Category: Fiction Page 212 of 348

BOOK SPOTLIGHT: Video Killed the Radio Star by Duncan MacMaster

Today I’m very happy welcome the Book Tour for Video Killed the Radio Star by Duncan MacMaster — I’ve been looking forward to this one for months because this is the follow-up to one of my very favorite reads of this year, A Mint-Conditioned Corpse. Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: Video Killed the Radio Star by Duncan MacMaster
Publisher: Fahrenheit Press
Release date: July 26, 2018
Format: Paperback/ebook
Length: 261 pages

Book Blurb:

Money in the bank and his dream girl on his arm – life was looking pretty sweet for Kirby Baxter.

Of course it couldn’t last. Where would the fun be in that? This is a sequel after all.

After solving the murder of a movie starlet the previous year, Kirby is doing his best to live down his burgeoning reputation as part-time Interpol agent and amateur sleuth.

Then reality TV comes knocking next door.

Million Dollar Madhouse is a reality TV show where a bunch of washed up celebrities are thrown together in a dilapidated mansion while their attempts to renovate the building are broadcast 24/7 for the viewers delight.

Kirby’s quiet town is thrown into chaos by the arrival of camera crews, remote control video drones and a cast of characters including disgraced actress Victoria Gorham, political shock-jock Bert Wayne and reality TV royalty Kassandra Kassabian.

When one of the cast members turns up dead the local police turn to the only celebrity detective in town for help and draft an unwilling Kirby into their investigation.

The first body is only the beginning of another rip-roaring adventure for Kirby Baxter and with Gustav his loyal driver/valet/bodyguard/gardener/chef/ass-kicker at his side, our hero plunges into the fray with his usual stunning displays of deductive reasoning and sheer bloody luck.

About Duncan MacMaster:

Duncan MacMaster
Duncan MacMaster is a writer, pop-culture blogger, and film school survivor from the untamed wilds of Eastern Canada.

When he’s not concocting plots for Kirby Baxter to unravel he’s posting rants and rages about the business behind pop-culture on his blog.

Duncan MacMaster’s Social Media:

Twitter

Purchase Links for Video Killed the Radio Star:

Fahrenheit Press (this is really where you should buy the books, help FP out!) ~
Amazon UK ~
Amazon US


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

Night and Silence by Seanan McGuire: Toby Daye’s shattered world gets another blow — can she survive?

I was sure I wrote this up already. How did I take over a month to get this up? Something is wrong with me . . .

Night and SilenceNight and Silence

by Seanan McGuire
Series: Toby Daye, #12

Hardcover, 368 pg.
Daw, 2018
Read: September 6 – 10, 2018

“Um, this IS Toby,” sald Quentin. “We’re always about to die. When we’re not about to die, we’re still about to be about to die. She’s like a Rube Goldberg machine whose only job is generating .life-threatening situations.”

What a difference a book makes — at the beginning of The Brightest Fell, Toby was happy, her life was looking good, she was relaxing — and then trouble struck. At the beginning of this book, she’s probably in the worst straits she’s been in since getting out of the fish pond. Toby and her loved ones are still reeling from and dealing with the repercussions of that last novel (“not dealing with” might be more accurate, but why quibble?). Jazz is messed up in ways that are hard to fathom; her relationship with mentor/champion/sponsor, Sylvester, is in shambles; and worst of all, her fiancé is a shattered version of himself, barely able to be in the same room with her.

And then the other shoe drops (at this point, you might be thinking we’re talking about an Imelda Marcos-sized collection, as many of these have dropped): her very human daughter, Gillian has been kidnapped — and her father and step-mother are accusing Toby.

Yeah, kidnapped again. But this time it’s worse (and the last time was no walk in the dark). If anything is going to prove to be the straw that breaks the camel’s back — this could be it. Toby, May, Quentin — and some other allies band together to find the girl before something happens to her that will make the last kidnapping look pedestrian.

Sylvester is around for a lot of this novel — I was afraid he wouldn’t be. Sylvester has long been one of the — maybe the — best part of the series, and to see him in this state? It took so much away from this book. I know that’s the point, and I want to stress I’m not complaining — but man…it sucked. A lot of the emotional beats to this part of the story seemed to repeat themselves — and I wondered if it was a little filler. I decided that as often as Toby was reassuring Tybalt that they could work through things and get him better, McGuire was reassuring the reader that Sylvester could be recovered. I’m not sure it’s the case, but I’m going with that explanation.

This book has the best use of May since . . . well, probably since we met her in this form. Usually, May is too much in the background for my taste. But not in this novel. She’s strong, she’s emotional — she’s a major player in the events of this novel. We need to see her as active as she is here more often.

The debt that Toby keeps incurring to the Luidaeg is getting huge. Aunt or no, she can’t keep going like this forever, and at some point the sea witch is going to collect. This is going to be horrible.

Along the way, we learn a great deal about Toby’s human family — some of which will make the reader’s jaw drop, all of which will make Toby reconsider things — and like so much of what we’ve learned the last couple of books, what we’ve “known” before wasn’t necessarily right.

This isn’t the strongest Toby Daye novel, but an “iffy” Toby novel is still rocking by other series’ standards. This was a strong, satisfying read — as troubling as it was. And the next one isn’t going to be much easier to read — but I know it’ll be worth it. I don’t know that this is the book to jump on the series with, but it might work. But I can assuring long-term readers that this will scratch that itch just fine.

—–

4 Stars

She Rides Shotgun by Jordan Harper: A Gripping Thriller, A Touching Father-Daughter Story, a Special Kind of Crime Novel

She Rides ShotgunShe Rides Shotgun

by Jordan Harper

Hardcover, 257 pg.
Ecco, 2017
Read: August 7 – 8, 2018

This is one of those books where you want to sit and talk about it for a couple of hours — recapping and dissecting the events, analyzing, and speculating about what happens after the book ends; or you don’t want to say anything beyond “just read it, I don’t want to ruin anything for you.” I could absolutely relish the former, but I’m going to hew closer to the latter. Harper’s better to read on this than me, anyway.

So, here’s the official blurb to keep me from slipping:

           Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school into a world of robbery, violence, and the constant threat of death. And he does it to save her life.

Nate made dangerous enemies in prison—a gang called Aryan Steel has put out a bounty on his head, counting on its members on the outside to finish him off. They’ve already murdered his ex-wife, Polly’s mother. And Polly is their next target.

Nate and Polly’s lives soon become a series of narrow misses, of evading the bad guys and the police, of sleepless nights in motels. Out on the lam, Polly is forced to grow up early: with barely any time to mourn her mother, she must learn how to take a punch and pull off a drug-house heist. She finds herself transforming from a shy little girl into a true fighter. Nate, in turn, learns what it’s like to love fiercely and unconditionally—a love he’s never quite felt before. But can their powerful bond transcend the dangerous existence he’s carved out for them? Will they ever be able to live an honest life, free of fear?

She Rides Shotgun is a gripping and emotionally wrenching novel that upends even our most long-held expectations about heroes, villains, and victims. Nate takes Polly to save her life, but in the end it may very well be Polly who saves him.

The thing to remember about Nate — he might be trying to be a good father, he may want to be a good father and act a certain way for Polly. But he’s not a good guy. He’s not a paragon of virtue, he’s not a reputable citizen. He’s a criminal — and not an entirely successful criminal, with almost zero parenting skills. But man, he wants to try. Expect some heroics, but remember he’s no Nick Mason, Jack Reacher or the like.

Polly? I don’t know what to say about her. If you can read a few chapters of this and not fall in love with this little girl, want to adopt her and protect her from all this madness? Something’s broken in you. She’ll win your affections, you’ll root for her, you’ll pity her, you’ll hope she survives this all intact.

There were a couple of other stand-out characters — I’d get into them, but it doesn’t matter. Your appreciation for this book comes down to this: what do you think about Nate and Polly and what they go through?

This is a tense thriller, with more than your typical emotional moments for the genre. Harper delivers both with equal skill and aplomb. As horrible as so much of this plot was — this was a real pleasure to read, from cover to cover.

I first heard about this novel — and author, come to think of it — on Episode 33 of Two Crime Writers And A Microphone, you might want to check it out.

—–

4 Stars

Pub Day Repost: Deck the Hounds by David Rosenfelt: Another Christmas Tale (Tail?) for Andy Carpenter, Another Win for Rosenfelt

Deck the HoundsDeck the Hounds

by David Rosenfelt
Series: Andy Carpenter, #18
eARC, 368 pg.
Minotaur Books, 2018
Read: September 11 – 13, 2018

Andy Carpenter sees a homeless man with a dog on the street, gives the man some money and a gift card for dog food (naturally, the dog gets more than the man, because it’s Andy Carpenter) and has a brief conversation with him. Not long after that, that same man is on the news — he’d been attacked by a stranger and his dog defended him. Which resulted in the dog being put in the pound. Laurie’s filled with pre-Christmas spirit and insists that Andy help out. So he uses his rescue foundation to get custody of the dog and moves the pair into the apartment over his garage.

How heartwarming is this? Clearly, this is fodder for a Christmas/holiday story. But it’s also an Andy Carpenter story, so naturally, after Andy does a newspaper interview about the man — giving his name — he’s arrested for murder. No one was more surprised by this move than Andy’s guest, Don. Not only has Don never heard of the victim, he was unaware that he was wanted by the police. Laurie’s pre-Christmas spirit is still strong, so she talks him into defending the man. It helps that he’s innocent, a dog lover, and an educated, articulate vet with PTSD. The PTSD aspect of the story was told with sensitivity and tact. It didn’t feel tacked on to make the character more sympathetic, but it grounded him in reality and may help to inform some readers about the prices that too many vets are paying.

There is another storyline — seemingly unrelated — running through the novel. Obviously, it’s going to tie into Andy’s case, but it takes a long time for that to happen. This gives the reader multiple opportunities to guess how the two are connected (and multiple opportunities to be wrong. I guessed what was happening in that story pretty easily, and I think most people who read a lot of legal thrillers will. But how it connects to the main story will likely leave most readers as surprised as I was (surprised, and then filled with a strong sense of, “well, naturally, what else could it be?”).

The usual gang is back and in their prime form — Hike is back to his full-time dour self; Ricky is a cute kid; Laurie provides the moral center; Pete is a good cop who continually underestimates Andy’s clients; Sam is a wizard with computers in a way that probably defies reality Marcus is his super-hero best here, and possibly faces his biggest challenge yet (I thoroughly enjoyed this scene). What better way to spend a holiday (or at least a book set around one) than with a bunch of friends like these have become over the years?

Andy spent more time in the courtroom in this book than he has lately — it seemed to me, anyway, I didn’t do a page count. His courtroom antics and cross-examinations are what drew me to the character in the first place, so this is the stuff in these books I most look forward to. Rosenfelt brought his A-game to the courtroom events here, and I loved it. As far as mysteries go, this in one of the most satisfying cases that Rosenfelt has brought us in years.

In my post about the previous “holiday special” I said that I really don’t like it when long-running series do a holiday special — yet, The Twelve Dogs of Christmas and Deck the Hounds have been my favorite installments in the last couple of years in this series. Maybe that means this Grinch’s heart is growing a couple of sizes, or maybe it’s that Rosenfelt is inspired to work harder in these. My guess? It’s the clients — the Andy Carpenter books are at their best when they focus on the client, not on some large conspiracy. These holiday books have the kind of clients you spend time on, that the reader gets invested in — and therefore, Andy gets to shine in defending them.

Whatever the reason, this is a sure-fire win for Andy Carpenter fans. Particularly if you don’t mind a little Christmas celebration (or, if you’re like Laurie, and insist on commemorating the holiday for months).

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Just One Damned Thing After Another by Jodi Taylor: A Delightfully Charming and Fun Time-Travel Epic Kicks Off

 Just One Damned Thing After Another Just One Damned Thing After Another

by Jodi Taylor
Series: The Chronicles of St. Mary’s, #1

Paperback, 480 pg.
Night Shade Books, 2016
Read: July 30, 2018

Thinking carefully is something that happens to other people.

I lost my notes to this book, which is annoying me greatly. So I’m going to be a bit more vague than I want to be.

I could tell from the first couple of pages that I was going to have a great time with this book — our narrator is Dr. Madeline “Max” Maxwell, a specialist in ancient history. She is charming, engaging, brash, and funny. She’s a few more things, too, but let’s leave it there. Essentially, she’s a delight — it almost doesn’t matter what setting you put her in, what story you tell with her — I’m in.

Thankfully, Taylor puts her in a crazy novel, one perfectly suited for her. When we meet her, Max is being recruited by a former mentor to join St Mary’s Institute of Historical Research, a very strange research facility. These historians get their hands dirty in their research in the ways that no other facility on Earth can manage — they have time machines to take them to whatever point in time they’re studying so they can see ad experience history first-hand.

Sounds great, doesn’t it? But things go awry — in spectacularly bad fashion. But, for these Historians, where there’s tea, there’s hope. Using wit, sheer determination, and a little luck Max and her new colleagues will have to find a way to meet these new and dangerous challenges.

There’s a lot more action and fighting than you’d think given that the book is about Historians and the Technicians who work with them. There’s a lot of humor, some pathos, a little love — and a little more sex than I’d prefer (thankfully most of it happens “off screen,” but not all of it). The plot is impossible to summarize well — it bounces around from point to point like a ball in a pinball machine. This is not a complaint, this is a description. Months will go by in a paragraph (or less) and then things will slow down for the events of a day or two. These are Time Travelers, after all, they can squeeze a lot of activity into a short period of time.

There are some other great characters here, too. Max has wonderful, loyal and capable allies (who happen to be interesting to read about); she has fantastic antagonists — the kind of characters you can relish your annoyance/anger/moral superiority over; her friends are interesting, he love interest is about as fun as you could ask for, and is charming enough in his own right.

I wish I’d had the time to write this up when the book was fresher in my mind — or if I’d not lost my notes. This book deserved a bit more from me. Basically, this book — between characters, circumstances, plot and tone is what I’d hoped for from the Tuesday Next books. I have no idea if Taylor can keep up the freshness of the voice, the zaniness of the plot, and the engaging quality of the characters (particularly Max) — it’ll be tough to do. But I’m looking forward to finding out. I had a blast reading this one, and can’t imagine that Taylor’s charm wouldn’t win over at least 87% of those who give this a try.

—–

4 Stars

Without Rules by Andrew Field: A dark tale where many means are justified


Without RulesWithout Rules

by Andrew Field

Kindle Edition, 215 pg.
Boomstang, 2018

Read: October 9 – 11, 2018


Last week, in the many tributes to Elmore Leonard that I saw floating around on what would’ve been his birthday, I came across this quotation: “I don’t judge in my books. I don’t have to have the antagonist get shot or the protagonist win. It’s just how it comes out. I’m just telling a story.” Which seemed awfully appropriate as I was in the closing chapters of Without Rules at the time. I’m not suggesting that there’s anything Leonard-esque to Field’s novel*, but they definitely were working from the same ethos.

This book starts off showing you that it’s about as far as you can get from a cozy — a hit man and his accomplice on the run after a disastrous (yet successful) job take shelter in something between a brothel and a porn studio while waiting for extraction. Their unwilling hostess supplies them with booze, a laundry machine, and some meaningless sex in the meantime. When the opportunity presents, she tries to convince the hitman to rescue both herself and her daughter from their situation — being forced by her father to live and work in this place since she was about her daughter’s age. Naturally, it’s this same father who hired the hitman to take out one of his clients before he could be flipped by the police.

Things get messier from there — no, really. Soon, we’re plunged into a mare’s nest of police cover-ups, police investigations, evidence tampering, evidence planting, blackmail, murder, pedophilia rings, international drug dealers, and real estate fraud. This particular night ends in betrayals, deaths, lives and careers being ruined, missing people and near-death escapes. The book will then lurch ahead a couple of years to witness the chaos and destruction left by that night and how it’s altered, prospered and ruined lives — and attempts will be made by several to rectify that situation. The novel will then jump ahead as the events of part two have left even more trouble and chaos in their wake for the survivors to try to deal with the aftermath.

There’s a fine line between complex and convoluted — this novel doesn’t tip-toe down that line, it dances on it. When it falters, it typically lands on the convoluted side before resuming its jig. There are arguably too many characters running around — and few of them are fully rounded-out. But, largely, I’m okay with that — because the more I get to know just about any of these characters the less I wanted to know them at all. These are ugly people in the midst of ugly businesses.

With one or two climactic exceptions, the action is believable, the evil is all too real — there’s no criminal mastermind stroking his cat while the world burns. Instead we have several depraved individuals scraping to make their fortunes greater — or just to survive. There’s one well-timed Diabolus ex Machina that was hard to swallow that was necessary to set up the book’s conclusion, but otherwise the action stayed within the bounds of credulity.

In a capricious world, it’s odd to find so many characters talking about justice — generally how it’s impossible to find — but just about every one of these characters has a lot to say about it. There is an irony there for the careful reader to appreciate.

Minor spoiler: There’s no happily ever afters here. No redemption arcs. No one wears a white hat. A couple of characters do ride off into the sunset, but not in any real sense of victory or joy. The cynical among us — many would prefer to be called realists — would say that this is an accurate reflection of life. No justice, no just desserts, bad things happen to bad people, those who intend to be heroes become villains, a villain or two will find themselves doing something heroic, and everyone’s out for themselves and a profit. In a very noir world, Andrew Field offers us a very noir novel.


* That’s not a ding on Field, there’s pretty much no one who can write something Leonard-esque. And it’s generally embarrassing when they try.

BOOK SPOTLIGHT: Without Rules by Andrew Field

Today I welcome the Book Tour for the Without Rules by Andrew Field. Along with this spotlight post, I’ll be giving a few thoughts on the novel here in a bit.

Book Details:

Book Title: Burning Secrets by Ruth Sutton
Publisher: Boomslang
Release date: October 5, 2018
Format: Paperback/ebook
Length: 215 pages

Book Blurb:

When a professional hitman turns up at Candy’s World to hide, China Mackie discovers her plan to flee from her abusive father has tragically backfired. A gruesome bloodbath has left four people dead on the streets of a northern city centre on a cold wet Sunday morning. China knows she’s next to die. Unless she is more ruthless than everyone else. She must improvise fast. Seduce her father’s assassin. Plead her case so he helps her escape in a fight to the death where rules don’t matter but the consequences do.

About Andrew Field:

Ruth SuttonAndrew Field has spent most of his working life as a PR and marketing consultant helping raise the profiles of others. Now the roles are reversed as he steps into the spotlight as the author of Without Rules, a crime thriller about vulnerable people forced to do bad things to escape evil people. “Authors, by the nature of what they do, are relatively introverted. They work in isolation. Inhabit imaginary worlds of their own creation. They can spend ages staring at a computer screen bringing their characters to life. Then they have to become a different person to promote their work and market themselves. Writing is the easy part compared to the marketing, especially when crime fiction has become a very crowded marketplace.”

“From my point of view, professional PR people operate best from behind the scenes. They should never become the story otherwise you’re deflecting attention away from the messages you’re trying to communicate,” says Andrew. “The New Labour experiment, for example, was doomed the minute Tony Blair’s media guru Alistair Campbell generated his own headlines. Bragged about ‘spin’. Believed his own hype. Ditto Anthony “The Mooch” Scaramucci’s 10-day tenure as the shortest-serving White House communications director in history – and his “off the record” expletive-ridden rant about his colleagues in Donald Trump’s White House.”

As a PR, Andrew memorably handled Boddingtons Bitter during its “Cream of Manchester” heyday, developing innovative sports and cultural media partnerships with newspapers and TV stations for the beer brand – but also PR’d a fashion entrepreneur who was a convicted armed bank robber and a property developer who did eighteen months prison time for blackmail. “Having a diverse range of clients keeps it interesting. They are all different but the core requirement is to be seen as a believable and trusted information source ready to take advantage of PR opportunities as and when they arise. As a novelist, you look to do exactly the same with your work and yourself.”

“The catalyst for Without Rules was a friend testifying against her father in an abuse case. Although the prosecution was successful, she can never really escape the consequences of what happened to her. She has to find a way of coping for the rest of her life while he was sentenced to two and half years.”

Andrew says crime fiction has a duty to try and educate and as well as entertain. “The memorable books are the ones you’re still thinking about 48-hours after you finished reading.”

Andrew lives, works and plays in Manchester, England, Europe, with his partner, Catherine. He has been a trade journalist in Southampton in his youth. He owned a PR agency in the nineties and early noughties and is now an independent PR, marketing and publishing consultant looking forward to the challenge of becoming the story with the publication of Without Rules.

Andrew Field’s Social Media:

Twitter ~ Facebook ~ Website ~ Instagram

Purchase Links for Without Rules:

Andrew Field’s online bookstore ~ Amazon UK ~ Amazon US


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

A Few Thoughts on Changes (Audiobook) by Jim Butcher, James Marsters

Changes (Audiobook)Changes

by Jim Butcher, James Marsters (Narrator)
Series: The Dresden Files, #12

Unabridged Audiobook, 15 hrs., 28 mins.
Penguin Audio, 2010
Read: October 4 – October 10, 2018

Spoilers to follow. This isn’t one of my typical posts, so my typical rules don’t apply.

After starting a few months back, I’ve pretty much stopped posting about listening to the Dresden Files audiobooks — there are only so many ways to say, “I’d forgotten how much I like this story” and “Wow! James Marsters did a fantastic job!” Not only does it get dull to read, it gets pretty dull to write. (okay, there is a challenge on finding a new way to say it, but . . . I’m too lazy to find that enticing).

But I listened to Changes this week and how can I not talk about that?This is one of my favorite novels ever — Top 10, Deserted Island Must-Have kind of thing — highs, lows (and things lower than lows), laughs, tears, anger, shock, joy. Changes has it all (at least for those who’ve been with Harry for a few books — preferably 11).

Listening to the book was a great way for me to experience it again — if for no other reason, I couldn’t race through it and accidentally skim over things in my haste to get to X or Y plot point.

It’s silly as I’ve read everything that comes after this a couple of times, but seeing all the compromises and deals Harry made as his life is dismantled piece by piece really hit me hard. Yet, Harry makes his choices freely and for the best reason imaginable. All for Maggie. The ramifications of his choices and agreements are wide, huge and so-far we don’t know all of them — and Harry’d do it all again, and there’s not a fan in the world that would blame him.

And Marsters? He gets better and better with every book — and this was fantastic. I loved where Mouse got to “talk” — it was the next best thing to reading it for the first time. And, when he got to those lines? You know the ones I’m talking about:

And I . . .I used the knife.

I saved a child.

I won a war.

God forgive me.

I had to hit pause for a couple of minutes before I could keep going.

Sometimes as a book blogger, you get wrapped up in numbers, ratings, book tours, promotion, and all the other stuff — but every now and then it’s great to remember what it is about fiction that gets you into it in the first place. This treat by Butcher and Marsters did just that for me — I was entertained, I was moved, I was a little inspired.

—–

5 Stars5 Stars

Blood Feud by Mike Lupica: Sunny Randall’s Back in this Promising Reintroduction

Blood FuedRobert B. Parker’s Blood Feud

by Mike Lupica
Series: Sunny Randall, #7
eARC, 352 pg.
G. P. Putnam’s Sons, 2018
Read: October 5 – 9, 2018

I have a complicated relationship with Sunny Randall. Readers of this site have been frequently exposed to my love for Robert B. Parker’s Spenser and Jesse Stone novels, both by Parker and the continuations by Ace Atkins and Reed Farrel Coleman (let’s overlook Michael Brandman’s contributions for the moment). I enjoyed his stand-alone works, and I thought the first couple of Virgil Cole & Everett Hitch books were fun (I haven’t tried the Robert Knott continuations). Which leaves us with Sunny.

Sunny Randall, the story goes, was written to be adapted into a film series for Parker’s chum, Helen Hunt (incidentally, I’ve never been able to envision Helen Hunt in a single Sunny scene, but that’s just me). She’s a private investigator; a former cop; part-time painter (art, not house); emotionally entangled with her ex-husband, but can’t live with him; lives in Boston; and enjoys good food. But she’s totally not a female Spenser — she doesn’t like baseball, see? I’ve read all the books — some multiple times — and while I enjoyed them, I’ve never clicked with Sunny the way I have with others. Including every other Parker protagonist. Most of her novels are mashups and remixes of various Spenser novels, entertaining to see things in a different light — but that’s about it. Frankly, the most I ever liked Sunny was in the three Jesse Stone novels late in Parker’s run (but both characters are better off without each other).

So when it was announced that Mike Lupica would be taking up the reins of this series I was intrigued but not incredibly enthused. I only know Lupica from having bought a few of his books for my sons when they were younger. I didn’t get around to reading any of them, so he’s really a new author for me. And sure, I was a little worried about a YA/MG author taking the reins of a “grown-up” series. But not much — if you can write a novel, you can write a novel, it’s just adjusting your voice and language to be appropriate for the audience.

Enough blather — let’s talk about Blood Feud. Since we saw her last, Sunny has had to move, Richie (her ex-) has gotten another divorce (giving them the chance to date or whatever you want to call it) and has replaced her late dog, Rosie, with another Rosie. Other than that, things are basically where they were after the end of Spare Change 11 years ago (for us, anyway, I’m not sure how long for her, but less time has passed you can bet).

By the way — does anyone other than Robert B. Parker, Spenser and Sunny really do this? Your dog dies, so you go and get another one of the same breed and call him/her the same name? Is this really a thing?

Then one night — Richie is shot. It’s not fatal, but was done in such a way that no one doubts for a moment that it could have been had the assailant wanted it to be. For those who don’t know (or don’t remember), Richie is the son of an Irish mob boss, although he has nothing to do with the family business. He’s given a message for his father — his shooter is coming for him, but wants him to suffer first. This kicks off a race for the shooter — Sunny, the Burke family and the police (led by Sgt. Frank Belson) are vying to be the one to find the shooter.

Before long, the violence spreads to other people the Burkes employ — both property and persons are targeted by this stranger. It’s clear that whoever is doing this has a grudge going back years. So Sunny dives into the Burke family history as much as she can, so she can get an answer before her ex-father-in-law is killed. Not just the family history — but the family’s present, too. As much as the roots of the violence are in the past, Sunny’s convinced what the Burkes are up to now is just as important to the shooter.

Richie’s father, Desmond, isn’t happy about Sunny sticking her nose into things. Not just because of the crimes she might uncover — but he really wants to leave the past in the past. But as long as someone might come take another shot at Richie, Sunny won’t stop. This brings her into contact with several criminal figures in Boston (like Parker-verse constants Tony Marcus and Vinnie Morris) as well as some we’ve only met in Sunny books.

There are a couple of new characters in these pages, but most of them we’ve met before — Lupica is re-establishing this universe and doesn’t have time to bring in many outsiders, but really just reminds us who the players are. Other than the new Rosie, I can’t point at a character and say “that’s different.” He’s done a pretty good job of stepping into Parker’s shoes. Not the pre-Catskill Eagle Parker like Atkins, but the Parker of Sunny Randall books, which is what it should feel like (I wouldn’t have objected to a Coleman-esque true to the character, just told in a different way). I think some of the jokes were overused (her Sox-apathy, for one), but it wasn’t too bad. Lupica did make some interesting choices, particularly toward the end, which should set up some interesting situations for future installments.

The mystery was decent enough, and fit both the situations and the characters — I spent a lot of the novel far ahead of Sunny (but it’s easier on this side of the page). I enjoyed the book — it’s not the best thing I’ve read this year, but it’s a good entry novel for Lupica in this series, a good reintroduction for the characters/world, and an entertaining read in general. If you’re new to this series, this would be as good a place to hop on as it was for Lupica.

I want better for Parker’s creation (but I think I’d have said that for most of Parker’s run with the series), and Lupica’s set things up in a way that we could get that in the near-future. He’s demonstrated that he has a good handle on the character he inherited, the question is, what can he do with her from here? I was ambivalent about this series coming back, but I can honestly say that I’m eager to see what happens to it next.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post — thanks to both for this.

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3.5 Stars

Lies Sleeping by Ben Aaronovitch: Things get Intense in the Ongoing Conflict between The Faceless Man and The Folly.

Lies SleepingLies Sleeping

by Ben Aaronovitch
Series: The Rivers of London, #7

eARC, 304 pg.
Daw Books, 2018
Read: October 3 – 5, 2018

I’ve got to say, I’d much rather be talking about this book in detail with someone else who had read the series than talking about it in spoiler-free form, so much of what I feel strongest about with this book cannot be discussed. Aaronovitch has outdone himself this time — it’s the best book of the series thus far, and that’s no mean feat.

It’s easy — far too easy — when thinking about this series to think of the lighter aspects — the humor, the heart, Peter’s growing pains, the snark, the pop culture references, and whatnot. That’s typically where my mind goes, anyway. But time after time, when picking up the latest novel, or even rereading one, I’m struck by how carefully written, how detailed everything is, how layered the text is — and I feel bad for underestimating Aaronovitch. Not that I have anything against breezy, jokey prose — but there are differences. Nor am I saying these books are drudgery — at all — the stories are fun, the voice is strong, and the narration will make you grin (at the very least, probably laugh a few times, too). In Lies Sleeping part of that care, part of the thoroughness of this novel is how there is a tie — character, event, call-back, allusion — to every novel, novella, comic arc involved in the Rivers of London up to this point — if you haven’t read everything, it won’t detract from your understanding of the novel — but if you have read them all, if you catch the references — it makes it just that much richer.

So what is this novel about? Well, after years of chasing The Faceless Man (and The Faceless Man II), Peter Grant (now a Detective Constable) and Nightengale have his identity, have several leads to follow to track him down — or at least his supporters and accessories (willingly or not). Better yet — the Metropolitan Police Force have given them the manpower they need to truly track him down and interfere with his funding and activities.

During this operation, Peter, Guleed and Nightengale become convinced that Martin Chorley (and, of course, former PC Lesley May) are preparing for something major. They’re not sure what it is, but the kind of magic involved suggests that the results would be calamitous. How do you prepare for that? How do you counter the unexpected, but dangerous? There are two paths you follow: thorough, careful, borderline-tedious policework; and bold, creative, innovative thinking. The two of those employed together lead to some great results — and if Peter Grant isn’t the embodiment of both, he’s . . . okay, he’s not perfect at the former, but he can pretend frequently (and has colleagues who can pick up the slack).

Not only do we get time with all our old friends and foes — we meet some new characters — including a River unlike anyone that Father or Mama Thames as yet introduced to. Mr. Punch is more involved in this story than he has been since Midnight Riot, but in a way we haven’t seen before. Most of the character things I want to talk about fit under the “spoiler” category, so I’ll just say that I enjoyed and/or loved the character development and growth demonstrated in every returning character.

There’s more action/combat kind of scenes in this book than we’re used to. I couldn’t be happier — Peter’s grown enough in his abilities and control to not need Nightengale to bail him out of everything. Nightengale and Peter working together in a fast-paced battle scene is something I’ve been waiting to read for 7 years. It was worth the wait.

As I said before, Lies Sleeping is the best and most ambitious of the series — the richness of the writing, the audacity of the action, the widening scope of the novel, the Phineas and Ferb reference, the epic battle scenes, the growth in Peter, Bev, and Guleed (and maybe even Lesley), the ending rivals Broken Homes‘ — all add up to a fantastic read. Yeah, I’m a fanboy when it comes to this series, and Lies Sleeping made me a happy fanboy. I have no idea how Aaronovitch moves on from this point with these books, but I cannot wait to find out.

—–

5 Stars
Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post — thanks to both for this.

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