it’s hidden and easy to miss between the chuckles.

If you take the time to look for the substance/depth — you’ll find it and appreciate its presence. If you don’t and just laugh, you’ll be fine and have a good time — either way, you win.

This was my first Nick Spalding book — it will not be my last. Fast and funny — I had a blast reading this and laughed out loud more than I can remember doing in a long time. Read this. You’ll enjoy it.

Disclaimer: I received this eARC from Amazon Publishing UK via NetGalley in exchange for this post — thanks to both for this.

—–

3.5 Stars

Know Me from Smoke by Matt Phillips: A heart-wrenching noir love story.

By

On November 21, 2018

In 2018 First Reads Challenge, 2018 Indie-Fever Challenge, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, While I Was Reading 2018 Challenge

Know Me from SmokeKnow Me from Smoke

by Matt Phillips

Kindle Edition, 193 pg.
Fahrenheit 13, 2018
Read: November 15 – 16, 2018

If you’re looking for an example of noir — in the classic sense — look no farther than Matt Phillips’ Know Me from Smoke. You can tell that’s going to be the case from the opening paragraphs. The first chapter builds on those first three or four paragraphs and sets the atmosphere, the mood, the tone for the rest of the book — and pretty much casts a spell on the reader, too. The second chapter — where we meet our second protagonist firms that up, and from there Phillips builds on this foundation to deliver a book that will stay with you long after you’re done with it.

But let’s step back from that for a minute — we begin by meeting Stella Radney. She’s in her mid-40’s, a lounge singer, and a widow still grieving her murdered husband twenty years after his death. During the robbery that left Virgil dead, Stella was shot as well and the bullet’s still in her hip — a constant reminder that her loss and pain are physical as well as emotional. Both pains seem a bit fresher in the beginning of the book because Stella’s been informed that new DNA technology (unavailable 20 years ago), has led the DA’s office to reopen the case and they hope to have an arrest soon. Stella’s feeling a little raw, hanging on only by more alcohol than is probably good for her and losing her self regularly in the music she performs.

Royal Atkins is a free man, a man with a second chance — a convicted killer released on a technicality and determined to make the best of his second chance. Sadly, a couple of men at his halfway house decide that the best thing for Royal would be to join them and pull a few stickups — and a few other forms of robbery as well. Royal resists — but it’s as clear to him as it is to the reader that this won’t last.

Stella and Royal meet and the chemistry is instantaneous. The chapter where they meet for the first time is possibly the best chapter I’ve read this year — just magic. For obvious reasons, Royal edits the personal history he tells Stella, and his associates from the halfway house use this to blackmail him into going along with them. He’s trying to build a new life, she’s trying to rebuild her life, and neither of them want to be alone in the process.

So we get to watch the growing love story of Stella and Royal, Royal’s history being used against him, the crime spree, and the certainty that this is going to all going to come to a messy end. A little before the halfway point, I put in my notes, “if I stop, some broken people get to live a decent life. If I read another chapter or two, everything will fall apart and lives will be ruined. So tempted to walk away from it.” I really was — I liked these two so much, I wanted to let them have this chance.

But there was no way I was going to stop, Phillips’ prose was too good to abandoned, and I had to see what actually happened to these characters (no matter how inevitable the end seemed). Seriously, I’d have kept reading just so Stella could think about her relationship to music and songs some more — those sections of the book are practically poetry.

There’s conversation between a couple of characters about Pulp Fiction — and Tarantino’s work feels appropriate to this book. But not that movie. Jackie Brown is the movie that this feels like. Maybe the novel, too, but I haven’t read Rum Punch. They’re both from the same species of sweet, second-chance at love story in the middle of a story of crime, criminals and ex-cons.

This is going to go for my entry for “Read a book you chose based on the cover” in the While You Were Reading challenge — it’s not entirely true, but the cover is fantastic and got me to read the blurb a few times, so it’s close enough.

I love that title, too.

There’s just so many things that are right about this book, and so little that’s wrong. This is a winner — it’ll grab you by the heartstrings, will pull you along through the highs and lows of this story, and only let you go some time after you finish (I’m not sure how long that effect will last, but it’s been almost a week and it really hasn’t let go yet).

—–

4 Stars

✔ Read a book you chose based on the cover.

Pub Day Repost: Lies Sleeping by Ben Aaronovitch: Things get Intense in the Ongoing Conflict between The Faceless Man and The Folly.

By

On November 20, 2018

In Ben Aaronovitch, Fiction, Rivers of London (Peter Grant), Urban Fantasy

Lies SleepingLies Sleeping

by Ben Aaronovitch
Series: The Rivers of London, #7eARC, 304 pg.
Daw Books, 2018
Read: October 3 – 5, 2018

I’ve got to say, I’d much rather be talking about this book in detail with someone else who had read the series than talking about it in spoiler-free form, so much of what I feel strongest about with this book cannot be discussed. Aaronovitch has outdone himself this time — it’s the best book of the series thus far, and that’s no mean feat.

It’s easy — far too easy — when thinking about this series to think of the lighter aspects — the humor, the heart, Peter’s growing pains, the snark, the pop culture references, and whatnot. That’s typically where my mind goes, anyway. But time after time, when picking up the latest novel, or even rereading one, I’m struck by how carefully written, how detailed everything is, how layered the text is — and I feel bad for underestimating Aaronovitch. Not that I have anything against breezy, jokey prose — but there are differences. Nor am I saying these books are drudgery — at all — the stories are fun, the voice is strong, and the narration will make you grin (at the very least, probably laugh a few times, too). In Lies Sleeping part of that care, part of the thoroughness of this novel is how there is a tie — character, event, call-back, allusion — to every novel, novella, comic arc involved in the Rivers of London up to this point — if you haven’t read everything, it won’t detract from your understanding of the novel — but if you have read them all, if you catch the references — it makes it just that much richer.

So what is this novel about? Well, after years of chasing The Faceless Man (and The Faceless Man II), Peter Grant (now a Detective Constable) and Nightengale have his identity, have several leads to follow to track him down — or at least his supporters and accessories (willingly or not). Better yet — the Metropolitan Police Force have given them the manpower they need to truly track him down and interfere with his funding and activities.

During this operation, Peter, Guleed and Nightengale become convinced that Martin Chorley (and, of course, former PC Lesley May) are preparing for something major. They’re not sure what it is, but the kind of magic involved suggests that the results would be calamitous. How do you prepare for that? How do you counter the unexpected, but dangerous? There are two paths you follow: thorough, careful, borderline-tedious policework; and bold, creative, innovative thinking. The two of those employed together lead to some great results — and if Peter Grant isn’t the embodiment of both, he’s . . . okay, he’s not perfect at the former, but he can pretend frequently (and has colleagues who can pick up the slack).

Not only do we get time with all our old friends and foes — we meet some new characters — including a River unlike anyone that Father or Mama Thames as yet introduced to. Mr. Punch is more involved in this story than he has been since Midnight Riot, but in a way we haven’t seen before. Most of the character things I want to talk about fit under the “spoiler” category, so I’ll just say that I enjoyed and/or loved the character development and growth demonstrated in every returning character.

There’s more action/combat kind of scenes in this book than we’re used to. I couldn’t be happier — Peter’s grown enough in his abilities and control to not need Nightengale to bail him out of everything. Nightengale and Peter working together in a fast-paced battle scene is something I’ve been waiting to read for 7 years. It was worth the wait.

As I said before, Lies Sleeping is the best and most ambitious of the series — the richness of the writing, the audacity of the action, the widening scope of the novel, the Phineas and Ferb reference, the epic battle scenes, the growth in Peter, Bev, and Guleed (and maybe even Lesley), the ending rivals Broken Homes‘ — all add up to a fantastic read. Yeah, I’m a fanboy when it comes to this series, and Lies Sleeping made me a happy fanboy. I have no idea how Aaronovitch moves on from this point with these books, but I cannot wait to find out.

—–

5 Stars
Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post — thanks to both for this.

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