Tag: 3 1/2 Stars Page 14 of 43

The Case of the One-Eyed Witness by Erle Stanley Gardner: A Dose of Nostalgia Delivered in a Twisty Whodunit.

By HCNewton

On December 22, 2021

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The Case of the One-Eyed Witness

by Erle Stanley Gardner
Series: Perry Mason, #36

Mass Market Paperback, 210 pg.
Pocket Books, 1963

Read: October 19-20, 2021
Grab a copy from your local indie bookstore!

What’s The Case of the One-Eyed Witness About?

While out for dinner with Della Street, Perry Mason gets a call from an unidentified person wanting to hire him for a job. She’s even arranged for some money for a retainer to be delivered to him at the restaurant—she just needs him to act on some information included with the cash. It’s a matter of life and death, she says, before the call ends.

Trying to earn his (pretty small) retainer, after he gets the delivery, Mason tries to track down his new client—and then he completes his assignment.

In the course of trying to figure out who his client is, Mason comes across a murder, and then another. He finally finds someone who he thinks is the client—and she denies that up until she gets arrested for murder, and then she’s more than ready to hire him.

Mason goes up against the Washington Generals of the legal system, Hamilton Burger and Lt. Tragg, as well as some pretty clever witnesses in his efforts to get to the bottom of this mystery. But while things frequently look grim for his client, it’s a sure bet that Mason will make sure justice is done.

Perry Mason, Micromanager

So Paul Drake is supposedly one of the best P.I.’s around—he’s got a sizeable agency of capable detectives, too. But you wouldn’t know it, the way that Mason ordered him around the investigation. I was taken aback by it, I have to say. It’d be different if this was Drake’s first case for Mason—or at all—but for a guy with his kind of experience? Sorry, Perry, trust the man to do it right.

There’s A Lot of Ugly Here

This was originally published in 1950, and you can tell in many ways. One of which is the casual usage of ethnic slurs about Japanese people. It’s not the first time I’ve read a book from this era (or earlier), I know this stuff is there—and I normally wince and move on. But it seemed a bit heavy in this book. I think—I don’t know, but I think—it’s there purposefully. That doesn’t make it easier to read. But if I’m right, it allows me to want to read more Gardner.

The reason I think the racist language is intentional is that prejudice against Japanese people is at the core of the plot—I’m not saying it’s a hate crime. But this story is only possible in a society where this prejudice is this prevalent.

I don’t know why I’m being cagey with spoilers for a book seven decades ago, but old habits, I guess.

At the end of the day, I can still enjoy this and see the racism as a disturbing cultural relic. And maybe as a sign of how far we’ve come (though, we obviously have further to go).

Nostalgia Trip

As best as I can remember, a few months after I fell in love with the Perry Mason show in syndication, I girded my loins and crossed that line between the “Juvenile” and “Adult” shelves at my library for the first time to see if I could find some books by the guy listed in the credits. They didn’t have a complete set—but boy howdy, they had a lot of them. A few years later, when we moved to a new city, I was disappointed to see that their Gardner collection was smaller—but at least they had a couple I hadn’t read.

For some reason, about the time I left college, I stopped hunting down unread novels and stopped re-reading them, too. I’ve thought about dipping my toes back in, but hadn’t gotten around to it. Until a couple of months ago and I found myself in front of a large selection of used paperbacks—including one that was new to me.

Reading this took me back—from the list of the Cast of Characters through to the end, it was like stepping back into a world I’d forgotten. I remembered the characters (and how they differed from their TV portrayals), the snappy dialogue, and quiet humor. I got a huge hit of nostalgic warm and fuzzies from reading this one.

So, what did I think about The Case of the One-Eyed Witness?

I don’t think this was one of Gardner’s best, but it’s like what they say about pizza. Even if it’s bad, it’s still pretty good. And this wasn’t bad—it just wasn’t great.

I do think the plot was unnecessarily convoluted, but it was necessary to get Mason exposed to everything he needed to lead up to the big gotcha moments in the courtroom, and to Mason solving it. It was a satisfying conclusion, too. Enough that I don’t care about how complicated the trip to the conclusion was.

I had a great time reading this—and I think anyone who loves a good bit of courtroom drama will, too. If you haven’t read a Perry Mason novel before, this might not be the best one to start with. But you should give one of them a shot—I can’t imagine it’ll be another two-and-a-half decades before I try another.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Leaving the LAW by Robert Germaux: Looking at JB’s Past as He Tries to Save a Kid’s Future

By HCNewton

On December 16, 2021

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Leaving the LAW

by Robert Germaux
Series: Jeremy Barnes, #4 (Chronologically #2)

Kindle Edition, 208 pg.
2021

Read: November 25-26, 2021
Grab a copy from your local indie bookstore!

As I drove away from the center, I thought about Asaan and Anthony and Franklin High School and the gangs. And scones. Food is never far from my mind, and I didn’t have anything else to do at the moment, so I drove home and parked the Camry in my driveway and walked to Starbucks. I can think and eat at the same time, a skill that I have demonstrated on numerous occasions. No need not to do so again.

What’s Leaving the LAW About?

Before Jeremy Barnes became a P.I., he was a teacher—a dedicated and idealistic one. Which is largely why he left the profession. The American education system is not a place for idealists. One student that he made an impact on comes back into his life fifteen years later.

Laretta Warren is now a single mother, doing her best. Laretta’s son, Anthony, is in a gang and is in real danger of legal problems if he doesn’t change direction. He’s also in real danger period. Laretta remembered how JB inspired her to keep going—now she wants him to inspire her son to get out of the gang and get on a better path.

JB has no illusions that he’s going to be able to make any difference. But he remembers Laretta’s spirit. He respects that, he wants to honor her wishes, and do what he can for her. Even if it’s to take on a Quixotic task.

While he tries to talk Anthony into wanting to leave, he knows it’ll take more than gaining his trust and then convincing him. So he sets out to gain leverage against the leader of the gang. As difficult as it will be to get Anthony to want to leave, that’s simpler than getting him out. He also needs to understand the gangs better—the landscape has changed a lot in the years since he taught high school.

This leads him to reconnect with the school’s Vice Principal, and his friends in the police department connect him with the officer who’ll be the most helpful—both the V.P. and police lead him to a community activist who is instrumental in keeping the peace between rival gangs in the area. JB learns a good deal about them and the way the leadership thinks—now, will it be enough?

JB and Laura

So, if you read this in order of publication, you already know where the relationship between JB and Laura is going—if you’re reading this chronologically, you met her in the previous book, and have a pretty good idea where it’s going.

Either way, their relationship is beyond the establishment stage, but they’re still figuring themselves out as a unit. One of the biggest things for Laura to reckon with is the violence that JB occasionally runs into. Is she prepared to deal with the stress and worry? Is it worth it? She’s still working her way through that—and it should take a little while.

Laura doesn’t often remind me of Susan Silverman (unlike JB, who constantly reminds me of Spenser), but she really does sound like her as she works her way through the danger inherent in JB’s work with Anthony. For what it’s worth, I think Laura deals with it a little better than Susan does early on, but it’s obviously a struggle for her.

So, what did I think about Leaving the LAW?

Once again, Germaux has delivered a thoroughly entertaining PI novel. Spending time in a Germaux novel (Jeremy Barnes or Daniel Hays) is a guaranteed good time with characters you can’t help but like.

I enjoyed getting more of a glimpse into JB”s past than we’ve gotten before—and the way he reacts to Laretta (both as he remembers her and as he observes her) is exactly how you want a teacher to respond to a student. It just makes a PI you already were invested in and was rooting for all the more likable.

I halfway expected the final reveal—but that didn’t stop it from being effective, it just made the most dramatic sense. I’d much rather a scene to be justified and successful than an out-of-blue surprise, anyway. Germaux satisfied that preference while delivering what I expected with a motivation that I didn’t expect.

I had a lot of fun with this book—good characters and prose that’s just smooth and easy reading. I’m about done with Germaux’s detective fiction—while I’m all for being a completionist, I’m not crazy about crossing that last one off my list. Thankfully, I have a few other books by him to get to.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

OCDaniel (Audiobook) by Wesley King, Ramón De Ocampo: An Uplifting MG Mystery/Coming of Age Story

By HCNewton

On December 14, 2021

In Audiobook, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, YA/MG/Children's Books

OCDaniel

by Wesley King, Ramón De Ocampo (Narrator)

Unabridged Audiobook, 7 hrs., 4 min.
Tantor Audio, 2018

Read: June 29-30, 2021
Grab a copy from your local indie bookstore!

What’s OCDaniel About?

I found myself saying way too much about this book—I’ve taken two attempts at this part of the post, and each gets too detailed. It’s hard to stop talking about this, apparently.

So let me fall back on the tried-but-true (albeit lazy) method of borrowing the description from the Publisher’s website:

Daniel is the back-up punter for the Erie Hills Elephants. Which really means he’s the water boy. He spends football practice perfectly arranging water cups—and hoping no one notices. Actually, he spends most of his time hoping no one notices his strange habits—he calls them Zaps: avoiding writing the number four, for example, or flipping a light switch on and off dozens of times over. He hopes no one notices that he’s crazy, especially his best friend Max, and Raya, the prettiest girl in school. His life gets weirder when another girl at school, who is unkindly nicknamed Psycho Sara, notices him for the first time. She doesn’t just notice him: she seems to peer through him.

Then Daniel gets a note: “I need your help,” it says, signed, Fellow Star Child—whatever that means. And suddenly Daniel, a total no one at school, is swept up in a mystery that might change everything for him.

OCD Portrayal

I didn’t note how far into the novel we are before someone uses either “OCD” or “Obsessive-Compulsive Disorder,” but I’d be willing to guess it’s the latter third. Obviously, for anyone who even glanced at the title, they know what’s going on—but this novel isn’t about OCD per se.

It’s a novel about a kid who doesn’t understand himself, who doesn’t realize what’s going on with his brain, and who’s scared to talk to anyone about it. He loves his parents—and there’s no reason to think they wouldn’t be supportive and would help him to find the tools he needs. But he doesn’t want to be “weird,” he doesn’t really want to admit to it to anyone other than himself.

Sarah has her own struggles and isn’t afraid to let Daniel see them—and she sees his at least as clearly as Daniel’s. So he can open up to her.

This is based on King’s own experiences, his own OCD, practically ensuring that it’s a sensitive and sympathetic portrayal. At the same time, it does as good a job as any that I’ve come across in communicating what it’s like to those who’ve never experienced it. I’d recommend it to anyone in whatever age range just for that alone.

That doesn’t mean that King doesn’t have some fun with it, he takes opportunities for small and large comedic moments brought on by Daniel’s OCD. But it’s never mean-spirited, and the reader laughs while feeling sympathy (maybe even empathy).

A Few Thoughts on the Narration

De Ocampo is a pretty versatile narrator—I’ve previously listened to his work on Diary of a Wimpy Kid and Tropper’s This is Where I Leave You. He’s able to hit all the right notes here—the comedy, the uncertainty, the tension—Daniel’s “zap”s—the whole kit and caboodle.

I was pretty impressed—moreso when I looked him up and saw that I’d heard his work before. He did a good job here and did so in a way that didn’t make me think of the others I’d heard.

So, what did I think about OCDaniel?

I thought the whole mystery thing was a bit far-fetched, especially the way it resolved. But that didn’t mean it wasn’t fun—and the rest of the novel more than made up for the bits of the story that induced a bit of eye-rolling.

It was an entertaining and enlightening novel—great for the upper MG/lower YA crowd, but a solid enough work for older audiences, too.

Give this a read, or a listen—you’ll be glad you did.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Psalms that Curse by Sean McGowan: A Primer on Controversial Prayers

By HCNewton

On December 5, 2021

In Non-Fiction, Theology/Christian Living

Psalms that Curse

by Sean McGowan

Kindle Edition, 90 pg.
Reformation Zion Publishing, 2021

Read: November 28, 2021

What’s Psalms that Curse About?

Simply put:

…in our modern day some psalms have seemed to not “make the cut.” To say it another way, some would argue that not all the psalms should be sung or prayed today, particularly the ones that speak out harshly against enemies. Some popular approaches would say that these psalms were for a different time, or only to be used by the old covenant people of God. But the burden of proof rests on them to demonstrate why some of these psalms cannot be sung or prayed today, while the others can. Should the psalms that present “harsh language” and make us uncomfortable at times still be considered relevant for the church today? Should we still be able to sing, and specifically pray, these kinds of prayers today?

McGowan first sketches out the role of the Psalms and then ends with the question above, then he spends a chapter focusing on the imprecatory psalms and various views about them floating around the Church. He then focuses his attention on Psalm 137 and uses the exegesis of the psalm to establish his view on the purpose of imprecatory psalms. Then he spends a chapter on the use of them in the New Testament—or are they even compatible with a New Testament ethic? (short answer: yes)

This is short work, and the depth of each chapter reflects that—but McGowan covers the essentials in each.

Comparing This to Others

I don’t typically do books on similar topics back-to-back like this, but I saw this talked about on a couple of podcasts I listen to after I read The Morality of God in the Old Testament, and was curious about another take on it.

McGowan’s take is different from similar works I’ve read here in the past—like The Morality of God in the Old Testament and War Psalms of the Prince of Peace—he quotes the latter, labeling it “inadequate” (along with other views, he didn’t single it out). McGowan’s thesis is more straightforward and less nuanced than Beale’s (not superior or inferior, just more direct).

This is a primer—as McGowan reminds the reader—so he doesn’t spend time analyzing or critiquing differing views, he mentions them briefly to distinguish his—but the focus of this short book is on his take.

Would I have preferred analysis and critique? Seeing how his views match up against others? Yes. But I’m not going to fault a guy for writing the book he wanted to rather than the one I wanted (at least until I’m wealthy enough to act as a patron).

Besides, this gives me a chance to chew on the ideas myself.

So, what did I think about Psalms that Curse?

We are not saying that the only way to respond to intense persecution is to call down God’s vengeance. In fact, the normative response should be to pray for God to convert them…what we are arguing for is a recovery of the prayer of imprecation. We are arguing for the category. We are arguing that the prayer of imprecation should have a seat at the table, not for it to be the only thing at the table.

Hard to argue against that.

I don’t know that McGowan convinced me with his position about the—but he impressed me with the argument. It’s a short work, but he does the work. First, he established his thesis from a noteworthy example of an imprecatory psalm, and then after showing his thesis at work he tactfully and pastorally lays out how the believer ought to apply it. Hard to ask for more.

I really appreciated the chapter exegeting Psalm 137 and the concluding chapter, focusing on the way the Christian ought to pray imprecatory prayers. It was an important chapter and one that I hope many encounter. I think there’s some good overlap there with some of what Adams suggested in his work, too.

Not a perfect book, but a good one, a helpful one, and a thought-provoking one. A work that should lead the reader back to the psalter for study and reflection.

3.5 Stars

The Dark Hours by Michael Connelly: Ballard Tackles a Pair of Tough Cases in this Timely Novel

By HCNewton

On December 2, 2021

In Fiction, Harry Bosch, Michael Connelly, Mystery/Detective Fiction/Crime Fiction/Thriller, Renée Ballard

Finally…I’d hoped to get this posted no later than November 17th. But every time I started writing something, I ended up overthinking or was distracted. I’m not sure the end result is that coherent, but…it’s finished. I can live with that.

The Dark Hours

by Michael Connelly
Series: Harry Bosch, #24/Renée Ballard, #4

Hardcover, 388 pg.
Little, Brown and Company, 2021

Read: November 12-15, 2021
Grab a copy from your local indie bookstore!

It was like a bag of popcorn cooking in a microwave. A few pops during the final countdown of the year and then the barrage as the frequency of gunfire made it impossible to separate it into individual discharges. A gunshot symphony. For a solid five minutes, there was an unbroken onslaught as revelers of the new year fired their weapons into the sky following a Los Angeles tradition of decades.

It didn’t matter that what goes up must come down. Every new year in the City of Angels began with risk.

The gunfire of course was joined by legitimate fireworks and firecrackers, creating a sound unique to the city and as reliable through the years as the changing of the calendar.

What’s The Dark Hours About?

It opens on December 31, 2020—Renée Ballard and a fellow detective are partnered up for the night—it’s a kind of all-hands-on-deck kind of night. These two are also part of a team on the trail of a pair of serial rapists that they’re calling the Midnight Men.

But on this night, they’re called out to a shooting death. Ballard’s role is to be the initial investigator and then pass off the case to the homicide detectives after the weekend—but she’s hoping she can keep it longer (their work on a different case could allow for that). There’s a match for the bullet—the same gun was used in an old unsolved case, investigated by Harry Bosch.*

Isn’t it always reassuring to see that no matter what kind of super cop he is, there are cases that Bosch couldn’t close?

The two put their heads together and quickly find a new angle for Bosch’s case as well as a promising line of investigation for Ballard’s.

Meanwhile, the Midnight Men strike again, and this time, there’s something a little different that Ballard picks up. A string she starts pulling that proves to be instrumental.

With Bosch to bounce her ideas off of, as well as a backup she can trust, Ballard gets her chance, once again, to bring a little light to the dark hours of the night.

Bosch

While this is by and large a Renée Ballard book, there’s enough about Harry Bosch to keep a fan satisfied. He’s doing okay with his medical condition, Maddie’s well (and is dating someone, so isn’t spending as much time with Bosch), he’s pretty much holed-up during COVID, studying old case files.

Not at all-surprisingly, when Renée’s path crosses with his, he’s ready to jump into action. Sure, he always is, but add in a lockdown-induced cabin fever? It’s a wonder that Harry wasn’t calling his mentee daily to see if she needed help with anything (although it’s clear that the two have kept in touch).

In the past, the pair have done a better job of keeping Harry’s involvement under the radar, but between Bosch’s Cabin Fever, Ballard’s need to make fast progress on the cases, and her lack of trust for any other detective at the moment they throw that out the window. Which does come back to bite Ballard (as it should).

The 2021-ness of It

… this was the new LAPD—officers stripped of the mandate of proactive enforcement and waiting to be reactive, to hit the streets only when it was requested and required, and only then doing the minimum so as not to engender a complaint or controversy.

To Ballard, much of the department had fallen into the pose of a citizen caught in the middle of a bank robbery. Head down, eyes averted, adhering to the warning: nobody move, and nobody gets hurt.

I don’t remember Connelly’s books being so obviously of the moment until last year’s The Law of Innocence which ended just as lockdowns were starting in California.

Connelly’s books have always felt contemporary—other mystery series might feel 5-10 years out of step, but not Connelly. Although, even the older books largely felt like they could’ve taken place a couple of years ago (except for the technology involved). But The Dark Hours has to be a 2021 novel—Ballard, Bosch, and the city are going through things that could only have happened after the protests of 2020 and the COVID-19 pandemic.

It makes things feel more immediate, but does it hurt readers in 5-10 years? Fair Warning, also published last year, could take place anytime after 2010 (maybe earlier). A lot of the other books felt timely to their context, but even now they don’t feel that dated. Will these?

I don’t know if this is a strength or a long-term weakness, but it is, as far as I can remember, a change.

However, seeing Renée having to adapt to COVID restrictions (no more living on the beach!) and struggling with the changes (temporary? long-lasting?) that the protests of Summer of 2020 about policing in America have brought to the LAPD is great to see. Connelly is able to show a department in flux, which can’t have been an easy tightrope to walk.

So, what did I think about The Dark Hours?

Ehhh…I’m not sure what to say here.

In the moment, while I was reading, it was typical Connelly—I was gripped, I was riveted, I couldn’t wait to see the murder solved. I was less invested in the rape case because once Ballard starts to get a little traction, once she starts to learn a little bit about these guys, I was repulsed. I really didn’t want to learn more—I just wanted them locked away—I even said something to a friend like “can’t we just get a quick, miraculous, resolution to this by page 180 and spend the rest of the book focusing on the murders?” Great job by Connelly creating some very horrible criminals, but I don’t want to spend time thinking about them.

But it’s not his best work—I’m not sure it’s not up to his par, even. The more I think about it, the more I’m bothered by parts of the story and storytelling. The Epilogue, by the way? It’s a scene from a TV show. Working on Bosch, Lincoln Lawyer, and Bosch: Legacy have impacted Connelly at least a little and it shows here.

I thought the stuff about the impact of COVID and the protests was fantastic—and you get no simple answers about the past/present/future of policing in LA. I’m just not sure the rest of the novel was as good as we’ve come to expect from Connelly (I’m open to being corrected by others who read it, though).

Good—but not good enough—I guess is my takeaway. Still, time with Bosch and Ballard? Always time well spent.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Morality of God in the Old Testament by G.K. Beale

By HCNewton

On November 28, 2021

In Non-Fiction, Theology/Christian Living

This is a lot shorter of a work than I usually talk about, but I needed a short read to break up longer, heavier reads. So now I guess I get to talk briefly about it before I talked about longer, heavier reads. (not that this is lightweight by any means)

The Morality of God
in the Old Testament

by G.K. Beale
Series: Christian Answers to Hard Questions

Booklet, 43 pg.
P&R Publishing and Westminster Seminary Press, 2013

Read: November 21, 2021
Grab a copy from your local indie bookstore!

What’s The Morality of God in the Old Testament About?

Believers and unbelievers alike stumble over some of what seems immoral in the Old Testament. Particularly what seems to be evil on the part of God. For example: God’s commands to exterminate the Canaanites and the imprecatory (cursing) Psalms.

How ought the believer to respond to their own questions about this, much less the questions from those outside the faith?

Beale looks briefly at a couple of popular responses to this and finds them wanting. In their place, he suggests a “plausible fivefold approach.”

There seems to be a better way to look at this problem. We will explore it from five different angles, which will help us to understand it more thoroughly. First, how does the killing of the Canaanites demonstrate God’s justice and righteousness? Second, how could Israel’s unique commission as a “kingdom of priests” (Ex. 19:6) shed light on the extermination of the Canaanites? Third, how does God’s sovereignty over all things help us to better understand that he can be considered blameless in all that he does, despite the problems just mentioned above? Fourth, how does the idea of God’s judgment of unbelieving humanity at the end of time shed light on this problem? Finally, how does the law of loving one’s neighbor now and at the end of time help us to better apprehend the issue about the Canaanites and the psalmist’s cursing of his enemies (though this last point has some overlap with the fourth point)?

Each question gets a couple of pages of explanation before moving on, so that the reader is given the complete fivefold approach along with some idea of how the ideas are worked out.

So, what did I think about The Morality of God in the Old Testament?

Not surprisingly, my main concern is length. I want to see each of these points better developed–I don’t think this has the makings of a 200+ page book or anything, but I think it could easily be twice as long to really flesh out some of the points.

The brevity works against itself primarily in that I don’t get to see the ideas examined thoroughly, or tested. The reader is given enough to understand the fivefold approach, enough to chew on it. But I’d like to see it worked out. I’d like to see Beale work through one of the difficult passages, or one of the Psalms in question and show “here’s where we see this and over there is where you see that aspect in action,” etc.

But the point of this series, the point of this being a booklet is for a short introduction to the idea. It’s supposed to be enough to show the reader that there are answers to the hard questions, just not enough to convince them. So I have to take it on its own terms–as such, it’s fine. Even more than fine. And I think there’s something to that fivefold approach, I just want to be convinced. I’m just going to need to look elsewhere for that.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Daughter of the Deep by Rick Riordan: An Overdue Sequel to Verne’s Nemo Stories

By HCNewton

On November 26, 2021

In Fiction, Rick Riordan, Science Fiction, YA/MG/Children's Books

Daughter of the Deep

by Rick Riordan

Hardcover, 336 pg.
Disney-Hyperion, 2021

Read: November 18-22, 2021
Grab a copy from your local indie bookstore!

What’s Daughter of the Deep About?

So here’s the thing—the events and characters of 20,000 Leagues Under the Sea and The Mysterious Island are based on actual events and people—but Verne was given a few skewed details. One hundred-fifty years later, descendants of these people are running rival schools their ancestors founded, the Land Institute and the Harding-Pencroft Academy.

Students at HP are only told about their origins at a certain point, and their mission is to graduate future leaders in a variety of disciplines to guard the science that Nemo developed and slowly, carefully introduce it to the world.

Land Institute students are told their origins earlier and their mission is to rush that science out into the world—even if by doing so, it’ll unleash societal upheaval, economic trouble, and will upend established science for years.

The two schools are in sort of a cold war until the Land Institute launches an attack on HP, and the freshman class has to head to sea to try to survive. While on the run, the class is told about HP’s origins and our central character, Ana Dakkar, learns about her family history, forcing her to take a leadership position and more.

Can Ana and the rest of the freshman survive the Land Institute*? Can they utilize Nemo’s technology in ways no one else has? Who will control Nemo’s heritage?

* It is unfortunate that the ocean-going HP Academy is rivaled by the “Land Institute.” It feels a little too-on-the-nose, even though it’s named for Ned Land.

Plausibility

Because this is aimed at the MG crowd, I can buy the whole “a bunch of preteens/teens outsmart and outperform dangerous and super-smart older teens” nature of the plot—it’s pretty much a given in the genre.

Also, the whole Land Institute teachers/administrators allowing students to start killing people is a pretty hard pill to swallow. For some reason, I had an easier time buying competing mythological figures setting teens against teens.

But hey…if it’s in a universe where everything in 20,000 Leagues Under the Sea is based on reality, and that Nemo’s tech worked (and still does!)? Well, hey, I can buy a little less-than-plausible High School actions.

So, what did I think about Daughter of the Deep?

I had a lot of fun with this. A goofy premise, but well-executed. I dug the characters, the action was solid and the pacing was good—enough to keep the reader engaged and entertained, while giving enough breathing room for a little character development.

And there’s a giant cephalopod—every undersea adventure needs one of them.

If this is the beginning of a series (and it feels like it), there’s a good chance I’ll come back for more. But honestly? I think it’d be better as a stand-alone.

Either way, this is a fun ride—and one that’ll hopefully spur the target audience into giving Jules Verne himself a try.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Dead House by Harry Bingham: Fiona’s Latest Case Takes Her to the Darkest Places

By HCNewton

On November 23, 2021

In Fiction, Fiona Griffiths, Mystery/Detective Fiction/Crime Fiction/Thriller

The Dead House

by Harry Bingham
Series: Fiona Griffiths, #5

Kindle Edition, 391 pg.
2016

Read: August 11-13, 2021

What’s The Dead House About?

The big task force that Fiona’s in, trying to get at the group she’s been on the heels of since book 1, is about to be shut down—they’re just not getting results. Predictably, Fiona isn’t dealing well with it. She needs something else to do to remind her why she’s with the police.

Circumstances too elaborate to get into lead her into being a detective on-scene near a small village to oversee a found body until the local police with jurisdiction can take over—but in the end, we have Fiona alone in a room with a corpse for a few hours. Naturally, she develops a strong emotional connection with the body and becomes determined to find out what happened to this woman.

There are no obvious signs of violence—and even some signs of care—to the woman, but she’s dead and she’s been left in a remote location without anyone notifying the authorities. And, it turns out, she’s been missing for quite a while.

Fiona needles her way into the investigation, of course (because what else is she going to)—and the path that she and the DI she’s assisting leads far beyond the small town they start in and to some truly dark places. (yeah, that’s incredibly vague, but I’m faced with being vague or giving you a few thousand words almost spoiling the story beats on this one)

So, what did I think about The Dead House?

Yes, over the last couple of books particularly, Fiona’s doing a good job on socializing, on connecting with people, on acting “normal” (a goal she longs for and yet doesn’t want at all). I love seeing that kind of development, as much as we like to see damaged protagonists struggling to cope—it’s always great to see them making healthier choices.

But at the same time…you put Fiona in a room alone with a corpse for too long so she develops a bond with the person she starts calling “Carlotta” (and resists using Carlotta’s actual name when she’s eventually identified)? I’m in. Fiona as the creepy detective who’s way too interested in dead bodies is just fun to read about.

Bingham doesn’t throw out all the progress she’s made, Fiona just sidesteps it for a little bit. Her natural tenacity and the people skills that she’s developing aid her in this investigation (and her self-destructive tendencies hinder her, too). It’s really the best of both worlds as far as Fiona’s character goes.

I wasn’t as taken with this story as I wanted to be—as I expected to be. And when the final whodunit reveal was made, I’d been waiting for it for longer than I should have been—not because I’m all that clever, but who else could it have been? That said, when the motivation and methods behind the reveal are made clear? That blew me away and creeped me out.

I can see how this is going to help the overall arc of the series, it had some great moments—and any time spent in Wales with Fiona is a reward. But I wanted a bit more from this one. Don’t start with this one if you’re interested in the series, but if you’ve read the rest, you’ll enjoy this one.

3.5 Stars

All Together Now by Matthew Norman: Robbie Malcolm’s Living Wake

By HCNewton

On November 18, 2021

In Fiction, General Fiction/Literature, Matthew Norman

All Together Now

by Matthew Norman

Hardcover, 272 pg.
Ballantine Books, 2021

Read: July 28-30, 2021
Grab a copy from your local indie bookstore!

The thing about old friends: they’re really more like siblings.

You can be pissed at your siblings. They can betray you in untold ways, hurt, offend, and infuriate you. You can briefly hate them to their damaged cores. But they’ll always be your brother or your sister, right? Whether you like it or not.

What’s All Together Now About?

It bugs me when this happens, but every attempt I’ve made at this part ended up convoluted, inadvertently snarky, or like a watered-down version of the publisher’s description. (which, I should add, is why this is so belated) So, let me just borrow theirs:

At just thirty-five, reclusive billionaire Robbie Malcolm is a renowned financial prognosticator, a celebrated philanthropist, and a mathematical genius. Also, he’s dying, which is a fact he’s carefully concealing from the world.

As he takes stock, Robbie realizes that his wealth means nothing if he can’t help the people who matter most. So he invites his oldest friends—Blair, Cat, and Wade—to their beloved Fenwick Island on the coast of Delaware to share his secret and to reveal plans for each of them that he believes will change their lives forever.

However, Robbie isn’t the only one with secrets. The bonds the friends formed as teenagers still exist, but adulthood has brought a whole new set of complications, like unrequited loves, marriages on the brink, and so much unfulfilled potential. Robbie’s plans may look good on paper, but are they any match for the utter disaster that is real life?

As everything comes to light over a wild weekend full of surprises, Robbie learns there are still some things money can’t buy, and a group of friends who thought their best years were behind them realize just how much they have to look forward to.

I’d considered spending time talking about the four primary characters, their circumstances, the pluses and minuses of the characters and plot, and so on—the stuff I typically talk about. But that’s really best experienced for yourself, you need to let the novel introduce them, or it’d ruin the whole thing. With this book, it’s not about spoiling the plot, it’s about spoiling the characters, and I don’t want to do that.

So, what did I think about All Together Now?

There’s a lot of funny and/or thoughtful material about writing, maturing, parenting and whatnot. There’s some great stuff—pro and con*—about The Beatles. But the heart of this novel is friendship—especially the kind that starts pre-adulthood and follows you all your life in one form or another. And when the focus is on friendship—the ups and downs, the betrayals (intentional or inadvertent), the forgiveness, the loyalty, the love—it’s great.

* Yes, con. Some people just want to watch the world burn.

When the focus is on the other stuff? It’s pretty good.

Overall, this felt like a fun daydream of a novel—what if I had a mega-rich friend who wanted to help me fix my life (whether I wanted them to or not)? But I wanted something more out of Norman, I expected something meatier, something more substantial—neither of those adjectives are adequate, but it felt like something was missing.

I enjoyed it and appreciated it, but not as much as I felt like I should. And then I read the penultimate chapter. I distinctly remember sitting in my car before work, trying to finish the book and hitting that chapter—and being on the verge of tears for most of it (maybe teetering over the edge). Slyly, sneakily, Norman had wormed these characters into my heart—whatever I thought I was missing was there without me noticing.

And then I had to go into work, leaving the last chapter for 8 hours and a commute home later. Then again, when I read the final chapter (which is sort of an epilogue), there I was again—on the verge. Had my timing been better and I’d read the two chapters together, I’d have been a real mess.

A fun, breezy read with an emotional ending—Norman delivered just what the premise promised. You’ll wish you had these people as friends, and you’ll be glad for the time you had with them.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Shots Fired by Ian Robinson: The Hunt for a Gun

By HCNewton

On November 18, 2021

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Shots Fired

by Ian Robinson
Series: DI Nash and DS Moretti, #3

Kindle Edition, 179 pg.
The Book Folks, 2021

Read: September 10-13, 2021
Grab a copy from your local indie bookstore!

What’s Shots Fired About?

Oddly for a London-based series, we start with a murder in Glasgow. The gun used is quickly tied to a three-year-old murder case in London. This connection reinvigorates the investigation into the old case.

A theory or two comes up about the gun—the leading theory involves the idea that the gun is rented out, and if they can follow the gun back to the source they can solve both crimes—and maybe more.

Nash and Moretti look into shootings in Glasgow and Northern Ireland to look at the evidence around them to see if they led to the gun’s provenance and maybe shed some light on the London murder.

A Cultural Divide

I’m very, very carefully and intentionally not making an evaluation of any set of laws here, I’m simply describing the experience from the point of view of an American raised and living in one of the “reddest states” and a watcher/reader of a lot of US Crime Fiction.

But wow…it is so weird for an American to read about the police so focused on one gun as it is used in multiple crimes over a long period of time in different countries. This is the kind of thing that would be tossed in a river or a dumpster and easily replaced in a US-based police procedural. And the travel involved in tracing the gun’s whereabouts is mind-boggling to me, if only because it suggests that the gun did that at least that much traveling, too.

So, what did I think about Shots Fired?

I’m still mystified by the way that Nash treats Moretti—hot and cold at the same time, and with little to provoke a change (from my perspective). Pretty much everything I said about Cover Blown applies here*—although there’s at least one moment where she seems to notice that she’s not treating him quite the way he deserves. So maybe she’ll come around.

* I actually had a couple of paragraphs more to say on this point, but before I hit publish, I glanced at my Cover Blown post and realized it was largely the same.

Compared to the previous volumes in this series, the procedural nature of this novel seemed a bit light—as did the realism. But maybe that’s just me. Either way, it’s a fun read with a solid cast of characters. I’m hoping a fourth Nash and Moretti is arriving soon, and I’ll be jumping on it as soon as I can.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.