Category: Fiction Page 89 of 342

Divine and Conquer by J.C. Jackson: You Can’t Go Home Again

Divine and ConquerDivine and Conquer

by J.C. Jackson

DETAILS:
Series: Terra Chronicles, #6
Publisher: Shadow Phoenix Publishing
Publication Date: June 21, 2021    
Format: Paperback
Length: 239 pgs.
Read Date: August 8, 2022
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What’s Divine and Conquer About?

We know that Silver’s Order has been trying to get him back to HQ for some time, and for reasons he’s not been terribly clear about (as I recall, anyway), he’s been reluctant to listen. So they force the issue by arranging a wedding between him and another Paladin. If he’s going to break it off, he has to be there in the flesh.

But he’s going to need more than a “I don’t want to,” so he enlists Ketayl in an undercover effort—they enter into a courtship relationship and he can say that he can’t get married because he already has an intended. Ketayl has some misgivings, but goes along with it—primarily to help Silver, but she’ll also get a chance to look through the Order’s library and maybe find some info on necromancy that’ll help.

Things start going wrong from the instant they arrive—the Order isn’t crazy about Ketayl’s presence (many of them aren’t crazy about her existence, and a big prejudice against elves is on full display). Things between the Order and Silver start off contentious and get worse. And then Ketayl finds a whole new batch of trouble—TIO kind of trouble. Things go from bad to worse from there.

Marzena and Amanda

There are a whole passel of new characters in this novel—one of the benefits of traveling to a new area and encountering a whole Order. But there are really two characters that we really get to focus on.

Amanda is the young paladin that has been selected as Silver’s bride-to-be. She’s driven and smart. She’s not much when it comes to combat—and really not much of a candidate for the order, you get the idea that there’s something not that impressive about her. But she’s good at doing what she’s told, and will do whatever she can to accomplish it—including going through Ketayl.

The other Paladin we really get to know is their Weapons Master, Marzena. She was a fantastic character—the way she quickly embraced Ketayl and resumed the old friendship with Silver in a heartbeat was great. We aren’t used to people outside the TIO knowing Silver so seeing that he has at least one great friend in the world from years ago helps solidify his character. But beyond that, Marzena is exactly what the book needed for the plot, a bit of fun, and perspective on all the events surrounding Ketayl and Silver. She’s definitely the MVP of Divine and Conquer, and I hope we see her again soon.

Ketayl’s Super Power

Sure, we’ve known that Ketayl’s a Mage with more power and potential than she realizes. But that’s really not what makes her such an effective leader and agent—we’ve seen this since the beginning, but it’s been emphasized in the last two books in particular.

Ketayl has this ability to take a rival, critic or outright enemy and turn them into an ally, if not a friend. Divine and Conquer surrounds her with plenty of antagonists—she doesn’t turn them all around, by any means. She doesn’t even try. But there’s one person she does turn around, without really intending to.

I really appreciate this ability of hers, and am glad Jackson is letting it shine—sure, she’s not the only character in the genre with the ability, but she goes about it in a different way than others do. She reminds me of Kitty Norville more than anyone else in that. Anyone that reminds me of Kitty is a winner.

The Order of the Paladins of the Holy Son

So here’s the problem I had with The Order—and therefore the book. It’s a religious Order, sure. But there’s no religion to it. There’s a hierarchy, there are adherents, underlings, traditions—even a couple of group prejudices. But that’s it—it’s the shell of a religion with nothing at the core.

And if it was the case that the Order had drifted from their former orthodoxy and become an apostatized or agnostic group, that’d be one thing—people’d be talking about that. Silver’s friend is one of the few that holds on to the old ways—but we’re talking about training, loyalty, traditions, not beliefs.

Instead, for whatever reason, Jackson didn’t allude to their departure from the faith while hanging onto the form, she didn’t even point to a time when the Order stood for something. I get the impression (and I can’t point to specifics to support this, but I still walk away with the impression) that Jackson has some ideas about what the Order used to believe (maybe still believes)—but I’ve got no idea what it is.

A religious order without a dogma is hard to get invested in—you can’t fault them, you can’t hope they reform for the characters you like to be okay—it’s just a soulless bureaucracy making things difficult for those characters. And hey, that’s a daunting organization to take on, sure.

But boy howdy, do they want Silver back in the fold and are pulling out quite a few stops to achieve that. Also, I’m not sure I get why that is, I mean, I like the guy, but their interest seems a bit extreme. But I can roll with it for the sake of the story.

So, what did I think about Divine and Conquer?

This is the book I’ve been waiting for—possibly for too long, but whatever—we needed the development and background for Silver and some overdue conversations were had. Plus, Ketayl’s achievements with the Arcana Consortium were great to see (at some point, she’s going to start accepting what everyone’s saying about her magic abilities, right?)

I’m not sure I could buy how long the negotiations around Silver’s marriage took—the sheer number and length of meetings seemed out of proportion. Maybe Jackson could’ve given us some other things for them to have been discussing. But they gave us what the novel needed—a way to get him off-screen so Ketayl could get to know Marzena and Amanda better, interact with others of the Order, and generally get into trouble.

This is one of my favorites in the series—because of the character arcs and development. Plot-wise, I think it stumbled a bit, but by the time I get my hands on Book 7, I won’t remember that, I’ll remember the character stuff.

I’m enjoying this series still and am looking forward to the next one. Apparently it’ll be in June 2023, which gives you all plenty of time to read the series.


3.5 Stars

20 Books of Summer

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Persecution by RC Bridgestock: Charley Mann Hunts Her Most Elusive Killer Yet

PersecutionPersecution

by RC Bridgestock

DETAILS:
Series: DI Charley Mann Crime Thrillers, #3
Publisher: Canelo
Publication Date: July 8, 2021
Format: Kindle Edition
Length: 267 pgs.
Read Date: August 9-10, 2022

What’s Persecution About?

DI Charley Mann is looking into a murder—one of those killings that make you despair for anyone’s humanity—and it’s a complicated case—just establishing the identity of the victim is difficult. The motive for the killing is impossible to pin down. And there’s a dearth of viable suspects.

But she and her team keep plugging away, making slow and steady progress—in a great touch of realism (as per usual for this series).

At the same time, she’s overseeing the investigation into some break-ins at a local university. Someone is breaking into the rooms of single women and staring at them while they sleep. Campus security hasn’t been paying attention to the reports until some police officers take a report seriously. The invader hasn’t crossed the line into violence, but the police know it’s only a matter of time.

There’s no evidence to support it, but Charley’s gut feeling is that these are connected. But even if she’s right, it doesn’t do her any good—she has no evidence to point to a suspect for either. There’s a break out there for her team to catch, they just have to keep working at it.

I Finally Put My Finger On It

This is the third book in the series that I’ve read, and I’ve talked about the problems I have with a lot of the dialogue. I’m not sure I’ve done the best job describing it, but I’ve tried. I think I finally put my finger on it, now.

There was something about a conversation in the first chapter that rang a bell with me, but it wasn’t for another 10-20% that it came to me: these characters—crime scene officers, PCs, detectives of all ranks—they talk like they’re in an HR training video.

If you’ve ever made it through a training video, you know what these people frequently talk like.

So, what did I think about Persecution?

This isn’t important at all, but this is a bad title. It has nothing to do with anything in the book. Really, it doesn’t matter, because most people are going to think of it as Charley Mann #3 or something like that. But, blech.

On to more substantive things—I don’t have a lot of new things to say about this book. Actually, I have nothing new to say. Like its predecessors, I really liked the story, I think the characters are interesting, and the police procedural aspects of the novel (the crime, the investigation, the twists, the original victim’s backstory, etc.) are exactly what I look for in a procedural—but the writing isn’t quite there. If Bridgestock took a little more time with the writing and editing, I’d be a huge fan.

As is, this is an entertaining enough diversion—frustrating when it misses, satisfying when it hits.


3 Stars

20 Books of Summer

Composite Creatures by Caroline Hardaker: This’ll Live Rent-Free in Your Mind for A While

Composite CreaturesComposite Creatures

by Caroline Hardaker

DETAILS:
Publisher: Angry Robot
Publication Date: April 13, 2021
Format: Paperback
Length: 267
Read Date: August 3-6, 2022
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“The Back of the Book”

I’m pretty sure I’d end up ruining something if I tried to summarize this myself, so let’s use the description from the Publisher’s site:

In a society where self-preservation is as much an art as a science, Norah and Arthur are learning how to co-exist in domestic bliss. Though they hardly know each other, everything seems to be going perfectly – from the home they’re building together to the ring on Norah’s finger.

But survival in this world is a tricky thing, the air is thicker every day and illness creeps fast through the body. The earth is becoming increasingly hostile to live in.Fortunately, Easton Grove have the answer, a perfect little bundle of fur that Norah and Arthur can take home. All they have to do to live long, happy lives is keep it, or her, safe and close.

The World Building

This is a terrifying look at an entirely possible not-that-future world for us. I’m not going to get into the details, but this is an England (and we can assume the rest of the world is a lot like it) devastated by pollution, climate change, and humans messing around with genetics and other experimental medicine.

The effects of all that are seen in nature—flora and fauna—and in the health of just about everyone in the novel.

Some things never change, however, those with money—or a way to get it—have a better shot at whatever slim advantages there are to be had.

And Hardaker absolutely sells this world—the choices she made in constructing, depicting, and revealing the details of this world were perfect. I cannot say enough for the setting and the way she showed it.

So, what did I think about Composite Creatures?

Sadly, the world that Hardaker portrayed was the only part of this book that resonated with me.

I was pretty sure of two things within the first 50 pages (less than that, but I wasn’t keeping score):

  1. This was a fantastically written book, it’s wonderfully conceived, prescient, and haunting.
  2. This was not a book for me.

This wasn’t a case of me disliking it—it was too good for that. But I just didn’t care, I wasn’t invested—I never got more than mildly curious. If I’d been forced to return this to the library before I finished, I don’t know that I’d have bothered to check it out again. I did keep waiting for that moment—the one that changed everything and made the whole thing worthwhile—and it didn’t come.

I’m giving this 3 stars—the writing/worldview/etc. deserves at least 4, but my experience was a big ol’ “meh” and probably would’ve gotten a 2 if a lesser writer had been responsible for it. So we’ll average the two.

Now, I think I’m the exception—Hardaker’s a great writer and this combination of too-likely dystopia and environmental collapse is the kind of thing that I can see a lot of people really getting into. I’d recommend you do. When Paul recommended Composite Creatures to me, he said something like he couldn’t stop thinking about it—I don’t blame him, it’s going to be a long time before I stop thinking about it. Incidentally, you should read Paul’s post about the novel for a different and very positive take.


3 Stars

20 Books of Summer

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PUB DAY REPOST: Bark to the Future by Spencer Quinn: Bernie Goes Back to High School

Bark to the FutureBark to the Future

by Spencer Quinn

DETAILS:
Series: Chet and Bernie, #13
Publisher: Forge Books
Publication Date: August 8, 2022
Format: eARC
Length: 320 pg.
Read Date: July 25-28, 2022
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Chet the Narrator

For roughly a decade now, Chet has been my favorite first-person narrator (at least among those being currently published). This K-9 school dropout is an engaging and personable narrator who will get the reader emotionally invested and charm you within the first few pages after you meet him. He’s optimistic, generally positive, and his unique perspective will make you chuckle frequently while you read a solid P.I. story.

At the same time, there’s an extra level of attention that needs to be paid to what he says so you can pick up what’s actually going on—Chet’s the best kind of unreliable narrator, he’s not being deceptive, he just doesn’t (and can’t) understand what he’s seeing and hearing. But he’s honest and thorough.

So, what I’m saying is, there’s little chance I’m not going to thoroughly enjoy a new Chet and Bernie novel. So going in, expect me to say nice things.

What’s Bark to the Future About?

Bernie’s approached by a panhandler while stopped at a light on a freeway off-ramp, who recognizes Bernie from high school and refuses to take his money. Life’s been harder on him than Bernie, who can’t recognize him at all. Bernie takes him for a burger, and tries to help him out a little—by this time, he’s identified himself. He’s an old baseball teammate, and the two shared a highlight or two of their careers. After their meal, Rocket Saluka has Bernie drop him off on the off-ramp.

But he’d said a thing or two that Bernie can’t stop thinking about, so he goes back the next morning to follow up. Rocket’s nowhere to be found, but someone else directs Bernie to a camp Rocket was staying at. He’s not there, either—and there’s almost no trace of him. Chet does find his distinctive switchblade buried under Rocket’s tent, however—and now Bernie’s even more curious, and he sets out to find his old teammate.

It turns out that there’s quite the history attached to this switchblade, and most of it was shared by other people who were associated with their high school (including one person Bernie knows but didn’t realize was from the same school). What starts off as a way to deal with some unnecessary guilt becomes a hunt for someone responsible for at least one murder—and hopefully, Rocket.

Weatherly and Trixie

I was a fan of Suzie Sanchez and didn’t like it at all when that relationship fell apart, and I wished for more time with the doctor Bernie dated. But now that Quinn has brought Weatherly into the series, I’m glad that things between them and Bernie ended.

Weatherly’s a great addition to the series period—someone in law enforcement that Bernie can talk shop with (who isn’t a former colleague) and who can pitch in when Bernie needs backup. And their romantic relationship is better than Bernie’s had before—there’s a trust, an honesty that was missing with Suzie. Bernie’s learned from his past mistakes and is making sure that he doesn’t make them again. It’s great to see.

I do feel back for Weatherly’s dog Trixie, Chet’s a jealous boy (we are learning), and he’s not doing well with a female counterpart with similar strengths (maybe stronger in a couple of ways than Chet). Yes, she scores a few wins over our narrator, but his feelings toward her color what we’re told about her, and she doesn’t come out looking so good.

We’ve seen something like this with Shooter, Chet’s son. But it’s a little different with Shooter because there’s a somewhat paternal aspect to Chet’s description of him.

We know that Chet can get along with other dogs—but the extended time with Trixie is showing us another side of his personality. You wouldn’t think you’d get that in a dog character, but it’s good to see that Quinn can give us that.

Bernie’s Notoriety

As he’s visiting fellow alumni and other people associated with the case, several people mention how they’d read/seen something about him because of the events of Of Mutts and Men (although one harkened back to Heart of Barkness. I’m glad that there are people out there who know that Bernie Little is out there, doing good work. Most of the time in PI fiction, you get the idea that outside of those close to a case, no one notices that the PI we’re so heavily invested in does anything of note.

But what’s better to me is that Bernie’s getting recognition for this case—one of the first things we learn about him 12 books ago is that he has very definite opinions about water usage and the local aquifer. From Chet, we get some ideas about other things that Bernie cares about, but from his own mouth, we know that he cares about Charlie, Chet, and water (and now, Weatherly). Of all the cases for him to get good PR for, this is the one that’s going to mean something to Bernie.

So, what did I think about Bark to the Future?

Not surprisingly, I liked it. I really did. We get a little character backstory here, we see Bernie as a good father (and a fumbling one), we see development in his relationship with Weatherly, we see the potential for a (small) income stream for Bernie outside the PI business, and there’s an intriguing mystery or two for our heroes to dig their teeth into (literally, for Chet).

Starting with Of Mutts and Men that Quinn’s found another gear. I can’t put my finger on it—I wish I could—but there’s something about the novels that have stepped up a notch or two. The series is always reliable, but these last few have been better than some of the previous. Bark to the Future continues that streak.

I heartily recommend this to you—if you haven’t tried one from this series before, don’t worry—they’re all good entry points. Jump in now, you’ll be glad you did.

Much like Chet and a Slim Jim, I’ve gulped this one down and am ready for my next one.

Disclaimer: I received this eARC from Macmillan-Tor/Forge via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

A Few Quick Questions with…Nick Kolakowski (2022 edition)

He’s back for the sixth time, now to talk about the fourth installment of this Love & Bullets series of hookups, Hell of a Mess (I posted about it earlier today). I look forward to these Q&As a lot, I know that when I get the responses I’ll learn a few things, understand the books better, and will grin at least twice. Not only does he write a good book, he writes a good answer. The novel comes out at the end of the month, get your orders in today!


So what brought you back to Bill and Fiona? Did you get a hankering to do something new with them while putting The Megabomb Edition together or did you get the idea for a heist in a hurricane (or something like that) and decide they’d fit better than someone new?
I’d always wanted to do a heist in a hurricane. When I was a teenager, for reasons I can’t quite explain, I was really into the movie “Hard Rain” with Morgan Freeman and Christian Slater, which centers on an armored truck robbery in a flooded town. It’s a pretty mediocre flick, but I really dug the idea of taking two distinct genres—crime and natural disaster—and slamming them together.

So, the basic framework of heist-in-a-hurricane rattled around in my brain for years. I thought about it more after Hurricane Sandy smashed through New York ten years ago, which came with all the chaos you can imagine—no power, flooded buildings, chaos in the streets. I even wrote some crime-themed short stories that took place during Sandy, but the itch to turn it into a full-fledged novel didn’t grip me until 2020.

Originally, it was supposed to involve all-new characters, but I really like Bill and Fiona, and I thought: why not? I know how they think. I know what they’d do. It seemed more organic to make it another Love & Bullets adventure.

This question might have fit better for the first Love and Bullets novella, but it still applies here. Can you talk a little about your decision to have the unnamed-assassin as your first person narrator rather than one of the protagonists, or a third-person omniscient narrator? He’s important to this novel, and the first novella—but not as important to the rest of the series—but he’s not a John Watson or Nick Caraway kind of non-protagonist narrator, either. Maybe you can describe his function in the series as well (I clearly can’t do it concisely). Also, was leaving him nameless a conscious decision, or just something that happened along the way that you stayed with it?
Leaving him nameless is just something that happened along the way. The assassin is human, obviously, but I also think of him as a supernatural or mythical force—almost like a Loki, a spiritual trickster who’s not firmly implanted in this world. Giving him a name seemed to reduce him somehow, at least in my mind.

I can’t explain why he’s written in the first person, and the other characters are shoved into the omniscient third. Not to give too much agency to a fictional character, but it’s what he wants; when I sit down and write from his perspective, it just spools out effortlessly. When I started Hell of a Mess, I very briefly tried writing him from the same third-person perspective as the other characters, and it simply fell flat.

There was also a version of Hell of a Mess where he didn’t appear at all, and it didn’t work, either. He’s the levity that differentiates the series from other crime fiction, in my mind; he’s the crazy element, the secret sauce, the glue that binds the narratives together on a subtextual level. Maybe that’s because he’s always articulating the book’s themes as he wrestles with his own feelings and coincidence; maybe it’s just that I find him funny as hell.

How do you balance the threat of a hurricane with the various human threats running around this book? Are there special challenges involved in using a natural disaster like this in a book, or is it a gift—allowing a random tree branch or torrent of rain to come along and interrupt things when you want?
It’s a gift and a curse. If you’re jammed up in the plot, yeah, you can send a tree branch or a flood through to shake things up—it’s the nature equivalent of Chandler’s old adage about how if you’re stumped on how to advance the plot, just have someone walk in with a gun. Living through Sandy, I learned firsthand how a big storm can really impact even the most mundane physics; at one point, I had to open a door with another big guy, and it took all of our strength to crack it open even a few inches against the wind and the air pressure. You throw those physics into a fictional narrative, and you generate some really interesting potentials for suspense.

At the same time, especially when you’re using a hurricane, you have to make sure the tempo of the storm aligns with your action—for example, as the storm intensifies, your characters really can’t do anything outside, which is why I decided to have the climax of the book take place just as the eye passes overhead, cutting out the wind and rain.

Let’s take a break from your work for a moment—you’re a reader/viewer as well as a writer, what’re some of the books/movies/shows this year that you’ve been enjoying?
I loved Heat 2. I was lucky enough to get an early copy, and I had some trepidations about how well Michael Mann would carry off that shift from cinematic to novelistic, but I needn’t have worried—the book is fantastic. Meg Gardiner, his co-author, layered it with her trademark suspense, and the whole thing really works.

I’m also reading Jordan Harper’s Last King of California, which is coming out in late September in the UK (although U.S. readers can find a copy via Amazon.co.uk pretty easily, I think). It’s a real treat because Harper is one of the best wordsmiths working the crime genre, and every sentence is rich and thick. The book itself is in the proud tradition of noirs like Blood Father and Tapping the Source, and it’s wonderful.

You’ve got Beach Bodies coming out on Halloween, right? I understand that’s a horror novella? Do you want to give a quick pitch for that one?
Beach Bodies is a super-short horror novella that began as a potential project for a smaller horror publisher, but when that didn’t work, I decided to dip my toe into self-publishing. It’s a weird book with one bloody moment near the end that will probably excite hardcore horror fans while freaking other folks out (one early reader texted me, “DUDE, WTF, LOL,” when she reached it).

The short pitch for it: Julia and Alec are two twentysomethings paid to “house sit” a billionaire’s luxury doomsday bunker on an isolated stretch of beach. Three strangers invade the bunker on a sinister mission, and very bad things happen. There’s a big twist that’ll have you questioning the nature of the characters’ very reality.

As usual, I’ve got to ask, what’s coming down the pike? Are you far enough into your next book(s) to talk about it/them?
Right now I’m working on an episode of A Grifter’s Song, which is a long-running series (something like 28 novellas and counting) written by various crime-fiction authors, including S.A. Cosby, Hilary Davidson, and Paul J. Garth. The series follows two hustlers as they attempt to cheat bad folks out of their money. The main challenge for me is taking these two preexisting characters with a rich backstory established by other authors… and trying not to mess it up.

And by “mess it up,” I mean, “make it too much like Bill and Fiona from Love & Bullets,” which I’m definitely at risk of doing. But I’ll make it work.

Thanks for your time—and thanks for Hell of a Mess—it’s always fun spending time with these characters.
Thank you! I love these questions!


Hell of a Mess by Nick Kolakowski: A Whole Bunch of Plans that Don’t Come Together

Hell of a MessHell of a Mess

by Nick Kolakowski

DETAILS:
Series: Love & Bullets, #4
Publisher: Shotgun Honey Books
Publication Date: August 26, 2022
Format: eARC
Length: 234
Read Date: August 1, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Hell of a Mess About?

Well, isn’t that a tricky question? There is too much. Let me sum up. There are multiple people who start off intending to commit one crime and end up doing something entirely different.

Fiona’s been hired to steal something, and it’s a timely thing (and she’s not deterred by much), so despite an impending hurricane, she goes for it. Sure, the Inside Man tries to wave her off, but, again—she’s not deterred by much. Which is a shame—she should’ve paid attention to either the weather or the Inside Man. She ends up with a price on her head and multiple people around the city.

While she’s busy, Bill’s trying to prep for the storm in the home they’re squatting in when some police break in looking for the man who lives there. One thing leads to another, and they kidnap Bill, believing he can lead them to the millions his former employer had hidden away.

Thankfully. that assassin they thought Fiona killed at the end of A Brutal Bunch of Heartbroken Saps survived—readers knew that, but Fiona and Bill didn’t. Not only did he live, but he’s been keeping tabs on them. He’s been trying to live a different—less lethal—life and he has a chance to help them. Will he be enough?

(I have no idea if the above makes any sense—trying to cram it into three brief paragraphs doesn’t do the plot any favors. In the non-condensed version, it works. Trust me.)

The Unnamed Assassin

Up to the point where it looked like Fiona killed him (maybe a little sooner), I thought that the hitman who was sent after Bill in the first book was the protagonist. His is the only first-person perspective we get through the series—almost like he’s relaying what he knows and hears about this crazy couple while he’s dealing with his own problems like they’re a diversion for him.

His personal arc is very different from theirs—they claim to be trying to get out and live a straight life, if only they get one more decent score to set them up. The unnamed assassin is going a different path, he’s still a violent criminal, but like Jules Winnfield, he’s looking for something more. There are lines he won’t cross anymore (he seems to be making those rules up on the fly, but at least he has them.

As you can probably tell, I find it difficult to articulate his development and role in the series—but using him (sparingly, on the whole) and his arc throughout in juxtaposition to Fiona and Bill adds a layer to these books that few authors would have utilized, but make the whole thing better.

Be sure to check out my Q&A with Kolakowski (posting later today) for more about him.

Unanswered Questions

The thing that really kicks off the Fiona storyline is her stumbling across something she wasn’t expecting while discovering the thing she came to steal wasn’t there. Her discovery of the other nefarious action—and the way she prevented it from being completed*—is what starts the manhunt for her, more than the attempted heist. If she’d just walked away, I think it’s likely no one would’ve come after her.

* It is so tricky to discuss this obliquely.

Then when it comes time for Fiona to go save Bill, that storyline is dropped. Which is actually fine and good, because ultimately what it’s replaced by is more interesting. But in the back of my mind couldn’t stop asking—and, a week later, still can’t—what happened? What led up to Fiona’s discovery? What happened after she and the unnamed killer ran off to rescue Bill?

Typically, leaving these threads hanging would annoy me enough that I’d downgrade a novel over it—but Kolakowski pulls it off. If you’re going to abandon a plotline, this is the way to do it.

That said, I’d pony up twice the typical Shotgun Honey novella price today to get Love & Bullets #5 if it picks up right after this to tell the rest of that story. Maybe thrice.

So, what did I think about Hell of a Mess?

The previous three installments were novellas, but this is a novel, clocking in at 50-100 pages longer than the rest. And it didn’t feel like it at all. It was the same adrenaline-fueled, not-quite-frenzied pace and was over before I was ready for it to be. My daily schedule kept this from being a one-sitting read, but I think I could’ve done it in one sitting without realizing it.

This is pulpy fun. There’s action, there’s heart, there’s comedy (some subtle, some absolutely not), there’s a lot of violence, and you can’t forget the bunch of heartbroken saps that are at the center of things. They’re crooks and killers that really seem like decent people when you stack them up next to the nastier crooks and killers they can’t stop encountering. In the middle of all that chaos (and you can’t forget the chaos of the storm), there’s hope, forgiveness, and love. And who can’t use a little of that?

I don’t know if Kolakowski is going to come back to these characters in the future—I’d be content with what he’s given already, but I also know that I’d jump on any future installments, too. I encourage you to do the same.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

MAP REVEAL: The Marauders, the Daughter, and the Dragon by K.R.R. Lockhaven

The Marauders, the Daughter, and the Dragon Map Reveal Banner

I’m very pleased to welcome the Escapist Book Tour’s Map Reveal for K.R.R. Lockhaven’s The Marauders, the Daughter, and the Dragon to The Irresponsible Reader this morning! For certain Fantasy readers maps mean more than covers–map reveals really ought to be more common, right? I finished reading this book a couple of days ago, incidentally, and you’re going to want to get your hands on it. But I’ll get into that in a few days. For now, let’s see if the map entices you enough–but first, let’s learn about the book.

Book Details:

The Marauders, the Daughter, and the Dragon CoverBook Title: The Marauders, the Daughter, and the Dragon by K.R.R. Lockhaven
Series: The Azure Archipelago #1
Publisher: Shadow Spark Publishing
Release date: August 20, 2022
Format: Ebook
Length: 550 pages
Genre: Fantasy
Intended Age Group: Adult

About the Book

To say that Azure Brine is at odds with her father would be an understatement. His recent spiral into the “Humans First” politics of League of Islands’ new governor has strained their once-strong relationship to the breaking point.

Their connection is truly put to the test when her father decides to join the governor’s ship on a voyage to the Capitol Isles for the inauguration. But when Azure learns that the governor has nefarious plans for the islands, and that her father is in mortal danger, she and her best friend (a shit-talking bird named Robin) set out across the archipelago to save him.

Along the way they meet a reanimated skeleton with confidence issues, a group of “pirates errant” who just want to sing and have adventures, and a dragon with an emotional arc.

See Also:

Come Sail Away • Yo Ho Ho and a Bottle of Rum • Rockin’ Robin

Book Links

Publisher Page ~ Preorder Link ~ Goodreads

About the Author

K.R.R. LockhavenK.R.R. (Kyle Robert Redundant) Lockhaven writes humorous, fun fantasy books with ever-increasing infusions of heart. He lives in Washington State with his wife and two sons. When not writing or raising kids, he works as a firefighter/paramedic.

Twitter ~ Website

and now…

The Map

(click to expand, and you’re going to want to)
The Marauders, the Daughter, and the Dragon Map

Thomas Rey, a Freelance cartographer from Angers, France, made this spiffy looking map. Check out his portfolio and his Twitter feed.



My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

Breaking Point (Audiobook) by C.J. Box, David Chandler: Joe Finds Himself Between Some Rocks and a Hot Place

Breaking PointBreaking Point

by C. J. Box, David Chandler (Narrator)

DETAILS:
Series: Joe Pickett, #13
Publisher: Recorded Books
Publication Date: August 17, 2015
Format: Unabridged Audiobook
Length: 10 hrs., 37 min.
Read Date: July 13-15, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Breaking Point About?

Acquaintance and father of one of Lucy’s best friends, Butch Roberson, is in trouble—he’s been being harassed by some EPA agents and they’ve turned up dead. Joe was the last person to see him before he became a prime suspect in their murder and a subject of a manhunt. Which, in the perverse way that only bureaucrats can think, gets him in hot water.

Joe’s now tasked with helping some contractors track Butch through the wilderness—he really doesn’t want to do it, and almost quits over it. But the way these guys are acting, Joe figures that he’s the only one who can ensure that Butch is brought in alive and with a shot at a fair trial (especially if he can get him into local custody).

Joe’s been in hazardous wilderness conditions before—regularly, from the reader’s point of view—but I think it’s safe to say that these are the most dangerous he’s been in. And the humans (officially and unofficially) hunting for Butch are just making things worse.

Meanwhile, Marybeth is doing a little investigative work on the side for Joe while helping Butch’s wife and daughter through this time. She even sends up a flare hoping to get some help from Nate Romanowski.

There’s a whole lot of moving pieces in this novel, and hopefully, the Picketts and Robersons come out of things alive.

Federal Agencies

Outside of some FBI Agents (maybe only one), people who work for the Federal Government don’t come across well in these books. And Breaking Point is no exception

I don’t know—and really don’t care—how much of Box’s own politics are reflected in these books, but he does a great job of portraying the attitudes of people in Wyoming and Idaho (not that he does a lot of Idaho work, but there’s some). Federal Agents are inherently suspect and will wield their power to damage the way of life of citizens. Sure, there are exceptions, but on the whole, you can’t trust them to do the right thing.

It’s never comfortable reading these depictions of the Federal Government, but if nothing else, it’s good to be reminded of/exposed to the way hunters/ranchers/etc.out here think of them—and why they do.

The Sub-plots

The new head of Game and Fish, Lisa Greene-Dempsey (LGD) is a more interesting foil for Joe than the previous officious penny-pinchers. She’s trying to reshape the Agency in a way that Joe’s not comfortable with, and she’s clearly playing politics with him/his job. But the way she’s going about it—with good intentions, I think—makes her a better character and gives us more interesting reactions from Joe. It’s always better to have competing good intentions than having one side just out to hurt the other/improve themself alone. The whole arc there is one of the best Joe vs. The System stories Box has given us.

I don’t get the Marybeth story, it fizzled on all fronts for me. If it’s to underline the financial hardships the family has gone through, he’s done it more effectively before. If it’s laying the groundwork for something else, on the other hand, great—but I want to see it soon. Generally, Marybeth’s stories are a highlight of these novels but this one fell flat for me.

While Sheridan had a pivotal part to play here, it sort of seems to me that Box doesn’t know what to do with her anymore (ditto for her sisters, but Sheridan’s always shown the brightest among them, so it seems worse). I really hope he does something interesting with her soon, I’m not sure how long I’d have stuck with the series if not for her early on, and I don’t want to not enjoy her in the future.

That Death…

There’s a significant character death that shocked me—both in the manner, the function in the story, and the fact that it happened at all. Box treated the whole thing perfectly.

I’m not going to get into details, but it was a smart, gutsy move.

How’s the Narration?

Chandler has the characterizations down pat—every time he says something as McLanahan (and how great is it to see how things went for him between Force of Nature and this book?) I want to punch the guy in his nose. Which is more violent than I typically get, but that voice is perfectly grating—a wonderful match for McLanahan’s personality.

He’s great even when he doesn’t irritate me—Chandler has brought this series to life, and continues that work here. Really don’t have much else to say.

So, what did I think about Breaking Point?

There’s a great call-back to Savage Run, reminding the reader just how far Joe’s come, and some of the things he’s pulled off in his career.

Box delivers a great thriller here, as we’re used to—with some important character work for Joe—including a move that’ll change his professional life forever.

It’s the thirteenth book in a series, and it’s really difficult to come up with something to say. The storytelling isn’t getting stale, the characters are developing nicely, the premise of the novel rings true, and Box executes it well. It’s an incredibly consistent series, really—not getting much better (nor does it need to), it’s definitely not getting worse.

There’s not much more to say—if you’ve liked most of the previous twelve novels (like I have), you’ll like this one. If you’re intrigued by the idea of a Game Warden getting involved in criminal investigations while dealing with wilderness adventures, you’ll likely enjoy this one, even without the backstory.

Box knows what he’s doing at this point, and even with my quibbles, I figure he’s going to do something in the future to remove them. Give this one a try.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Dead Against Her by Melinda Leigh: Bree’s Personal and Professional Lives are in Jeopardy

Dead Against HerDead Against Her

by Melinda Leigh

DETAILS:
Series: Bree Taggert, #5
Publisher: Montlake
Publication Date: May 16, 2022
Format: Paperback
Length: 292 pg.
Read Date: July 28-29, 2022
Support Independent Bookstores - Visit IndieBound.org

“The Back of the Book”

(from the author’s website)

Called to an isolated farm to check on an elderly widow, Sheriff Bree Taggert finds a brutal double homicide. One of the victims is Eugene Oscar, the bitter and corrupt former deputy she recently fired.

Working with criminal investigator Matt Flynn, Bree discovers that she isn’t the only one who had a troubling history with Eugene. But someone doesn’t want Bree digging up the past. She becomes the target of a stranger’s sick and devious campaign calculated to destroy her reputation, career, family, and new relationship with Matt. To make matters worse, she’s the prime suspect in Eugene’s murder.

When her chief deputy goes missing while investigating the case, Bree refuses to back down. She won’t let him become the next victim. His life and her future depend on finding a killer nursing a vengeful rage.

I Admit to Some Apprehension

I used this heading last time, and it fits here, too. Maybe “a lot of” would have been better than “some.”

Police protagonists becoming the prime suspect almost never works for me—any protagonist/close associate of the protagonist as the prime suspect, really, but it works less when it’s a cop for me. The stakes are so low there—you know they’re going to be proven innocent the instant you read that in the description, and a lot of the drama associated with their being suspected is going to feel contrived. The fact that it’s her former deputy (and I’m so glad to be done with him!) made it even harder for me to swallow.

When you add to that the “campaign calculated to destroy reputation, career,” yada yada, I’m really disinclined to dive in. You’re not going to find a supervillain waging a campaign against a local sheriff in that part of the world. But that’s all due to whoever wrote the promotional material, because “sick and devious campaign” sounds better than “bitter jackwagon out to smear her reputation” (which is what was really going on, nothing as organized as a campaign suggests).

But, I’m a completionist, I was curious, and Leigh’s earned a little trust (if nothing else from the way she dealt with the last thing I was apprehensive about), so I read this. And I’m so glad I did: the “campaign” was what I described—making it more believable, more insidious, more relevant, and with actual stakes—and if you’re going to make your protagonist someone suspect, both the author and character need to deal with it the way Leigh and Bree do.

Mostly, I need to stop reading the jacket-copy of these books.

Chief Deputy Todd Harvey

I’ve felt this way since book 2 and have stated it when I read 3 and 4—Leigh wasn’t giving Chief Deputy Todd Harvey enough to do. Now, here in book 5, she’s given him two—count ’em, two—storylines. I grant you, the more important one (in terms of this novel) isn’t really what you want to see happen to a character you like—but the execution was great (and it helped with one of the storylines I was nervous about above).

And the one that was less important for this novel is going to stick around for at least a little while, and gives the foundation for more to come—and it shows that Leigh’s thinking of doing things with Todd in the books to come.

Phew.

So, what did I think about Dead Against Her?

This was probably the best of the series so far—it tied up a couple of longer-term stories, pushed some others along in ways that were necessary, and gave us some really good character moments overall.

The case at the center of this was handled really well, too—I liked the way it came together and faked the reader out in just the right way. The mix of local politics, local media, and police work felt genuine and like something that could/would actually happen.

Dead Against Her was an entertaining and satisfying read and made sure that I’m sticking around with this series for a while to come. You should jump on board, I have a feeling it’s going to be around for a bit.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

PUB DAY REPOST: The Prince of Infinite Space by Giano Cromley: Stumbling Toward Adulthood

The Prince of Infinite SpaceThe Prince of Infinite Space

by Giano Cromley

DETAILS:
Series: Kirby Russo, #2
Publisher: Propertius Press
Publication Date: August 2, 2022
Format: eARC
Length: 264 pg.
Read Date: Jane 18-19, 2022

What’s The Prince of Infinite Space About?

Kirby Russo, a “troubled youth” from Montana has been at the Haverford Military Institute in North Dakota just long enough to start to change his behavior and think about things in a different light—but not so long that he’s totally bought into the system. He’s still largely an outsider—and likes it that way.

He’s assuming that he’ll have a leadership position in the school newspaper—his one real passion—at the beginning of his Senior Year. When that doesn’t happen, he (unlike the reader, who can see it coming from the moment he starts talking about it) goes off the deep end. All the progress he’s made, all the evolution he’s been going through is out the window, and his demeanor, attitude, and focus shifts. He just doesn’t have anywhere to shift it to, so he spends the first few months of the year completely aimless.

The closest thing he has to a goal comes from a picture he saw in a Chicago newspaper. His long-lost love is shown (under an assumed name) in a homeless camp. He starts to fantasize about reuniting with her—but how can he get to Chicago?

Then his Original Biological Contributor shows up unannounced. He’s never met his father, and has heard little good about him over his life. But when his father introduces himself to Kirby and asks to take him to meet his dying grandmother outside of Chicago, Kirby seizes the opportunity.

He can escape the Institute, learn something about his father, and get close enough to Chicago that he can probably find a way to the city.

It ain’t much, but it’s a plan.

Time Period

It’s a little disconcerting reading something that’s probably considered Historical Fiction set during the protagonist’s Senior Year in high school when you share the same Senior Year. Outside the discussion of Iraq’s invasion of Kuwait and the U.S. response, there’s not a lot of references to people and events of 1990. I’m fine with that—we don’t need an Ernest Cline-level of name-dropping to establish the setting.

I’m not convinced that Cromley’s 1990 matches up with reality that well. If Kirby’s world was looking at the 2003 invasion of Iraq, I probably wouldn’t have blinked. But the attitudes that Kirby encounters—in particular on the streets of Chicago—seem to fit the early 2000s more than the early 1990s.

So, what did I think about The Prince of Infinite Space?

The writing really sang (after a heavy-handed first sentence)—I chuckled a lot, and the descriptions were fantastic and real. His depcition of Chicaco alone made this worth the read. Cromley hits all the emotions and the big moments just right. The novel moved along quickly (possibly too quickly), and you get taken along with the characters effortlessly. Kirby’s a wonderfully flawed character—he’s a self-absorbed, petulant, immature twit. But he’s at the time of life where he’s supposed to be one, so that’s a win.

But unlike many of those characters, you get drawn into his character. You like him just enough, get invested in him enough that you want to see him mature, you want to see the coming-of-age in action. You don’t just want to write him off and go read about someone else.

This feels like the bones of a good novel—there’s not enough meat on it. Or, to change the metaphor, it’s like a chili that you serve too quickly, without letting the flavors develop while simmering a decent amount of time. There’s a compliment here—I liked it, I just wanted it to be better, I wanted more of everything.

This is a sequel to The Last Good Halloween, which probably tells about the delinquency (perceived or real) that sent Kirby to the Haverford Military Institute. It’s utterly unnecessary to read before this, but I’d imagine those who had read it will be a bit more satisfied after seeing what happens to Kirby.

Disclaimer: I received this eARC from the author and Lori Hettler of The Next Best Book Club in exchange for this post—thanks to both for this.


3 Stars

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