Category: Fiction Page 24 of 314

Miles Morales Suspended (Audiobook) by Jason Reynolds, Narrated by Guy Lockard & Nile Bullock: Who Needs a Mask? Miles Can Carry a Story on His Own

Miles Morales SuspendedMiles Morales Suspended

by Jason Reynolds, Narrated by Guy Lockard & Nile Bullock

DETAILS:
Series: Miles Morales, #2
Publisher: Simon & Schuster Audio
Publication Date: May 2, 2023
Format: Unabridged Audiobook
Length: 3 hrs., 53 min.
Read Date: January 8, 2024
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What’s Miles Morales Suspended About?

In the shadow of his victory against The Warden (see Miles Morales for details), Miles finds himself the brunt of his History teacher’s antagonism. Miles is sure it’s a prejudice against him, his skin color, his background, or…any number of other things. There’s a small chance it’s just his teacher being a jerk. It’s probably a combination of the two.

Regardless, Miles stands up for himself—and a few classmates have his back. And they end up serving an in-school suspension for it. The bulk of the novel focuses on that day—the doldrums of serving it, the homework assignments Miles has to try to focus on during the day, and all the ways his mind wanders through the day (his crush sitting in the desk behind him doesn’t help him focus at all).

Little by little, however, Miles becomes aware of a threat to him and others present that day. And eventually, suspension or not, Miles’ alter-ego has to step in and save the day.

The Narration

We have Guy Lockard back from the first book and this time he’s joined by Nile Bullock. I think the former handles the narration and the latter handles the parts of the book from Miles’ POV. Feel free to correct me.

Both of these performers brought this to life—the narration is very in-your-face (as is fitting, also reminiscent of Stan Lee’s voiceovers in various projects), and the characterization of Miles and the rest ring true.

I don’t really have anything to say about the narration other than I would listen to these two (together or apart) narrate an audiobook anytime

So, what did I think about Miles Morales Suspended?

There is very little plot to this (and not just because it’s just shy of 4 hours in length). What’s more, there’s very little Spider-Man action. Both of these are actually good things—at least this time. What we do get is a lot of Miles Morales action, we see the young man behind the mask just trying to survive high school, make connections, and grow up. These are the aspects of the characters that have helped people connect with Peter Parker and Miles since the 60s.

Now, don’t get me wrong—if this had all been Miles serving detention, it’d have been hard to put up with (not necessarily impossible). So I’m glad that Reynolds gave us a fun bit of Spider-Man action at the beginning and a pretty epic fight scene to wrap things up.

But that’s not the heart of the book—nor is it the heart of the character. Reynolds understands what drives Spider-Man (whoever is behind the mask), particularly Miles. Although, I’d like to see him tackle Peter just for fun, too.

Including so much poetry took me aback initially (or, at least when I figured out that’s what he was doing). But it fits Miles, it fits the girl he’s trying to impress, it fits this world, the themes of this particular book…and Reynolds knows what he’s doing in verse (unlike so many fantasy writers that litter their novels with questionable poetry). The same should be said for Lockard and Bullock—they know their way around reading verse so that it hits.

Is this the book I wanted and/or expected about Spider-Man or based on the previous novel by Reynolds? Nope. Do I care? Nope. Because it was fun, inventive, thought-provoking, and true to the character (yeah, a little heavy-handed, too—but that also sort of fits the classic Marvel modus operandi)


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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PUB DAY REPOST: Mislaid in Parts Half-Known by Seanan McGuire: One of McGuire’s Best (no matter what series). A Magical Novella

Is it cheating to call a Fantasy Novella “Magical”? Isn’t that part of the definition?


Mislaid in Parts Half-KnownMislaid in Parts Half-Known

by Seanan McGuire

DETAILS:
Series: Wayward Children, #9
Publisher: Tordotcom
Publication Date: January 9, 2024
Format: eARC
Length: 160 pg.
Read Date: December 13-14, 2023 
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Continuity Counts

By and large, the Wayward Children books can be read in any order—sure, things will mean more if you read them in order of publication (so far, anyway). It’s easier that way to catch allusions, understand the depth of relationships, come close to tracking what Sumi is talking about, etc. But you can get away with skipping around.

But you really need to read this one after Lost in the Moment and Found. It’s the closest thing to a direct sequel that we’ve had in this series. It’s also kind of a follow-up to Where the Drowned Girls Go (and, as always, touches on several others).

This is largely Part II of Antsy’s story—the story is shared by a group of the students (my favorites in the series) on one of those quests they’re not supposed to undertake—and whoops, I’ve started writing the next section.

What’s Mislaid in Parts Half-Known About?

Antsy is having a hard time adjusting to life at Eleanor West’s School for Wayward Children, almost as much trouble as she’d be having adjusting to anywhere else on Earth. Part of that comes from not being as honest about her circumstances as she could’ve been—understandably so, I think—which just made everything worse.

Still, there are signs that things may get better, helped a little by Antsy being able to find anything for people. Then Seraphina (who can get anyone—with one or two exceptions—to do what she wants) decides to use her abilities on Antsy to get her to find her Door.

Ansty, Sumi, and some others (I’m not going to name them to keep your interest piqued) manage to slip away using Antsy’s ability to find things and her knowledge of how Doors work, eventually getting back to the Shop Where the Lost Things Go. Which wasn’t exactly where Antsy wanted to be—and she learns that things there hadn’t gone as expected when she left and a whole new quest develops.

Not About Jim Morrison’s Band

When I wrote about Lost in the Moment and Found earlier this year, I said:

This entry would be a worthwhile read for fans if only for this one thing—we learn more about the Doors and how they work. I’m not going to go into it, obviously, nor am I going to promise that every question you had about the Doors will be answered—actually you’ll likely end up with new questions, but they’ll be informed questions.

That’s true here, too. In fact, we learn so much about them that I almost don’t want to learn anything more about Doors for another 8+ books so they don’t get too demystified. McGuire being McGuire, I know that if she reveals a whole lot more in the next book, I’ll end up repeating everything I said prior to this sentence—and I’ll be happy and equipped with more questions.

Regardless—what we do learn here is fantastic. It both makes utter sense—in the way that maybe we all should’ve guessed it already (maybe some did)—in terms of storytelling, worldbuilding, and more. I wonder what (some of) the students understanding this is going to do to things going forward. If anything.

Future Continuity

Speaking of things going forward, something major is on the way for Eleanor West. It’s been hinted at before, but so many things in this book point to it happening soon (but in Wayward Children-time, it could take 3-4 novellas for us to get to “soon”). I’m eager to see it, as much as I’m dreading what it might mean.

One Quick Character Note

Every protagonist of these novellas—and a significant chunk of the supporting characters—has been wonderful. With the exception of Seraphina and her crew*, I like all the students we’ve met at the School and want to know more about them all.

* I’m waiting for McGuire to decide it’s time to humanize them so we readers will root for even them, and we’ll feel bad for not doing so earlier.

But…from the moment we met her, Sumi’s been a favorite of mine. I should probably use the definite article there, actually. So I’m not unbiased when I say that in Mislaid in Parts Half-Known she is glorious, but she really is. She’s funny, she’s loopy, she’s brave, and she’s wise. Hard as that last one might be to believe. She’s also rather clever and displays that at the end.

The main parts of the story belong to Antsy and a couple of other characters—but Sumi stole every scene she was in and I really just want a few in a row featuring her.

So, what did I think about Mislaid in Parts Half-Known?

This is not my favorite Wayward Children book, but it’s close. There aren’t one or two big emotional moments like there typically are in these (at least not that hit me…your results may vary). But there were a handful of small emotional moments that worked so well—in terms of what happened to someone, how it impacted the other characters, and the way that McGuire wrote them—that I don’t care. It might even be better this way.

The worlds we saw were wonderful—really, you could set an entire fantasy trilogy in them without reference to any other. The world hinted at on the cover, for example, could easily sustain a 1,500-page trilogy full of whimsy and danger.

There’s probably more humor and smile-inducing moments here than several of these books combined sport. Which was a nice bit of fresh air (in a series that really doesn’t need it, but that doesn’t mean it’s not welcome).

Naturally, there are characters we’re not likely to see again due to the nature of these books, and I’m going to miss them. Although the endings they got were well deserved and well executed.

I almost always walk away from a Wayward Children book feeling satisfied and a little in awe of McGuire—I think that feeling is larger this time just because of the number of emotional and story notes she managed to hit, the storylines she was able to incorporate and resolve, the ones she just moved forward, and…everything else in 160 pages. It shouldn’t be possible. This book (like most in the series) is bigger on the inside.

A few paragraphs back, I said that this wasn’t my favorite in the series—but at the moment, I’m having trouble understanding why (but I’m going to trust my earlier impulse). But it is so, so, so good. I’m having trouble coming up with adequate adjectives at this point.

Go get this in January. Order it now (and/or request it from your library). If you haven’t read these books yet, go. At a bare minimum, get the first, Every Heart a Doorway, and then Lost in the Moment and Found, so you can be ready for this one when it’s released. You can catch up on the others later.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley—thanks to both for this opportunity. The opinions are all mine.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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My Favorite Non-Crime Fiction of 2023

2023 Favorite Non-Crime
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s typically almost 40% Crime/Thriller Fiction, the rest of fiction is around 30% combined. This is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

When it comes to this particular list of favorites this year, it was harder than I expected. I got it down to 17 with relatively no problem. But trimming those last 7 was difficult. I waffled a bit—and considered a top 15, but I talked myself out of it and have a list of 10 favorite non-Crime Fiction Novels of 2023 that I really like. Hopefully, you will, too.

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

Chain-Gang All-StarsChain-Gang All-Stars

by Nana Kwame Adjei-Brenyah

My original post
If there’s a book I’ve recommended more frequently this year, I can’t think of it. I’ve also bought more copies of it to give away than any other. At the core, this is a satire and critique of the American culture–particularly as it relates to sports, mass entertainment, and (most importantly) the carceral system. Pitting convicted felons against each other in gladiatorial fights-to-death, selling merch featuring them, turning them into Reality TV personalities between bouts…Adjei-Brenyah holds up the worst of the US to look at.

It’s a book about death—violent death at the hands of violent people who only hope to go on so they can kill again—However, in a serious way the book is really about life. It’s a celebration of life, a call to protect it, a call to see it for what it is. It’s a reminder that “where life is precious, life is precious.” It’s impossible to read this without being moved–perhaps to action. But it’s also a visceral and exciting read that can entertain you without forcing you to think deeply about what it wants you to.

(I don’t know why I knocked it 1/2 a star at the time…I can’t think of a reason for it now, but…)

4 1/2 Stars

Partial FunctionPartial Function

by JCM Berne

My original post
This has none of the socially redeeming characteristics of the above book. But it does have wuxia-inspired magical martial arts, super-powered dinosaur-like monsters, a John Wick/Bryan Mills character if played by Michelle Yeoh, and snappy dialogue. It’s a story about a retired warrior who gets back to work so she can rescue her kidnapped daughters and the wake of destruction that follows (a mighty wake it is, too). And it’s just fun from beginning to end.

5 Stars

The Perception Of DollsThe Perception Of Dolls

by Anthony Croix, Edited by Russell Day

My original post
I did an inadequate job of describing this book and what I was blown away by in 15 paragraphs. There’s no way I’m going to manage it in the 1-2 paragraphs I give myself for this.
I’m dazzled by this book. I was hooked to an extent I’m not used to. I was captivated. I was (at least momentarily) obsessed with it. That’s worn off in the 50 weeks it’s been since I’ve finished, but it would take me no more than 5 pages of a re-read to get back to that. This is a recounting of one investigative reporter’s look into a triple homicide and attempted suicide in a home, the paranormal research that occurred in that home decades later, and the very strange (to put it mildly) things that happened to everyone involved in both of those things.

Russell Day takes you on a ride that you will find difficult to articulate (which is fine, he does a fine job of it on his own) and that will linger in the back of your mind for a long time.

5 Stars

The Hero InterviewsThe Hero Interviews

by Andi Ewington

My original post
The child and sibling of heroic adventurers, Elburn Barr, has taken a different path in life—one fit for someone with his particular set of skills (or lack thereof). He is a Loremaster—no spells, weapons, or danger for him, thank you very much. At this point in his life/career, Elburn has set out to understand what makes a hero tick—what is it that drives them, what early influences molded them, how do they keep going on? Does it vary from type to type? Are Barbarians made of different stuff from a Cleric or a Thief? What about a Ranger or a Wizard? In addition to interviewing various leading examples of each type of hero, he talks to non-heroes, too. Like a farmer whose farm was saved(?) by some heroes from a dragon, the curator of a hero museum, people who run/design dungeons, etc.

This is a novel trying to look like a series of comic episodes/scenes/lines. It takes a while to see the plotlines emerge—it really does seem to be a light-hearted look at D&D clichés, stereotypes, tropes, etc. at the beginning—but eventually, you start to see the story arcs emerging and even start to see the protagonist grow and develop. That’s something I didn’t expect to see when I started reading this because I did think it was just a series of comedic bits. It’s hard to tell if Ewington is more interested in telling a story or making his jokes—in the end he gives you enough of both that the question is academic.

4 Stars

Not PreparedNot Prepared

by Matthew Hanover

My original post
Hanover’s fourth novel is the first to have a protagonist outside of their 20s, and the added maturity pays off. While this book is at heart a Rom-Com, the romantic story takes a backseat to the love story between the girl who needs a family and a bachelor who didn’t expect one. There’s still plenty of “rom”, and a good amount of “com” of a handful of stripes (particularly when it comes to a single man being thrust into dealing with a young girl at the cusp of puberty)—but there’s a lot more, too. Told with Hanover’s trademark wit, charm, and grace—prose that moves so smoothly you don’t realize how long you’ve spent sucked into his book. The emotions are real and grounded—both positively and negatively. His depictions of anxiety really impressed me, and there are scenes that got me choked up.

4 1/2 Stars

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

My original post
Any fears anyone had about Jacka’s post-Alex Verus career should have been assuaged by this book. It’s an introduction to a new kind of magic, a new kind of magic society, and a protagonist who is so different from Verus that you wouldn’t guess that Jacka wrote it if you didn’t have his name all over the place. This is kind of the reverse of the Hanover book—Jacka moves on from a mature character who knows his place in the world to one who is immature, unsure of his own abilities, and a complete beginner to the magical society of England (and, presumably, the rest of the world). And Jacka nails all of it. I couldn’t believe how easily I took to this world and I anticipate getting more immersed in it.

4 1/2 Stars

Mrs. Covington'sMrs. Covington’s

by K.R.R. Lockhaven

My original post
The thing with Cozy Fantasy is that the plot comes second (if not tertiary) to things like character and atmosphere. Mrs. Covington’s shines here–it’s such a pleasant, comfy atmosphere that it trumps everything else. A treasure hunt with the staff of the friendliest bar this side of Cheers! might be the plot of this cozy fantasy novel. But the book’s core is kindness, community, optimism, and helping. Also, Nachos. Brought to you in a great fantasy world with a light and engaging voice, Mrs. Covington’s will leave you snug and content.

4 Stars

On the Savage SideOn the Savage Side

by Tiffany McDaniel

My original post
This was just a brutal read. Every time you get a glimmer of hope, a glimmer of a feeling that things might be okay for some of these characters—something snuffs it out. But there’s another source right around the corner. But there’s beauty in the darkness. And a drive to keep persevering shared by the reader and the characters. I wondered more than once why some of them kept trying—but they did. There’s a serial killer on the loose, and a good deal of the plot is about that. But this isn’t about the hunt for the killer or anything like that. It’s a novel about the women who may be his target and their fears about it. It’s also about the rest of their lives—how they got to the point where the killer might be hunting them and what might happen if they get out of there.

Like always, Tiffany McDaniels delivered a book that’s going to stay in my subconscious for a while—lurking there, making me rethink what I read from time to time. It’ll probably stay there until her next novel comes along (Betty‘s been there for a couple of years, and really only was dislodged by this one—and The Summer that Melted Everything is still there all these years later). It’s somber, it’s sober, and it’s difficult to read. But it’s so worth it in ways I cannot adequately explain. It’ll make you think. It’ll make you feel.

4 1/2 Stars

According to MarkAccording to Mark

by H. B. O’Neill
Unlike the first 8 books on this list, I haven’t written anything about this until now. The pitch I was given about the book was, “It’s about a love affair gone wrong and a guy who’s obsessed with Mark Twain who becomes a voice in his head that eventually leads to Twain pushing the fella towards suicide.” I don’t know if this makes it sound appealing to you or not. So let me say this: If Chain-Gang All-Stars is the book I’ve recommended most this year, then According to Mark is in 3rd or 4th place. Given that I read it at the end of November, that tells you how much I’ve been talking about it lately. It’s comic. It’s dark. It’s disturbing (on more levels and in more ways than I can describe). There’s a fantastic and real love story in the center of it. It’s heartbreakingly sad. If you’ve read anything like this before now, I’d be surprised (and I want to know what it is!), but you’re going to want to read this when it’s published soon.

There’s more I should say, but I’m going to do it in a longer format.

5 Stars

Guards! Guards!Guards! Guards!

by Terry Pratchett
I spent some time earlier this fall asking for recommendations to get me to give Discworld another shot—and overwhelmingly, this book was recommended to me. Everyone who did that was utterly correct. It’s one of the best mixes of story and comedy that I can recall reading and I can see after a re-read or two (which it’ll almost certainly get from me) that at least one book in this series within the Discworld series is going to end up in my pantheon of comedic greats. I’m working hard to ensure I get to the rest of these in 2024 because now that I understand what I was missing with Pratchett, I don’t want to miss out any longer.

4 1/2 Stars

Such Sharp Teeth (Audiobook) by Rachel Harrison, Kristen Sieh: Hallmark’s Werewolves

Such Sharp TeethSuch Sharp Teeth

by Rachel Harrison, Kristen Sieh (Narrator)

DETAILS:
Publisher: Penguin Audio
Publication Date: October 4, 2022
Format: Unabridged Audiobook
Length: 9 hrs., 8 min.
Read Date: December 26-28, 2023
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What’s Such Sharp Teeth About?

The Publisher’s website says:

Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.

Rory survives, miraculously, but life begins to look and feel different. She’s unnaturally strong, with an aversion to silver—and suddenly the moon has her in its thrall. She’s changing into someone else—something else, maybe even a monster. But does that mean she’s putting those close to her in danger? Or is embracing the wildness inside of her the key to acceptance?

This darkly comedic love story is a brilliantly layered portrait of trauma, rage, and vulnerability.

How Was the Narration?

Sieh matched the energy and tone of the book—elevating some of the text with her performance.

So, what did I think about Such Sharp Teeth?

If I took the time to make a pros and cons list…I think the pros would win but by a hair.

The way the book is set up—a high-powered businesswoman from “the City” coming back to her hometown, only to meet with her High School friend who’s been carrying a torch for her since then. Things spark up between them and she’s starting to consider leaving behind all the power and money for this humble guy from a small town. I couldn’t help but think of every single Hallmark Movie parody I’ve seen/read when she talked about “the City.” And most of the storyline surrounding them reminded me of those movies/parodies, too.

The pros, however…Harrison delivers some great werewolf fiction here. The initial bite, the transformations…just about everything that Rory does to investigate her new condition…and more is so well done, and in many ways is superior to every other werewolf novel I’ve read. It’s some really solid and creepy work there, and I wish more of the book lived up to it.

In the end, it was good enough. It kept me engaged, the story moved well, and I can’t say enough about the depiction of lycanthropes. I do recommend Such Sharp Teeth, but with a few caveats.


3 Stars

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The Mayors of New York by S.J. Rozan: Let Your Honesty Shine…

The Mayors of New YorkThe Mayors of New York

by S. J. Rozan

DETAILS:
Series: Lydia Chin & Bill Smith, #15
Publisher: Pegasus Crime
Publication Date: December 5, 2023
Format: Hardcover
Length: 280 pg.
Read Date: December 21-25, 2023
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What’s The Mayors of New York About?

New York’s first female mayor has a problem. A few months after taking office, her fifteen-year-old son has run away. It’s not the first time, but it’s the first time since she’s been elected. She’s in the middle of high-stakes negotiations with a police union, so Mayor McCann doesn’t feel like she can turn to them without taking some PR hits/weakening in the negotiations.

So, she has her aide hire Bill Smith (who brings along Lydia, of course). It’s not easy tracking down one of the most recognizable teens in the city without letting anyone know you’re doing that—and it almost seems like the “without letting anyone know” part might overrule the “finding the teen” part of the job.

Now, Lydia’s trying to decide if she takes on a case of her own at the same time. Readers know long before they do that these cases will end up intertwined—otherwise, why would Rozan bring it up? And once Bill and Lydia cotton on to that, a hunt for a runaway takes on a whole new layer. Possibly several layers.

The Characters

Nah, I’m not going to talk about Bill and Lydia today—I honestly don’t know if I have anything else to say about them outside how they’re probably my favorite partnership in Crime Fiction (Robin/Cormoran—learn from these two. They trust each other and communicate frankly. Your lives will be the better for it, and the books will be shorter, too. Everyone wins.).

I want to talk about Mark McCann a little bit. At first, he’s just the target. He’s little more than a MacGuffin to get the plot moving. Then we start to learn a little about him and he becomes an actual character—one I want to learn more about. Then we get to meet him, and I like him a lot. And then Mark goes ahead and does some clever and stupid (read: dangerous) things and I want to see more of him.

The wanting to see more of him goes for everyone who’s alive and not under indictment of some sort at the end of the book—the McCann’s household staff, the people who help Mark along the way (and then help Bill and Lydia), and so on. I know it’s not really Rozan’s style, but if we could run across them in future books for a chapter or so just to spend more time with them, I’d really enjoy that. These all have a little more life to them than your typical witnesses, bystanders, and so on in PI Fiction. I particularly appreciated the way they all want some sort of Mayoral favor shown to their neighborhoods/communities and the way that Lydia takes notes to pass them along. A very nice—and real—note.

I feel like I should spend a few paragraphs on the most interesting character in this novel—Aubrey “Bree” Hamilton, the mayor’s aide who hires Bill to look for Mark. She and Bill dated years ago, and it’s clear from Bill’s First-Person Narration that the chip on his shoulder regarding this particular cheating %#&@ has is still pretty deep, no matter what degree of happiness he’s found elsewhere. It’s not just the way she cheated on him—Bill has no sympathy for her former PR clients (lawyers, largely) or the politicians she now works for, assuming everything they do or say is calculated for their benefit. He trusts Bree less than her bosses—and we see that throughout—but something about a 15-year-old boy who keeps running away from home speaks to Bill, so he has to investigate.

I got off target there, but I thought I’d explain Bill taking the case when he can’t stand anyone involved. Bree is a perfectly designed character—the reader can see how she’s good at her job, calculating, smart, and generally three steps ahead of anyone (aside from our protagonists occasionally). It’s impossible to tell how much she believes a lot of what she says, or if she’s saying it out of duty. And then there’s what she says to yank Bill’s chain a little bit. Bill (and therefore his narration) is so jaded against her that it’s hard for us to know how much of our negative reaction to her is justified and how much it is seeing her through Bill’s eyes. A great move by Rozan.

So, what did I think about The Mayors of New York?

The pace is fast without being breakneck. The dialogue is sharp and witty. Bill’s narration has never been more hard-boiled (his contempt for the client/client’s intermediary helps). The characters jump off the page. It’s what you want in a PI novel.

Early on, I had inklings about what was behind everything (and I’m pretty sure Rozan intended readers to). As the plot moved forward and we received more and more confirmation about those inklings, it made me uncomfortable and a little queasy. Why couldn’t I have been wrong? Why couldn’t these have been red herrings? Thanks to some skillful storytelling you don’t get bogged down in the wrongness of everything that’s afoot—it’s there and it colors everything, but your focus becomes on the characters dealing with it all, the reveals to other characters and the nail-biting way this story is resolved.

Yes, I think Rozan could’ve just as easily and skillfully let the characters and readers wallow in the muck of the crimes behind everything—but it would’ve changed the tenor of the book so much that the early chapters would feel out of place, and we probably wouldn’t have found some resolution that’s as satisfying.

Also, just because some things weren’t red herrings, don’t think that Rozan doesn’t toss enough of them at the reader to keep you wondering.

Rozan has been on a hot streak since Paper Son, and The Mayors of New York shows no signs of her slowing down anytime soon. And I am more than okay with that. If you’ve never indulged in this series before—this would work as a jumping-on point. Almost any of them would, really. The trick is to jump on somewhere for some of the best that PI fiction has to offer. A touch of the classic American PI added to a hefty helping of the 21st century. The Mayors of New York is one I heartily recommend to all.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Ozark Dogs by Eli Cranor: The Sins of the Fathers…

I’ve been trying to write about this book since April. I know I’m not going to do this justice, and so I keep procrastinating. But with 2 posting days left this year…I can push it off no longer.


Ozark DogsOzark Dogs

by Eli Cranor

DETAILS:
Publisher: Soho Crime
Publication Date: April 4, 2023
Format: Hardcover
Length: 290 pgs.
Read Date: April 12-13, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Ozark Dogs About?

One of the bigger hurdles for me in completing this post was figuring out what to put here, I toyed with:

It’s by Eli Cranor, which means it’s going to have a Southern Noir sensibility, is probably going to have something to do with family, and is going to be excellent. That’s all you really need to know.

I still stand by that, but figure you need more, I just wasn’t sure what to say. I’ve finally given up and am just going to paste what Soho Crime has on their website (which, frankly, gives away more than I would’ve).

After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

Headed by rancorous patriarch Bunn and smooth-talking, erudite Evail, the Ledfords have never forgotten what the Fitzjurls family did to them, and they will not be satisfied until they have taken an eye for an eye. As they seek revenge, and as Jeremiah desperately searches for his granddaughter, their narratives collide in this immersive story about family and how far some will go to honor, defend—or in some cases, destroy it.

Consequences

Don’t get me wrong—there’s plenty of crime, tension, drama, and all the rest in the novel’s “today.” But in a very real sense the novel isn’t about any of that. It’s about what happened almost two decades before this that set the families on their courses and what the outcomes of those courses are.

This is a book about ramifications, consequences, pigeons coming home to roost—however you want to put it. When you read about those earlier events a part of you is going to ask, “Why didn’t Cranor write about that?” Most—or at least many—authors would’ve, and then some would’ve added something like this as a sequel. Or maybe as Part II in a longer novel.

Cranor’s not about that, though. His focus is on what those events do to the present. How they’ve shaped the lives of those in the present (primarily without their knowledge or understanding), and how the sins of the fathers can be visited on their sons and daughters.

The Author’s Note

Frequent/Regular readers will know that I almost never mention this kind of thing when I talk about a novel. Do read this one after you finish reading about the Fitzjurls, the Ledfords, and the rest.

Unless I miss my guess, you’ll agree with every syllable.

So, what did I think about Ozark Dogs?

This, like Cranor’s first novel, would be really easy to over-hype, so I’m going to try to be restrained here.

The prose is so sharp, so…on point. You can tell every syllable was considered, if you read portions of this aloud (or, I’m sure, listen to the audiobook) you will feel the work that went into it—although it’s so smooth and flowing that it comes across as effortless. You see exactly what Cranor intends you to see, probably feel what he intended, and understand the motivations (even the ones that disgust you) of these people in precisely the way he planned.

The dialogue is so well done that you might find yourself sounding a bit like someone from Arkansas for a day or two after you finish.

These characters—it’s hard to think of them as characters, really, they’re people. People you can imagine seeing on the news or in a documentary about all this. It won’t be the most flattering documentary about anyone, I should add. I think every single one of them crosses a line—more likely many lines—that they’ve known their whole life they wouldn’t cross, at least have resolved they wouldn’t cross again years ago. But they do, sometimes with regrets, sometimes with eagerness. And your heart breaks for them, even for some of them that you hope horrible things happen to by the end of the book. Fully developed, fully realized, very human (read: fallible and flawed) characters on every page.

Earlier I said this book is about consequences, and that’s stuck with me for months. But it’s also about devotion—sometimes devotion that borders on obsession. Devotion to a cause, devotion to an idea, devotion to yourself, or (the most dangerous?) devotion to a person (or group of people). There’s a straight line between every character and what they’re devoted to and those consequences.

But if you don’t want to think about books like that—and you’re just looking for a great read? Ozark Dogs fulfills that, too. It’s a full-throttle, action-packed, revenge-driven, thrill ride with great fight scenes, enough blood and guts to satisfy the reader looking for that, and some twists and reveals that’ll stun you.

Cranor gives us another thriller that you can give to an anti-genre snob, who’ll appreciate it as much as people who only read Crime Fiction/Thrillers will. If you haven’t read him yet, do yourself a favor and get this (and Don’t Know Tough) now and start waiting for his July release while you’re at it.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Chimes by Charles Dickens: A Different Set of Bells You Don’t Want Tolling for You

The ChimesThe Chimes

by Charles Dickens

DETAILS:
Publisher: Fahrenheit Press
Publication Date: November 15, 2023
Format: eBook
Length: 94 pg.
Read Date: December 21-22, 2023
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There are not many people—and as it is desirable that a story-teller and a story-reader should establish a mutual understanding as soon as possible, I beg it to be noticed that I confine this observation neither to young people nor to little people, but extend it to all conditions of people: little and big, young and old: yet growing up, or already growing down again—there are not, I say, many people who would care to sleep in a church. I don’t mean at sermon-time in warm weather (when the thing has actually been done, once or twice), but in the night, and alone.

What’s The Chimes About?

Apparently, the original title of this was: The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In. But for pretty obvious reasons, people shortened the name to The Chimes when talking about it, and this edition went with the short version, too.

The Chimes are the bells in a church steeple–powerful goblin spirits reside in them, (not everyone gets to see the goblins–or this’d be a very different kind of story). Our protagonist, Trotty, is summoned to the steeple by these bells. Bells he’s lived under for years and has come to love their ringing. However, he’s now called to account by them for…essentially losing faith in humanity and disparaging them. Particularly lower-class humanity–like he’s part of.

Trotty is a ticket-porter, barely scraping by–but is a hearty, cheerful man. His daughter is in love with someone who hopes to marry her soon. But Trotty reads something in the news one day (inspired by a true story, incidentally) that makes him doubt people’s goodness. This is followed by him being hired by/interacting with an Alderman and an MP who look down the poor, exacerbating Trotty’s dismay.

These bells show Trotty a future in which he dies that night and how the ripples from his death impact the lives of several of his acquaintances. Very much in a Ghost of Christmas Future kind of way. But these are darker futures than anything Scrooge saw, if you ask me.

Trotty repents of his negative outlook and does something in this vision that proves his sincerity. He’s brought back to the present and life is good–even better than it was thanks to his attitude adjustment.

Oversimplification, I know, but I’m still trying to stay away from details. It’s only been in print for 179 years…

These Guys are The WORST

So this year I’ve read about misanthropes, mass murderers, people who kill without remorse, people who target minorities for fun, demons and other monsters, etc., but I’m honestly not sure that there were people who disgusted me and enraged me nearly as much as Alderman Cute and Sir Joseph Bowley.

Bowley loves to think of himself as a benefactor to the poor, a charitable soul…listen to him brag about it a bit (to an actual poor person),

Every New Year’s Day, myself and friends will drink his [a generic poor person’s] health. Once every year, myself and friends will address him with the deepest feeling….‘I do my duty as the Poor Man’s Friend and Father; and I endeavour to educate his mind, by inculcating on all occasions the one great moral lesson which that class requires. That is, entire Dependence on myself. They have no business whatever with— with themselves.

He does (at least in the vision), bring poor people into a great New Year’s feast with his guests so they can see he and his friends drink to their health and hear paternalistic (at best) speeches about how they need to better themselves, although they probably can’t because if they could…well, they wouldn’t be poor, after all.

Cute dissuades Trotty’s daughter and her beloved from marrying because it’s not like they’ll be able to subsist on whatever money they can eke out–and they’ll just end up having kids they can’t afford to feed, and thereby expanding the need for welfare and whatnot.

Sure, Dickens was probably exaggerating for satirical purposes. But I doubt it was much. And it’d be really easy to imagine these despicable guys as contemporary figures.

Dickens’ Writing

He saw the tower, whither his charmed footsteps had brought him, swarming with dwarf phantoms, spirits, elfin creatures of the Bells. He saw them leaping, flying, dropping, pouring from the Bells without a pause. He saw them, round him on the ground; above him, in the air; clambering from him, by the ropes below; looking down upon him, from the massive iron- girded beams; peeping in upon him, through the chinks and loopholes in the walls; spreading away and away from him in enlarging circles, as the water ripples give way to a huge stone that suddenly comes plashing in among them. He saw them, of all aspects and all shapes. He saw them ugly, handsome, crippled, exquisitely formed. He saw them young, he saw them old, he saw them kind, he saw…

When Dickens first introduced the goblins (and I only gave you a sample), I really enjoyed it. And was reminded that he typically got paid by the word. Not necessarily for this novella–but the impulse was still there. Because the man can go on…never using 5 words when 20 will do.

I have zero problems with it in this novella–but it jumps out at you occasionally.

A few other lines that jumped out at me that I want to bring up…they’re so good.

‘There’s nothing,’ said Toby, ‘more regular in its coming round than dinner- time, and nothing less regular in its coming round than dinner. That’s the great difference between ’em. It’s took me a long time to find it out.’

This gentleman had a very red face, as if an undue proportion of the blood in his body were squeezed up into his head; which perhaps accounted for his having also the appearance of being rather cold about the heart.

‘The good old times, the good old times!’ The gentleman didn’t specify what particular times he alluded to; nor did he say whether he objected to the present times, from a disinterested consciousness that they had done nothing very remarkable in producing himself.

(I’m forever going to be thinking of this anytime I hear someone talk about the good old days)

So, what did I think about The Chimes?

I’m told that the hardcover is gorgeous–I ordered this late, so I can’t confirm (I’ll try to remember to update this post when I get it). The cover looks pretty neat, though. I bring this up so you’ll think about getting your hands on this hardcover edition for your own personal use/shelf decoration.

But what about the novella itself? I dug it. I know I don’t read enough Dickens–and never have. But when I’m exposed to him, I regret many of my life choices that lead to this dearth (not so much regret that I see that I’ll change that anytime soon). I really appreciated his writing, his characters (even the ones I spent time hating). I would’ve appreciated a little more time with some of the characters, but we didn’t need it.

The way the bells show Trotty the future really did make me think of the Ghost of Christmas Future, I know they inspired It’s a Wonderful Life, but I got more of the former vibe than the latter. I’d like for people to tell me what I’m missing, incidentally. Either way, I liked the way Dickens uses this tool to get people to change their way of thinking, even if he uses it too frequently.

The social commentary was well done (if heavy-handed), and probably needed as much then as now. And probably as effective then as now. Oh well, would be nice to think otherwise.

It’s a quick read that packs a powerful punch with some clever writing. If you’re like me, and have never heard of this novella before, take advantage of this opportunity to pick it up. If you’re a better-educated reader and are familiar with it–isn’t it about time to re-familiarize yourself?


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Ballad of Bonaduke—Episode 42: Meaningful by R. T. Slaywood: Lesson One

The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 42: Meaningful

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #42
Format: Kindle Vella Story
Read Date: December 22, 2023

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him.

What’s Meaningful About?

I said nothing happened in the last episode, but man…it was action-packed compared to this one. They drive, they talk, they have some lousy fast food, then drive and talk some more.

But that’s okay. Because what they talk about is important: Alan gives Bonaduke a quick version of his origin story, starts to explain Omnicrat and their activities, and what he, Om, and Zero are trying to do. Better yet, he gives Bonaduke a better understanding of how magic interacts with the world and people.

So, what did I think about Meaningful?

This is the talkiest that Slaywood’s been yet–hardly any narrative, either. (or so close it doesn’t matter). It’s a lot to take in, really–not too much, but a lot–and it’s going to be one of those episodes you bookmark so you can come back and reference it later when you see some of this in action.

There’s part of me that wants to compare some of what we saw in earlier episodes to what we’re told here, too–just to see how the “in action” compares to the “theory.” But I think I’ll hold off on that for now, to see how things play out a little (and frankly, Vella isn’t easy to flip back and forth through quickly and I’m not in the mood to put up with that), I’ll just assume that Slaywood is being internally consistent (and if not, I really don’t care–the path he’s on is good enough that I’m fine with him diverging a bit from earlier stuff)

This is really good to see, I’m glad we’re starting to get some of the world explained to us. Things are starting to gel.


4 Stars

Blood Betrayal by Ausma Zehanat Khan: A Pair of Potential Hate Crimes are Almost Too Much for the Communities and the Investigators

Blood BetrayalBlood Betrayal

by Ausma Zehanat Khan

DETAILS:
Series: Blackwater Falls, #2
Publisher: Minotaur Books
Publication Date: November 07, 2023
Format: Hardcover
Length: 293 pg.
Read Date: December 8-12, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Blood Betrayal About?

On one night, there were two police shootings in the Denver area. One is the shooting of a possible innocent bystander/possible fleeing suspect in a drug raid. The other is the shooting of a vandal by an officer who (claims? he) mistook a can of spray paint for a gun.

Both of the officers were white, and the men who died were young minorities. Both cases will call for the Community Response team to investigate, neither case will be easy for them (and not just because their limited resources will be stretched by simultaneous investigations of a charged nature).

So let’s deal with these in the order we learn about them…

Case 1

Harry Cooper isn’t a fantastic cop—nor is he a bad one. He’s a solid, middle-of-the-road officer, and has been one for years—and now is near retirement. He’s never used his weapon before, but while pursuing some vandals on foot, he fires a warning shot in the air. Then he’s sure he sees a weapon in the hand of the vandal facing him. So he shoots to kill.

It seems like a tragic mistake, but as he’s part of Sheriff Grant’s force, Lt. Seif seizes the opportunity to do a thorough investigation—to ensure that’s all it was, and to maybe get more intel to help his case against Grant.

A number of things start to not add up—mostly around the “vandal.” He’s not one. He’s an art student who isn’t even from Blackwater Falls. He’s taking part in a legitimate street art contest, for one, not someone tagging random private property. Secondly, Seif thinks the physical evidence may point to something bigger. But he’s just not sure what. He wants Inaya Rahman to lead the charge on this.

Case 2

But Inaya has other concerns. She left Chicago after being assaulted by a number of fellow officers, we learned last time. So when one of those officers shows up on her family’s doorstep, she’s disturbed (to understate it). John Broda has come to her for help—his son is a patrol officer in Denver assigned to help a drug raid on a marijuana dispensary that was known to sell harder drugs, too. In the midst of it, a potential suspect was shot. Officer Kelly Broday was arrested for murder, without saying he shot Mateo Ruiz, he is saying he’s responsible for his death.

John Broda wants her to investigate and clear Kell, and in return, John will give Inaya the evidence he needs to close her last case from her days in Chicago.

She starts to look into things in exchange for the evidence, but she’s soon convinced that Kell was set up—possibly by a gang within the Denver Police. But she can’t figure out if someone wanted Ruiz dead (or why), or if it all has to do with the officer. Or is it both?

Meanwhile, the communities both young men belonged to start to organize and protest—particularly the Hispanic neighborhood Ruiz was from—and the Police Department isn’t responding calmly. Time is of the essence for this investigation.

Everything Else

Which is just a pithy way of saying “Everyone’s Personal Lives and the FBI’s Investigation into the Blackwater Falls Sheriff.” We learn more about every member of the Community Response team (and the civil rights attorney they ally with), and whatever arcs we saw or got hints of in the first book progress nicely (well, at least for the reader—I’m making no promises about how the characters feel).

Those aren’t the important parts of these books, but the more we get invested in these characters, the more compelling we’re going to find how the cases impact them and their lives. As a plus, they’re all really interesting characters so the arcs make for good reading.

As far as the FBI Investigation goes? Well…it’s still a thing. I’m not sure how much more I can say.

So, what did I think about Blood Betrayal?

It’d be easy to write this series off as some sort of “woke” thing where a racially diverse group of police investigators find hate crimes everywhere. Especially when white cops kill black and Latino men. That would be a grave error, however. Khan writes complex stories that cannot be reduced to a simple, one-line explanation, never mind a label or two.

In Blackwater Falls we got one murder that led to the uncovering of a web of more crime and corruption. Here we have two murders that end up being about so much more—both cases are about as complex as the one from Blackwater Falls, but the way that Khan weaves the two stories together (if only because the investigators are the same) makes this an even more complex novel. We get two great crime stories for the price of one. Yes, I think one of the cases was easier for the reader to figure out—possibly too easy. But the way that the clues, motives, and solution were revealed more than made up for that. And the other case? You’re never going to guess the solution until Khan shows it all.

But better than that is the way Khan shows (again) how crimes like this can impact entire communities, and the tensions that result and build up (possibly spill over) between those communities and the police rings so true that you could believe it happening today.

But Khan’s not just good at the big, social commentary—the impact that these killings have on the families is obviously bigger than anyone wants to imagine. And, as she did in the previous novel, Khan shows the grief, confusion, anger, and the other emotions that strike a family at this time with sensitivity and keen observation. Over the last few years, I’ve started noticing this part of a police procedural, and I really appreciate it when the author does it well. Khan’s one of the best around in this aspect.

Throw in some strong writing and great characters to all this? You’ve got yourself a winner. One of the best sequels that I read this year. You’d be doing yourself a favor if you grabbed the two books in this series up and doing so soon.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Mislaid in Parts Half-Known by Seanan McGuire: One of McGuire’s Best (no matter what series). A Magical Novella

Is it cheating to call a Fantasy Novella “Magical”? Isn’t that part of the definition?


Mislaid in Parts Half-KnownMislaid in Parts Half-Known

by Seanan McGuire

DETAILS:
Series: Wayward Children, #9
Publisher: Tordotcom
Publication Date: January 9, 2024
Format: eARC
Length: 160 pg.
Read Date: December 13-14, 2023 
Buy from Bookshop.org Support Indie Bookstores

Continuity Counts

By and large, the Wayward Children books can be read in any order—sure, things will mean more if you read them in order of publication (so far, anyway). It’s easier that way to catch allusions, understand the depth of relationships, come close to tracking what Sumi is talking about, etc. But you can get away with skipping around.

But you really need to read this one after Lost in the Moment and Found. It’s the closest thing to a direct sequel that we’ve had in this series. It’s also kind of a follow-up to Where the Drowned Girls Go (and, as always, touches on several others).

This is largely Part II of Antsy’s story—the story is shared by a group of the students (my favorites in the series) on one of those quests they’re not supposed to undertake—and whoops, I’ve started writing the next section.

What’s Mislaid in Parts Half-Known About?

Antsy is having a hard time adjusting to life at Eleanor West’s School for Wayward Children, almost as much trouble as she’d be having adjusting to anywhere else on Earth. Part of that comes from not being as honest about her circumstances as she could’ve been—understandably so, I think—which just made everything worse.

Still, there are signs that things may get better, helped a little by Antsy being able to find anything for people. Then Seraphina (who can get anyone—with one or two exceptions—to do what she wants) decides to use her abilities on Antsy to get her to find her Door.

Ansty, Sumi, and some others (I’m not going to name them to keep your interest piqued) manage to slip away using Antsy’s ability to find things and her knowledge of how Doors work, eventually getting back to the Shop Where the Lost Things Go. Which wasn’t exactly where Antsy wanted to be—and she learns that things there hadn’t gone as expected when she left and a whole new quest develops.

Not About Jim Morrison’s Band

When I wrote about Lost in the Moment and Found earlier this year, I said:

This entry would be a worthwhile read for fans if only for this one thing—we learn more about the Doors and how they work. I’m not going to go into it, obviously, nor am I going to promise that every question you had about the Doors will be answered—actually you’ll likely end up with new questions, but they’ll be informed questions.

That’s true here, too. In fact, we learn so much about them that I almost don’t want to learn anything more about Doors for another 8+ books so they don’t get too demystified. McGuire being McGuire, I know that if she reveals a whole lot more in the next book, I’ll end up repeating everything I said prior to this sentence—and I’ll be happy and equipped with more questions.

Regardless—what we do learn here is fantastic. It both makes utter sense—in the way that maybe we all should’ve guessed it already (maybe some did)—in terms of storytelling, worldbuilding, and more. I wonder what (some of) the students understanding this is going to do to things going forward. If anything.

Future Continuity

Speaking of things going forward, something major is on the way for Eleanor West. It’s been hinted at before, but so many things in this book point to it happening soon (but in Wayward Children-time, it could take 3-4 novellas for us to get to “soon”). I’m eager to see it, as much as I’m dreading what it might mean.

One Quick Character Note

Every protagonist of these novellas—and a significant chunk of the supporting characters—has been wonderful. With the exception of Seraphina and her crew*, I like all the students we’ve met at the School and want to know more about them all.

* I’m waiting for McGuire to decide it’s time to humanize them so we readers will root for even them, and we’ll feel bad for not doing so earlier.

But…from the moment we met her, Sumi’s been a favorite of mine. I should probably use the definite article there, actually. So I’m not unbiased when I say that in Mislaid in Parts Half-Known she is glorious, but she really is. She’s funny, she’s loopy, she’s brave, and she’s wise. Hard as that last one might be to believe. She’s also rather clever and displays that at the end.

The main parts of the story belong to Antsy and a couple of other characters—but Sumi stole every scene she was in and I really just want a few in a row featuring her.

So, what did I think about Mislaid in Parts Half-Known?

This is not my favorite Wayward Children book, but it’s close. There aren’t one or two big emotional moments like there typically are in these (at least not that hit me…your results may vary). But there were a handful of small emotional moments that worked so well—in terms of what happened to someone, how it impacted the other characters, and the way that McGuire wrote them—that I don’t care. It might even be better this way.

The worlds we saw were wonderful—really, you could set an entire fantasy trilogy in them without reference to any other. The world hinted at on the cover, for example, could easily sustain a 1,500-page trilogy full of whimsy and danger.

There’s probably more humor and smile-inducing moments here than several of these books combined sport. Which was a nice bit of fresh air (in a series that really doesn’t need it, but that doesn’t mean it’s not welcome).

Naturally, there are characters we’re not likely to see again due to the nature of these books, and I’m going to miss them. Although the endings they got were well deserved and well executed.

I almost always walk away from a Wayward Children book feeling satisfied and a little in awe of McGuire—I think that feeling is larger this time just because of the number of emotional and story notes she managed to hit, the storylines she was able to incorporate and resolve, the ones she just moved forward, and…everything else in 160 pages. It shouldn’t be possible. This book (like most in the series) is bigger on the inside.

A few paragraphs back, I said that this wasn’t my favorite in the series—but at the moment, I’m having trouble understanding why (but I’m going to trust my earlier impulse). But it is so, so, so good. I’m having trouble coming up with adequate adjectives at this point.

Go get this in January. Order it now (and/or request it from your library). If you haven’t read these books yet, go. At a bare minimum, get the first, Every Heart a Doorway, and then Lost in the Moment and Found, so you can be ready for this one when it’s released. You can catch up on the others later.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley—thanks to both for this opportunity. The opinions are all mine.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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