Category: Fiction Page 244 of 341

The Forgotten Girls by Owen Laukkanen

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On March 30, 2017

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The Forgotten GirlsThe Forgotten Girls

by Owen Laukkanen
Series: Stevens & Windermere, #6

Hardcover, 355 pg.
G.P. Putnam’s Sons, 2017

Read: March 25 – 27, 2017

I’m really of two minds about this one — it was a pretty rock-solid thriller, full of suspense and all the other things you want in a book about a serial killer being hunted down over several states. On the other hand, it’s a lousy Stevens & Windermere novel — it could have literally been any other detectives/agents/maverick cops and the book would’ve played out the same way.

For years — women who no one will miss, women who are pretty much expected to leave town at any moment — have been the target of “the rider.” He’s a presence — some would say an Urban Legend — on the “High Line” (a railroad route in Montana, Idaho, Washington), and is responsible for the deaths of many: small town waitresses, prostitutes, runaways, train hoppers. Since these women weren’t noticed by many, were expected to be seeking opportunities out of the small towns they live in, and so on — no one raises a fuss over their disappearances (or the eventual discovery of their remains after the snow abates. A girl named Ash feels like she has to ignore the warnings about the High Line to make it somewhere in record time. She becomes one of “the riders”‘ victims — her friend decides to get a little vengeance and goes off to hunt “the ride” and make sure no one else forgets these women.

About the same time, Stevens and Windermere learn about Ash’s murder — and soon the begin to learn about others. So while Mathers stays home to handle the technical and research portions of the investigation, the agents hit the road to dig up some better clues. Which leads to uncovering many, many more deaths; a Herculean effort to save the friend’s life (hard to do while she’s running from the law); and a showdown with “the rider.”

What I liked: the suspense, the way that Laukkanen told the story (although I admit having a little trouble keeping names straight at the beginning) — bouncing between perspectives while ratcheting up the suspense. I’m not always the biggest fan of this maneuver, but Laukkanen nailed it. The world — the culture of train hopping — was fascinating, and I’m willing to bet really well researched and pretty based in reality. Overall, it’s not the best thriller I’ve read lately, but it was very satisfying.

What I didn’t like: as I said, it could’ve been the most generic pairing of a male/female FBI agents on the hunt for this killer. Until maybe the last 50 pages — but even then, it didn’t need to be Kirk Stevens or Carla Windermere, but it made it easier to handle the emotional beats for them to be the central characters. Also, while I absolutely bought the killer, his motivation, his twisted way of thinking — but when he was responding to questions, explaining himself? Ugh. He sounded like he was reading off of a list of sexual predator prejudices from Wikipedia. Honestly, you take out that one segment where he’s responding to questions about his motivation and the whole book is better.

I’m still planning on reading whatever Laukkanen puts out for the next 5< years, don’t misunderstand me. This one just didn’t work for me the way I’d hoped. Not a bad book — just a bad seines entry.

—–

3 Stars

2017 Library Love Challenge

Robert B. Parker’s Little White Lies by Ace Atkins

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On March 29, 2017

In Ace Atkins, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Robert B. Parker, Spenser

Really, all I want to say about this book is: “Yes! Atkins did it again — it’s just so good, folks. Long-time fans’ll love it, new readers will likely see the appeal of the series. A lot of fun with a great ending!” But that seems a little surface-y and is just bad writing. But really, that’s everything I’ve got to say.
—

Little White LiesRobert B. Parker’s Little White Lies

by Ace Atkins
Series: Spenser, #45

eARC, 320 pg.
G.P. Putnam’s Sons, 2017

Read: March 16 – 17, 2017

Pearl and I were off to Central Square . Her long brown ears blew in the wind as we drove along Memorial Drive against the Charles. Rowers rowed, joggers jogged, and bench sitters sat. It was midSeptember and air had turned crisp. The leaves had already started to turn red and gold, shining in Technicolor upon the still water.

I debated about what quotation I’d open with — I went with this Parker-esque (and Atkins-esque) description. Little White Lies is one of the better of Atkins run on this series, because (like here) he did something that feels like something Parker would’ve written, but not quite what he’d have said (the more I think about it, the less I think that Parker’d have said “bench sitters sat”).

Actually, that’s true of the other quotation I almost used, too:

I nodded , adding water to the new coffeemaker sitting atop my file cabinet. I’d recently upgraded from Mr. Coffee to one of those machines that used pre-measured plastic cups. I placed my mug under the filter, clamped down the lid, and returned to my desk. Demonic hissing sounds echoed in my office. Where have you gone, Joe DiMaggio?

This is Atkins sixth Spenser novel, and you’d think he’s got enough of a track record that I could stop comparing him to Parker. Well, you’d be wrong — I can’t stop. This, like most of Atkins’ work on this series, is so reminiscent of early Parker novels that it makes some of the latter Parkers look more like they were written by a hired gun. Still, I’m going to try to keep it to a minimum because it doesn’t seem fair to keep doing.

Susan has sent one of her clients to Spenser for some help that she can’t provide. Connie Kelly had been dating someone she met online, invested in one of his real estate deals — and he vanished, taking the money with him. Could Spenser track him down and get her cash back? Sure, he says. It doesn’t take long for the investigation to show that he owes plenty of people money — a couple of months rent here, hundreds of thousands of dollar there.

Here’s the fun part: M. Brooks Welles, the deadbeat in question, is a silver-haired, silver-tongued mainstay on cable news. He’s former CIA, and an expert on military and national security issues — one of those that producers call on regularly when they need a talking head. Why’s a guy like that flaking out on real estate deals? Spenser knows something fishier than expected is going on — which takes him into a world of mercenaries, gun deals, and the ATF.

Then someone tries to kill him. A couple of times. And the book stops feeling like a semi-light adventure, poking fun at the blowhards on cable TV and the state of American Journalism, and how we shouldn’t trust as many people who have cameras pointed at them as we do. Things take on a different tone, bodies start piling up, and a darkness slips in to the book. This also brings in Belson and his new boss — who’s still not a fan of Spenser. About the same time, Connie starts to waver in her conviction that she wants her money back and Welles punished. Spenser, naturally, doesn’t care and plows ahead. Hawk is able to connect Spenser with some mercenaries that travel in the same circles as Welles and the chase is on. Eventually, the action moves from Boston and its environs to Georgia. Which means that Teddy Sapp is going to make an appearance.

All the characters were great — I would’ve liked some more time with some of Welles’ co-conspirators in Boston, I think it’d have helped round out our picture of his crimes. But it’s a minor complaint. We also got plenty of interaction with his Georgia-based colleagues. Even the characters that show up for a page or two as witnesses to the crimes were interesting — it’s the little things like those that add so much. It was nice to see Teddy Sapp again, too. He was the best part of Hugger Mugger (faint praise, I realize). The Hawk material was very good — maybe Atkins’ best use of the character yet.

I fully expect that people are going to spend a lot of time talking about the ending — it didn’t feel like a Parker ending. That said, it felt like an ending that pre-A Catskill Eagle Parker might have tried. It was satisfying, don’t misunderstand, it’s just not the kind of ending that Parker employed. Honestly, there were two other perfectly acceptable places to end the book — and if not for the progress bar at the bottom of my screen, I might have believed that thee ending was earlier and equally strong.

Now, because Atkins and the Parker estate aren’t stupid, there are certain characters that you just know are safe, no matter what shenanigans that they’ve let Atkins and Coleman get away with when it comes to killing off long-term supporting characters. But there was a definite feeling of peril when it comes to [name redacted] and [name redacted]. Sure I knew they’d live to be read about another day, but I wondered how healthy they’d be in the meantime.

This is sharply written, as usual. Atkins knows what he’s doing (in this series or anything else) — a great mix of character moments and plot. Spenser’s voice is strong — as are the voices of the other regulars. It was just a pleasure to read through and through. Let me leave you with one more snippet that is could’ve come from an early-80’s Spenser just as easily today’s, a voice like this is enough reason to read the book — the rest is just gravy (and there’s plenty of gravy):

I returned with sore legs back to my seat on the steps. I spent the next fifteen minutes watching women of all ages, sizes, and colors walk past me. I liked the way most women walked. I liked the way they dressed. And talked and smelled. I was pretty damn sure I was a fan of women in general. Did this make me a sexist or a feminist? Or somewhere in between.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

4 1/2 Stars

Cover Release: Deja You

By

On March 27, 2017

In Fiction

deja you jpeg image

TITLE: Déjà You
PUBLISHER: Emerald Lily Publishing
RELEASE DATE: May 30, 2017

In Déjà You, five authors share stories of second chances, as varied in telling as the writers themselves.

Kelly Cain’s We’ll Always Have Oahu takes us on a whirlwind New Adult romance set in the 80s between a young woman on a high school graduation trip and a handsome Navy sailor.

Bianca M. Schwarz transports us to 1760 in The Pearl with the story of Marcus Landover, who attends a card party and ends up with more than he bargained for in the beautiful Sophia Chelmsford.

Amanda Linsmeier’s Joy and Sorrow reunites lovers separated by death in a Women’s Fiction tinged with the unusual.

The Eyes of the Heart by Jamie McLachlan gives us Rosalina, who is forced to confront her attraction and the truth about her blindness when a new gardener is hired at the Greystone house.

Finally, C.H. Armstrong brings us Mr. Midnight, where tragedy reunites two star-crossed lovers, but misunderstandings soon rip them apart. Now, six years later, the stars are realigning with the help of the smooth voice of a late night radio DJ.

Some of the stories are sweet, some sad, some steamy, but all carry the same theme. Déjà You is a collection of stories for those who believe in love, but most of all, second chances.

The Birth of Déjà You

About two years ago, a group of five novice writers signed with the same small publisher, each inexperienced in the publishing world yet committed to understanding the process and finding success. Through their mutual dive into unchartered territory, Amanda Linsmeier, Bianca M. Schwarz, C.H. Armstrong, Kelly Cain, and Jamie McLachlan reached out to one another and became instant friends, sharing laughs, tears, and the struggles of life and writing. We soon dubbed ourselves “Book Besties.”

During the fall of 2016, we decided to write a book of short stories together. As friends, we wanted to combine our talents to create a collection that would inspire hope and happiness. After much deliberation, we chose the theme “Second Chances” and decided to title this anthology, “Déjà You.” Though each story contains the same theme, they all are as unique as the author who wrote it. Including New Adult, Women’s Fiction, Fantasy, Historical, and Contemporary Romance, each short offers a different take on the theme and involves varying heat levels, from sweet to steamy.

About the Authors

kellycain200x200Kelly Cain has published a multicultural adult and new adult romance, but she writes across genres and age groups, currently penning book one of a young adult urban fantasy series. Most of her stories are set in Texas with frequent travels to her home state of California, and all of her stories have an excess of food weaved throughout.

If she’s not writing, she’s probably reading. Or maybe cooking. Check out her website for recipes for dishes featured in her books, and some other fun stuff. She has two adult daughters and lives in a suburb of Houston, Texas.

Kelly is the author of Altered, a new adult multicultural romance and Connections, a steamy short story exclusively available on Amazon. Visit her on her Facebook, Twitter, Pinterest, Instagram or Tumbler.

authorphotoweb

Bianca M Schwarz was born in Germany, spent her formative years in London, and has a US passport, but she considers herself a world citizen. She lives in Los Angeles because that’s where they make movies and she used to work on them. She writes novels because that’s kind of like making a movie in people’s heads and because she just loves books. Bianca has one son, because that’s all she can handle and she tolerates her husband because, well, she loves him and there is no help for that. Visit her on her website, Twitter, Facebook, and Pinterest.

10254015_492271840927359_9159417025130441003_nAmanda Linsmeier is the author of Ditch Flowers and Beach Glass & Other Broken Things. Her writing has been featured in Portage Magazine, Literary Mama, and Brain, Child Magazine. Besides writing Women’s Fiction, she loves reading and writing fables, fairytales, and fantasy, and sometimes she pretends her Hogwarts letter is still coming. She can be found blogging about writing and books at amandalinsmeier.com. When she’s not writing, she works part-time at her local library and brings home more books than she has time to read. Amanda lives in the countryside, surrounded by trees, with her family, two dogs, and two half-wild cats. You can Amanda’s blog for book reviews and random musings, or check her out on Twitter or Facebook for more information.

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Jamie McLachlan is the Canadian author of Mind of the Phoenix, an Amazon Bestseller in Dark Fantasy and the first novel in the Memory Collector Series. The third, Rise of the Phoenix, is set for release in summer of 2017. When not writing, Jamie reads, dabbles in various crafts, and spends time with her family. Find her on Twitter, Facebook, and her website.

blogging

C.H. Armstrong is an Oklahoma-native transplanted in the Midwest. A life-long lover of books, she made her author debut with the 2016 release of her historical fiction novel, The Edge of Nowhere, which was inspired by her own family’s struggles during the one-two punch that was The Great Depression and The Dust Bowl. Armstrong is currently working on two young adult novels and is a regular contributor to the Minnesota-based women’s magazine, Rochester Women. Visit her on Twitter, Facebook, and her website.

For more information on Déjà You or the Book Besties, visit their website, or find them on Twitter or Facebook.

The Black Cauldron (Audiobook) by Lloyd Alexander, James Langton

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On March 27, 2017

In Audiobook, Chronicles of Prydain, Fiction, Reread Project, YA/MG/Children's Books

The Black CauldronThe Black Cauldron

by Lloyd Alexander, James Langton (Narrator)
Series: Chronicles of Prydain, #2
Unabridged Audiobook, 5 hrs, 28 min.
Listening Library, 2004

Read: March 15 – 16, 2017


Of the five books in the Chronicles, this is probably my least favorite installment, still I enjoyed reliving it with this audio. Why Disney chose this one to make a movie out of, I’ll never know (and have never seen).

Prince Gwydion has called a council at Cair Dalben — bringing warriors, royalty and others from across the land to discuss something of urgency. Taran is included as well, thanks to the Prince’s experience in the previous book. One of the attendees, Prince Ellidyr, is a young, proud twit who might as well have been named William Zabka — if he doesn’t remind you of the quintessential 80’s movie antagonist, you’re not reading him right. He and Taran clash immediately, and are predictably assigned to work together.

We also meet the son of Taliesin, the chief bard, Adaon. Adaon is one of those characters that comes out of nowhere, every character loves and so do the readers. He’s wise, kind, and probably a decent fighter. Taran is possibly more taken with him as friend and role model than he was with Gwydion — partially because he’s not a prince, and so is more approachable; but also is just that kind of guy. Thankfully, Taran and he are also assigned to work together so it’s not all about the jousting with Ellidyr.

There were other characters introduced — several actually, but those two are the ones to focus on now. I’m not going to tell you anything about Gwystyl and Kaw, because I’ll not do them justice. But you’ll enjoy both. Gurgi was Gurgi, and Eilonwy was perfect — seriously just perfect. I always liked the character, but maybe never as much as I am this time through the series.

I got distracted by talking about the characters, the purpose of the council is to go hunting for the Black Cauldron, the source of the Cauldron Born warriors of Arawn. These are basically zombies with swords, doing anything their master calls for — and were the source of a good deal of apprehension when I was a kid, and now just seem like a great foe. Their numbers are swelling, making Dalben and Gwydion certain that something bad is on the horizon — now seems like a good time to raid the Dark Lord’s domain and destroy the Cauldon. Which may not derail the plans in motion, but will at least make them easier for the good guys to survive.

So after the Council, the heroes head out. As soon as they launch their strike, they discover that someone has beaten them to it — the Cauldron is gone and they’ve got to regroup before hunting it down. Things go bad there, the companions are separated from each other and on the run from those the Cauldron has already produced.

Taran, Ellidyr, Adaon, Gurgi and Fflewddurr get a lead on the Cauldron and decide to follow it up immediately rather than let their foes get it while they’re off looking for Gwydion. This takes them to the swamps of Morva — one of my favorite places in the series — and to the hut of Orddu, Orwen, & Orgoch. They will chill younger readers and entertain readers of all ages. From there peril, betrayal, redemption, grief and more ensue as the companions try to destroy the titular MacGuffin.

The Lloyd Alexander introduction to this one was better than the previous — I’m such a geek that listening to little bits of Alexander was one of the highlights of my day. I don’t think I have anything to say about Langton’s performance here that I didn’t say last time. It was good, nothing spectacular, though. He kept me engaged, even if he paced it slower than I’d like. Whoever transferred this from audiotape to digital format had an odd approach to dead space between tapes/tape sides — there are times that I feared the file had stopped unexpectedly, either from a corruption in the file or a glitch in the app, and just as I’d grab my phone to check the Langton’s voice would start again.

A needed part of the story, if only for Taran’s growth, and for what it sets up in books to come. It was never my favorite growing up, still isn’t now, but it was still an entertaining few hours.

—–

3 Stars

Silence Fallen by Patricia Briggs

By

On March 22, 2017

In Fiction, Mercy Thompson, Patricia Briggs, Urban Fantasy

Silence FallenSilence Fallen

by Patricia Briggs
Series: Mercy Thompson, #10

Hardcover, 364 pg.
Ace Books, 2017

Read: March 10 – 13, 2017


It was pretty clear from the pages of Fire Touched that Mercy’s little The Doctor to the Sycorax speech was a big deal. But I don’t think any of us really had a clue just how far-reaching the potential ramifications were until it’s spelled out for us by a few different characters here. Well, okay, that’s probably not true — a lot of people who read these books probably thought about it, but I didn’t — and I think that Mercy and her acquaintances do a better job of spelling things out than I could, so I’ll let them. But many in the supernatural communities aren’t happy that she did it and are looking for ways to insulate themselves from it, as well has looking for ways to take advantage of it for their benefit.

One such person is Bonarata — one of the oldest, and most feared vampires in the world — he has ties to the Tri-Cities vampires, as well. He’s the one who’s responsible for Marisila, Stefan and Wulfe leaving Europe and ending up in the Tri-Cities. He’s also a legend in Werewolf circles — many years ago, he killed an Alpha and turned his mate into a blood-slave. After the death of Chastel, Bonarata is the closest thing the non-Fae have to a Super-Villain (pretty sure any of the Grey Lords that wanted to could wipe the floor with him).

So shortly after Fire Touched, Bonarata arranges for Mercy to be kidnapped. Now, while Briggs’ vampires aren’t the political wheels-within-wheels schemers that Faith Hunter’s are, they’re still crafty and wily — so all his reasons for doing so aren’t immediately discernible (and probably not totally discernible by the end of the book — but we get closer).

Mercy is Mercy, however, and it doesn’t take too long before she escapes from Bonarata and finds herself running throughout Europe to escape from his henchmen. She finds herself in Prague (this detail feels like a spoiler, but it’s on the dust jacket, so . . . ) where her best bet for an ally is one of the few Alphas in the wold with a grudge against Bran Cornick. In addition to this she finds herself in the middle of a couple of vampire nests competing for control of Prague, and there’s a whole bunch of ghosts (and other things that go bump in the night) that are taking advantage of the presence of someone who can see them.

Meanwhile, Adam, Marisila, Stefan, Honey and a couple of others are on the way to Bonarata’s home to negotiate for Mercy’s release. Whoops. These chapters are told in Mercy’s voice from Adam’s point-of-view, as if she’s relating what he told her happened, which is a nice touch. It also suggests that she survives this mess — not-at-all-a-spoiler: the first person narrator lives. It’s here that we learn a lot more about Honey, Marisila and Stefan — we also learn about Adam’s Doctor Who fandom. It’s nice seeing things from Adam’s POV for a change.

Mostly the book consists of Adam and Mercy doing all they can to survive long enough to see each other again — which is sweet. We’ve seen them work together plenty of times in this series — we’ve also seen them apart for brief periods — this is the longest (that I can recall) that they’ve been separated, and the furthest apart they’ve been. They’re both independent by nature (however that nature is shaped into something else for the needs of the Pack), so they can adapt to this, but their primary goal is to get back together. Which I’m sure made many, many fans cheer and melt.

Will someone drawn in by the cover art, or wanting to see what the fuss over this Briggs-person enjoy the book? Yeah, I think so — but not as much as the established fan. This book works as well as it does because of the world, not just the story. We’ve been in Mercy’s world for 10 books now — for most of us you can add the short stories and Charles & Anna novels, too. We know it what it means for Honey to make that trip. We know what it means for people to exploit Mercy (or try to) to get to Bran or Adam. We know the pain that the loss of pack-link or mate-bond creates. This would be a lousy book 4, but with the cumulative weight of this series, Silence Fallen us a strong book 10.

It was a fun book — exciting, amusing, and fascinating to see how packs and nests work outside of the US. Most of all it was a good story, taking several competent and powerful characters out of their usual setting and circumstances, and throwing them into a milieu they’re not familiar with to watch them sink or swim. Excellent read for fans of the series — which isn’t a surprise to any, but just something I think I have to say.

Now begins the wait for #11.

—–

4 Stars

The Book of Three (Audiobook) by Lloyd Alexander, James Langton

By

On March 21, 2017

In Audiobook, Chronicles of Prydain, Fiction, Reread Project, YA/MG/Children's Books

The Book of ThreeThe Book of Three

by Lloyd Alexander, James Langton (Narrator)
Series: Chronicles of Prydain, #1
Unabridged Audiobook, 4 hrs, 56 min.
Listening Library, 2004
Read: March 6 – 9, 2017


I’m pretty sure that I’ve mentioned once or twice before here that The Chronicles of Prydain were the books that got me into fantasy. The Chronicles of Narnia made me a fan of Narnia, but really didn’t carry over to anything outside of Narnia (at least until I got older and tried Mere Christianity). But Prydain got me appreciating the tropes, conventions and characters that’d get me into Brooks, Weis & Hickman, Eddings, etc., etc. Listening to the audiobooks seemed like a nice way to revisit the series.

Taran, the Assistant Pig Keeper to Hen Wen (an oracular pig), dreams of glory to be found with a sword on the battlefield. His charge is frightened by something and escapes from her pen — Taran chases after her, leaving the only part of Prydain he’s ever known behind in the process. This hunt for the pig takes him to the far reaches of Prydain, where he encounters the son of the High King, Gwydion; Princess Eilonwy — about his age, and a fantastic foil and friend for Taran; Fflewddurr Fflam, an unofficial bard; Gurgi — some sort of simple-minded Sasquatch-like being; and others. Taran also encounters the forces of evil — the Horned King; Archen the enchantress; and other minions of the Dark Lord Arawn.

The themes of true nobility, heroism and what it means to be a man are prevalent (and Alexander maybe gets a little didactic here) — nothing I object to, just it seems a little thick by contemporary standards. Taran learns (for the first time) that there’s as much honor to be found in doing your everyday work well as there is on the battlefield. It probably feels a little old-fashioned to many, but there’s value here. Taran begins to mature here, but it takes (as I recall) all but the last 30 pages of the fifth book for it all to come together for him.

There’s a little audio recording of Alexander before the book kicks off as an introduction — that was pretty cool. Langton’s narration was okay — the narration was okay, maybe a little slow. His interpretation of Taran and Gwydion didn’t do much for me (and actually made me realize how clunkily Alexander wrote their dialogue), but they slowly grew on me. I really couldn’t find anything to like about Gurgi (one of my favorite characters ever). But I really liked everything else — his Eilonwy and Fflewddurr were perfect and a lot of fun. He deserves kudos for his Hen Wen alone, really.

This isn’t the greatest writing you’ll encounter — for the age group or genre. But it’s effective, there’s so much to appreciate here (and not just for nostalgia’s sake). I remain a big fan of the series, and do appreciate the audiobook.

—–

4 Stars

Pipeliner by Shawn Hartje

By

On March 21, 2017

In Fiction, General Fiction/Literature, YA/MG/Children's Books

PipelinerPipeliner

by Shawn Hartje

Kindle Edition, 248 pg.
Helen Springs Press, 2016

Read: March 14 – 15, 2016

I just don’t know what to say about this one. It’s a coming-of-age story about a young man in the 1990’s growing up in (what I believe is) a fictionalized Idaho Falls, Idaho. It’s arguable how much Jason Krabb actually comes of age here — you could make a pretty decent case that he regresses throughout the book.

Jason’s main goal in life is to become a rock star in Portland, OR or Seattle, WA — along the way, he’d like to have a girlfriend and party a lot. He spends a lot of time and energy becoming pretty mediocre at guitar, and hangs out with a poser who’s new to town and a couple of older friends who are more interested in scholastic success and their futures (a concept Jason can’t really wrap his brain around). He’s got an older brother studying at Princeton and dating a nursing student, a very successful mother and a less-successful father who’s browbeat by the other constantly.

The writing is uninspired and dull, there’s no life to it at all — just a dry recitation of what’s going on. To be fair, there’s a bit of flair displayed when he writes little Lake Wobegone-inspired descriptions of things from Jason’s mother’s perspective, but I never saw the point of those, they didn’t seem to add anything. The sex scenes are perfunctory and clumsy (fitting for a seventeen year-old’s initial fumblings, I guess), at least those involving Jason. The one with Jason’s parents was just . . . odd and unnecessary. There were a couple of anachronisms that bugged me, but by and large, his history is good — he captures the feeling of the time, while maybe overplaying the pre-dawn of the Internet as we know it a little bit.

Were I an LDS youth of that era, I might be offended at the depiction of both the straight-laced LDS and the backsliders. If I were someone who spent time with a lot of LDS at the time depicted in the book, I might say it was pretty accurate. Either way, it’s going to be divisive.

There’s nothing new here — stylistically, narratively, or in terms of character. It’s all cliché, it’s not original, there’s nothing here you haven’t seen before — and likely better. It’s not bad, but it’s not worth your time and effort. While reading it, I spent a lot of time annoyed by the book — but there’s nothing to rant about here. At Hartje tried to do something, but like Jason, did the bare minimum and it shows (not unlike what I did here).

Disclaimer: I received this book from the author in exchange for this post — sorry Mr. Hartje.

—–

2 1/2 Stars

Defying the Prophet by Gibson Michaels

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On March 20, 2017

In Fiction

Defying the ProphetDefying the Prophet

by Gibson Michaels
Series: The Sentience Trilogy, #2

Kindle Edition, 370 pg.
Arc Flash Publishing, 2014

Read: February 23 – 27, 2017


The second installment of a trilogy has the hardest role — the first introduces us to the world, the characters, the conflict — basically sets the stage for everything in the series. The third has to tie up everything and give a satisfying conclusion. The second has to build on the first and make the audience want to read the end. There needs to be a clear arc to the book (or what’s the point), yet the conclusion has to make us thirst for more. It’s also bound to be the most overlooked entry in the trilogy (The Empire Strikes Back being one of the exceptions that proves the rule). As such, Defying the Prophet fulfilled most of the duties of the second installment, and was entertaining enough — but man, I just wanted more from it.

I also usually find it difficult to talk about the second installments more than the other two, so here are some general observations as I put off any real analysis off until I finish the series.

I was surprised — and pleased — at how quickly Michaels wrapped up the Civil War story in this book — I really expected it to go on much longer. I’m not entirely certain I liked the mechanism by which he did it — but I can’t say I disliked it, but it almost seemed a bit too easy. Oh well, he uses the state of military readiness of the various human governments to be able to respond to the looming alien invasion in an effective manner.

The battles between the human factions were good. The battles between Raknii and humans was great. Seriously great — particularly the first one. I’m not sure Michaels could’ve sustained things there longer without sacrificing quality, but I wish he did. Thankfully, there’s more to come on this front, and I can’t wait to see how things go there.

I didn’t find the plots involving the internal developments and movements with Raknii as compelling this time around — and they were my favorite parts of the first book. We also didn’t get as much of them this time. Still, I appreciate what he’s doing with the Raknii overall and would willingly read more about them beyond this series.

Meanwhile, at least a few people in the USA have started to figure out just how the AI that runs things for them undermined them in the lead-up to the Civil War — and during it. They still don’t seem to have a great idea what they’re going to do with that knowledge however . . .

My biggest problem with this book is that at a certain point it was like Michaels realized — “you know what I haven’t included in this series? Romance. I’d better fix that.” — and then, bang-zoom, we’ve got two love stories going. One page it’s all political/economic/military intrigue and action and the next it’s political/economic/military intrigue and action plus hearts, flowers, and anatomy. Which was awkward enough, but then those love stories just weren’t that well-executed. He reminded me of Aaron Sorkin’s attempts at romantic comedy in Sports Night, The West Wing, and The Newsroom — I loved almost every other thing Sorkin did in those shows, but man . . . romance just isn’t his thing (I’m not even going to mention Studio 60, because that was just bad all around) . Michaels tried — and I appreciate the effort, and could enjoy what he was going for, they were sweet, but I just don’t think he nailed the telling (and, yes, Mr. Michaels, if you read this, feel free to summarize this as “He favorably compared me to an Oscar Winning writer”).

So we’ve got an interstellar conflict to wrap-up; at least one species’ culture is going to be changed by this conflict; some internal shake-ups to go along with that among the Raknii; at least one human government responding to the sentient AI; the sentient AI up to something new; and a couple of other dangling plotlines — and 340 pages to do it all in. Wrath of an Angry God is going to be a busy, busy conclusion — should be a fun ride. This? This was good, but it’s clearly the middle volume and really the poof’s going to be in whether Michaels can stick the landing. My guess is that he can, but we’ll have to see.

Disclaimer: I received this novel from the author in exchange for this post — thanks Mr. Michaels.

—–

3 Stars

A Few Quick Questions With…Duncan MacMaster

By

On March 17, 2017

In A Few Quick Questions With..., Duncan MacMaster, Mystery/Detective Fiction/Crime Fiction/Thriller

Not only did the good people at Fahrenheit Press provide me with Duncan MacMaster’s Hack (which I just posted about), I got an interview with Mr. MacMaster as well! As usual, this is short and sweet, he’s got better things to do than come up with clever answers for me, y’know? Seriously, loved his answers. Give this a read and then scurry out to buy his book.

Would you like to give the elevator pitch for Hack? (for that matter, if you want to throw one in for A Mint Condition Corpse, that’d be fine, too)
The elevator pitch for Hack would be: A desperate man is hired to ghostwrite the autobiography of a washed up TV star with scandal in his past and murder in his future.

The pitch for A Mint Condition Corpse would be: A semi-retired artist’s trip to his favourite comic book convention is spoiled by murder, and only he can solve it.

Do you have experience as a Ghost Writer? Is Hack your way working out some demons? Or does it have a much more benign genesis?
I never specifically worked as a ghostwriter. I did do things like selling jokes to comedians (no one you ever heard of) so I know a bit about doing something that someone else gets credit for.

There is a certain amount of exorcism in the genesis of Hack. By the time I got to writing it I had spent a very long time getting metaphorically kicked in the head by the writing business. The joke market had dried up, and I spent years enduring rejections that ranged from the incoherent to the callous, and some career setbacks that were downright ridiculous.

As you could guess, those experiences left some demons that needed to be exorcised, and Jake Mooney, the hack writer of the title, did it for me. Jake’s had a life defined by setbacks and it’s made him bitter, cynical, and lonely. He sees being a credited author as a step towards some redemption as a writer, and solving the crimes as an attempt at redeeming himself as a human being.

Of course none of this was conscious while I was writing it. While putting down that first draft all I could think about was the plot, the characters and making sure everything made sense. I didn’t discover what I had done with Jake’s and my own hunger for redemption and validation until working on later drafts.

It was different with my first crime novel A Mint Condition Corpse. That started with a conscious decision to make Kirby Baxter, card-carrying comics geek, the Sherlockian hero instead of the comedy relief sidekick, and to use him as a vehicle to combine mystery with a satire of pop culture and the people who run it. Hack, has a lot more of my id running amok in it.

You’ve done a little in other genres, but your publications seem to be predominately in the Crime/Mystery genre. What is it about the genre that brings you back? Is there a genre you particularly enjoy, but don’t think you could write?
I’ve dabbled in science fiction, fantasy, and even horror, and I do plan to do more in those genres in the future, but mystery/crime does seem to have a grip on me. Probably because it deals with people who are at the extremes of their emotions, and also because it’s a genre that’s is still a wide open field when it comes to narrative possibilities.

I always credit my narrative style to SCTV. It was a sketch comedy show I watched as a child that parodied television and movies, and it taught me that popular culture is loaded with tropes and cliches that create expectations in the audience. If you know them and understand them, then you can use them to manipulate expectations to misdirect, surprise, amuse, and hopefully amaze the audience.

When I started reading crime fiction in my teens I began to see the patterns inherent in the genre, and started seeing how they could be manipulated to create something new and entertaining.

As for a genre I enjoy, but don’t think I could write….well, I’m not sure. I’m sure readers would tell me if I really screwed up. My bet would be on straight up horror without any sort of mystery to solve inside it.
What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
Don Winslow’s The Power of the Dog, a relatively slim volume that contains an epic inside. It sets a high standard that I hope to come close to some day. For the most part I tend to avoid reading fiction while I’m writing. I have a bad habit of inadvertently imitating whoever I’m reading. I wrote some truly dreadful pastiches while I was on a Lovecraft reading binge in my early twenties. All sorts of gooey overwrought eldritch nonsense.
This one’s not about you directly, but what is it about Fahrenheit Press that seems to generate the devotion and team spirit that it does (or at least appears to)? I don’t know that I’ve seen as many authors from the same publisher talk about/read each other’s books — or talk about the publisher — as much as you guys seem to. Is it simply contractual obligation, or is there more?
There’s no contractual obligation for camaraderie at Fahrenheit Press, or the House of Love, as our fearless leader likes to call it.

I can sum it up this way: Joining Fahrenheit is like joining a punk band in the mid-70s.

We don’t know what the future holds, or what we will achieve in the end. All we do know is that we are a band of misfits who are all doing what we love, we’re breaking rules and conventions that some thought were inviolate, and that we are all in this wild ride together.

Fahrenheit has been the best experience I’ve ever had in publishing, and I’m sure my fellow authors will agree with me on that.
What’s next for Duncan MacMaster?
I just finished the first draft of a sequel to A Mint Condition Corpse, called Video Killed The Radio Star, and the brutal editing/rewrite process awaits me. I’m also developing a more experimental project examining male archetypes in crime fiction and the concept of the unreliable narrator. I am even outlining a potential sequel to Hack called Hacked, where Jake goes Hollywood. I’m hoping to complete all these projects and make them worthy of publication as soon as possible.

What happens after that, is anyone’s guess.

Thank you for having me on your blog.
Thanks for your time — I really appreciate it, and hope that the Hack‘s release is successful (as it deserves).

Hack by Duncan MacMaster

By

On March 17, 2017

In Duncan MacMaster, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

This feels a bit rushed to me — and more than a little vague. I guess it should, it was a little rushed, I liked this book enough that I pounded it out a couple of hours after finishing it, I didn’t want to sit on it for a while. And if the post is vague, it’s because this is the kind of mystery difficult to talk about without cracking open all the secrets, and because a lot of what I really liked about this is in the little details MacMaster gave. You need to experience it yourself to get what I’m saying.
—

HackHack

by Duncan MacMaster
Series: Jake Mooney, #1

Uncorrected Proof
Fahrenheit Press, 2017

Read: February 28 – March 1, 2016

Little victories, since they’re all I can hope for, they’re what I live for.

Jake Mooney used to be a pretty good reporter — good reputation, good results — but he got out of that game and got into a more lucrative field, even if it was more distasteful. Events transpired,  and that goes away — I’ll let you read it for yourself, but it involves lawyers and an ex-wife. Nowadays, he gets by being a ghost-writer for established authors who don’t have the time or ability to write their own material. Out of the blue, he gets an offer to help a former TV star, Rick Rendell, write his autobiography. He’ll even get credited for it. Credit — and a nice cash bonus. How can he say no?

Before you can say “Jessica Fletcher,” someone tries to kill Jake and then Rick is shot in front of a handful of witnesses, including Jake. Between his affection for (some of) the people in Rick’s life, worry over his own safety, curiosity, and his own sense of justice, Jake dives in and investigates the murder himself.

Jake finds himself knee-deep in a morass involving unscrupulous agents (I’m not sure there’s another kind in fiction), wives (current and ex-), Hollywood politics, an IRS investigation, a Drug Cartel, former co-stars, hedge fund managers, hit men, and a decades-old mysterious death. And a few more fresh deaths. . The notes he’s already taken for the book gives Jake fodder for his investigation — but the combination of notes and his continuing work provides the killer a constant target (and threat). As long as Jake’s working on the mystery/mysteries — and doing better than the police at uncovering crimes and suspects — the killer can’t just escape, Jake has to be stopped.

The voice was great, the mystery had plenty of twists and turns, Jake’s ineptitude with firearms was a great touch and served to keep him from being a super-hero. I really can’t think of anything that didn’t work. There’s not a character in the book that you don’t enjoy reading about. I had three strong theories about what led to Rick’s death and who was responsible — the one I feared the most wasn’t it (thankfully — it was a little too trite). My favorite theory was ultimately right about the who, but was absolutely wrong about everything else. I take that as a win — I felt good about my guess and better about the very clever plotting and writing that outsmarted me.

That’s more about me than I intended it to be, so let me try this again — MacMaster has set up a great classic mystery — a la Rex Stout or Agatha Christie. A dogged investigator with a personal stake in the case, supporting characters that you can’t help but like (or dislike, as appropriate), a number of suspects with reasons to kill the victim (with a decent amount of overlap between those two groups), and a satisfying conclusion that few readers will see coming. Hack is funny, but not in a overly-comedic way, it’s just because Jake and some of the others he’s with have good senses of humor. I chuckled a few times, grinned a few more.

I bought MacMaster’s previous book, A Mint Condition Corpse, when it came out last year — sadly, it’s languishing in a dark corner of my Kindle with a handful of other books from Fahrenheit Press (I’m a great customer, lousy reader, of that Press).  Hack wasn’t just an entertaining read, it was a great motivator to move his other book higher on my TBR list. Get your hands on this one folks, you’ll have a great time.

Disclaimer: I received a copy of this from the publisher, nevertheless, the opinions expressed are my own.

—–

4 Stars

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