Category: Fiction Page 203 of 341

BOOK BLITZ: Freefall by Jana Williams

About the Book:

The deep-space transport ship, the Vera Rubin, is light years from Earth when botanist Elle Silver begins to question the use of their space-travel drug, HCH.  Elle notices a growing number of her friends and  fellow colonists awaken from their 90-day sleep cycles exhibiting a variety of negative side-effects and she begins to believe the drug is the culprit.  Some of the effects are minor, dry eyes and lack of appetite. Other symptoms are a bigger concern on a tiny ship packed with colonists.  With each sleep cycle completed, more and more colonists awaken both confused and barely concealing a simmering rage – rage that could be a catastrophe on a ship as crowded as the Vera Rubin.  Elle needs proof, but she also needs a plan. If the drug that allows them to travel deep-space is at fault, what then?  Elle and her friends Ashok, Achebe and Jin-Hai are pressed to their limits to find a solution to their problem before the ship erupts into chaos… with light years left to travel.

Find FREEFALL on Amazon.Com & Amazon.In

Guest Post:

As a guest writer for a post on books – I thought that rather than talk about my novel, FREEFALL per se…. readers like yourself might be interested in how the book came to be written. I think when we discover a book that really engages us, we begin to believe that writers are some mythical beings with a special ‘secret’ ingredient that allows them to write.

This could not be further from reality in my case and in many other writers’ lives too. The only ‘secret’ ingredient I might possess is a dogged determination to get my story onto the page. I learned determination and persistence from my mother. My mother also seeded in all her daughters an absolute love of reading and storytelling. Although, I continue to be the only writer in our immediate family, my sisters actively read books and even lead book club discussion groups too.

Growing up in a household of females (my father deserted us) was pivotal to my central attitude about life. I believe that there is very little that a determined girl or woman cannot accomplish. As a child, there was no one to tell me ‘girls can’t do that’ OR if my sisters did say it – I immediately set out to prove them wrong. This attitude is woven into the story of FREEFALL throughout the book.

The other tenant of the book is the importance of curiosity. I spent a fair bit of time alone as a child, poking into things, exercising my curiosity about how things worked, why they worked and even sometimes dismantling things to find out if I could make them work again. My single mother had very little extra money to fix toys that were broken or even buy new ones. So all of us girls became adept at putting dolls back together, or gluing tea sets that got broken or putting wheels back on wagons to get them working again.

In the book Elle reminds herself that curiosity is a good thing, it can lead to new ideas and discoveries of importance that might have gone unnoticed by others who never asked the question ‘Why?’ Asking yourself why and then setting out to find the answer can lead to amazing things. As you will see, Freefall reflects core values that I hold that women are smart, capable and caring – and can do almost anything if they try.

My own sense of adventure stems from my curiosity about life here, on this planet – which led to speculation about life – out there in another corner of the universe. Another core belief of mine is that you don’t have to have a degree from a university to write and write well. What you do need is the desire to tell an engaging story. The best place to learn how to do that is from inside a book where you can read, read, and read.

Once you’ve read a fair number of books, start mentally sorting them out into the ones you liked and the ones that were just okay – but not spellbinding. And finally, what about the books you didn’t like? Stack them up, and then start thinking about the ones you liked – What did they have in common? Do the same mental exercise with the books you didn’t like – What did they have in common? You will learn as much about writing from what you didn’t like – as from what you did. Once you know what you like in a book, you’re ready to start writing your own story.

It’s important to write something you would enjoy reading yourself, because if you’re writing a novel you’ll be spending days and weeks and months in the world you’re creating. So it better be a place that you look forward to visiting – you owe it to yourself to make it so. I truly loved every minute of writing Freefall. The editing portion was a challenge for me – because it is a bit like cleaning the house; necessary and important but certainly not thrilling to do.

Freefall came into being because I love good Science Fiction and Fantasy – and I hoped to write a story worthy of some that I have read. Also Freefall came into being because I was persistent enough to sit down every morning before going to work (and sometimes after work too) to continue writing Elle’s adventures with her friends. I would spend hours thinking about what would happen next, so that I would have a focus for the next days writing. And then, when I was done with the first draft, I willingly put in more time to fix the things that needed fixing to make the story more clear and uncluttered.

And of course you must be wondering, ‘Have I started the sequel?” Of course I have! I can’t wait to see what happens next in the Amalie Noether Chronicles. I hope you will join me in reading FREEFALL. Be assured – Elle’s adventures will continue in space in the next volume of the series

About the Author:

Jana Williams is certain that fiction can change people’s lives – especially women and girls.  Her own life is testimony to that fact.  One of five daughters, she was raised by a single-mom who placed a high value on reading and storytelling.

The ability to read, coupled with a child’s innate curiosity about the world, and access to books to satisfy that curiosity can offer significant opportunity to a child. Like most writers Jana has bounced from job to job, absorbing stories, cultures and customs as she worked.  She has been a high-speed motion picture photographer, a VFX coordinator, worked in the film industry, and the publishing trade as a book seller – a publisher’s rep and now an author.

But her first love is reading…. and with each book of the Freefall trilogy sold Jana will donate funds to Literacy agencies around the world whose work is to bring the joy of reading to others.

Enjoy a good adventure story and help others learn to read at the same time !

Find/Like Jana on Facebook  
Find Jana’s Writing advice – Twitter
 
 

 

The Green Viper by Rob Sinclair: A strong, twisty thriller that will satisfy

I’ve fixed the html on this post a dozen times, and each time I hit “Update,” things get screwy again. I don’t understand what’s happening, but I can’t fight it anymore. If it looks messy, sorry about that, just move on to the body, and I’ll try again after work today.

The Green ViperThe Green Viper

by Rob Sinclair
Series: James Ryker, #4

Kindle Edition, 326 pg.
Bloodhound Books, 2018

Read: November 2 – 3, 2018

This is the fourth James Ryker novel, but the first I’ve read. This leaves me at somewhat of a disadvantage — but not an insurmountable one. Someone from his past reaches out to him — in an unconventional manner — for some help. Janet Campbell, the widow of the man who trained Ryker, who molded him into the intelligence agent/assassin he’d become is worried about their son and wants Ryker to step in for his sake.

Now, I don’t know if the series has featured Campbell or Charles McCabe (her husband) before — it’s not unheard of for a thriller to introduce an old, dear friend mid-series just to get the protagonist involved in something. I’m sure if they were around early on, returning readers were invested right away. But if this was their first appearance in the series, Sinclair introduced Campbell in such a way that it worked for me as a hook — I was invested because of Campbell more than because of Ryker.

Scott Campbell really never connected with his father, and his life has gone in a very different direction. He was an accountant at a prestigious London firm until recently, leaving under a cloud. He and his girlfriend, Kate Green, left England to get away from that cloud and moved to New York City for a fresh start. Well, mostly fresh. Kate’s father, Henry Green, is a fairly notorious criminal and nightclub owner. To make a little money, Scott does a few odd jobs for Henry (while Kate dreads Scott’s participation in her father’s business). Those odd jobs grow more serious as Green begins to trust him more.

Which is precisely the thing that Janet Campbell is worried about. So, enter James Ryker — a former intelligence officer between gigs. Once he arrives in NYC, he spends some time surveilling Scott and Kate to see what exactly is going on, and then he goes all-i to try to extricate them from the dangerous position that Scott has put them in. Which is a lot more dangerous than Ryker knows, as another drug dealer tries to move in on Green’s turf, and the FBI are preparing to make a few arrests.

What follows is exciting, tense, fast-paced and full of more surprises than I expected. Okay, that sounds like a tautology — with a book like this, you expect a few things to occur that you don’t expect (whatever that might end up being). The Green Viper gave me more of those things that I didn’t expect. A couple of them were pretty big surprises, too — so more and of greater magnitude than I expected.

The characters were well-drawn, but they all could’ve been a bit more three-dimensional. No one that we spent much time with at all was exactly two-dimensional (thankfully, I’ve had too much of that lately), but they all could’ve had a little more. By and large, for a thriller with this many moving pieces the characters were either as well-drawn as you might assume to meet, or a little better. Still, I want more. Characters are what hook me more than anything else in a book, and these were good enough, but I wanted more. Particularly Ryker — he’s the title character, and I really don’t think I know much more about him than I do any of the other characters (I might know Scott the best), and that doesn’t seem right.

The other thing I would’ve liked more of was the actual work done by Ryker. Not just him showing up where Scott doesn’t expect him — but how he got there, why he decides to show himself to Scott then. For example. From Finder to Child to Sharp and beyond, it’s the mechanics of their intelligence work that draws me in as much as the fight scenes or whatever. Sinclair is good at delivering the big moments — gun fights, chase scenes, and the like. But he could do better with the smaller moments — trailing someone, deciding to follow this line of investigation or reasoning. I guess you could say the story’s strong, it just feels like he has to many ellipses in it — let me see more of the connections between the moments.

Basically, I’m saying that I enjoyed the book — but I thought Sinclair could’ve given his readers a little more of everything. It was a good novel, but with a little more it could’ve been really good. The pacing is good, you get drawn in and the story really doesn’t let you go. I technically spent 2 days reading this, but about 80 percent of that was in one sitting — If I’d put off starting by a day, it would’ve been a one-sitting kind of book — start it, get sucked in and ignore the world until the bullets stop flying and the smoke clears. A very satisfying way to spend a couple of hours.

I enjoyed this book, the characters and the world Sinclair has created. Might I have had more appreciation for some of this if it weren’t my first Ryker novel? Sure. Am I curious enough about what I read to come back in book 5 (or go back to books 1-3)? Yeah, I think so — Sinclair’s a capable author and he’s got himself a fun world to play in. You should give this one a try — or one of the earlier books — and I’m willing to bet that you’ll end up agreeing with me, Rob Sinclair’s James Ryker is an action hero worth your time.

—–

3 Stars

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: The Green Viper by Rob Sinclair

Today I welcome the Book Tour for the action packed The Green Viper by Rob Sinclair. Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: The Green Viper by Rob Sinclair
Publisher: Bloodhound Books
Release date: November 5, 2018
Format: Paperback/ebook
Length: 326 pages

Book Blurb:

I need your help. Call me.

Ex-intelligence agent James Ryker receives a coded message through a secret drop point, a means of communication known only to him and one other person. The problem is, that person is his ex-boss, Mackie… and he’s already dead.

But the cry for help is real, and it’s a request Ryker can’t refuse.

Travelling to New York alone and without official sanction, Ryker has a single goal in mind, yet even he couldn’t have bargained for the violent world he’s soon embroiled in. Caught in the middle of a spiraling chaos, with the FBI on one side and warring underworld bosses on the other, Ryker must put all of his skills to the test in order to come out on top and keep his word.

In a world full of lies and deceit, loyalty is everything, and it’s time for James Ryker to pay his dues.

About Rob Sinclair:

Rob SinclairRob is the author of the critically acclaimed and bestselling Enemy series and James Ryker series of espionage thrillers. His books have sold over half a million copies to date with many reviewers and readers having likened Rob’s work to authors at the very top of the genre, including Lee Child and Vince Flynn.

Rob began writing in 2009 following a promise to his wife, an avid reader, that he could pen a ‘can’t put down’ thriller. He worked for nearly 13 years for a global accounting firm after graduating from The University of Nottingham in 2002, specialising in forensic fraud investigations at both national and international levels. Rob now writes full time.

Originally from the North East of England, Rob has lived and worked in a number of fast paced cities, including New York, and is now settled in the West Midlands with his wife and young sons.

Rob Sinclair’s Social Media:

Website ~ Facebook ~ Twitter ~ Goodreads ~ Amazon US ~ Amazon UK


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

Some quick thoughts on Lethal White by Robert Galbraith

Lethal WhiteLethal White

by Robert Galbraith
Series: Cormoran Strike, #4

Hardcover, 647 pg.
Mulholland Books, 2018
Read: September 19 – 26, 2018

I just don’t have the patience or energy to give Lethal White the kind of post I want to. So let me be brief — this picks up minutes after the end of Career of Evil and we spend a few pages with Strike and Robin trying to have an actual conversation at her wedding. It almost goes well, but between Matthew, her family, Strike’s drinking . . . yeah, well. It was a good start.

Then eleven months and change fly by and we get to the thick of the novel (pun absolutely not intended, but very fitting), so let’s cut to the Publisher’s Blurb to sum that up.

           “I seen a kid killed…He strangled it, up by the horse.”

When Billy, a troubled young man, comes to private eye Cormoran Strike’s office to ask for his help investigating a crime he thinks he witnessed as a child, Strike is left deeply unsettled. While Billy is obviously mentally distressed, and cannot remember many concrete details, there is something sincere about him and his story. But before Strike can question him further, Billy bolts from his office in a panic.

Trying to get to the bottom of Billy’s story, Strike and Robin Ellacott–once his assistant, now a partner in the agency-set off on a twisting trail that leads them through the backstreets of London, into a secretive inner sanctum within Parliament, and to a beautiful but sinister manor house deep in the countryside.

And during this labyrinthine investigation, Strike’s own life is far from straightforward: his newfound fame as a private eye means he can no longer operate behind the scenes as he once did. Plus, his relationship with his former assistant is more fraught than it ever has been-Robin is now invaluable to Strike in the business, but their personal relationship is much, much trickier than that.

The most epic Robert Galbraith novel yet, Lethal White is both a gripping mystery and a page-turning next instalment [sic] in the ongoing story of Cormoran Strike and Robin Ellacott.

If by “most epic Robert Galbraith novel yet,” they mean the longest, well, yeah. That’s certainly the case. Wow, this thing was long — you can argue bloated, even. At the same time — while lamenting the week it took me to get through this — I don’t know what I’d cut if given the opportunity. Everything I’ve thought could be lost, can’t be without ruining something else. It’s real a testament to Galbraith’s skill that there’s really nothing wasted, everything sets up something else.

But man, I wish that wasn’t the case. And, yeah, fill up the comment section with how I’m wrong about that, I’m more than willing to be convinced.

But what makes all of the work worth it? The scenes where Strike and Robin work together, think through things together, or even just talk like friends together. In short — Strike and Robin together. It doesn’t happen enough — and, honestly, there’s some sloppy, soap opera-ish machinations keeping that from happening the way it should (well, okay, the way I want it to). I honestly don’t care one way or the other if they ever get together (as inevitable as it seems) — I just want them working together.

The other great thing is the way that the events of Career of Evil have impacted Robin and the way she’s reacting to that impact. I don’t want to say more, but I loved this.

Lastly, the nature of the murders at the core of the book stand in sharp contrast to some of the murders in earlier Strike novels. Some novelists get stuck in a rut and all the murderers/motives/methods become variations on a theme — each one more extreme than the previous. Galbraith dodges that here, and that pleases me a lot.

There’s a lot more that could be discussed — and I hope others do (or inspire me with a comment to do so). Good mystery, good character development (some well overdue), I enjoyed all of the characters, etc., etc. But I’ll leave it at that — I’m glad we got another book, and am looking forward to the next already. I just hope it’s a little leaner.

—–

4 Stars

Dark Sacred Night by Michael Connelly: Bosch and Ballard Team Up in one of Connelly’s best

Dark Sacred NightDark Sacred Night

by Michael Connelly
Harry Bosch, #20/Renée Ballard, #2

Hardcover, 433 pg.
Little, Brown and Company, 2018
Read: October 31 – November 1, 2018

In a series that’s over twenty books long, there’s a lot of character development, recurring faces and names, and the like — there just has to be. But on the whole, there’s not a lot of connective tissue between the books, most of what happens in one book stays in that novel, and the next very likely won’t even mention those events. Which is really kind of odd, when you think of it. But that’s not the case here — this picks up the action from Two Kinds of Truth a few months later and the central case of this novel is one that Harry had reopened in it. This really is a sequel to Two Kinds of Truth in a way that Connelly really hasn’t given us since The Poet/The Narrows.

LAPD politics has moved Lucia Soto off from the case that Harry asked her to pick up — a murder of a fifteen year-old prostitute, Daisy Clayton — so she can devote time to something more pressing, but Harry doesn’t have to play that game. His own work on that cold case brings him back to the Hollywood Station, where he tries to look at some old files (without anyone knowing what he was up to). He’s caught by our new friend, Renée Ballard. Renée being the curious type quickly figures out what he’s looking into and pushes her way into the investigation — unlike Soto, she has time; unlike Harry, she has standing; it’s really the best thing that could happen for the case.

While she’s poking into this cold case and developing some sort of relationship with Harry Bosch — Renée has her own active cases, and regular Late Show duties to perform. I really like the way we get several little cases along the way with her in these two books — sure, there’s the big murder mysteries, but there’s also a robbery, a rape allegation, and other crimes that she has to deal with. This adds variety to the book (as it did in The Late Show), a touch of realism, and gives the readers multiple ways to see her in action.

Harry also has an official investigation to pursue — a cold case in San Fernando is heating up thanks to Harry’s work uncovering a witness. His prime suspect is now a high-ranking member of a pretty serious gang and the consequences for this witness are potentially huge — and things go quickly wrong with this case. So wrong that Harry’s future with SFPD — and his own safety — are in jeopardy.

There are so many balls in the air in this novel that it’s a testament to Connelly’s skill that they never get confused, he devotes time to each as he should, in a way that does justice to each storyline and the book never feels over-populated. If Dark Sacred Night had nothing else going for it, just the construction would be enough to commend it. But there’s so much more to commend the novel, too. There’s a little levity, a lot of darkness, a lot of solid procedural material, a couple of bent rules, and some satisfying story telling — just to name a few of the commendable things. I’m leaving a lot off that list, if only for reasons of space and time.

There’s one criminal here — I’m trying not to spoil anything — who spouts off about his victims not being anyone, of not counting. He’s the philosophical opposite of Harry’s “Everyone counts” mission. It’s an excellent way to highlight just what makes Harry — and maybe Renée — tick and what separates them and some of the gray areas they walk in from those on the other side of the law. We have multiple murderers in this book for whom their victims are just tools, just objects, things go be used. While for Harry, Renée, and those like them — these are people with hopes, dreams, pain and suffering that need to be protected, defended and avenged.

A downside for me was how little non-case work time we got with Renée. Harry had time with Maddie, Cisco and Elizabeth in addition to all the police. Renée got almost no time with Lola, nothing with her grandmother, and only a little time with anyone outside of the Hollywood Station that wasn’t involved in a crime she was investigating. I liked her non-police world just as much as I like Harry’s and wish we’d have gotten time in it.

Like many, I knew that Bosch and Ballard would team-up eventually. But no one expected it so soon. Before reading this, I’d said that I would’ve liked another book or two just to get to know Renée a bit more before bringing Harry in. However, having read this — I’m glad it happened now (still, wouldn’t have minded the other). Having the two of them together emphasizes the non-Bosch-ness of Renée, which is good. Also, it gives her someone she can count on, not overly-influenced by her history, department politics, or any of the nonsense that will follow her for the rest of her career. This also gives Harry a way away from cold cases and San Fernando. Altogether, it’s a smart move on Connelly’s part. Now I guess we just wait on the inevitable involvement of Mickey.

Between the merging of the two worlds, the strong emotional tie Harry has to Daisy and her mother, the upheaval the other case brings to his life, and the continued development of Renée Ballard as a character — there’s just so many positives to this book that it’s hard to enumerate them all. I think this is the best book that Connelly has done — in any of his series — in years. It’s been ages (if ever) that he’s had a clunker of a novel, but this one seems more effective, more entertaining than most. It’s just so well done. This is a must-read for Bosch fans, Renée Ballard fans, Connelly fans or anyone who likes seeing one of the masters of the genre at the top of his game.

—–

4 1/2 Stars

Two Kinds of Truth by Michael Connelly: Bosch Enters New Territory and Revisits some Old in Two Very Different cases

Two Kinds of TruthTwo Kinds of Truth

by Michael Connelly
Harry Bosch, #20

Paperback, 402 pg.
Grand Central Publishing, 2018
Read: October 12 – 13, 2018

…he had never planted evidence against any suspect or adversary in his life. And this knowledge gave Bosch an affirming jolt of adrenaline and purpose. He knew there were two kinds of truth in this world. The truth that was the unalterable bedrock of one’s life and mission. And the other, malleable truth of politicians, charlatans, corrupt lawyers, and their clients, bent and molded to serve whatever purpose was at hand.

Harry Bosch continues to work as a volunteer San Fernando cold case detective until a very hot case comes in — a murder. Harry steps in to guide the full-time detectives through this investigation at a family-owned pharmacy. Quickly, they determine that there’s a tie between this killing and a criminal enterprise involving prescription drugs (opioids, to be specific). Soon, Harry’s doing something he’s never really done before to find some answers and hopefully bring the killers to justice. It’s a great setup to a story. There’s a blast from Harry’s past involved in the prescription drug side of the investigation, and I never thought I’d see this character again. It was a nice surprise.

That’s not only blast from the past in this novel. An old case of Harry’s is being re-opened (by “old” I mean pre-Black Echo, I think) — supposedly some new evidence has come to light exonerating the man Harry and his old partner arrested. Harry’s last LAPD partner, Lucia Soto, is one of the detectives being used by the DA in the re-opening of the case — but that doesn’t mean Harry’s getting much of a break. The position of the LAPD and the DA’s office is that Harry and his partner put away the wrong man — framed an innocent man — and it’s just a matter of time until he’s released and Harry will be sued for his role. Harry does the smart thing right away and gets Mickey Haller involved, he’s going to need legal help — and emotional support — to get through this.

The resolution to the Drugs/Murder story was a bit too easy, a bit too rushed for my taste — which is a shame, because I thought there was a lot more that Connelly could’ve done with it, and I was really enjoying it. That said, other than the resolution to it — I thought it was a great story, and if it even skews toward the truth when it comes to how these pills are procured/distributed, it’s one of the more disturbing stories that Connelly has ever told.

On the other hand, the resolution of the False Conviction story was never in doubt — Connelly’s not going to do that to Harry. The only question was how he was going to be cleared/how the murderer was going to be proven guilty again. The way it involved the work of Harry, Cisco, and Mickey together — especially with some wily moves on Mickey’s part was a whole lot of fun. I do think Harry’s reaction to his half-brother’s craftiness reeked of hypocrisy — he’s not above some of the same kind of moves (just not in a courtroom). The difference laying (in Harry’s eyes) in that he’s a cop, seeking justice and that Mickey’s a lawyer, seeking a win. Honestly, that reaction annoyed me a lot — which is one of the best parts of this series, I frequently am annoyed by Harry Bosch — he’s arrogant, hypocritical, and blind to his own faults. In other words, he’s human. He’s also dedicated, determined and generally honorable — qualities you can’t help but admire.

I know that this novel is one of the books that’s going to be the basis of the next season of Amazon’s Bosch, and I couldn’t help wondering throughout — how? Both storylines depend on an older Bosch than Welliver (the wrongful conviction story less-so), and one of them involves Mickey Haller, and I don’t see how they could use that character (but it could be done without him, if necessary). There are probably umpteen articles easily found online about how they’ll do it, but I’ll just wait to watch it. Still, the thought nagged at me throughout reading.

This is typical Connelly/Bosch — a strong, well=constructed story with compelling characters, a good pace and some twists that you won’t see coming. If this was written by anyone else, I’d have likely given it more stars. Maybe that’s wrong of me, but . . . something tells me Connelly will be fine no matter what I say. It’s a strong book, it’s an entertaining book — there’s a lot of good moments, but it could’ve been better.

—–

3.5 Stars

Zero Sum Game by S.L. Huang: A Healthy Dose of SF Peanut Butter in this Thriller’s Chocolate Results in a Very Tasty Book

Zero Sum GameZero Sum Game

by S.L. Huang
Series: Cas Russell, #1

Hardcover, 334 pg.
Tor Books, 2018
Read: October 22 – 26, 2018

           “I’m really good at math,” I said. Too good. “That’s all.”

I’m not sure how many times I stopped reading this book to ask, “What did I just read?” Not because I’m too dense to comprehend the words on the pages, but Huang’s work was so audacious, so confident, so imaginative that i couldn’t believe it.

Cas Russell retrieves things — all sorts of things. We don’t get details, but it’s safe to say that things like legalities, procedures and technicalities don’t enter into her Cas’ thinking. When this book opens, she’s retrieving a person — which is not typical for her, nor that easy. But Cas does it, but before she returns that person to her family, she goes the extra mile to keep the retrieved person safe (she doesn’t want to have to get her again).

This ends up plunging Cas into a world of deceit, conspiracies, secret organizations, and some of the most mind-bending situations I can remember reading.

Here’s what separates Cas from most of the action/suspense heroes we have today — that line above about being good at math. She’s some sort of genius — maybe beyond that — at math. She looks at a situation — say, getting punched in the face — and while the fist is coming at her, calculates things (velocity, force, angles) rapidly enough to know how to adjust herself to lessen the blow and the injury to herself minimal and how best to counter the attack in such a way to put down her opponent. The same goes for shooting someone, using a knife, jumping into a building, etc., etc. The math is everywhere — but Huang deals with it in such a way that even an English major like myself can see it, appreciate it, and not get put off by it.

I’m not sure that makes sense. Let me try this — I don’t know if you watched the recent Luc Besson movie, Lucy, where Scarlett Johansson plays some sort of hyper-intelligent woman who is a near-unstoppable one-woman army, it’s kind of like that — but more successful. Or maybe think Bradley Cooper in Limitless, but without the pills.

Throw that kind of thing into a gritty, twisty world of damaged PI’s, hackers, dubious government agencies and drug cartels — and you’ve got an idea about what this book holds. It’s a little SF, it’s a lot of Thriller — an action-packed winner. I don’t want to talk more about it — the characters other than Cas are fascinating. I’d be more than happy to spend more time with all of them — there’s a very mysterious figure named Rio that I really want to know a whole lot more about, but I think I prefer not knowing — he works so well wrapped in mystery. This would’ve been a fantastic stand-alone, but I’m excited to see that this is listed as the first in a series. Sign me up for a handful of these right now.

I thoroughly enjoyed this book — it all worked wonderfully. There was one thing I cracked up at (it was funny, character revealing and oh-so-original) and when I made a note about it, I noticed that I was on page 69. I’ve never tried the Page 69 Challenge, where you decide whether to read a new book based on reading that page first, because that just seems annoying. But if I’d tried it with Zero Sum Game, it’d have worked for me.

For a first-time novelist (especially one with a math degree), Huang delivers a fantastic, assured read that’s almost sure to please. Give it a shot and you’ll see why I struggled to explain why you want to read this, while thinking that you really should.

—–

4 Stars

2018 Library Love Challenge

Time’s Up, Afton by Brent Jones: Jones Wraps Things Up with a Suspenseful and Successful Conclusion

Time's Up, AftonTime’s Up, Afton

by Brent Jones
Series: Afton Morrison, Book 4

Kindle Edition, 142 pg.
2018

Read: October 29, 2018

She tugged at the edges of her apron, giving me a facetious and halfhearted curtsy. “We all wear masks, Afton. Sometimes it’s worth finding out what’s hiding underneath.”

Tia’s words to her unexpected friend encapsulate the core of this book — we find out what’s underneath several masks. But first we’ve got to tie up some plotlines, see the fall-out and repercussions of the third installment (well, all of them, but the third particularly), and deal with a a few more grisly deaths.

This picks up right after Nice Try, Afton where we see Afton try to come up with an explanation that anyone will believe for the bloodbath surrounding her. From there, she has to design and implement her endgame to — once and for all — stop her tormentor before she leaves town.

This volume is really Afton pulling back the mask little by little to those around her — library patrons, her brother, friends, and even herself. While that occurs, she learns a lot about her brother, friends, and her enemies. A lot makes sense that didn’t before — even if you didn’t realize it needed the explanation until you got it.

I was less than satisfied with what was hidden under one mask — but not enough that it ruined things for me. And, hey it leaves a door open (at least a crack) for Jones to use if he wants to return to Afton’s world. So I’m really not going to complain.

I’m going to keep this short because I’m afraid I’ll spill something if I keep going. This ends up nowhere near where I thought it was going when I finished Go Home, Afton some four months ago — it’s far better. I really encourage you all to pick these novellas up. Some interesting characters, some very compelling action scenes, and a story that will take you places you don’t expect.

—–

4 Stars

The Golden Orphans by Gary Raymond: An Artist, A Mysterious Russian and an Enigmatic Island

The Golden OrphansThe Golden Orphans

by Gary Raymond

Kindle Edition, 280 pg.
Parthian Books, 2018
Read: October 23 – 28, 2018

I thought for a moment. “I think I am about to do something stupid.”

“In Cyprus you only need ask yourself one question,” Tara said, deadly serious. “Is it out of desperation?”

I keep running into artists in the novels I read — like in Tom Rachman’s The Italian Teacher, Russo’s Bridge of Sighs, or even Hawley’s Before the Fall — there are other examples, I’m sure — but they’re not coming to me right now. I’ve never understood the appeal, really, but I hold out hope that one day I’ll get it. And I shouldn’t be running out of opportunity anytime soon — it’s a vocation that draws authors like flies to honey.

Gary Raymond’s artist protagonist is a little different than the typical depiction. He’s a successful artist — to some extent, anyway — but not a genius (misunderstood or not), he’s not a superstar. In fact, his best days are probably behind him, and he knows it. But he’s still plugging away at it, while pursuing an otherwise self-destructive lifestyle. He’s invited to a funeral in Cyprus at just the right time — his finances are in shambles and his relationship is in a similar state, the largest question being which will fall apart first.

Not only is he invited, but his trip is paid for — so he can go. Francis Benthem is the deceased, and at one point in time he was a teacher, a mentor for the narrator (I should say that Raymond didn’t name him, I’m not being negligent) — he was like a father to him, really. So he goes to the funeral, and for most of it, is the only one present besides the priest. Eventually, Mr. Prostakov (Benthem’s employer, who paid for everything) and a few other people show up and leave quickly. Their appearance both confuses and intrigues the narrator.

Actually, that describes just about everything about Cyprus — it confuses and intrigues him. So he spends time getting to know the island, the people on it and, when given the opportunity, Mr. Prostakov. Illie Prostakov is an enigma wrapped in a riddle, wrapped in a hint of a stereotypical wealthy Russian with a murky past and revenue stream. He presents the narrator with a business proposition — take up residence in his home and replace Benthem. He’s a little vague as to the artistic duties required, so I will be, too. But the money’s good enough to take care of problems back home, so the narrator takes the job — not realizing the trouble and mystery that he’s put himself in the way of.

Unlike Bentham, the narrator won’t just take things at face value — he asks questions, and when he doesn’t get answers, he tries to find them (he might not be great at it, but he tries). Who is Prostakov? What’s he doing? Who are the people he surrounds himself with? Asking these questions isn’t the safest thing he could do — getting answers is probably worse.

The island of Cyprus isn’t just the setting of the novel, it’s practically a character. While the narrator is trying to understand his employer and his employer’s aims, most people are more concerned with getting him to understand Cyprus. Everyone’s description (I don’t have a hard count, but I’d guess at least a dozen are given) is different, but combined you begin to get an idea what life on the island is like. In the end, I think we get a fuller understanding of Cyprus than we do anything that the narrator is looking into.

Which is not to say that he doesn’t get any answers. He does, as does the reader. Raymond doesn’t leave you frustrated like that.

There’s a feel to this book that makes you think it’ll be one thing, but it’s not. The characters seem to be certain types, and most are — but they don’t act the way you think they will. The conclusion seems surely to be headed in one direction, but it ends up giving you a different ending. Everywhere you look, Raymond doesn’t do what you expect — which is both refreshing and annoying (you’d like to be right occasionally).

I’m not that convinced this is really a thriller — but it’s being marketed as one. As a thriller, I think it’s missing a sense of urgency, of real danger. But I think things moved too quickly, and without the depth called for in a literary book. A little more time after the narrator took the job and trying to accomplish it before the plot moves forward, more time spent on the painting (and talking about the process) would’ve helped. A greater sense of hazard, of peril from Viktor or Illie would’ve helped a lot on the thriller front. In the end, the book wasn’t quite sure it knew what it wanted to be — and a mix of the two genres would’ve worked, but it needed to be a bit more of one of them (or both) to really be effective. It was just always lukewarm.

That said — it never, not for a minute, failed to hold my interest. I may not have been very invested in the outcome or characters, but I was glued to it. Frankly, I think the narrator was the same way — he wasn’t invested in his relationship back in London, his career (really), or anything that was happening around him on Cyprus — but he couldn’t stop himself from sticking a toe in here and there, from involving himself just a little bit in everything. As he was confused — so was I. As he was intrigued — so was I. Raymond did a very effective job in getting the reader (or at least this reader) to see things from his protagonist’s eyes.

Raymond’s given us something unique here. I’ve talked before about books that I can respect and admire more than enjoy. This is one of those — the writing and approach of this novel exceeds any affection or excitement I might have for it. It’s not the kind of thriller you can finish and move on from easily — I’m going to be thinking about this for a while. The characters will linger in my imagination, but the reality he depicts will stay around longer. This isn’t a novel that lends itself to a rating any more than it lends itself to a genre-classification, so take it with a grain of salt.

—–

3.5 Stars

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided, including a copy of this book — which didn’t influence the above post, beyond giving me something to post about.

BOOK SPOTLIGHT: The Golden Orphans by Gary Raymond

Today I welcome the Book Tour for the literary thriller The Golden Orphans by Gary Raymond. Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: The Golden Orphans by Gary Raymond
Publisher: Parthian Books
Release date: July 19, 2018
Format: Paperback/ebook
Length: 280 pages

Book Blurb:

Within the dark heart of an abandoned city, on an island once torn by betrayal and war, lies a terrible secret…

Francis Benthem is a successful artist; he’s created a new life on an island in the sun. He works all night, painting the dreams of his mysterious Russian benefactor, Illy Prostakov. He writes letters to old friends and students back in cold, far away London. But now Francis Benthem is found dead. The funeral is planned and his old friend from art school arrives to finish what Benthem had started. The painting of dreams on a faraway island. But you can also paint nightmares and Illy has secrets of his own that are not ready for the light. Of promises made and broken, betrayal and murder…

The Golden Orphans offers a new twist on the literary thriller.

About Gary Raymond:

Gary RaymondGary Raymond is a novelist, critic, editor and broadcaster. He is the presenter of BBC Radio Wales’, The Review Show, and is one of the founding editors of Wales Arts Review. He is the author of two novels, The Golden Orphans (Parthian, 2018) and For Those Who Come After (Parthian, 2015). He is a widely published critic and cultural commentator.

Gary Raymond’s Social Media:

Twitter ~ Facebook ~ Amazon Author Page

Purchase Links for The Golden Orphans:

Amazon UK ~ Amazon US ~ Waterstones ~ Book Depository ~ NOOK ~ Kobo


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

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