Category: (Auto)Biography Page 1 of 12

Quick-Take Catchups: The Leftovers from January

In an effort to keep my “To Write About” pile from getting out of control (I’ve got another post coming up in the first week in January…or maybe later in the year about the older stuff), I’ve set a requirement to myself to write a catch-up post at the end of the following month (e.g., At the end of February, write about January books; at the end of June, write about the May books I haven’t gotten to yet; etc.). As always, the point of these quick-takes is to emphasize pithiness, not thoroughness.


Cover of Dear Committee Members by Julie SchumacherDear Committee Members

by Julie Schumacher, read by Roberston Dean

DETAILS:
Series: Jason Fitger, #1
Publisher: Penguin Random House Audio Publishing Group
Publication Date: August 19, 2014
Format: Unabridged Audiobooks
Length: 3 hrs., 55 min. 
Read Date: January 3-5, 2026
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Professor Jason Fitger is a delightful character (in fiction, please don’t sit next to him at a dinner or stand near him at a party. Or maybe don’t be in the same room with him). He’s full of himself, a little self-deluded, put-upon, and (probably) past his prime with a career going nowhere (but hey, tenure!).

We learn about him through a series of letters of recommendation he’s sending to various businesses, schools, programs, and scholarships for his students; interdepartmental emails; emails to old friends/ex-lovers/ex-wife; and maybe one or two others. I like a good epistolary novel, and this is one of them. We learn about Fitger, and a couple of his students, the moves his University is making to gut itself of the liberal arts, and more, in a way that feels incredibly authentic and very entertaining.

Still, I don’t think I could take it if the book was much longer, and I don’t know that I want to read the rest of the trilogy (but I kind of do).

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Cover of All the Best Dogs by Emily JenkinsAll the Best Dogs

by Emily Jenkins

DETAILS:
Publisher: Yearling
Publication Date: November 4, 2025
Format: Hardcover
Length: 208 pg.
Read Date: January 5, 2026
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This middle-grade novel about a bunch of kids (and a few adults) who bring their dogs to a neighborhood dog park is just delightful. Not just because the dogs are as cute and silly and loving as you want them to be. But the kids and their situations are, too. Even the ones that start off in conflict or sadness get a good dose of resolution and hope by the end (generally tied to one of these dogs). It was cute, heartwarming, and filled with good dogs—the best dogs, actually. What more do you want?

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Cover of Children of Time by Adrian TchaikovskyChildren of Time

by Adrian Tchaikovsky

DETAILS:
Publisher: Orbit
Publication Date: December 11, 2018
Format: Paperback
Length: 416 pg.
Read Date: January 14-19, 2026
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I didn’t write a full post on this because I can’t write a sentence about what I think about it without writing one contradicting it. And then one defending the first sentence. And then one defending the second. And then…

I love the concept of this book. Think the execution was wonderful. There’s so, so, so many cool things and ideas packed in here. But it’s also slow and plodding. It could be argued that 80% of the book is setup and only the last 20% is the story. That 20% (an estimate, I didn’t really do the math) is pretty cool and almost makes up for the rest.

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Cover of Everyone in the Group Chat Dies by L.M. ChiltonEveryone in the Group Chat Dies

by L.M. Chilton, Kimberley Capero

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: December 9, 2025
Format: Unabridged Audiobook
Length: 9 hrs., 36 min. 
Read Date: January 15-16, 2026
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I enjoyed (and apparently didn’t write about) Chilton’s Swiped a couple of years ago. Almost none of the charm or zaniness of that book made its way here. I’m not saying I expected a carbon copy, obviously, but this could almost have been written by someone else.

A lot of the framing of this story was well done—and the way it was ordered was, too. But I could practically see that all of the heart and character were sacrificed for the sake of clever plotting and telling. And if I have to go on without one of those pairs, I know which one it should be.

I’m not saying that I’m done with Chilton, but I won’t be in a rush for whatever’s next.

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Cover of Lit by Tim SandlinLit

by Tim Sandlin

DETAILS:
Publisher: Brash Books
Publication Date: October 22, 2025
Format: eBook
Length: 254 pg.
Read Date: January 20, 2026
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This is quotable, clever, and filled with interesting characters. It’s also a little too convoluted; it’s hard to believe some of the interpersonal relationships with the characters, and the solution is a bit of a letdown.

That said, from the first page to the last I was hooked and couldn’t stop reading it. Most of it worked in the moment, or was something I could shrug off while reading it. But when I was done and started thinking about it, I the doubts and quibbles kept growing.

Maybe Sandlin couldn’t really figure out the book he was trying to write—tone, characters, and/or outcome—he wouldn’t be the first author to do that. As much as a lot of the passages sang—the book, in retrospect, was just good enough. Read this one to enjoy the journey, not necessarily the destination.

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Cover of The Librarians by Sherry ThomasThe Librarians

by Sherry Thomas, read by Louisa Zhu

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: September 30, 2025
Format: Unabridged Audiobook
Length: 13 hrs., 45 min. 
Read Date: January 21-26, 2026
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Individually, these characters were just fantastic—plenty of quirk, plenty of heart, plenty of “I just want to live a quiet life with books and nice people” kind of energy. Sign me up for that! The murder mysteries were intriguing enough, too. But combining the characters and the murders—with too many amateur detectives running around—it all felt very soapy. Very melodramatic.

I flitted back and forth between “Oh, I really like Character X and want to see what happens to them” and “Oh, please, shut up and return to reality! Cut the melodrama!” so often I got whiplash.

I’d recommend it with several caveats and a stress on low-expectations. Then again, I could name worse.

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Cover of Through the Ashes by Irene HillThrough the Ashes

by Irene Hill

DETAILS:
Series: Joe Higgins, #1
Publication Date: April 18, 2025
Format: Paperback
Length: 239 pg.
Read Date: January 24-26, 2026

This is a solid series premiere and debut novel about a former deputy who used to serve on his area’s search-and-rescue team. Years after personal tragedy struck, he’s called on to leave his drunken stupor behind and find a missing boy. Naturally, it’s not long before this search becomes so much more.

This is Hill’s debut, and it’s not that hard to tell (particularly as she introduces characters early on). But she can tell a good story, and the characters are winners.

It’s a little on the rough side, but this is a good read, and I’m ready for the second book (and probably the third and fourth).

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Cover of Memes & Mayhem Volume II by Ashley DeLeonMemes & Mayhem II: A Comedy of Horrors

by Ashley DeLeon

DETAILS:
Series: Memes & Mayhem, #2
Publication Date: September 11, 2025
Format: Paperback
Length: 249 pg.
Read Date: January 24, 2026

Before I get into this, I thought I had posted about the first book, and I’m more than a little annoyed to find out that I didn’t. I did chat with the author briefly a couple of years ago. (I’m really bothered, I remember working on it) Anyway, this is exactly like the first book—just done a little better and is a little funnier. Experience is a good thing.

DeLeon has picked some great creepy ghost stories and tells them well—even better, she does it with a good (and oftentimes silly) sense of humor.

This is well worth your time (so is its predecessor). I had a blast with this and will do so again.

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Cover of The Serial Killer Guide to San Francisco by Michelle ChouinardThe Serial Killer Guide to San Francisco

by Michelle Chouinard, read by Stephanie Németh-Parker

DETAILS:
Series: The Serial Killer Guide to San Francisco, #1
Publisher: Macmillan Audio
Publication Date: September 24, 2024
Format: Unabridged Audiobook
Length: 9 hrs., 51 min.
Read Date: January 26-28, 2026
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This really fits in the Finley Donovan demographic. It’s a little more grounded, a little slower on the romance burn (okay, a lot slower), a little less zanier. But the same overall feel. I didn’t get as into all of the plotlines as I was supposed to—and I’d figured out the whodunit, with a pretty good (but growing) confidence in the whydunit early on. But watching our semi-intrepid investigator, Capri Sanzio, wind her way through the investigation was entertaining enough.

I didn’t buy her podcast recording at all (and it would’ve been good to see her do something other than record episodes). But the rest was okay.

It was as entertaining as you’d want this to be—not an inch more. But good enough.

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Cover of That's a Great Question, I'd Love to Tell You by Elyse MyersThat’s a Great Question, I’d Love to Tell You

by Elyse Myers

DETAILS:
Publisher: William Morrow
Publication Date: October 28, 2025
Format: Unabridged Audiobook
Length: 5 hrs., 32 min. 
Read Date: January 28-30, 2026
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This is such a strange, comforting, hilarious, and relatable collection of short pieces. Some are memoirs, some are humorous pieces, some are hard to define. All are absolutely worth your time. They will warm your heart, bring a smile to your face, and make you feel all sorts of things.

I think this would work well on the page—but do yourself a favor and get it on audio. Myers’ delivery is so good (as anyone who’s watched her videos knows), hearing her words in her voice really captures the intangibles of the book in a way that I don’t think that the page is fully capable of.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Non-Fiction Books of 2025

Covers of Algospeak, Class Clown, Food for Thought, Enshittification, Everything Is Tuberculosis, Killer Conversations with Rex Stout and John McAleer, Pronoun Trouble, How to Stand Up to a Dictator, and Robert E. Lee and Me, next to an image of an anthropomorphized Pilcrow and the words 'My Favorites of 2025 Non-Fiction'
My 2025 Wrap-up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Cover of Algospeak by Adam AleksicAlgospeak:
How Social Media Is Transforming the Future of Language

by Adam Aleksic

My original post
Language in general—but English particularly—is a constantly-changing thing, and these changes are happening faster and faster all the time. Algospeak is a great look at the hows and whys of a lot of the current evolutionary processes. It is about more than language—it’s also about how the Internet changes the way we think and express ourselves in general. And therefore, how society changes (which leads to Internet changes, and other circle-of-life things).

Aleksic has obvious expertise and passion for the subject (look at just one of his videos). He’s also active in these areas. It’s a great read, informative and entertaining. Hard to ask for more.


Cover of Class Clown by Dave BarryClass Clown: The Memoirs of a Professional Wiseass—How I Went 77 Years Without Growing Up

by Dave Barry

My original post
It comes as no surprise to any that I loved a Dave Barry book. It takes something pretty lackluster by him to get that reaction (and he doesn’t do that often–but I can prove it if you want). But this is something else–it’s insightful, it’s touching, it’s (seemingly) honest, and human. It’s a look at his childhood, his professional humorist origin story, and then scattered accounts of some of the very strange things that his profession has let him do.

I don’t say this about many authors–but I really don’t know that I’ve wondered anything about Barry’s personal life. But now that I know? I am more than happy to get some understanding about it. Does it necessarily help me understand his work better? No (but we’ll see the next time I take up his work, I guess). But it makes me like Barry the person a bit more.


Cover of Food for Thought by Alton BrownFood for Thought: Essays and Ruminations

by Alton Brown

Like any good fan of a TV show/personality, I like to know how they got started, how the show was developed, etc. Brown talks about how he got into food education media–and it’s not really how you’d expect. How he moved on from Good Eats to other things. There’s some great stuff about his education. But perhaps the most rewarding portion of the book is his musing and observations on the place of food/eating to human society (writ large or on an individual level).

Really, there’s so little to not appreciate from this book. Alton Brown has spent decades thinking and writing about food. This is the result of all that.


Cover of Enshittification by Cory DoctorowEnshittification: Why Everything Suddenly Got Worse and What to Do About It

by Cory Doctorow

I don’t know how to talk about Doctorow’s screed against Big Tech, the policies that led to these platforms that have taken over the internet and made it less-good than it used to be. Even that sentence is not a great way to talk about the book. The book wowed me. I wouldn’t say it radicalized me on some of this, but I sort of wish it did. The Ressa book below really struck me as a giant proof for Doctorow’s case (good idea to read the two of them around the same time). It’s a great–and terrifying–read.


Cover of Everything Is Tuberculosis by John GreenEverything Is Tuberculosis: The History and Persistence of Our Deadliest Infection

by John Green

I never imagined I would appreciate a book about an infectious disease. And despite all the good things I heard about this book, I didn’t rush to pick it up. But I’m so glad I did.

First of all, you could probably pick any number of things to use in place of Tuberculosis to trace human history, seemingly at major turning points and shaping societal developments. Say…bread, or writing, or…I dunno this is a sentence I regret starting. But from a certain point of view–you can buy the theory posited at the beginning of this book, that Tuberculosis shaped human history.

Green talks about the treatments that have been tried (and failed), the way it impacted population sizes, the devastation it’s left in it’s wake, and how things are going in the battle against the disease now. Interwoven with these is the story of one particular patient in Sierra Leone that Green met years ago. We follow his personal struggle–ups, downs, way downs, and more.

Green can relate these facts–even the bleak ones–in an engaging way that will stick with the reader. But then he drives it home and makes it gets you emotionally involved through the patient’s story.

You just can’t help but being taken in by the book and it’ll leave a lasting impression.


Cover of Killer Conversations with Rex Stout and John McAleerKiller Conversations with Rex Stout and John McAleer

My original post
Granted, there is a very limited audience for this kind of thing. But for that audience (and I’m part of it), this is catnip.

These snippets of conversations between Rex Stout and his biographer and friend are just wonderful. Quick back and forths on any number of topics–life, death, love, reputation, writing, Stout’s characters, his career, and more–it’s fun to read. It’s fun to think about. You’ll wish you were half as clever as Stout.


Cover of Pronoun Trouble by John McWhorterPronoun Trouble: The Story of Us in Seven Little Words

by John McWhorter

So, sure–this looks like it’s nothing but a screed on one side or the other about the problem we’re having with third-person pronouns the a socio-political front in English. And, yes, it is about that, (but only from a linguistic point of view), but there’s more to it. There’s also that pesky second-person plural.

Like in his book, Nine Nasty Words, McWhorter gives a quick look at the history of English pronouns one at a time–looking at various forms, usages, spellings, and assorted trivia. When appropriate, the then talks about some of the contemporary challenges and controversies with them.

Completely entertaining–McWhorter’s a great narrator–and very educating. I heartily commend this to you (no matter what you think of using “they” for the third-person singular).


Cover of How to Stand Up to a Dictator by Maria RessaHow to Stand Up to a Dictator: The Fight for Our Future

by Maria Ressa, read by Maria Ressa & Rebecca Mozo

Maria Ressa’s story is fascinating. It’s just that simple. I mean, you rarely find a Nobel Peace Prize recipient without an interesting backstory of some sort.

Like I said above, when you add this to Doctorow’s book and you see how everything he said is entirely possible and how it can work against someone.

There’s, of course, more than just Ressa’s story and struggles reflected here. There’s a call to action, a call to do the necessary work, and a call to hope, when it comes to oppressive governments or platforms.


Cover of Are Women Human by Dorothy L. SayersAre Women Human?

by Dorothy L. Sayers

These are two essays by Sayers on the subject of women in society–with a particular look at academia. They are pointed, clear, and witty.

I’m not sure what else to say, really.


Cover of Robert E. Lee and Me by Ty SeiduleRobert E. Lee and Me:
A Southerner’s Reckoning with the Myth of the Lost Cause

by Ty Seidule

My original post

This is a powerful read. This very-Southern, Lost Cause adherent, West Point history professor starts looking at what he’d been raised believing, and the systemic racism of the culture he’d been raised in. The book then recounts example after example after example of the racism everywhere and the excuses made for covering up the treason of the Confederacy everywhere, including the U.S. Army–the army he left and fought against.

I thought Seifert made a compelling case in an engaging read that will stick with you for a long time.


Future Boy (Audiobook) by Michael J. Fox and Nelle Fortenberry: How Marty McFly and Alex P. Keaton Crowded Out Michael J. Fox

Cover of Future Boy by Michael J. Fox and Nelle FortenberryFuture Boy:
Back to the Future and My Journey Through the Space-Time Continuum

by Michael J. Fox and Nelle Fortenberry

DETAILS:
Publisher: Macmillan Audio
Publication Date: October 14, 2025
Format: Unabridged Audiobook
Length: 3 hrs., 30 min.
Read Date: TEXT
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What’s the Publisher’s Description of Future Boy?

A poignant, heartfelt, and funny memoir about how, in 1985, Michael J. Fox brought to life two iconic roles simultaneously—Alex P. Keaton in Family Ties and Marty McFly in Back to the Future. Read by Michael J. Fox, this program features renowned clips and music from Back to the Future, plus interviews with the cast and crew of these legendary film and TV productions. Hear this amazing true story as only Michael J. Fox can tell it.In early 1985, Michael J. Fox was one of the biggest stars on television. His world was about to get even bigger, but only if he could survive the kind of double duty unheard of in Hollywood. Fox’s days were already dedicated to rehearsing and taping the hit sitcom Family Ties, but then the chance of a lifetime came his way. Soon, he committed his nights to a new time-travel adventure film being directed by Robert Zemeckis and produced by Steven Spielberg—Back to the Future. Sitcom during the day, movie at night—day after day, for months.Fox’s nightly commute from a soundstage at Paramount to the back lot at Universal Studios, from one dream job to another, would become his own space-time continuum. It was in this time portal that Alex P. Keaton handed the baton to Marty McFly while Michael J. Fox tried to catch a few minutes of sleep. Alex’s bravado, Marty’s flair, and Fox’s comedic virtuosity all swirled together to create something truly special.In Future Boy, Fox tells the remarkable story of playing two landmark roles at the same time—a slice of entertainment history that’s never been told. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon.

The Extras

There were some brief audio excerpts from conversations with some of the people involved in the movie. I think the book faltered there—the excerpts needed to be longer and/or we needed more of them. It really seemed like little audio teases more than anything else.

That said, I enjoyed them—and it’s a great way to do that kind of thing. I just wanted more.

So, what did I think about Future Boy?

I was a huge Michael J. Fox fan at the time this book is set (okay, I’ve pretty much been a huge Michael J. Fox fan since then, too), I was definitely part of the target audience for this. Throw in Fox as narrator and you know I’m in (I really enjoyed his work on No Time Like the Future).

As far as the narration goes, age and disease have impacted his voice—but it’s still Fox, and he delivers it well.

This is a fun—and fast—look at a madcap time in Fox’s life with enough of the behind-the-scenes stuff. Fox’s trademark self-deprecation is on display as well.

The only problem with this book is its brevity. Beyond that, I have no complaints—fans of the actor or the film should enjoy this book. I sure did.


3.5 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Mailman by Stephen Starring Grant: Fun Stories, Hard Work, and Some Things to Chew On

Cover of The Mailman by Stephen Starring GrantThe Mailman:
My Wild Ride Delivering the Mail in Appalachia and Finally Finding Home

by Stephen Starring Grant

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: July 8, 2025
Format: Unabridged Audiobook
Length: 9 hrs., 37 min.
Read Date: September 29-30, 2025
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What’s The Mailman About?

Steve Grant was a marketing consultant and behavioral economist who worked for some pretty big-name companies and firms. And then…he was laid off. He was the chief earner for his family of four (and two of those four would be starting college in the near future). What’s more, he was fighting cancer, so he really needed health insurance.

A quick aside: other than occasionally saying he had cancer, this memoir doesn’t talk about it. If you’re not into medical stories, you’re good here.

So, he ends up taking a job as a part-time rural mail carrier while he looks for another job in his field. The problem is, that job didn’t stay part-time. It became full-, and even more than full, time. Because he does this in 2020.

2020, as you might remember, was a pretty big year for Postal Carriers (and those in similar positions)—you’ve got people shut up in their houses with minimal contact with the outside world, you’ve got people ordering things like crazy online, and then there’s a tiny lil’ election that put a lot of focus on ballot security. So, really, Grant picked a good year for this career shift (however temporary)—at least if he wanted good material for a memoir.

And that’s what we have hear—a memoir of that time: the training, the first couple of days (a lot harder than he expected), the deluge of packages over the summer, some things he tried (and some he shouldn’t have) to do to make the job easier, some more interesting happenings while he was on the job, and a little bit more.

And it starts with the delivery of a sword… (you can’t go wrong with opening a book with a sword)

Things I didn’t Expect to Get

I expected a cute little book about being a rural postal carrier—and got that (maybe not cute, but an amusing take on it). What I didn’t expect was a beautiful excurses on patriotism (as brought about by taking the oath as a carrier).

I didn’t expect thoughtful discussion about guns in America—safety, use, and need for them (and how we’ll never be rid of them)—I’m sure it will rankle several on both sides of the aisle. He talks about books and their magic (and necessity), the importance of community. What he said about service and work…I really was wowed by a lot of the things he touched on.

Really, by the end, if Grant were running for office, he’d likely get my vote.

A Word About the Narration

Grant feels like a natural. He probably isn’t one, there’s likely a lot of hard work behind this, but he feels like one. He’s no stranger to giving presentations, or selling people on ideas—and that is clear here.

While it’s clear that he’s reading, it really feels from the heart. You can’t help but respond to an audiobook like that—especially one of this nature.

So, what did I think about The Mailman?

I was really impressed with this book. I’ve read/listened to a handful of “here’s a quirky memoir about job X” lately—and while I largely enjoy them, I rarely am moved. I was both amused and moved by this book.

It’s a great look at a divisive and eventful period in our contemporary history. It’s a part of life (as Grant notes) that we usually take for granted—like plumbing—until there’s a problem. And it really shouldn’t be. The postal service is the oldest U.S. organization (other than the Army), its history shaped a large part of our country’s early history—and the impact it has on us even today is easily forgotten. Grant calls us to pay at attention while talking about some antics there, some interesting people he encountered, and reminding us of the importance of serving.

I strongly recommend this for a good, thought-provoking, time.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Samurai! by Saburo Sakai with Martin Caidin and Fred Saito: The War in the Pacific from the View of a Japanese Cockpit

Cover of Samurai! by Saburo SakaiSamurai!

by Saburo Sakai with Martin Caidin and Fred Saito

DETAILS:
Publisher: Bantam Books, Inc.
Publication Date: May 1978
Format: Paperback
Length: 315 pg.
Read Date: July 17-22, 2025
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In the Imperial Japanese Navy I learned only one trade—how to man a fighter plane and how to kill enemies of my country. This I did for nearly five years, in China and across the Pacific. I knew no other life; I was a warrior of the air.

What’s Samurai! About?

The inside page of my edition puts it this way, and I can’t do much better (although I might tone down the language a bit, but it’s not bad for the late 70’s)

The Outcast Who Became Emperor of the Skies

He was a school dropout, juvenile delinquent, and family disgrace—until he first stepped into an airplane. From that moment he soared into legend as Japan’s deadliest ace, and the most feared pilot of World War I.

SAMURAI! is the unforgettable saga of Saburo Sakai—a story of explosive action, violent victory, and personal agony that is absolutely true and vividly real . . . from the roaring of winged cannons in aerial combat, to the anguish of a defeated nation.

The Foreword Alone

The foreword to the book gives an abbreviated biography of Sakai and is the only point that Caidan and Saito are mentioned, to emphasize the “autobiographical” nature of the book*. It also describes some of the research that went into the book.

Honestly, you don’t have to read the whole book to get the idea that Sakai is an impressive figure. Just read the foreword. His post-ward activities alone are pretty impressive—possibly more so than the feats during the war, given the context.

If you’re at all curious about the book, read the foreword. If you’re still curious—dive in. If you decide, “I’m good,” at that point, you probably are. (Although you might want to take a glance at chapters 2 and 3 to see what his military training was like. If you’re similar to me, you’ll think that Full Metal Jacket‘s Gny. Sgt. Hartman wasn’t so bad after all.)

* There might be one or two mentions of Saito’s research in footnotes, but I’m pretty sure Caidin isn’t mentioned again. Like a good ghostwriter, he disappears.

Incredibly True

The back cover of my edition claims that this is “an incredibly true, powerfully moving story of glory, defeat, and ultimate victory—told by the man who lived it.”

Maybe it’s just me, but anytime you put a qualifier on “true,” my skepticism kicks in a little. I’d prefer something “credibly true” any day. Yes, this is an incredible story. And yes, I think it’s based on truth. Probably truth that’s grown a little in the telling.

Is this just fallible memory? Is it the story of someone whose accomplishments get embellished by himself/others a little over time to the extent they don’t remember the actual details? Is this the case of a ghostwriter goosing the facts to make for a better, more exciting read in the States? Possibly all of the above—I lean toward a combination of the latter two (my instinct to favor the third option is helped by the fact that this book wasn’t published in Japan).

It should be stated that the foreword claims that in addition to the hours and hours of interviews with Sakai that Fred Saito, an Associated Press correspondent, researched military archives (from multiple nations) and interviewed associates to authenticate this. How much of that ended up in the final product is beyond my ability to state.

The text points out some places where there are discrepancies between official records and witnesses and what the text states happened. So, it’s not like Caidin and Saito are unaware of some discrepancies.

On the Other Hand…

In April of 1944…With the secret reports available to me as an officer, I had been able to maintain a true appraisal of the war. The secret documents were a far cry from the drivel shouted over the radios to the unsuspecting populace. Everywhere in the Pacific our units were being forced back. Incredibly powerful American task forces, fleet units the size of which staggered the imagination, roamed the Pacific almost at will.

… We were still hanging on at Rabaul, but no longer did that once-mighty bastion threaten Moresby and the enemy’s other bases. Rabaul suffered in more ways than one. The Americans were using it for bombing practice, to break in their new replacements.

From the war in China, the reports internal to the Japanese military, what the civilians heard, and what American military/news reported, one thing that Sakai is clear about for almost the entire book—everyone was lying, exaggerating, hiding, and spinning facts.

So it’s no wonder at all that it’s hard to document or “prove” all of what he says. Probably everything we read about the War in the Pacific should have an asterisk following it, not just this book.

Sakai’s Mistakes and Injuries

No longer was I myself inviolate. It had been the enemy’s turn then, and no less than a miracle had brought me here on this train as it swayed along the tracks leading to Sasebo. A man sees the war differently after the doctors have scraped away rotten flesh from his skull, have dug jagged steel splinters from his body, and comforted him with the staggering living-death sentence, “It is not so bad, Sakai, you will be only half blind.” Only half blind!

Sakai is pretty upfront with mistakes, blunders, and times that his ego led him and others into trouble (although he was rarely alone in letting ego get the best of him). His first arial combat was just…ugly, and he got chewed out for it—as he should’ve, from what I can tell.

He sustained his share of injuries throughout the conflicts he was in—obviously, the worst was the injury that cost him most of the sight from his right eye. I’m not going to go into details about that incident—you really want to read about it yourself, even more than the hint you get in the Foreword.

But when you read about the medical care he received, you have to wonder a little bit what 2025 doctors would do differently. It’s not quite as bad as reading about Civil War surgeons dealing with injuries—but it’s not unlike it, either.

Still, that he came back from that at all to take to the air again says a lot about him. It probably also says a lot about how Japan was doing in the War at that time, and how much they needed pilots.

So, what did I think about Samurai!?

But to fly is just like swimming. You do not forget easily. I have been on the ground for more than ten years. If I close my eyes, however, I can again feel the stick in my right hand, the throttle in my left, the rudder bar beneath my feet. I can sense the freedom and the cleanliness and all the things which a pilot knows.

It’s easy to think of this—in part, anyway—as Sakai telling stories that make him look good (with a few exceptions for the sake of true or perceived humility). But he’s quick—and consistent—to praise others. He makes some of these other pilots sound really amazing, and I appreciated Sakai singing their praises and lamenting their deaths (as appropriate).

Like any good narrative about war*, Sakai does wonder about the costs to both sides.

…that night, for the first time, I thought of the enemy pilots I had shot down as other human beings like myself, instead of unknown entities in their planes. It was a strange and depressing feeling, but, as with every other facet of war, it was kill or be killed.

He doesn’t forget that—but in kill or be killed, survival comes to the forefront.

More than once, I realized that when I was pleased to hear about a close escape, or a great victory for him, that I was cheering against the U.S. in the War. And that feels more than a little strange, I have to say. It’s one thing in a work of fiction to get invested enough to cheer for an enemy or opponent. But in non-fiction?

I didn’t even get into the strange but sweet love story about Sakai’s first wife, and wish I knew more about what happened to her after the War, although it’s clear it’s not a happy story for anyone.

From his horrific days in training; through the combat in China; through hearing about how Dec. 7, 1941 could have had more infamy to live in; through his injuries and triumphs; through the end of the war—this was a riveting read. Yes, I have many questions about some of the details—but as a reader, not a professional historian, I can let those go and appreciate what we have.

I recommend this book, with some obvious caveats. But as someone rapidly approaching the time in life when I’m legally obligated to read WWII histories and watch hours of documentaries about it a week, this is a decent place to start. Fellow Gen Xers approaching the same deadlines would do well to give this a glance.

People who just love an exciting first-person account should do that, too.

* Maybe that’s my personal preference shining through.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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Grandpappy’s Corner: Martin Luther by Simonetta Carr, Troy Howell (Illustrator): A Brief and Compelling Look at the German Reformer’s Life

Yes, this is going to sound a lot like last week’s post about Patrick of Ireland—hard not to when you have a good, consistent writer∞you’re going to think similar things.


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Martin Luther

by Simonetta Carr, Troy Howell (Illustrator)

DETAILS:
Christian Biographies for Young Readers 
Publisher: Reformation Heritage Books
Publication Date: October 25, 2020
Format: Hardcover
Length: 63 pg.
Read Date: August 3, 2025

What’s Martin Luther About?

It’s all there in the title, simply put—it’s a biography of Martin Luther written for young readers.

Carr begins with Luther’s family and education, as well as his early career, before moving into his work as a Reformer. Recounting the tumultuous days of his earliest work and time in hiding before moving on to the slightly-less tumultuous times of success and raising his own family.

This is more detailed than the Patrick of Ireland book I discussed last week, both in describing the events of Luther’s life and his teachings. This is easily explained by the fact that we have many, many, many more documents about and by Luther than we do of Patrick (particularly contemporary to him).

By Luther Himself

Carr reproduces a little bit from Luther’s Small Catechism so the reader can hear from the man himself. This must’ve taken some effort to decide what to choose. Given the audience, this is probably the best—it’s Luther at his most basic, bringing the core of his teachings to the forefront.

As it should’ve—especially for older readers—it drove me to dip into the catechism as a whole. Naturally, it has its flaws (as Luther was 1. Human and 2. Not Reformed*), but that was an unexpected bonus from reading this work. Almost always a reward to re-read some Luther.

* That’s mostly a joke

Let’s Talk about the Art for a Minute

Howell’s art is warm and approachable. While not leaning into the whole “children’s book” feel of art, it really works that way. But his illustrations would be fine in a book for older readers, too (those that use colored illustrations, anyway). It did make me go check his website and add at least one book to my to-buy list.

The rest of the illustrations are photographs of European landmarks, reproductions of contemporary depictions of some of the major players in this story. It really reminds me of the kind of things that illustrate textbooks (for children or college students, and in-between). It solidifies the impression that this is a book for children to take seriously, and not just some fluffy bit of entertainment (see below).

How is it to Read Aloud?

It’s fine. It’s not really written to be read aloud—any more than any book for children of reading age and up are. There’s nothing wrong about the text for reading to someone else, but it’s not desiged for it like books for younger children are.

It’s a little dry for that, really—possibly dry for reading to yourself, too. Which is probably good considering the aims of the book.

So, what did I think about Martin Luther?

I really enjoyed and appreciated it. Carr had a lot of material to choose from when deciding what to write about, and tackled not only the typical “main items” but also addressed some of the murkier things in his life/writing as well. I was surprised, for example, that she touched upon his late-in-life anti-Jewish writings (and relieved/encouraged that she was so clear about the problems with that). I was also not expecting her to bring forth the controversies with Karlstadt, either.

There are nuances and details she had to leave out due to space and the maturity of her audience—but she does a good job in keeping the clear details clear and laying the groundwork for reading/learning as her readers grow.

Yes, it is a bit dry. It’s not a book written to talk down to a child, or even written to appeal through a gimmick. It takes the material seriously and expects the audience to, too—I’m pretty sure that’s the point. I found this a rewarding read, and I’m eager to introduce the grandcritters to it when they’re a little older, and would recommend it to any reader 7-12 (the target range), and even older.


3.5 Stars

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Grandpappy’s Corner: Patrick of Ireland by Simonetta Carr, Matt Abraxas (Illustrator): A Brief Look at the Evangelist’s Life

Grandpappy's Corner Logo with the Cover of Patrick of Ireland by Simonetta Carr

Patrick of Ireland

by Simonetta Carr, Matt Abraxas (Illustrator)

DETAILS:
Series: Christian Biographies for Young Readers 
Publisher: Reformation Heritage Books
Publication Date: December 8, 2022
Format: Hardcover
Length: 61 pg.
Read Date: July 27, 2025
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What’s Patrick of Ireland About?

Simply put—it’s a biography of Patrick of Ireland written for young readers.

It talks about his younger life, his time as a slave, his escape, and his decision to return to Ireland as an evangelist. It looks at his education, work in Ireland (and some of the controversy around him), and his lasting legacy.

Let’s Talk about the Art for a Minute

There are illustrations—mostly in paintings by Matt Abraxas—that are gorgeous. I don’t know how to describe them—but honestly, they’re things you’d easily hang on your wall. I want to say the style makes me think of a modern take on Impressionism, but I’m not convinced that I’m using the term correctly.

The rest of the illustrations are photographs of old Irish artifacts, reconstructions of them, or Irish scenery. It really reminds me of the kind of things that illustrate textbooks (for children or college students and in-between). It solidifies the impression that this is a book for children to take seriously, and not just some fluffy bit of entertainment (see below).

How is it to Read Aloud?

It’s fine. It’s not really written to be read aloud—any more than any book for children of reading age and up are. There’s nothing wrong about the text for reading to someone else, but it’s not designed for it like books for younger children are.

It’s a little dry for that, really—possibly dry for reading to yourself, too. Which is probably good considering the aims of the book.

So, what did I think about Patrick of Ireland?

It is a bit dry. It’s not a book written to talk down to a child, or even written to appeal through a gimmick. It takes the material seriously and expects the audience, too—I’m pretty sure that’s the point.

It’s a pretty good biography, with some of the ambiguity about Patrick’s education and details of his life smoothed out (although they’re acknowledged). Sure, it’s short. Sure, it’s written for children—but an adult wanting a quick take on his life isn’t going to be disappointed. (I’m reminded of hearing that James Holzhauer read children’s reference books in preparation for his appearance on Jeopardy!—this would be a good book for that kind of thing.)

I found it rewarding. I particularly appreciated the little excerpts from Patrick himself being included. I’m eager to introduce the grandcritters to it when they’re a little older, and would recommend it to any reader 7-12 (the target range), and even older.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Surprised by Joy: The Shape of My Early Life by C. S. Lewis: A Portrait of a Reader/Thinker as a Young Man

Further Up and Further In A Year with C.S.Lewis


Cover of Surprised by Joy by C. S. LewisSurprised by Joy: The Shape of My Early Life

by C. S. Lewis

DETAILS:
 Publisher: Harcourt Brace & Company
Publication Date: 1984
Format: Paperback
Length: 238 pg.
Read Date: May 10-25, 2025
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The reader who finds these three episodes of no interest need read this book no further, for in a sense the central story of my life is about nothing else. For those who are still disposed to proceed I will only underline the quality common to the three experiences; it is that of an unsatisfied desire which is itself more desirable than any other satisfaction. I call it Joy, which is here a technical term and must be sharply distinguished both from Happiness and from Pleasure. Joy (in my sense) has indeed one characteristic, and one only, in common with them; the fact that anyone who has experienced it will want it again. Apart from that, and considered only in its quality, it might almost equally well be called a particular kind of unhappiness or grief. But then it is a kind we want. I doubt whether anyone who has tasted it would ever, if both were in his power, exchange it for all the pleasures in the world. But then Joy is never in our power and pleasure often is.

What’s Surprised by Joy About?

This is a look at the early part of Lewis’ life—his childhood, education (in boarding schools primarily), his acceptance to Oxford—and taking time off to serve in WWI—then returning and his eventual conversion to Christianity.

As he puts it in the preface,

This book is written partly in answer to requests that I would tell how I passed from Atheism to Christianity and partly to correct one or two false notions that seem to have got about. How far the story matters to anyone but myself depends on the degree to which others have experienced what I call “joy.”…The book aims at telling the story of my conversion and is not a general autobiography.

He’s not striving to be exhaustive, but to tell us enough that we understand what he was going through and how his education/experiences helped shape his mind for converting.

Endless Books

I am a product of long corridors, empty sunlit rooms, upstairs indoor silences, attics explored in solitude, distan; noises of gurgling cisterns and pipes, and the noise of wind under the tiles. Also, of endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents’ interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.

Just about anyone who takes the time to read this post is going to resonate with that quotation. Possibly be envious of that kind of childhood.

That’s one thing that comes through in clarity through this book—he is the product of so many books. So much of his experiences are shaped by, illustrated by, and reflected in what he reads—particularly what he returns to.

Yes, there’s some creative work. Some dry education. A lot of emotional development (largely phrased in other terms). Even a little socialization outside of his father, brother, and instructors—but really not much outside of that until Oxford.

What’s there throughout it all? Books. Hard not to identify with a guy like that.

So, what did I think about Surprised by Joy?

I was at this time living, like so many Atheists or Antitheists, in a whirl of contradictions. I maintained that God did not exist. I was also very angry with God for not existing. I was equally angry with Him for creating a world.

Sure, it’s about his early years. But I think the emphasis was on the wrong bits. I know, it’s not my life, he knows what got him to the point he was trying to focus on better than I do. But if the book “aims at telling the story of my conversion,” I really don’t see it.

It happens so quickly, with little fanfare leading up to it—it reminded me of one of those books where you stop a sentence or two after something happens, “Wait, did X just die?” That’s an exaggeration in this case, but not by much.

More of his WWI experience, more about the wrestling with ideas in Oxford. More showing the kind of thinking he encourages others to do about their faith/lack thereof, would be a plus.

Is it a good look at Lewis’ early life? Yes. Does it contain some of his best turns of phrase? Yeah, I think so. Does it deliver on what he aimed to? I really don’t think so. I recommend it for someone who wants to know more about the man—just come in with the proper expectations.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Rift by Cait West: An Important and Moving Story, That Didn’t Completely Work for Me

Cover of Rift by Cait WestRift:
A Memoir of Breaking Away from Christian Patriarchy

by Cait West

DETAILS:
Publisher: William B. Eerdmans Publishing Company
Publication Date: April 30, 2024
Format: Hardcover
Length: 226 pg.
Read Date: March 23-30, 2025
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What’s Rift About?

A gripping memoir about coming of age in the stay-at-home daughter movement and the quest to piece together a future on your own terms.

Raised in the Christian patriarchy movement, Cait West was homeschooled and could only wear clothes her father deemed modest. She was five years old the first time she was told her swimsuit was too revealing, to go change. There would be no college in her future, no career. She was a stay-at-home daughter and would move out only when her father allowed her to become a wife. She was trained to serve men, and her life would never be her own.

Until she escaped.

In Rift, Cait West tells a harrowing story of chaos and control hidden beneath the facade of a happy family. Weaving together lyrical meditations on the geology of the places her family lived with her story of spiritual and emotional manipulation as a stay-at-home daughter, Cait creates a stirring portrait of one young woman’s growing awareness that she is experiencing abuse. With the ground shifting beneath her feet, Cait mustered the courage to break free from all she’d ever known and choose a future of her own making.

Rift is a story of survival. It’s also a story about what happens after you survive. With compassion and clarity, Cait explores the complex legacy of patriarchal religious trauma in her life, including the ways she has also been complicit in systems of oppression. A remarkable literary debut, Rift offers an essential personal perspective on the fraught legacy of purity culture and recent reckonings with abuse in Christian communities.

“Lyrical Meditations on the Geology…”

I really didn’t intended on talking about this, but reading that line in the jacket copy drives me to it. Every time West started talking about the geology, in using contintental rifts as a metaphor for what was going on in her family, and so on–I rolled my eyes.

It was clear what she was doing, but there was no subtlety to it. I’m not trying to say that this kind of thing should be subtle, but it shouldn’t be so heavy-handed and artless. It just came across as pretentious.

Critiquing Patriarchy

I picked this book up because I heard an interview with West and was intrigued by her–when I heard that she had a book out detailing her story in more detail than she could in 30 minutes or so. So please understand, I have very little sympathy for those who would be considered–by themselves or others–part of the Christian patriarchy movement. But I don’t think this book is an effective critique of it.

I do think it’s a tragic case study into what this movement can do, and has done, in one family. And it is easy–maybe too easy–to critique what this father did to his children. It’s hard to see the things that were experienced by others nearby–who thought similarly, but not necessarily identically to, this man.

So, what did I think about Rift?

This is an accessible read–frequently powerful. I do wish that West had curbed her attempts at artistic flair. I also wish that she’d done a more thorough job of trying to show how her father’s beliefs and behaviors lined up with others, and were linked to specific teachings by particular individuals rather than just a vague guilt by association.

I fully believe that documentation could be made, let me stress. But for what are probably good reasons. I don’t get them–but I assume she had them. If for nothing else, it’d change this from a memoir into some other kind of thing. I guess I’d hoped for that something else–a memoir +.

But it’s Cait West’s story, hers to tell how she wants. For this reader, it wasn’t enough. But I’m probably in the minority.

It took a lot for her to put this together–to expose the pain. My problems aren’t with her or what she said. Simply the experience as a reader.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Class Clown by Dave Barry: A Chuckle-Filled Peek Behind the Curtain

Cover of Class Clown by Dave BarryClass Clown:
The Memoirs of a Professional Wiseass: How I Went 77 Years Without Growing Up

by Dave Barry,

DETAILS:
Publisher: Simon & Schuster
Publication Date: May 13, 2025
Format: eARC
Length: 256 pg.
Read Date: May 4-6, 2025
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What’s Class Clown About?

It’s really all there in the subtitle: it’s Dave Barry’s memoirs about his career as a professional wiseass—primarily through his humor column, but he’s found other outlets for it, too.

Here’s some of the jacket copy to help beef that up:

America’s most beloved wiseass finally tells his life story with all the humor you’d expect from a man who made a career out of making fun of pretty much everything.

How does the son of a Presbyterian minister wind up winning a Pulitzer Prize for writing a wildly inaccurate newspaper column read by millions of people?

In Class Clown, Dave Barry takes us on a hilarious ride, starting with a childhood largely spent throwing rocks for entertainment—there was no internet—and preparing for nuclear war by hiding under a classroom desk. After literally getting elected class clown in high school, he went to college, where, as an English major, he read snippets of great literature when he was not busy playing in a rock band (it was the sixties).

He began his journalism career at a small-town Pennsylvania newspaper where he learned the most important rule of local journalism: never confuse a goose with a duck. His journey then took a detour into the business world, where as a writing consultant he spent years trying, with limited success, to get corporate folks to, for God’s sake, get the point. Somehow from there he wound up as a humor columnist for The Miami Herald, where his boss was a wild man who encouraged him to write about anything that struck him as amusing and to never worry about alienating anyone…

Class Clown isn’t just a memoir; it’s a vibrant celebration of a life rich with humor, absurdity, joy, and sadness. Dave says the most important wisdom imparted by his Midwestern parents was never to take anything too seriously. This laughter-filled book is proof that he learned that lesson well.

His Origin Story

The first four chapters are the most autobiographical part of the book—a little less than 50% of it. Here we cover his parents, his childhood, schooling, and early career—from his first newspaper job, his detour through business education, and then finding his way back to journalism and becoming a humor columnist.

This is all the nitty-gritty stuff—what were his parents like? (nothing like you’d guess) What did his childhood entail? (bad jokes and throwing things) What did he write before making money with booger jokes? And so on.

This was the more educational—in a good way, I stress—part. He wrote about is parents, in particular, with warmth and humanity. He was open about some of their struggles, but with sensitivity. I really appreciated the way he talked about his marriages—past and present—very briefly, yet definitively. There is some humor, but it’s largely self-directed, or at the culture he and his parents were in.

This is really the kind of thing you come to a memoir for, and Barry did it well. He quotes some of his more serious (and some of his less-serious) columns here to show what he’s said about these things in the past.

Topical Memories

A little over half the book is devoted to what I’m describing as “Topical Memories”—he has a chapter on things like “My Readers,” “Politics,” and “Books, Music, and Movies.” In these, he relates a collection of stories and anecdotes from all over his career along these lines.

So we get stories about the great things his readers have sent him—and some of the less positive things they’ve said. Scandals he created—inadvertently or not. How he was involved in Obama’s first inaugural parade, or had Bruce Springsteen sing backup for him, how he accidentally offended an audience of Russians by screening one of his films. I particularly enjoyed him talking about his feud with his Neil Diamond-loving readers (I’m a pretty big Diamond fan, but thought Barry’s jokes were good and deserved, for what it’s worth)

There are several extended quotations from his columns here—and we get a lot of the stories behind the columns, too. Not the nuts-and-bolts of how he wrote them, but what led to them.

If the Origin Story chapters were educational—this was recess. Just a lot of fun and goofing off, telling wild stories and recounting past glories (and blunders). It was exactly the kind of thing that Barry readers pick up his books for.

The Appendix

I don’t frequently talk about appendices; they’re supplemental material, and I prefer to focus on the main portion of the book, but every now and then, one comes along that demands attention.

For example (as you might have guessed), this appendix. It was a hoot—its title is “A Good Name for a Rock Band.” Barry (like many of us) will frequently pick up on a phrase from something he quoted and say it would be a good name for a rock band (also known by the super-easy and memorable acronym WBAGNFARB). After discussing this practice a bit, Barry gives a non-exhaustive, but extensive list of some of those bands.

I think reading them in context is best—but you definitely can appreciate them in a different way with no context whatsoever. They are definitely more ridiculous that way.

It’s worth picking the book up from the shelf at your local bookstore/library just to read those few pages. (Of course, you’d be better served by reading the whole thing). Even people who don’t have a background with Barry will find some laughs there.

So, what did I think about Class Clown?

I’m fairly certain at this point in my life that I’m hardwired to enjoy Davy Barry’s writing, and that I don’t have the neuroplasticity to change that. No matter what apps for seniors I try. So maybe take this with a softball-sized grain of salt.

I really enjoyed this book. A lot—and on several levels.

Part of me would’ve liked a little more depth, a little more digging into details of his life, maybe his approach to writing. But it’d just feel strange knowing that much about Barry—and we all know what happens to a joke when you dissect it, knowing too much about how his sausage is made might not be that entertaining. Really, for Dave Barry—this is about as deep as we want. Every time I started to say “I wish he’d given us more about X,” I stopped myself and realized that no, this was just the right amount.

So no, it’s not as self-revealing as say, Patrick Stewart’s or Matthew Perry’s books—and that’s good.

This is a great way to get to know Barry a little better—given the nature of his work, a lot of us have had a para-social relationship with him before that was a phrase people used. It’s nice for us to deepen that relationship to a degree—before we get back to jokes about exploding cows, questionable song lyrics, or whatever.

I heartily encourage readers of Dave Barry to pick this up—even casual readers will have fun with this, you don’t have to be a die-hard like me. He’s one of a kind, and it’s great to bask in that for a little while.

Disclaimer: I received this eARC from Simon & Schuster via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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