Category: Quotations Page 1 of 29

Opening Lines: Miracles by C.S. Lewis

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. In these few paragraphs, you see exactly how he argues for the rest of the book.

from Miracles by C.S. Lewis:

In all my life I have met only one person who claims to have seen a ghost. And the interesting diing about the story is that that person disbelieved in the immortal soul before she saw the ghost and still disbelieves after seeing it. She says that what she saw must have been an illusion or a trick of the nerves. And obviously she may be right. Seeing is not believing.

For this reason, the question whether miracles occur can never be answered simply by experience. Every event which might claim to be a miracle is, in the last resort, something presented to our senses, something seen, heard, touched, smelled, or tasted. And our senses are not infallible. If anything extraordinary seems to have happened, we can always say that we have been the victims of an illusion. If we hold a philosophy which excludes the supernatural, this is what we always shall say. What we learn from experience depends on the kind of philosophy we bring to experience. It is therefore useless to appeal to experience before we have settled, as well as we can, the philosophical question..

If immediate experience cannot prove or disprove the miraculous, still less can history do so. Many people think one can decide whether a miracle occurred in the past by examining the evidence “according to the ordinary rules of historical enquiry.” But the ordinary rules cannot be worked until we have decided whether miracles are possible, and if so, how probable they are. For if they are impossible, then no amounnt of historical evidence will convince us. If they are possible but immensely improbable, then only mathematically demonstrative evidence will convince us: and since history never provides that degree of evidence for any event, history can never convince us that a miracle occurred. If, on the other hand, miracles are not intrinsically improbable, then the existing evidence will be sufficient to convince us that quite a number of miracles have occurred. The result of our historical enquiries thus depends on the philosophical views which we have been holding before we even began to look at the evidence. The philosophical question must therefore come first.

Here is an example of the sort of thing that happens if we omit the preliminary philosophical task, and rush on to the historical. In a popular commentary on the Bible you will find a discussion of the date at which the Fourth Gospel was written. The author says it must have been written after the execution of St. Peter, because, in the Fourth Gospel, Christ is represented as predicting the execution of St. Peter. “A book,” thinks the author, “cannot be written before events which it refers to.” Of course it cannot–unless real predictions ever occur. If they do, then this argument for the date is in ruins. And the author has not discussed at all whether real predictions are possible. He takes it for granted (perhaps unconsciously) that they are not. Perhaps he is right: but if he is, he has not discovered this principle by historical inquiry. He has brought his disbelief in predictions to his historical work, so to speak, ready made. Unless he had done so his historical conclusion about the date of the Fourth Gospel could not have been reached at all. His work is therefore quite useless to a person who wants to know whether predictions occur. The author gets to work only after he has already answered that question in the negative, and on grounds which he never communicates to us.

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Highlights from January: Lines Worth Repeating

Highlights from the Month

Cover of The Boys of Riverside by Thomas Fuller

The Boys of Riverside: A Deaf Football Team and a Quest for Glory by Thomas Fuller

Desire is a tree with leaves, hope is a tree in bloom, enjoyment is a tree with fruit.


Cover of Sleep No More by Seanan McGuire

Sleep No More by Seanan McGuire

Romantic love is not required to live a full and happy life, my seedlings,” Father had told us, watching carefully to be sure we took his message to heart, “but if you cannot love one who loves you truly in return, find friends, find companions, find people who will tell you the truths you cannot carry and unveil the lies you cannot see. Most of all, cleave to each other, for you will be the only sure support you have in all this world.

The force of their wanting cut channels in the world.

You’re his child because parentage is so much more than blood. Parentage is showing up and being present, is love and learning and compassion and care.


Cover of Pushing Ice by Alastair Reynolds

Pushing Ice by Alastair Reynolds

Svetlana forced herself to nod. She could never quite overcome a lingering prejudice against the comet miners. They were too brave, too courageous. Svetlana thought that the only kind of person you wanted anywhere near any part of a fusion motor was someone with a strong aversion to risk.

Cowards were exactly the kind of people you wanted around nuclear technology.

“You could give scheming lessons to Machiavelli,” Parry said.

“I did. He flunked.”


Cover of Sword & Thistle by S.L. Rowland

Sword & Thistle by S.L. Rowland

When he smiled, Dobbin recognized him by his missing front teeth. Hildir had lost them in an unfortunate accident involving too many drinks, a frying pan, and a gelatinous cube.

On nights like this, he wondered if he could ever truly give it up. The traveling, the exploration, meeting new people, and experiencing the hidden treasures of Aedrea. To settle down in one place for the rest of his life trapped in a cage…

Then again, wasn’t that what books were for? He could live a hundred lives and still sleep in a warm bed at night.

“We’re adventurers. We make our living doing stupid things.”

“You can lead a griffin to the mountains, but you can’t make it fly.”


Cover of Subculture Vulture by Moshe Kasher

Subculture Vulture: A Memoir in Six Scenes by Moshe Kasher

Once at the mechanic, you find out what the problem is. Busted transmission, engine failure, acute cirrhosis. That knowledge is VITAL. Without it you cannot move forward. But that knowledge doesn’t fix the car. It only makes the fixing of the car possible.


Cover of I Cheerfully Refuse by Leif Enger

I Cheerfully Refuse by Leif Enger

The world was so old and exhausted that many now saw it as a dying great-grand on a surgical table, body decaying from use and neglect, mind fading down to a glow.

Lark laughed. It was her habit when delighted to rise lightly on tiptoe as if forgotten by gravity.

Why do this to yourself you say, and I reply Why not?

As enemies go, despair has every ounce of my respect.

He was suspected of wisdom but it’s a tough thing to prove …


Cover of The Innocent Sleep by Seanan McGuire

The Innocent Sleep by Seanan McGuire

Love is a knife forever suspended an inch from your heart, and if it falls or you stumble into it, you can all too easily find yourself impaled and bleeding.

Like every other baby I’d seen, he looked nothing like his parents, and more like the unpleasant blend of a salmon and a drowned human.

From a great enough height, even water may turn into a weapon.


(Image by DaModernDaVinci from Pixabay)

Opening Lines: The Greatest Nobodies of History by Adrian Bliss

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

I think it was Julius Caesar’s barber who once said, “Everyone remembers the heroes, but it is the nobodies who make history,” which was just so like him. He was right, of course. If Genghis Khan’s childhood nanny had been a touch more attentive, and if Alexander the Great’s friends hadn’t suggested a group trip to Persia, everything would’ve been different. Neither you nor I would be here and this book would never have been published. Thankfully, in this timeline, everyone did their bit, from Michelangelo’s marble dealer to Cleopatra’s hairstylist and as such, we are all here, and so is this book.

from The Greatest Nobodies of History: Minor Characters from Major Moments By Adrian Bliss
Cover of The Greatest Nobodies of History by Adrian Bliss

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Opening Lines: Empowered Witness by Alan D. Strange

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. There are so few writers that can grab you like Winslow can from the get-go.

from Empowered Witness: Politics, Culture, and the Spiritual Mission of the Church by Alan D. Strange:

The calling, or mission, of the church as the church is to proclaim the gospel to the ends of the earth, not to be another merely (or even chiefly) political, social, or economic institution. The church, in its full-orbed existence, may have political, economic, or social concerns that develop out of its mission, but those aspects are not what primarily mark and define it. Our Lord Jesus Christ, who is head and King of the church, made it clear in his marching orders to the church—what we’ve come to call the Great Commission—that he intended the church to go to every people group (often translated “nations”) and to evangelize and disciple them (Matt. 28:18-20), enfolding them into his kingdom, which is “not of this world” (John 18:36), a kingdom that does not have the transitory but the eternal at its heart (2 Cor. 4:18). It is Christ himself, our heavenly King—since he is with us even now by his Holy Spirit (1 Cor. 15:45)—who gathers and perfects his church (Westminster Confession of Faith 25.3) through the appointed means.

The gospel is not about worldly success in any proper sense, then, but is rather about deliverance from the penalty, power, and ultimately the presence of sin, a message that comes to permeate the whole of the lives of those transformed by it. We can rightly say that the message of the church is a spiritual one, coming to people of every sort in every land to bring them here and hereafter into the spiritual reality of the kingdom of Christ. Therefore, Paul encourages the Christians in Corinth, “In whatever condition each was called, there let him remain with God” (1 Cor. 7:24). Paul makes clear that the bondservant may and should avail himself of the opportunity of freedom (1 Cor. 7:21). He also makes clear, however, that whatever condition one finds himself in, even whether one is married or not, is not paramount: what is most important is not one’s vocation or life circumstance but being called by and coming to Christ, being a new man or woman in Christ. Paul’s concern is that his readers are Christians, whatever else may be true of their lives. His concern for them, to put it another way, is chiefly spiritual.

This is the spiritual message that the church is privileged to herald to the world (salvation by grace alone), the good news—the meaning of gospel—without which there is no good news. The story of the world after Adam’s fall is nothing but bad news since all is sin, darkness, and hopelessness without the good news of the gospel. The gospel of salvation in Christ, however, is the good news that transforms the worst into the best, seen particularly at the cross, where humanity at its worst not only fails to defeat God but where God uses humanity’s attempt to do so as the centerpiece of our salvation. Christ has overcome the world. This is the message that the church joyfully preaches to the world. It does not preach itself, nor does it promote some sort of political, social, economic, or cultural utopia to be achieved in this age.

The church preaches that we are to live in this age not for this age but for the coming age that has broken in on this age and beckons us to a new heavens and a new earth that await all who trust in Christ alone.

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Douglas Adams on Presidents

This one is a bit more cynical–okay, very much more cynical–than the last quotation I shared. It still seemed appropriate for today.

Zaphod BeeblebroxThe major problem—one of the major problems, for there are several—one of the many major problems with governing people is that of whom you get to do it; or rather of who manages to get people to let them do it to them.

To summarise: it is a well-known fact that those people who most want to rule people are, ipso facto, those least suited to do it. To summarise the summary: anyone who is capable of getting themselves made President should on no account be allowed to do the job. To summarise the summary of the summary: people are a problem.

—Douglas Adams
from The Restaurant at the End of the Universe

 

 

 

That nifty drawing of Zaphod was drawn by Terry Cooper.

Archie Goodwin on Voting

For the 3 of you who are unaware, it’s Election Day in the U.S., so I thought I’d share this little bit from Archie Goodwin to commemorate it.

Archie GoodwinThe most interesting incident Tuesday morning was my walking to a building on Thirty-fourth Street to enter a booth and push levers on a voting machine. I have never understood why anybody passes up that bargain. It doesn’t cost a cent, and for that couple of minutes, you’re the star of the show, with top billing. It’s the only way that really counts for you to say I’m it, I’m the one that decides what’s going to happen and who’s going to make it happen. It’s the only time I really feel important and know I have a right to. Wonderful. Sometimes the feeling lasts all the way home if somebody doesn’t bump me.

–Archie Goodwin
from A Family Affair

Highlights from September: Lines Worth Repeating

Highlights from the Month

Cover of Project Hail Mary by Andy Weir

Project Hail Mary by Andy Weir

The tunnel is about 20 feet long. Or 7 meters. Man, being an American scientist sucks sometimes. You think in random, unpredictable units based on what situation you’re in.

…I don’t want to be in some other part of the ship if something interesting happens.

Just as I’m thinking that, something interesting happens.

Knock-knock-knock.

No, that’s not creepy at all. Being in a spaceship twelve light-years from home and having someone knock on the door is totally normal.

It’s a simple idea, but also stupid. Thing is, when stupid ideas work, they become genius ideas. We’ll see which way this one falls.

I cross my arms and slump into my pilot’s seat. There’s no gravity to properly slump with, so I have to make a conscious effort to push myself into the seat. I’m pouting, darn it, and I intend to do it right.


Cover of Chasing Embers by James Bennett

Chasing Embers by James Bennett

“I have seen your world, little beast. I have drunk of its terror and hope. Humans fear the darkness that gave them birth and harness the light to outshine the stars. They build machines that cough with smoke and poison the very air. They suck up the blood of the earth and pour filth into the seas. They speak boldly of freedom and peace and think they can buy them with war. Money is their temple and greed their god. They stand in defiance of all that is real, turning magic into myth, myth into Remnants, choosing to live in a cold dead dream.”


Cover of The Debt Collector by Steven Max Russo

The Debt Collector by Steven Max Russo

“You’re a good egg too, Gabby,” he said, smiling awkwardly. They each picked up their beers and clinked glasses. Just a little scrambled, he thought.


Cover of Nugget’s Tenth Life by Adam Holcombe

Nugget’s Tenth Life by Adam Holcombe

Brother yowled and turned to race down the buidling, but Nugget was made of sterner stuff (that stuff being the brilliant stupidity of youthfulness).


Cover of The Space Between Worlds by Micaiah Johnson

The Space Between Worlds by Micaiah Johnson

They say hunting monsters will turn you into one. That isn’t what’s happening now. Sometimes to kill a dragon, you have to remember that you breathe fire too. This isn’t a becoming: it’s a revealing. Ive been a monster all along.

“May your life be long and easy.”

It’s a common blessing out here, but I’ve never dissected it before, Why are we, who are so unhappy, fixated on long lives? What is the point? An easy life isn’t a blessing. Easy doesn’t mean happy. Ale doesn’t mean anything at all. Sometimes the path to an easy life makes you miserable. The only person I’ve ever heard value happiness is the former empress. She named her second son happy, hoping it would be true. She knew the cost of an easy life, and the uselessness of a long one. She had both. She wished neither for her child, only that he a some point be happy. Was he? Was anyone?

She smiles, less like she thinks I’m funny and more like she wanted prove she knows how.

…that’s what a sister is: a piece of yourself you can finally love, because it’s in someone else.

I’d love to stay. Forcing Dell into small talk is fun because she so bad at it with me. It’s like she’s being asked to communicate with a child or snake—something that is either boring or dangerous, with no in-between.

It burns, but that’s too simple a term. It burns like opening your eyes in the light burns, like being born probably burns. It doesn’t feel like my body is responding to a foreign substance, but like the substance is awakening cells usually dormant.

Death can be senseless, but life never is.

I told Esther before that nothing was inevitable, but that was before I felt so helpless to change absolutely anything at all.


Cover of An Inheritance of Magic by Benedict Jacka

An Inheritance of Magic by Benedict Jacka

I’ve always liked London at night. The noise and bustle of the day fades away, and in the quiet you can feel the presence of the city. It has its own nature, kind of like its own essentia—old, layered, and complex, man-made construction on top of millennia- old earth. Generation after generation of people, with the plants and animals of old Britain living with them side by side. It’s neat and chaotic and ancient and sprawling, and it’s my home.

It wouldn’t be the first time I’d broken the rules, but I’ve always had an instinctive feeling that there’s a difference between breaking the rules and doing something wrong.


Cover of How to Age Disgracefully by Clare Pooley

How to Age Disgracefully by Clare Pooley

Daphne raised her hand. Nobody noticed. Daphne stood up, her hand still raised. They still ignored her. Daphne did not like being ignored, in the early days of her career, she’d been overlooked on account of her sex, talked over and patronized by a series of self-important, untalented little misogynists. So much had improved in the intervening years, and she was glad to see that a couple of the Councilors at the meeting were female. But now, she was being ignored because of her age, she appeared to have jumped out of the frying pan of sexism and into the fire of ageism–the final frontier of -isms.


(Image by DaModernDaVinci from Pixabay)

Opening Lines: The Moon Is a Harsh Mistress by Robert A. Heinlein

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

I see in Lwnava Pravda that Luna City Council has passed on first reading a bill to examine, license, inspect—and tax—public food vendors operating inside municipal pressure. I see also is to be mass meeting tonight to organize “Sons of Revolution” talk-talk.

My old man taught me two things: “Mind own business” and “Always cut cards.” Politics never tempted me. But on Monday 13 May 2075 I was in computer room of Lunar Authority Complex, visiting with computer boss Mike while other machines whispered among themselves. Mike was not official name; I had nicknamed him for Mycroft Holmes, in a story written by Dr. Watson before he founded IBM. This story character would just sit and think—and that’s what Mike did. Mike was a fair dinkum thinkum, sharpest computer you’ll ever meet.

Not fastest. At Bell Labs, Buenos Aires, down Earthside, they’ve got a thinkum a tenth his size which can answer almost before you ask. But matters whether you get answer in microsecond rather than millisecond as long as correct?

Not that Mike would necessarily give right answer; he wasn’t completely honest.

from The Moon Is a Harsh Mistress by Robert A. Heinlein
Cover of The Moon Is a Harsh Mistress by Robert A. Heinlein

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Opening Lines: My Darkest Prayer by S.A. Cosby

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

I handle the bodies.

That’s what I say when people ask me what I do for a living. I find that gets one of two responses. They drift away to the other side of the room and give me a sideways glance the rest of the night or they let out a nervous laugh and move the conversation in another, less macabre direction. I could always say I work at a funeral home, but where’s the fun in that?

Every once in a while, when I was in the Corps, someone would see me at Starbucks or that modern mecca Walmart in my utility uniform. Sometimes they’d catch me in my dress blues after a military ball just trying to grab something before heading back to the base. ‘They would walk up to me and say, “Thank you for your service.” I’d mumble something like “No, thank you for your support,” or some other pithy rejoinder, and they would wander away with a nice, satisfied look on their faces. Sometimes what I wanted to say was “I took care of the bodies, The bodies with the legs blown off or the hands shredded, The bodies full of ball bearings and nails and whatever tome kid could find to build his IED. I loaded the bodies up and dragged them back to the base, then went back out on another patrol and prayed to a God that seemed to be only half listening that today wasn’t the day that someone would have to take care of my body”

But I don’t think that would have given them the same warm and fuzzy feeling.

from My Darkest Prayer by S.A. Cosby
Cover of My Darkest Prayer by S.A. Cosby
(if you’re feeling pedantic, those are the first paragraphs of Chapter One, not the Prologue)

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Opening Lines: Blind to Midnight by Reed Farrel Coleman

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

SEPTEMBER 11, 2001, 11:43 P.M.
He is the last man alive. Or at least, things would be less complicated if he were.

He is standing on the platform at the Smith and Ninth Street subway station. The tallest station in Brooklyn looms over the Gowanus Canal. The canal, so polluted with toxins and heavy metals that you don’t have to be Jesus to walk on its waters. A writer once joked it was the only body of water that was 90 percent guns. Nobody is joking tonight. Nobody! Not about anything.

The lone man is waiting for the G train. He smells the acrid windblown smoke continuing to rise from where the World Trade Center stood. His blue Mets cap is squashed low on his forehead, his eyes fixed on the pebbled concrete under his running shoes. He hopes that by not looking up he might be invisible. It makes no rational sense. Today the world stopped making sense. Still, he can’t help but peek at the place where the towers once stood. He quickly looks away. The pile smolders. Ash, shreds of paper, and carcinogenic dust still rise into the air, carried by the prevailing winds. A downy coating of gray snowflakes falls around him.

from Blind to Midnight by Reed Farrel Coleman
Cover of Blind to Midnight by Reed Farrel Coleman
Sure, picking up a Coleman novel, you know you’re not in for a romp. But starting off with that date, you know things are going to be grim–and the next three paragraphs emphasize that.

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