Category: Fiction Page 88 of 341

from Final Heir by Faith Hunter

Like a Stray Animal Haunting Aggie’s Home

Eyes closed, I felt the movement of unexpected cool air as the sweathouse door opened and shut. Last week, I had learned that Aggie One Feather, the Cherokee elder leading me into understanding my personal and tribal history, sometimes left and reentered when I was sweating through a haze of her herbal infusions and my own hidden memories. She said humans couldn’t survive five or six hours in a sweathouse like I could, let alone all night, so she would slip out and back in.

I had asked her if she had a nanny camera hidden in the sweathouse to keep track of me. Her reply had made me laugh: “You need a legion of angels to look over you, but a nanny cam could help.”

The rustling of her cotton shift, the sound of her breath, and the crackle of flames seemed loud as she settled across the fire from me and fed the coals. I smelled cedar and burning herbs and heard the scritch-grind of her mortar and pestle. Behind my lids it seemed lighter than before. It had to be near dawn.

It occurred to me that the ceremonial fire was, itself, symbolic. It was parts of this world and the next, the two halves of the universe, energy and matter. It was wood and air and energy, and together they made flame and smoke, the destruction of matter into energy. Then that thought wisped away with the fire.

Aggie said, “Drink.”

I opened my eyes against the crack and burn of dried sweat, and studied the small pottery cup she held. On the third try I managed to croak, “Eye of newt? Ragweed? Mold off your bathroom floor? Peyote?”

“That never gets old,” she lied, amusement hidden in her gaze. “I have no mold on my bathroom floor.”

Read the rest in Final Heir by Faith Hunter to see what happens from here in the epic conclusion to this great series.

My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

BOOK SPOTLIGHT (and GIVEAWAY): Final Heir by Faith Hunter

By HCNewton

On August 22, 2022

In Book Tour, Faith Hunter, Fiction, Jane Yellowrock/Soulwood, Urban Fantasy

Today I’m very pleased to welcome the Book Tour for the fifteenth and final Jane Yellowrock novel, Final Heir by Faith Hunter. Along with this spotlight post, I have an excerpt from the novel to share and a quick Q&A with Jane and Eli!. I’ll also be giving my take on the novel (and probably a little on the series as a whole) a little later. Those links’ll work when the posts go live in an hour or two. If you scroll down to the bottom of this post (or, you know, read it), you’ll find a nifty giveaway.

First, let’s take a look at Final Heir.

Book Details:

Book Title: Final Heir by Faith Hunter
Publisher: Ace Books
Release date: September 5, 2022
Format: Ebook/Paperback (Audiobook will be released in October)
Length: 464 pages
ISBN: 9780593335819

About the Book:

The stakes couldn’t be higher in the newest novel in the New York Times bestselling, pulse-pounding Jane Yellowrock series.

Jane Yellowrock is the queen of the vampires, and that makes her a target as she fights to maintain control and keep peace in the city of New Orleans. She has enemies at every turn, because vampires live forever, and they keep their grudges alive with them. That includes the Heir, the vampire sire of the Pellissier bloodline, which gave rise to Leo Pellissier himself—Jane’s old boss and the former master of the city.

With the Heir and all the forces of darkness he can muster arrayed against her, Jane will need all the help she can get. She’ll find it in her city, her friends, her found family, and, of course, the Beast inside of her.

Purchase Links

Amazon ~ Barnes & Noble ~ Books-a-Million ~ IndieBound ~ The Book Depository ~ Kobo ~ Google Books ~ Apple Books

About the Author:

Faith Hunter is the award-winning New York Times and USAToday bestselling author of several series: Jane Yellowrock, Soulwood, Rogue Mage, and Junkyard Cats. In addition, she has edited multiple anthologies and coauthored the Rogue Mage RPG. She is the coauthor and author of 16 thrillers under pen names Gary Hunter and Gwen Hunter. Altogether she has 40+ books and dozens of short stories in print and is juggling multiple projects.

She sold her first book in 1989 and hasn’t stopped writing since.

Faith collects orchids and animal skulls, loves thunder storms, and writes. She drinks a lot of tea. She likes to kayak Class II & III whitewater rivers. Some days she’s a lady. Some days she ain’t.

Find Faith online at:

Website ~ Facebook (official) ~ Facebook Fan Group ~ Twitter ~

Yellowrock Securities website ~ Gwen Hunter website

GIVEAWAY:

There’s a tour-wide giveaway open to US residents!

1 winner will receive a Yellowrock Securities leather bracelet
5 winners will receive a Beast is Not Prey leather bracelet
4 winners will receive their choice of a $25 gift card from Amazon or Barnes & Noble

a Rafflecopter giveaway

If the Widget isn’t showing up, just click here: http://www.rafflecopter.com/rafl/display/9751c04272/?

My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

Roses for the Dead by Chris McDonald: McDonald Ends This Trilogy with a Bang

By HCNewton

On August 19, 2022

In Chris McDonald/Frost, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Roses for the Dead

by Chris McDonald

DETAILS:
Series: DI Erika Piper, #3
Publisher: Red Dog Press
Publication Date: April 13, 2021
Format: Kindle Edition
Length: 206 pg.
Read Date: August 15, 2022

What’s Roses for the Dead About?

Seven years ago, Erika Piper is one of the detectives that arrested the rock star, Johnny Mayhem, for beating his wife to death with a baseball bat. It’s not one of those cases that haunts her, they had solid evidence, made a good arrest, and moved on.

But now, new evidence has been made public that casts doubt on that arrest. Enough doubt that Mayhem is released. He’s angry about the last seven years and the way “the real killer” got away with things, so he’s making not very subtle threats against those who were involved in his arrest and conviction—and the man who held onto that evidence until now.

Under the shadow of Mayhem’s release, Piper returns to work after maternity leave—to a nice, safe, and stultifyingly boring desk job. Which she’s going to make work, she’s committed to the idea—she regrets its necessity, but she wants to be a good mother, and she has plenty of evidence that the DI role is dangerous. But on her first day back—the new DCI offers her old DI position. She needs someone with the experience that only Piper has. Just mentioning the offer causes problems at home, her partner, Tom is dead set against it and makes that very clear. Eventually, she agrees—for one case, and then they’ll re-evaluate.

That one case? The death of Mayhem’s drug dealer—the man who held on to the evidence for all those years. There’s evidence at the scene that ties it to the death of Mayhem’s wife, too. Could this be her chance to redeem herself for the work on the original case?

This is the End?

At this point, the series feels lived in—we’re comfortable with all of the characters and this world. If McDonald hadn’t been making so much noise about returning to it lately, this is where I’d be complaining that he jumped off at the wrong time. We needed more time with Piper’s new boss and partner, and that it’d be good to see Piper functioning in a stable environment for a bit (like she was in the beginning of Whispers). But since it looks like he’s at least thinking of #4, I guess I can spare us all that.

So, what did I think about Roses for the Dead?

If I was ranking them, I’d put the second in the series, Whispers in the Dark, a little higher—and not just because of the shocking mid-book scene. But just a little—I’d have preferred a little more time spent with a couple of the threads in this book (and one more proofreading pass). Those are just quibbles, though. This is a gripping story and McDonald got me chasing a couple of red herrings—I was fully committed to one of them until the moment it became impossible.

I thought the conflict over Piper leaving the desk job for the DI role so soon was resolved a little too easily—but I do appreciate the way that McDonald handled it overall. I just wanted it fleshed out a little more, I think.

That’s twice I’ve said something along the same lines in this section—essentially, I guess what I’m saying is that I liked the book, but it was a bit too lean. Several scenes were a bit too brief, conversations could’ve gone on a little longer—especially the arguments over Piper’s work (and too often she and Tom are just repeating themselves). I’m not asking for another 100 pages, but maybe 20? This is the shortest of the three and it felt like it.

I cannot say enough for both the premise of Roses for the Dead and the resolution of that story. McDonald’s take on this idea was fresh enough to make it stand out among other procedurals. Even if it feels impossible to talk about without spoiling just about everything. The pacing is strong, I can’t get enough of these characters, and the investigation was well-executed—everything you want in a police procedural.

I’m glad I finally got to reading these books, and encourage crime readers out there to pick them up, too.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

One Decisive Victory by Jeffery H. Haskell: The Trilogy’s Conclusion is Almost Nothing but Action

By HCNewton

On August 18, 2022

In Fiction, Grimm's War, Science Fiction

One Decisive Victory

by Jeffrey H. Haskell

DETAILS:
Series: Grimm's War, #3
Publisher: Aethon Books
Publication Date: June 21, 2022
Format: Kindle Edition
Length: 416 pg.
Read Date: August 10-12, 2022

What’s One Decisive Victory About?

After the calamitous events at the end of With Grimm Resolve, the Alliance Navy is raring to strike back, but the government has another plan. The last thing they want is another war—they’re still torn over the last one, and they’ll snatch any excuse to avoid the next.

Naval Intelligence’s Admiral DeBeck can’t believe this and can’t stand it. He knows he can’t do anything. But he has a plan that centers on Lt. Commander Jacob Grimm, but Grimm’s going to have to be sacrificed for it to work.

The Caliphate has struck a massive blow to the Alliance and they need to respond or DeBeck (and most of the Navy) is convinced that they’ll be emboldened to attack again and again—until it’s too late for the Alliance to effectively defend itself.

So they’re going to follow through on the plan to dismiss Grimm from the Navy when the Interceptor is taken out of service. Then Grimm is supposed to steal his former ship, head to Caliphate space, free a bunch of their slaves and wreak havoc on the planet that serves as the center of their slave trade. Then he’ll come home and spend the rest of his life in military prison.

It’s a plan so crazy that it just might work. Or it’ll go down in history as one of the dumbest things humans have tried. If it’s the latter, it’s good that only a handful of people will know about it.

Its Place in the Series

I talked about this with the last book, too, but I think I need to touch on it again.

So this is definitely the end of a trilogy—Haskell might have had an idea for a fourth book by this time, but it’s clearly the end of something. Yes, there’s a way for more stories to be told featuring at least some of these characters—I knew that had to be the case going in. But Haskell writes this in a way that you can’t take for granted that anyone is going to survive this book. You can’t guess how successful this mission is going to be until the closing pages.

This is a hallmark and a strength of the series so far—even coming to it when I did, with multiple books released/scheduled to be released, not knowing just how safe any character would be (arguably with the exception of the title character, but I don’t know that you can count on that).

So, what did I think about One Decisive Victory?

Ooh boy, this is about as action-packed as you can ask for. Not that the previous volumes were think-pieces. But One Decisive Victory is able to build on the work already done in establishing the world and doesn’t need a whole lot of new work to set up this novel. Once that little work is done, the brakes come off and it’s all action.

There’s a lot of good character work in the middle of it all—I’d argue it’s the best character work he’s done in the series—but this is about things happening. Grimm and the Interceptor have their work cut out for them and we don’t need to waste time with much else.

The novel was fast, the action was furious, and the story did exactly what you want. I was on the edge of my seat for almost the entire novel and I loved it. I did think the closing pages came close to being cheesy—but Haskell avoided it, and at this point, he’s earned a bit of cheese anyway.

This was a satisfying conclusion to the trilogy, and the fact it’s become a longer-running series is nothing but a positive. Jump on board.

4 Stars

Divine and Conquer by J.C. Jackson: You Can’t Go Home Again

By HCNewton

On August 15, 2022

In Fiction, Terra Chronicles, Urban Fantasy

Divine and Conquer

by J.C. Jackson

DETAILS:
Series: Terra Chronicles, #6
Publisher: Shadow Phoenix Publishing
Publication Date: June 21, 2021    
Format: Paperback
Length: 239 pgs.
Read Date: August 8, 2022

What’s Divine and Conquer About?

We know that Silver’s Order has been trying to get him back to HQ for some time, and for reasons he’s not been terribly clear about (as I recall, anyway), he’s been reluctant to listen. So they force the issue by arranging a wedding between him and another Paladin. If he’s going to break it off, he has to be there in the flesh.

But he’s going to need more than a “I don’t want to,” so he enlists Ketayl in an undercover effort—they enter into a courtship relationship and he can say that he can’t get married because he already has an intended. Ketayl has some misgivings, but goes along with it—primarily to help Silver, but she’ll also get a chance to look through the Order’s library and maybe find some info on necromancy that’ll help.

Things start going wrong from the instant they arrive—the Order isn’t crazy about Ketayl’s presence (many of them aren’t crazy about her existence, and a big prejudice against elves is on full display). Things between the Order and Silver start off contentious and get worse. And then Ketayl finds a whole new batch of trouble—TIO kind of trouble. Things go from bad to worse from there.

Marzena and Amanda

There are a whole passel of new characters in this novel—one of the benefits of traveling to a new area and encountering a whole Order. But there are really two characters that we really get to focus on.

Amanda is the young paladin that has been selected as Silver’s bride-to-be. She’s driven and smart. She’s not much when it comes to combat—and really not much of a candidate for the order, you get the idea that there’s something not that impressive about her. But she’s good at doing what she’s told, and will do whatever she can to accomplish it—including going through Ketayl.

The other Paladin we really get to know is their Weapons Master, Marzena. She was a fantastic character—the way she quickly embraced Ketayl and resumed the old friendship with Silver in a heartbeat was great. We aren’t used to people outside the TIO knowing Silver so seeing that he has at least one great friend in the world from years ago helps solidify his character. But beyond that, Marzena is exactly what the book needed for the plot, a bit of fun, and perspective on all the events surrounding Ketayl and Silver. She’s definitely the MVP of Divine and Conquer, and I hope we see her again soon.

Ketayl’s Super Power

Sure, we’ve known that Ketayl’s a Mage with more power and potential than she realizes. But that’s really not what makes her such an effective leader and agent—we’ve seen this since the beginning, but it’s been emphasized in the last two books in particular.

Ketayl has this ability to take a rival, critic or outright enemy and turn them into an ally, if not a friend. Divine and Conquer surrounds her with plenty of antagonists—she doesn’t turn them all around, by any means. She doesn’t even try. But there’s one person she does turn around, without really intending to.

I really appreciate this ability of hers, and am glad Jackson is letting it shine—sure, she’s not the only character in the genre with the ability, but she goes about it in a different way than others do. She reminds me of Kitty Norville more than anyone else in that. Anyone that reminds me of Kitty is a winner.

The Order of the Paladins of the Holy Son

So here’s the problem I had with The Order—and therefore the book. It’s a religious Order, sure. But there’s no religion to it. There’s a hierarchy, there are adherents, underlings, traditions—even a couple of group prejudices. But that’s it—it’s the shell of a religion with nothing at the core.

And if it was the case that the Order had drifted from their former orthodoxy and become an apostatized or agnostic group, that’d be one thing—people’d be talking about that. Silver’s friend is one of the few that holds on to the old ways—but we’re talking about training, loyalty, traditions, not beliefs.

Instead, for whatever reason, Jackson didn’t allude to their departure from the faith while hanging onto the form, she didn’t even point to a time when the Order stood for something. I get the impression (and I can’t point to specifics to support this, but I still walk away with the impression) that Jackson has some ideas about what the Order used to believe (maybe still believes)—but I’ve got no idea what it is.

A religious order without a dogma is hard to get invested in—you can’t fault them, you can’t hope they reform for the characters you like to be okay—it’s just a soulless bureaucracy making things difficult for those characters. And hey, that’s a daunting organization to take on, sure.

But boy howdy, do they want Silver back in the fold and are pulling out quite a few stops to achieve that. Also, I’m not sure I get why that is, I mean, I like the guy, but their interest seems a bit extreme. But I can roll with it for the sake of the story.

So, what did I think about Divine and Conquer?

This is the book I’ve been waiting for—possibly for too long, but whatever—we needed the development and background for Silver and some overdue conversations were had. Plus, Ketayl’s achievements with the Arcana Consortium were great to see (at some point, she’s going to start accepting what everyone’s saying about her magic abilities, right?)

I’m not sure I could buy how long the negotiations around Silver’s marriage took—the sheer number and length of meetings seemed out of proportion. Maybe Jackson could’ve given us some other things for them to have been discussing. But they gave us what the novel needed—a way to get him off-screen so Ketayl could get to know Marzena and Amanda better, interact with others of the Order, and generally get into trouble.

This is one of my favorites in the series—because of the character arcs and development. Plot-wise, I think it stumbled a bit, but by the time I get my hands on Book 7, I won’t remember that, I’ll remember the character stuff.

I’m enjoying this series still and am looking forward to the next one. Apparently it’ll be in June 2023, which gives you all plenty of time to read the series.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Persecution by RC Bridgestock: Charley Mann Hunts Her Most Elusive Killer Yet

By HCNewton

On August 12, 2022

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Persecution

by RC Bridgestock

DETAILS:
Series: DI Charley Mann Crime Thrillers, #3
Publisher: Canelo
Publication Date: July 8, 2021
Format: Kindle Edition
Length: 267 pgs.
Read Date: August 9-10, 2022

What’s Persecution About?

DI Charley Mann is looking into a murder—one of those killings that make you despair for anyone’s humanity—and it’s a complicated case—just establishing the identity of the victim is difficult. The motive for the killing is impossible to pin down. And there’s a dearth of viable suspects.

But she and her team keep plugging away, making slow and steady progress—in a great touch of realism (as per usual for this series).

At the same time, she’s overseeing the investigation into some break-ins at a local university. Someone is breaking into the rooms of single women and staring at them while they sleep. Campus security hasn’t been paying attention to the reports until some police officers take a report seriously. The invader hasn’t crossed the line into violence, but the police know it’s only a matter of time.

There’s no evidence to support it, but Charley’s gut feeling is that these are connected. But even if she’s right, it doesn’t do her any good—she has no evidence to point to a suspect for either. There’s a break out there for her team to catch, they just have to keep working at it.

I Finally Put My Finger On It

This is the third book in the series that I’ve read, and I’ve talked about the problems I have with a lot of the dialogue. I’m not sure I’ve done the best job describing it, but I’ve tried. I think I finally put my finger on it, now.

There was something about a conversation in the first chapter that rang a bell with me, but it wasn’t for another 10-20% that it came to me: these characters—crime scene officers, PCs, detectives of all ranks—they talk like they’re in an HR training video.

If you’ve ever made it through a training video, you know what these people frequently talk like.

So, what did I think about Persecution?

This isn’t important at all, but this is a bad title. It has nothing to do with anything in the book. Really, it doesn’t matter, because most people are going to think of it as Charley Mann #3 or something like that. But, blech.

On to more substantive things—I don’t have a lot of new things to say about this book. Actually, I have nothing new to say. Like its predecessors, I really liked the story, I think the characters are interesting, and the police procedural aspects of the novel (the crime, the investigation, the twists, the original victim’s backstory, etc.) are exactly what I look for in a procedural—but the writing isn’t quite there. If Bridgestock took a little more time with the writing and editing, I’d be a huge fan.

As is, this is an entertaining enough diversion—frustrating when it misses, satisfying when it hits.

3 Stars

Composite Creatures by Caroline Hardaker: This’ll Live Rent-Free in Your Mind for A While

By HCNewton

On August 11, 2022

In Fiction, Science Fiction

Composite Creatures

by Caroline Hardaker

DETAILS:
Publisher: Angry Robot
Publication Date: April 13, 2021
Format: Paperback
Length: 267
Read Date: August 3-6, 2022

“The Back of the Book”

I’m pretty sure I’d end up ruining something if I tried to summarize this myself, so let’s use the description from the Publisher’s site:

In a society where self-preservation is as much an art as a science, Norah and Arthur are learning how to co-exist in domestic bliss. Though they hardly know each other, everything seems to be going perfectly – from the home they’re building together to the ring on Norah’s finger.

But survival in this world is a tricky thing, the air is thicker every day and illness creeps fast through the body. The earth is becoming increasingly hostile to live in.Fortunately, Easton Grove have the answer, a perfect little bundle of fur that Norah and Arthur can take home. All they have to do to live long, happy lives is keep it, or her, safe and close.

The World Building

This is a terrifying look at an entirely possible not-that-future world for us. I’m not going to get into the details, but this is an England (and we can assume the rest of the world is a lot like it) devastated by pollution, climate change, and humans messing around with genetics and other experimental medicine.

The effects of all that are seen in nature—flora and fauna—and in the health of just about everyone in the novel.

Some things never change, however, those with money—or a way to get it—have a better shot at whatever slim advantages there are to be had.

And Hardaker absolutely sells this world—the choices she made in constructing, depicting, and revealing the details of this world were perfect. I cannot say enough for the setting and the way she showed it.

So, what did I think about Composite Creatures?

Sadly, the world that Hardaker portrayed was the only part of this book that resonated with me.

I was pretty sure of two things within the first 50 pages (less than that, but I wasn’t keeping score):

This was a fantastically written book, it’s wonderfully conceived, prescient, and haunting.
This was not a book for me.

This wasn’t a case of me disliking it—it was too good for that. But I just didn’t care, I wasn’t invested—I never got more than mildly curious. If I’d been forced to return this to the library before I finished, I don’t know that I’d have bothered to check it out again. I did keep waiting for that moment—the one that changed everything and made the whole thing worthwhile—and it didn’t come.

I’m giving this 3 stars—the writing/worldview/etc. deserves at least 4, but my experience was a big ol’ “meh” and probably would’ve gotten a 2 if a lesser writer had been responsible for it. So we’ll average the two.

Now, I think I’m the exception—Hardaker’s a great writer and this combination of too-likely dystopia and environmental collapse is the kind of thing that I can see a lot of people really getting into. I’d recommend you do. When Paul recommended Composite Creatures to me, he said something like he couldn’t stop thinking about it—I don’t blame him, it’s going to be a long time before I stop thinking about it. Incidentally, you should read Paul’s post about the novel for a different and very positive take.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

PUB DAY REPOST: Bark to the Future by Spencer Quinn: Bernie Goes Back to High School

By HCNewton

On August 9, 2022

In Chet and Bernie, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Spencer Quinn

Bark to the Future

by Spencer Quinn

DETAILS:
Series: Chet and Bernie, #13
Publisher: Forge Books
Publication Date: August 8, 2022
Format: eARC
Length: 320 pg.
Read Date: July 25-28, 2022

Chet the Narrator

For roughly a decade now, Chet has been my favorite first-person narrator (at least among those being currently published). This K-9 school dropout is an engaging and personable narrator who will get the reader emotionally invested and charm you within the first few pages after you meet him. He’s optimistic, generally positive, and his unique perspective will make you chuckle frequently while you read a solid P.I. story.

At the same time, there’s an extra level of attention that needs to be paid to what he says so you can pick up what’s actually going on—Chet’s the best kind of unreliable narrator, he’s not being deceptive, he just doesn’t (and can’t) understand what he’s seeing and hearing. But he’s honest and thorough.

So, what I’m saying is, there’s little chance I’m not going to thoroughly enjoy a new Chet and Bernie novel. So going in, expect me to say nice things.

What’s Bark to the Future About?

Bernie’s approached by a panhandler while stopped at a light on a freeway off-ramp, who recognizes Bernie from high school and refuses to take his money. Life’s been harder on him than Bernie, who can’t recognize him at all. Bernie takes him for a burger, and tries to help him out a little—by this time, he’s identified himself. He’s an old baseball teammate, and the two shared a highlight or two of their careers. After their meal, Rocket Saluka has Bernie drop him off on the off-ramp.

But he’d said a thing or two that Bernie can’t stop thinking about, so he goes back the next morning to follow up. Rocket’s nowhere to be found, but someone else directs Bernie to a camp Rocket was staying at. He’s not there, either—and there’s almost no trace of him. Chet does find his distinctive switchblade buried under Rocket’s tent, however—and now Bernie’s even more curious, and he sets out to find his old teammate.

It turns out that there’s quite the history attached to this switchblade, and most of it was shared by other people who were associated with their high school (including one person Bernie knows but didn’t realize was from the same school). What starts off as a way to deal with some unnecessary guilt becomes a hunt for someone responsible for at least one murder—and hopefully, Rocket.

Weatherly and Trixie

I was a fan of Suzie Sanchez and didn’t like it at all when that relationship fell apart, and I wished for more time with the doctor Bernie dated. But now that Quinn has brought Weatherly into the series, I’m glad that things between them and Bernie ended.

Weatherly’s a great addition to the series period—someone in law enforcement that Bernie can talk shop with (who isn’t a former colleague) and who can pitch in when Bernie needs backup. And their romantic relationship is better than Bernie’s had before—there’s a trust, an honesty that was missing with Suzie. Bernie’s learned from his past mistakes and is making sure that he doesn’t make them again. It’s great to see.

I do feel back for Weatherly’s dog Trixie, Chet’s a jealous boy (we are learning), and he’s not doing well with a female counterpart with similar strengths (maybe stronger in a couple of ways than Chet). Yes, she scores a few wins over our narrator, but his feelings toward her color what we’re told about her, and she doesn’t come out looking so good.

We’ve seen something like this with Shooter, Chet’s son. But it’s a little different with Shooter because there’s a somewhat paternal aspect to Chet’s description of him.

We know that Chet can get along with other dogs—but the extended time with Trixie is showing us another side of his personality. You wouldn’t think you’d get that in a dog character, but it’s good to see that Quinn can give us that.

Bernie’s Notoriety

As he’s visiting fellow alumni and other people associated with the case, several people mention how they’d read/seen something about him because of the events of Of Mutts and Men (although one harkened back to Heart of Barkness. I’m glad that there are people out there who know that Bernie Little is out there, doing good work. Most of the time in PI fiction, you get the idea that outside of those close to a case, no one notices that the PI we’re so heavily invested in does anything of note.

But what’s better to me is that Bernie’s getting recognition for this case—one of the first things we learn about him 12 books ago is that he has very definite opinions about water usage and the local aquifer. From Chet, we get some ideas about other things that Bernie cares about, but from his own mouth, we know that he cares about Charlie, Chet, and water (and now, Weatherly). Of all the cases for him to get good PR for, this is the one that’s going to mean something to Bernie.

So, what did I think about Bark to the Future?

Not surprisingly, I liked it. I really did. We get a little character backstory here, we see Bernie as a good father (and a fumbling one), we see development in his relationship with Weatherly, we see the potential for a (small) income stream for Bernie outside the PI business, and there’s an intriguing mystery or two for our heroes to dig their teeth into (literally, for Chet).

Starting with Of Mutts and Men that Quinn’s found another gear. I can’t put my finger on it—I wish I could—but there’s something about the novels that have stepped up a notch or two. The series is always reliable, but these last few have been better than some of the previous. Bark to the Future continues that streak.

I heartily recommend this to you—if you haven’t tried one from this series before, don’t worry—they’re all good entry points. Jump in now, you’ll be glad you did.

Much like Chet and a Slim Jim, I’ve gulped this one down and am ready for my next one.

Disclaimer: I received this eARC from Macmillan-Tor/Forge via NetGalley in exchange for this post—thanks to both for this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

A Few Quick Questions with…Nick Kolakowski (2022 edition)

By HCNewton

On August 8, 2022

In A Few Quick Questions With..., Fiction, Love & Bullets Hookups, Mystery/Detective Fiction/Crime Fiction/Thriller, Nick Kolakowski

He’s back for the sixth time, now to talk about the fourth installment of this Love & Bullets series of hookups, Hell of a Mess (I posted about it earlier today). I look forward to these Q&As a lot, I know that when I get the responses I’ll learn a few things, understand the books better, and will grin at least twice. Not only does he write a good book, he writes a good answer. The novel comes out at the end of the month, get your orders in today!

So what brought you back to Bill and Fiona? Did you get a hankering to do something new with them while putting The Megabomb Edition together or did you get the idea for a heist in a hurricane (or something like that) and decide they’d fit better than someone new?
I’d always wanted to do a heist in a hurricane. When I was a teenager, for reasons I can’t quite explain, I was really into the movie “Hard Rain” with Morgan Freeman and Christian Slater, which centers on an armored truck robbery in a flooded town. It’s a pretty mediocre flick, but I really dug the idea of taking two distinct genres—crime and natural disaster—and slamming them together.

So, the basic framework of heist-in-a-hurricane rattled around in my brain for years. I thought about it more after Hurricane Sandy smashed through New York ten years ago, which came with all the chaos you can imagine—no power, flooded buildings, chaos in the streets. I even wrote some crime-themed short stories that took place during Sandy, but the itch to turn it into a full-fledged novel didn’t grip me until 2020.

Originally, it was supposed to involve all-new characters, but I really like Bill and Fiona, and I thought: why not? I know how they think. I know what they’d do. It seemed more organic to make it another Love & Bullets adventure.

This question might have fit better for the first Love and Bullets novella, but it still applies here. Can you talk a little about your decision to have the unnamed-assassin as your first person narrator rather than one of the protagonists, or a third-person omniscient narrator? He’s important to this novel, and the first novella—but not as important to the rest of the series—but he’s not a John Watson or Nick Caraway kind of non-protagonist narrator, either. Maybe you can describe his function in the series as well (I clearly can’t do it concisely). Also, was leaving him nameless a conscious decision, or just something that happened along the way that you stayed with it?
Leaving him nameless is just something that happened along the way. The assassin is human, obviously, but I also think of him as a supernatural or mythical force—almost like a Loki, a spiritual trickster who’s not firmly implanted in this world. Giving him a name seemed to reduce him somehow, at least in my mind.

I can’t explain why he’s written in the first person, and the other characters are shoved into the omniscient third. Not to give too much agency to a fictional character, but it’s what he wants; when I sit down and write from his perspective, it just spools out effortlessly. When I started Hell of a Mess, I very briefly tried writing him from the same third-person perspective as the other characters, and it simply fell flat.

There was also a version of Hell of a Mess where he didn’t appear at all, and it didn’t work, either. He’s the levity that differentiates the series from other crime fiction, in my mind; he’s the crazy element, the secret sauce, the glue that binds the narratives together on a subtextual level. Maybe that’s because he’s always articulating the book’s themes as he wrestles with his own feelings and coincidence; maybe it’s just that I find him funny as hell.

How do you balance the threat of a hurricane with the various human threats running around this book? Are there special challenges involved in using a natural disaster like this in a book, or is it a gift—allowing a random tree branch or torrent of rain to come along and interrupt things when you want?
It’s a gift and a curse. If you’re jammed up in the plot, yeah, you can send a tree branch or a flood through to shake things up—it’s the nature equivalent of Chandler’s old adage about how if you’re stumped on how to advance the plot, just have someone walk in with a gun. Living through Sandy, I learned firsthand how a big storm can really impact even the most mundane physics; at one point, I had to open a door with another big guy, and it took all of our strength to crack it open even a few inches against the wind and the air pressure. You throw those physics into a fictional narrative, and you generate some really interesting potentials for suspense.

At the same time, especially when you’re using a hurricane, you have to make sure the tempo of the storm aligns with your action—for example, as the storm intensifies, your characters really can’t do anything outside, which is why I decided to have the climax of the book take place just as the eye passes overhead, cutting out the wind and rain.

Let’s take a break from your work for a moment—you’re a reader/viewer as well as a writer, what’re some of the books/movies/shows this year that you’ve been enjoying?
I loved Heat 2. I was lucky enough to get an early copy, and I had some trepidations about how well Michael Mann would carry off that shift from cinematic to novelistic, but I needn’t have worried—the book is fantastic. Meg Gardiner, his co-author, layered it with her trademark suspense, and the whole thing really works.

I’m also reading Jordan Harper’s Last King of California, which is coming out in late September in the UK (although U.S. readers can find a copy via Amazon.co.uk pretty easily, I think). It’s a real treat because Harper is one of the best wordsmiths working the crime genre, and every sentence is rich and thick. The book itself is in the proud tradition of noirs like Blood Father and Tapping the Source, and it’s wonderful.

You’ve got Beach Bodies coming out on Halloween, right? I understand that’s a horror novella? Do you want to give a quick pitch for that one?
Beach Bodies is a super-short horror novella that began as a potential project for a smaller horror publisher, but when that didn’t work, I decided to dip my toe into self-publishing. It’s a weird book with one bloody moment near the end that will probably excite hardcore horror fans while freaking other folks out (one early reader texted me, “DUDE, WTF, LOL,” when she reached it).

The short pitch for it: Julia and Alec are two twentysomethings paid to “house sit” a billionaire’s luxury doomsday bunker on an isolated stretch of beach. Three strangers invade the bunker on a sinister mission, and very bad things happen. There’s a big twist that’ll have you questioning the nature of the characters’ very reality.

As usual, I’ve got to ask, what’s coming down the pike? Are you far enough into your next book(s) to talk about it/them?
Right now I’m working on an episode of A Grifter’s Song, which is a long-running series (something like 28 novellas and counting) written by various crime-fiction authors, including S.A. Cosby, Hilary Davidson, and Paul J. Garth. The series follows two hustlers as they attempt to cheat bad folks out of their money. The main challenge for me is taking these two preexisting characters with a rich backstory established by other authors… and trying not to mess it up.

And by “mess it up,” I mean, “make it too much like Bill and Fiona from Love & Bullets,” which I’m definitely at risk of doing. But I’ll make it work.

Thanks for your time—and thanks for Hell of a Mess—it’s always fun spending time with these characters.
Thank you! I love these questions!

Hell of a Mess by Nick Kolakowski: A Whole Bunch of Plans that Don’t Come Together

By HCNewton

On August 8, 2022

In Fiction, Love & Bullets Hookups, Mystery/Detective Fiction/Crime Fiction/Thriller, Nick Kolakowski

Hell of a Mess

by Nick Kolakowski

DETAILS:
Series: Love & Bullets, #4
Publisher: Shotgun Honey Books
Publication Date: August 26, 2022
Format: eARC
Length: 234
Read Date: August 1, 2022

What’s Hell of a Mess About?

Well, isn’t that a tricky question? There is too much. Let me sum up. There are multiple people who start off intending to commit one crime and end up doing something entirely different.

Fiona’s been hired to steal something, and it’s a timely thing (and she’s not deterred by much), so despite an impending hurricane, she goes for it. Sure, the Inside Man tries to wave her off, but, again—she’s not deterred by much. Which is a shame—she should’ve paid attention to either the weather or the Inside Man. She ends up with a price on her head and multiple people around the city.

While she’s busy, Bill’s trying to prep for the storm in the home they’re squatting in when some police break in looking for the man who lives there. One thing leads to another, and they kidnap Bill, believing he can lead them to the millions his former employer had hidden away.

Thankfully. that assassin they thought Fiona killed at the end of A Brutal Bunch of Heartbroken Saps survived—readers knew that, but Fiona and Bill didn’t. Not only did he live, but he’s been keeping tabs on them. He’s been trying to live a different—less lethal—life and he has a chance to help them. Will he be enough?

(I have no idea if the above makes any sense—trying to cram it into three brief paragraphs doesn’t do the plot any favors. In the non-condensed version, it works. Trust me.)

The Unnamed Assassin

Up to the point where it looked like Fiona killed him (maybe a little sooner), I thought that the hitman who was sent after Bill in the first book was the protagonist. His is the only first-person perspective we get through the series—almost like he’s relaying what he knows and hears about this crazy couple while he’s dealing with his own problems like they’re a diversion for him.

His personal arc is very different from theirs—they claim to be trying to get out and live a straight life, if only they get one more decent score to set them up. The unnamed assassin is going a different path, he’s still a violent criminal, but like Jules Winnfield, he’s looking for something more. There are lines he won’t cross anymore (he seems to be making those rules up on the fly, but at least he has them.

As you can probably tell, I find it difficult to articulate his development and role in the series—but using him (sparingly, on the whole) and his arc throughout in juxtaposition to Fiona and Bill adds a layer to these books that few authors would have utilized, but make the whole thing better.

Be sure to check out my Q&A with Kolakowski (posting later today) for more about him.

Unanswered Questions

The thing that really kicks off the Fiona storyline is her stumbling across something she wasn’t expecting while discovering the thing she came to steal wasn’t there. Her discovery of the other nefarious action—and the way she prevented it from being completed*—is what starts the manhunt for her, more than the attempted heist. If she’d just walked away, I think it’s likely no one would’ve come after her.

* It is so tricky to discuss this obliquely.

Then when it comes time for Fiona to go save Bill, that storyline is dropped. Which is actually fine and good, because ultimately what it’s replaced by is more interesting. But in the back of my mind couldn’t stop asking—and, a week later, still can’t—what happened? What led up to Fiona’s discovery? What happened after she and the unnamed killer ran off to rescue Bill?

Typically, leaving these threads hanging would annoy me enough that I’d downgrade a novel over it—but Kolakowski pulls it off. If you’re going to abandon a plotline, this is the way to do it.

That said, I’d pony up twice the typical Shotgun Honey novella price today to get Love & Bullets #5 if it picks up right after this to tell the rest of that story. Maybe thrice.

So, what did I think about Hell of a Mess?

The previous three installments were novellas, but this is a novel, clocking in at 50-100 pages longer than the rest. And it didn’t feel like it at all. It was the same adrenaline-fueled, not-quite-frenzied pace and was over before I was ready for it to be. My daily schedule kept this from being a one-sitting read, but I think I could’ve done it in one sitting without realizing it.

This is pulpy fun. There’s action, there’s heart, there’s comedy (some subtle, some absolutely not), there’s a lot of violence, and you can’t forget the bunch of heartbroken saps that are at the center of things. They’re crooks and killers that really seem like decent people when you stack them up next to the nastier crooks and killers they can’t stop encountering. In the middle of all that chaos (and you can’t forget the chaos of the storm), there’s hope, forgiveness, and love. And who can’t use a little of that?

I don’t know if Kolakowski is going to come back to these characters in the future—I’d be content with what he’s given already, but I also know that I’d jump on any future installments, too. I encourage you to do the same.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.