Category: Fiction Page 230 of 341

McCall & Company: Workman’s Complication by Rich Leder

Workman's ComplicationMcCall & Company: Workman’s Complication

by Rich Leder
Series: McCall & Company, #1

Kindle Edition, 390 pg.
Laugh Riot Press, 2014

Read: September 29 – October 2, 2017


Kate McCall is an actress struggling to make it — she’s had a few dozen jobs to support her acting (and her son while he was growing up), and is now a building manager, dog walker and off-off-off Broadway actress (I’m probably leaving off a couple of “off”s there). One recurring gig has been helping her father, a private investigator, from time to time.

When Jimmy McCall is murdered he leaves his agency to Kate — which she doesn’t want, she’s not a P.I. ,she’s an actress — just ask her. Nevertheless, she’s driven to see if she can’t figure out what led him to the building he was killed in. Before she knows it, she’s lying to the police about what he was working on that might have led to his murder, as well as getting pretty deep into the investigation herself.

Meanwhile, her father’s lawyer sends a prospective client to her — Teddy Barkowski is a general contractor who is being sued by someone who fell off some scaffolding and injured his back. Kate doesn’t want to take this case, but honestly, the money woos her. Soon she agrees, with internal reservations, to look at the case. After meeting Barkowski’s wife and kids, she’s all in — there’s no way that she’ll let this guy and his lawyer hurt the family. Easier said than done, really — this is one tough nut to crack.

Thankfully, Kate’s not alone — she has two great sources to turn to for help. She’s got the actors, producers, writers and the rest from her theater to pitch in, playing various roles to try to help her get information about the workman’s compensation case. Not only that, many (if not all) of the tenants in the building she manages are friends with Kate and each other. She calls the apartment the House of Emotional Tics and to say that it’s populated by a collection of strange characters, is an understatement. With a variety of particular skills (many of which are legal to exercise), Kate calls upon them to help with her investigation of her father’s death.

Her son, an assistant DA in the city and the homicide detective she starts dating, aren’t nearly as supportive of her new career. In fact, they’re downright discouraging. I wasn’t a fan of almost all the interactions with her son — but his last appearance in the novel won me over. The love interest-detective, on the other hand, I thought worked very well.

This is a light/comedic mystery novel — but it is a mystery novel with strong PI stories, both of which could’ve been told without the comedic elements and made a pretty good novel. But they do work better the way that Leder told them. Basically Kate’s Stephanie Plum with actual skills, or David Ahern’s Derry O’Donnell with a bit more maturity, success in theater, and no psychic abilities. The first-person narration is amusing and crisply written, there are more laughs than tense moments — but all the elements work together and balance each other out well. Occasionally, the goofiness that accompanies the people from the D-Cup theater or the House of Emotional Tics threatens to interfere with the narrative, but it never does — and usually ends up supporting the detective stories. In the end, Kate’s large collection of sidekicks are more like the team that Fox & O’Hare use than Stephanie Plum’s coworkers/family/friends — they aren’t inept, but they can actually accomplish most of what they set out to do (and when they don’t, it’s not because they’re jokes — it’s because they got beaten fair and square).

I’ve compared this to Evanovich enough, how does this compare with Rich Leder’s work? Well, I quite enjoyed Let There Be Linda, and I can say that this isn’t the same kind of book. Linda frequently felt out of control, in a good way, mind you, but you could argue that Leder took a handful of whacky ideas and threw them together in a contained space to see what would happen when they combined with each other. This was just as funny (sometimes more so, sometimes not as much), but felt controlled — there was one strong narrative and a few others that supported it. Characters that were more grounded (note, I said more grounded, not grounded), and some emotional depth to the story/storytelling. I’m belaboring this point to underline the differences in the books because I think it demonstrates Leder’s skill, and because I know that Linda‘s style can be off-putting for some, and I don’t want those people to think that this book should be avoided.

When the reveal of the murderer happened, I was a little annoyed with myself for not catching the clue that tipped her off. I will admit, I noticed the same thing she did, but shrugged it off, assuming it was a problem with the editing. But, naturally, the folks at Laugh Riot Press don’t make flubs like that — it was a genuine clue and I didn’t run with it. Beyond my annoyance with myself for not figuring out the murderer, I rather enjoyed the reveal — and Kate’s ultimate triumph in the other case, too.

A very satisfying, entertaining novel — really funny with real emotion — that introduces you to a cast of characters that you want to spend more time with — thankfully, there are two more books in the series and I hope to return to them soon. Give this one a shot, folks.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion.

—–

3.5 Stars

The Hunger Angels by Jason Miller

The Hunger AngelsThe Hunger Angels

by Jason Miller
Series: Slim in Little Egypt, #1.5

Kindle Edition, 62 pg.
Harper Paperbacks, 2016

Read: September 29, 2017

Taking place sometime after Dead Don’t Bother Me, Slim’s night of Scrabble with his daughter, Anci is interrupted by his friend, Jeep and a former co-worker, Snake.

Don’t you just love the names of these characters?

Anyway, since leaving the coal mines, Snake has made a little money here and there, and has a few rental properties now. His nicest place is being rented by the nicest young couple, but Snake has family that needs it, so he has to evict the nice folks. Which is where Slim and Jeep come in. Because when Snake visits the house, its overrun with bikers and met and all sorts of property damage. The local law stops by everything looks fine and the housewife is as pleasant as Snake thought.

So now, Slim and Jeep need to do two things: 1. See if things are really as bad as Snake thinks, or if the police are right (well, I should say, confirm Snake’s version) and 2. Serve the tenants with an eviction notice. All of which goes just as easily as you’d expect. Excitement and sleuthing ensues.

The best part of this story is Anci — her relationship with her father is wonderful and it’s the kind of thing you want to read more of. Like Spenser and Hawk at their best, or Lydia Chin and Bill Smith, you just want to read pages and pages of their conversations. It took about 6 sentences from Anci for me to note, “Oh yeah, that’s why I loved her.” Slim’s easy to like, too — I’ve got notes aplenty about some of his lines, but I won’t quote any because the story is so short, I don’t want to ruin anything for you. Great dialogue, great Chandler-esque narration, and lot of action. That’s all I need to be satisfied.

This is listed as 62 pages, but I’m guessing at least 20 of those are promotional pages for the 2nd novel — it’s so hard to guess at Kindle length. It was long enough to justify reading, and short enough that you can breeze through it.

I’ve been nagging myself lately to get around to Red Dog, and getting this short story only served to make that a more pressing desire. Which I’m pretty sure was most of its purpose — I’ve got to spend more time with Slim, Anci and the rest in Little Egypt. Read this and you’ll feel the same way.

3.5 Stars

Sourdough by Robin Sloan

Two years ago, I read Robin Sloan’s Mr. Penumbra’s 24-Hour Bookstore, loved it, and spent 5 months trying to figure out how to talk about it. Last year, I listened to the audiobook, loved it, and spent 6 months trying to figure out how to write about it. I failed both times — and I’m not sure that I figured out how to talk about this book, but at least I got something posted. Short version: if you see a book by Robin Sloan somewhere, read it.

SourdoughSourdough

by Robin Sloan
Hardcover, 259 pg.
MCD Farrar, Straus and Giroux, 2017

Read: September 27 – 28, 2017

There’s a version of this where all I do is talk about how this is similar to/different from Mr. Penumbra’s 24-Hour Bookstore — but I don’t want to do that. Let me just say up front that if you liked Mr. Penumbra’s, you’ll dig this. If you didn’t like it, you will dig this — and you probably were having a bad day or weren’t paying attention when you read Mr. Penumbra’s (or you were created by the Tyrell Corporation). So let me sum up: you will dig this book.

This is the story of Lois Clary, a computer programmer working on ways to help robots redefine the concept of work for the future. It sounds like a dreadful place to work — intellectually rewarding, maybe; challenging, yes; but between the hours, the pay and the culture? No thanks. The work is demanding enough that they don’t have time to eat/prepare food, many using Slurry, “a liquid meal replacement,” for several meals each week.

Slurry was a nutritive gel manufactured by an eponymous company even newer than [the company Lois works for]. Dispensed in waxy green Tetra Packs, it had the consistency of a thick milkshake. It was nutritionally complete and rich with probiotics. It was fully dystopian.

Into her overworked and nutritive gel-sustained existence comes a menu for a small cafe that delivers. Their specialty is a spicy soup and a spicy sandwich. The sandwich is made on sourdough bread, and you get an extra slab with the spicy soup. This sourdough is a special thing (you may have guessed that based on the title). This becomes her new favorite food, and what she eats when she’s not consuming the gel.

She develops a semi-relationship with the brothers behind the soup/sandwich, and when they have to leave the country, they give her a part of their sourdoughs starter and a lesson on bread preparation (Lois doesn’t cook, and doesn’t come from a family that did). The starter has specific instructions that reminded me of what’s given when someone buys a mogwai — and just as important. Before she knows it, Lois is baking for herself, to give to others, and even to sell. She’s building a brick oven and really branching out socially (and keeping up with her work, too) — in this, Lois starts to enjoy life and work. I’m pretty sure this is the first time since school (if not ever) that this is true for her.

As she gets more involved with bread making, Lois makes friends, she travels a bit, meets new people — discovering three strange little subcultures along the. She also carries out an email correspondence with one of the brothers as he pursues his dream. That’s all I’m going to say about the plot — there is more to it than I said, but not much.

There’s something like magical realism at work throughout this, but I wouldn’t call it that. Mostly because, it’s weird science, not magic. But it’s probably not real science, just science the way we’d like it to work. Not so much so that this is Fantasy or Science Fiction, just… I don’t know what to call it. Whimsical science? 

It’s the way that Sloan tells the story that makes it worth it — there’s a spark to his writing that makes you want to read it. Lois’ world is our world, only better (and maybe a little worse), filled with interesting people doing interesting things. There’s a humanity in the narration, in the action that I can’t get enough of (ditto for his other work). There’s a humor throughout, but it’s not a funny book. But man, it’ll make you happy just to read it. I loved being in this world — it almost didn’t matter what happened to Lois and her starter (not that I didn’t enjoy it), just reading Robin Sloan’s prose is good enough for me. I’ve got a list of 10 quotations I wanted to use here that I couldn’t come up with a way to force into this post, and I think I could’ve easily let the size of that list double.

A book that will make you think, that may inspire, that will make you smile — that will make you want carbs (no joke — it required Herculean effort on my part each time I read a chapter or two not to call my son to tell him to bring home a fresh loaf from the bakery he works at), Sourdough is a gem.

—–

4 1/2 Stars

2017 Library Love Challenge

Looking for YA/NA/other recommendations 

(how’s that for a broad category?)

I’ve been asked for help with compiling a list of books, that I’d describe as falling in the upper edge of YA, or “New Adult,” or something that would work for those readers. They should be less violent than Katniss Everdeen’s Games, with a similar level of romance/sex. Maybe similar to the last couple of Harry Potters.

Any thoughts, my friends? 

Travels and Travails of Small Minds by Daniel Falatko

Travels and Travails of Small MindsTravels and Travails of Small Minds

by Daniel Falatko

eARC, 252 pg.
The Ardent Writer Press, 2017

Read: September 20 – 21, 2017

“I feel like I’m stuck in a mystery novel written by an unhinged individual, Amy.”

There’s a lot of truth to that lament Nathan makes to his girlfriend, Amy. In the same conversation, she had a different take on it:

“Mystery Englishmen? Ever-evolving eccentric casts of characters? Intricate layers of plot involving absolutely nothing? Two unaware and wayward employees leading the story? Nathan, you are living in a Wes Anderson film. And I’m not sure if I like it. You’re definitely more Life Aquatic than Rushmore at this point.”

There’s a lot truth to that, too. At the same time, neither of them is quite right (and please, don’t go looking for a Wes Anderson/unhinged mystery writer kind of book, you won’t get it. But you may get something that appeals to someone who’d like that kind of book). Just these commentaries on Nathan’s life during this novel shows you just how strange this is.

I don’t want to say there isn’t a plot — there is one; nor do I want to say that it’s not important, or nonsensical — there is a good amount of sense and it is a pretty good story; but compared to the experience of spending time with Nathan, his friends and colleagues, as well as those he meets over the course of the novel outweighs the story.

You’ve got Nathan; his girlfriend, Amy; his boss Dr. Behr, an elderly gentleman who just might be the living incarnation of “eccentric”; his coworker, Edward, who has spent far too many years working for Dr. Behr; and Nathan’s neighbor, who seems to do little other than use recreational pharmaceuticals. Throw in the study of a beatnik novelist of dubious quality, the attempted illegal eviction of a young woman, and some strange British citizens, and then step back and watch the lunacy begin. There’s a real estate deal at the core of this — which allows Falatko to indulge his fixation on NYC rental properties (and seals my conviction that I’ll never move there) — the sheer number of things that are wrong with the deal and that can go wrong with it. And here we are, proof that I can’t talk about this book in a way that makes a whole lot of sense.

This is a funny book, but not a comedy. It’s absurd in the best sense. It’s a wild ride, with a very human — and relatable center. Relatable might not be the best word, because I can’t imagine that any reader will have an experience like it. But even at the strangest moments, you’ll find yourself nodding with Nathan’s actions and reactions, saying to yourself, “yeah, I can see why he’d do that.” Even the conclusion that the plot careens to — for most of the book you’d say that wouldn’t work at all, but by the time it happens, it seems pretty perfect.

The illustrations are a nice touch — I don’t know that I needed them, and I don’t know that they really added all that much. At the same time, I enjoyed them. At what point was it decided that only kids could use a picture every now and then in their books?

I wasn’t a fan of Falatko’s previous novel, Condominium, but I thought it did display an element of talent. Travels and Travails put a lot more on display, and kept me entertained and engaged (and frequently smiling) throughout the novel. Although, I should note that I also spent a good deal of time wondering what I’d just read and why — but I was having such a good time that I really didn’t care about the answers to those questions. You won’t read many books like this one, but you’ll wish you could.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion and participation in this book tour. I just wish I had something more coherent to say about it.

—–

3.5 Stars

Book Spotlight: Travels and Travails of Small Minds by Daniel Falatko


Welcome to our Book Tour stop for Travels and Travails of Small Minds. Along with this blurb about the book, my take on the book will be posted in a little bit.

Book Details:

Book Title:  Travels and Travails of Small Minds
Author: Daniel Falatko
Details: 252 pages with 10 interior illustrations
Publisher: The Ardent Writer Press
Release date: October 1, 2017

About the Book:

Nathan is not ambitious, and he is perfectly happy doing nothing at the dusty and cluttered properties office of his boss, Dr. Behr, a quirky ex-literature professor pushing 80.

But things are about to get tossed in the air as Nathan uncovers a mysterious plan of Behr’s to oust one of his
renters for what appears to be a substantial but ill-gotten profit. Behr recruits his slacker employee to help in the plot, but as Nathan questions motives and discovers secrets, it is clear that Nathan might be in for surprises of his own.

About the Author:


Daniel Falatko is the author of a previous novel, Condominium. He is a graduate of the MFA in Writing program at Vermont College of Fine Arts. He lives in New York City.

All Tucked Inn (Audiobook) by Mindy M. Shelton, Tia Sorenson

All Tucked InnAll Tucked Inn

by Mindy M. Shelton, Tia Sorenson (Narrator)
Series: Elizabeth Burke, #1
Unabridged Audiobook, 5 hrs 46 min.
2016

Read: September 18 – 20, 2017


Lizzie Burke lives with her widowed mother and younger brother in her mother’s B&B, which is near the college she starts when we meet her. She makes a few friends on the first day of classes, and things seem to be going pretty well. Until one of her new friends goes missing — and many (not Lizzie) assume she’s been killed. Especially when another girl goes missing not too long after this. Now, as Lizzie and her friends are Criminal Justice majors, I assumed they’d start investigating things on their own, meddling with the official investigations, and get the killer themselves. But nope. They’re just on the sidelines, worrying about their friend and the others — until things happen, forcing them to action.

Meanwhile, Lizzie deals with several guys expressing various degrees of romantic interest in her. All of whom are creeps of the first order. Seriously, she’s like a magnet for them. Hopefully before the next book in the series, Lizzie takes a long, hard look at herself and comes up with some basic standards — or decides not to date until she gets her Master’s. I wasn’t sure what to think of Lizzie for most of the book really, she was pretty passive as protagonists go. But once she started actively doing things, I liked her a lot.

The tone is light and optimistic — there’s some good relationships established between Lizzie and her family, as well as her new friends. It’s basically a cozy with a few very dark and non-cozy chapters thrown in. I think the serial killer’s POV chapters could be stronger and more nuanced — but man, it’s hard to get that right if you’re not Thomas Harris or Val McDermid. Mostly, it’s a bunch of nice people watching something horrific happen in their midst and trying to keep going, and most of that is something I can really get behind.

But I did have a few problems, and I’m only going to talk about them because I think that the book as a whole demonstrates that Shelton has the good to lose them in future books — and, they all took me out of the moment, ruining whatever illusion she’d built with her storytelling.

The police (and/or FBI) procedural aspects were horrible — FBI doesn’t have detectives, they wouldn’t do a press conference that way, there’s no need to get college kids pouring through public records when there are literally people at police stations and/or FBI offices that have access to the same information (and more) who can get it faster. There’s some other spoiler-y problems, too. On the one hand, the problems don’t destroy the story, but man, they took me out of the moment, out of the story long enough to make me wonder about why the author couldn’t take a moment in revision to fix things like that.

My biggest problem was that I successfully identified the killer when they first showed up — chapters ahead of the first abduction, and I never had any reason to question that identification. Which would be one thing if I thought I was supposed to make that identification, but I don’t think I was. The various herrings weren’t just red, they were crimson, maroon, and fire truck red.

The writing itself was okay — there was one moment that Shelton did a really nice job showing that X was attracted to Y, and then followed it up with telling us X was attracted to Y, absolutely ruining the moment. There were a few more things like that — it’s almost as if Shelton doesn’t trust herself or her readers (or both). Another moment that really stuck out to me was where she described someone’s nickname as “a funny nickname” before describing where it came from — no one gets other kinds of nicknames that aren’t just abbreviations of their names. There aren’t depressing nicknames, memento mori nicknames, etc. Just tell us its a nickname, describe the incident and move on — better yet, say R is called S because . . . and let the reader supply “nickname” and “funny” to it. Most of all, trust your readers — they’re pretty clever.

A few other niggling problems — the chronology at a point or two is hard to follow; Lizzie says a lot with looks, which is fine if that’s how she is, but maybe the sentence structure could change a little when she does it? The other part that was hard for me was trying to figure out when this took place — and yes, it’s possible that the year was given in the opening seconds of the book and I missed it. But almost no one used call phones (and one who did, flipped it closed), students used pencils and paper in class — yet it seemed to be fairly contemporary otherwise. There were enough references to CSI to make it post-2000, but I’m not sure how much so.

Sorenson did an all right job with the narration — although I’m pretty sure she missed a pronoun or two, and at one point she read a word that doesn’t exist — I had to rewind and listen to the sentence 5 times to figure out what she actually said and then translate it into English. Maybe it was a typo in her copy and she just rolled with it, or maybe she just bobbled the word. Either way, that’s just not good.

Yeah, I had a lot of negative(ish) things to say, but I still recommend the book. This book did its job — it entertained me just enough to keep going and it introduced me to some characters I’d like to spend some more time with (and most of them survived), even if I wasn’t crazy about a lot of their choices/actions throughout the book. I am really very curious about what Shelton is going to do with this series, how is she going to put Burke in the middle of another criminal investigation — will she have learned something from this experience that will help her?

Disclaimer: — I received a copy of the audiobook from the author in exchange for my honest opinion. Which may not have gone as well as she hoped. I appreciate the book, and the interaction with her (she’s pretty funny), but the opinions expressed where fully mine.

—–

3 Stars

Wonder Woman: Warbringer (Audiobook) by Leigh Bardugo, Mozhan Marno

Wonder Woman: Warbringer Wonder Woman: Warbringer

by Leigh Bardugo, Mozhan Marno (Narrator)
Series: DC Icons, #1

Unabridged Audiobook, 11 hrs. and 55 mins.
Listening Library, 2017

Read: September 12 – 15, 2017


So this YA Wonder Woman novel starts off on Themyscira, where 17-ish year-old Diana is struggling to find her identity in the shadow of her mother. In this novel, Themyscira is populated by more than just ancient Amazons, they’ve been augmented by women throughout history who, while dying in battle, call upon a female god. They are then transplanted to Themyscira as a sort of feminist Valhalla.

Diana rescues a young woman from a boat explosion she witnesses, bringing her to the island (but not letting anyone know about her). This starts to destroy the island and the women who live there — and Diana receives quite the prophetic word about this girl. She’s a descendant of Helen of Troy, and like her ancestor, her mere existence promises to bring war throughout the Earth. Unless Diana can bring her to a certain place in the next few days. So Diana grabs a certain lasso, a couple of bracelets and takes off.

Basically, what ensues is a Rick Riordan-esque journey to get Alia to the goal. Sure, they start with a heck of a detour to New York City — which is pretty fun detour for the reader. While in NYC, they pick up a little entourage to accompany them. There are people who are trying to kill the Warbringer (not realizing there’s a way to cure her) before World War III erupts and a few minor figures from Greek mythology show up to make things more difficult.

There’s some really good interaction between Diana, Alia and Alia’s BFF (name escapes me). The action scenes are pretty good. The big twisty reveal wasn’t. There seemed to be some inconsistency about how familiar Diana was with things in the modern world, but on the whole, the book worked well enough I could ignore that. What worked in this book, worked really well. The things that didn’t work, also didn’t ruin anything

As far as the audiobook part goes — Marno does a fine job. Initially, I thought she sounded too much like Hillary Huber, but the more I listened the more I decided I was silly for thinking that. I do think that she could put a little more excitement in her voice during the combat or chase scenes (see the aforementioned Huber for an example), it really didn’t seem matter what was going on in the scene, her reading was the same. But aside from that, I had no complaints.

I’m not saying that i loved it, but I’d absolutely read/listen to the sequel that’s hinted at in the last chapter. Good story, interesting characters, and a pretty good narrator. All the elements for an entertaining 12 hours are there — a good way to spend some time, and a promising beginning to this new series. Although, the next is Batman, and so you have to guess that the third will be everyone’s favorite Kryptonian Boy Scout — hopefully they move beyond DC’s Trinity soon, I’d quite enjoy something like this about The Flash, Green Lantern, etc.

—–

3.5 Stars

IQ by Joe Ide

IQIQ

by Joe Ide
Series: IQ, #1

Hardcover, 321 pg.
Mulholland Books, 2016

Read: September 18 – 19, 2017


The book opens with a criminal in the making, and a very slapstick-y incident. But even while grinning about that, you get the sense that this character isn’t going to be good for more laughs. He’s not — but thankfully, we don’t have to spend a lot of time on him, because Isaiah Quintabe (a.k.a. IQ) finishes his blossoming criminal career. Which is very effective way to introduce Isaiah, the unlicensed investigator, and his world to readers.

After this, we spend some more time with our modern-day Sherlock of South Central LA. He needs money, not another case that he takes on in return for some homemade cookies or something, he’s got a couple of big bills heading his way and requires cash to take care of things. His need for an infusion of cash forces him to align himself with a former friend (there’s a very good reason for that “former”) with a tie to a well-paying client. The client is a famous rapper who is convinced that someone is trying to kill him — he happens to be right, I should add, which makes the book a lot more interesting. (obviously, an investigator looking into a paranoid delusion isn’t going to be as action-packed as one looking into a person actually trying to kill someone). This investigation will bring Isaiah and Dodson into the not-as-lucrative-as-it-used-to-be music industry, into marital problems, petty jealousies, and a whole lot closer to pit bulls than at least one of them wants to be. The case is at once a showcase for Isaiah’s talents and something almost too complex for him.

We also get a series of flashbacks to the events that set Isaiah on this path, how he honed his natural abilities and inclinations to become the man he his — an unlicensed PI that helps out people in his neighborhood, many of whom wouldn’t turn to the authorities. So often with a Sherlock-type character, we just get the finished product — the Great Detective at the height of his powers, knowing all sorts of arcane information. But Ide shows us how Isaiah gets this information, how he earned it, improved his reasoning and observation skills. Also the why behind it all — why didn’t Isaiah take his genius into something that would make him more money? Why does he stay where he is? The flashbacks also show us Dodson and Isaiah meeting and falling out.

The two stories intertwine and are pretty equally intriguing, which is a real bonus.

There’s what seems to be an authenticity to the world Ide portrays — honestly, what do I know about the realities of LA? But it sure feels real, so either way, I guess Ide did his job. The characters — all of them, the good, the bad, the creepy, the slimy and everyone else are wonderfully conceived and executed. The crimes depicted are varied sophisticated (making them worth Isaiah’s time) — and at least one method of assassination is something I’ve never seen before. Ide does a great job of balancing the moods at work, the grim, the hopeful, the silly and all points in between.

There’s a passage in this book that is one of the best brief pieces of writing I’ve read this year, period. As I reread it (at least 5 times), I kept thinking of the Fiction Writing professors I had in college that would’ve made us study it for at least one class session. It’s during the “origin” portion, where Isaiah’s Geometry teacher is explaining inductive reasoning — these four paragraphs give you a strong character, setting, tone, a minor character (and even a brief storyline), a good idea what she looks like, her past, her relationship with her husband — and you get a good working definition of inductive reasoning, too! It’s really great.

This year (most recently, last week), I’ve also talked about another modern Sherlock — Victor Locke. How would I compare the two of these? There’s some similarities, and more than a few differences. At the end of the day, Victor Locke is a lot more amusing and entertaining. Isaiah, on the other hand, I could believe was real (I know he’s not, don’t worry). Isaiah is driven, he’s brilliant, he’s proud, he’s haunted, he has no obvious addictions (phew! wonderful change), he’s a bit more grounded than your typical Holmes-type. Dodson is the least John Watson-y Watson-figure you’ve ever seen, more of a hindrance than an assistant. Thankfully, also he’s not a narrator, and I’m not sure I could’ve handled a book from his point-of-view. It’s hard to summarize, but he works really well in this role.

I thoroughly enjoyed this book from beginning to end, with not a dull moment in between. Isaiah Quintabe is a keeper, and I’m already counting the days until his next book.

—–

4 Stars
2017 Library Love Challenge

The Western Star by Craig Johnson

The Western StarThe Western Star

by Craig Johnson
Series: Walt Longmire, #13

Hardcover, 295 pg.
Viking, 2017

Read: September 15 – 16, 2017


In the last novel, An Obvious Fact, Johnson plays with lines and themes from Sherlock Holmes while letting us get to know that very important woman in Henry Standing Bear’s life while Walt solves a murder. In this book, Johnson plays with Murder on the Orient Express while letting us get to know that very important woman in Walt’s life while Walt solves a murder. It struck me while reading that as large a shadow that Martha Longmire cast over the books (particularly the first few), we really don’t know much about her. We don’t learn that much about her, really, but we see her interact with Walt and Henry — and you walk away with a much better sense of her as a person, not her as the giant hole in Walt’s life.

How do we get this sense? Half of the novel takes place shortly after Walt returns to the States after his time in the Marines, and he’s been employed by Lucian as a deputy for a couple of weeks. Lucian is attending the annual meeting of the Wyoming Sheriff’s Association, and he brings Walt along. This meeting takes place on The Western Star, a passenger train. Shortly after boarding, Walt meets one Sheriff who is convinced that one (or more) of his fellows is murdering people across the state (sort of a Dexter-vibe to the motive), and he needs someone with fresh eyes and a lack of knowledge of the Sheriffs to help with his investigation. This would be Walt, naturally.

Meanwhile, in alternating passages/chapters set in the present, Walt is in Cheyenne for a highly politicized parole hearing (that becomes something a little different) to keep this particular killer behind bars. Johnson’s very good about not tipping his hand about the killer’s identity until Walt uncovers it. While doing so, he stays with Cady and his granddaughter, and annoys some pretty powerful people in the state.

I found the Walt on a Train story entertaining more than intriguing, but the final reveal was well done and made me appreciate it all the more. But while I wasn’t that into the mystery, I really enjoyed watching Deputy Walt and Sheriff Lucian do their thing. It was sad watching Walt’s idealism surrounding the societal/cultural changes that the 60’s promised come into contact with the cold reality that humans take awhile to change. I was really intrigued by the present day story, on the other hand, and wished they could get into more of the details about the case, but it’d have been hard to do while keeping the identity of the killer under wraps.

The events that are revealed after the reveal (in both timelines) will leave fans unsure what to do with themselves until Walt Longmire #14 comes out. I have some thoughts about what that book will end up being, but I’ll hold on to them for now. But it’s going to be something we haven’t seen before.

But this book? Very entertaining, illuminating and the whole time, it slowly but surely reels you in and sets you up for the biggest emotional moments that Johnson has penned to date. Johnson earned the 5th star for me in the last 13 pages.

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5 Stars
2017 Library Love Challenge

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