Category: Fiction Page 213 of 346

Bearded by Jeremy Billups: A Charming Picture Book about a Bearded Bear

Bearded

by Jeremy Billups
Hardcover, 34 pg.
Billups Creative, LLC, 2015
Read: September 5, 2018
Picture books about bears are everywhere — I have a hard time believing many kids get out of the picture book stage without exposure to at least 4 of them (and that’s before they’re at the Pooh or Paddington stage). But how many of those bears have been bearded?

Enter Jeremy Billups and his little book.

This is the story of a little red-haired girl (no, not that one) traveling the world with her bearded bear, having all sorts of adventures and meeting a bunch of different animals. There really isn’t a lesson, moral or much of a plot — just a bunch of quick looks at the pair. A few quick lines and a picture on each pair of pages.

The art is simple and arresting. They just pop off the page — this is one of those times I wish I had the necessary vocabulary to describe why I like the drawings, but I don’t. I bought a print of what turns out to be page 16 before I even picked up the book to flip through. I’ve bought a handful of prints this year, and it’s my absolute favorite — I like it even more now that I’ve read the book. Also, if you ever see a better picture of someone making buffalo wings, I’ll eat my hat.

Oh, and the endorsements on the back cover are a lot of fun. If that doesn’t convince you to try it out, I can’t imagine what will.

Great art, cute story, fun rhymes — everything you want in a picture book. Even better — animals with beards are the best animals that aren’t dogs. This is a charming little book that’s sure to please.

—–

4 Stars

Twisted Magics by J.C. Jackson: A Great Spin on Contemporary Fantasy Kicks Off a Promising Series

Twisted MagicsTwisted Magics

by J.C. Jackson
Series: Terra Chronicles, #1

Paperback, 220 pg.
Shadow Phoenix Publishing LLC, 2016

Read: August 30 – 31, 2018


I had a brief conversation a couple of weeks ago with J.C. Jackson and she described the book as “Science Fantasy” and told us a little about the series. Something about fantasy characters but with modern technology, but phrased better. Not really getting what she said, I asked why not just call it Urban Fantasy, and she gave a decent answer — basically that she didn’t have enough vampires or werewolves in the books so readers told her she couldn’t. I was a chapter or two in to the book when I figured out what she was saying.

In your mainstream Urban Fantasy, you have fantasy creatures — wizards, druids, werewolves, fae — popping up in our world. On the other end of the spectrum (or an other end, anyway) you have things like the Eddie LaCrosse novels or the Dragon Precinct books that have modern ideas (police squads, private investigators) used in a fantasy series. Jackson takes a different tack — it’s a typical fantasy novel in that there’s a lot of magic, elves, halflings, Dark Elves, living next to humans — very standard kind of thing, but their technology matches ours (actually, it’s slightly more advanced). I loved this approach and there’s a good chance that I’d have had nice things to say about the book just because of this idea.

I do have more reasons to say nice things, though.

Ketayl is an Elven mage who works as a a CSI-like lab tech for the Terran Intelligence Organization (a FBI-like organization). Her strength is in finding ways to use devices to do forensic investigation of magical elements of particular crimes. She’s not the most socially adept of people, clearly more secure in her lab and with clearly drawn rules governing her interaction with others.

Then there’s an explosion in the Elven Territories, seemingly magical in origin — definitely devastating. The TIO director sends Ketayl, along with the rural tracker, Retanei; and Artemis, Retanei’s wolf companion to investigate. Along with the local TIO team — which does their best to bring these agents into their community — they dive into finding those responsible. It’s a kind of magic that doesn’t play by the rules that Ketayl is used to, and powerful enough to make her nervous.

While they look for what could have caused this destruction, we learn more about the world, the magic system and Ketayl. I still have a few questions about all of those and I think some of them should’ve been addressed in the first book — but I never felt lost in this world as I waited for the details to be given. This is a pretty decent thriller when you strip away the fantastic elements, or a pretty decent fantasy tale if you take out the criminal investigation elements. Keep them combined and the whole thing is stronger.

Eventually, the TIO hires a consultant from the Paladins — their kind of music is very different from Ketayl’s. The Paladins are also very prejudiced toward other magic users, and other species. Thankfully, the Paladin sent to help the team (Silver) is pretty open-minded and doesn’t get driven right into a religious conflict (which doesn’t preclude other kinds of conflict). Silver joining the team — primarily partnering with Ketayl — brings her out of her shell a bit.

Ketayl frequently reminded me of Tilly Bradshaw, the analyst from M. W. Craven’s The Puppet Show (one of those books that I somehow haven’t had time to blog about, but you should read, if only for the Ketayl-like character). She’s a complex character that I look forward to learning more about. The rest of the characters — with Silver pretty much being the exception — aren’t as developed as you might like, but you get enough of to satisfy just about every itch you might have.

There were a few too many typos for me, and the misspellings/unfortunate slips like homonym confusion. It wasn’t horrible, but it was bad enough to stick with me.

The novel does a good job of introducing us to the characters and world while telling a compelling story. Jackson’s particular spin on merging fantasy and a 10-minutes-into-the-future world is refreshingly original. I liked the characters, the world and everything — I’ve already gone out and purchased the sequel and am trying to find time on the schedule to get it read.

—–

3.5 Stars

✔ Read a book written by an author from the state where you grew up.

The Burglar by Thomas Perry: A Thief Hunts for a Killer in this Original Thriller

The BurglarThe Burglar

by Thomas Perry

eARC, 304 pg.
Mysterious Press, 2019

Read: August 25 – 28, 2018


Elle Stowell is a thief — a burglar to be precise. She’s careful, methodical, careful — she doesn’t use weapons, she focuses on cash and things that are easy to sell. You really can’t call anyone in her profession “risk averse,” but she’s as close to it as you could possibly be.

She’s a cute, petite blonde working in some of the most exclusive neighborhoods in LA. Her appearance gets her over-looked by those who ought to find her suspicious and her size and athletic ability help her get into places that she shouldn’t be. She makes enough to finance her lifestyle — and a little more. But primarily, she lives this way for the thrill.

All that changes one day when she breaks into a home and finds three bodies in the bedroom, clearly the victims of a shooting. She also notices that a video camera in the room which probably caught the murder — it definitely caught her. So she steals the camera from the scene and runs. She verifies that, yes, it shows the murder and a little bit of what led up to it. After making a few copies — and removing her self from the footage — she returns the camera for the police to use the footage.

Soon after this, she begins to hear of three people looking for her at some of her usual haunts. She’s told that they seem like cops, but she’s not sure. Cops or not, she wants nothing to do with them. Once bodies start showing up — bodies that are related to her in some way — she knows that she has to find the murderers or she’ll never be able to stop looking over her shoulder.

I don’t really think that I got to the point that I liked Elle — she’s a criminal, not one driven to it or forced to steal or anything. She made a choice at some point to steal and has stuck with it. She’s not particularly flamboyant about it — like Jim DiGriz or Nicholas Fox or anything. Her approach is clinical, serious, no-nonsense. So there’s none of the typical fictional trappings that make you like a thief character.

However, it wasn’t that far into the book when I realized that I was really invested in what’s going on with her — how is she going to escape the ramifications of what she’s seen? Is she being paranoid, or is there someone actually after her? Will she be able to bring them to justice without incriminating herself? How did they figure how who she was? Why were the original murders committed? Why isn’t anything happening with that video she left the police?

There are other characters — a couple that you get to spend some good time with, too. But this book is all about Elle. Like I said, I don’t think I ever liked Elle, but I appreciated her as a character. The other characters that are around for more than a few paragraphs are just interesting enough to justify their presence. Some bring out some interesting sides of Elle’s character or past. Others help us understand just what kind of mess she’s fallen into.

This is my third Thomas Perry book in the last year, and I was far more invested in the events of this than I was in either of the others — he kept reeling me in page by page. The pacing of this is great — just like Elle herself, Perry knows when to slow down and let you catch your breath and then when to dash off and leave you hanging on by your fingertips.Perry’s been at this for a while and it shows — he knows how to write a thriller.

Unlike many crime novels (including the other Perry novels), you don’t get to know anything about the murderers until the ending — you have an idea about them before the ending, but it’s not until the closing chapters that you actually learn anything. I loved that, I was just as much in the dark as Elle was. Perry didn’t get into the killer’s mindset or motivation at all. They were just out there, threatening Elle until she’s put the pieces together.

This was a fun read. It was gripping, it was unique, it was complex — and come to think of it, the motive for the killing and the crimes surrounding the murder aren’t like anything I remember in Crime Fiction. That alone makes it worth your while. Perry really delivered the goods with this one, and I encourage you to give it a shot.

—–

3.5 Stars

Disclaimer: I received this eARC from Grove Atlantic via NetGalley in exchange for this post — thanks to both for this.

The Cleansweep Counterstrike by Chuck Waldron: An entertaining thriller follow-up that almost lives up to its predecessor.

The Cleansweep CounterstrikeThe Cleansweep Counterstrike

by Chuck Waldron
Series: Matt Tremain Technothriller, #2

eARC, 312 pg.
Bublish, 2018

Read: August 7, 2018


Let me preface all this by saying that I enjoyed The Cleansweep Counterstrike, I thought it was a fun return to the characters of the first book. I had some problems with it — that weren’t so bad that they kept me from enjoying this book, but they diminished my appreciation. I do talk about them below, and to adequately express them takes some space — so much so that it dominates my post. This isn’t because I didn’t like the book — it’s just that I wanted to be sure I explained my thinking. So I’m stressing at the outset — I recommend this book, I liked it and I think that other readers will, too.

Ahab had his whale, Coyote has his Road Runner and Charles Claussen has Matt Tremain (and the others that helped him out in The Cleansweep Conspiracy). Claussen lost a lot — not just in terms of influence of money, either — when Tremain’s investigations helped bring his Cleansweep project down. Now on the run from his former bank-rollers and trying to keep under the radar of law enforcement, Claussen risks everything to get his revenge.

Tremain and his friends have moved on in their lives and careers — but you get the impression that they haven’t stopped looking over their shoulder for something to come at them for their role in Cleansweeps failure — not just Claussen, either. He may have been the front man, but no one thinks that he’s the only one that might bear a grudge.

After he gets his revenge, Claussen does plan on trying to get some mercy from his benefactors — and maybe see if he can demonstrate that Cleansweep can work in another country. But first things first.

I am so glad that Waldron took this approach to things — I went in apprehensive that this would be Conspiracy Redux — somehow the people behind Claussen were trying it in a new city/country (or worse, they were trying again in Toronoto under a different name) and that Tremain and company had taken it upon themselves to head off to the new location to do the same thing they’d done at home. I just wasn’t ready for the tortured logic that would make it possible. Instead, it’s all about the fallout from Conspiracy — good and bad for all involved, and all parties trying to go on with their lives, obsessions, and whatnot. Everyone except Claussen, that is. He’s still stuck in the moment, making him the proverbial fly in the ointment for everyone.

Like in Conspiracy, there’s some issues with time — how much time went by before Claussen starts his efforts at revenge, how long before Tremain and Carling go hunting for Claussen, for example — there’s a couple other spoiler-y items that I’m confused on the timing about, too. Yes, Waldron gives plenty of clues about the time, but some of them are pretty vague and some of them come so late into the game that by the time he says anything about it, it’s too late and the reader is already a bit muddled on details. That could just be me, but I don’t think so. On the flip side, there’s some things in Tremain’s personal life that move so quickly (I think) that they’re hard to believe. The key there is to not fight it, not insist that everything’s crystal clear — and the book will sweep you up in the hunt and you’ll stop caring. And, when it comes to the things that are important — he doesn’t miss a step. It’s only in the setup, the subplots, the background, etc. that things get muddled.

Once Claussen starts to move in and really gets the four worried about what he’s up to and what might happen to them, the book comes together and all the little quibbles vanish. There’s danger afoot, hazards everywhere and they all will have to be ready to adapt to any strange circumstance if they’re going to get out of this alive and intact.

We spent plenty of time with Claussen in Conspiracy — and we get even more here. Early on, almost every line of dialogue, every thought of his that’s recorded is as diabolically evil as it could be — which made it so hard to swallow. But after a while, that goes away. And you can almost reach the point where you want to see Claussen escape a little longer so that when he does come for Tremain, the whole thing will be a tinge more exciting.

My main problem with this novel is that we don’t get nearly enough time with Tremain and his allies — so much of that part of the story feels rushed and under-cooked. I’d like more time with Carling, Remy and Susan. Yes, Tremain is the focus — and should be — but we get almost nothing about the other three when they’re not playing backup to Tremain. Carling is the most neglected (which I don’t think will be a problem in the next book), keeping him the one I want to learn most about — Tremain’s Russian hacker benefactor would be a close second.

Angela Vaughn, Claussen’s former security chief, was one of the highlights of Conspiracy for me — and she has a great moment or two here. But sadly, just a moment or two. I’m glad that Waldron brought her back for this book, I just wish he’d done more with her.

The criminals and mercenaries that Claussen surrounds himself with and/or is surrounded with (it’s a fine, but important, distinction you can learn about yourself) aren’t as compelling. Those that are competent vacillate between almost too capable to believe and have they ever done anything more complicated than hold up a liquor store?

Conspiracy felt plausible, maybe some of it was a stretch, but it still struck me as something not too far-fetched, and the stakes felt real. On the whole, Counterstrike is probably closer to plausible, but the stakes didn’t — maybe because it felt so unlikely that someone like Claussen could be so focused on his revenge — so short-sighted about the dangers inherent in pursuing it (from the government, his backers, other enemies he’s made). But it’s that Ahab-like focus that drives the novel, so you have to accept it. Once you do — the rest is easy to buy into.

Once again, this novel is close to be a great thriller, but it misses by an inch or two on many fronts — some are minor quibbles, some are more than that — but you get enough of those and it’s hard to be enthusiastic about the book as you could’ve been. Maybe I’m wrong, but it feels like this is a draft or two away from being at that point (would a Toronto police detective call the FBI “the Feds”?). For every thing that I grumbled about above (or put in my notes and didn’t bring up because I was starting to feel like I was being negative), Waldron nails 3-4 other things. The story is there, I simply don’t think that Waldron told it as effectively as he could’ve.

I don’t want this post to come across as negative, I’m just underwhelmed. I enjoyed it — I don’t think it’s as good as Conspiracy, but it’s a worthwhile continuation, and should make the reader keen to get their hands on Book 3. Given where Waldron leaves things, it has the makings of a pretty strong installment.

Disclaimer: This book was provided to me by the author in exchange for my honest thoughts.

—–

3 Stars

A Few More Quick Questions With…Chuck Waldron

Here’s Part 2 of the Book Tour stop for The Cleansweep Counterstrike — a follow-up to the Q & A from last time.

Could you tell us a little about your “path to publication”? What got you into writing and what did you do to take it from an aspiration to a reality?
It started innocently enough when I joined a class on writing short stories. Years of professional writing was transformed into story-telling. Fifty-five short stories later I went back to my first short story, wondering if I could turn it into a novel. Now, working on novel number six, the journey continues. I’m a proud indie author and haven’t looked back.
Back when we talked about The CleanSweep Conspiracy, you said, “I like Matt Tremain, the protagonist in The CleanSweep Conspiracy. He just might hang around for another story.” Of all the various things you could’ve done with Matt — what was it about the premise for Counterstrike that made you say, “That’s the one”?
Matt’s story wasn’t finished. He still had his evil nemesis lurking, waiting to do Matt harm. I decided to follow Charles Claussen after his escape and weave his story of revenge with Matt’s desire to be left in peace. Matt, realizing that “peace” wasn’t going to happen as long as Claussen was in the picture, had to act. That’s when I knew, “that’s the one.”
thing they did in the prior book, or conversely, something they said in a “throwaway line” in the first b
For me, it was trying to walk a tightrope. How could I create a stand-alone book in the sequel and yet have it be part of a continuing story? I already knew my main characters and how they acted, but how to keep their voices fresh. Stieg Larsson did it brilliantly in his series, setting a high standard.
We seemed to spend plenty of time with Charles Claussen in this volume (not that we didn’t in the preceding one), seeing things from his point of view — what’s the hardest part of writing him?
For me, creating villains has always meant digging into some dark corners of my imagination. In just about every way Claussen represents my polar opposite. I chose to create a composite of evil people I know. The hardest part writing him was to give his character something likable.
I’ve often heard that writers (or artists in general) will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
I wrote a quirky fantasy Remington and the Mysterious Fedora. From all the words, a reader chose a paragraph that had some mild sexual context. She said, “I can’t believe this book. It’s not about a hat or a typewriter. It’s about sex.” It’s my only one-star review. I don’t see that as a demand bid to change my writing.
Is there a book 3 in the works, or is this the end of the road (at least for those that survive)?
This hint is the sample chapter of book three at the end of The Cleansweep Counterstrike. There’s still enough conspiracy theories to go around.
Thanks for your time, and I hope The Cleansweep Counterstrike is met with plenty of success!
Thanks for having me, and your good wishes.

Finding Felix by Jo Platt: A Charming Rom Com that brought a smile to my face

Finding FelixFinding Felix

by Jo Platt

Kindle Edition, 258 pg.
Canelo, 2018
Read: August 28 – 29, 2018

‘Head buried in the sand,’ she said. ‘Typical Dot.’

I frowned but didn’t feel able to challenge the statement. I knew she had a point. My tendency to refuse to confront personal challenges and consider their consequences until my nose was pressed up against them was undeniable. In my defence, it was an approach that on the whole seemed to work reasonably well. It cut down considerably on the amount of time spent worrying and stressing about things, and, nine times out of ten, a last-minute fix was just as good as a lengthy, considered and, in my opinion, tortured approach.

However, like it or not, I had to admit that this was not one of those times. This was definitely the one in ten.

This is all thanks to Ian Patrick — if he hadn’t tweeted about this book on Saturday, I wouldn’t have heard about — much less read — Jo Platt’s book (or Jo Platt, come to think of it). The term “romcom” just didn’t seem like the kind of thing I should see coming from him. So I clicked the link, read about the blurb and decided to give it a whirl. There seemed very little chance that anyone would find a dead body, kill anyone or have to defend their lives — which seemed like a good change of pace.

I’m glad I took the shot on this — as you can see from the above, Dot Riley doesn’t think things through too often. And it probably seemed like a good idea to assure her dying grandmother (Nanny Flo) that, no, she’s not single; there’s no reason to worry about her at this time — in fact, she’s dating that old friend from childhood that the whole family loved so much. But faster than you can say Norah Ephron, Nanny Flo makes a miraculous recovery — and she credits the news about Felix for saving her life. Before she realizes it, months have slipped away and it’s time for Dot’s sister’s wedding. Which, naturally, her boyfriend will be attending with her.

Dot has a couple of choices here: come up with a lame excuse for Felix’s absence; telling her family the truth, which let’s be honest, would possibly kill Nanny Flo; or . . . she could track down the man she hasn’t seen since they left for university and get him to go along with the story. Because of the genre, it’s easy to guess which she’ll go for.

She tracks him down and he agrees to go to the wedding with her. You halfway expect them to hit it off immediately, or at least think about it — but Felix doesn’t seem that interested in anything about Dot as a person; and Dot is so thrown by the ridiculousness of her request and how Felix changed (as people do) in the decade or so since she’s seen him that she isn’t really that capable of getting past any of that.

You can pretty much plot out the rest of the book for yourself — but that doesn’t mean that Platt doesn’t have a curveball or two to throw at the reader. And even the parts you do see coming are handled with such aplomb, wit and charm that you’re not sitting there rolling your eyes and saying “yeah, knew that was going to happen.” Rather, you grin and admire how she did it.

The key, obviously, to all this are the characters, in particular, Dot. Platt gives us a great group of characters — whether around for a few paragraphs or for the entire book. Dot’s a mess of a character. But in a good way — she’s tardy, she’s impulsive, she’s frequently unintentionally thoughtless, and she has an uncanny ability to ruin any encouragement she tries to give anyone by poor word choice. But she’s got a big heart and great taste in friends. Thankfully, she’s got a good sister and an equally good best friend/business partner who can keep her from mucking everything up too badly.

Felix is . . . Felix is a good character, too. I don’t think I can say much more without spoiling some of the work Platt did in revealing him. So we’ll move on to . . . Dot’s mother? She tries really, really, really hard not to meddle in her daughter’s lives. Well, she thinks she does, anyway. She loves them, and wants the best for them — and will do everything she can to make sure that her daughter’s do what they need to do get their lives to work out for the best (whether or not that’s what her daughters actually want).

Dot’s father is a hidden gem — possibly the most valuable player here. He’s funny, he’s put-upon, he’s the voice of reason (and humor) working to prevent her mother’s emotional excesses from steamrolling their daughters and their daughter’s significant others.

The relationships that Dot has with her sister and partner — and their husbands — are just great. I’d have easily enjoyed another 80-100 pages of filler conversations between any of them and Dot just to enjoy their interactions. They are cozy, fun, and honest in the way you only can be with those closest to you.

This was silly, it was earnest, it was sweet, it was fun — I laughed out loud a couple of times, and even when I didn’t do that, I appreciated the humor. If you’re willing to buy into the conceit and genre (and I know some of you who wouldn’t be), I can assure you — you’ll have a good time.

Oh, yeah, and there are no killings, attempted killings or lesser crimes committed at all. It’s good to remember that you don’t need any of that to get a good story.

—–

3.5 Stars

Hostile Takeover by Cristelle Comby: Death’s PI is on the Case in this Strong and Original UF Debut

Hostile TakeoverHostile Takeover

by Cristelle Comby
Series: Vale Investigation, #1

Kindle Edition, 355 pg.
2018
Read: August 23 – 24, 2018

On the one hand, I’m annoyed that something about Bellamy Vale, our P. I. protagonist, is revealed in the book blurb for Hostile Takeover. On the other hand, I don’t know how I could’ve written much without slipping myself (but I appreciated the reveal when I got to it, having forgotten everything I read about the book before starting it). Bell works for Lady McDeath, the daughter of Hades. We’re not given many details of the arrangement (which I honestly enjoy — something I’ll get back to in a minute), but it involves her saying “Jump” and him leaping.

Being her emissary on Earth comes with some real benefits — namely, he survives things, events, situations that he shouldn’t. Which is a real plus for a P. I. who annoys mobsters and supernatural beings on a regular basis.

In this particular case, Lady McDeath wants Bell to investigate a couple of deaths that have been officially attributed to a wolf, but it takes Bell a few seconds to realize weren’t caused by anything from this world. The detective in charge of the investigation (naturally) isn’t wild about P. I.s in general, but has a special kind of distaste for Bell. This makes anything Bell does near the scenes, bodies, or anything else a sticky situation. Stickier yet, things that could do what was done to those bodies aren’t supposed to be in our world. While dying is off the table for Bell, he’s not impervious to pain or injury, and the state of those bodies suggests that there’s a lot of pain and injury waiting for anyone who gets between the creature and his/her/its next victim.

To help him along the way, Bell calls upon a hacker friend, Zian, who is not entirely human; a nosy, ambitious, and fierce reporter; a police detective that he’s in an on-again/off-again relationship with (currently, it’s an off); and a few other local contacts/friends who are aware that not everything is as mundane as most people think it is. Overall, this was an entertaining cast of characters — I think we need a little more to the police detective that can’t stand Bell, because right now, he’s too one-dimensional. But otherwise, this is a good group to start a series with, there’s not one of them I don’t want to see again.

Bell himself is pretty much your typical P. I. character — a loner with a tragic past, dedicated to the work he does, willing to take risks for himself (particularly since he knows no mistake is fatal) — but not willing to put others in the line of fire, he has a hero complex for sure. He’s got a decent sense of humor, a good moral code, and a loyal strike obvious to everyone. The added abilities that come from his supernatural patron are pretty neat and I don’t think I’ve seen much like it before.

You can tell that Comby has worked out a lot of behind the scenes stuff she hasn’t shared with us — exactly what drove Bell to make a deal with Lady McDeath (we get hints, and they aren’t pleasant), what he had to do in order to seal the deal, exactly what deities are active in the world (or what pantheons are), what’s the source of the rules governing interaction between the worlds, etc. Comby had to feel a lot of pressure to spill those beans and she resisted — giving us just enough to ground ourselves in this world, but not boring the reader by drowning him in world-building (also giving her time and room to work out some details to make later books easier to pull off). Recently, I’ve complained about fantasy novels withholding too much world-building so that it’s too confusing for the reader to understand what they’re reading. Comby avoided both extremes and therefore succeeded in giving us a world that intrigues, and makes you want to know more about, without feeling utterly stranded.

I had a quibble or two with the book, nothing major. I do think that the motivation for the Big Bad was too sketchy, and the reveal of their identity was tipped far too soon. Bell was just handed a lot of information without having to pound the pavement too much, which isn’t something that really commends a P. I. to me. But only guessing the identity of the Big Bad far too early bugged me while I was reading it — it’s only when I stopped to reflect on the book as a whole that the rest occurred to me. In the moment, the momentum of the storytelling and the strong voice kept me going. Also, I liked the characters enough that I was (and am) more than willing to overlook a few hiccups.

This is a solidly built and solidly entertaining entry to this series — there’s a lot she can do with Bell and the others (depending which others come along), and it’s a world that would be easy to drop new/different deities/monsters/creatures into. The characters are well-developed and the kind that you want to spend more time with so you can see them develop more — I could just watch Zian (and his dad) talk to Bell for a bit and have a good ol’ time, too. I’m definitely interested in more from this series, and I bet most UF readers who give this a chance will be waiting for book two with me.

Disclaimer: I received a copy of this novel in exchange for my honest opinion, the only impact that transaction had on my opinion was providing me something upon which to opine.

—–

3.5 Stars

BOOK BLITZ: Shadow Games by Jim Lester

 photo Shadow Games_zpsutlxortm.jpg

Coming of Age
Date Published: June 2018
 photo add-to-goodreads-button_zpsc7b3c634.png
Danny McCall loves basketball more than anything in the world. So why would he risk his basketball scholarship, the love of his life and his entire future to fix the point spread in a series of college basketball games?
Set in the early 1990s, Shadow Games is an exciting page-turner, filled with fast-paced hoops action. A topical novel for readers of all ages, the book is a powerful portrayal of the loss of youthful innocence.


About the Author

 photo Shadow Games Author Jim Lester_zps3ykf5nop.jpeg

Jim Lester is the author of three successful young adult novels: Fallout, The Great Pretender and Till the Rivers All Run Dry. He has a Ph.d in history and is the author of a non-fiction book entitled Hoop Crazy: College Basketball in the 1950s.
Contact Links
Purchase Link

 

 

 

 

RABT Book Tours & PR

Flashback Friday: The Summer that Melted Everything by Tiffany McDaniel: The Devil Goes Down to Ohio?

Long, tiring, but good week. But there’s just nothing left in the tank for something new, so I’m going to repost about couple of books from the past that I loved. I’m pretty sure that it was McDaniel’s prompting that got me to join NetGalley so (was a few more months before I really started using it).

The Summer that Melted EverythingThe Summer that Melted Everything

by Tiffany McDaniel
eARC, 320 pg.
St. Martin’s Press, 2016
Read: July 18 – 19, 2016

The greatest trick the Devil ever pulled was convincing the world he didn’t exist.

Yeah, Keyser Söze’s paraphrase of C. S. Lewis’ appropriation of Charles Baudelaire isn’t part of this book, but it might just encapsulate it. Maybe.

It’s the summer of 1984 in Breathed, OH, and it’s hot. Really hot — and about to get a lot hotter. 1984 is a big year — HIV is identified as the virus that leads to AIDS, Apple releases the Macintosh, Michael Jackson’s Pepsi commercial shoot, and the following advertisement runs in the local newspaper, The Breathian:

Dear Mr. Devil, Sir Satan, Lord Lucifer, and all other crosses you bear,

I cordially invite you to Breathed, Ohio. Land of hills and hay bales, of sinners and forgivers.

May you come in peace.

With great faith,
Autopsy Bliss

Autopsy Bliss is the local prosecutor, who wants to see for himself what evil looks like. Hence the advertisement.

So who shows up in response? A bruised, short black boy dressed in tattered and torn overalls who simply seems to want some ice cream and to say hi to the man who invited him. Autopsy’s son, Fielding, is the first one in town to meet the boy and takes him home to his father (sadly, no ice cream is available in town — unbelievably — for the remainder of the Summer). The Bliss family ends up taking the lad in, and starts calling him Sal. He and Fielding become fast friends and are almost inseparable for the rest of the summer. One by one, almost everyone in this sleepy community is touched by the appearance of Sal — either first-hand or by proxy — demons (figurative), troubled family and personal histories are exposed, latent corruptions come to light, and accidents strike many. No one in Breathed will be the same after the day Sal first appears to Fielding.

The book is narrated by Fielding about 70 years after that summer looking back on the time, thinking of all the regrets he’s had since then and all the ways his time with Sal has overshadowed the ensuing decades. It honestly reminded me of A Prayer for Owen Meany because of this — little kid who talks oddly, is smarter than any of his (apparent) peers, and divides a community, while leaving an indelible mark on his closest friend (who’s not always a friend).

Almost every name (maybe every name, and I’m not clever enough to get it all) is rich in meaning and symbolism — there’s symbolism all over the place, but McDaniel gets her money’s worth with the names in particular. This book will reward close readings, and probably repeated readings as well.

There are so many depictions and descriptions of child abuse and spousal abuse that it’s almost impossible to believe that there households in that world where someone isn’t getting hit on a pretty regular basis. Thankfully, we’re spared watching characters going through it (the vast majority of the time), but there are many mentions of it.

This is not fun read, really, but I loved the whole experience, it is a rewarding read. McDaniel writes with such richness, such depth, there are phrases throughout this that will knock you out. There’s one sentence that I went back to at least a half-a-dozen times one evening — not because I needed to try to suss it out, but because I just liked it so much. The variety of ways she can describe the horrible and debilitating heat wave that struck that part of Ohio those months is pretty astounding — I’m just glad I had some sort of air conditioning most of the time I spent reading the book. Sal’s descriptions of Hell and his fellow prisoners there are full of haunting images that will stick with me for a while (some good haunting, some less-so). I’m troubled by some of what this book said about God, but since the Devil is the one who told about God, I’m not sure we’re supposed to trust his characterizations. On the other hand, just about everything that the book says about the devil seems to be spot-on.

There are no easy answers to be found here — is Sal the devil? Is someone else in town? Is there a devil at all? Are the naturalistic explanations offered here and there throughout enough? I just don’t think you can think about this book without dealing with the Baudelaire/Lewis/Söze thought.

Can’t help but wonder how things would’ve gone if he’d just gotten a little ice cream.

Disclaimer:I received this eARC via NetGalley at the author’s invitation in return for this post. My thanks to NetGalley, St. Martin’s Press, and Tiffany McDaniel for this.

N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

Flashback Friday – Thank You, Goodnight by Andy Abramowitz: A book about a one-hit wonder by an author who I hope has a few more in him.

Long, tiring, but good week. But there’s just nothing left in the tank for something new, so I’m going to repost about couple of books from the past that I loved.

Thank You, GoodnightThank You, Goodnight”

by Andy Abramowitz
Hardcover, 338 pg.
Touchstone, 2015
Read: June 30 – July 3, 2015

In most instances, space between people grows like mold, neglected just long enough to be noticed. You intended to wipe it clean, but the more of it there is, the more daunting a task it becomes to erase it. Not so with me and the band. I’d discontinued those people as if they were a premium cable channel that I’d finally realized was broadcasting nothing I wanted to watch.

From passages like that, a nice mix of thoughtful, sentimental, with a bit of a grin; to the out-and-out funny, like the funniest suicide attempt I’ve read in a long time, possibly ever (something worthy Save Steve Holland’s Lane Myer, but longer); this book covers the spectrum. Not only covers it, but does so with assurance and panache. It’s one of those first novels that makes you wonder what could possibly be done as a follow up.

Teddy Tremble is a successful enough lawyer for someone who’s heart isn’t really in it, while still being good at it. He’s sort of coasting through life — being good enough at his job, good enough with his girlfriend of forever, good enough for his social circle, but not good enough for his father (but after meeting him, you understand that’s just a given). He’s forty-ish and realizes that life is going to pretty much stay this way. On the whole, he seems okay with that — but in the back of his mind he knows he’s not. He won an Academy Award. His band was huge for a little while in the 1990’s, before his hubris ruined things. Sure, things are good enough now, but once upon a time they were great.

Then through a truly humbling and bewildering set of circumstances, Teddy comes across a group of huge Tremble fans. Seriously, die-hard doesn’t begin to describe these people. Think something akin to the kind of people that organized the first Star Trek convention back when it wasn’t a cultural phenomenon, just a short-lived and then canceled show. This changes everything. The adulation, the attention, the satisfaction of performing gets under his skin and he starts writing music for the first time in a long time.

Pretty soon, he’s (forgive the cliché) trying to get the band back together — his agent and producer are on board, convinced that what he’s written exceeds his former quality. Incidentally, both of these characters are the kind that we readers hope to come across — supporting characters that threaten to steal the entire novel, but when used properly just make the whole thing better.

Anyway, with these two on board — Teddy just has to convince the rest of the band to give it a shot, to trust him. Maybe even to forgive him for what he did to them so long ago. Then he has to convince music fans to take them seriously. Neither of these tasks is going to be easy. Both are practically impossible, really.

The book starts out as pretty entertaining, definitely amusing. But it doesn’t stop there — it gets better, deeper, emotionally richer all the while. By the time I got to (and through) Chapter 20, I tweeted that, “Not sure I need to read another word (am going to), but that was as close to perfect as it gets.” I’m still thinking about it a month later.

At various places through the novel, Teddy observes: “One day I’ll die, and this will be one of the things I did with my time.” I’m not sure if I’ve ever seen one sentence used so many different ways with so many different meanings depending on the context. Sometimes he’s says it wryly, sometimes caustically, sometimes wistfully, sometimes with pride. It’s one of those writerly things that when you see it in action, you wonder why more people don’t try it.

Each of these characters — the agent, the producer, the bandmates, their (sometimes very odd) families, Teddy’s girlfriend, associates in the law firm, and others — are well-drawn. Occasionally familiar, without being stock characters or cliché, each character ends up being strong enough that you want to spend at least a little more time with them. But Abramowtitz is too capable of steward of his resources and gives us just enough to leave us wanting more.

I’ve seen a lot of comparisons of Thank You to Hornby’s High Fidelity and Tropper’s This is Where I Leave You. I don’t get that. Maybe it’s just because these people haven’t read anything else by these authors — they should be comparing this to Hornby’s Juliet, Naked and Tropper’s One Last Thing Before I Go (to be fair, I have seen a little of this comparison, but no one else that I’ve seen has tagged Juliet). These three cover some of the same territory, and Abramowitz comes out looking really good in that company. Don’t get me wrong, I really liked Juliet, I know I liked it more than most people I know. But I don’t think it was as good as it wanted to be or as it thought it was. Thank You seems to do the things that Juliet was wanting to do but didn’t get done. I’m not necessarily saying it’s a better book (I might lean that way), but this is more successful in the areas they overlap. Similarly, while I wouldn’t say that One Last Thing is a bad book, it can’t hold a candle to this one. I’m not trying to make this a competition, but for this first-time novelist to get things better than old pros like Hornby and Tropper says so much about him.

One day I’ll die, and reading this will be one of the things I did with my time. I’m so glad it was.

—–

4 1/2 Stars

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