Category: Fiction Page 89 of 348

Kestral’s Dance by Misty Massey: Fencing, Fighting, Torture, Revenge, Giant Monsters, Chases, Escapes…

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Kestral's DanceKestral’s Dance

by Misty Massey

DETAILS:
Series: Mad Kestral, #2
Publisher: Lore Seekers Press
Publication Date: June 24, 2022
Format: eBook
Length: 319
Read Date: November 1-3, 2022
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What Happened Before Kestral’s Dance?

This is the second book in the series, but don’t let that stop you from reading it first (although, I’m sure Massey wouldn’t mind you buying both before you do). Here’s some of what I picked up that will help you understand what this book is about before you decide.

Obviously, this is going to involve a spoiler or two for Mad Kestral, so read at your own risk, I guess.

Kestral was orphaned when she was pretty young and lived life on the streets with similar children before she found herself being taken in by a pirate. She grew up amongst them, eventually becoming rather skilled. So much so that she’s named captain when the previous one retires. She also helps that captain save the life of the king and is named privateer (perhaps The Privateer—I’m a little vague on that).*

* I think the chronology of those events is intertwined and different from the way I laid it out.

Kestral also has a bit of magic ability, tied to her whistling. She really doesn’t understand it and has learned to keep it under control and only uses it rarely (frequently tied to filling the sails with wind). During, or just before, that last adventure one of the King’s spies helped her establish a bit more control over her abilities. Now, I’m not particularly sure (even after reading Kestral’s Dance) how McAvery knew how to help her, but it doesn’t matter. Also, helping her in this way is just one of the several reasons that Kestral is attracted to him and can’t stop thinking about him as the sequel opens.

Oh, there’s also the Danisobans. They are the official league of wizards. Kestral has tried to keep her abilities (and her person in general) off of their radar since before she lived on the streets. There’s a harshness and a cruelty to them evident right from the get-go in Kestral’s Dance and it takes the reader only a sentence or two to adopt Kestral’s prejudice against them.

There’s a little more I could probably say, but that’s enough to get you going. Maybe more than I need to say, really, but I don’t have time to edit today—so you get a stream of consciousness.

What’s Kestral’s Dance About?

The Danisoban that Kestral knows best and likes least, comes to her with a message from the King. She’s to head out to a certain area and retrieve an animal she’s never heard of or seen for the King’s menagerie. This is the time of year that her ship should be in the dock, the men on leave, because of the stormy season. The neck of the woods that this creature lives in is particularly dangerous now. However, this is not a negotiation, it’s an order, so Kestral takes off with whatever crew that will go along with her.

Underway, she learns that McAvery is in some sort of trouble in a different direction than their goal. She wants to go to his aid, but has no time and is unwilling to make her men face the king’s wrath (and isn’t that keen on facing it herself). Her quartermaster and closest friend assures her that McAvery can look out for himself and she tries to find comfort in that.

While she’s struggling with the decision, they come across another (smaller) ship than hers that Kestral believes is tied to McAvery’s predicament. Privateers do what privateers do and that ship is soon under her control—they find a woman, a dancer who was supposed to be sold as a slave, who tells them that McAvery is about to be sold in an illegal slave market. She can help Kestral get there in time.

This dancer has magic that seems to work similarly to Kestral’s, except she doesn’t whistle, she dances. This blows the pirate’s mind. She’s not alone? In fact, the dancer seems to know a lot about Kestral’s abilities and promises to teach her how to use them for a lot more than just filling the sails for a price. Her home is a year’s journey away, if Kestral will sail her there, she will instruct her. This will strain the crew and definitely put them out of the King’s good graces, but it might be worth it.

But first, they have to rescue McAvery.

Kestral

She is a great character, and I’m annoyed that I didn’t get to know her in Mad Kestral. At this point in her life she’s confident (occasionally cocky—or at least acts as if she is), capable, and loyal (and loyalty-inspiring). She knows her limits—she’s not afraid of pushing them—but is clever enough to find ways around them.

It can take me a while to warm to a character who’s a professional criminal, but I liked her straight off. There was something about her that clicked right away and I grew in my appreciation for her. Yes, it’s somewhat overdone to have the strong, confident, capable woman being a disaster when it comes to her love life. But (like with most overdone things) when it’s done well, I like it. Massey pulls it off here, and it adds to Kestral’s charm.

The Magic System(s)

I want to say I’ve encountered a magic system like Kestral’s before—tied to music and rhythm—but beyond zombie-control in The Dresden Files—I can’t remember where.* This is a great idea, it’s distinctive, and I’d love to hear more about it. Using the rhythms and sounds of life, of the world around us, to shape, mold and direct energy just makes sense.

* Just before publishing it hit me—some of the Earth magic in the Jane Yellowrock books is shaped by music, but I think that was one particular practitioner, not the whole system. There are likely other examples, but they’re not coming to mind.

On the other hand, the Danisoban’s magic is about blood, entrails, suffering, and power. There’s a sacrifice involved (whether or not is actual deities that empower them in response to the sacrifice I’m not sure). And really, it’s as off-putting as their personalities are. I’m not sure which comes first, but in the end, keep me away from those guys.

So, what did I think about Kestral’s Dance?

I can sum up the reason to buy this book with one phrase: Pirate Battles with Magic Users. Sure, there are more (and possibly deeper) reasons to read this book, but come on…a good Pirate Battle at sea is enough justification to spend a few hours with a book, but Massey includes magic users with hers. I could only post this paragraph with a link or two directing you to a place to buy the book and that’d be enough.

But we all know I can’t stop talking after only a paragraph, right?

This book features some great writing—yeah, there are a couple of sentences that are clunkers. But for every one of those, there are four or five sentences/passages that are just dynamite (and the rest of the book is simply good). Massey is particularly strong when she’s describing Kestral’s view of/appreciation of the sea, sailing, or her ship. I guess you could say it’s the romance of the sea, or something like that. I cannot relate to it—I can get violently seasick almost as fast as a fish can get wet. But after reading Massey for a bit? I can almost imagine enjoying being on an old sailing vessel.

The romantic/love triangle subplot tried my patience for a bit (as triangles do 99.4% of the time), but it did eventually win me over. And people who don’t have a triangle-aversion will probably enjoy all of it.

I thought Kestral’s crew were great and my only real complaint about the book is that we didn’t get more interaction with them—I’d like to say we just needed a couple of more scenes with them at work or at play, but I’m pretty sure that if we had those, I’d ask for a little bit more. I’m really drawn to characters like that interacting the way they do, and would eagerly read a few chapters of daily life at sea without the drama.

It didn’t take me long to figure out that I was going to really enjoy Kestral’s Dance, but I figured I’d just read this for the Book Tour and move on, but somewhere along the way, I decided that I needed to read more about her, this world, and the rest of the crew. I don’t know that I’m convinced to go back to Mad Kestral to see how we got to this point (but I might just to see more of the pirates in action), but I’m definitely keeping an eye out for the next volume in this series.

For swashbuckling adventure, a dash of romance, a great magic system, and some compelling characters—you’d do well to grab Kestral’s Dance at your first opportunity.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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EXCERPT from Kestrel’s Dance by Misty Massey: A Fish Slipping Its Net?

Kestral's Dance Banner

from Kestrel’s Dance by Misty Massey

The men throwing hounscozza cubes erupted into cheers and raucous teasing. Their noise proved enough for the reader. Slamming his book closed, he tossed back his drink and stood. Now that she could see his face, Kestrel realized she’d seen him before. She pressed her hands flat on the table, letting the residual ache remind her to stay calm. On Eldraga, after her fight with the knife-fighter. This was the strange man who stopped at her table and made the vague threat about the fish slipping its net, one she hadn’t put any stock in at the time. Yet she’d heard the threat more and more, and now here he was. With all that had happened, she wasn’t in a mind to think it was coincidence.

The man squinted at her. He smiled slowly, no trace of humor in his eyes. He rubbed his free hand over his belly, and marched out the door before she could say anything. The Islands weren’t so big that a person wouldn’t run into people this way, but something was wrong.

“Shadd,” she said. When the big man glanced over, she beckoned him to her. “That man who was reading in the corner — did you notice him leave just now?”

He furrowed his brow. “I think so, Captain. Is somethin’ amiss?”

“Can you follow him a bit? And tell me where he stops?”

“On my way,” he said. He stopped at his table and muttered something to McAvery, then sauntered out the door, as if he’d meant to go all along.

“What’s wrong, my girl?” Binns asked.

“Did you know that man?”

“Can’t say I do. He usually orders a drink and reads until his mug is empty. Hasn’t given the barmaid any trouble.”

Of course not. There’d have been no reason to draw attention to himself, not if he was waiting for someone. For her. “He approached me on Eldraga. Very mysterious. He said something strange to me about a fish not staying netted, then walked away.”
Binns’ eyes widened. “Did he say anythin’ else?”

“No,” she said. “Why?”

He drummed his fingers on the tabletop. “I had a network of informants, back in my day. You might recall one of ’em givin’ you a message about roses and thorns one time.”

She did remember. On Eldraga, the night before Binns was arrested and jailed, and his ship stolen from the harbor. She’d believed the messenger to be a drunken tramp at the time, talking nonsense. “You mean that was one of yours?”

“He wasn’t. But that phrase, ‘fish not staying netted’? That was one o’ mine.”

“What did it mean?”

He frowned. “It means someone you thought safely locked away may have gotten loose.”


Interested in the rest? Go grab your copy of Kestrel’s Dance by Misty Massey now!


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BOOK SPOTLIGHT (and GIVEAWAY): Kestrel’s Dance by Misty Massey

Today I’m very pleased to welcome the Book Tour for the second Mad Kestral novel, Kestral’s Dance by Misty Massey. Along with this spotlight post, I have an excerpt from the novel to share, then I’ll be giving my take on the novel (a little later. Those links’ll work when the posts go live in an hour or two. If you scroll down to the bottom of this post (or, you know, read it), you’ll find a nifty giveaway.

First, let’s take a look at Kestral’s Dance.
Kestral's Dance Banner

Book Details:

Book Title: Kestral’s Dance by Misty Massey
Publisher: Lore Seekers Press
Release date: June 24, 2022
Format: Ebook/Paperback
Length: 319 pages
AISN: B09YC8JSP5
Kestral's Dance Cover

About the Book:

Kestrel, the King’s Privateer, is preparing to wait out the annual storm season when she receives an unexpected royal order to capture and deliver a rare creature for the king’s menagerie. Before she can weigh anchor, news reaches Kestrel of a long-ago friend in desperate need of help—in the opposite direction of her assigned voyage. In addition, her ship may be haunted by something big, loud, and terrifying.

Before Kestrel can plot a course, she crosses paths with an enigmatic dancer who offers an enticing bargain: sail her home to the Continent, an ocean away, and she’ll reveal the mysteries of magic Kestrel has longed all her life to know.

The temptation of answers endangers her crew and might ruin her privateer status. Worse, taking on this passenger could thrust her into the clutches of the ever-watchful Danisoban mages who lie in wait for her to make the perfect mistake.

Every decision is fraught with danger. Each wrong turn may mean her death or the death of her crew. And Captain Kestrel can walk away from none of them.

Kestrel, the pirate who can whistle up the wind, returns in book two of the Mad Kestrel Series. Captain Kes will defy the king, gamble with her friends’ lives, and run the risk of capture by evil mages to get her hands on the magical knowledge so long denied to her.

Purchase Links

Amazon ~ Try Book 1: Mad Kestral

About the Author:

Misty MasseyMisty Massey is the author of Mad Kestrel, a rollicking adventure of magic on the high seas, Kestrel’s Voyages, a collection of short stories featuring those rambunctious pirates, and the upcoming Kestrel’s Dance. She is a co-editor of The Weird Wild West and Lawless Lands: Tales of the Weird Frontier, and was a founding member of Magical Words. Her short fiction has appeared in many anthologies and she’s working on a series of Shadow Council novellas for Falstaff Press featuring the famous gunslinger Doc Holliday. When she’s not writing, Misty studies and performs Middle Eastern dance and will, on occasion, surprise everyone with a batch of home-baked snickerdoodles. She’s a sucker for good sushi, African coffee, SC Gamecock football, and the darkest rum she can find. You can keep up with what Misty’s doing at mistymassey.com, Facebook and Twitter.​

Social Media Links:

Website ~ Facebook ~ Twitter ~ TikTok ~ Instagram

GIVEAWAY:

There’s a tour-wide giveaway for a Gift Card for Barnes and Noble or Amazon—Winner’s Choice
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If the Widget isn’t showing up, just click here: https://www.rafflecopter.com/rafl/display/9751c04276/?

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Gardens by Benedict Jacka: A Quick, Action Packed, Visit to the World of Verus

GardensGardens

by Benedict Jacka

DETAILS:
Series: Alex Verus, #12.1
Publication Date: October 31, 2022
Format: eBook
Length: 123 pg.
Read Date: November 3, 2022

What’s Gardens About?

This takes place about four months after Risen, and definitely should not be read by anyone who hasn’t read it (I’m not going to spoil anything though). We do get to catch up with the world of Mages, the Council, and the state of things with Adepts post-Risen, but we do so from a different perspective and with a largely new group of characters (they ultimately interact with some people we know though).

These characters are Daniel, Jess, and Emmanuel. They are youngish adepts with a little experience in thievery (although they really don’t like using that term) and are looking to expand. They’re hired by a mage to join a crew of others for a job to “retrieve” an object.

The object is in the possession of a mage, who they are told will be away from home for quite some time. All they need to do is open a lock (through an interesting application of wind magic that I don’t think I’ve seen before) and find the thing. Assuming they can get along with the other group of adepts hired for this job (which is clearly going to be an issue from the get-go), it sounds like an easy job.

But if it was an easy job, why would Jacka give us a novella about it?

So, what did I think about Gardens?

I had so much fun with this. It satisfied my desire to know more about this world and how things look after that fantastic finale—but was a different kind of story in it. Just not getting it told in Alex’s voice, but from a third-person narration, gave it a different feel immediately. Also, Jacka says that this is “a slightly different (but overlapping) genre to urban fantasy,” so that different feel is multiplied.

With all due respect to Jacka, I think it’s still UF. It is a darker form of it than we’re used to from him, though. But that’s just splitting hairs, and there are much better things to do with this novella.

Primarily we ought to just read and enjoy it—this is exactly what a heist-gone-wrong story told in the Verus-Verse should be. There’s in-fighting, double-crossing (maybe triple-crossing), lies, deception, unrequited love, and people in way over their head. Especially as we’ve been colored by Alex’s attitudes toward Adepts, it’s easy to forget what a great gulf there is between even a strong Adept and a Mage. Gardens does a great job of fixing that misapprehension. It’s a fast read with plenty of action—pound for pound, more than Jacka usually gives us, and I am here for it.

Is this a must-read for Alex Verus fans? No, not especially. But my friends, you will be missing out. You will be so glad you took an hour or so for this. This is definitely a must-not-read for people who haven’t read Risen (and if you haven’t read Risen, you likely haven’t read anything else in the series—which is something you should fix).


4 Stars

The Ballad of Bonaduke—Episode 7: Lost Lamb by R. T. Slaywood: Lost, but Maybe on the Way to Being Found

The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 7: Lost Lamb

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #7
Format: Kindle Vella Story
Read Date: November 3, 2022

That’s the thing people don’t get about being homeless. Nobody wants to see you until you’re a threat.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

Before then, he gets himself drunk and we get some of his tragic backstory. As he ponders this, he decides to use some of his ill-gotten-gains to buy more booze and walks into a liquor store robbery. He foils it in some sort of magical fashion, gets some more to drink, and heads off to the park to drink until he’s arrested (probably for the failed robbery). At least that’s his plan, but it gets interrupted by being hit by a car. He wakes up on some sort of short, metal bed and is unsure what’s going on. It turns out that some group is subjecting him to a test—if he passes, everything will be explained to him (and hopefully the reader, too).

What’s Lost Lamb About?

So Bonaduke’s strategy last time didn’t work out so well—and he tries a couple of other things, and we end up in a similar situation to the ending of the last episode. Bonaduke’s got an idea, he’s trying something, and…well, it ends.

So, what did I think about Lost Lamb?

I thought I didn’t have a lot to say about the previous episode, and it turns out that I’m still there. Bonaduke’s not making a lot of progress in this test, and I’m not making a lot of progress in my evaluation.

Once again, I have nothing but questions at this point—and I think that’s the point. I liked what we got here, and am possibly more intrigued by this story than I have been so far. Again, I’m tempted to toss of my schedule and catch up on all the episodes right now.


3.5 Stars

I Struggle to Express my Sense of The Sense of an Ending by Julian Barnes and End Very Positively

The Sense of an EndingThe Sense of an Ending

by Julian Barnes

DETAILS:
Publisher: Alfred A. Knopf
Publication Date: October 4, 2011
Format: Hardcover
Length: 163 pg.
Read Date: October 24-25, 2022
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What’s The Sense of an Ending About?

This is a short novel with a very simple story—well, a pair of them. The temptation at this point is to talk in detail about everything that happens—and I could still do that in fewer paragraphs than some longer novels I’ve written about.

The other option is to be very sketchy about the stories—I think that’s the way to go, it’ll be easier to cover things without tying myself in knots to avoid spoilers and it feels like it’s the spirit of the novel.

We meet Tony Webster and his friends in their teens, a new student comes to their school and they work hard to bring him into their circle of friends, and we stick with them for a few years—largely through the way the group dissolves as they disperse to various universities and make the attempts to stay in touch. Add some girls into the mix and the end is inevitable. Tony has one significant relationship that he spends some time relating with a young woman named Veronica—it’s a bad match from the outset, but both of them try to make it work. They eventually split, he travels America for a bit before coming home and getting a nice, comfortable job; getting married and divorced; and raising a daughter. (the post-America part of his life is covered in one paragraph).

All of this is told through the perspective of Tony as an older man recounting his younger days and comparing what he and his friends experienced to what “kids these days” have. This is really the introduction to the novel, the foundation—and takes roughly sixty pages to cover. He’ll breeze by a lot, and then stop and focus on a conversation or an event. Much like a conversation with my parents and grandparents about their lives (or, increasingly, how I find myself talking to my kids).

The second part builds on that foundation, Tony is now on the other side of marriage, divorce, career, “the fall of Communism, Mrs. Thatcher, 9/11, [and] global warming.” He’s contacted by a lawyer about a small item left to him in a will. Veronica’s mother, of all people, has left something for him. He has to work to find out what it is and then to actually get it from Veronica, who actually possesses the item. This leads to him having to revisit his past, re-examine friendships, their relationship, and how little he understood things then (and now).

So, what did I think about The Sense of an Ending?

While I feel an impulse to do a deep-dive on this book (like the kind of thing I’d do for a 400-level Contemporary Novel class or something, with all the journal articles, books(?), professional reviews, etc.), I’m going to resist that. I’m not even going to go as deep as I typically would because I’m not sure how I’d stop.

Bear with me, this is going somewhere positive. I think.

Tony and his friends initially struck me as the kind of protagonists you’d find in an Updike, Franzen, or Brodesser-Akner* novel, and I had to find solace in the fact that this was going to be shorter than my time with them. Well-written, crisp prose that would likely lead to something thoughtful and insightful—but I’d have to wade through some pretension, a lot of amoral callowness, and more masturbation than I really want (both literal and philosophical).

* I could’ve made the list longer, but I think I made my point. I feel bad about using the last name, but I just saw the trailer for the Hulu series, so she was on my mind—and I thought it would be nice to mention someone who wasn’t a white male author, even if they’re worst offenders.

Here’s where you expect the “But, I came around to…”, right? Well, I don’t really have one. I did grow to have some sympathy and understanding for Tony—even if I did think he’d be better off with a different hobby than obsessively trying to get his hands on the item (and trying to understand Veronica). With one exception, my opinion of everyone else in the novel went down. I probably would’ve liked a lot more time with Tony’s ex, actually. And there are some characters we spend very little time with that I might like to read about. But the named characters that we get to know are really not the kind of characters you want to get to know.

My other quibble with the book is how often Tony’s narration will say something to the effect of: “at least that’s how I remember it now.” The shifting of memory, interpretation, and perspective when it comes to relating events is clearly a theme of the book, but we don’t need to get hit over the head with it like a 2×4 in the hands of a 1980’s professional wrestler.

Once I got to Part Two, I was hooked. I was only mildly curious about the item and Veronica, and (again) thought that Tony’d be better off putting it behind him. But I couldn’t stop reading about his efforts to get to the bottom of it—it wasn’t quite the way you have to stop to look at a fender-bender on the side of the road, but it was close. His reactions, his recalculations, his reinterpretations—and the way he was forced to make them—kept me engaged and thinking. I didn’t care about the destination, I wasn’t thrilled with the journey, but I enjoyed the route and the mode of transport (to stretch the metaphor beyond use).

In a mere 163 pages (and it’s a small book in the other dimensions, as well—it could’ve been a much smaller novel had it been a more standard size), Barnes gives the reader a twisty little story with some solid character development (I refuse to commit to the word “growth” here, but it may be appropriate) and squeezes in some discussion on the nature of, and how we think about: narrative (both personal and fiction), metanarrative, history, relationships, life, death, memory, time (and its passage), aging, and other themes I didn’t pick up on during my first read or forgot to note.

Believe it or not, I do recommend this book. There was a lot I didn’t particularly enjoy (I think I made that clear), but it’s going to stick with me longer than many novels do. I think there’s a better than even chance that were I to write this post in a month that it would end up saying something different. The writing is compelling, there’s a quality to it that is clear from the opening pages, and you can see why it would be in the discussion for some prizes (many of which it apparently won). This is definitely the kind of “literary” reading I want to do—I just wish Barnes had filled it with people I wanted to read about, spend time with, and get to know.

And yes, I said first read, I think I’ll return to this in a couple of years. I’m pretty sure I’ll read more Barnes, too.

I’ve given this three different star ratings since I finished reading it, so I’m going to skip that shortcut and just let that muddle of an evaluation stand.


This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Bunnicula: The Graphic Novel by James Howe, Andrew Donkin, Stephen Gilpin: The Children’s Classic Brought to Life in a New Format

Bunnicula: The Graphic NovelBunnicula: The Graphic Novel

by James Howe, Andrew Donkin, Stephen Gilpin (Illustrator)

DETAILS:
Publisher: Atheneum Books for Young Readers
Publication Date: August 29, 2022
Format: Paperback
Length: 128 pg.
Read Date: October 22, 2022
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What’s Bunnicula: The Graphic Novel About?

This is easy—it’s a graphic novel adaptation of the modern classic, Bunnicula: A Rabbit-Tale of Mystery by James and Deborah Howe.

For those who missed this when they were kids, briefly, it’s the story about a dog (Harold) and a cat (Chester) reacting to a rabbit that their family brings home after finding him in a movie theater. The rabbit has some distinctive patterns on his fur that remind the kids (and Chester) of a classic Dracula-type vampire, so they name him Bunnicula.

Chester’s a literary type, with a taste for classic horror. Between his look, Bunnicula’s nocturnal habits, and the fact that every vegetable in the house starts being drained of its juices, Chester becomes convinced that the new pet is a vampire and tries his best to warn the family and destroy the intruder before he harms the family. Harold’s around as the voice of reason and tries to mitigate Chester’s shenanigans before his new little buddy gets hurt. Hilarity and shenanigans ensue.

Stephen Gilpin’s Work and the Look of the Book Overall

When I saw this on the bookstore shelf, I was intrigued because the original novel was such a favorite of mine—and then my kids, too. I had no real intentions of buying it because I could always just grab the novel again to revisit, but I picked it up to give it a quick glance and the art blew me away, and I had to buy it. Chester looked good, I clicked immediately with the character design for the Monroes (particularly the boys), Bunnicula was spot-on…

But the clincher for me was Harold. He might as well have been a werewolf drinking a piña colada at Trader Vic’s, because his hair (and everything else) was perfect. Sure, now it’s expected that the dog will be my favorite character in a book—but that wasn’t my default when I first encountered the book. But it took little time for him to be my favorite character in the series*. So when Gilpin knocked that character out of the park, he won my affection. Sure, it’s based on the illustrations from the original book, but he owned it and brought the look to life.

* It’s very likely that Harold laid the groundwork for my appreciation of canine protagonists, like Chet and Oberon.

Sometimes, I wonder what the point is behind doing a graphic novel adaptation of a written work—does it really add anything? This one did—there are some nice updates (Harold uses a computer, etc.) and some visual jokes and flourishes that could only be made in this format. Gilpin clearly made the most out of what Howe and Donkin gave him.

So, what did I think about Bunnicula: The Graphic Novel?

It’d be hard (but not impossible) to make something faithful to the letter (as much as space allows) and the spirit of the novel that didn’t make me happy. But this one wowed me—it brought me back to the day I first discovered this great band of people and critters decades ago, recapturing and repackaging the magic.

I’m not sure that it’ll have that impact on everyone—I don’t know if an 8-10 year-old picking it up in 2022 is going to get hooked on the series, for example. I can’t imagine how one doesn’t, but I don’t know if they will.

I wasn’t sure how to rate this, how much of my reaction to it was based on memory and nostalgia and how much was this new work. But I know how I felt while reading it and I saw how my (now adult) children’s eyes lit up when I showed them this version of the book, and I had to go with the full five stars.

Adult fans who remember the book—grab this, you’ll have a blast. It’ll probably work its charms on younger readers, too—and hopefully will work to bring them to the original series.


5 Stars

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PUB DAY REPOST: Racing the Light by Robert Crais: Spooks Spooking. Detectives Detecting. Killers Killing.

Racing the LightRacing the Light

by Robert Crais

DETAILS:
Series: Elvis Cole, #18
Publisher: G.P. Putnam's Sons
Publication Date: November 1, 2022
Format: eARC
Length: 368 pg.
Read Date: October 12-14, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Racing the Light About?

The essence of the case is that Elvis is hired by the mother of a young man who has gone missing to find him. This is pretty par for the course for Elvis Cole—a missing persons case.

Here’s what makes this distinct: the mother has money—she pays a generous retainer in cash (so generous, Elvis gives some back) and you get the impression that it wouldn’t be difficult for her to add a few more thousand. Before she walks into the office, two people come in and do a security sweep. Adele Schumacher believes her son, Joshua, has been taken by government agents for his investigation into Area 51 for his podcast. So, yeah, not a typical day in the office.

The podcast is called In Your Face with Josh Shoe, and it’s frequently about government corruption, conspiracies, and whatnot—but they’ve branched out to things like interviewing a porn actress. His childhood friend/podcasting partner, Ryan, tells Elvis that Josh is trying to move to more mainstream topics (Ryan doesn’t seem on board with this, for what it’s worth). Ryan shares Adele’s theory for Josh’s absence, Josh has been taken because he returned to Area 51 and found something.

But Elvis starts to find evidence that Josh is investigating something he didn’t tell Ryan about—Elvis can’t figure out what it is, sadly, but he starts to figure out who Josh might be interviewing for this story. And one of them has gone missing, too. Is this tied to his disappearance or did the twenty-something self-employed and single guy just flake off for a few days?

It’s not long before Elvis starts to think he’s not the only one looking for Josh and he enlists help from Joe Pike (who brings in Jon Stone). If those two get on board, you know things are about to get dangerous.

Pike and Stone

The problem with getting to know the PI’s more lethal/less-hung-up-about hurting people friend/sidekick/partner better is that it’s harder to keep them feeling dangerous and mysterious—it maybe even gets to the point where they stop being quite as prone to violence as they once were, and their charcoal-gray hats get a little closer to white. With Joe Pike getting some novels of his own, a lot of his sharp edges have been dulled for fans, so it was nice that Crais brought along Jon Stone so when Pike couldn’t be ruthless and cold-blooded, there’d be someone who could.

He gets to be that guy here—he’s helpful (very), resourceful, and mercenary. He pitches in because Pike pushes him to—not because he cares about Elvis or the fate of Josh. But what he does, he does well. (and is amusing for the reader throughout)

Pike is also not quite the active presence in this book that he has been lately—so when he does show up and act, it makes it feel a bit more super-human. Crais really upped his game with Pike in this novel and it allows him to steal almost every scene he’s in. Naturally, the phone calls between Pike and Cole are still fun to read—if you can write an entertaining conversation with one party being nearly-monosyllabic, you’ve got a gift.

Lucy and Ben

Lucy and Ben come by for an almost-unannounced visit to ensure that Elvis can’t give his full attention to the case. Which sounds snarky and may not be wholly fair of me. But it’s not wrong.

I enjoy the character of Ben and the way he interacts with Elvis—and continue to do so. I appreciated and believed what he was going through—both on his own and with his mother—at this stage of life, and Crais’s portrayal of this was one of the (many) highlights of this novel. It was also a good way to remind the reader just But Lucy has bothered me for a while now (although I was initially a fan), and I’m not certain that this book alleviates that (nor do I think Crais is altogether worried about it). I’m going to reserve judgment on this appearance for now. I did like Cole’s response to her visit and presence (when it didn’t take him off of his game, although I thought that was a nice touch).

So, what did I think about Racing the Light?

I need to spend some time thinking about this idea, but while reading this book I started to think of some notable first meetings between a PI and their client—like The Big Sleep, The Doorbell Rang, God Save the Child, and The Judas Goat*—and how those meetings can be a bellwether for the rest of the book. If the meeting seems pretty good/typical, the rest of the book will be, too; if the meeting catches your attention, the rest of the book will be of a higher quality.** The first meeting between Elvis and Adele Schumacher definitely fits—it’s not your standard meeting (the presence of her personal security helps). Right away, I could tell this was going to be a better-than-usual Elvis Cole novel. There’s not much that can beat that, in my book.

* This is a list generated in a rush, and I know I’ve left off some big ones, but as indicated, this is a theory-in-progress, I might work it out fully later.
** It’s likely that a better book is going to be better from the first chapter, and I just like the idea of creating a litmus test.

My opinion never wavered from that point on—this is some of the best writing Crais has given us in a long time—there are some passages/sentences/phrases I’ve had to read a few times just because I enjoyed them so much. I’m going to have a hard time limiting myself when quoting from the book once I get the hardcover. I’m already looking forward to a re-read of this somewhere down the road.

Along those lines, there’s one passage following a conversation between Elvis and Josh’s father that I’d believe Crais stole from one of the earliest Robert B. Parker novels. It’s not often that I get a reminder of the shared DNA between Elvis and Spenser. I appreciate what distinguishes the two more than their similarities, but it’s good to see the family resemblance is still there—it’s what attracted me to both characters (and their authors!).

We see the return of some characters that Crais hasn’t used in a while, too—which adds to the overall feeling of this novel hearkening back to earlier Elvis novels more than the last few. Another of the ways this book shines is in the supporting characters, not just that many from the old gang are back, but characters for this book. We get to know a couple of people connected to the missing persons really well, they’re well-fleshed out, and you can’t help feeling empathy for them and connected to them. For example, there’s a man who lives in Griffith Park who’s a witness to part of a cover-up—we get four chapters from his perspective. And I like him enough already that I’d read a short story/novella just about him.

I’ve probably gone on more than long enough at this point, let me wrap it up.

New readers will find plenty to enjoy here as well as well-established fans should. Obviously, newcomers won’t get all the character moments that come from the buildup of 17 previous novels, but that doesn’t mean they won’t walk away with a sense of them. Don’t let the existence of those novels dissuade you, see them as an added bonus of backstory you can explore if you get into these characters.

I don’t see how long-term fans aren’t going to relish this novel. Racing the Light doesn’t carry the emotional heft of L.A. Requiem or The Last Detective (primarily because those books explored the characters of Elvis and Pike in depths that Crais can’t repeat), but in terms of plot, pacing, and character this is their equal. I haven’t been this excited about a Robert Crais novel since The Promise.

I’m telling you, readers, don’t miss out on this one.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

COVER REVEAL: Panacea by Alex Robins

Panacea Cover Reveal Banner

I’m very pleased to welcome the Escapist Book Tour’s Cover Reveal for Alex Robins’ Panacea to The Irresponsible Reader this morning! This is the first book in The Ruined Gods, and wow–that cover is something else. Before we get to the cover, let’s learn a bit about this book.

Book Details:

Book Title: Panacea by Alex Robins
Series: The Ruined Godse #1
Publisher: Bradypus Publishing (Self Published)
Release date: December 15, 2022
Format: Ebook
Length: 420 pages
Genre: Greek-inspired Epic Fantasy

About the Book

At the heart of every legend lies a truth.

Twisted and reshaped by the currents of time.

For twenty years, strategos Dexios has led the phalanx of Thena against its enemies, pulled from one battleground to another in a relentless cycle of war and bloodshed. Now, finally, he has found the courage to leave that life behind. To relinquish his officer’s sword and return to the verdant slopes of his vineyard with his wife and son.

Peace, however, is fragile and capricious. When Thena’s northern allies bring word of an enormous tauran horde gathering on their borders, Dexios has no choice but to answer the call to arms one last time.

As humans and tauros collide, another evil wakes. Whispered rumours of a clawed creature that stalks the shadowy streets. Of violent murders committed in the name of deities long thought vanquished. To speak their names is heresy.

They are the Exiled. The Banished.

The Ruined Gods.

See Also:

Clash of the TitansBohemian RhapsodyStuck in the Middle with You

Book Links

Amazon ~ Universal Link ~ Goodreads

About the Author

Alex RobinsAlex Robins was born in Norwich, England back when it was still trendy to wear lycra tracksuits and bright pink headbands. Norwich School Library was where he first discovered his love of reading, an old converted undercroft packed to the rafters with books. The first fantasy series he read was The Dragonlance Chronicles by Margaret Weis & Tracey Hickman, quickly followed by The Hobbit, The Lord of the Rings, and David Eddings’ The Belgariad.

At the age of twelve Alex moved across the channel to Nantes in France. Speaking very little French, the first few years were difficult and sometimes lonely as he scrambled to get a grip on the intricate grammar and vocabulary of the French language. His taste in books branched out from epic fantasy to science-fiction, mysteries, thrillers, and historical fiction, but he always came back to his favourite fantasy authors when looking to escape the outside world.

After degrees in agronomy, project management, and computer sciences, Alex founded his own company dedicated to online voting. He met his wife during a game of badminton and they spent several years getting trounced in various regional tournaments before getting married. Alex now lives in the sunny Loire Valley in western France, surrounded by imposing castles, sprawling vineyards, and two children. After reading fantasy books for the last thirty years he decided to write one. The Broken Heart of Arelium is his first novel, and the first in the War of the Twelve series.

Website ~ Twitter ~ Facebook ~ Amazon Author Page

and now…

The Cover

Panacea Cover

That’s a cover that’d make me stop and take a second and third look. Even better is the full wrap-around cover, if I shrink it to display here, you’ll miss out–so click here to take a look at it in full glory. Felix Ortiz is the cover artist, and he deserves a kudos or three for this one. He can be found on Twitter or ArtStation.



My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

Jane Steele by Lyndsay Faye: Reader, She Murdered Him. Er, Them.

Jane SteelJane Steele

by Lyndsay Faye

DETAILS:
Publisher: G.P. Putnam's Sons
Publication Date: March 14, 2017
Format: Paperback
Length: 420
Read Date: October 14-17, 2022
Support Independent Bookstores - Visit IndieBound.org

Few among us are aware of how much blood the human body contains—surging in thick waves should it chance to be spilt.

I had spilled it, meanwhile, and therefore drastic measures were required.

[redacted] was felled by a strangely skilful blow—as if I had studied the act, when in fact I had simply decided that he should stop being alive. He gurgled a disbelieving shriek, eyes ablaze with wrath and fear, looking perversely more alive than ever, each muscle taut with severest alarm. He even got halfway to his feet, reaching for me, rich gore soaking the fateful ledger.

Then his lips bubbled crimson, his blazing eyes hardened, and he slumped forward over the desk. His fingers, so graceful in life, twitched like the poisonous insect he was; his back ceased to shudder.

I cocked my head and gauged his condition: dead.

What’s Jane Steele About?

I got really long-winded in my first draft on this point and bored myself—if I can’t keep my interest, there’s no way I’m going to keep yours. So, because I’m a giver, I’m going appropriate the description from the Publisher’s site:

A sensitive orphan, Jane Steele suffers first at the hands of her spiteful aunt and predatory cousin, then at a grim school where she fights for her very life until escaping to London, leaving the corpses of her tormentors behind her. After years of hiding from the law while penning macabre “last confessions” of the recently hanged, Jane thrills at discovering an advertisement. Her aunt has died and her childhood home has a new master: Mr. Charles Thornfield, who seeks a governess.

Burning to know whether she is in fact the rightful heir, Jane takes the position incognito and learns that Highgate House is full of marvelously strange new residents—the fascinating but caustic Mr. Thornfield, an army doctor returned from the Sikh Wars, and the gracious Sikh butler Mr. Sardar Singh, whose history with Mr. Thornfield appears far deeper and darker than they pretend. As Jane catches ominous glimpses of the pair’s violent history and falls in love with the gruffly tragic Mr. Thornfield, she faces a terrible dilemma: Can she possess him—body, soul, and secrets—without revealing her own murderous past?

The Jane Eyre of it All

There are a couple of ways to talk about Charlotte Brontë’s work relating to this book. First, the novel is Jane Steele’s favorite novel. She makes frequent mention of it, plot points, and even when she buys a new copy. Jane is very aware of how events in her life parallel Eyre’s, and while the two women share responses to some things—ultimately, they’re very different people.

But my primary focus is from the perspective of the reader. The book was marketed as “what if Jane Eyre was a serial killer?” and “Jane Eyre + Dexter.” And that’s not wrong, but I think it’s more than that. Another way to put it is that this isn’t in the same vein as Pride and Prejudice and Zombies. The account of Steele’s life—broadly viewed—does follow the same outline as Eyre’s (the question can, and should, be asked how much of this is real and how much is a projection by the narrator). Also, I’m not crazy about the serial killer tag. She’s a vigilante who has killed enough to get the label “serial.” But it’s not ever presented as something she’s driven to do from within (although that might be a coverup by the first-person narrator).

But basically, it’s the same rough outline, with a lot of significant differences. The Flight of Gemma Hardy and Re Jane are closer re-tellings of Jane Eyre.

So, what did I think about Jane Steele?

In the end, not only is it a strange little love story and a little bit of a thriller, but there’s some reflection on humans as storytelling creatures. Not just in the stories we set down—Jane Eyre and Jane Steele for example—but the stories we tell ourselves and each other. There’s an essay to be written there by a more insightful blogger than I.

Faye did a good job of making most/many of the characters have Twenty-First Century sensibilities while walking around Nineteenth-Century London. Some authors can’t pull it off, but Faye did. The pacing is quick. The writing is crisp and clever, and there’s a humor to this that you might not expect (but is really the only way this is palatable)—after distancing the work from Dexter earlier, the humor of the novel really does match the Showtime version at its best. I wouldn’t change a thing about any of the characters, and really do regret that the nature of this story pretty much eliminates a sequel, because I’d like to revisit them (but a sequel would really be a bad idea).

I came for the Jane Eyre aspect, got hooked by the characters, and stayed for Faye’s prose and story. This ended up as far better than I expected and pretty different than what I thought I was getting into. I was glad to see it (don’t get me wrong, the Eyre stuff is great, but it’s just the icing on this tasty cake) and heartily recommend this to you.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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