Category: Urban Fantasy Page 30 of 46

Marked by Benedict Jacka: Alex Verus takes some of the biggest risks of his life

MarkedMarked

by Benedict Jacka
Series: Alex Verus, #9

Mass Market Paperback, 310 pg.
Ace Books, 2018
Read: July 5 – 9, 2018

“So who was it this time?” Anne asked as I walked over to inspect the device.

“I can see the future not the past.” The bomb was a stack of plastique packed into the gym bag, the wires ending in contacts stuck into the blocks. It was crude but powerful, enough to blow apart the house, the victim, and anyone else unlucky enough to be within thirty feet or so of the front door. “I suppose I could get Sonder or someone to track down whoever it was, but honestly, I don’t think it’s worth it.”

“It feels a little bit strange that you don’t even bother identifying the people trying to kill you anymore.”

“Who has that kind of time?”

This is one of those books that I wait so long for (not that it was delayed, I simply couldn’t wait to read it) and then after reading it, the draft has spent too many days open with out words filling the space. I don’t know why — I had and have many opinions about what transpired here, but can’t seem to get them out. So, let’s start with the publisher’s blurb and see if that helps:

           Mage Alex Verus is hanging on by a thread in the ninth urban fantasy novel from the national bestselling author of Burned.

When Mage Alex Verus ends up with a position on the Light Council, no one is happy, least of all him. But Alex is starting to realize that if he wants to protect his friends, he’ll need to become a power player himself. His first order of business is to track down dangerous magical items unleashed into the world by Dark Mages.

But when the Council decides they need his help in negotiating with the perpetrators, Alex will have to use all his cunning and magic to strike a deal–and stop the rising tension between the Council, the Dark Mages, and the adept community from turning into a bloodbath.

This is not a book for someone to jump into this series with; I guess, technically it could work — but man . . . there’s just so much you wouldn’t get. But for those who’ve dipped their toes in the water — or have fully submerged themselves in the deep end — this is going to scratch that itch.

Typically, there are more balls in the air than you can easily track — there’s all the new political moves and movers that Alex has to contend with, his continuing efforts to prove to former friends and allies that he’s trustworthy (well, that he shouldn’t be intensely distrusted anyway), there’s a rising sense among the adepts that they need to organize — and Alex is dumbfounded that none of the Light mages seem to see this as something worth paying attention to — and then there’s Richard’s continuing efforts to disrupt Alex’s life. And then there’s all the stuff that Alex hasn’t figured out that’s going on around him yet.

Due to the political office (however temporary) that he finds himself in, and the nature of the threats he’s facing down — this is one of the least personal stories in the series. At the same time, Alex is driven to risk more of himself to save his friends and maybe even save a foe.

I don’t know how to talk about this without spoiling much. I can tell you that as nice as it is for Arachne not to have all the answers — I wanted more of her and that the rest of Alex’s friends get to shine in ways they normally don’t. Also, given where things end, I’m already impatient to get my hands on the next one.

So, I don’t have much to say, but it’s good. Alex Verus fans should grab it, and people who aren’t yet, should check into the series and catch up.

—–

4 Stars

Twisted Magics by J.C. Jackson: A Great Spin on Contemporary Fantasy Kicks Off a Promising Series

Twisted MagicsTwisted Magics

by J.C. Jackson
Series: Terra Chronicles, #1

Paperback, 220 pg.
Shadow Phoenix Publishing LLC, 2016

Read: August 30 – 31, 2018


I had a brief conversation a couple of weeks ago with J.C. Jackson and she described the book as “Science Fantasy” and told us a little about the series. Something about fantasy characters but with modern technology, but phrased better. Not really getting what she said, I asked why not just call it Urban Fantasy, and she gave a decent answer — basically that she didn’t have enough vampires or werewolves in the books so readers told her she couldn’t. I was a chapter or two in to the book when I figured out what she was saying.

In your mainstream Urban Fantasy, you have fantasy creatures — wizards, druids, werewolves, fae — popping up in our world. On the other end of the spectrum (or an other end, anyway) you have things like the Eddie LaCrosse novels or the Dragon Precinct books that have modern ideas (police squads, private investigators) used in a fantasy series. Jackson takes a different tack — it’s a typical fantasy novel in that there’s a lot of magic, elves, halflings, Dark Elves, living next to humans — very standard kind of thing, but their technology matches ours (actually, it’s slightly more advanced). I loved this approach and there’s a good chance that I’d have had nice things to say about the book just because of this idea.

I do have more reasons to say nice things, though.

Ketayl is an Elven mage who works as a a CSI-like lab tech for the Terran Intelligence Organization (a FBI-like organization). Her strength is in finding ways to use devices to do forensic investigation of magical elements of particular crimes. She’s not the most socially adept of people, clearly more secure in her lab and with clearly drawn rules governing her interaction with others.

Then there’s an explosion in the Elven Territories, seemingly magical in origin — definitely devastating. The TIO director sends Ketayl, along with the rural tracker, Retanei; and Artemis, Retanei’s wolf companion to investigate. Along with the local TIO team — which does their best to bring these agents into their community — they dive into finding those responsible. It’s a kind of magic that doesn’t play by the rules that Ketayl is used to, and powerful enough to make her nervous.

While they look for what could have caused this destruction, we learn more about the world, the magic system and Ketayl. I still have a few questions about all of those and I think some of them should’ve been addressed in the first book — but I never felt lost in this world as I waited for the details to be given. This is a pretty decent thriller when you strip away the fantastic elements, or a pretty decent fantasy tale if you take out the criminal investigation elements. Keep them combined and the whole thing is stronger.

Eventually, the TIO hires a consultant from the Paladins — their kind of music is very different from Ketayl’s. The Paladins are also very prejudiced toward other magic users, and other species. Thankfully, the Paladin sent to help the team (Silver) is pretty open-minded and doesn’t get driven right into a religious conflict (which doesn’t preclude other kinds of conflict). Silver joining the team — primarily partnering with Ketayl — brings her out of her shell a bit.

Ketayl frequently reminded me of Tilly Bradshaw, the analyst from M. W. Craven’s The Puppet Show (one of those books that I somehow haven’t had time to blog about, but you should read, if only for the Ketayl-like character). She’s a complex character that I look forward to learning more about. The rest of the characters — with Silver pretty much being the exception — aren’t as developed as you might like, but you get enough of to satisfy just about every itch you might have.

There were a few too many typos for me, and the misspellings/unfortunate slips like homonym confusion. It wasn’t horrible, but it was bad enough to stick with me.

The novel does a good job of introducing us to the characters and world while telling a compelling story. Jackson’s particular spin on merging fantasy and a 10-minutes-into-the-future world is refreshingly original. I liked the characters, the world and everything — I’ve already gone out and purchased the sequel and am trying to find time on the schedule to get it read.

—–

3.5 Stars

✔ Read a book written by an author from the state where you grew up.

Brief Cases by Jim Butcher: ‘Scuse me while I unleash my inner fanboy

If you’re a Dresden fan still working their way through the series and haven’t gotten to the end of Skin Game yet, DO NOT READ this post. Go catch up first.

Brief CasesBrief Cases

by Jim Butcher
Series: The Dresden Files, #15.1

Hard Cover, 448 pg.
Ace Books, 2018
Read: June 13 – 16, 2018

Being a wizard is all about being prepared. Well, that and magic, obviously.

Generally, when I start a book, my question is: how much am I going to like this? (Occasionally, the question is: I’m not going to hate this, am I?) But there are a few authors that I ask a different question with: How much am I going to love this book? Jim Butcher is probably at the top of the latter list, and the answers are typically: a lot, a considerable amount, and WOW, SO, SO, SO MUCH. I make no bones about it, I don’t pretend to be anything like objective. I know he’s not everyone’s cup of tea, and I’m not looking to convince anyone to give him another shot (but I’m willing to give it a shot if someone wants me to), but for many, many reasons, I’m an unabashed and unashamed Jim Butcher fan and Brief Cases gives several reasons why I continue to be one.

Incidentally, I started this collection assuming the answer would be “a lot.” It ended up being on the other end of the spectrum of love. I’ll explain that shortly.

This is not a novel (alas!), it’s another collection of short stories and novellas, like Side Jobs. It’s been awhile since I’ve read or thought about that collection much, but I believe that this is a stronger batch on the whole. I’ve only read “Cold Case” from Shadowed Souls before, so this was a lot of new material for me — and I enjoyed it immensely. It was great spending a few days in the pages and world of probably my favorite ongoing series.

Five of the twelve stories here were told from the point of view of a supporting character in the series. Anastasia Luccio told “A Fistful of Warlocks” about a little adventure she had in Dodge City, which opened the collection on a fun note; we got to know “Gentleman” John Marcone a little better than we wanted to in “Even Hand,” (which doesn’t mean I didn’t enjoy the story). Molly got to shine in “Bombshells” and the aforementioned “Cold Case.” And Waldo Butters’ opening lines to “Day One” — the tale of his first adventure as a Knight — will go down as one of my favorite opening lines of 2018. I really got a kick out of all of these — “Bombshells” and “Day One” were probably the most effective for me, but I’m not going to complain about any of the rest. Actually, after reading “Day One,” I figured I got most of my money’s worth just for that one.

Which leaves us with seven others from Harry’s perspective — there are the three Bigfoot stories that were published in various collections and then in Working for Bigfoot. I’ve been kicking myself for a while for being too budget-conscious to get that collection when it came out, yet unable to bring myself to get the e-book. Thankfully, I have them now — and they were great. Not worth the $80 that used copies seem to go for now, but still pretty good. I really liked the characters in these stories and would gladly see them again. “Curses,” was a lot of fun; “AAAA Wizardry,” was a good story that I’m glad I read, but I can’t say it was great; and “Jury Duty” was okay, but had its moments.

Which leaves us with “Zoo Day” — the only original piece in this anthology, a novella about Harry taking Maggie and Mouse to the Zoo. And it was great. Just great. I know I’ve got a healthy dose of recency bias working here, but I think in 5 years if you ask me for my favorite pieces of Butcher writing that it will be in the Top 10 — maybe Top 5. Watching Harry try to figure out how to be a good dad, while watching Maggie try to not drive him away, while Mouse just wants the two of them to understand each other . . . it just melts your heart. Yes, there’s still supernatural and dark things afoot — many of which we’ve never encountered before that could really mess things up for all three of these characters (and the rest of the Dresden Files cast, come to think of it) — and there’s at least one scene that creeped me out in a serious way. But mostly? I just loved the characters interacting with each other. My “Day One” affection and excitement remain intact, but they pale compared to what I thought about this novella. My notes (again, recency bias may play a role here) read, “A little slice of perfection. I didn’t know a 50 page story could make me so misty-eyed and so happy all on its own.” But it did, and I feel the heart-strings being tugged again as I write this.

Simply, this was a joy for me, and I imagine most Dresden Files fans would feel the same way. If you haven’t read Jim Butcher’s books about a Wizard P.I. yet, and have somehow read this far into the blog post, you really, really should. This collection isn’t the place to start — but it’s a great place to hurry up and get to.

Loved it, loved it, loved it.

—–

5 Stars

Dark Queen by Faith Hunter: Jane Yellowrock’s latest has everything — including the kitchen sink.

Dark QueenDark Queen

by Faith Hunter
Series: Jane Yellowrock, #12

eARC, 432 pg.
Ace, 2018
Read: April 23 – 28, 2018

I’ve stopped reading the blurbs for the Jane Yellowrock books, so I had no idea what to expect out of this one when I started it. I spent a couple of days planning on how this was a rumination of/celebration of family disguised as an Urban Fantasy novel. Don’t get me wrong, there was plenty of action and plot and all the things we have come to expect from a Jane Yellowrock book. But, yeah, family was the overarching theme. But then . . .

But then, Hunter kicks it into high gear and the long-awaited Sangre Duello starts. Which I didn’t expect — I figured we’d get an entire novel (minus an introductory and follow-up chapter, maybe) dedicated to it. Man, am I glad I was wrong — I’m not sure I could’ve handled more of the tension surrounding it than Hunter gave us. Still, everything I’d planned on saying pretty much went out the window.

I’ve gotten ahead of myself. This series (like any that has gone more than 5 books) needs a “Previously . . .” section. Things have changed so much since Jane rode into New Orleans in Skinwalker that it’s almost impossible to remember everything that’s happened. Hunter does do enough in the text to remind you who is who and what they’ve done in the past, so I’m not saying the book is inaccessible. It’d just be nice to have a reminder just where we are in the story without having to re-read eleven novels (not that I have a problem with that — I’d probably pick up a few more nuances).

The book begins with Leo solidifying his organization. Moving people around, giving promotions, and cleaning house (not as much as he should have, but even someone who’s as politically savvy as Leo isn’t perfect). Part of this is the official recognition and establishment of Clan Yellowrock — which was just so strange. One of the groups that Leo is dealing with is a werewolf pack from the Western part of the US, who are doing some work for him related to the Sangre Duello, who are pretty interesting, and I’d like to see more of them in the future. There’s also a new PsyLED honcho floating around — Rick’s boss and Soul’s underling — and his presence is almost as disruptive to Jane’s world as the European Vampires are.

Then before you know it — there we are, the European Vampires are coming ashore to start the Sangre Duello. Which is basically a series of duels — some to first blood, some to the death (true death, in the case of vampires) — and just about everyone connected to Leo ends up fighting at least once. It is clear from the way this is set up, the way it’s carried out, the way that just about everyone acts during it — that vampires act on a different morality than just about anyone else. Jane has a very hard time with it all, and many readers will, too. That’s good — that means you’re not a monster. I will say that Leo’s psychological games with the EV’s are a lotta fun. If you have much of an emotional attachment to the characters in this series, you will stress out during this part of the book. Not all survive. Not all who do survive do so unscathed. Without saying what happens to him, I didn’t realize how invested I was in Leo Pellissier’s continued existence.

Faith Hunter puts all of her experience, all her skill and talent on display here — and it works. This is really a tour de force for her and it’s just a pleasure to read. On the one hand, I thought the pacing was a bit slow at first and wasn’t sure what she was doing — but at a certain point, I recognized that she knew exactly what she was doing and you needed the slow-burn of a start so that you’d be ready for the almost non-stop action to come. There’s some brave choices she makes here — totally shaking up the series, the status is not quo, as a horrible doctor might say. While that might seem like the kind of thing writers need to do (and it is), it can’t be an easy choice — because no matter what we say, we fans want our comfortable series: where we know that Riker will be Picard’s Number One for far too long, Lisa will be 8, and that one couch at the Central Perk will always be available for Monica’s friends to sit on.

Jane continues to grow and mature, embracing — and even expanding — the emotional ties she has to people in her life, taking on more people to protect and defend. She’s not a loner anymore, and has stopped fighting this reality. It’s great to see. And everything I wanted to say about family is present here, and you’ll know exactly what I was talking about when you read this. And if you’re someone who threatens any of those she’s decided to align herself with? I pity you, because, well, Beast is best hunter, and there’s nothing really that’ll stop Beast/Jane from making you regret that threatening.

If I was a better blogger — or at least one who had better time management, I’d come up with a post just about Eli Younger. I really wish I was that guy — because Eli deserves more attention. As I write this, I remember that Carrie Vaughn gave Cormac a novel to himself (pretty much) — Hunter should consider letting Eli have his own.

This would’ve been a great series finale just as it is. I am so glad that it’s not — Hunter’s got things set up so well for the next couple fo books (at least) that I’m as excited about this series as I’ve ever been. But, Dark Queen could’ve worked as the end. Which is really just to say two things: 1. If you’re looking for a new Urban Fantasy series to start, full of magic, vampires, shape-shifters and more? This series is a great one — but don’t start here, start with Skinwalker. 2. Hunter has tied up a lot of loose ends, a lot of long-going plotlines are resolved (or at least brought to a satisfying resting point), which should satisfy long-term readers. I won’t say that they’ll all be happy about where everything ends up — I’m not — but I will say that it’s nice to have some sense of closure and resolution.

I laughed, I got angry, I cheered, I fretted, I got awfully close to letting water leak out of my eyes — I loved this book from start to finish.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post — thanks to both for this.

—–

5 Stars

Book Spotlight: Dark Queen by Faith Hunter

Welcome to our Book Tour stop for Faith Hunter’s Dark Queen, the twelfth (and best — so far, anyway) Jane Yellowrock novel. Along with this blurb about the book and author I’ll be posting my 2¢ about the book in a little bit, although I guess I just spoiled it, eh? The book is released today, you should head out and buy it (or, I guess, surf to the e-retailer of your choice and order it).

Be sure to scroll down to the bottom of this post for a chance to win a complete set of Jane Yellowrock books!

Book Details:

Book Title:  Dark Queen by Faith Hunter
Publisher:  Ace
Release date:  May 1, 2018
Format: Mass Market Paperback/ebook
Length: 432 pages

Book Description:

Jane Yellowrock used to hunt vampires, but now she must fight–and win–beside them.

As Enforcer to the vampire Master of the City of New Orleans, Jane Yellowrock stakes her reputation and her life on keeping her territory safe. But Leo has been issued a blood challenge by the emperor of the European vampires, who seeks to usurp all of his power and possessions. If Leo loses the match to the death, the city will be forfeit, and the people of New Orleans will suffer the consequences. Jane can’t let that happen.

Preparing for the duel requires all of Jane’s focus, but with so much supernatural power in play, nothing goes according to plan. She has to rely on herself and the very few people she knows she can trust to stand and fight. Only two things are guaranteed: nothing is sacred, and no one is safe.

ISBN: 1101991429
ISBN-13: 978-1101991428

Purchase at:

Author Bio:

Faith HunterFaith Hunter is a New York Times and USAToday bestselling author. She writes dark urban fantasy and paranormal urban thrillers.

Her long-running, bestselling, Skinwalker series features Jane Yellowrock, a hunter of rogue-vampires. The Soulwood series features Nell Nicholson Ingram in paranormal crime solving novels. Her Rogue Mage novels, a dark, urban fantasy series, features Thorn St. Croix, a stone mage in a post-apocalyptic, alternate reality. Two of her fantasy series have been nominated for Audie Awards.

Under the pen name Gwen Hunter, she has written action adventure, mysteries, thrillers, women’s fiction, a medical thriller series, and even historical religious fiction. As Gwen, she is a winner of the WH Smith Literary Award for Fresh Talent in 1995 in the UK, and won a Romantic Times Reviewers Choice Award in 2008. Under all her pen names, she has over 40 books in print in 30 countries.

In real life, Faith once broke a stove by refusing to turn it on for so long that its parts froze and the unused stove had to be replaced. Her recent hankering for homemade bread and soup resulted in fresh loaves each week and she claims that the newish stove feels loved and well used—because Faith talks to her appliances as well as to her plants and dog. She collects orchids and animal skulls, loves to sit on the back porch in lightning storms, and is a workaholic with a passion for jewelry making, white-water kayaking, and RV travel. She likes the shooting range, prefers Class III whitewater rivers with no gorge to climb out of, edits the occasional anthology, and drinks a lot of tea. Some days she’s a lady. Some days she ain’t. Occasionally, she remembers to sleep. The jewelry she makes and wears is often given as promo items and is used as prizes in contests.

For more, including a list of her books, see www.faithhunter.net , www.gwenhunter.com  To keep up with her, like her fan page at Facebook: https://www.facebook.com/official.faith.hunter

GIVEAWAY!

Win one of two complete sets of Faith Hunter’s Jane Yellowrock novels! Contest runs April 23rd until May 11th.

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Rafflecopter link: http://www.rafflecopter.com/rafl/display/9751c0429/?

My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials they provided.

Scourged by Kevin Hearne: The Iron Druid Chronicles conclude with a bang.

This took me longer to write than I intended. Maybe I should’ve talked about it right after finishing it after all.

ScourgedScourged

by Kevin Hearne
Series: The Iron Druid Chronicles, #9

Hardcover, 265 pg.
Del Rey, 2018
Read: April 4, 2018

So, in a fast 265 pages Kevin Hearne gives us: Ragnarok; a lot of dead vampires; environmental crises; a friendly sloth; puppies; send-offs to many, many characters; shocking deaths; less-than-shocking deaths; surprise non-deaths; and more discussion of poots (elven and jaguar) than one’d expect in this kind of book. The amount that he accomplishes here is really staggering. Some of it, alas, could’ve been deeper — explored more thoroughly — if he hadn’t set out to do so much or if he’d taken more time with some things (and less time with others). Still, this was a heckuva way to end the series.

This is not the book to start this series with, go back and read Hounded if you’re curious (one of the best series kick-offs around), and I’m not going to get into the plot much. It’s Ragnarok. We’ve all known it was coming and now it’s here — ’nuff said. Along those lines, however, Hearne also gets bonus points for including a “where we are in the series” introduction, summarizing the first 8 novels and the short stories/novellas that got us to this point. Again, this should be a requirement for long-running series.

There’s no easy way to say it: there was just too much of Granuaile and Owen. Yes, it’s the best use of Owen since his introduction, don’t get me wrong. But it’s the Iron Druid Chronicles — fine, use the others if you want, but they shouldn’t get equal time to the Iron Druid here in the last book. Especially given the number of things — and scope of action — that had to be accomplished in Atticus’ story, it really should’ve had more room to breathe. That said — for End-of-the-World Showdowns featuring deities from multiple pantheons? This rocked. He wrapped up the story he kicked off in Hammered and Two Ravens and One Crow in a fantastic fashion, full of death, blood and tension. At the same time, he maintained the very idiosyncratic characterizations he’d created for the various gods and goddesses.

Speaking of Two Ravens and One Crow, a small, but fun, point from that comes back in these pages in a way that no one could have expected and added just the right level of fun to the battle.

Hearne did a great job integrating the short stories from Besieged into this book — I didn’t expect to see so much from them carry over to this. It all worked well and set the stage for Hearne to get in to the action of Scourged right away and he took full advantage of that.

There were more than a few things that seemed like they needed better explanations — doesn’t the convenient dog sitter find the way that Atticus spoils his dogs more than a little strange? Given that they’ve known the clock was ticking on Ragnarok, why did Atticus wait until the last second to give Granuaile and Owen their assignments? I mean, it works out well for dramatic purposes, and allows certain plot points to be triggered, but that’s not a good reason for the characters to work that way. At the very least, why weren’t his former apprentice and his former teacher pestering Atticus to lay out his plans long before this? While I eventually saw what Atticus and Hearne were up to, in the moment, a lot of the plan just didn’t make sense. When the world is falling apart, why set someone up for an extended training session (for one example)?

I’m not giving away anything about anyone dying — or living — but we know this is the finale, so we’re seeing the end of stories for these characters. Some good, some shocking, some disappointing, some sad. In no particular order: Laksha got a nice send-off, I really didn’t expect to see her here — and I really appreciated what Hearne did with her. It’s not honestly the ending I’ve had wanted for Atticus — but it’s the kind of ending that Hearne’s been building to for a while now, so it’s fitting. I can appreciate the way that Hearne accomplished his goals, even if I think Atticus deserved better. Owen’s ending was everything you could’ve hoped for. Granuaile’s story was fitting for her — and a good reminder that I stopped liking her a few books ago (seriously, why couldn’t she adopt an attitude similar to Owen or Flidias when it comes to their assignments during the battle?). I would’ve liked to have seen Perun one more time, but he got a good send off in Besieged.

Oberon was sidelined for most of the book — I understand why: Atticus wanted to keep his buddy safe, and Hearne needed to keep things ominous, dramatic and threatening, which is hard to do with everyone’s favorite Irish Wolfhound putting his two cents in (it’s hard enough with Coyote around). Still, we got some good Oberonisms, and he elicited more than one smile from me — and you could argue he saved the day ultimately. If I didn’t know that Hearne was writing one more of Oberon’s Meaty Mysteries, I’d be despondent over not seeing him again.

Scourged wasn’t perfect, but it was very satisfying. If I have to say good-bye to these characters, this is a pretty good way to do it. There was enough excitement, drama, and happenings to fill a couple of books and Hearne got it all into one — no mean feat — and it was a great read. It’s not easy letting go of most of these characters and this world (I mean, apart from re-reads), but I’m glad Hearne got out when he did and the way he wanted to. I’m looking forward to his future projects.

—–

4 1/2 Stars

I’m not going to talk about Scourged by Kevin Hearne today…

ScourgedScourged

by Kevin Hearne
Series: The Iron Druid Chronicles, #9

Hardcover, 265 pg.
Del Rey, 2018

Read: April 4, 2018


I was able to take the evening last night (when this posts, anyway — was just a few minutes ago really) to read the last two-thirds of Scourged while sipping some Tullamore Dew (see yesterday’s rambling). And it was a very satisfying way to spend an evening, no doubt.

My intention was to turn immediately to writing a blog post/review/rave about it, but I think I want to spend some time thinking about it before I start to write. A couple of spoilers about what I’ll end up saying: I really, really, really liked it. It wasn’t as triumphal as a part of me had hoped (“Everybody lives, Rose! Just this once, everybody lives!”), but it wasn’t as grim as I feared (Angel “Not Fade Away”‘s ending). It wasn’t perfect, but it was very satisfying. If I have to say good-bye to these characters, this is the way to do it.

And I’d better shut up before I end up writing a whole post after all.

Tricks for Free by Seanan McGuire

Tricks for FreeTricks for Free

by Seanan McGuire
Series: InCryptid, #7

Mass Market Paperback, 346 pg.
DAW Books, 2018

Read: March 13 – 17, 2018

           There are people who say you never really escape from high school, you just keep finding it in different forms, over and over again, until it finally kills you. Those people are assholes, and should not be allowed in polite company. That doesn’t mean they’re wrong.
           The room seemed even larger without the safety of the elevator behind me. I took a few hesitant steps forward, wishing I had a knife, or better yet, twenty knives, or better yet, twenty knives and a brick of C-4. Plastic explosives are a strange and dangerous security blanket, but they tend to make whatever’s scaring me go away quickly, so I’m in favor.

Whenever possible, frequent/regular readers know, I like to start off these posts with a quotation from the book that sums up the feel, the character, or just makes me smile. I couldn’t decide this time what to go with, so I used both — one from a flashback to high school which is just perfect for everyone who views it as something they survived, and the other that captures Annie’s voice oh-so-well.

Because of [Spoilers Redacted] at the end of Magic for Nothing, Annie’s on the run and on her own. Her family doesn’t know where she is (and hasn’t heard directly from her to keep it that way), her friends know nothing — she doesn’t even have a single Aeslin mouse with her. She could not possibly be more alone in the world. She lucks into a job at Lowryland — an amusement park near DisneyWorld — thanks to running into a teammate from high school who is an executive there. It’s not a glamorous job — she works in knick-knack shops, does clean up, works in food kiosks, etc. for far too little money. But there’s enough people around that she can hide in and almost no spell or anything the Covenant (or anyone else) tries to use to find her will work in that setting.

She’s living in the employee apartments near the park with a couple of cryptids. One is from her old Roller Derby team, who, as luck would have it, started working for Lowryland around the same time. The other roommate is a Pliny’s Gorgon, working as a resident at the Lowryland hospital. Tying this book back to Half-Off Ragnorack is a nice touch (and works out well for other reasons). It’s not the best life, but she’s content enough, she’s safe enough, and there are good people in her life.

Until things start to go wrong at the park, some magic users discover that she’s hiding there (they’re also hiding from the Covenant, so that works out), and people are getting hurt. Making this a question of can Annie stop whatever’s going on at the park without revealing herself to the Covenant and putting her friends in danger?

So there’s the setup — does McGuire pull it off? Yeah, stupid question. She does and she does it well.

First, she nails Annie’s emotional state — probably better than she does Verity’s often. Annie’s in a very vulnerable place — emotionally, psychologically, physically — and you can feel that.

           I went very still as it struck me that, tight now,l was living like a cryptid. l was hiding from people who wanted to do me harm as much because of who 1 was as because of anything I’d done. That was normal — being a Price meant I‘d had a bounty on my head horn the day l was born — but the isolation that came with it was new. The need to view everyone around me as a potential danger, to hide, it was all new, and it burned. There were dragons working all over Lowryland, and while none of them were part of my personal clique of Mean Girls, none of them knew my name either. It wasn’t safe. It might never be safe again, not until we’d found a way to end the danger posed by the Covenant — and that was something we’d been trying to accomplish for generations.

That vulnerability runs throughout this book — even when Annie’s at her most “rah-rah, we can do this, team” she’s very aware that everything is seconds away from disaster. This brings a richness of character to Annie that Alex and Verity don’t have (at least not to the same extent), if you ask me, this brings Annie into Toby Daye territory and elevates this series as a whole because of it.

You may have noticed a repeated use of the word luck above — that’s purposeful. Luck, as a concept, permeates these pages. It’s not a very clear concept to most of the characters, but it gets clarified by [Spoilers Redacted]. As one more magical system in this world that has a variety of them — that overlap, run parallel, and make a general mish-mash of things, it’s great. I think it’s a clever addition and I enjoyed watching it play out here, and anticipate continuing to affect things down the road.

The major flaw comes in how Annie pulls things off — in humble opinion. Throughout the book, there’s a warning given Annie — don’t do X. Beauty isn’t supposed to go in that part of the castle, Egon warns Ray and Venkman against crossing the streams, Annie needs to not do X. You know that all of those things will end up happening before the story’s done. Here’s my problem: it’s too easy for her to do it she makes the choice too quickly — and I’m not sure it was necessary when she did it (it may have been, this may have been a rare-stumble for McGuire where she didn’t make it clear that things were just that dire). I do know that if it’s something Annie felt the need for here, Verity sure should’ve done it back Chaos Choreography. But whatever, I’m over it — I just want to see how it plays out in the future.

One highlight for that I really can’t get into without ruining the first twelve chapters — but there’s a conversation in Chapter 13 catching up every character in Annie’s little circle with who’s who, what’s going on right now and since the last time they talked (hours or months ago), etc. This conversation just might be my favorite thing of March — reading or in Real Life™ — and it’s been a very good month. It’s just a pure joy to read.

By the way, the lack of Aeslin mice absolutely is felt throughout the book — the absence is supposed to make things feel strange, and it does. But never fear — there’s a novella starring the mice from Magic for Nothing at the back of this book. I hope when I have time to read it that it makes up for their absence.

Oh, and there’s a Priscilla Spencer map of Lowryland. Because what isn’t made better by a Priscilla Spencer map?

This is a great addition to a very fun series that adds some good depth to things, sets up our characters for a lot of trouble, and moves the series’ story as a whole down an interesting path. The next book also features Annie, but I’m sure we get back to Alex or Verity soon, and I can’t wait to see how these books without them affect their lives.

—–

4 Stars

Magic For Nothing by Seanan McGuire

Something — time constraints, distractions, deadlines, big shiny things in the corner — kept me from finishing this post last year. I tried every now and then to finish it, but at a certain point my copious notes weren’t enough. Thankfully, reading the next book in the series helped me remember enough that I thought I could finish this post. It’s not everything I wanted it to be, but short of a re-read, nothing was going make it that.

Magic For NothingMagic For Nothing

by Seanan McGuire
Series: InCryptid, #6


Mass Market Paperback, 358 pg.
Daw Books, 2017
Read: Mach 18 – 21, 2017

And you shouldn’t believe all the press about Ouija boards. They can’t be used in an exorcism. Trivial Pursuit can, but that’s another story.

This has nothing to do with the story, I just really liked that line. It comes from one of the best (probably the best, I don’t keep notes on that) openings to an InCryptid novel that McGuire’s done yet.

So after Verity declared war on the Covenant in the closing pages of Chaos Choreography, the Price family has to follow suit and step things up. Their first step? Having Antimony go undercover with the Covenant as a new recruit. This could be a suicide mission but she knows it’s the best shot to understand what’s going on with the Covenant and their plans for the United States.

You could make the claim that Annie’s infiltration of the Covenant is a little too easy — but why? It’s far more interesting for her to have infiltrated the Covenant and get assigned for a probationary task quickly than it would be for there to be a realistic screening and training process — I’m sure McGuire could have pulled it off, because what can’t she write? But this was better. Very quickly the Covenant comes up with an assignment that’ll test her loyalty and maybe score them some dead American monsters. Part of Annie’s cover is that her circus family was wiped out by a bunch of somethings and she wants revenge, the Covenant has wind of a monster or two at a circus in the midwest killing people in the towns it visits. Her assignment: infiltrate the circus, find the responsible creatures (and any others) and call in her handlers to wipe them all out.

So she’s going undercover as part of her undercover assignment. Thankfully, she’s had multiple aliases since she was a wee girl, so she’ll probably be able to keep her names straight.

Once she gets there, she finds more than one person that the Covenant will want killed just for being — so Annie has to figure out how to keep that from happening and keep her cover intact long enough that she can learn something for her family.

I loved the circus atmosphere, I pretty much always do, come to think of it. As is her norm, McGuire’s cast of characters for the Price adventures, is a whole lot of fun. But I think she stepped her game up with this one — even her Covenant characters have a bit more going for them than her normal baddies. But the key to this novel being so entertaining is Annie. We’ve seen her a little bit here and there throughout the series, but never for very long. She’s just great. Her attitude, gumption, grit and talents make for a fun character. The complicated hero-worship/jealousy thing she has going on regarding Verity (not so much with Alex, but a little bit) is a nice realistic and humanizing touch. I’m not going to blather on about her too much, but of the siblings, I think she’s my favorite.

The big climatic battle and the aftermath from that setting up at least the next novel? Thick, rich icing on an already tasty cake.

Oh, the mice. How did I get this far without mentioning the mice? The Aeslin mice are a great source of laughs as well as heart throughout this series — but man, this time Mindy (Annie’s Aeslin companion) really got me. I was moved. I . . . well, yeah,let’s just leave it there. Mindy’s just great.

If there’s one thing in this world that I know I can rely on, it’s the joyous cheering of the Aeslin mice.

Ditto, Annie, ditto. Joyous cheering of Aeslin mice and Seanan McGuire’s writing — wholly reliable. If you haven’t gotten around to picking up this volume of the InCryptid series yet, you need to. It’d make an okay jumping on point, too — but a lot of the little things won’t mean as much to you as they should. Still, I think it’d convince you to go read the earlier books.

—–

4 1/2 Stars

Burn Bright by Patricia Briggs

I had this pretty much ready to go yesterday and the day before that, but I didn’t like what I’d written — it’s not like I disagreed with myself (I’m funny that way), but I just had gone off on a tangent and ended up writing about things I didn’t care that much about, and ignored the things I’d been thinking about since I read the book. This isn’t exactly what I meant to talk about, nor is it as clear as I wanted things to be — but it’s close enough. Hope someone gets something out of it.

Burn BrightBurn Bright

by Patricia Briggs

Series: Alpha and Omega, #5

Hardcover, 308 pg.
Ace, 2018

Read: March 7 – 8, 2018

Anna was her father’s daughter, and her father believed in science and rational thinking. She’d been a werewolf for years now, and she still tended to think about it from a scientific viewpoint, as though lycanthropy were a virus.

Faced with a wall of briar-thorned vines straight out of a Grimms’ fairy tale, she’d never had it brought home so clearly that what she was and what she did was magic. Not Arthur C. Clarke magic, where sufficient understanding could turn it into a new science that could be labeled and understood. But a “there’s another form of power in the universe” magic. Something alien, almost sentient, that ran by its own rules-or none. Real magic, something that could be studied, maybe, but would never rest in neatly explainable categories.

I appreciated this look into Anna’s thinking. It matches up with what we’ve seen of Mercy’s take on magic, but not completely, underscoring the differences in t heir personalities and way of looking at the world.

Burn Bright takes place on the heels of Silence Fallen — Bran’s not back yet and Charles is handling things. At least as much as Leah will let him. We’ve known for quite some time that Bran’s pack is full of misfits, wolves that need extra care and attention that they probably couldn’t get elsewhere — particularly older werewolves, the type who are nearing the point where they can’t keep control. Asil is a prime example of this — but now we learn that Asil actually is an example of an older wolf who’s doing just fine and that there are a half-dozen or so living near the Marrock, but that don’t come into town or have much at all to do with anyone not Bran, Charles or a small number of specific individuals.

Now, while the Marrock is gone, someone is targeting these wolves — and all signs point to someone within the pack. Can Charles, Anna and others protect these pack members from this new threat? Can they identify the traitor in their midst, and will Charles have to kill someone he trusted to preserve the safety of all the wolves?

One thing I noticed last year doing my re-read of the Mercy and Alpha & Omega books was just how comfortable I felt in these books — that holds true here, too. It doesn’t matter about the peril being faced by Charles and Anna (or any of the rest of the pack), reading this book was a nice, relaxing time with old friends. Agatha Christie or Dorothy Sayers, she’s not, but Briggs sure writes a cozy novel. I cannot put my finger on why — if it’s something in Briggs’ style, her voice, the stories, a combination of the three — but it doesn’t matter. As long as she does that, she’ll have loyal readers.

This was a very talk-y story (and maybe all the Charles and Anna stories skew this way, but this seemed a bit more pronounced). More than once I asked “Do we need to tell this story now? Can’t we come back and chat about this later, you know, after everyone is safe?” Of course, the answer is now, and we need all the talk-y bits to get the understanding and information necessary to defeat the bad guys. Still, the author and readers know this, but Charles, Anna and the rest don’t know that and I wish they displayed a greater sense of urgency.

Most of the talk-y portions were discussing the wildlings being targeted by the mysterious (and well-armed) forces at work here. Which at least pays off in the readers getting to know them — which I greatly appreciate. The other person we get to know better is Leah, Bran’s wife and his wolf’s mate. Between these books and the Mercy novels we’ve gotten to know here a bit, but this novel fills that knowledge out. Between Leah and Chrissy (Adam’s ex- in the Mercy books) Briggs displays a real talent in writing women that you cannot stand or trust, but have enough sympathy for that you can’t just hate. They’re manipulative, conniving, and self-promoting in ways that are clearly meant to set your teeth on edge — but there’s something very vulnerable about them, too.

There’s a reveal or two later in the book that seem inevitable — only because that’s how stories work, even when (especially when?) everything is pointing in one direction, but there’s no way an author of any experience would go with something so obvious. It’s hard to get more specific while not giving away the details — but those reveals ended up leaving me dissatisfied only because I called them so early. It feels like when you’re watching a police procedural and identify the killer when the guest star makes their appearance in the first 10 minutes — sure Castle might be charming, Bones’ intern might be delightfully quirky, or Rizzoli might have some sort of compelling side-story, but the mystery part of the story is a disappointment because how is Morgan Fairchild not going to be the killer?

But the focus of the book is on the relationship between Charles and Anna, their mutual trust, the way they help each other in ways no one else can. That part of the novel is rock solid, and as long as Briggs delivers that, who’s going to complain?

I thoroughly enjoyed this one, don’t misunderstand me. And the more I learn about Bran’s pack in Montana, the more I like it and the more I want to know. Asil, as always, was a joy. But . . . the more I think about Burn Bright the less satisfying it seems, the slighter it feels. I’m glad I read it, I’ll likely gladly read it again — and I look forward to the next adventure with these two. But I think Briggs could’ve — and should’ve — done better.

—–

3.5 Stars

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