Category: Fiction Page 23 of 317

REPOSTING JUST CUZ: Harvested by Troy Lambert: A Man Bites Dog P.I. Novel

I flipped a coin late last night and it came up “stop writing and get some sleep.” It was frustrating that I got to that point, it’s even more so that I had to walk away from a post that was coming along pretty nicely. Hopefully I can finish it tonight, so you can read it tomorrow. In the meantime, here’s a look back at the first Max Boucher book in lieu of something about the second.


HarvestedHarvested

by Troy Lambert

DETAILS:
Series: Max Boucher Mysteries, #1
Publisher: Unbound Media
Publication Date: March 15, 2019
Format: Paperback
Length: 247 pg.
Read Date: January 2-3, 2023
Support Independent Bookstores - Visit IndieBound.org

What’s Harvested About?

Max Boucher is a P.I. in Seattle. Like a good (fictional) P.I., he spends a lot of time drinking. He spends most of the rest of his time working just to make ends meet. He really wants to devote his time to looking for whoever murdered his daughter, killed his dog, and either kidnapped or murdered his wife. He—and his former colleagues in the Seattle PD—have followed every lead they have, but he’d spend all of his life going back over the evidence time and time again if he could.

Now, he’s taken on a case—he takes on every case that comes his way—that takes him back to his old neighborhood. The dog park that he and his family used to go to, in fact. There’s a rash of dognappings in the area, and owners have come together to hire him to find their canine friends. The police can/will only do so much, but Max can devote more time to it.

It doesn’t take long for things to get hairy—there’s a connection to a Korean mob boss. Some of the dogs start reappearing—with strange injuries. And it turns out that this has been happening all over Seattle for some time. Max isn’t sure what he’s gotten himself into, but it’s about a lot more than missing poodles.

Supporting Characters

Obviously, you’ve got to have a compelling P.I. in a book like this—and a good hook for the story. That’s what the reader comes for, and the writer had better deliver. A plausible villain, is important, too—but the others can overcome an iffy one. But what will really make a P.I. novel work is the supporting characters—the cop buddies/frenemies/rival (depending on the series), the client, the witnesses, and so on.

Lambert nails this throughout the book. I like Boucher and want to see more of him, but I enjoyed some of the side characters more than him. There’s a friendly and helpful veterinarian who could probably carry a cozy mystery series on her own—and I would buy six of those tomorrow if they existed.

There’s a guy who details Max’s car (he’s got an older car that’s his pride and joy)—which is something definitely called upon when your case involves carrying injured dogs (and injured detectives) around. If Eddie shows up for a scene or two in every book in the series, you can color me pleased. I’m not even sure why—I also don’t care much, I just liked him.

I’m not going to say I enjoyed the Korean mob boss* in the same way I did those two. But the scenes with him are some of the most intense in the novel.

* Ahem. Suspected boss, of a mob that may not even exist.

I could go on for a few more—I don’t remember exactly my point when I started this section, other than to rave about Dr. Gamble and Eddie. But I guess that I just want to stress that Lambert gives us more than a solid P.I. He knows how to give the reader characters to invest in and care about—even if only for a page or two.

Beware of (Hurt) Dogs

* (yeah, that’s a lame section title—but it’s better than “It’s a Dog Eat Dog Book” with the implied cannibalism)

I know I have readers who will be antsy about this book—we’re talking about kidnapped and injured dogs here (there’s a reason I have a recurring post about books about dogs who live). And for those who cannot take violence toward animals, this is a book to avoid.

I will say, however, almost all of the violence happens “off-screen”—you see very little of it on the page. And what you see on the page isn’t that bad (up until the climactic bit at the end, but the violence there is spread amongst characters with two and four legs (and the two-legged ones get the worst of it).

The point of this book is Boucher investigating the kidnappings, stopping them by getting to the bottom of things and rescuing as many dogs as he can. So if you’re on the fence, you can hold on to that.

So, what did I think about Harvested?

This was a good read. Lambert delivered in every way I wanted a book like this to—solid plot, unique case, great character work, and a pace that keeps you turning the pages long past the time you should put the book down for sleep or chores. I’d recommend this just for the (relative) novelty of a Seattle P.I.—mid-sized US cities need to be the setting of more P.I. novels. The book delivers on everything it promises and gives you an open (and welcome) invitation to come back for another. I know I’m accepting that invitation.

Oh—minor spoiler—by the end, one of the kidnapped dogs can’t be matched with an owner and ends up staying with Max. So you know I have to come back, just for more of him.

I’d have come back anyway—I want to see how Max moves on from this point in general. I’m quite curious about the clues he discovered regarding his wife’s case, too. I’m assuming (and really don’t want to know the truth until I’m into the next book) that book 2 will advance the investigation into his wife’s kidnapping while Max and his new partner dive into another stand-alone case—and we’ll continue that way for a while. That sounds like a great time to me. Grab this one—the second book is out now, you might as well grab it, too. You’ll have fun.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Literary Locals logo

PUB DAY REPOST: Strong Like You by T. L. Simpson: Love And Hate On The Edge Of A Knife

Strong Like YouStrong Like You

by T. L. Simpson

DETAILS:
Publisher: Flux
Publication Date: March 12, 2024
Format: eARC
Length: 224
Read Date: March 1, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Strong Like You About?

Walker Lauderdale is a high school sophomore and a starter for his small Arkansas high school’s football team. He and his cousin/best friend/might as well be brother Sawyer are fierce players for the defense (and we see that almost instantly). This should be the best time in his young life—but there’s something wrong.

His dad has been missing for a month. He’s not there to watch his first game. He’s not there to burst with pride, to offer advice, or to cheer from the stands. He’s just…gone. Walker’s dad and Sawyer’s dad (also best friends and teammates on the same high school team before marrying sisters) took off one night and haven’t returned. The two boys are certain they’ll be back any time—they’re frequently checking the bleachers to see their fathers up there.

The book is an extended monologue—or a series of them. Technically, an apostrophe, but let’s stick with monologue. Walker is addressing his father—catching him up on the turmoil and victories he’s missing, the hurt Walker feels because of his absence, and how he’s trying to make things work until his dad comes back. The grief, loss, and anger jump off the page.

Walker’s dad isn’t a great one, either, it should be stressed. Rarely employed, his income is largely illegal and irregular. Both missing fathers are abusive to their wives and sons. But in the way that we all can recognize, the boys are just that much more devoted to them because of it—making their dads proud is a chief aim of theirs.

Walker becomes determined to go look for his dad—which involves starting with the man his dad and uncle were last seen with—a truly frightening and violent man. Sawyer tries to dissuade him, but that just makes Walker even more certain that he needs to act.

But does he truly want to find the answers he’s seeking?

Learning About Guns

Walker—like so many people in the U.S.—appreciates guns. He’s quick to grab a pellet gun to (try to) chase away his uncle. But his cousin Sawyer? Sawyer is a nut for guns, he has magazines about them all over his room. At some point, Sawyer comes across a pistol (and somehow gets money for many bullets for it—or at least acquires them). There’s a big difference between a pellet gun and a Colt 1911, and it doesn’t take long for Walker to start learning about them.

Not what you learn in video games/TV, not what Sawyer’s survival mags teach, or anything like that. But about the reality of them—how they can invite violence, how holding one affects you, what destruction they can bring even without trying. There’s no pro-/anti- gun message at work here. No lessons or sermons were delivered. But the reality of what a gun can do to a person, a situation, or an attitude is presented in stark reality. I’d say it’s easily one of the best things about this book, but if I started listing the best things about this book, we’d be here for a long time.

Anger

Walker and Sawyer are angry young men—it’s simmering right below the surface, and comes out at inopportune times. Although, it does sometimes come out when it should*—and we see an example of that in the opening minutes of their first game of the year.

* Arguably, anyway. Their coach and teammates would say it’s appropriate.

There are plenty of reasons for them to be so angry—even before their fathers abandoned them. The more time you spend with them—Walker in particular—you see just how many reasons he has. It’s part of what his parents have passed down to him, part of the example they’ve set and the environment he’s been raised in.

The guy his father and uncle runs with, Lukas Fisher, has another kind of anger inside him—and he doesn’t hesitate to express it—where Walker’s parents shape him by their anger, Lukas “trains” his pit bull with his.* While we can see a little constructive use of anger, we can see some people who are angry due to circumstance and situations—but Lukas? He seems to revel in it, maybe even feeds on anger.

* This is off-point, but Simpson’s description of the dog’s barking was both wonderfully accurate and a bit of a tension breaker.

But back to Walker, it’s his anger that lands him in weekly sessions with the school counselor before the book begins. This counselor is one of the few who seem to look beyond Walker’s attitude, his anger, his disinterest in education, and his abilities on the football field. It’s unclear how Walker will respond to him—or even if he can respond to this man appropriately. But it’s a rare example of how his anger just might put him in the right place.

The Meaning of Manhood/Strength

Walker’s primary concern at the beginning of the book is to be strong—strong, as the title says, like his dad. For him, strength equals control. Control over your life, your circumstances, your choices—it’s also tied into how to fix things. How to make things better.

Yes, it absolutely is about physical strength first and foremost, but it’s about more than that, too. For a character presented as not that intelligent (Walker would say worse than that about himself), he’s really perceptive. He’s spent more time than many—probably even he—realizes thinking about the nature of strength.

Ultimately, this is what being a man is for Walker (and Sawyer, too)—maybe even Hank and Rufus, too. Walker sees Hank as strong—physically, emotionally, and mentally. This is what he aspires to—for himself, for his mother, and possibly even for Hank. If Walker gets to be strong enough—on and off the football field—he can make Hank and his mom proud. He can make their lives better, fixing those things that need fixing (that his father never gets around to fixing, despite Walker’s deep-seated conviction that he could and will).

Over the course of this book, this understanding of what manhood means and what strength means are seen in light of that anger mentioned above. One of the bigger questions of the novel surrounds Walker and Sawyer—as they navigate toward adulthood/maturity, what will win out? Strength or anger? What kind of men will they be?

The Love Story

Okay…after a few attempts, I realize that I cannot say anything about this without a spoiler. All I will say is that it’s perfectly conceived, perfectly executed, and just what this book needed it to be.

So, what did I think about Strong Like You?

I have several more things I wanted to talk about—but this is too long, and almost two days behind schedule (it’s at least 6 hours after I normally post something). What’s worse, every time I start writing “just one more thing,” I think of two more. So I’m bringing this in for a landing, and I may bounce around a little bit here.

I do not even like football—why do I keep reading books featuring it? Okay, I live in the USA and it’s pretty hard to escape, that’s a large part of it, but still… There’s a large part of me that doesn’t care as long as it’s a book like this one. And sure, he’s talking about a different game entirely, but Walker would agree with Dani Rojas—”Football is life!” He thinks in football terms and metaphors, he can’t explain to someone why he loves football—he can’t even understand why that person doesn’t like football, it’s like telling him that they don’t like to breathe. Most of the time, Simpson doesn’t have Walker or Sawyer tell us this, they just live this. The way he does this alone tells me that Simpson is someone to watch (or, I suppose, he thinks the same way as Walker does and it’s coming out organically—but I don’t think so)

I really should spend a lot of time talking about Walker’s guidance counselor and the arc of their relationship, there’s so much about Simpson’s work here that should be commended. There’s also this strange little tangent featuring a recent graduate of Walker’s high school and his little sisters that tells us more about Walker than anything except his attitude toward football—who he really is, not who he thinks he needs to be.

You don’t have to read very far before you know a couple of things—1. despite his conviction—or at least the conviction he voices—things are not going to go the way he anticipates, and that rough times are ahead for Walker; and 2. you are not going to want to put this book down until you reach the last page. I glanced at the first couple of pages to make sure it downloaded correctly and had to walk away from my Kindle, because I had multiple other deadlines and I knew if I didn’t do that, I’d finish the book before I did anything else. I can’t describe it, but there’s something about Walker’s voice, the way he’s talking to that father that isn’t there that just grabs you.

I’m not entirely satisfied with the way the novel ended. I liked the resolution to the various stories, let me be clear. But I feel like I could see Simpson’s not-so-Invisible Hand working to get some of the resolutions to work out the way they did. I like the way the storylines ended up, so I’m not going to complain too much. And since it was only in the closing pages that I thought about maybe criticizing something in the book, Simpson earned a little authorial heavy-handedness.

This is a real winner—Strong Like You shares so much DNA with Eli Cranor’s Don’t Know Tough (but is not a copy in any way) and even hearkens back to Early Autumn by Robert B. Parker. And anytime a book can make me compare it favorably with those two knockouts, I’m going to put it down as pure joy.

If you’re someone who gets hung up on the YA tag, push “Pause” on that for 224 pages. This is a book that deserves a fair shake and many, many readers—Simpson’s debut is as strong as Walker hopes to be.

Disclaimer: I received a copy of this book from North Star Editions via NetGalley—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Below the Falls by Ross McMeekin: A Mixed-Bag Worth the Effort

Below the FallsBelow the Falls

by Ross McMeekin

DETAILS: 
Publisher: Thirty West Publishing House
Publication Date: March 22, 2024
Format: eARC
Length: 190 pg.
Read Date: March 1-9, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Below the Falls About?

This is a diverse collection of 25 short stories (some very short, some not). I’m struggling to say more than that about it.

The title comes from the first story, but it applies pretty well to the collection as a whole. Some more directly than others. Each story does deal with the effects of a fall–metaphorically, naturally (with an exception or two). Sometimes the protagonist is the one who fell (or is falling), sometimes they’re next to or observing the fall, maybe dealing the the consequences of it.*

* I fought hard against the impulse to say “dealing with the fallout” there.

The Publisher’s description puts it this way:

Two climbers in the North Cascades risk their friendship and lives ascending a frozen waterfall. The girlfriend of a famous comedian in Greenwich Village must decide whether she wants to raise a child in the spotlight of fame. A mysterious Bird of Paradise makes daily overtures to an elderly widow in the frigid Midwest. A Texas fracking mogul struggles to find the love his money prevents. The deeply rendered American landscapes of these stories emerge as a vital background for characters faced with conflicts that cannot be easily resolved, illuminating interior worlds filled with contradiction.

I might have picked other stories for the blurb, but then again, those are probably some of the easiest to summarize in a sentence.

So, what did I think about Below the Falls?

Like most short story collections, this is a mixed bag. And your results are going to vary (perhaps wildly) from mine. Which sounds like I’m trying to weasel out of giving a firm opinion, but it isn’t.

There’s a meme that I see everywhere (except for now when I’m looking for it) that says something about running across a sentence that makes you close your book for a while to sit and think about it. Nearly every story in this collection has one or two of those sentences, or at least sentences that I had to read a couple of times just to appreciate them.

Too often, those sentences were all I had to commend a particular story, however. My notes are filled with comments like, “why?”, “a plot would’ve been helpful here”*, or “what was the point?”

* Yes, yes, yes–they’re not always needed for compelling reading. But they are sometimes.

However…the other stories more than made up for that. For example, an early story was described aboVe as “A mysterious Bird of Paradise makes daily overtures to an elderly widow in the frigid Midwest” story (“Small Firey Bloom”). It was haunting, beautiful, and is probably what kept me going after a rough start.

I’m not going to list the others that were as good–without getting into too much detail, it’d be hard to describe my reactions in a meaningful way. But more importantly, anyone who reads this collection is going to end up disagreeing with me about which ones I was knocked out by and which ones I found skippable or pointless.

So, I’ll just leave it with this–there’s a lot of dross in this collection. But there’s also some of the shiniest gold you’re going to find, too. You’ll have to do some sifting, some panning, and maybe even some chiseling to get it–but you’ll be so glad you did.

Disclaimer: I received this eARC from the author and Lori Hettler of The Next Best Book Club in exchange for this post and my honest take—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Rift in the Soul by Faith Hunter: Everything Changes

Sorry this is so late in the day…it’s been, well, a day. But now it’s time to wrap up this Tour Stop for Hunter’s Rift in the Soul.


Rift in the Soul Schedule Banner

Rift in the SoulRift in the Soul

by Faith Hunter

DETAILS:
Series: Soulwood, #6
Publisher: Ace Books
Publication Date: March 5, 2024
Format: eARC
Length: 382 pg.
Read Date: February 26-29, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Rift in the Soul About?

As is so often the case with books in this series, there’s a lot going on–issues with Nell and her powers, Nell and her sisters/pets/family, and some sort of supernatural-based crime for starters. So this isn’t going to be exhaustive (I hopefully never am, but I felt like I should say that here).

Nell is summoned to appear before Ming of Glass, the vampire Master of the City. They’ve had an interesting relationship in the past, and from the moment the two encounter each other in these pages you know things are going to be much more so. Because this book happens after the events of Final Heir and Ming and her vampires aren’t quite like they were last time Nell crossed paths with them.

There’s a body on Ming’s land that she wants Nell to take away and investigate. Her people aren’t responsible for the death–and none of them understand it. As it’s on Ming’s property, it’s a PsyLED problem.

Before PsyLED can do anything about it, Nell catches the attention of vampires that aren’t associated with Ming. And…I don’t know what else to say about that beyond, drama, violence, and other tense nouns ensue.

Oh, and in the middle of all this, Nell has to prepare for Christmas with her expanding family and a wedding. Because even for a PsyLED Special Agent, there’s more to life than just ancient vampires on the hunt.

The Jane Yellowrock Ripples

I may spill a bit more from the end of the Yellowrock books than people who haven’t finished might like. If that’s you, read this next paragraph and then skip to the next heading, okay?

As I’ve said frequently when it comes to this series–if you haven’t read the Jane Yellowrock books that it spun off from, you’re going to be okay. You have all the information you need in the Soulwood books. However, if you have read both, you’re going to get a lot more from the series.

Boy howdy, is that true here. Yes, it seemed like almost everything got resolved and wrapped up in a pretty little bow at the end of the Yellowrock series. Buuuut…there were enough things dangling to make it seem realistic and maybe allow for short stories from those characters and so on–or, for Soulwood to pick them up and do something with them.

For example–is everything peachy keen in the vampire world now? Is everyone getting along? (I think we know the answer to that) What does it mean for vampires to have their souls back? That’s a bigger question than this book can really answer, but we get a peek into the answers.

There are some other things, too–but you should find those out for yourself.

I found this aspect of the novel very satisfying and it scratched an itch I didn’t realize I had. We don’t see Jane or hear from her directly. But we get to hear a vague update on her and a couple of familiar names pop up to help out here.

The Vampire Tree/The Green Knight/Soulwood

Every time we readers–or Nell–seem to think we all have reached some solid conclusions about Nell’s abilities and her land, Hunter comes along, shakes her head at our naiveté, and shows us how little we actually get.

This is all the clearer when it comes to The Vampire Tree and The Green Knight persona. As both seem to be developing and evolving, it’s understandable that we (readers andNell) keep being surprised. It’s also kind of nice that we can’t get complacent. Nell was rocked by some of what she experiences in this book–and, reader, you will be, too. You will almost certainly want more details–like 4+ bonus chapters just about these things (you’ll know them when you see them), and will likely have a couple of dozen questions to ask Nell and/or Hunter.

But wait, there’s more. We get to see the way that Mud and Esther connect to all this–and it is not precisely the same way that Nell does.

Fans are going to sink their teeth and/or claws into this aspect of the book–and might not care that much about the plot in contrast to this. Well, that might be overstating it–but many fans would be content to hit “pause” on the action for a bit to focus on it.

Speaking of things that we readers think we understand…

As one would expect, things (outside of Nell’s personal life) bring us back to God’s Cloud of Glory Church/cult/compound. We end up circling back to events of Blood of the Earth and Curse on the Land in troubling ways. This leads Nell to rethink some of the theories and conclusions she reached back then, and to ask uncomfortable questions.

It’s only when you get a series to this kind of length that it becomes this rewarding to come back and take a second look at things like this (sorry for the vagueness). But in the light of these new circumstances, it’s good that we readers and Nell get that second look. It really pays off.

I wouldn’t mind a little less from this group in the future, but I don’t know if that’s possible given the way this series has been build. (at the same time, I don’t mind seeing them, I’m just worried that it’s becoming a rut)

So, what did I think about Rift in the Soul?

I don’t want to overstate this, but I’m not sure how I could. Nor am I going to explain this. No future Soulwood book is going to be like the ones that came before this one. Yes, yes, yes–the crimes, the monsters, the magic in each is a different kind of problem. But beyond all that, there’s a lot to each of these books that take on similar shapes, and patterns–just in the characters, but outside that, too. That all changes here.

And it’s a good thing–as comfortable as it is to watch the same set of investigators run down leads, do some magic, shift into wereforms/other shifts, and so on. A good, healthy series grows and develops–like, a garden or a forest (golly, why would someone think in botanical terms when it comes to this series?).

Rift in the Soul acts as a pivot point, or maybe a stepping stone between versions of these two (let’s go with a stepping stone, so I don’t have to keep hearing Ross Geller yell “PIVOT!” in the back of my mind). There are some hellos, some goodbyes, some…”huh, that’s new.” (some of which I alluded to above, a lot I haven’t). This novel acts as a cap and a launching pad at the same time for the series.

It’s tough to consider this book without reference to that, honestly, because so much of the warp and woof of the novel is that. But let’s try: you’ve got some solid vampire action, you’ve got strange vampire action, too. Some great action scenes. Good, strong character development. Solid emotional beats that are well-executed and earned. Things might not be the same soon, but for now, this is a good time with your group of friends.

Obviously, I don’t recommend this as a jumping-on point for the series, but it would be okay if you decided to. (but don’t, go back to the beginning). I think you’ll like the time in this world. But for people who’ve been with Nell and her team/work family/blood family since the beginning? You’re going to walk away very pleased.

Oh, one last note before I go: Faith Hunter/Publishers: Mud deserves at least a solo-novella. You’ve got something great here, use it. (unless you wanted to team her up with Jane Yellowrock’s Angie)


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to Psst…Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

EXCERPT from Rift in the Soul by Faith Hunter: Waiting in the MOC’s Foyer

Rift in the Soul Schedule Banner

from Rift in the Soul by Faith Hunter

Waiting in the MOC’s Foyer

Patterns at my feet drew my eye. The foyer had been refloored in white marble. In the center, tiny pieces of gray marble, brass, and glistening steel had been inlaid and formed a pair of blades, the mosaic marble handles crossed. The single-edged blades themselves had been embedded in the floor; they appeared real but were strangely shaped. One blade looked as if an ax had been crossed with a machete and then a dragon had taken a bite out of the unsharp edge. I knew nothing about fighting with blades, but even I could tell the dragon-bitten section was for snagging an opponent’s blade out of their hand. The other blade was similar but without the snagging-dragon-bite, and a longer cutting edge. They were different but they were also clearly a pair of blades intended to be used together. The ends of the blades, where they should have attached to real handles—hilts?—were made of brass or gold and were shaped like dragon snouts, as if the steel was erupting from their mouths. Above and between the crossed blades was a green, faceted square.

“Ingram,” FireWind snapped. There was an edge of “pay attention” in the tone.

“What’s that?” I pointed at the floor.

“Ming’s new crest,” FireWind said, his tone still sharp. “Since she became MOC.”

As if my up-line boss hadn’t just snapped at me, I holstered my weapon and started taking pictures, sending them back to HQ. Aya grunted in approval. I was learning how to read him. I flipped on more lights and took shots of the parlor to the left and the hallways leading off into darkness. According to county records the clan home of the Master of the City was nearly twelve thousand square feet, so I wasn’t getting much of the house, but it was the first time I’d been in a position to film it.

As I worked, Rick explained to me, still a newbie, “It’s customary for the Master of the City, the most powerful Mithran in the territory, to have their crest inlaid in the entry floor of the city’s Council Chambers headquarters, to remind friends and visiting enemies alike who they would have to fight and conquer. Ming is both the MOC and head of the only vampire clan in Knoxville, so her home does double duty.”

Ming had been given MOC status by Jane Yellowrock. I remembered that. When I had taken photos of everything I could without wandering around, I pulled the psy-meter from my pocket and quickly took a reading of Ming’s foyer. The readings were all over the place.

At a warning signal from Rick, I slid the device away.

https://www.penguinrandomhouse.com/ Copyright Faith Hunter

 


Read the rest in Rift in the Soul by Faith Hunter to see what happens from here in this pivotal novel for this universe.

My thanks to Psst…Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

BOOK SPOTLIGHT (and GIVEAWAY): Rift in the Soul by Faith Hunter

Today I’m very pleased to welcome the Book Tour for the sixth novel in the Soulwood series, Rift in the Soul by Faith Hunter. Along with this spotlight post, I have a tantalizing little excerpt from the novel to share and I’ll be giving my take on the novel a little later (there’s some work stuff that’s come up that will push this back a bit). Those links’ll work when the posts go live in an hour or more. If you scroll down to the bottom of this post (or, you know, read it), you’ll find a nifty giveaway.

First, let’s take a look at Rift in the Soul.
Rift in the Soul Schedule Banner

Book Details:

Book Title: Rift in the Soul by Faith Hunter
Publisher: Ace Books
Release date: March 5, 2024
Format: Ebook/Paperback (Audiobook will be released this summer)
Length: 382 pages
ISBN: 9780593335796
Rift in the Soul Cover

About the Book:

Nell Ingram and her team face a dire, supernatural evil in this newest thrilling paranormal procedural in the New York Times bestselling Soulwood series.

Nell Ingram draws her powers from deep in the earth, and uses them to help Psy-LED, the Psychometric Law Enforcement Division, which solves paranormal crimes. When a local vampire calls to report a dead body on her compound, Nell knows she and her team have to be ready for anything.

But the dead body is just the beginning of a mystery that involves supernaturals of all kinds, including some of the most powerful vampires in the country. As Nell gets closer to the truth, she begins to understand that the perpetrator is tracking her too—and that there is something personal about this crime. Something with roots that go almost as deep as those in Soulwood.

Praise for Faith Hunter’s Soulwood Series

“Hunter’s brand of supernatural is equal parts exciting, engaging and entertaining…Filled with high-stakes tension, Hunter’s storytelling is vivid and descriptive with edgy, sharp dialogue laced with humor.”RT Book Reviews

“Nell’s coming into her own as an independent woman…Hunter’s many fans will be delighted with her strong new heroine.”Publishers Weekly

“I love Nell and her PsyLED team and would happily read about their adventures for years.”Vampire Book Club

Purchase Links

Amazon ~ Apple Books ~ Barnes & Noble ~ Books-a-Million ~ Bookshop.org

About the Author:

Faith HunterFaith Hunter, urban fantasy writer, was born in Louisiana and raised all over the south. Hunter fell in love with reading in fifth grade, and best loved SciFi, fantasy, and gothic mystery. She decided to become a writer in high school, when a teacher told her she had talent. Now, she writes full-time, tries to keep house, and is a workaholic with a passion for RV travel, Japanese maples, orchids, white-water kayaking, and writing. She and her husband love to RV to whitewater rivers all over the Southeast.

Author of series: Skinwalker (feat. Jane Yellowrock, urban fantasy), Rogue Mage (Thorn St. Croix, urban fantasy), Junkyard Cats (Shining Smith, dystopian-esque Scifi), and Soulwood (Nell Ingram, paranormal procedural where an escapee from a cult, a solitary woman with deadly magic of her own, is hired to help PsyLED: a paranormal division of Homeland Security; find a missing child. Find out more about the author here: www.FaithHunter.net.

GIVEAWAY:

There’s a tour-wide giveaway open to US residents!

  • 4 Leather Bracelets (One Per Chosen Winner)
  • 5 Hand-Beaded Bookmarks (One for each respective winner)


If the Widget isn’t showing up, just click here: http://www.rafflecopter.com/rafl/display/9751c04284/?

My thanks to Psst…Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

Strong Like You by T. L. Simpson: Love And Hate On The Edge Of A Knife

Strong Like YouStrong Like You

by T. L. Simpson

DETAILS:
Publisher: Flux
Publication Date: March 12, 2024
Format: eARC
Length: 224
Read Date: March 1, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Strong Like You About?

Walker Lauderdale is a high school sophomore and a starter for his small Arkansas high school’s football team. He and his cousin/best friend/might as well be brother Sawyer are fierce players for the defense (and we see that almost instantly). This should be the best time in his young life—but there’s something wrong.

His dad has been missing for a month. He’s not there to watch his first game. He’s not there to burst with pride, to offer advice, or to cheer from the stands. He’s just…gone. Walker’s dad and Sawyer’s dad (also best friends and teammates on the same high school team before marrying sisters) took off one night and haven’t returned. The two boys are certain they’ll be back any time—they’re frequently checking the bleachers to see their fathers up there.

The book is an extended monologue—or a series of them. Technically, an apostrophe, but let’s stick with monologue. Walker is addressing his father—catching him up on the turmoil and victories he’s missing, the hurt Walker feels because of his absence, and how he’s trying to make things work until his dad comes back. The grief, loss, and anger jump off the page.

Walker’s dad isn’t a great one, either, it should be stressed. Rarely employed, his income is largely illegal and irregular. Both missing fathers are abusive to their wives and sons. But in the way that we all can recognize, the boys are just that much more devoted to them because of it—making their dads proud is a chief aim of theirs.

Walker becomes determined to go look for his dad—which involves starting with the man his dad and uncle were last seen with—a truly frightening and violent man. Sawyer tries to dissuade him, but that just makes Walker even more certain that he needs to act.

But does he truly want to find the answers he’s seeking?

Learning About Guns

Walker—like so many people in the U.S.—appreciates guns. He’s quick to grab a pellet gun to (try to) chase away his uncle. But his cousin Sawyer? Sawyer is a nut for guns, he has magazines about them all over his room. At some point, Sawyer comes across a pistol (and somehow gets money for many bullets for it—or at least acquires them). There’s a big difference between a pellet gun and a Colt 1911, and it doesn’t take long for Walker to start learning about them.

Not what you learn in video games/TV, not what Sawyer’s survival mags teach, or anything like that. But about the reality of them—how they can invite violence, how holding one affects you, what destruction they can bring even without trying. There’s no pro-/anti- gun message at work here. No lessons or sermons were delivered. But the reality of what a gun can do to a person, a situation, or an attitude is presented in stark reality. I’d say it’s easily one of the best things about this book, but if I started listing the best things about this book, we’d be here for a long time.

Anger

Walker and Sawyer are angry young men—it’s simmering right below the surface, and comes out at inopportune times. Although, it does sometimes come out when it should*—and we see an example of that in the opening minutes of their first game of the year.

* Arguably, anyway. Their coach and teammates would say it’s appropriate.

There are plenty of reasons for them to be so angry—even before their fathers abandoned them. The more time you spend with them—Walker in particular—you see just how many reasons he has. It’s part of what his parents have passed down to him, part of the example they’ve set and the environment he’s been raised in.

The guy his father and uncle runs with, Lukas Fisher, has another kind of anger inside him—and he doesn’t hesitate to express it—where Walker’s parents shape him by their anger, Lukas “trains” his pit bull with his.* While we can see a little constructive use of anger, we can see some people who are angry due to circumstance and situations—but Lukas? He seems to revel in it, maybe even feeds on anger.

* This is off-point, but Simpson’s description of the dog’s barking was both wonderfully accurate and a bit of a tension breaker.

But back to Walker, it’s his anger that lands him in weekly sessions with the school counselor before the book begins. This counselor is one of the few who seem to look beyond Walker’s attitude, his anger, his disinterest in education, and his abilities on the football field. It’s unclear how Walker will respond to him—or even if he can respond to this man appropriately. But it’s a rare example of how his anger just might put him in the right place.

The Meaning of Manhood/Strength

Walker’s primary concern at the beginning of the book is to be strong—strong, as the title says, like his dad. For him, strength equals control. Control over your life, your circumstances, your choices—it’s also tied into how to fix things. How to make things better.

Yes, it absolutely is about physical strength first and foremost, but it’s about more than that, too. For a character presented as not that intelligent (Walker would say worse than that about himself), he’s really perceptive. He’s spent more time than many—probably even he—realizes thinking about the nature of strength.

Ultimately, this is what being a man is for Walker (and Sawyer, too)—maybe even Hank and Rufus, too. Walker sees Hank as strong—physically, emotionally, and mentally. This is what he aspires to—for himself, for his mother, and possibly even for Hank. If Walker gets to be strong enough—on and off the football field—he can make Hank and his mom proud. He can make their lives better, fixing those things that need fixing (that his father never gets around to fixing, despite Walker’s deep-seated conviction that he could and will).

Over the course of this book, this understanding of what manhood means and what strength means are seen in light of that anger mentioned above. One of the bigger questions of the novel surrounds Walker and Sawyer—as they navigate toward adulthood/maturity, what will win out? Strength or anger? What kind of men will they be?

The Love Story

Okay…after a few attempts, I realize that I cannot say anything about this without a spoiler. All I will say is that it’s perfectly conceived, perfectly executed, and just what this book needed it to be.

So, what did I think about Strong Like You?

I have several more things I wanted to talk about—but this is too long, and almost two days behind schedule (it’s at least 6 hours after I normally post something). What’s worse, every time I start writing “just one more thing,” I think of two more. So I’m bringing this in for a landing, and I may bounce around a little bit here.

I do not even like football—why do I keep reading books featuring it? Okay, I live in the USA and it’s pretty hard to escape, that’s a large part of it, but still… There’s a large part of me that doesn’t care as long as it’s a book like this one. And sure, he’s talking about a different game entirely, but Walker would agree with Dani Rojas—”Football is life!” He thinks in football terms and metaphors, he can’t explain to someone why he loves football—he can’t even understand why that person doesn’t like football, it’s like telling him that they don’t like to breathe. Most of the time, Simpson doesn’t have Walker or Sawyer tell us this, they just live this. The way he does this alone tells me that Simpson is someone to watch (or, I suppose, he thinks the same way as Walker does and it’s coming out organically—but I don’t think so)

I really should spend a lot of time talking about Walker’s guidance counselor and the arc of their relationship, there’s so much about Simpson’s work here that should be commended. There’s also this strange little tangent featuring a recent graduate of Walker’s high school and his little sisters that tells us more about Walker than anything except his attitude toward football—who he really is, not who he thinks he needs to be.

You don’t have to read very far before you know a couple of things—1. despite his conviction—or at least the conviction he voices—things are not going to go the way he anticipates, and that rough times are ahead for Walker; and 2. you are not going to want to put this book down until you reach the last page. I glanced at the first couple of pages to make sure it downloaded correctly and had to walk away from my Kindle, because I had multiple other deadlines and I knew if I didn’t do that, I’d finish the book before I did anything else. I can’t describe it, but there’s something about Walker’s voice, the way he’s talking to that father that isn’t there that just grabs you.

I’m not entirely satisfied with the way the novel ended. I liked the resolution to the various stories, let me be clear. But I feel like I could see Simpson’s not-so-Invisible Hand working to get some of the resolutions to work out the way they did. I like the way the storylines ended up, so I’m not going to complain too much. And since it was only in the closing pages that I thought about maybe criticizing something in the book, Simpson earned a little authorial heavy-handedness.

This is a real winner—Strong Like You shares so much DNA with Eli Cranor’s Don’t Know Tough (but is not a copy in any way) and even hearkens back to Early Autumn by Robert B. Parker. And anytime a book can make me compare it favorably with those two knockouts, I’m going to put it down as pure joy.

If you’re someone who gets hung up on the YA tag, push “Pause” on that for 224 pages. This is a book that deserves a fair shake and many, many readers—Simpson’s debut is as strong as Walker hopes to be.

Disclaimer: I received a copy of this book from North Star Editions via NetGalley—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

A Few Quick Questions With…Ian Robinson

Criminal Justice by Ian Robinson CoverI was very excited this week to see that the good people over at The Good Folks have republished Ian Robinson’s dynamite debut, with a new title and with out a nom de plume. You can go read what I said about Criminal Justice‘s first incarnation back in 2018, here. I wanted to do something to celebrate this release and hopefully draw some eyes to Robinson’s work, so we hastily set up this Q&A. It’s a little different than my usual M.O. (it’s been years since I read the book for one thing, so I couldn’t ask a lot of specifics). I like the results, hopefully you do, too.

But first…what is Criminal Justice? (you should check out the publisher’s site for details on getting a copy)

The first book in a totally gripping hard-boiled crime fiction series 

Undercover detective Sam Batford is through with police budget cuts and ineffectual superiors. But has he gone rogue? 

He is sent to work with a serious crime team in London to take down a big drugs boss. Their chief, DCI Klara Winter, doesn’t appreciate Batford’s presence. The feeling is entirely reciprocal. 

Batford has his eyes on the money, except when they are drawn to Stoner, an attractive blonde who is pivotal to the organised crime syndicate’s operations. 

Now embroiled in the gang, as Batford plays one side against the other, the risk of his cover being blown increases. This comes to a head when he is faced with the option of confession or torture. 

Who will have the last laugh in this high-octane battle of wits? 

CRIMINAL JUSTICE is the first book in this riveting series of pulp crime thrillers by Ian Robinson. The second book, STATUS DRIFT, is coming soon. 


So, this is not your first time doing a Q&A here, but it’s the first time as Ian Robinson. What brought on the name change? I assume since most of your books are out now (with at least one more on the way) using this name that it’s going to stick?
A pleasure to be invited back on your blog. That’s a reasonable question, and the answer is yes, Ian Robinson is the name I’ll be writing under. I used Ian Patrick (my first and middle name) originally, as I’d just left the police due to ill health. I had a crippling fear of failure, rejection, and self-doubt. I left school at 16 with nothing and figured my books would bomb. Seven books later and, I guess, I proved myself to be wrong.

We’re supposed to be talking about Criminal Justice, so let’s focus on that for a bit. The publisher’s blurb is above–but let’s hear it from you—give the reader an elevator pitch for this book, and while we’re it, the Batford series.
I’m terrible at elevator pitches! If you enjoyed the TV series Line of Duty, then these books will appeal. If you like fast-paced thrillers, you won’t be disappointed. I inject some realities of policing within the fiction which gives the narrative a feel of authenticity you won’t get from other books in this genre.

What was behind the decision to re-brand this series now? You’ve said that the editing was updated, too—what kinds of (I’m assuming relatively minor) changes have been made to this?
I wanted to reach a new audience and I’ve been impressed with the way The Book Folks operate. They’ve helped me reach new readers with the Nash and Moretti series and getting my stories out there is what it’s about for me. I want people to be entertained. I want the reader to feel that time spent with my work has been of value. The story is the same as the original, but it’s been valuable for me to work with editors to ensure we got the maximum out of the novel in terms of structure and plot. Things have changed since it was first published, particularly with police departments and place names. The editing team were superb in picking these details up.

After all this time—and seven published books—what was it like coming back to Criminal Justice? Was it good to be reacquainted, or did you spend a lot of time second-guessing choices you made back then?
Great question. I didn’t second guess anything. I know how good these books are and will stand by them to the grave. I did realise that my mind wasn’t in a great place when I originally wrote the books, but that added to the creativity.

You won’t read another crime thriller series like this one. How can I claim that? I used my own policing experience to convey the adrenaline rush on the page. I’ve been in many confrontations, fights, and chases and I can express how this feels from reality. I didn’t read crime fiction either. The realities of the job were enough. This gave me the advantage of putting my own voice on paper. I feel this comes across in a fresh and exciting way and why the BBC optioned the originals for a six-part TV series. The producers could see this too. Sadly, it never progressed beyond the script outline as the pandemic hit the industry and decisions were taken to go in other directions as a result.

I will always be proud of these books, and I wish to acknowledge Chris McVeigh at Fahrenheit Press for supporting me with the originals. Times change, and I have too. I’m embarking on a new chapter in my writing and it feels wonderful to have Batford back with a new brand and to see where it takes him.

The last time we talked about Sam Batford, you mentioned that “writing about a corrupt man goes against all my core values.” Particularly in light of the new look that society is taking at policing in general, and police corruption in particular—is it harder to bring Batford back? Were you tempted to soften him up a bit (last time you said you tried, but it didn’t work) now?
Corruption is, and always will be, an issue for society and isn’t solely within the police. With any public body you’ll have issues of corruption. The beauty of creating a character like Batford is that you can write from a place that disturbs you and that’s where the writing takes on a life of its own. This is where the creative energy takes you to places you thought you’d never want to explore. It can be liberating in terms of story. My Nash and Moretti series is based on investigating murder so this limits how you can approach the writing in some way (to me anyway). With Batford, he is a cop with very few boundaries. He will cross the line, but he does have his own moral code he wouldn’t breach. I can explore the official side through Winter and her team and Batford’s world where anything could happen. Not being constrained in this way is liberating when it comes to the story.

According to your publisher, the second book, Status Drift, is coming soon, can you share the new title of the third book yet? More importantly (for me, anyway), does this rebranding open the door for further Batford books? Maybe a prequel?
There’s no confirmed title for book 3 and never say never for more from this character.

That’s not the definitive “yes” that I was hoping for, but it’s good enough. 🙂

What is next for Ian Robinson, author, in that case?
To remain grounded and not get hung up on the future. I’m waiting to see what the response is to Criminal Justice then I can decide on a direction to take. I’m hoping Batford will be positively received. I love this character and the scope to expand his world is exciting to me.

Thanks for your time, sir! It’s always a pleasure.


Readers—there’s no better time to introduce yourself to Ian Robinson and/or Sam Batford than right now. You won’t soon forget either of them.

A Few Quick Questions

Crocodile Tears Didn’t Cause the Flood by Bradley Sides: It’s the End(s) of the World As We Know It…

Crocodile Tears Didn’t Cause the FloodCrocodile Tears Didn’t Cause the Flood

by Bradley Sides

DETAILS:
Publisher: Montag Press
Publication Date: February 6, 2024
Format: eARC
Length: 142 pg.
Read Date: February 23-26, 2024
Buy from Bookshop.org Support Indie Bookstores

What The $#*! Did I Just Read?

This is a selection of short—sometimes very short—stories that the publisher describes as “magical realism.” Which I guess is fitting—some seem more like SF, Fantasy, or somewhere in-between, than what I think of as “magical realism.” But I’m not going to be finicky about the label—call it whatever you want, as long as “strange” fits into the definition. Because “strange” is the best word to describe every story (even if other words would do better for specific entries). And I truly mean that in the best of ways.

The other element element that characterizes these stories is “Southern Fiction.” This is incredibly apt—even when a story doesn’t mention a locale, or use a colloquialism or slang to show that this is Southern, there’s something about them that just screams Southern Fiction. You know it when you see it.

Economy Of Words

Other than “strange,” “weird,” and so on, the word that comes to mind when describing this book is “Economical.” How anybody can create a tone/tenor, voice, world, and characters in so few words time and time and time again is beyond my ken.

Sure, there are a handful of apocalypses in this book—but they’re distinct. The stories don’t feel like they’re talking about the same World-Ending Event (and they’re not, but you’d halfway expect them to feel similar). The monsters in Story X wouldn’t fit into Story Y, and probably wouldn’t even be noticed as all that monstrous in Story Z.

Bradley Sides is a skilled and gifted writer and you can see that on pretty much every page.

* I think “every page” would be a better way to put it, but let me understate it just in case there are 1-3 that miss.

So, what did I think about whatever that $#*! was?

The question that I started this post with is something I put in my notes more than once. And with maybe one exception, I followed it with “But I’m glad I read it.”

So, the collection started roughly for me—I liked the writing, but the story did nothing for me, but the second? “The Guide To King George” knocked my socks off. Most of the rest did, too. The titular story seemed like a miss to me, too (but what a great title).

Some of these made me laugh and/or chuckle—like the story of the young vampire girl who is desperate to leave her family farm, or the Choose Your Own Adventure story about a Father and Son during an apocalypse—but I stopped chuckling soon and shifted into something else. The setup to “Nancy R. Melson’s State ELA Exam, Section 1: The Dead-Dead Monster” was delightful, even if I felt guilty for being delighted by the end.

Then there are the sobering stories, the heart-wrenching stories. So many captivating, unnerving, and something-in-the-neighborhood of hopeful ways to look at death.

I really can’t explain this collection, as I think I’ve demonstrated pretty well here. I’m sure others can, and you should look for their comments. But I’ll tell you this, you’re not going to find many collections that are as pound-for-pound good as this one. Even when the story doesn’t quite strike you as successful or entertaining as the rest, you’re not going to forget it soon, or regret the experience.

Go grab a copy.

Disclaimer: I received this eARC from the author and Lori Hettler of The Next Best Book Club in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

PUB DAY SPOTLIGHT: Price to Pay by Dave Sivers

To wish Happy Publication Day to the new Archer and Baines novel, Price to Pay by Dave Sivers, I’ve got this quick spotlight–with a newer blurb than I had for the Cover Reveal to better tempt you.

Book Details:

Book Title: Price to Pay by Dave Sivers
series: Archer and Baines, Book 7
Genre: Police Procedural
Format: eBook
Release Date: February 28, 2024
Price to Pay Cover

About the Book

‘Fast-paced, devious and twisty – the pages turned themselves! I loved it!’  – Liz Mistry


The more you have, the more you have to lose…

Following an arrest that went wrong, leaving her disfigured and her life in ruins, DCI Lizzie Archer transferred to Buckinghamshire’s Aylesbury Vale, hoping to rebuild her confidence, her career and her life. Eleven years later, she’s happily married, her career is back on track, and she has friends she would trust with her life.

But things can change in a heartbeat.

Meanwhile, her friend and colleague, DI Dan Baines, has worries of his own as the long shadow of the serial killer known as the Invisible Man continues to hang over him. When the chance comes to finally get answers to some troubling questions, he is almost afraid to learn the truth. Because sometimes the reality can be worse than your imagination.

Soon after receiving unsettling threats from local criminals, an old flame makes an unwelcome return to Lizzie’s life. Days later, a grisly murder too close to home plunges her into a nightmare that could cost her everything as suspicion falls on her and her husband, Dominic.

Dan and his team are sidelined from the murder investigation, but they’re not going to let that stop them when a friend is in trouble. And the clock is ticking. Because, if they can’t uncover the truth soon, things will get even worse for Lizzie and Dominic.

Go Buy the Book Now


My thanks to Overview Media for the invitation to participate in this reveal and the materials they provided.


Irresponsible Reader Pilcrow Icon

Page 23 of 317

Powered by WordPress & Theme by Anders Norén