Category: Fiction Page 23 of 314

DETAILS:
Series: Discworld, #8; City Watch, #1
Publisher: Harper 
Publication Date: April 30, 2013
Format: Mass Market Paperback
Length: 403
Read Date: December 15-21, 2023

It’s a metaphor of human bloody existence, a dragon. And if that wasn’t bad enough, it’s also a bloody great hot flying thing.

What’s Guards! Guards! About?

We start with a motley bunch of people who have been recruited by a mysterious figure to summon a dragon from another world—they don’t know this initially, but the purpose is to take over the city of Ankh-Morpork for less-than-benevolent reasons.

Meanwhile, a tall and naive young man is informed by his father that he’s not who he’s always thought he was. In fact, he’s been brought up by another species. Carrot had spent his whole life believing he was a dwarf like everyone he lived among, rather than a human. “It’s a terrible thing to be nearly sixteen and the wrong species.” Carrot has a hard time accepting this truth but does what his father tells him. He sets off for the city to become a member of the City Watch and will send his wages to his family. It’s impossible (for me, at least) to read Carrot and not think of Buddy the Elf. I don’t know if Ferrell and Favreau had this book in mind when they worked out the character—but they could’ve.

Like Buddy, Carrot doesn’t understand the human world and its nuances. He’s very literal, he’s a hard worker, doesn’t know how to be dishonest, and sees the world in black and white. So he goes about the business of the Watch like that—he’s a one-man anti-crime crusade. Arresting people the rest of the watch doesn’t have the energy to pursue—and those they’ve been told by the city leadership to leave alone.

His presence shakes up the Watch and awakens a sense of duty in them. So when they start finding traces of the dragon—and a corpse or two, this lethargic group gathers itself together and tries to save the city from the dragon, those behind it, and those who can’t be bothered to care.

And a whole bunch of other things transpire, are said, and whatnot. But that’s enough to get you started.

More Than Jokes

“Down there,” he said, “are people who will follow any dragon, worship any god, ignore any iniquity. All out of a kind of humdrum, everyday badness. Not the really high, creative loathesomeness of the great sinners, but a sort of mass-produced darkness of the soul. Sin, you might say, without a trace of originality. They accept evil not because they say yes, but because they don’t say no. I’m sorry if this offends you,”

All good novelists will work in things that have nothing to do with the characters (directly), their development, or the plot to their books. Some sort of commentary on the world, an observation about humanity or a portion of it, etc. If you ask me, the more comedic novelists are better at it than others—it’s probably that spoonful of sugar thing. That could just be my preference, I admit.

Some of the better moments in this book—at least some of the best sentences—come from moments like the above quotation. There’s some cheap cynicism to be found in these lines—but there’s some well-earned cynicism, too, in Pratchett’s ideas about government, the people led by that government, and so on. But there’s some great stuff on love and hope to be found in here, too. Pratchett’s cup is half-full at least as often as it’s half-empty.

The one-liners; the satire of Fantasy tropes, humanity in general; and the overall comedy of his world might be what he’s known for—but at least here (and likely in general), Pratchett’s observations of and commentaries on humanity are just as noteworthy.

The Library/Librarian

The truth is that even big collections of ordinary books distort space, as can readily be proved by anyone who has been around a really old-fashioned secondhand bookshop, one that looks as though they were designed by M. Escher on a bad day and has more stairways than storeys and those rows of shelves which end in little doors that are surely too small for a full-sized human to enter. The relevant equation is: Knowledge = power = energy = matter = mass; a good bookshop is just a genteel Black Hole that knows how to read.

I don’t have the time to write the essay I want to write about the Librarian, the Library, what the Librarian did to save the day, and so on. But I really wish I did (besides, I’m pretty sure someone else has—several someone elses). It’s not the—or a—main focus of the novel, but it really could be. Instead, I’ll just note that the Librarian was a highlight for me, and I hope we get a lot more of him in the future.

So, what did I think about Guards! Guards!?

“I mean, [the dragon] wouldn’t want us to go around killing its own kind, would it?”

“Well, sir, people do, sir,” said the guard sulkily.

“Ah, well,” said the captain. “That’s different.” He tapped the side of his helmet meaningfully. “That’s ’cos we’re intelligent.”

One of the things I like to ask when thinking of a comedic novel is, would it hold up if you took the jokes out and played it straight? It’s hard to answer that for Guards! Guards! because of the satirical and ridiculous aspects of the novel. But…on the whole, yeah…it’d work. Thankfully, it’s not a question we really need to spend too much time on because it’s so funny that you don’t notice parts of the story/plot/characters that might not work—and with the comedy this book is so successful it doesn’t matter.

It took very little time for me to get invested in the story—maybe not the characters (as much as I enjoyed watching Carrot fumble through his new life), but the story and the storytelling carried me until the point that I started to see the various members of the City Watch as anything other than comedy delivery systems (although that’s primarily what they were). I was entertained throughout, so much so that I didn’t really spend much time thinking about comparing this to other Pratchett books or other Fantasy comedies I’ve read—I just wanted to have fun with this. Maybe I’ll do the other stuff with later reads.

My journey to this book—and to giving Pratchett another chance—is pretty well documented. It’s not that I disliked The Color of Magic or The Light Fantastic, but I didn’t get the fuss over Pratchett after reading them. After reading Guards! Guards!? I think I get it. After reading less than a third of Guards! Guards!, I was pretty sure I got it, actually. I’m so relieved…I wondered what was wrong with me that I missed what everyone else saw in his work. There’s this great combination of jokes, situational/character-based comedy, a skewed way of depicting the world that’s honest and true while capturing the absurdities—and wonder—of the world. Pratchett respects the reader enough to not have to spell everything he’s doing out for us, but not so much that he will avoid slapstick or bodily humor.

I’m sold. If you haven’t gotten around to trying this mega-series (and surely there are like 5 of you reading this who haven’t), stick your foot in. If you’re unsure where to start, here’s a great place.

I’ll be back for more soon.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Book of Doors by Gareth Brown: We All Know Books are Magical, but Some Books Really Are Magic

By HCNewton

On January 23, 2024

In Fantasy, Fiction

The Book of Doors

by Gareth Brown

DETAILS:
Publisher: William Morrow & Company
Publication Date: February 13, 2024
Format: eARC
Length: 416
Read Date: January 10-16, 2024

What’s The Book of Doors About?

Cassie Andrews grew up in the Northwest and had what you’d call a typical, nice life (with a little tragedy, because we all do). She grew up, had one big adventure, and then settled into New York City, and is having a typical life—with enough fun and love to keep going, but nothing exciting happens to her. Then one day a regular customer that she’d befriended dies and leaves a book for her. It’s a lovely little book, so she takes it home with her.

She quickly discovers that this isn’t any ordinary book—in fact, it’s called “The Book of Doors” and the inscription inside it tells her that every door is any door. An odd thing to say, but she discovers that it means she can open and step through any door with the book in her hand. Cassie and her roommate Izzy have some fun with the book, before Izzy starts to worry about the cost of this magic.

Cassie’s undeterred, however, and keeps experimenting. It’s not too long before a man called The Librarian (by some) finds them—warning Cassie that she’s in danger because of this book. There are many “special books” like the Book of Doors (not all as powerful), and there are those who want to add her book to their collection and will stop at nothing to get it. As these people are equipped with their own special, magical books—the things they can do are pretty remarkable.

Can Cassie stay ahead of these people—or off of their radar entirely? Can she use her book to help the Librarian keep his collection of books safe from a mysterious woman determined to possess them all?

Time Travel

This is more of a Fantasy kind of Time Travel than a Hard Sci Fi Time Travel. That’s really not a profound observation on my part, come to think of it—everything these books do is described as magical. So a lot of your typical rules when it comes to Time Travel are thrown out. You’re not going to get a butterfly effect here, or see what happens if you go back and keep your dad and mom from going to the Enchantment Under the Sea dance together. It’s more along the lines of what the Wyld Stallyns did (at least in the first movie, I can’t speak to the others).

I mention this just so you know what you’re getting into—I have friends who take a very purist approach to Time Travel, and want scientific explanations for everything (hopefully with a good amount of theorizing). They will probably not appreciate this book for that. On the other hand—I have friends who get tired of that kind of thing—they’ll have a lot of fun with Brown’s take. There are probably more people who won’t care, and will just have fun with the wibbly wobbly of it all.

The Rest of the Magic

There are many more books than The Book of Doors running around (more than we’re told specifically about), and all of them have applications you wouldn’t immediately think about. What the Book of Illusion can do by someone who knows what they’re doing? Awesome. The Book of Luck is pretty much what the tin says. The Book of Despair…it’s worse than you think, at least when used by someone who knows what they’re doing (and who should never be allowed to use it).

I’m tempted to keep listing the books, but that would get boring for you and me. The great thing about Brown’s magic system is the wide diversity of magical abilities and the way they’re used. I don’t know how much time he spent coming up with the ideas behind them, or if he just had a handful and then created a new book when he wrote himself into a corner—but either way, a good deal of ingenuity is displayed here, and I want to see more of it. (honestly, I assume he did a thorough job of coming up with the books beforehand, but I just like the idea of him getting to the point where says…”I need a Book of Antigravity so Cassie can float away from a thrown knife.”*)

* Not anything that actually appears in the book.

Quibbles

It’s not a perfect book. Few are, so this isn’t about me listing off reasons to avoid this book. I just want to be thorough as I talk about it.

First off, the book (particularly in the beginning) relies too much on the POV characters looking at reflections of themselves. This is a pretty common thing—some would call it a cliche (particularly as a woman character describes some of her physical attributes)—and the first time that someone did it, I rolled my eyes and moved on. But then it happened again, quickly after that, while it was still echoing in my ear. And then again. And it became a thing I paid too much attention to because it happened so much. If mirrors and reflections had become very important to the magic or plot as a whole—I might have spent a paragraph or two lauding this. But it didn’t. It just distracted and kind of annoyed me.

The “Big Bad” doesn’t have a name. She’s simply, “the woman.” If she was a character who showed up in other places, and we were supposed to figure out which of female characters she was—that’d be one thing. But there’s never a doubt about that, she’s simply “the woman.” She doesn’t even get a nickname like “She Who Must Not Be Named” or even “The Big Bad.” Surely, at some point, the subculture surrounding these special books would’ve started referring to her as something along those lines. A name, a title (like The Bookseller did), something whispered in the shadows. Not just “the woman.”

There are probably other flaws in the book—undoubtedly there are*—but these are the only two that jumped out at me (and kept doing so). In the end—both were easily overcome by the weight of all the good-to-great things about it. But I was irked enough that I had to talk about them a bit.

* Just before I hit “Publish,” I remembered a chapter focused on “the woman” that made me briefly consider stopping entirely. I am so glad that I persevered, and it wasn’t that difficult to.

Now, let’s get back to the good stuff. I probably won’t think about these issues again myself, when I think back on this book, I’m only going to think of what I say next.

So, what did I think about The Book of Doors?

If you took Peng Shepherd’s The Cartographers and merged it with Robin Sloan’s Mr. Penumbra’s 24-Hour Bookstore, you’d get something sort of like this. The secret subculture that arose around these special books—subcultures, really—made me think of these books, as well as the devotion to something that’s increasingly archaic—a typeface, paper maps, antique books, etc. There is great power, as well as great affection, in these artifacts of a former age. Sure, they’re not magical or mystical like Shepherd, Sloane, or Brown say. But these novels resonate for the same/similar reasons, these things call to us.

Setting aside all the magic and plot and character—just focusing on what The Book of Doors says about books in general, is pretty special. This aspect alone is going to speak to a lot of readers (most people who’d call themselves “readers,” in fact.). And you could spend time just flipping through those parts of the book.

On the whole, this novel was a slow burn for me—I was instantly drawn to the idea behind the books, I liked Cassie, and the way that Brown showed her reacting to the book. But then once we got into the story about “the woman” and the Librarian, my interest waned a lot. I’m not sure it should’ve, and many will likely have a different reaction, but it did. But as I kept reading, I got more and more invested and my inner-critic shut up because he was as interested in what was going to happen next as the rest of me was.

By the time you figure out what Brown’s end-game was—and Cassie’s, too—it’s so satisfying to see it all play out. It’s really a very tidy book and everything means something. But it’s not just the plot that works so well, all the emotional beats are so well-executed that you will be tempted to go back through Brown’s non-existent backlist to see where he figured out to write them so effectively.

If you like the idea of a kind of magic you’ve not seen before, magical time travel (among other things), an off-the-radar subculture devoted to this magic (or at least the idea behind it), and a quiet bookseller finding her inner strength and perseverance in the face of evil—you’re going to want to check out The Book of Doors. I strongly recommend you do.

Disclaimer: I received this eARC from William Morrow & Company via NetGalley in exchange for this post—thanks to both for this.

4 Stars

The Ballad of Bonaduke—Episode 44: Bound in Darkness by R. T. Slaywood: What Did You Say?

By HCNewton

On January 19, 2024

In Urban Fantasy

The Ballad of Bonaduke—
Episode 44: Bound in Darkness

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #44
Format: Kindle Vella Story
Read Date: January 19, 2023

“You should probably explain what the æthocite is and why it’s important.” Om said.

“I was getting there.” Alan said.

“Doubt it.” I said.

Zero chuckled.

“I really was.” Alan said.

“Just keep going.” Om said.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ.

What’s Bound in Darkness About?

Bonaduke is drying out–not necessarily by his own choice. He’s getting the messed up dreams that come from an alcohol-starved brain and years of truama, and wakes to another day without drink. It’s a great advertisement against alcoholism (not that there are many pro-alcoholism advertisments). Then Zero, Om, Alan, and he have a planning meeting–an Alan drops a pretty big bomb for the readers. And it’s news to some of this colleagues, too.

So, what did I think about Bound in Darkness?

With the last episode, I said “A couple more dialogue tags would’ve been helpful here.” As the above quotation shows, Slaywood isn’t always guilty of that.

Dream sequences don’t do much for me, but this dangled some interesting threads. But it’s Alan’s discussion at the end of the episode that made me sit up and take notice–and need to know more. I’m not sure I’ve ever been as curious to click the “Next Expisode” button as I am now.

3 Stars

Opening Lines: Hacker by Duncan MacMaster

By HCNewton

On January 19, 2024

In Blog Series, Currently Reading, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Opening Lines, Quotations

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

I will not start this story at the moment I found an eyeball floating in my Coke.

from Hacker by Duncan MacMaster
Hacker Cover
Hard to top this. You have to keep going, right?

Opening Lines Logo

America Fantastica (Audibook) by Tim O’Brien, Oliver Wyman (Narrator): Nothing Fantastic…or Worth Bothering With

By HCNewton

On January 17, 2024

In Audiobook, Fiction, General Fiction/Literature

America Fantastica

by Tim O’Brien, Oliver Wyman (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: October 24, 2023
Format: Unabridged Audiobook
Length: 13 hrs., 39 min. 
Read Date: January 9-16, 2024

How Does the Publisher Describe America Fantasica?

HarperCollins.com says:

At 11:34 a.m. one Saturday in August 2019, Boyd Halverson strode into Community National Bank in Northern California.

“How much is on hand, would you say?” he asked the teller. “I’ll want it all.”

“You’re robbing me?”

He revealed a Temptation .38 Special.

The teller, a diminutive redhead named Angie Bing, collected eighty-one thousand dollars.

Boyd stuffed the cash into a paper grocery bag.

“I’m sorry about this,” he said, “but I’ll have to ask you to take a ride with me.”

So begins the adventure of Boyd Halverson—star journalist turned notorious online disinformation troll turned JCPenney manager—and his irrepressible hostage, Angie Bing. Haunted by his past and weary of his present, Boyd has one goal before the authorities catch up with him: settle a score with the man who destroyed his life. By Monday the pair reach Mexico; by winter, they are in a lakefront mansion in Minnesota. On their trail are hitmen, jealous lovers, ex-cons, an heiress, a billionaire shipping tycoon, a three-tour veteran of Iraq, and the ghosts of Boyd’s past. Everyone, it seems, except the police.

In the tradition of Jonathan Swift and Mark Twain, America Fantastica delivers a biting, witty, and entertaining story about the causes and costs of outlandish fantasy, while also marking the triumphant return of an essential voice in American letters. And at the heart of the novel, amid a teeming cast of characters, readers will delight in the tug-of-war between two memorable and iconic human beings—the exuberant savior-of-souls Angie Bing and the penitent but compulsive liar Boyd Halverson. Just as Tim O’Brien’s modern classic, The Things They Carried, so brilliantly reflected the unromantic truth of war, America Fantastica puts a mirror to a nation and a time that has become dangerously unmoored from truth and greedy for delusion.

How Was the Narration?

It was fine—any problems I had with the book weren’t on Wyman’s side. He didn’t work too hard on making each character stand out from the others with a distinct voice so that in each scene you knew immediately who was talking, but this isn’t the kind of book that lends itself to that. Also, the book didn’t become hard to follow because of that—nor did individual scenes. That’s all I really care about (as much as I might enjoy very distinct characters when the narrator does that).

The one heavily accented character’s accent didn’t sound quite right to my ears, but I’m not precisely sure what their accent should’ve sounded like. And…well, in context, I’m not sure their accent should’ve sounded right.

Basically, Wyman did well enough, and I’d easily listen to something else he narrated.

So, what did I think about America Fantastica?

I’m going to sound a little self-contradictory here. I think I missed most of the point of this book/narrative, and O’Brien was as subtle as a pallet of bricks.

There are intercalary chapters/sections (I’d have to see the print version to know for sure) describing the spread of “mythomania” across the nation like an infection (to be followed by COVID). And this is very clearly what the book is supposed to be about—contemporary America’s hunger for lies, half-truths, alternative facts, myths, whatever you want to call it. I’m not disinclined to argue with this as a whole—I just found these portions wanting. I’m not sure what it was I didn’t respond to here–lack of nuance and a feeling that O’Brien was trying to be too clever, come close, but really I just can’t put my finger on it.

Then there’s the narrative—narratives. I didn’t connect with any of them for very long (if ever). I kept going because many of them seemed to be on the verge of paying off, or at least giving me something to sink my teeth into. If I didn’t know this was a satirical novel from the description, I wouldn’t have picked up on it. I’m not really sure I get everything that was being satired (and really don’t care). The best way I can describe the storylines was that someone took a bunch of discarded ideas from disparate Elmore Leonard novels and mashed them together, whether they fit or not, and without Leonard’s skill/craft—then threw COVID into it at the end.

O’Brien had some very clever ideas, some nice writing, and a good line here and there. But the ideas didn’t pay off, the writing went nowhere, and the good lines weren’t worth the effort to get to them.

Maybe this was the right book at the wrong time for me and if I’d read/listened to it a few months ago—or a few months from now—I’d be recommending it, maybe even raving about it. But I listened to it now, so that’s what we’re stuck with. So the me of “now” says that it was an endurance race for me. A determined effort for me to understand why I should like this. A reminder that the sunk cost fallacy is something that I’m very susceptible to.

I’m more than prepared for people to come along and tell me why I should’ve appreciated this. But I can’t recommend this to anyone, and I would recommend you look elsewhere for a good commentary on the U.S.

2 Stars

Warriorborn by Jim Butcher: Butcher Serves Up Quite the Appetizer Before The Olympian Affair

By HCNewton

On January 15, 2024

In Fantasy, Fiction, Jim Butcher, Steampunk

Warriorborn

by Jim Butcher

DETAILS:
Series: The Cinder Spires, #1.5
Publisher: Podium Publishing Ulc
Publication Date: September 19, 2023
Format: eBook
Length: 146 pg.
Read Date: November 11, 2023

What’s Warriorborn About?

A little time has passed since we met our heroes—training was completed, people have new jobs, promotions were given, the threat of war looms larger, and so on. The status quo, in short, is in flux and everyone’s trying to settle in before things get really messed up.

The mysterious and deadly Warriorborn, Benedict Sorellin-Lancaster, has been promoted to lieutenant—as one example. And, as you can guess from this novella’s title, we will be focused on him. The Spirearch is sending him on a mission to retrieve certain documents that the Spirearch seems to have misplaced at a colony that’s gone radio silent. As backup, Benedict is assigned three other Warriorborn for this mission—deadly criminals put away by Benedict, who will earn freedom in return for their help here. Not exactly a merry band, but they should be enough to tackle most threats they encounter.

But what they find when they arrive at Dependence isn’t what anyone figured, and “most” quite definitely doesn’t mean “all.”

The Development of the Series

There are a couple of notable things about this novella—first of all, we get a great look into the Warriorborn as a whole, not just what we learned about Benedict in The Aeronaut’s Windlass. The Warriorborn was one of the most intriguing concepts from that book, so getting to learn more about them was a treat. That right there is enough to justify the purchase price.

But even better is the little updates we get about many of the primary characters, setting the stage for where they’ll be in The Olympian Affair. I was already eager to dive in—seeing these flashes of their future, and the way that the war is progressing just makes me want to tear into The Olympian Affair.

So, what did I think about Warriorborn?

This was a fast-moving thrill ride. Yeah, there’s some character development and exploration of some of what makes the various characters (particularly the new ones) tick. Butcher knows how to write action—if you’ve read anything by him, you know this. Throw in some clever dialogue, and that’s enough to satisfy me.

The threat that they discover once they get to Dependence is as creepy as you want. The world of The Cinder Spires isn’t a kind world, and it’s hard for humanity (and felinity) in more than one way, as we’re learning now. But as long as there are people like Benedict and the crew of Predator, maybe there’s hope.

Despite this being a bridge between Books 1 and 2 of the series, this wouldn’t make a bad jumping on point—if you like this quick taste of this world, you’ll want to go see how Benedict and the rest got to this point just as much as you’re going to want to see what happens to them next.

In a podcast interview, Butcher described this as “an apology novella,” due to how long it took to get the second book of the series completed. In the eyes of this fan, apology accepted.

3.5 Stars

The Ballad of Bonaduke—Episode 43: Missing Things by R. T. Slaywood: A New Home

By HCNewton

On January 12, 2024

In Urban Fantasy

I’ve got to get more regular in reading/posting these again. I started late, but I’m now 42 behind. Cool number, but…ack.

The Ballad of Bonaduke—
Episode 43: Missing Things

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #43
Format: Kindle Vella Story
Read Date: January 12, 2023

The Story So Far…

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him.

What’s Missing Things About?

So they go back to the trash at the park to see where he stashed his coat to retrieve his license and whatnot. I’m unclear how much time has passed since he did that, but it seems unlikely that the trash hadn’t been picked up yet. But hey, roll with it.

His house key is missing—and it looks like someone took it while leaving money and his wallet behind. How’s that for a puzzle? Bonaduke’s the only one who seems to care, but it’s eating at him.

Then they go visit the new crashpad for the group and Zero and Bonaduke bicker a bit.

So, what did I think about Missing Things?

Could we all try having a conversation and stop assuming everyone knows and understands things? Seriously. After the last couple of episodes where people were talking and explaining things—you know, like functional adults. We’re back to people not communicating, making assumptions, and then flying off the handle when assumptions clash. It happens to all of us from time to time, but these people seem to make it a lifestyle and it’s hard to put up with.

A couple more dialogue tags would’ve been helpful here. I don’t like to have to re-read a conversation to figure out who’s talking, much less who said what.

Wow. I sound like a grouch here. But there’s nothing much to talk about here. The title for this episode is apt—there’s Bonaduke’s missing key, and then everyone missing context/understanding of what’s happening.

It was bound to happen, but I’m disappointed that we’ve sunk so low from the last couple of episodes.

3 Stars

The Tainted Cup by Robert Jackson Bennett: This Mystery/Fantasy Hybrid is My First 5-Star Read of the Year

By HCNewton

On January 11, 2024

In Fantasy, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The Tainted Cup

by Robert Jackson Bennett

DETAILS:
Series: Shadow of the Leviathan, #1
Publisher: Del Rey Books
Publication Date: February 6, 2024
Format: eARC
Length: 432 pg.
Read Date: January 4-9, 2023

What’s The Tainted Cup About?

This is a Mystery/Detective novel set in a Fantasy world. But to say that almost diminishes it. This is a Fantasy world you’re not used to seeing—well, I’m not anyway, you might be better read in the genre than I am. At the core of the mystery story are tropes, characters, motives, and twists that anyone familiar with that genre will recognize and resonate with. Combining the two genres here only serves to make them better.

The instigating event is the murder of a significant, but not hugely important, military figure on an estate of one of the most powerful and rich families in the Empire. That’s enough to get the official investigator, Ana Dolabra, and her assistant, Dinios Kol, involved. When you add in the cause of death—a clutch of trees erupted from the Commander’s chest—well, that’s definitely going to get some official notice. And quickly put you in a Fantasy world. Feel free to read that cause of death a couple of times, it’s still not going to make sense.

There’s just so much to talk about with The Tainted Cup—I’m going to talk about some of the best parts of this book as you would an Oreo cookie. The Mystery part is the creamy center (at least a Double Stuff in this case), and then the crispy cookie halves of the World Building/Setting and the Science of this World.

The Mystery

I already wrote a section below that quibbles with the official description, and I feel bad about doing that twice (am I risking future NetGalley approvals by this?), but I have to. It starts off by saying, “A Holmes and Watson–style detective duo.” You can maybe stretch things and call Ana Dolabra a Holmes-type character. Maybe. But outside of being the first-person narrator, there is nothing Dr. Watson-esque about Dinios Kol. I do not know if Bennett is a Rex Stout/Nero Wolfe reader. I suspect he is, though, because Dolabra and Kol are firmly in the Nero Wolfe/Archie Goodwin mold. (there are other versions of this duo, Pentecost and Parker and Jake and the Fatman spring to mind, but there are others).

I mention this because I think the duo of Wolfe and Archie is one of the greatest achievements in Detective Fiction, and will joyously talk at length about them at length at any opportunity. Bennett using these types at the center of this book almost automatically guaranteed that I’m going to enjoy it. Particularly if he does it successfully. And, boy howdy, does he.

Ana Dolabra is a brilliant and eccentric figure. Our Nero Wolfe. She can be pressed into politeness with enough reason, but on the whole, she’s blunt, crass, and solely focused on things that interest her. For a variety of reasons, Ana rarely leaves her quarters, instead, she has clues, interviewees, and suspects brought to her (and frequently, those she reports to, too). More than once she brings suspects and interview subjects together to question and/or to reveal a solution, putting on a show for others.

She has a new assistant, Dinios Kol, to serve as her eyes and ears in the outside world—and to bring back those bits of the world she needs to do her work. Thanks to a special augmentation, he has a perfect and permanent memory and will remember entire conversations and things he sees perfectly, with the ability to describe them to the detail Ana needs. He looks at crime scenes, records, bodies, etc. for her, conducts initial interviews with witnesses and experts, and so on. He also seems to do his best to keep her interactions with others at socially-appropriate levels (although this is a challenge). If this isn’t Archie Goodwin to a T.

They’ve been working together for a while now—mostly on fraud cases. This is their first murder case—and they wrap it up quickly and efficiently. Except, Ana is pretty sure that this murder will be linked to others—something more than murder is afoot here, she’s certain. And she’s right. (I assume this is almost always the case—Dinios certainly does)

Soon, she and her assistant are assigned to help in the investigation in a nearby city where several others have been killed in the same way. Dinios is partnered up with an experienced Assistant Investigator, Capt. Tazi Miljin, who does some on-the-job training and mentoring while working the case.

Soon, they determine that this isn’t just a murder case—nor is it several connected murder cases, there is something much bigger going on. Something that puts an entire city—possibly the entire Empire—at risk.

The World

I don’t know that I want to get too in-depth here, because the discovery of it all* is part of the magic of this book.

* And by “all,” I mean all that Bennett is going to share with us in this book—there’s much more to learn in books to come.

We find ourselves in a minor city in an Empire at the beginning of the novel before we move to a larger city, a major center of military importance. We don’t know a lot about this Empire—it’s centuries old, there are civic religions/cults but we see very few true adherents, and many people are cynical about the government. But it doesn’t matter—they need the Empire to keep them alive. So they push on.

The military isn’t focused on other nations/city-states/bands of roving mercenaries or outside human threats (although they do take the time to focus on bands of deserters). Instead, they’re focused on the seas. Each year, during the rainy season, monstrously large sea creatures they dub Leviathans (both think and don’t think about other Leviathans you’ve come across—other than large, water-bound, and scary) attempt to come ashore and snack on humans, cattle, whatever.

Places like Talagray, where we spend most of the novel, exist to maintain the wall between sea and land—leviathan and Empire—it’s a massive wall (massive in a way I cannot get across to you) with the occasional weapons mounted to attack the leviathan. I saw Talagray as sort of Jackson’s vision of Minas Tirith, but flattened to one elevation. I’m not sure if that’s what Bennet was going for, but that’s what my mind saw. Maybe a little muddier.

While the local canton is concerned with the murders, naturally, their primary concern during this season is the maintenance of the wall. Some of these murders have threatened the integrity of the wall in important ways, threatening all of Talagray. As important as solving the murder is—stopping further murders and therefore preventing further damage to the wall is far more important. Also…they probably have something special in store for anyone who’d risk the wall in any way.

The Science

I’m disagreeing a bit here with the official description—so take my observation with a grain of salt (but I stand by it). There’s no magic in this Fantasy novel—which, sure, happens sometimes. But it’s still strange and notable.

What this novel does have is “sufficiently advanced technology [which] is indistinguishable from magic.” It’s not often that I get to apply Clarke’s Third Law this way, but it works. This is a very technological society, but nothing we’d recognize, really. There are no circuits anywhere, no electricity…horses and carts are the primary means of transportation for those who are going too far or need to go too quickly to walk. But they practice all sorts of engineering feats, genetic manipulation, medical marvels, and so on.

The source of their raw materials? The Leviathans that threaten them all. When these Leviathans die/are killed, the Empire’s scientists harvest blood, tissue, and bone for all sorts of things to accomplish the above. Leviathan bone is difficult to shape, but it results in tools and swords that are beyond the strength and endurance of metal. Tissues can be manipulated and applied to humans to extend their abilities (augmenting strength, enabling them to have memories that are like eidetic memory to the nth power, control of their pheromones to alter the behavior of those around them, and so on).

Especially when it comes to the abilities that some of these people have, or the freakish contamination that the murderer is using, in a Fantasy book featuring people on horseback using swords, this looks like magic. But it ain’t. It’s just a kind of science that’s sufficiently advanced that 21st-century Western Readers can’t distinguish. And I love that. Bennett does such a convincing and thorough job of describing this (without getting mired in the details) that it just comes alive and you believe it all—and want to learn more about it.

So, what did I think about The Tainted Cup?

My reflex reaction ought to be, I want more of the detective-y stuff. How could I not? That’s my default genre, Ana is a fantastic character, Dinios at work is so much fun, and the pair of them being new incarnations of Wolfe and Archie. But when you add in the world-building, the intrigue and politics, and all the cool science-y bits? I wouldn’t have it any other way. You need all of it to make something this good. And it really does—each section above would probably earn 4 stars or so from me. But when you put them together, the accumulated score has to be at least 5.

Also, all the other stuff in the book distracts from a couple of the problems with the mystery story. These aren’t significant problems by any means, but at one point Ana reveals that Person X is Person Y, and her assistants are shocked and amazed. I assumed everyone realized that as soon as Person Y was introduced and described. For it to take umpteen chapters for everyone to catch up astounded me (am pretty sure Ana was as fast as me, for the record). The other thing that I’d consider a problem, I won’t get into for spoiler-reasons, but I was distracted enough that I didn’t see it until the reveal. Also, it’s the kind of thing that Rex Stout himself would do, so I’m never going to complain about it. Mostly, because it worked really well for the story, so who cares?

Regular readers may have noted that I haven’t spent that much time talking about the characters. I chose not to for time/space reasons. If I focused on writing about Ana, Dinios, and Miljin alone—I’d double the length of this post. If I included every major character I want to talk about? I’d triple the length. No one wants to read me going on that long. So I’ll sum it up by saying that his characters are just as good and developed (and strange) as everything else I’ve talked about.

Bennett doesn’t show a lot of flair in this writing. It has almost none of Elmore’s “Hooptedoodle”—although he violates a lot of Elmore’s other rules (and does so for the betterment of the novel). This is a description, not a criticism, you’re not going to be wowed with his style. He doesn’t need that. The descriptions of characters, structures, and monsters are so vivid, so detailed you have no problem seeing exactly what he wants you to see (with just enough room for the reader’s imagination). The action scenes are well-executed. The descriptions of the trees growing from outside of a person are as disturbing as they should be. There are flashes of humor, flashes of hope and optimism in both the characters and the story—but it’s all in the shadow of the imminent threat posed by the Leviathans and weakened walls. So there’s a strong “The World May Be Ending Tomorrow if not Tonight” feel throughout. I was under the spell of the narration and story from early on.

I didn’t set out to rave about this book. I was going to enthusiastically recommend it, but as I started to put my notes into some sort of order and write, I discovered that I really needed and wanted to rave about this. Fantasy fans are really going to get into this. Mystery/Detective Fiction fans who aren’t afraid to play in other worlds are going to go nuts over this. And I want to read the next book in the series today. But I’m willing to be patient—The Tainted Cup won’t even be published for 26 days. So I won’t start complaining about the delay in getting the next volume for 90 days (that seems fair).

Go place your orders or library holds now.

Disclaimer: I received this eARC from Penguin Random House via NetGalley in exchange for this post—thanks to both for this.

5 Stars

Clearing the Deck II: Tweet-length thoughts about books I can’t find time to write about

By HCNewton

On January 11, 2024

In Audiobook, Comics, DC Smith & Kings Lake, Don Winslow, Faith Hunter, Fantasy, Fiction, Fletch, General Fiction/Literature, Gregory Mcdonald, Harry Bosch, Harry Dresden, Humor, Jim Butcher, M. W. Craven, Michael Connelly, Michael R. Underwood, Mystery/Detective Fiction/Crime Fiction/Thriller, Non-Fiction, Renée Ballard, Science Fiction, Theology/Christian Living, Urban Fantasy, Washington Poe, YA/MG/Children's Books

I did this back in January 2020, and need to do it again.

I frequently mention how looming Mt. TBR is getting for me, but what’s worse is my “To Write About” pile, I know I’m never going to catch up with that properly and it bugs me to no end. But in the interest of something being better than nothing, a dash of realism, and a heavy dose of self-care, I’m cutting myself some slack. So I’m clearing the deck of everything from 2020-2022 that I haven’t made time for. This was painful to do, I was looking forward to writing about most of these, and I have so much that I want to say. But I’m just not going to get to them—and other books are starting to pile up, too. So, in 144 characters or less, here’s me cutting myself some slack.

How bad am I at keeping up with my To-Write-Titles? I put together the list of books for this post in January 2023. And am just now getting to it. I wish that was a joke.

(Click on the cover for an official site with more info)

	Battle Ground by Jim Butcher I just can’t talk about this one yet. I need more time. (yeah, they’re fictional characters, but I’ve spent too long with them to not be reeling)
	Desert Star by Michael Connelly Loved it while reading it. But I have more and more questions about all of it the longer I think about it. Not Connelly’s best but well worth it
	Dead Ground by M. W. Craven Not a typical Poe and Tilly case, just as good and gripping as the rest though.
	The Posthumous Memoirs of Brás Cubas by Machado de Assis, Flora Thomson-DeVeaux (Translator) A strange and somewhat humorous look at a ghost’s POV on his life. I want to read it a few more times to really get a handle on it. Heckuva read
	Nightwing: Year One Deluxe Edition by Chuck Dixon If there’s a better Nightwing writer out there, I’d like to see it. A great, great, great telling of his origin.
	Mythos by Stephen Fry Drags a little. Wish he could pick a tone for his retellings/commentary on the classic stories. Still, it’s Stephen Fry talking—worth the time.
	Heroes: Mortals and Monsters, Quests and Adventures by Stephen Fry See above, but felt it dragged a bit more.
	Teen Titans: Beast Boy by Kami Garcia, Gabriel Picolo (Penciller) A solid, believable update of Gar Logan’s backstory. Very promising follow-up to the Raven book. Really impressed with Picolo.
	Teen Titans: Beast Boy Loves Raven by Kami Garcia, Gabriel Picolo (Penciller) Bring the two together and it’s even better. I’m curious about the overall story, but would read just them being awkward together. Like the art.
	Missing Pieces: A Kings Lake Investigation by Peter Grainger, Gildart Jackosn (Narrator) The Murder Squad tackles a cold case and is as excellent as ever. I don’t know how to talk about this series w/o being redundant. I want more!
	Junkyard War by Faith Hunter, Khristine Hvam (Narrator) This was utterly fine. A lot didn’t go the way I expected. But I’m still in this series for the long haul.
	The Dime by Kathleen Kent One of the best first chapters ever. The rest is pretty good. Not sure I buy the motive for the murders, nor that I want to see what comes next.
	Batman: City of Crime by David Lapham If you buy (I can’t) Batman losing sight of his mission, this story about him recovering it is great. If you can’t…well, it’s pretty good.
	Bluebird, Bluebird by Attica Locke, J.D. Jackson (Narrator) A stunning work of fiction. Words fail me. A deeply compromised Texas Ranger tries to solve a potential hate crime and keep his job.
	Flynn by Gregory McDonald, Donald Corren (Narrator) I expected the Fletch narrator for some reason, but Corren won me over in minutes. One of my favorite novels of all-time. Great audio version.
	Son of Fletch by Gregory McDonald, Dan John Miller (Narrator) Oh, I wanted to love this. But I just liked it. I’ll probably hear Miller in my head anytime I read Fletch in print.
	Fletch Reflected by Gregory McDonald, Dan John Miller (Narrator) This is not the way the series should’ve ended. Some fantastic moments, but not sure it was worth it. Miller was solid as always.
	Last Couple Standing by Matthew Norman Norman’s best female characters (to date). Stupid premise, but it almost convinces me to like it by the end. Lots of great moments.
	Weakness Is the Way: Life with Christ Our Strength by J.I. Packer Packer’s great on 2 Corinthians and what Paul tells about weakness as a way of life for the Christian.
	The Monster in the Hollows by Andrew Peterson I’m not sure I loved the way the story went in this one, but I grew to appreciate it. Characters are still great.
	The Warden and the Wolf King by Andrew Peterson Whatever my misgivings about the last one, this was the right way to end the series. Just what I wanted (if mildly predictable)
	Deathstroke, Vol. 1: The Professional by Christopher J. Priest I prefer the version Wolfman and Perez initially told about his origin, but this ain’t a bad version. And I see why it was necessary. Good ’nuff
	There Goes The Neighborhood by S. Reed I stopped working with a book tour company because they wouldn’t let me be honest about this book ever. So I won’t be. Loved ALL of it. <3<3<3<3
	Percy Jackson’s Greek Gods by Rick Riordan, Jesse Bernstein (Narrator) If Percy Jackson edited D’Aulaires’s book you’d get this. A great way to introduce the myths to young readers. Bernstein is a spot-on Percy.
	Percy Jackson’s Greek Heroes by Rick Riordan, Jesse Bernstein (Narrator) See above, but with heroes.
	I Will Judge You by Your Bookshelf by Grant Snider If someone looked into my brain, took all of my ideas and feelings, and improved them, you’d get this book. But only one-third as good as this.
	All These Worlds by Dennis E. Taylor, Ray Porter (Narrator) Taylor and Porter are unbeatable together. This is funny (duh), and the grief and sadness are real. As is the anger. Is the ending too easy?
	The Fellowship of the Ring by J.R.R. Tolkien, Andy Serkis (Narrator) Serkis nails the narration (as you’d expect). Is there a better first book of a series in Fantasy?
	The Two Towers by J.R.R. Tolkien, Andy Serkis (Narrator) Serkis is tremendous here. This whole book is ridiculously good.
	The Return of the King by by J.R.R. Tolkien, Andy Serkis (Narrator) One day the pacing on this won’t surprise me. The book gets better every time. Serkis was phenomenal.
	Annihilation Aria by Michael R. Underwood Found family stars in this fun, space opera about archeologists fighting an empire.
	The Cartel by Don Winslow The best of the trilogy. Shocking. Moving. Gripping. All-too-real—if you told me this was non-fiction, I’d almost believe it. A true classic.

I’m Not Sure How to Write About The Blacktongue Thief (Audiobook) by Christopher Buehlman, But I Really Liked It

By HCNewton

On January 10, 2024

In Audiobook, Fantasy, Fiction

It really feels like I should take another crack or three at this before posting. But that’s just not going to happen. I either post this or I dither about for another eight months and give up. So, here it is.

The Blacktongue Thief

by Christopher Buehlman

DETAILS:
Series: Blacktongue, #1
Publisher: Macmillan Audio
Publication Date: May 25, 2021
Format: Unabridged Audiobook
Length: 12 hr.,  26 min. 
Read Date: January 2-5, 2024

What’s The Blacktongue Thief About?

I don’t know how to answer that question in under 8 single-spaced pages (okay, that’s hyperbole…but it feels honest). Also, this is one of those audiobooks that leaves a listener without a clue how to spell just about everything (for example, I just learned how to spell the main character’s name), so you have to factor into my utter inability to write character/nationality/etc. names to my trepidation about trying to sum it up.

So I’m going to just paste what the publisher’s site says…

Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path.

But today, Kinch Na Shannack has picked the wrong mark.

Galva is a knight, a survivor of the brutal goblin wars, and handmaiden of the goddess of death. She is searching for her queen, missing since a distant northern city fell to giants.

Unsuccessful in his robbery and lucky to escape with his life, Kinch now finds his fate entangled with Galva’s. Common enemies and uncommon dangers force thief and knight on an epic journey where goblins hunger for human flesh, krakens hunt in dark waters, and honor is a luxury few can afford.

The Narration

(I’m sure I’ve said this before) It can be dangerous for an author to narrate their own book, but when they’re good narrators, they can bring something special to the performance as they understand the book in a way a hired gun never can. Buehlman is one of those authors who should read his own material all the time. He did a bang-up job with the accents, the characters, the comedy, and the drama.

I don’t know how this would come across in the print version—I’m assuming it would somehow—but in the audiobook, Buehlman makes Kinch speak with some sort of Irish accent (probably safer to say it’s more Irish-ish so he can deviate when he wants), which communicates so much about him. You hear that, and you automatically get his strange cynical optimism, the poverty he came from, his odd sense of humor. I don’t know how quickly that would be communicated with some other accent—but it immediately made sense to me. Galva’s accent is very different, and utterly fitting, too. I don’t know if other narrators would’ve made choices like he did to communicate that all so well—but I have to give him kudos for that.

So, what did I think about The Blacktongue Thief?

I can’t really discuss what I think of this book and the various plotlines/characters without spoiling the whole thing. So let’s stick to overall impressions.

Buelhman can create a character that shows up for a few pages—or recurs throughout the whole book—that is so well-drawn that you could imagine them carrying their own novella (at least). The magic system (systems?) are inventive—or at least used inventively—and I can think of several mages from other series that would be in trouble if they tried to cross some of these. The main storyline for Kinch seems locked-in early on, but also it’s pretty clear (I think) that he’s going to diverge from his assignment early. But the way it happens is enough to make you sit up and take notice (and perhaps mumble something like, “Are you sure about this, man?”).

Among the many subplots here is a love story—and I don’t know if I’ll come across one so effective for the rest of the year.*note It’s so sweet, so real. And really strange in the way that only fantasy can pull off.

* Okay, I wrote that sentence before I got too far into Charm City Rocks by Matthew Norman a day later, I really shouldn’t make statements like that in January.

By the same token, there’s this rivalry between Kinch and someone he knew in childhood. Their lives took very different paths, and Kinch (somewhat rightly) feels guilt over the way things went—Malk feels a lot of resentment about it (somewhat rightly, entirely understandably). Watching them navigate this reunion in various circumstances is a real treat. There’s some good depth, some believable realism to it—and Beuhlman is able to keep it entertaining.

I don’t want this to sound like it’s a comedy or a light-hearted caper kind of novel. It’s not. There’s a lot of darkness in these pages, a lot of tragedy and bloodshed, there’s some kind of duplicity on almost every page, and absolutely no one comes out of this unscathed. Assuming they come out of this at all. But you will be hooked; you will be invested in these characters; you will be mystified, weirded out, and perhaps a bit grossed-out by the magic; and you will probably want to avoid large bodies of water juuuuust in case one of Beuhlman’s krakens are nearby.*

* I know nobody has happy, shiny krakens full of humor and rainbows. But something about his seemed a degree or two worse.

I picked this up on a whim, mostly out of mild curiosity. But now I have to know what’s coming next.

4 Stars