Category: Quotations Page 1 of 30

Opening Lines: Murder by Memory by Olivia Waite

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from Murder by Memory by Olivia Waite:

Near the topmost deck, in a small lift with glass walls and flickering buttons, I, Dorothy Gentleman, ship’s detective, opened a pair of eyes and licked a pair of lips and awoke in a body that wasn’t mine.

It was the nails that first tipped me off. Blank bodies were just that: blank. My nails ought to have been the same color as the skin beneath—in my case, somewhere in a range of pinks, tending to florid.

Not silver, and not shaped.

This body was already inhabited.

My skin—someone’s skin—broke out in gooseflesh. Of course every human body was a horrifying collection of juices and tissues, acids and effluvia poured into a bag with a bunch of long rocks, a shambling accident of biology that made its own mysterious and often frustrating decisions without reference to the mind. They were disgusting miracles, every one. It was always a bit unsettling to wake up in a fresh form, until habit made a home of it.

But someone else’s home, and my self inside it! A nightmare. Imagine going to the washroom to be sick and having someone else’s sick come out.

I came very close to making this more than a metaphor. It took many deep, deliberate breaths for the squeamish feeling to subside.

It wasn’t supposed to be like this.

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Highlights from February: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'

Cover of The Rage of Dragons by Evan Winter

The Rage of Dragons by Evan Winter

Lekan was self-impressed, condescending, and the single best argument against making firstborns heirs to anything.

So your eyes are open. You see the world for what it is. Is it enough? The world as it is?”

Tau was frustrated and had been bold with his umgondisi. He tempered his answer and lowered his eyes, out of respect. “You know it isn’t,” he said, wanting to say much more.

“And perhaps it never will be. But, while we breathe, the best of us never stop trying to make it better, even if just by a little.”

I’ve been a soldier for most of my life and I’ve learned hard lessons. Fight for too long and you lose sight of the things you started the fight for. Fight for too long and you lose anyway.”

Tau sneered. “What then? Surrender? That’s your answer? Surrender, when the fight becomes hard?”

“No. Fight for what’s right, but never forget that fighting can also be done without violence. It can be done as it is now, with words, ideals, people seeking a better path, together.” Jayyed put his hands on Tau’s shoulders. “You can’t imagine a world where we work as hard at peace as we do at war?”


Cover of Vera Wong's Guide to Snooping (on a Dead Man) by Jesse Q. Sutanto

Vera Wong’s Guide to Snooping (on a Dead Man) by Jesse Q. Sutanto

Vera should be content. And she is, really. But she’s also kind of–dare she say it–bored. Sometimes, all an old lady wants is a murder to solve. Is that too much to ask for ?


Cover of Jump by DL Orton

Jump by DL Orton

“Love has a way of slipping in through the side door—usually while you’re fixing the hinges.”

“I’m fine.”

“Nobody’s fine,” I say. “We all fake it in shifts.”

“If I fake any harder, I’ll need a union break.”


Cover of Operation Bounce House by Matt Dinniman

Operation Bounce House by Matt Dinniman

But did they really deserve that? All of them? The soldiers, the gamers, yes. But what about the children? And the old folks who’d never done anything wrong? That was the problem with war. It was impossible to color within the lines.

What could they have possibly done for us? …We were a cause to them. And causes were these floating nebulous things that lived on screens and online forums. A ribbon one could put on their profile picture. They were something one could wear like a pair of sunglasses or a new jacket. A way to present themselves to the world. A way to say, “Look at my halo. Look at how much I care.”

I thought of my grandmother, and what she’d said that day she died. I didn’t understand it at the time, I was pretty sure I’d never understood it until just now. “The closer we are to the end, the more we need to embrace our happiness.”


Cover of Banners of Wrath by Michael Michel

Banners of Wrath by Michael Michel

“Governance is a lot of hard decisions and cold food. In the end, you sacrifice such comforts in the hope that all the hard work amounts to something. Riches and power are one type of freedom. A warm meal and an hour undisturbed, another, more desperate kind…Never forget, we work to ensure the mantle of rule remains in the hands of those who appreciate the latter kind of freedom.”

“I—I can’t.” He wrung his hands together. “You fight them. You have Darkhorn. I’m just a kid. ”

“We’re all kids at first, and then one day we aren’t. We look around and find it is we who must fight. We who must do what others are too afraid to do, because if we don’t the good of this world slips through our fingers until there’s nothing left but the ashes and dried blood of the innocent.”

Death may be the price of warriors, but grief is the price of the ones they leave behind.

Barodane scratched his beard. In the month and weeks it had taken them to voyage across the turgid waters of the Sea Forest, he’d given up shaving. Any man who held a knife that close to an artery with the sea bucking underfoot was either mad or so dumb they deserved to die.

“Tyrants oft arrive in velvet slippers but they always leave in iron-shod boots.”

Hate made an odd bedfellow for love. Nevertheless, the motto brought peace to her heart. It was like cleaning a pot before cooking in it. If she didn’t do the dirty work of scrubbing first, whatever rotten or molding thing that had been there would soil the next.

All she desired were clean memories. Stainless images of love.

“Old women like me need plenty of rest. Sleep though…” Thruna tapped a fingertip against her own temple. “Brain knows the next nap could be the last, so it keeps me vigilant.

It wasn’t ideal, but so few things in life were. For as long as he could remember, he’d been trying to force that truth to be different, stepping over a passing moment of joy to hunt the great mythical beast of happiness.

And missing it. Missing it every time.

Regret, he decided, was the greatest curse of man and the cruelest gift of the gods.

“You are here to make trouble?”

“No, sir. No trouble.”

The taller guard arched an eyebrow. “You reek of trouble.”

“So my mother used to say.” Hymobi raised a palm. “I assure you, that smell is merely my armpits. Nothing a bath won’t cure.”


Cover of First Do No Harm by S. J. Rozan

First Do No Harm by S. J. Rozan

…the question becomes—”

“What was O’Brien hiding?” I finished.

“Took the words—”

“Right out of your mouth.”

“Do you think he was—” Bill stopped but I didn’t pick it up. “Hey, I thought you were reading my mind.”

“I left. It was dark and spooky in there.”

“I thought this was a hospital. I thought everyone was in the business of saving lives, not their own butts.”

“In the business,” Elliott said. “Start from there.”


Cover of Big Shot by Christopher Farnsworth

Robert B. Parker’s Big Shot by Christopher Farnsworth

Hanrahan blinked twice at Jesse. He didn’t get the joke. Or pretended not to. A lot of people reacted that way to Jesse’s sense of humor.

Molly would have told him that was a sign he wasn’t all that funny, but Jesse didn’t really tell his jokes for any outside audience.


Cover of Nine Goblins by T. Kingfisher

Nine Goblins: A Tale of Low Fantasy and High Mischief by T. Kingfisher

Algol wasnt a bad sort, really. He was bigger than usual for a goblin, a whopping four foot ten, with broad, knotty shoulders and enormous feet. He had the ocher-gray skin of a hill goblin, and he wasnt all that bright—but then, he was a goblin officer.

Smart goblins became mechanics. Dim goblins became soldiers, Really dim goblins became officers.

His clothes were odd. Elves usually looked immaculate. It was how you could tell chey were elves. You could cut an elf’s leg off, and he would contrive to make it look as if two legs were unfashionable. Elves were just like that. It was one of their more annoying traits.

Goblin tea resembles a nice cup of Earl Grey in much the same way that a catfish resembles the common tabby. They share a name, but one is a nice thing to curl up with on a rainy afternoon, and the other is found in the muck at the bottom of polluted rivers and has bits of debris sticking to it.

There were cattle in the town square. Some of the humans had died when the cattle crushed them. It was a mess, a horrible mess, which was a laughably ineffective word for the scene before them.

At least if she thought of it as mess, she didn’t have to think of it as people.


Cover of Every Day I Read by Hwang Bo-reum

Every Day I Read: 53 Ways to Get Closer to Books by Hwang Bo-reum, translated by Shanna Tan

Just as how the seaman finds a barrel to save himself in the rough seas, I keep myself afloat with stories. Books may not solve all my problems, but at least they prevent me from sinking into the abyss.

There are how-to books out there introducing ‘hacks’ to increase reading speed, and when we’ve just made up our minds to get into the habit of reading, it’s easy to fall into the impatience of wanting to read quickly and read more. But reading is about understanding the world and ourselves, not finishing as many books as possible. We aren’t reading to become faster, but to feel and understand more.


Cover of The Long Way to a Small, Angry Planet by Becky Chambers

The Long Way to a Small, Angry Planet by Becky Chambers

“I have never understood potatoes,” Sissix said. “The whole point of a potato is to cover it with salt so you don’t notice how bland it is. Why not just get a salt lick and skip the potato?”

Sethi was a quiet place. Out of the way. Modestly prosperous. Uncomplicated. No gaming hubs or prefab stores. There wasn’t even a real shuttle dock, just a wide, unattended area suitable for landing small spacecraft and supply drones. Looking around, Rosemary understood why a young adult would want to leave such a place, and why an elder would want to come back.

Jenks knew a thing or two about time. It was hard to be a tunneler and not pick up some of the basics. Time was a malleable thing, not the measured click that clocks would have you believe. Whenever the ship punched, Ohan had to be sure they came back out in the right time, as if it were all mapped out backward and forward and side to side, an infinite number of stories that had already been written. Time could crawl, it could fly, it could amble. Time was a slippery thing. It couldn’t be defined. And yet, somehow, he knew with absolute certainty that this was the longest ten minutes of his life.


(Image by DaModernDaVinci from Pixabay)

Highlights from January: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'
Well, here we are at the beginning of another year, trying this post again. I wonder how far into the year I’ll get this time before getting distracted from it.

Cover of Dear Committee Members by Julie Schumacher

Dear Committee Members by Julie Schumacher

The reading and writing of fiction both requires and instills empathy—the insertion of oneself into the life of another.

Young would-be novelists and poets believe that art is eternal. Au contraire: we are in the business of ephemera, the era of floating islands of trash, and most of the things we feel deeply and inscribe on the page will disappear.

If every member of the human race evinced a fondness for literature and even a moderate level of dexterity with the written word, I would be a happier, if not more well-adjusted, man.


Cover of Skin Game by Jim Butcher

Skin Game by Jim Butcher

Home is where, when you go there and tell people to get out, they have to leave.

There’s power in the touch of another person’s hand. We acknowledge it in little ways, all the time. There’s a reason human beings shake hands, hold hands, slap hands, bump hands.

It comes from our very earliest memories, when we all come into the world blinded by light and color, deafened by riotous sound, flailing in a suddenly cavernous space without any way of orienting ourselves, shuddering with cold, emptied with hunger, and justifiably frightened and confused. And what changes that first horror, that original state of terror?

The touch of another person’s hands.

Hands that wrap us in warmth, that hold us close. Hands that guide us to shelter, to comfort, to food. Hands that hold and touch and reassure us through our very first crisis, and guide us into our very first shelter from pain. The first thing we ever learn is that the touch of someone else’s hand can ease pain and make things better.

That’s power. That’s power so fundamental that most people never even realize it exists.

Things are not always as bad as they seem. Sometimes, the darkness only makes it easier to see the light.

There are moments in your life that, when you look back at them, you realize were perfect. A hundred million things had to happen, to all come together at the same time, for such moments to come into existence — so many things that it beggars imagination to think that they could possibly have happened by random chance. This was one of them.

And since when had I become the guy that things happened to ten years ago?


Cover of She Who Became the Sun by Shelley Parker-Chan

She Who Became the Sun by Shelley Parker-Chan

Destroying what someone else cherished never brought back what you yourself had lost. All it did was spread grief like a contagion.

People said that a single day without a dear friend could feel like three autumns.

She observed him from inside the lean-to. He was one of those people who has eyes that look like eyes, and a nose like a nose. Nondescript.

Chen’s teeth gleamed like those of a predator that would devour you without even spitting out the bones.

The Governor was obviously the kind of person who received as much spiritual contentment from berating others as a cold man does from a bowl of soup.

She dismounted awkwardly and went over to Xu Da as he lifted the Prince of Radiance from his horse. Xu Da wore a ginger look that she understood perfectly. There was something about the child that provoked unease. It was like seeing someone’s knee bending the wrong way. Even now, despite everything that had happened inside and outside Bianliang, the Prince of Radiance still wore that same graceful smile.


Cover of Peace Talks by Jim Butcher

Peace Talks by Jim Butcher

Home, like love, hate, war, and peace, is one of those words that is so important that it doesn’t need more than one syllable. Home is part of the fabric of who humans are. Doesn’t matter if you’re a vampire or a wizard or a secretary or a schoolteacher; you have to have a home, even ff only in principle—there has to be a zero point from which you can make comparisons to everything else. Home tends to be it.

That can be a good thing, to help you stay oriented in a very confusing world. If you don’t know where your feet are planted, you’ve got no way to know where you’re heading when you start taking steps. It can be a bad thing, when you run into something so different from home that it scares you and makes you angry. That’s also part of being human.

But there’s a deeper meaning to home. Something simpler, more primal.

It’s where you eat the best food because other predators can’t take i from you very easily there.

It’s where you and your mate are the most intimate.

It’s where you raise your children, safe against a world that can do horrible things to them.

It’s where you sleep, safe.

It’s where you relax.

It’s where you dream.

Home is where you embrace the present and plan the future.

It’s where the books are.

And more than anything else, it’s where you build that world that you want.


Cover of Battle Ground by Jim Butcher

Battle Ground by Jim Butcher

War leaves you precious little time to be human. It’s one of the more horrible realities about it.

“What’s going to happen after this, do you think?”

“I don’t,” she said. “Because I’m doing today first.”

I snorted quietly.

Murphy squeezed back. “Harry. You can’t fix tomorrow until it gets here.”

“Which is weird, because you can screw it up from decades away.”

I’m not saying pain is what defines us as human beings. But it is, in many ways, what unites us. We all recognize other people in pain. Damned near all of us are moved to do something about it when we see it. It’s our common enemy, though it isn’t, really, an enemy. Pain is, at least when our bodies are working properly, a teacher. A really tough, really strict, and perfectly fair teacher.


Cover of Children of Time by Adrian Tchaikovsky

Children of Time by Adrian Tchaikovsky

That is the problem with ignorance. You can never truly know the extent of what you are ignorant about.

Life is not perfect, individuals will always be flawed, but empathy – the sheer inability to see those around them as anything other than people too – conquers all, in the end.


Cover of The Law by Jim Butcher

The Law by Jim Butcher

Planet Earth isn’t a fair place. It’s unfair in a broad variety of different ways, some worse than others, but it isn’t fair. Not for anybody. And that’s pretty much the fairest thing about it.

My knuckles ached to meet his nose.


Cover of Everyone in the Group Chat Dies by L.M. Chilton

Everyone in the Group Chat Dies by L.M. Chilton

The moment I agreed to a dinner party, I knew my thirties had officially arrived, and the slow, inevitable countdown to death had begun.


Cover of Lit by Tim Sandlin

Lit by Tim Sandlin

I’ve never seen a real battle- ax in person, but I know they are frequently compared to a woman’s demeanor and if I ever do come upon one in a museum or a camp where people are pretending to be Vikings, I would expect it to have an edge like Mimi’s chin.

I was all set to fall in love with a stranger obsessed with death. I’d been in love with a woman obsessed with Leonard Cohen, which is almost the same thing.

I considered correcting his word choices, but the kid seemed to be thinking. He was reading a book. Anyone who reads a book is better than anyone who doesn’t.

Here’s one of those truths you should get from books before some idiot burns them. If you are going to love someone, you need to take seriously what they take seriously. And vice versa. If your wife (or husband) thinks your strongest concerns are silly, or worse, stupid, you’re sunk. Get a dog.

Here’s the thing about loving. It’s an incredible risk. You give your every thought and desire to a person you hardly know and you are almost bound to lose. Even non- romantic love is dangerous, but romantic love, the kind based on mutual trust and feeling, is crapshoot roulette. It either kills you or wears you out. But then, a life without love is a waste. I’m not good at waste. It makes me antsy.

“I don’t see anyone committing murder over books.”

What kind of person would think so little of books? “Sunny, I am aghast you would say that. Books are sacred. To destroy one is a cardinal sin.”

Annotating a book on its pages is not a heck of a lot better than burning it.


Cover of Twelve Months by Jim Butcher

Twelve Months by Jim Butcher

“You can’t pick a favorite,” I said. “They’re books. They’re pieces of someone’s mind and soul. They’re almost friends.” I started back down the stairs again. “Sometimes a poet speaks best to what’s happening to you. Sometimes it’s a philosopher. Sometimes it’s a storyteller.”

“We’re here to help,” he said.

Four words. None of them long.

The truly important words never are.

Gentleness is power that chooses to restrain itself. That is under control. Gentleness is someone strong who makes the choice to be careful with that strength.

“That merely indicates his stupidity,” spat Mother Winter.

“Stupidity,” Mab mused. “Courage. The only difference is the outcome!“


Cover of Troubled Deep by Rob Parker

The Troubled Deep by Rob Parker

She shook her head. She was by now so jaded that cynicism was not just a way of dealing with things, but not it was a character quirk so embedded it had become a central psychological pillar.


Cover of The Land of Sweet Forever by Harper Lee

The Land of Sweet Forever by Harper Lee

We Americans like to put our culture into disposable containers. Nowhere is this more evident than in the way we treat our past. We discard villages, towns, even cities, when they grow old, and we are now in the process of discarding our recorded history, not in a shredder, but by rewriting it as romance. We are eager to watch docu-dramas on television; we prefer to read a history of the American Revolution as seen through the eyes of Mad Anthony Wayne’s last mistress. Now there is nothing wrong in reading historical fiction—perhaps two-thirds of the world’s classics are written in that form. But these are impatient days; more than ever it seems that we want anything but the real thing: we are afraid that the real thing might be dull, demanding, and worst of all, lacking in suspense.

(Image by DaModernDaVinci from Pixabay)

Opening Lines: All the Best Dogs by Emily Jenkins

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

Ask anyone who has a dog and they’ll tell you that their dog is the best. Really, truly, the best dog in the world. Theirs is the best dog that ever lived, ever, ever, in the history of the known universe.

“But what if the person has two dogs, three dogs, eight dogs?” you ask.

Well, each one is still the best.

That’s how it feels. They are all the best dogs. You need to say “best” to be expressing what you feel about your dog.

Yeah, it’s not logical.

from All the Best Dogs by Emily Jenkins

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Opening Lines: Something Wicked This Way Comes by Ray Bradbury

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part). Today seemed like a good day for this.

from Something Wicked This Way Comes by Ray Bradbury:

First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away.

But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash gray at twilight, it seems Halloween will never come in a fall of broomsticks and a soft flap of bedsheets around corners.

But one strange wild dark long year, Halloween came early.

One year Halloween came on October 24, three hours after midnight.

At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands.

And that was the October week when they grew up overnight, and were never so young anymore….

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Opening Lines: Billy the Kid: The War for Lincoln County by Ryan C. Coleman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. I have 1.2 books to get through before I can read this one, but when I uploaded it to my e-reader tonight, I caught a glimpse of this and have had to remind myself of deadlines (and the need for sleep) so I didn’t press on.

Fort Grant, Arizona Territory
August 1877

He’d never killed a man. Didn’t know what it would feel like. Didn’t know if it would turn his insides out. Turn him inside out. He didn’t know if he’d lay awake long into the night, afraid of what may come in his sleep, in his dreams. He didn’t know if he’d forever be followed by that dark cloud, a harbinger of his soul’s inevitable damnation.

He’d find out though.

Turns out killing a man doesn’t change you.

It just reveals the real you.

from Billy the Kid: The War for Lincoln County by Ryan C. Coleman

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Opening Lines: The Blacktongue Thief by Christopher Buehlman

I need to re-read this book, which I remember quite enjoying, but I was a little fuzzy on the details. Well, it took me just this long to remember how much I enjoyed it.

I was about to die.

Worse, I was about to die with bastards.

Not that I was afraid to die, but maybe who you die with is important. It’s important who’s with you when you’re born, after all. If everybody’s wearing clean linen and silk and looking down at you squirming in your bassinet, you’ll have a very different life than if the first thing you see when you open your eyes is a billy goat. I looked over at Pagran and decided he looked uncomfortably like a billy goat, what with his long head, long beard, and unlovely habit of chewing even when he had no food. Pagran used to be a farmer. Frella, just next to him in rusty ring mail, used to be his wife.

Now they were thieves, but not subtle thieves like me. I was trained in lock-picking, wall-scaling, fall-breaking, lie-weaving, voice-throwing, trap-making, trap-finding, and not a half-bad archer, fiddler, and knife-fighter besides. I also knew several dozen cantrips—small but useful magic. Alas, I owed the Takers Guild so much money for my training that I found myself squatting in the Forest of Orphans with these thick bastards, hoping to rob somebody the old-fashioned way. You know, threaten them with death.

from The Blacktongue Thief by Christopher Buehlman

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Opening Lines: The Bright Sword by Lev Grossman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part). In these few paragraphs, you’re immediately into this Arthurian world, you get a hint of the combat, and an idea of the tone/humor of the rest of the book. I thought this was a good opening and the book got better from here.

from The Bright Sword by Lev Grossman:

Collum punched the other knight in the face with the pommel of his sword gripped in his gauntleted fist, so hard the dark inlaid metal dimpled under his knuckles, but his opponent showed absolutely no sign of falling over or surrendering to him. He swore under his breath and followed it up with a kick to the ankle but missed and almost fell down, and the other knight spun gracefully and clouted him smartly in the head so his ears rang. He would’ve given a thousand pounds to be able to wipe the sweat out of his eyes, not that he had a thousand pounds. He had exactly three shillings and two silver pennies to his name.

The two men backed off and circled each other, big swords held up at stiff angles, shifting from guard to guard, heavy shards of bright sunlight glancing and glaring off the blades. They’d dropped their shields after the tilt to have both hands free. No mistakes now, Collum thought. Circles not lines, Marshal Aucassin whispered in his mind. Watch the body not the blade. He threw a diagonal cut that glanced harmlessly off the other knight’s shoulder. The inside of his helmet was a furnace, sharp smells of hay and sweat and raw leather. He’d come here to test himself against the flower of British chivalry, the greatest knights in the world, and by God he was getting what he came for. He was getting the stuffing beaten out of him.

They stepped lightly, testing, offering, up on the balls of their feet. Every tiny movement made their armor squeak and clank and jingle in the quiet of the meadow; even the tips of their swords made tiny whips in the stifling air. Why—why had he thought this was a good idea? Why hadn’t he stayed back on Mull? Heatstroke prickled at the back of Collum’s neck. They weren’t fighting to the death, but if he lost he’d lose his horse, and his armor, which he hadn’t gone through all the trouble of stealing it from Lord Alasdair just so he could hand it over to some nameless knight who probably had half a dozen spares waiting for him back at his cozy castle.

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Opening Lines: The Troubled Deep by Rob Parker

This was a mistake, I knew I didn’t have time to read this book anytime soon. But I sucummbed to temptation when I took it out of the package. Now I’m kicking myself–I need the next 360 pages.

Mum and Dad really like parties. They go to three or four a week sometimes, but we are never allowed to go with them. Me and my big brother, that is. They say it’s because the parties always finish too late. That there are no party games, no ice cream, no musical statues. That we’d be home too late for school the next day.

They are probably right about this, but that doesn’t mean I don’t want to go. Getting all dressed up the way Mum does in her sparkly frocks and jangling earrings. My brother could get cleaned up like Dad does too, handsome in a suit or a leather jacket. Mum and Dad always look so special as we wave from the window, watching them leave Brindley Hall in their super cool Jaguar car.

Dad taught me an old-timey rhyme about it and I like the way it rolls off the tongue. Father’s car is a jaguar, and pa drives rather fast. I am going to tell the other children at school on Monday.

If I get to school on Monday.

Because tonight, it has all been different. This time, when it went dark, the babysitter didn’t come, and Mum told us both to get dressed smartly instead. This time, we got to go with them in the Jaguar car, named after a big cat, because it goes so fast.

I wish it had been faster. I wish we’d gone far away from here.

I wish it hadn’t gone into the water.

I wish I wasn’t stuck in it, me and my brother looking at each other in the back as freezing water comes up through gaps in the floor.

I wish we were at home.

I wish we’d never gone to that party.

from The Troubled Deep by Rob Parker

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Opening Lines: The Lies of Locke Lamora

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit. This is coming up next for my Fantasy Book Club, and I’m more than excited for the excuse to read it again.

At the height of the long wet summer of the Seventy-seventh Year of Sendovani, the Thiefmaker of Camorr paid a sudden and unannounced visit to the Eyeless Priest at the Temple of Perelandro, desperately hoping to sell him the Lamora boy.

“Have I got a deal for you!” the Thiefmaker began, perhaps inauspiciously. “Another deal like Calo and Galdo, maybe?” said the Eyeless Priest. “I’ve still got my hands full training those giggling idiots out of every bad habit they picked up from you and replacing them with the bad habits I need.”

“Now, Chains.” The Thiefmaker shrugged. “I told you they were shit-flinging little monkeys when we made the deal, and it was good enough for you at the—”

“Or maybe another deal like Sabetha?” The priest’s richer, deeper voice chased the Thiefmaker’s objection right back down his throat. “I’m sure you recall charging me everything but my dead mother’s kneecaps for her. I should’ve paid you in copper and watched you spring a rupture trying to haul it all away.”

“Ahhhhhh, but she was special, and this boy, he’s special, too,” said the Thiefmaker. “Everything you asked me to look for after I sold you Calo and Galdo. Everything you liked so much about Sabetha! He’s Camorri, but a mongrel. Therin and Vadran blood with neither dominant. He’s got larceny in his heart, sure as the sea’s full of fish piss. And I can even let you have him at a … a discount.”

The Eyeless Priest spent a long moment mulling this. “You’ll pardon me,” he finally said, “if the suggestion that the minuscule black turnip you call a heart is suddenly overflowing with generosity toward me leaves me wanting to arm myself and put my back against a wall.”

The Thiefmaker tried to let a vaguely sincere expression scurry onto his face, where it froze in evident discomfort. His shrug was theatrically casual. “There are, ah, problems with the boy, yes. But the problems are unique to his situation in my care. Were he under yours, I’m sure they would, ahhhh, vanish.”

“Oh. You have a magic boy. Why didn’t you say so?” The priest scratched his forehead beneath the white silk blindfold that covered his eyes. “Magnificent. I’ll plant him in the fucking ground and grow a vine to an enchanted land beyond the clouds.”

“Ahhhhh! I’ve tasted that flavor of sarcasm before, Chains.” The Thiefmaker gave an arthritic mock bow. “That’s the sort you spit out as a bargaining posture. Is it really so hard to say that you’re interested?”

The Eyeless Priest shrugged. “Suppose Calo, Galdo, and Sabetha might be able to use a new playmate, or at least a new punching bag. Suppose I’m willing to spend about three coppers and a bowl of piss for a mystery boy. But you’ll still need to convince me that you deserve the bowl of piss. What’s the boy’s problem?”

“His problem,” said the Thiefmaker, “is that if I can’t sell him to you, I’m going to have to slit his throat and throw him in the bay. And I’m going to have to do it tonight.”

from The Lies of Locke Lamora by Scott Lynch

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