Category: Fiction Page 201 of 346

Pub Day Repost: Here and Now and Then by Mike Chen: A Dad. A Daughter. And Time Travel. (Kleenex may be required)

When I really love a book and don’t know how to express it, I tend to ramble. Case in point:

Here and Now and ThenHere and Now and Then

by Mike Chen

eARC, 336 pg.
Mira Books, 2019

Read: January 15 – 16, 2019

You can have fun with a son
But you gotta be a father to a girl

That’s Rodgers and Oscar Hammerstein, not Mike Chen — but the spirit of the book is in that second line, so I’m going to use it. I found myself singing those lines a lot while thinking about the book. If you’re a father to a daughter, you will love this book. I don’t think it’s necessary to appreciate the book — non-parents, mothers, people with sons should still be able to see how good it is and to empathize with the characters. But I can’t imagine any Father of a Daughter won’t see themselves (and Daddy’s Little Princess) in these pages.

In the past, I’ve said something about not really liking non-Doctor Who Time Travel stories. I’m starting to think it’s because I haven’t been reading the right kind of Time Travel stories. In the last year (give or take), I’ve read and loved four Time Travel novels — All Our Wrong Todays by Elan Mastai, Just One Damned Thing After Another by Jodi Taylor, Paradox Bound by Peter Clines, and now Here and Now and Then by Mike Chen. In all of them, the tropes of Time Travel are honored — while played with a little bit — but are really just excuses to tell very real emotional stories about some pretty great characters. Which is what Who does best, too, now that I think about it. So maybe for me, Time Travel has to be a means to an end, not the end itself.

Maybe I should leave the introspection for another time, and just get on with talking about the book, eh? My point was supposed to be that, like Matsai, Taylor and Clines, Mike Chen has surprised and excited me beyond expectations and hopes.

The day I started (and fell in love with) this book, I tried to explain it briefly to someone. I did so in a way that was clearly reductionistic (because, that’s what you do in a couple of sentences), spot on, and yet horribly inaccurate — all at the same time. Here’s what I said: It’s a gender-flipped Outlander, except the protagonist goes to the future instead of the past, and they use science-y stuff to the Time Travel instead of magic-y stuff.

Kin (pronounced /ˈkēn/) is, or was — or will be — a Secret Agent for the Temporal Corruption Bureau in 2142. He came back to 1996 to prevent a Twenty-Second Century criminal from altering the timeline for their own profit — and did so. But things went wrong in carrying out the mission and he was unable to be returned to his time. So he got stuck in 1996 for a bit. For him, it was 18 years. For the TCB it was a couple of weeks. For Kin, he had to give up hope of rescue, get a job — and then he fell in love, got married and had a kid. He has a nice life — he’s a success in IT for a video game company, he’s a pretty decent amateur chef and is working on trying out for a reality show for home chefs, his wife is great, and his daughter is, too. Miranda’s fourteen, a soccer star, wicked smart, a SF nerd and loves her parents.

Then his partner Markus shows up to bring him back to their time — Kin’s largely forgotten his former, er, past, er…other life and has really become a resident of 2014 (this is explained in science-y wibbly wobbly, timey wimey terms that actually make sense in context), so Markus has to take him by force. Once he’s back to his future, Kin starts remembering his life — his job, his hobbies, his utter ineptitude in the kitchen — and his fiancé (Markus’ sister). But it doesn’t come back to him immediately, and he has to work at it.

One thing he can’t do, is let go of his Twenty-First Century life, and he schemes for ways to remain a part of Miranda’s life. For awhile, this works — but only for a while. The instant it starts, every reader knows that Kin won’t be able to fly under the radar forever and he gets found out. It turns out that what he’s doing risks the future — but the only fix the TCB has in mind will mean Miranda’s death. While Kin can understand their decision, there’s no way he can let that happen to his daughter.

I don’t think I’ve said (much) more than the publisher’s blurb — but I can’t say much more without spoiling. And trust me, Chen’s version is much better than mine would be.

Kin is a great character — he’s thoughtful, skilled, smart — and human. He makes a lot of mistakes, his judgement is shaky (not just when it comes to Miranda, either) — but he tries to do the right thing. His loved ones — in all eras — are people you can believe are in his life and you can see why he cares for them, and you do too — because of Kin. That’s all I’m going to say about the other characters because I can’t talk about any of them without ruining something.

The world of 2142 is just about perfect — it’s different than 2014, but there are straight lines connecting it all. It’s the little changes that make it right — often Kin’s perspective allows us to see it. Like the offhand way he mentions to someone that temperatures are 5 degrees lower in 2014. Or the way he reacts to a recreation of 21st Century fast food. There are things about Mars that are just tossed off in conversation without explanation that clearly mean humans are doing something on the surface of the planet. Don’t ask me what — Chen doesn’t say. It even took me seeing him use the phrase a couple of times before I realized what it meant. But once I did, I got very excited about how he pulled it off. There are many subtle details like these that really make this a believable read.

The story and the writing are imaginative and playful — you will smile a lot while reading this. But the instant that Markus shows up and says it’s time to go, you just know that your heart is going to get broken in these pages. And you will be right. Thankfully, Chen will give you almost as many reasons to be happy — some small, some big. It’d have been very easy to make this maudlin or depressing. He could’ve also make this a playful romp. Chen instead walks the tightrope between the extremes in a performance worthy of Philippe Petit. The pages fly by, I really couldn’t believe how quickly I read this — part of it was because I just had to find out what happened to Kin, Miranda and the rest — but part of it was Chen’s writing. Despite hitting you with all that he hits you with, it’s very (and at times, deceptively) easy to read.

(this next paragraph could get a bit spoiler-y. But not really, just in vague sentiments, no particulars…Still, skip if you want)
This worked for me on just about every level and on just about every front — it checked all of my boxes and did just about every superlative thing I can think of. But the ending — I loved the ending, don’t get me wrong — just felt a little too easy. Things worked a little too well. Which the fanboy in me loves, but . . . I dunno, the book was filled with twists and struggles and challenges and the in the last three or four chapters everything was a little too easily overcome — and even the challenges melted away. And yes, I cheered, but I wanted Kin and everyone to have to work a little harder for my cheers. So, I’m docking this 1/2 star. (which is easy to do because on Goodreads/Amazon/NetGalley I have to round up, because they won’t accept half-stars, so the ratings average still gets to stay high).

Heart, soul, laughs, and heartbreak — I don’t know what else you want out of a time travel story. Or any story, really. Characters you can like (even when they do things you don’t like), characters you want to know better, characters you want to hang out with after the story (or during it, just not during the major plot point times), and a great plotline. This book is about as good as it gets. Grab your copy now while I start eagerly anticipating Chen’s next book.

Disclaimer: I received this eARC from HARLEQUIN – MIRA via NetGalley in exchange for this post — thanks to both for this. These are my own honest — and hopefully not convoluted — thoughts and opinions.

—–

4 1/2 Stars

A Brutal Bunch of Heartbroken Saps by Nick Kolakowski: A fast, fun, and bullet-ridden adventure

A Brutal Bunch of Heartbroken SapsA Brutal Bunch of Heartbroken Saps

by Nick Kolakowski
Series: A Love & Bullets Hookup, #1

Kindle Edition, 128 pg.
Shotgun Honey, 2017

Read: January 17, 2019


Bill is a con man, a hustler, a grifter with a gift — one that has been put to good use by the Rockaway Mob until the day that Bill has had enough. He just can’t keep going the way he’s been going. So he leaves New York and heads off on his secret plan to leave the country. Of course, before he left town, he helped himself to a large amount of the Mob’s money to fund his retirement. Which is as popular a choice as you can expect.

Only . . . his plan isn’t as secret as he thinks and people are on his tail immediately. A pair of employees are sent to take care of Bill and retrieve the cash. And then another is shooter is sent before those first two have even had a chance to fail. And it’s a good thing that happened.

Which is all I should probably say about the plot. Very little goes the way you think it’ll go once things get rolling. What follows is fast, fun and violent. It’s the least subtle critique of civil forfeiture possible — and a whole host of other things.

The backup assassin is our entry into this world, these characters — .he’s notorious, he’s infamous, he’s “that guy.” And . . . he’s kind of falling apart — his wife can’t handle his vocation any more and is divorcing him. His point of view chapters are a mix of attitude, a little snark, mayhem and despondency. Somehow, that mix is a blast.

On the other hand, we have Bill — who you somehow can’t believe was ever brought into the fold by the Rockaway Mob, but he’s clearly good at what he does. But little else, it seems. He has a real knack for moving from fire to fireplace to somewhere hotter yet. One of the other assassins sent after him was the one who brought him to the Rockaway Mob, who vouched for him. Her name is Fiona, and she’s one of the fiercest, deadly, aggressive characters you’ve met recently — and at least until recently, was in love with Bill (not that he treated her too well in his exit, and probably cooled her affections as a result).

This is a novella — and there’s not a lot of space for character development, for fully drawing out a character — and while these three aren’t as well drawn as Kolakowski has in other work, they’re good enough for what he’s wanting to accomplish here. (I hope that doesn’t sound like a slight — it’s not supposed to be). They may not be fully drawn, but they’re a lot of fun — and there’s some intriguing emotional beats between them and some of the other characters in these pages.

This book is primarily an exercise in violence — there’s a hint of torture, just a hint (but most of it happens off-screen). What’s not hinted at are explosions and gunfire. There’s a lot of it — the literary equivalent of so much of the stylized cinematic violence inspired by Tarantino in the 90’s. It’s adrenaline set to music — think Edgar Wright action scenes, but more lethal — to skip a couple of decades (actually, I bet this novella would pair well with much of the Baby Driver soundtrack).

I had a hard time accepting how the last few chapters went, because I had the wrong idea about what Kolakowski was up to with this book (and, I bet, the next two books that follow). But I had a blast with it — even the last chapters, once I gave up my preconceptions.

This is a fast, lean novella — there’s not an ounce of fat, not one unnecessary sentence to this. Kolakowski has a story to tell and he tells it. I knew going in that this was going to be a fast read, but I couldn’t believe how quickly I got through it — between the lean prose, the fast pace of the book and the action scenes, this was just a bullet train of a read (no pun intended).

Disclaimer: I received a copy of this book from the author. My opinions expressed above are my own. I appreciate the book, but I didn’t sell out my opinions because of that..

—–

3.5 Stars

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2019 Cloak & Dagger Challenge

The Reach of Shadows by Tony J. Forder: A Gripping Mystery, a Haunted Past, A Strong Novel


The Reach of ShadowsThe Reach of Shadows

by Tony J. Forder
Series: DI Bliss, #4


eARC, 372 pg.
Bloodhound Books, 2019

Read: January 18 – 21, 2019

‘Three days on, are you any closer to finding out who murdered our daughter?’ Tony Coleman asked. His hands were resting palm down on the bed, fingers splayed as if he were about the leap into action at any moment. The shock was palpable in every line of his face, and the man’s glazed eyes told Bliss that so much grief was yet to sink in. It was looking at faces just like this throughout his career that caused Bliss to take his cases personally. He never forgot a murder victim , but it was the expression on the faces of those they left behind that haunted him most of all.

Some time back, I noticed a strong link between how a novelist depicted the grieving of a murder victim’s family (particularly if it features the family identifying the body) and my overall reaction to the book. It’s the little things that are the most telling, right? Now, by the time I got to this father, I was already pretty sure that Forder knew what he was doing with this book, but it was nice to get the confirmation.

There is so much going on in this novel that it’s hard to know where to start. The book opens with a bang, with DI Bliss finding someone prowling around his house in the middle of the night. He pursues them on foot, in totally inappropriate clothing for such a thing. His pursuit is only called off when he’s struck by a car while crossing the road. When DS Chandler, his partner, comes to the hospital to bring him home, she tells him they have a stop to make — at a murder scene. He’s been ordered there despite his need to recover from the injuries sustained by being hit by a car.

Bliss is informed later that the reason he’s being pressured to work on this while recuperating is that the victim, Jade Coleman, had recently filed a complaint with the police about a stalker — and two of Bliss’ detectives had interviewed her. Nothing came of this complaint, and now she’s dead. So did they miss something? What should these two have done better/differently?

So Bliss has quite a few plates spinning right away — recovering from a concussion, broken ribs, etc.; solve a murder; ensure that the stalker investigation isn’t going to blow up in anyone’s face; when a few more plates are introduced: The Independent Office for Police Conduct (a replacement for The Complaints department) is looking into some of his cases — recent, and less-so. In fact, their investigation goes back over a decade, to when Bliss had been investigated for — and exonerated from — his wife’s murder. Bliss’ superiors are supporting him, and encouraging him to defend himself however is necessary — but he wants to find Coleman’s murderer, too. Bliss does keep the more senior members of his team in the loop about the IOPC investigation and they all want to help him as they can. So we have a whole lot of detectives trying to do a whole lot in a very short time.

Now, I haven’t read the previous three DI Bliss novels, and I don’t know what kind of overlap those books have with the particulars of the IOPC investigation — I think if I had more of a history with Bliss I could’ve cared more about this story, I could’ve appreciated the dangers he was in. Now, you never want the protagonist of the book you’re reading to be framed for a crime (especially if you get the sense that they’re one of the good guys in the world), but I just don’t have the investment to really care. So my primary concern was the Coleman case (and it was ultimately Bliss’ too).

The ways in which I wanted to be invested, but couldn’t, in the storylines about Bliss’ past were matched in the ways I was invested in Coleman’s case — there were some very believable red herrings dealt with, and Forder faked me out more than once. I’m not saying I got fooled by the same red herrings that distracted the detectives, but that Forder makes the reader thing he’s doing X with the plot while he’s setting up a Y. I was pretty impressed with the way he kept the characters and readers on their toes with the various stages and phases of the Coleman investigation while dealing with the crisis prompted by the Bliss investigations.

There is a great supporting cast around Chandler and Bliss — all of whom I wanted more time with — either above or below them in rank. I don’t know that if the book wasn’t quite as busy as this one if we’d have got to enjoy more of them, or if this is typical of the series. I can’t think of one of them I wouldn’t mind a few more pages with. Bliss is a very interesting character — he’s a good man and an old-school cop who’s doing his best to adapt and evolve into the modern concept of a detective. Chandler is a loyal friend, partner and sidekick — who could be more, who could (and maybe should) be a DI herself, but it perfectly content where she is. Watching them navigate the challenges of leadership and the pressures from above as tools to solve Coleman’s murder as well as being obstacles to efficient detecting is a lot of fun.

This really is a well-written, well-conceived and well-executed book — I think most of my lack of engagement (not that I wasn’t pretty engaged, I just think the book expected/deserved more on my end) comes from the fact that I was getting to know Bliss, Chandler and the rest. As I’ve said — the novel was just built on a lot of history, and not having any familiarity with that history, I couldn’t care as much as I should have. If I had the foundation, I’d have liked it more — and I already liked it a good deal. I do think this is a fine jumping on point — as long as you go into it knowing that you’re coming late to the party and won’t care about missing some things. Because of the way that this book seems to have wrapped up that stage of Bliss’ life, I’m not sure I want to go back and read the first three books (but I might), but I do want to see what happens in Bliss’ future — I haven’t talked much about Chandler, but I’m very interested in what lies in her future.

So, to wrap up, this is a strong novel that I couldn’t appreciate as much as I wanted to — but I really liked and it made me want to read more about these characters. My guess is you’ll react the same way (unless you’ve had the good sense to try these novels before hand — you are in for a treat).

My thanks to Bloodhound Books for the invitation to participate in this tour and the materials (including the book) they provided.

—–

3.5 Stars

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2019 Cloak & Dagger Challenge

BOOK SPOTLIGHT: The Reach of Shadows by Tony J. Forder

Today I welcome the Book Tour for the aptly named The Reach of Shadows by Tony J. Forder (note: shadows have a long reach). Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: The Reach of Shadows by Tony J. Forder
Publisher: Bloodhound Books
Release date: January 9, 2019
Format: Paperback/ebook
Length: 372 pages

Book Blurb:

Recovering from injuries sustained in a road collision, DI Bliss is taken directly from hospital to a fresh crime scene and ordered to investigate the vicious stabbing and murder of Jade Coleman.

When Bliss realises the victim had reported being stalked, and that two of his own team had been drafted in to take her statement, he is given the unenviable task of interviewing both of his detectives.

Increasingly it appears that the stalker may be their killer. However, several other people soon become part of the team’s suspect list.

Bliss also finds himself being questioned about his own past, and has to battle to defend himself whilst continuing to investigate the murder.

Soon more questions arise.

Why would anybody target Jade Coleman?

Why are the team unable to identify the victim’s close female friend?

And why did Jade recently leave her job without any explanation?

With his work cut out, and his team under pressure, can Bliss solve the case before more victims show up?

Or will the shadows of his own past reach out and drag him under before he can succeed?

About Tony J. Forder:

Tony J. ForderTony J Forder is the author of the critically acclaimed, internationally best-selling crime thriller series featuring detectives Jimmy Bliss and Penny Chandler. The first three books, Bad to the Bone, The Scent of Guilt, and If Fear Wins, are now joined by The Reach of Shadows, published in January 2019.

Tony’s dark, psychological crime thriller, Degrees of Darkness, featuring ex-detective Frank Rogers, was also published by Bloodhound Books. This is a stand-alone novel. Another book that was written as a stand-alone was Scream Blue Murder. This was published in November 2017, and received praise from many, including fellow authors Mason Cross, Matt Hilton and Anita Waller. Before it had even been published, Tony had decided to write a sequel, and Cold Winter Sun was published in November 2018.

Tony lives with his wife in Peterborough, UK, and is now a full-time author.

Tony J. Forder’s Social Media/Links:

Website ~ Facebook ~ Twitter: @TonyJForder
Goodreads ~ Barnes & Noble ~ Bloodhound Books


My thanks to Bloodhound Books for the invitation to participate in this tour and the materials (including the book) they provided.

A Few Quick Questions With…Matthew Hanover

Matthew Hanover’s Not Famous was released last week (see my initial post about it)– and he was clearly and understandably busy with that. Still, he took the time to answer a few questions for me — which I greatly appreciate. As usual, this is designed to whet your appetite for the author so you go check out their website/twitter feed/etc., but more importantly, you check out their book. I hope that’s what happens here.

I threw in a bonus question about the Nick Hornby/Ben Folds album Lonely Avenue to see just how deeply the Hornby-fan in him ran. Also, his book is about a musician — we should talk music, right?

You’ve spent a lot of time blogging your way through the production of Not Famous — which, incidentally, forces lazy bloggers to get more creative than usual when coming up with interview questions — why did you decide to do that? Did thinking about what you were going through via reporting it help you in any way?
My hope was to build an audience before my novel came out and help motivate me to get the novel finished.Talking about my novel’s progress on my website and on Twitter did help me connect with potential readers and book bloggers like you, so I guess it worked!
In the writing of Not Famous, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV.”
I think the biggest surprise was how much I cared about the story and the characters. There came a point where, even though I was the writer, I felt I was just transcribing the story as the characters I’d developed would play it out naturally. As nice as that sounds, it was really difficult other times… If I didn’t feel inspired to write, I didn’t force it. There were definitely stretches of weeks and months at a time I never touch it.
I’ve made it clear that Lacy is the character that I’m most interested in — where did Lacy come from? Was it a conscious choice to make her role in the Nick/Alli relationship so pivotal, or did that just happen as you wrote?
Lacy, as you know, is Nick’s half-sister. Originally, she was just his sister, but as various plot points evolved, I felt it was necessary to put as much distance between them as I could, and so she became the daughter of their mother’s second marriage which contributed to his struggle to connect with her, and gave him a stronger opportunity to redeem himself with her. It seemed like an interesting way to explore a different kind of relationship (other than a dating relationship), and the problems that exist in that dynamic. Intertwining those to arcs was a real learning experience because I wanted it feel natural, and not forced.
Is “Lad Lit” all you write/want to write? Can you articulate what draws you to the genre? Is there a genre that you particularly enjoy reading, but could never write?
As far as novels go, yes. When I first read books by Nick Hornby and Jonathan Tropper, they were totally the kinds of stories I want to read… and eventually discovered I wanted to write. I do like science-fiction and post-apocalyptic novels, and I’ve written one sci-fi/paranormal short story… but I don’t think a novel in those genres in my future. Lad lit has always been the genre I’ve been most drawn to, and there’s quite a few stories in my head trying to get out!
What’s next for Author Matthew Hanover? Is Novel #2 underway, or are you solely focused (for now) on getting this launched?
I’ve been plotting out my next novel since before Not Famous was finished. I’m not actively writing it yet, and I should tell you straight out it is not a sequel, but is set in the same universe as Not Famous. Some characters you met in Not Famous will make an appearance… but this will be an office comedy / romantic dramedy. I hope to start it soon!
Oooh, sounds great. Hope to see it soon.

Bonus Question: Best song on Lonely Avenue and why?

Wow, what a great, and difficult question. How about I give you my top five? I’m guessing since you’re a Nick Hornby fan you’ll understand!

5. Picture Window
4. From Above
3. Claire’s Ninth
2. Practical Amanda
1. Your Dogs

As for why? I think these are the most solid songs on album… they’re all different… each tell vastly different stories…

Technically cheating — but I figure Rob Fleming would approve of the Top 5 approach. Good answers, too — although if we were hanging out in Championship Vinyl, I’d be compelled to tell you that you got 3 out of 5 correct, but your order is wrong. Good thing we’re not there, right? 🙂

Seriously, thanks for taking the time to answer these questions, I hope that Not Famous does well — and I look forward to your future work.

Here and Now and Then by Mike Chen: A Dad. A Daughter. And Time Travel. (Kleenex may be required)

When I really love a book and don’t know how to express it, I tend to ramble. Case in point:

Here and Now and ThenHere and Now and Then

by Mike Chen



eARC, 336 pg.
Mira Books, 2019

Read: January 15 – 16, 2019

You can have fun with a son
But you gotta be a father to a girl

That’s Rodgers and Oscar Hammerstein, not Mike Chen — but the spirit of the book is in that second line, so I’m going to use it. I found myself singing those lines a lot while thinking about the book. If you’re a father to a daughter, you will love this book. I don’t think it’s necessary to appreciate the book — non-parents, mothers, people with sons should still be able to see how good it is and to empathize with the characters. But I can’t imagine any Father of a Daughter won’t see themselves (and Daddy’s Little Princess) in these pages.

In the past, I’ve said something about not really liking non-Doctor Who Time Travel stories. I’m starting to think it’s because I haven’t been reading the right kind of Time Travel stories. In the last year (give or take), I’ve read and loved four Time Travel novels — All Our Wrong Todays by Elan Mastai, Just One Damned Thing After Another by Jodi Taylor, Paradox Bound by Peter Clines, and now Here and Now and Then by Mike Chen. In all of them, the tropes of Time Travel are honored — while played with a little bit — but are really just excuses to tell very real emotional stories about some pretty great characters. Which is what Who does best, too, now that I think about it. So maybe for me, Time Travel has to be a means to an end, not the end itself.

Maybe I should leave the introspection for another time, and just get on with talking about the book, eh? My point was supposed to be that, like Matsai, Taylor and Clines, Mike Chen has surprised and excited me beyond expectations and hopes.

The day I started (and fell in love with) this book, I tried to explain it briefly to someone. I did so in a way that was clearly reductionistic (because, that’s what you do in a couple of sentences), spot on, and yet horribly inaccurate — all at the same time. Here’s what I said: It’s a gender-flipped Outlander, except the protagonist goes to the future instead of the past, and they use science-y stuff to the Time Travel instead of magic-y stuff.

Kin (pronounced /ˈkēn/) is, or was — or will be — a Secret Agent for the Temporal Corruption Bureau in 2142. He came back to 1996 to prevent a Twenty-Second Century criminal from altering the timeline for their own profit — and did so. But things went wrong in carrying out the mission and he was unable to be returned to his time. So he got stuck in 1996 for a bit. For him, it was 18 years. For the TCB it was a couple of weeks. For Kin, he had to give up hope of rescue, get a job — and then he fell in love, got married and had a kid. He has a nice life — he’s a success in IT for a video game company, he’s a pretty decent amateur chef and is working on trying out for a reality show for home chefs, his wife is great, and his daughter is, too. Miranda’s fourteen, a soccer star, wicked smart, a SF nerd and loves her parents.

Then his partner Markus shows up to bring him back to their time — Kin’s largely forgotten his former, er, past, er…other life and has really become a resident of 2014 (this is explained in science-y wibbly wobbly, timey wimey terms that actually make sense in context), so Markus has to take him by force. Once he’s back to his future, Kin starts remembering his life — his job, his hobbies, his utter ineptitude in the kitchen — and his fiancé (Markus’ sister). But it doesn’t come back to him immediately, and he has to work at it.

One thing he can’t do, is let go of his Twenty-First Century life, and he schemes for ways to remain a part of Miranda’s life. For awhile, this works — but only for a while. The instant it starts, every reader knows that Kin won’t be able to fly under the radar forever and he gets found out. It turns out that what he’s doing risks the future — but the only fix the TCB has in mind will mean Miranda’s death. While Kin can understand their decision, there’s no way he can let that happen to his daughter.

I don’t think I’ve said (much) more than the publisher’s blurb — but I can’t say much more without spoiling. And trust me, Chen’s version is much better than mine would be.

Kin is a great character — he’s thoughtful, skilled, smart — and human. He makes a lot of mistakes, his judgement is shaky (not just when it comes to Miranda, either) — but he tries to do the right thing. His loved ones — in all eras — are people you can believe are in his life and you can see why he cares for them, and you do too — because of Kin. That’s all I’m going to say about the other characters because I can’t talk about any of them without ruining something.

The world of 2142 is just about perfect — it’s different than 2014, but there are straight lines connecting it all. It’s the little changes that make it right — often Kin’s perspective allows us to see it. Like the offhand way he mentions to someone that temperatures are 5 degrees lower in 2014. Or the way he reacts to a recreation of 21st Century fast food. There are things about Mars that are just tossed off in conversation without explanation that clearly mean humans are doing something on the surface of the planet. Don’t ask me what — Chen doesn’t say. It even took me seeing him use the phrase a couple of times before I realized what it meant. But once I did, I got very excited about how he pulled it off. There are many subtle details like these that really make this a believable read.

The story and the writing are imaginative and playful — you will smile a lot while reading this. But the instant that Markus shows up and says it’s time to go, you just know that your heart is going to get broken in these pages. And you will be right. Thankfully, Chen will give you almost as many reasons to be happy — some small, some big. It’d have been very easy to make this maudlin or depressing. He could’ve also make this a playful romp. Chen instead walks the tightrope between the extremes in a performance worthy of Philippe Petit. The pages fly by, I really couldn’t believe how quickly I read this — part of it was because I just had to find out what happened to Kin, Miranda and the rest — but part of it was Chen’s writing. Despite hitting you with all that he hits you with, it’s very (and at times, deceptively) easy to read.

(this next paragraph could get a bit spoiler-y. But not really, just in vague sentiments, no particulars…Still, skip if you want)
This worked for me on just about every level and on just about every front — it checked all of my boxes and did just about every superlative thing I can think of. But the ending — I loved the ending, don’t get me wrong — just felt a little too easy. Things worked a little too well. Which the fanboy in me loves, but . . . I dunno, the book was filled with twists and struggles and challenges and the in the last three or four chapters everything was a little too easily overcome — and even the challenges melted away. And yes, I cheered, but I wanted Kin and everyone to have to work a little harder for my cheers. So, I’m docking this 1/2 star. (which is easy to do because on Goodreads/Amazon/NetGalley I have to round up, because they won’t accept half-stars, so the ratings average still gets to stay high).

Heart, soul, laughs, and heartbreak — I don’t know what else you want out of a time travel story. Or any story, really. Characters you can like (even when they do things you don’t like), characters you want to know better, characters you want to hang out with after the story (or during it, just not during the major plot point times), and a great plotline. This book is about as good as it gets. Grab your copy now while I start eagerly anticipating Chen’s next book.

Disclaimer: I received this eARC from HARLEQUIN – MIRA via NetGalley in exchange for this post — thanks to both for this. These are my own honest — and hopefully not convoluted — thoughts and opinions.

—–

4 1/2 Stars

Pub Day Repost: The Burglar by Thomas Perry: A Thief Hunts for a Killer in this Original Thriller

The BurglarThe Burglar

by Thomas Perry
eARC, 304 pg.
Mysterious Press, 2019
Read: August 25 – 28, 2018

Elle Stowell is a thief — a burglar to be precise. She’s careful, methodical, careful — she doesn’t use weapons, she focuses on cash and things that are easy to sell. You really can’t call anyone in her profession “risk averse,” but she’s as close to it as you could possibly be.

She’s a cute, petite blonde working in some of the most exclusive neighborhoods in LA. Her appearance gets her over-looked by those who ought to find her suspicious and her size and athletic ability help her get into places that she shouldn’t be. She makes enough to finance her lifestyle — and a little more. But primarily, she lives this way for the thrill.

All that changes one day when she breaks into a home and finds three bodies in the bedroom, clearly the victims of a shooting. She also notices that a video camera in the room which probably caught the murder — it definitely caught her. So she steals the camera from the scene and runs. She verifies that, yes, it shows the murder and a little bit of what led up to it. After making a few copies — and removing her self from the footage — she returns the camera for the police to use the footage.

Soon after this, she begins to hear of three people looking for her at some of her usual haunts. She’s told that they seem like cops, but she’s not sure. Cops or not, she wants nothing to do with them. Once bodies start showing up — bodies that are related to her in some way — she knows that she has to find the murderers or she’ll never be able to stop looking over her shoulder.

I don’t really think that I got to the point that I liked Elle — she’s a criminal, not one driven to it or forced to steal or anything. She made a choice at some point to steal and has stuck with it. She’s not particularly flamboyant about it — like Jim DiGriz or Nicholas Fox or anything. Her approach is clinical, serious, no-nonsense. So there’s none of the typical fictional trappings that make you like a thief character.

However, it wasn’t that far into the book when I realized that I was really invested in what’s going on with her — how is she going to escape the ramifications of what she’s seen? Is she being paranoid, or is there someone actually after her? Will she be able to bring them to justice without incriminating herself? How did they figure how who she was? Why were the original murders committed? Why isn’t anything happening with that video she left the police?

There are other characters — a couple that you get to spend some good time with, too. But this book is all about Elle. Like I said, I don’t think I ever liked Elle, but I appreciated her as a character. The other characters that are around for more than a few paragraphs are just interesting enough to justify their presence. Some bring out some interesting sides of Elle’s character or past. Others help us understand just what kind of mess she’s fallen into.

This is my third Thomas Perry book in the last year, and I was far more invested in the events of this than I was in either of the others — he kept reeling me in page by page. The pacing of this is great — just like Elle herself, Perry knows when to slow down and let you catch your breath and then when to dash off and leave you hanging on by your fingertips.Perry’s been at this for a while and it shows — he knows how to write a thriller.

Unlike many crime novels (including the other Perry novels), you don’t get to know anything about the murderers until the ending — you have an idea about them before the ending, but it’s not until the closing chapters that you actually learn anything. I loved that, I was just as much in the dark as Elle was. Perry didn’t get into the killer’s mindset or motivation at all. They were just out there, threatening Elle until she’s put the pieces together.

This was a fun read. It was gripping, it was unique, it was complex — and come to think of it, the motive for the killing and the crimes surrounding the murder aren’t like anything I remember in Crime Fiction. That alone makes it worth your while. Perry really delivered the goods with this one, and I encourage you to give it a shot.

—–

3.5 Stars

Disclaimer: I received this eARC from Grove Atlantic via NetGalley in exchange for this post — thanks to both for this.

Awakenings by Edward Lazellari: A Solid Beginning to a Portal Fantasy Series with a Twist

AwakeningsAwakenings

by Edward Lazellari
Series: Guardians of Aandor, Volume One

Hardcover, 348 pg.
Tor Books, 2011

Read: January 12 – 15, 2019


When I heard Lazellari talk about the setup to this novel/series on The Once and Future Podcast, I knew I had to give this a shot. I just love the premise — to secure the future of a war-torn fantasy world, a group of loyal subjects take a royal infant into our world via a great magic working. Once here, something goes horribly wrong and they forget who they are and split up.

Thirteen years later, more people come into our world from theirs — hunting for the now young man. Not as much goes wrong for them — they retain their identities, if not all their magic (this just isn’t the right kind of world in the multiverse for magic to work easily). Once they’ve somewhat acclimatized to Earth (aided by a spell or two), they begin hunting for the protectors and the child, er, teen.

Finally, one more traveler came to Earth — a student mage (almost a full wizard, but not quite), Lelani comes, realizes what’s happened and sets out to protect those being hunted and to restore their memories. Early on, she comes across Seth, who studied with her under the same master. On Earth, Seth’s a deadbeat, drug-using photographer — mostly of desperate young women willing to pose for just about any kind of picture for a few dollars (yup, mostly those kind of pictures). Honestly, you have to work pretty hard to not want to see him eaten by something out of the Monster Manual for D&D.

You really can’t say that Lelani convinces Seth of anything, but he accompanies her as they come to retried the group’s leader. He’d been part of one of the ruling families, and was a star among the Guard. Here, he’s Cal MacDonnell, a police officer — not just a police officer, but in addition to his career, he has a wife and daughter — a whole family, one he doesn’t want to abandon for the sake of a fairy tale (even if he’s pretty sure that Lelani’s telling the truth). I think it’s this aspect of Cal’s story that grabbed me the most — he knows his duty, what’s expected of him, but he can’t just give up his life here to take up that duty. While Lelani tries to help them remember who they are, Seth and Cal set out to find the teen and their former companions.

And what of the child? He’s not officially identified, but the novel spends a lot of time talking about a young man living in a small town in New York. He’s bullied at school, his adoptive mother has married a drunk who abuses him, yet Daniel spends a lot of time defending others — friends and his sister.

The villains of this piece are more reminiscent of the more unsavory characters of Gaiman’s Neverwhere than anything that Weis, Hickman, Eddings, Tolkein, etc. created. But that doesn’t mean you can’t see them roaming around some semi-medieval land, terrorizing the populace.

This book comes across as an Urban Fantasy novel, but it’s not really one — it’s really an Epic Fantasy that takes place in New York. The feel is different than Urban Fantasy (but man, it sounds like I’m splitting hairs — but I bet it won’t when you read it). It’s a portal fantasy, with a twist. A band of heroes in a noble cause, trying to stave off chaos — not only for their world, but ours as well (now that the bad guys know where it is…a whole universe unprotected from magic and monsters).

The ending is clearly designed to propel you to the sequel (and it worked!), with Daniel in peril; Cal, Seth and Lelani poised to find him and the rest of the companions, and their foes preparing to eliminate them all. We’ve learned a lot about their world, but there’s a whole lot more to learn — ditto for the others who came here 13 years ago. Book two, The Lost Prince has a lot to accomplish, and I can’t wait to see how it does.

Here’s a bonus feature for a few readers — this is a complete trilogy, the third volume came out last year. You can dive into this without worrying about Lazellari getting distracted by life/other projects.

—–

3.5 Stars

2019 Library Love Challenge

Opening Lines – A Brutal Bunch of Heartbroken Saps by Nick Kolakowski

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author — but nothing beats a great opening for getting a reader to commit. This is one of the better openings I’ve read recently. Would it make you commit? How can you not?

Listen.

At some point, a poor sap will look at you and say, “This is the worst day of my life.”

But as long as you have breath in your lungs to say those words, you’re not having your worst day. You haven’t even hit rock bottom, much less started to dig. You can still come back from a car wreck, or that terrifying shadow on your lung X-ray, or finding your wife in bed with the well-hung quarterback from the local high school. Sometimes all you need to solve your supposedly world-ending problems is time and care, or some cash, or a shovel and a couple of garbage bags.

If you see me coming, on the other hand, I guarantee you’re having your worst day. Not to mention your last.

Let me show you how bad it can get. How deep the hole goes. And the next time your idiot friend says something about worst days, as the two of you stand there watching his house burn down with his pets and one-of-a-kind porn collection inside, you can tell him this story. It might even shut him up.

Let me tell you about Bill, my last client.

from A Brutal Bunch of Heartbroken Saps by Nick Kolakowski

A Few Quick Questions With…Gray Basnight

Earlier today, I talked about Gray Basnight’s thriller Flight of the Fox and now I get to present a little Q&A I did with him so you can get acquainted with him. I did zero prep for this beyond reading the small “About the Author” paragraph at the end of the book, so I appreciated the opportunity to get a peak behind the curtain. I hope you do, too.

Tell us about your road to publication — was your plan/dream always to become a novelist and your other jobs were just to get you to this point, or was this a later-in-life desire?
I’ve always been a writer and long aspired to be a published novelist. One key reason why I worked in broadcast for three decades was to be in an environment where the written and spoken word mattered. When I was laid off during the financial crisis, I decided it was time to take my fiction writing more seriously.
I don’t want to ask “where do you get your ideas?” But out of all the ideas floating around in your head, why’d you latch onto “A Math Professor being chased by drones”? (to be highly reductive) — what was it about this character, this idea that drove you to commit months/years to it?
The truth is, I haven’t a perfectly coherent answer about the specifics of how Sam Teagarden came to be. I wanted to create a protagonist who was an Everyman, or at least as far from a secret agent with karate chopping skills as I could make him. A math teacher seemed to fit the bill.

As for drones, I have no idea where they came from, except to say that they began making news while I was starting this novel, related to their potential for mail order package delivery. From there, remote controlled assassins seemed a logical progression. By the way, I’m confident – and I fear – this will become a reality in the not too distant future.

Pangolin is such an interesting character — I can easily see him starring in his own book. Can you talk about where he came from?
Thanks for that. I’m glad you liked good ole Pangolin. In terms of plotting and pacing, he was a bit of a challenge because he’s an important character introduced in the final third of the novel. Technically, that’s a no-no. But when he appeared on my pages, I liked him so much I kept him along for the duration. He’s an ex-Navy pilot who despairs over the evolving intrusion of technology, computers and A.I. into our economy and general way of life. As a kid I always liked a comic book hero called Magnus, Robot Fighter. It’s curious to me that Hollywood hasn’t yet discovered Magnus for the lucrative franchise I believe he would be. So Pangolin is my Magnus.
Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery/suspense/thriller reader?
I’m a voracious reader. With some exceptions (steampunk/boys with swords) I read a little from all genres. As a writer, I think it’s important to do that.

For personal enjoyment, I tend toward crime/espionage and literary fiction, plus well-crafted biography from the non-fiction shelf. Chernow’s bio of Grant was wonderful. What a unique and important American that man was.

I’ve often heard that writers, or artists in general, will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
True, true, true. As for the absolute worst thing, I haven’t seen it—yet. Nothing has really crushed me, except for a face-to-face insult levied by a famous editor at one of the large publishing houses who hadn’t read my manuscript but was confident it was unworthy of her time, which she let me know in no uncertain terms. As Frank Sinatra sang, “some people get their kicks stomping on a dream.”

As for altering my approach to writing, thankfully, that has not happened. All I can do is sit down and try my best with the skills I possess. And, hey, sometimes the result is pretty good.

What’s next for Gray Basnight?
Lots. I’m putting final touches on a sequel to Flight of the Fox.

I have a finished YA manuscript that I’m confident has commercial viability – I only need one agent or publisher to see what I see!

I’m excited about another project I’m now outlining after having written a crappy first draft a couple of years ago. I’ve never outlined before, but so far, it’s going surprisingly well. The plot centers on an event in the Confederacy that springboards to an adventurous contemporary story.

Behind all that, there’s a bottleneck of about a dozen projects that may or may not get further fleshed out, including some first drafts that are already done.

My hope is to keep writing, and to keep readers interested!

Thanks for your time — and thanks for Flight of the Fox, I really enjoyed it, and hope you have plenty of success with it.

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