Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.
I speculated a little in last week’s post about MW craven’s Nobody’s Hero (out tomorrow, in the US–out weeks ago on other places) about the title, and Craven corrected me. The title came from this song. So, obviously, I had to use it today.
I can’t put this one off any longer—if I could, I promise you I would (I’ve delayed it a few weeks already). I’m out of my league here, but I’ve got nothing else to write about. And I really need to write something about this.
Word and Spirit:by Richard B. Gaffin, Jr.; edited by David B. Garner & Guy Prentiss Waters
DETAILS: Publisher: Westminster Seminary Press Publication Date: December 1, 2023 Format: Hardcover Length: 723 pg. Read Date: January 7, 2024-September 22, 2024
The word atonement does not occur in Paul’s writings.’ But no concern is more central for him than the meaning of the death of Christ, the church’s perennial concern in its doctrine of the atonement. What does Christ’s death achieve? How is it effective for the salvation of sinners? This chapter considers Paul’s answers to such questions with an eye to the issue of continuity between Paul’s teaching and later church doctrine. How faithful to the apostle is subsequent Christian understanding of the atonement?
Contemporary Pauline scholarship is marked by a fairly widespread consensus that in its dominant and most influential expressions, traditional atonement theology departs from Paul in at least two substantial ways. First, it fails to recognize, or at least do justice to, the Christus Victor theme in Paul, that Christ’s death destroys actual slavery to sin and its consequences in the sinner. Second, its notion of the cross as penal substitution, particularly as it has been developed beginning with the Reformation, is foreign to Paul.? In my view, the first of these critiques contains some measure of truth; however, the second is wrong. As a fair generalization, historic Christianity, including Protestant orthodoxy, is weak in not recognizing adequately Paul’s teaching that the cross destroys sin in the sinner as a corrupting and enslaving power, but modern historical-critical scholarship is defective for not dealing adequately with his teaching that the cross removes the guilt and just punishment of sin.
According to the Publisher,
Few Reformed theologians have exerted the influence in both the church and the academy that Richard B. Gaffin, Jr. has, shaping the theology and spiritual formation of generations of pastors and teachers. Until now, his most significant published works have been inaccessible to most theological readers, published in academic journals, denominational newsletters, and out of print festschrifts and essay collections. A decade in the making, Word & Spirit gathers Gaffin’s finest works of biblical and systematic theology and arranges them in a singular, organic whole that presents Gaffin’s thought and work as comprehensively and clearly as it ever has been. More than 40 essays, articles, and tracts have been compiled, including “The Usefulness of the Cross”, No Adam, No Gospel, “A Cessationist View,” and “The Work of Christ Applied”. This collection is a must-have for any student of theology.
There’s really not much else to say. It’s broken down into five sections, and I’d be tempted to say that each section was the most valuable/useful (well, at least 2-5, but maybe if I spent some time re-reading part 1, I’d reconsider that). Let’s take a quick look at each:
This is ten articles spread out over 170+ pages, covering the basics of Biblical Theology, how it can and should interact with Systematic Theology (and vice versa).
There’s some repetition of ideas (this will be a common thread throughout each section), which makes sense as these were written as individual pieces, not as part of a book, and Gaffin’s position and ideas about these things have remained static/build on each other.
It’s vital to understand him and his work—and just good to have a handle on these ideas regardless.
Most of these seven articles encapsulate (and expand on) the ideas from In the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul, a book I raved about a couple of years ago. But there are teachings and texts he didn’t address there, that he does here.
This section was so rich, so helpful—the chapters “‘The Obedience of Faith’: Some Reflections on the Rationale for Romans,” “Atonement in the Pauline Corpus: ‘The Scandal of the Cross,'” “and “The Priesthood of Christ: A Servant in the Sanctuary”—were good enough that I almost re-read them immediately (and I probably should’ve).
The first article in this section, The Usefulness of the Cross is available as a PDF Free Chapter Download from the publisher, take advantage of this.
The first three of these six chapters might have been the most mind-stretching for me (they won’t be for everyone), and were very rewarding.
The final three were the easiest for me—and the most repetitive in the book. They focus on Biblical anthropology (as in teaching on the nature of man), focusing on the historicity and nature of Adam. I’ve read at least “No Adam, No Gospel” before—it was published as a booklet a few years ago, and I think I read the previous chapter, the Translator’s Foreword to Adam in the New Testament as well. And I didn’t mind one bit re-reading it/them. Still helpful.
These seven chapters could be (should be, if you ask me) be reworked into one book. Gaffin shines in these studies—and going back to his By Faith, Not By Sight and Resurrection and Redemption, these teachings are where he’s historically helped me the most. And that streak continues here.
Reformed theologians often (and wrongly) get the reputation for not talking about the Spirit as much as other traditions, and—even worse—are considered to ignore Him. Gaffin makes it clear that everything about Reformed Theology is based on the work of the Spirit in believers’ lives and helps us understand just what that means—both theologically and practically.
This section pretty much covers “everything that couldn’t fit above.” Again, I’ve read a few of these before in other publications/stand-alone works. But I don’t care.
The chapters on eschatology are gold.
The chapters on Justification and Calvin are even better—the way he talks about Calvin’s view of the relationship of Sanctification and Justification (and the way he presents the two in The Instittues even in the organization of them) is so important for us all to heed. Particularly as he roots them both in Union in Christ—as is every benefit that the believer enjoys in this life and in the resurrection.
The justification of God’s elect is unshakably secure because, in a sentence, Jesus Christ is “the same yesterday, today and forever” (Heb. 13:8). Despite the way it is often read, this is not, at least in the first place, a proof text for Christ’s divine immutability, that as God he is unchanging, though that attribute is surely in the background (see, for instance, 1:10—12).” Rather, it is most likely an affirmation of his unwavering fidelity, his abiding reliability as high priest—in his once-for-all sacrifice in the past on earth and in his ongoing present and future (cf. 7:25) intercession in heaven. That is as good a note as any to bring these reflections to a close. “Jesus Christ—the same yesterday, today and forever.” This, first and finally, is what Christians need to know about their justification when they consider Christ as their priest, not only in his state of humiliation but also in his state of exaltation.
Outside of the Foreword, Introduction, and Brief Biography (Appendix A), none of this is particularly easy reading. Nor quick. But all of it is accessible—for the depth he gets into at points, this is much more approachable than On Classical Trinitarianism (to mention a recent example).
This is probably the most personally beneficial read I’ve had in the last couple of years—sitting down with Gaffin for 30-50 minutes every week has been a great discipline and a great boon.
I should probably have more to say than that, but I can’t think of what else to say that’s not just a restatement of this: this is a fantastic book—with insights, teachings, and reminders of the things that are vital for every believer.
Highly recommended.
Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
Forget drop-shipping—America’s new favorite side hustle is … republishing classic literature?
Murderbot, She Wrote—Wired’s got a great feature on Martha Wells
The Power of Your Words: Leaving a Review Matters
How Can We Create a Reading Culture?—Pages Unbound’s Krysta lays out the problem with children and reading in Part One and suggests some solutions in Part Two
Indie Black Friday Sale—James Lloyd Dulin’s hosting this sale from Nov. 29-Dec. 1. You’ve spent a year making good progress on your TBR stack, might as well wipe it out in one fell swoop.
It’s the Time of Year for Gift Guides/Best of Lists like these:
It’s Beginning to Look a Lot Like Christmas: The 2024 Adult Books Edition—Witty and Sarcastic Book Club’s Annual list has some great picks
Holiday Gift Giving Guide—This Dad Reads has a gift guide for young and old (particularly if they like Star Wars)
The New York Public Library Announces the Best Books of 2024 for Kids, Teens, and Adults
NPR’s Best Books of 2024—is another extensive list
Top Five Science Fiction Novels of 2024—from John Mauro at Before We Go Blog
Top Five Fantasy Novels of 2024—from John Mauro at Before We Go Blog
A Book-ish Related Podcast episode (or two) you might want to give a listen to:
CrimeTimeFM Christmas Debate 2024—some of the UK’s best Crime Fiction reviewers sound off on their favorite reads of the year and on some controversial topics. As usual, it’s a fun listen that adds too many things to my lists.
To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
The Reluctant Warrior by Ty Patterson
and I mentioned the release of Endsinger by Jay Kristoff, Book 3 of The Lotus War
This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
Robert B. Parker’s Hot Property by Mike Lupica—Rita Fiore is in danger—it’s up to Spenser and Hawk to stop whoever is after her. I have a book and a half to get through before I can dive in. They’d better be worth it.
Chez Usher by Vicki Hendricks—a retelling of Poe in Florida. Farenheit Press’ latest looks like a winner.
Tooth and ClawDETAILS: Series: Walt Longmire, #.5 Publisher: Viking Publication Date: November 19, 2024 Format: Hardcover Length: 189 pg. Read Date: November 28, 2024
After his time with the Marines is over, Walt needs to get away from people, society, anything that makes him think of Vietnam and what he witnessed there. He also wants to get away from what he knows–and what fits that description better than Alaska? He takes a job working security on an oil field, replacing someone who’d killed himself.
He also finds himself drinking. A lot. There’s not much to do when he’s not on the job—and you get the impression he can do a lot of it with a little bit of a buzz on.
We encounter Walt in this state as Henry comes up to visit–he’s concerned about what Walt’s doing to himself (as is Walt’s former fiance, Martha). Henry shows up at the end of December, when there are very few hours of daylight each day up by the Arctic Circle.
Henry’s a little bored, truth be told, so when Walt finds the opportunity to take him along on a quick research trip to help keep a scientist safe they go.
The day trip doesn’t go the way they expect (naturally). Instead, the friends find danger, a blizzard, a large polar bear (even by polar bear standards), a ghost ship, and some garden-variety human evil.
This quick novella was fine. Walt and Henry against nature—weather and animal—isn’t exactly new territory, but Alaska isn’t what we’re used to seeing from them. It makes Wyoming look crowded. It’s a bit more extreme than we’re used to for them.
Add in a bunch of people we don’t know and a ship out of legend, and you’ve got something even better. There’s a potential supernatural element here–and the story works either way you approach that element.
It’s not a perfect read. The criminal activity seemed a bit perfunctory—and really didn’t add much to the novella, I might have appreciated the novella more without it. I don’t know that Johnson sold Walt’s drinking as being as much of a problem as Henry and a couple of others made it out to be.
But for what it is—a quick thrill-ride and a look at young-Walt, it’s good. There are some entertaining moments, it’s good to see these two in another environment. There’s at least one character I’d like to run into again.
It’s not a must-read for Longmire fans or the best introduction to the characters—but it’ll please longtime fans and should whet the appetites of new readers for the full novels. That’s good enough, right?
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Spook Streetby Mick Herron
DETAILS: Series: Slough House, #4 Publisher: Soho Crime Publication Date: December 12, 2017 Format: Paperback Length: 307 pg. Read Date: October 18-29, 2024
“You want me to issue a shoot-to-kill order.”
“Well there’s no point shooting to wound. People would only get hurt.”
What happens when an old spook loses his mind? Does the Service have a retirement home for those who know too many secrets but don’t remember they’re secret? Or does someone take care of the senile spy for good? These are the paranoid concerns of David Cartwright, a Cold War-era operative and one-time head of MI5 who is sliding into dementia, and questions his grandson, River, must figure out answers to now that the spy who raised him has started to forget to wear pants.
But River, himself an agent at Slough House, MI5’s outpost for disgraced spies, has other things to worry about. A bomb has detonated in the middle of a busy shopping center and killed forty innocent civilians. The “slow horses” of Slough House must figure out who is behind this act of terror before the situation escalates.
(I just don’t have the time or energy)
Louisa makes a friend! A non-Slough House friend, it should be stressed. Which is great—and will hopefully help her deal with the events of Dead Lions. Sure, I pretty much like everything about Louisa, but this worked really well.
This: “What happens when an old spook loses his mind? Does the Service have a retirement home for those who know too many secrets but don’t remember they’re secret?” Yeah, it could be phrased a bit more skillfully, but really—what is done in these situations (I have to assume more and more of these happen all the time)
This book is really all about the power behind the throne. Sure, all the attention is on the leader (of whatever), but being the guy behind them—almost all of the power, but with almost none of the accountability or scrutiny, you can get a lot done. And you can direct the person at the top with just the right kind of pressure or incentive.
Yes, the “Slow Horses” are, by design (of both Herron and MI-5) disposable, and impermanent. But some are pretty much irreplaceable, as the poor woman who is brought in to fill Catherine Standish’s shoes learns.
Everything we learned about David Cartwright and his activities seems realistic. It’s chilling and troubling in so many ways. He deserves to be called OB. Or just B.
Back to the impermanent idea. Herron shows us that he’s in the same league as authors like George R.R. Martin when it comes to the mortality of characters. I both admire that and am angered by it.
Roderick Ho…what can I say about him? At the beginning of the book, I couldn’t believe what I was reading about him—it was far more hard to believe than any of the outlandish things we’ve seen Jackson Lamb’s team encounter. By the end, it all made sense. And I might have felt pity for the guy (although he makes it hard)
Herron’s prose is so delicious. It’s mirthful without actually being funny (and only occasionally jokey). It’s so well crafted, it’s…I can’t put it into words. I just love reading him.
They were south of the river, half a mile from the Thames, near one of those busy junctions which rely on the self-preservation instincts of the drivers using it; ether a shining example of new-age civic theory, or an old-fashioned failure of town planning. On one of its corners sat a church; on another, earth-moving monsters re-enacted the Battle of the Bulge behind hoardings which shivered with each impact. A tube station squatted on a third, its familiar brick-and-tile facade more than usually grubby in the drizzle. There was a lot of construction work nearby, buildings wrapped in plastic sheeting, some of it gaudily muralled with visions of a bright new future: the gleaming glass, the pristine paving, the straight white lines of premises yet-to-be. Meanwhile, the surviving shops were the usual array of bookmakers, convenience stores and coffee bars, many of them crouching behind scaffolding, and some of them book-ending alleyways which would be either dead-ends where wheelie-bins congregated, or short-cuts to the labyrinth of darker streets beyond. Once upon a time Charles Dickens wandered this area, doubtless taking notes. Nowadays the local citizenry’s stories were recorded by closed-circuit TV, which had less time for sentimental endings.
Once again, I couldn’t stop asking myself why I am so behind in reading these? Why do I take breaks of months and months between them? Everything about this series is great.
I’m just happy the whole time I’m reading one of these books—despite the fact that the events are harrowing, the characters are generally despicable, and what the books suggest about humanity and Western security services (UK’s in particular, but I can only imagine they function pretty similarly to the rest) doesn’t fill one with optimism or confidence.
Spook Street is a solid winner from the horrible incident the book started with to the closing comforting paragraphs and all points in between. Herron planted more seeds than is typical for future installments—and I can’t decide which I want to see first (on second thought, I want to see the Roddy Ho stuff come back to haunt him/Slough House as soon as is humanly possible).
If you’re not reading these books—at my snail-like pace or at a rational pace—you are missing out.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Happy Thanksgiving/Turkey Day/Thursday
(depending on your practice/preference/location)
On this day that has been set aside these U.S. for expressions of gratitude, it’s been my custom to take a moment or two and mention a few of the things that The Irresponsible Reader is thankful for. This is just about my favorite of my annual posts typically, but this year I feel even more grateful than usual.
So, this year, I’m thankful for:
The readers of this blog. If I knew your names, I’d thank you all personally.
The authors who’ve corresponded with me, encouraged me—even promoted this here project.
Those authors, publishers, and/or publicists provided books for me to read.
Books (print, electronic, or audio)—the stories, characters, and/or things I learn are what keep me sane, entertain, and inspire me.
Authors! If not for them, I wouldn’t have the above.
Talented narrators and illustrators—ditto
Coffee (and other beverages both caffeinated and adult)
The authors and blogger who’ve taken the time to help my try to launch my YouTube page–and the three authors who’ve given very polite rejections. But mostly the people who’ve taken time to show up.
All the authors who’ve stopped by for a Q&A or a Guest Post this year. I’ve really been blown away by the work you’ve put into making my patch of cyberspace better.
I want to offer a particular word of thanks for the bloggers and authors who chipped in and helped while I was on sick leave dealing with my cancerous tumor, the posts were great, and the time off was a relief.
Time to read (which is getting scarcer in my life, so I’m even more grateful for it)
The Nampa Public Library, The Caldwell Public Library, (and The LYNX! Consortium)
Shared Stories, Rediscovered Bookshop, and Libro.fm
My Real Life friends and acquaintances who give me feedback and encouragement via text or face-to-face. You all could help my stats by using the comment forms, however 🙂 But I truly appreciate you reading and talking to me about this.
My supportive, understanding, and encouraging wife and kids. They all do a pretty decent job pretending to care when this old man drones on and on about what he’s reading or what’s going on with the blog. Helping me with technical issues, testing things, and general brainstorming is particularly appreciated.
I should give a specific thanks to my daughter, who serves as wingperson when I go to local events and has helped me connect with several authors that I wouldn’t have been as successful with on my own. It’s amazing what people skills can do.
Again, all of you who read this page, follow, like, tweet, comment, email, etc.—you have no idea how much every little bit is appreciated.
For my fellow Americans, I hope you have a pleasant day with your friends and/or family. As for the rest of you, I hope you enjoy today and that you enjoy having the same pant size tomorrow as you do today.
I had in mind putting up a new version of this with new answers, because 2024 me is different than 2021 me, right? But I really like these answers (although I might switch out Lethal White for a different Galbraith), so…holidays are for laid back approaches to things, right? What’s more laid back than a repost with a two-sentence intro?
I’ve seen this on a few blogs, but it was on Bookstooge’s Reviews on the Road that I decided to do it myself. I don’t know where this originated, so I can’t credit them.
I really tried not to let recency bias rear its ugly head on these responses, but I ended up listing two books I read this year. Whoops.
I’m left scratching my head here–what doesn’t have a plotline?
There’s a plot here, but it’s slight–and covered under layers and layers of clever dialogue. (none of which is a criticism, it worked wonderfully)
It is Zorro–the swashbuckling, womanizing, swordsman who’s a proto-Batman figure. How do you make him dull? I still don’t know how you do it, but Isabelle Allende must, because she nailed it. The only reason I finished this was because I had to see if it ever got exciting. According to my logs, I read this in 2010–but at the time, I felt like I spent more than a decade reading it. So, I guess I might still be reading it.
I’m struggling to answer this one–it seems to suggest that the others aren’t up to snuff, or aren’t even worth the time, “but this one book…” I’m sure there are some, but I can’t think of any. I’m tempted to say Red Dragon or The Silence of the Lambs are so good that it makes Hannibal worth it–but it’s easier to just skip the others.
I guess…
I have problems with The Wise Man’s Fear. And, sure, I’d love to read The Doors of Stone. But you know what? I loved The Name of the Wind enough that I can live with what ever’s lacking in the others (including, but not limited to, not being published).
The first Ben Bracken novel is as non-stop as you could ask for. Pound-for-pound there’s more action in this book than any other I can remember. Sure, Parker can go whole paragraphs without much in the way of action–but he doesn’t do that often here.
A Killer hook. A lot of hype. Some compelling writing. And an ending that made me want to hurl it across the room and into a shredder. It was a library book, however, so I really couldn’t indulge the impulse.
Also…really? l;ike Bookstooge said, what’s up with this slander against Mashed Potatoes? (not just saying this as a reflexive defense of the crop Idaho’s best known for)
The first romance that jumped to mind was Nick and Alli from Hanover’s first book. (sure, most of the sweetness came from Alli, but Nick’s not bad, either).
I’m not convinced that cranberries are really all that “sweet,” however. Tart? Sour? Sure. Sweet? Eh, only with anough sugar added. Unlike everything Hanover’s written.
This is just a ridiculous novel–I laughed a lot. I cringed a lot, too. It was a delightful batch of corny silliness.
Part of the reason that I haven’t jumped on Troubled Blood is that this one was just too long. At the time (or since), I couldn’t figure out what needed to be cut, but something sure needed to.
Unlike any green bean dish I’ve ever had, however, I enjoyed Lethal White in the end.
It’s been a while–a very long while–since I’ve been in a slump. But I could always count on some of my favorite Nero Wolfe/Archie Goodwin novels. They’re pure comfort food–tasty and sweet.
This varies a lot from year to year, but more often than not, I’d say stuffing.
(image borrowed from Happy Life Blogspot)
As usual, I’m not tagging anyone in this—but I’d like to see what you all have to come up with.
This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.
The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?
Seems easy enough, right? Let’s take a peek at this week’s answers:
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| 1-800-CallLoki by Dawn Blair |
The Faculty Lounge by Jennifer Mathieu, read by Lisa Flanagan |
1-800-CallLoki puts the Norse God into the role of protagonist and hero (of sorts). It’s frequently amusing and pretty compelling. I should be wrapping this up soon.
The Faculty Lounge is filled with gentle humor, some good characters, and a plot that is just interesting enough to keep me listening. It’s utterly fine, but unless the last 40% knocks my socks off, it’ll get a “just okay” from me.
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| Instinct: An Animal Rescuers Anthology edited by L. J. Hachmeister |
I Hope This Finds You Well by Natalie Sue, read by Nasim Pedrad |
Instinct was a very mixed bag of animal SF/Fantasty/Urban Fantasy stories, none of them were bad, most were okay, but those that were good, were very good. Just what you expect and hope for out of an anthology like this.
I Hope This Finds You Well was better than I’d anticipated it could be, I rather enjoyed it–and hopefully I can expand on it soon.
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| We Solve Murders by Richard Osman |
Marvel: What If . . . Marc Spector Was Host to Venom? by Mike Chen, read by Keith Szarabajka, Xavier Casals |
I’d hoped to be well into the Osman book today, but oh, well–I still have a couple of days before it’s due at the Library (this will not be joining the ranks of the books I didn’t read)
The Moon Knight/Venom story is probably not going to do much for me–but I trust Chen, and the Wanda/Spider-Man book was so good that I have to give it a shot.
Nobody’s Heroby M.W. Craven
DETAILS: Series: Ben Koenig, #2 Publisher: Flatiron Books Publication Date: December 3, 2024 Format: eARC Length: 416 pg. Read Date: November 1-4, 2024
A decade ago, Ben Koenig helped a woman disappear—and to do so in a way that even he (who knew more than anyone else in the world about it) wouldn’t be able to track her. But now, she’s surfaced—as someone responsible for a couple of brazen murders on the streets of London. He and his watcher/minder/handler Jen Draper are tasked with finding her and finding out what made her come into the open.
It takes all of their creative approaches to investigating—and Draper’s security firm’s extensive resources—plus a little luck to get on the path. But will they survive it?
Standing in their was is a team of assassins, criminal police officers, smugglers of various stripes, petty criminals—and bigger ones—and schemes that are truly chilling. Their strengths? The aforementioned creativity and extensive resources, some assistance from a certain Agency, their shared drive, Koenig’s lack of fear, his strange humor and odd trivia.
Obviously, the bad guys are in for trouble.
Far too often when someone/some group in a novel has a completely innovative, genius, unbelievably original idea, it really isn’t. At best they’re usually clever, but nowhere near as mind-blowing as characters act. Too often, I think authors would be better off alluding to a plan without giving us all the details, and readers have to suspend disbelief to keep going.
For a while, I was worried that Craven had bitten off more than he could chew in revealing all that he did—when it was all shadows, I was really invested. But as the book progressed and we got more and more details about the scheme afoot, the more I realized that this was one of those exceptions that proved the rule. There’s some really ingenious stuff going on here.
I should’ve trusted the mind that brought us The Botanist (as only one example).
Can I promise that every reader is going to have their mind boggled by this? No. But even the cynics or the people who suss it out before the reveal are going to admit that this is atypically clever, and you can absolutely understand why Koenig and Draper have such difficulty with this—and are willing to risk so much to stop it.
I’m not going to get into it now, but I can imagine that more than one book club is going to spend some fun time speculating about/arguing over who the title is referring to.
I mean, I’ve spent some time speculating about it and arguing with myself over the identity. I figure Craven has multiple characters in mind, actually, rather than just one. But I’m prepared to be wrong about that.
If you’re like me, and decided at one point or another to not have a meal while watching Bones, at least until the (first) body is taken back to the Lab (the CSIs may have driven viewers to a similar choice), you’re going to want to take a similar approach to the fight scenes in this book. That’s actually an excess of caution, you’re really only going to need it for some. But better be safe than sorry—really.
Now, once you put the meatball sub aside, these fight scenes are really well-written. I think they’re better than those in Fearless. Craven brings the goods in the technical sense/ability to depict things clearly, the impact on the plot, and the overall entertainment value.
This is really one of those books best discussed among people who’ve read it—most of the glowing things I want to say would reveal too much—and you don’t have to read too much of Craven’s work to know it’d be a bad idea to cross him. So what can I say?
Let’s start with this—between Fearless and Nobody’s Hero I read a couple of thrillers with a one-man Army in the Reacher/Koenig/Ash/Ryan/Orphan X etc. mold that soured me on the whole thing, so I started this with a little trepidation. Also, I didn’t know how he’d follow up Fearless and feared a little sophomore slump. It took me very little time to cast all that aside and just have a blast with this—I’m back to my appreciation of the genre, and I don’t know if Craven has the word “slump” in his vocabulary.
Ben Koenig is one of those characters that I hope to spend a lot of time with, there’s just something about him that I really like. It was good to see Jen Draper in action and to see the shift in the relationship between these two from where it was in Fearless and the beginning of this book to the end. They’re a good team.
I don’t know where to put this, but I need to say that between what we see in Nobody’s Hero and some of the Poe series, I really have to wonder what kind of drinking establishments Craven frequents (or I hope, for his sake, used to frequent).
One of the assassins has a…let’s put it generously and vaguely…a quirk. It feels like the kind of thing that Craven stumbled upon at some point in the last 15 years and said, “I need to put this in a book some day.” I’m very glad it did—I’m not convinced that a hitman could become a success with that quirk, really. But Craven uses it so well, that I’m not going to complain. I really enjoyed the way it paid off.
We didn’t get a monologue at the end by an evil mastermind, which still happens even after being made a cliché decades ago—it wasn’t necessary, and what we got instead was so entertaining. It was truly a great change from what was expected.
I don’t know that we need that last reveal—nor does the series—but, I look forward to Craven coming back to it in the future (however far away that future may or may not be).
Action, snark, and some really great twists. There’s a momentum to this that builds and builds and builds as the tension ratchets up in a way that shows you’re in the hands of a Thriller Master. Sure, every decent thriller has that characteristic. But anyone who’s read a couple of thrillers knows the difference between standard-issue momentum and tension and something special. This is the latter, and it ain’t even close.
Do you need to read Fearless before this? No. Will it help a little? Not much, but yes. The important thing is that you read both of them. You won’t want to put it down once you pick it up.
Long live Ben Koenig.
Disclaimer: I received this eARC from Flatiron Books via NetGalley in exchange for this post—thanks to both for this.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
This week’s topic is, “Top 5 books I meant to read in 2024.” This seemed like a fun one to try until I actually tried to sit down and come up with the five. I recently described my TBR as a tragicomedy, and the 2024 version alone is more tragic than comedic. But then I realized I had a perfect five–so, here’s my approach to this list: Top 5 books I meant to read in 2024 (and actually checked out of the library…multiple times…but didn’t start). I’ve also mentioned some of these on Books on My Summer 2024 to-Read List and multiple WWW Wednesday posts. I’ve done everything but read them, not even the first page. I’ve checked them out, held them for the maximum amount of renewals, returned them, got back on the hold list, checked them out…and so on, twice.
We could also call this “5 sources of frustration this year.”
In alphabetical order by author:
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 Amari and the Despicable Wonders by BB Alston War has come to the supernatural world, and Amari's two worst enemies are leading the charge. Elaine Harlowe has manipulated her way into becoming prime minister, using her mind control ability to force the Bureau to take up her vicious grudge against magiciankind. Meanwhile, Dylan Van Helsing, the newly crowned leader of the League of Magicians--and Amari's former partner--is after a destructive new power that would not only ensure the magicians' victory . . . it would make him invincible. With neither the Bureau nor the League safe for Amari, and her newly returned brother, Quinton, determined to keep her out of the fray, she and her friends decide to find a way to end the war on their own. So when they learn that the only way to stop Dylan is to find powerful magical inventions known as Wonders, they go after them. But wielding these items comes at a terrible cost, and Amari will have to decide just how much she's willing to sacrifice . . . because the Despicable Wonders will demand everything. |
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 What You Are Looking for Is in the Library by Michiko Aoyama, read by Hanako Footman, Susan Momoko Hingley, Kenichiro Thomson, Winson Ting, and Shiro Kawai What are you looking for? So asks Tokyo's most enigmatic librarian. For Sayuri Komachi is able to sense exactly what each visitor to her library is searching for and provide just the book recommendation to help them find it. A restless retail assistant looks to gain new skills, a mother tries to overcome demotion at work after maternity leave, a conscientious accountant yearns to open an antique store, a recently retired salaryman searches for newfound purpose. In Komachi's unique book recommendations they will find just what they need to achieve their dreams. What You Are Looking For Is in the Library is about the magic of libraries and the discovery of connection. This inspirational tale shows how, by listening to our hearts, seizing opportunity and reaching out, we too can fulfill our lifelong dreams. Which book will you recommend? |
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 Don’t Let the Devil Ride by Ace Atkins Hell is empty...and Addison McKellar's husband is missing. Addison McKellar isn't clueless--she knows she and her husband Dean don't have the perfect marriage--but she's still shocked when he completely vanishes from her life. At first Addison is annoyed, but as days stretch into a week and she's repeatedly stonewalled by Dean's friends and associates, her frustration turns into genuine alarm. When even the police seem dismissive of her concerns, Addison turns to her father's old friend, legendary Memphis PI Porter Hayes. Porter and Addison begin to dig deeper into Dean's affairs and quickly discover that he was never the hardworking business owner and family man he pretended to be. As they piece together the connections between a hook-handed mercenary, one of Elvis's former leading ladies, and a man posing as an FBI agent, it becomes clear that Dean was deeply enmeshed in a high-stakes web of international intrigue, and Porter and Addison aren't the only ones looking for him. Dean angered some very dangerous people before he disappeared--people who have already killed to get what they want--and they won't hesitate to come after his family to even the score. Don't Let the Devil Ride is a thrilling adventure about what can happen when you pull back the curtain on your life. Ace Atkins, long known for gritty Southern noir with a witty edge, has crafted an ambitious, globe-hopping story that comes home to Memphis in explosive fashion. |
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 An Honorable Assassin by Steve Hamilton He was released from federal prison to a second life as an unwilling assassin, serving a major Chicago crime lord until the day he finally won his freedom. But that freedom was a lie. Now Mason finds himself on a plane to Jakarta, promoted to lead assassin for a vast shadow organization that reaches every corner of the globe. This time, there's only one name on his list: Hashim Baya--otherwise known as the Crocodile--international fugitive and #1 most wanted on Interpol's "Red Notice" list. Baya is the most dangerous and elusive criminal Mason has ever faced. And for the first time in his career ... Mason fails his mission. Baya gets away alive. There's only one thing he can do now: to save himself, his ex-wife, and his daughter, he must make this mission his life, hunting down the target on his own. But Mason isn't alone in his search, because for Interpol agent Martin Sauvage, apprehending Baya has become a personal vendetta. Sauvage is a man just as haunted as Mason. And just as determined. Never have the stakes been so high, the forces surrounding him so great. Sauvage wants Baya in prison. Mason needs him in a body bag. Assassin and cop are on a five-thousand-mile collision course, leading to a brutal final showdown--and the one man in the world who can finally show Nick Mason the way to freedom. |
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 Slow Dance by Rainbow Rowell Back in high school, everybody thought Shiloh and Cary would end up together . . . everybody but Shiloh and Cary. They were just friends. Best friends. Allies. They spent entire summers sitting on Shiloh's porch steps, dreaming about the future. They were both going to get out of north Omaha--Shiloh would go to go to college and become an actress, and Cary would join the Navy. They promised each other that their friendship would never change. Well, Shiloh did go to college, and Cary did join the Navy. And yet, somehow, everything changed. Now Shiloh's thirty-three, and it's been fourteen years since she talked to Cary. She's been married and divorced. She has two kids. And she's back living in the same house she grew up in. Her life is nothing like she planned. When she's invited to an old friend's wedding, all Shiloh can think about is whether Cary will be there--and whether she hopes he will be. Would Cary even want to talk to her? After everything? The answer is yes. And yes. And yes. Slow Dance is the story of two kids who fell in love before they knew enough about love to recognize it. Two friends who lost everything. Two adults who just feel lost. It's the story of Shiloh and Cary, who everyone thought would end up together, trying to find their way back to the start. |
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