Tag: 3 1/2 Stars Page 25 of 41

Finders Keepers: The Definitive Edition by Russ Colchamiro: A Very Strange SF Romp

Finders Keepers: The Definitive EditionFinders Keepers: The Definitive Edition

by Russ Colchamiro
Series: Finders Keepers, #1

Kindle Edition, 310 pg.
Crazy 8 Press, 2018

Read: January 4 – 7, 2019


This is a very strange ride. That might be the most important thing to take away from my experience with this book. Strange is good, strange is unique, strange is the kind of thing you can only read here (well, you can read strange SF in other places, too, but they won’t be this kind of strange).

That doesn’t tell you a lot, though, does it? This is the story of two twenty-something guys (one from the US, one from New Zealand) backpacking their way around Europe. It’s the story of a young woman, an artist trying to escape from something, and her life-changing interactions with those two guys. It’s also the story of a young couple, trying to better their station in life, who might have taken on a job they shouldn’t have — and their tragic blunder in the middle of carrying out that job which just might ruin their lives. There’s also the woman whose ambition and slip-of-judgement that has led to her fall into disrepute and her loyal assistant as they try to stage a comeback. Oh, yeah, and there’s Ira and Howard — a dolphin and a whale — who are basically the sea mammal answer to Cheech and Chong.

Jason’s waiting tables at a small restaurant, putting off getting a teaching job, because he’s just not ready to take that step, when one of his customers inspires him to head to Europe for a while. This was a huge mistake — he’s unprepared for anything, the fact that he’s not robbed blind by the first slightly crooked person he meets in any country is a wonder. He eventually runs into Theo Barnes, who’s only a moderately better traveler. He’s on a quest — the exact nature of which I’ll leave to you — but Ira and Howard gave him some pretty specific directions. Primarily, these two do what backpacking twenty-something males do: the drink a lot, they chase girls, the drink some more, they get lost in Europe, and drink to excess.

I’m going to pass on explaining how the others I mentioned get into the story — there’s a lot of complicated explanation — that makes perfect sense in Colchamiro’s narration, but wouldn’t quite work in my summary. But most of the other people in the book aren’t human — they’re a different form of life who are responsible, in one way or another, for the construction of Galaxies, Star Systems and Planets — most notably, they’re all involved in the creation of our solar system. And all of them have done something horribly wrong (inadvertently or otherwise) and all are in the middle of crazy, elaborate plans to regain their status. Colchamiro tells us about their falls and their various efforts to fix things while we watch Jason and Theo binge drink their way around Europe.

I’m honestly not sure if that paragraph made much sense — I bet if you’ve read the book, it does.

What surprised me about the book wasn’t the strange antics these pairs got into — but that Colchamiro works a lot of heart and some pretty serious emotional arcs into the zaniness. He does so in a way that doesn’t seem forced, it doesn’t seem like he’s taking a break from the outrageous actions to have a heartfelt moment, or anything — but he seamlessly merges personal growth, insight or complex emotions into the same scenes as a talking dolphin or biker gang interrupting a son introducing his girlfriend to his mother.

There was a time back in the 90’s or so where it seemed that not a week could go by without someone on a sit-com ask the clarifying question: “Did you mean funny ‘ha ha,’ for funny ‘peculiar/strange/odd’?” I thought of that frequently while reading this book — and once I abandoned the idea of this book being “funny ‘ha-ha,'” and instead embraced the strange, the absurd, the idiosyncratic peculiarity of Finders Keepers, I enjoyed it a lot more. I’m not saying that there aren’t funny moments, and it’s definitely not a serious work — it’s a fun, goofy, and strange SF adventure, which we need more of. I just don’t think I laughed or chuckled all that much.

That said, do I encourage you to read it? Oh yeah. Am I curious about what the next two installments of this trilogy might bring? Oh yeah. And I fully intend on finding out as soon as I can. I wager if you spend some time with this particular batch of oddballs you’ll be as curious as I am — yet pleased that you spent this much time with them. It’s a great mix of heart, oddball characters, youthful indiscretions, and wisdom that time and suffering can only bring — all in one goofy adventure.

—–

3.5 Stars

My thanks to iREAD Book Tours for the invitation to participate in this tour and the materials they provided, including a copy of the novel.

Pub Day Repost: Dry Hard by Nick Spalding: Who needs to drink when you can have this much fun reading?

Dry HardDry Hard

by Nick Spalding
eARC, 293 pg.
Amazon Publishing UK, 2019
Read: November 19, 2018

Kate Temple’s in PR, Scott Temple’s a marketing director for a distillery. Both of them rely on alcohol to get through their days (and nights). They used to have each other to rely on and curb their use, but as they’ve become more successful, they have to do more things away from each other and they really don’t have anyone to watch out for them. Also, because they spend less time with each other, both have a hole they need to fill throughout their days — which usually involves more drinking.

Things are getting bad enough that they both endanger their jobs (not to mention the property and safety of others) thanks to drunken escapades. But this doesn’t give either of them much pause — if anything it drives them to the bottle even more. Their teenaged daughter, Holly, can’t understand why these two can’t see how bad their drinking is, how much it’s hurting their marriage, how much it’s affecting her life. So, at Christmas, she decides to secretly film them at their drunken worst (which starts pretty early in the evening) and then she shows it to them, hoping this video intervention will awaken them to their problem.

It doesn’t work — her parents defend their drinking, downplay the mortifying things they do on video and generally blow her off. So in a fit of adolescent pique, she uploads the video to YouTube so her friends can see it. But the video catches the attention of a couple of popular YouTube celebrities and next thing they know, Kate and Scott are a viral sensation.

This very public shaming convinces them that they need to make some changes, and decide to cut out drinking totally. Holly tries to get them public support by uploading videos chronicling their efforts to live dry for a year, attaching the hashtag #DryHard. Things do not go well — well, maybe well, but not smoothly.

Now, here’s where Spalding distinguishes himself from almost every other writer on the planet — he makes all of that hilarious. Yes, Holly’s going through a lot because of her parents, but even in the way that Spalding describes it, her hardships are funny. At the 14% mark, I wrote in my notes “I have no idea if he can tell a story, but Spalding can make me laugh!”

I can thankfully report, he can tell a story — and still makes me laugh. The comedy comes from the situations, from the slapstick-y way his characters navigate the situations, and just the way he narrates (typically through the protagonists’ voices). It’s not just one thing that he does well — he can bring the laughs through multiple channels. Yes, the couple are careening toward rock bottom, but you laugh about it; yes, they’re dealing with very serious life and death issues — but Spalding makes you find the humor in the situations; they have monumental struggles that don’t go away just because they sober up, but you’ll ber chuckling and chortling while watching them flounder.

Oh, also, this has nothing to do with the plot, but Spalding’s description of Gin Fawkes — a flavored gin using orange peel and cinnamon produced by Scott’s distillery — is enough to make me consider becoming a teetotaler. Fantastic stuff. Funny and horrifying in equal measures.

This is the story of a family in crisis and the great lengths they go to to preserve that family. That right there sells me on the book — everyone wants the same thing — Kate and Scott’s marriage to recover. There’s not one person in the family thinking of pulling away, there’s not one more committed than the rest — both spouses are flawed and fallible, even Holly makes mistakes and loses her way, however briefly. No one’s blameless, no one’s to blame, Scott and Kate have got themselves to this point together, and together they’ll make it out. Too many books like this will take the “side” of one spouse — one is committed, one is faithful, one is stupid and blind to their own faults and one is the bigger/wiser person, etc., etc. Spalding doesn’t do that — he presents the Temples as mutually dysfunctional, mutually aspirational, and human.

Unlike a lot of similar authors, if Spalding had the opportunity for an honest, heartfelt emotional scene or a series of laughs — he’d pick the laughs 99 times out of 100. Thankfully, if he could go for a fairly honest and quite heartfelt scene with laughs, he’d go for that too. If he’d gone for fewer laughs and more of the honest and heartfelt moments, he might have a more complex, realistic, and substantive novel. Something more akin to Jonathan Tropper or Nick Hornby at their best. Instead, Spalding produced an entertaining, funny and frequently hilarious novel. The substance is there — but it’s hidden and easy to miss between the chuckles.

If you take the time to look for the substance/depth — you’ll find it and appreciate its presence. If you don’t and just laugh, you’ll be fine and have a good time — either way, you win.

This was my first Nick Spalding book — it will not be my last. Fast and funny — I had a blast reading this and laughed out loud more than I can remember doing in a long time. Read this. You’ll enjoy it.

Disclaimer: I received this eARC from Amazon Publishing UK via NetGalley in exchange for this post — thanks to both for this.

—–

3.5 Stars

My Favorite 2018 Non-Fiction Reads

Like every single year, I didn’t read as much Non-Fiction as I meant to — but I did read a decent amount, more than I did in 2016-17 combined (he reports with only a hint of defensiveness). These are the best of the bunch.

(in alphabetical order by author)

Lessons From LucyLessons From Lucy: The Simple Joys of an Old, Happy Dog

by Dave Barry

My original post
So, I figured given the tile and subject that this would be a heavier Dave Barry read, with probably more tears than you anticipate from his books — something along the lines of Marley & Me. I was (thankfully) wrong. It’s sort of self-helpy. It’s a little overly sentimental. I really don’t know if this is Barry’s best — but it’s up there. Lessons From Lucy is, without a doubt, his most mature, thoughtful and touching work (that’s a pretty low bar, I realize — a bar he’s worked hard to keep low, too).

5 Stars

 The War Outside My Window The War Outside My Window: The Civil War Diary of LeRoy Wiley Gresham, 1860-1865

by Janet E. Croon, ed.

My original post
LeRoy Wiley Gresham was 12 when he started keeping a diary. LIttle did he know at that point that he was about to witness the American Civil War (and all the desolation it would bring to Georgia) and that he was dying (he really didn’t figure that out until the very end). Instead you get an almost day-by-day look at his life — what he does, reads, hears about (re: the War) and feels. It’s history in the raw. You have never read anything like this — it will appeal to the armchair historian in you (particularly if you’ve ever dabbled in being a Civil War buff); it’ll appeal to want an idea what everyday life was like 150 years ago; there’s a medical case study, too — this combination of themes is impossible to find anywhere else. This won’t be the easiest read you come across this year (whatever year it is that you come across it), but it’ll be one of the most compelling.

5 Stars

TimekeepersTimekeepers: How the World Became Obsessed With Time

by Simon Garfield

My original post
I, for one, have never thought that much about my relation to time, my relation to clocks/watches, etc. I know they govern our lives, to an extent that’s troublesome. But where did that come from, how did we get hooked on these things, this concept? These are brief studies/historical looks/contemporary observations — and I’m not selling it too well here (trying to keep it brief). It’s entertainingly written, informative, and thought-provoking. Garfield says this about it:

This is a book about our obsession with time and our desire to beat it. . . The book has but two simple intentions: to tell some illuminating stories, and to ask whether we have all gone completely nuts.

He fulfills his intended goals, making this well worth the read.

4 Stars

Everything is NormalEverything is Normal: The Life and Times of a Soviet Kid

by Sergey Grechishkin

My original post
If you grew up in the 80s or earlier, you were fascinated by Soviet Russia. Period. They were our great potential enemy, and we knew almost nothing about them. And even what we did “know” wasn’t based on all that much. Well, Sergey Grechishkin’s book fixes that (and will help you remember just how much you used to be intrigued by “Evil Empire”). He tells how he grew up in Soviet Russia — just a typical kid in a typical family trying to get by. He tells this story with humor — subtle and overt. It’s a deceptively easy and fun read about some really dark circumstances.

4 Stars

Planet FunnyPlanet Funny: How Comedy Took Over Our Culture

by Ken Jennings

My original post
Half of this book is fantastic. The other half is … okay. It’ll make you laugh if nothing else. That might not be a good thing, if you take his point to heart. We’ve gotten to the point now in society that laughter beats honesty, jokes beat insight, and irony is more valued than thoughtful analysis. How did we get here, what does it mean, what do we do about it? The true value of the book may be what it makes you think about after you’re done.

3.5 Stars

The Subtle Art of Not Giving a F*ck (Audiobook)The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life

by Mark Manson, Roger Wayne (Narrator)

My original post
This is an enjoyable, amusing, call to re-examine your priorities and goals. It’s not about ceasing to care about everything (not giving a f^ck), but about being careful what you care about (giving the right f*cks). Manson’s more impressed with himself than he should be, but he’s a clear and clever writer displaying a lot of common sense. Get the audiobook (I almost never say that) — the narration is worth a star by itself (maybe more).

4 Stars

Dear Mr Pop StarDear Mr Pop Star

by Derek & Dave Philpott

My original post
If you read only one book off this list, it should probably be the next one. But if you pick this one, you’ll be happier. This is a collection of correspondence to pop musicians/lyricists picking apart the lyrics, quibbling over the concepts, and generally missing the point. Then we get to read the responses from the musician/act — some play with the joke, some beat it. Sometimes the Philpott portion of the exchange is better, frequently they’re the straight man to someone else. Even if you don’t know the song being discussed, there’s enough to enjoy. Probably one of my Top 3 of the year.

5 Stars

ThemThem: Why We Hate Each Other – and How to Hea

by Ben Sasse

My original post
My favorite US Senator tackles the questions of division in our country — and political divisions aren’t the most important, or even the root of the problem. Which is good, because while he might be my favorite, I’m not sure I’d agree with his political solutions. But his examination of the problems we all can see, we all can sense and we all end up exacerbating — and many of his solutions — will ring true. And even when you disagree with him, you’ll appreciate the effort and insight.

5 Stars

Honorable Mention:

Henry: A Polish Swimmer's True Story of Friendship from Auschwitz to AmericaThe Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century

by Steven Pinker

I started this at a bad time, just didn’t have the time to devote to it (and the library had a serious list waiting for it, so I couldn’t renew it. But what little I did read, I thoroughly enjoyed and profited from — am very sure it’d have made this post if I could’ve gotten through it. I need to make a point of returning to it.

Doctor Who: Rose by Russell T. Davies: It All Starts with — and Comes Back to — Rose

Doctor Who: RoseDoctor Who: Rose

by Russell T. Davies
Series: Doctor Who

Paperback, 197 pg.
BBC Books, 2018
Read: December 31, 2018

She ran into a cavern.

She ran into a vault.

She ran into a cathedral.

She ran into a huge space, a vast dome, with the Doctor standing at its centre, the grinning lord of an impossible realm.

It was like being plunged underwater, the sudden pressure in her head, and Rose thought, simply, No! and ran back out again.

Into the yard. The same old yard. With headless Mickey still chopping away at the fire door.

She looked back at the blue box. She’d left the door open and she could see, in the gap between door and jamb, that huge, strange space reaching far beyond, With the Doctor somehow in the distance, a small figure, a good twenty metres away and yet within a box that stood beside her, no deeper than a metre in itself.

I think that was the moment in 2006 that sealed the deal for many of us — Doctor Who was back. My kids (who were at the perfect age to be introduced to the show) loved that moment, but I don’t think they were sold until The End of the World the next week. But I was in from the time Rose Tyler stepped into the TARDIS — and (not at all surprisingly) her creator, Russell T. Davies, captured the moment perfectly in his novelization of the episode.

It’s more than just a novelization, Davies is able to take a lot of things that happened or developed later in the show’s run and weave them into this adventure (or at least set the stage for them) while he’s fleshing out a lot of things that he couldn’t get into the episode. We got a very nice glimpse of Doctors past and future (even post-Jodie Whittaker), and a very character-appropriate appearance from a future companion that made me chuckle audibly (that moment was worth half of what I paid for the book)

The prologue adds weight and context to the disaster of Rose’s store being destroyed (which is pretty easy to miss). Davies also does a great job at showing that Mickey isn’t just the loser that Rose is shackled with, but he’s someone worthy of her time and devotion. We eventually got to see some of that in the show — but it was about the same time that Mickey left. Here we see it from the start.

But the most important part of the book — like the episode itself — was Rose (it’s right there in the title). Davies probably knows her better than anyone, and is able to use that knowledge to flesh out the character, to helps us see (and not just assume) what’s going on in Rose’s mind. We see her loneliness, her sense of being incomplete, how she needs something more than working at a shop or being with Mickey can give her. Seeing Rose embrace her capabilities and end up as sure and certain as she is later. This depth was most welcome and made me miss Ms. Tyler even more.

I needed a quick, fun read after some pretty heavy reads — and the BBCAmerica Doctor Who marathon had me nostalgic already. So I’m glad I had this handy, it fit the bill precisely. It was a pleasant blast from the past with plenty of bonus nuance and detail from the man who brought us the new era of The Doctor. If you’re a Whovian who’s never tried one of these Target books — this would be a great place to start. If you’re no stranger to them, you know how good they can be. This is just that.

—–

3.5 Stars

Past Tense by Lee Child: If this wasn’t a Reacher book, I’d probably like it more…

Past TensePast Tense

by Lee Child
Series: Jack Reacher, #23


Hardcover, 382 pg.
Delacorte Press, 2018

Read: December 6 – 7, 2018
Shorty and Patty are a young couple from a rural Canadian community on their way to New York City to sell off some beloved possessions in order to make enough money to go to Florida and start their lives. Which sounds like a great idea (assuming they’re not ripped off in NYC) — if only they’d ever done basic maintenance on the car they’re driving. They end up breaking down outside a small town in New Hampshire, nowhere near a decent city.

The owners of a newly refurbished hotel outside town take pity on them and rent them a room for a little cheaper than they should and offer to help with getting their car going again — they even invite them to dinner their first night with them. Yes, I said first night — home repairs aren’t doing the job, so they have to call a tow truck/mechanic to fix the car — which is going to pretty much wipe the couple out. But what choice do they have?

Still, something doesn’t seem right about the whole thing. Shorty’s a trusting guy and rolls with everything that happens, but Patty smells something. She thinks a lot — incidentally, she thinks a lot like Reacher. Which is annoying when you’re reading a book starring Reacher that you get a clone. But it’s good for her and Shorty and just might end up saving their lives. It’d be better for the both of them if she had any of Reacher’s skills other than his ability to analyze a situation, but, I guess you take what you can get.

Meanwhile, Jack Reacher comes into the same town those two are stranded outside of. He was passing near by and on a lark decides to stop in Laconia, his father’s birthplace. He’s never met anyone from that side of the family, and his father said almost nothing about his childhood experiences there. So Reacher’s a bit curious about the town — he doesn’t even know if there might be a cousin or three around. It turns out that finding anything about his family is almost impossible in the official records — and there’s a decent chance that there’s no one around who knows anything about them that’s not in the official records.

While that’s going on, in the middle of the night Reacher encounters an attempted sexual assault and, ahem, dissuades the attacker. This attacker doesn’t press charges or anything, but it turns out that he’s connected to a significant crime family in the Northeast. Reacher is informed about this and is encouraged to leave town soon by a former MP turned local law enforcement officer that he’s become acquainted with. Reacher doesn’t like to be told what to do — by anyone — and there’s something about his father’s past that has him more curious than he’s been before and wants to track that down.

These two stories run independently of each other, while happening very near each other. Reacher does come to the hotel and asks a couple of questions about his quest about the same time that Patty’s getting suspicious, but the two don’t cross paths.

Now, I didn’t right down the page number when Reacher’s story intersects with Shorty’s and Patty’s — but I do know that it hadn’t happened by page 245 (of 382). Which is pretty astounding, and is definitely a new way to bring Reacher into the main events of a novel. I doubt it’s a trick Child can pull off again, but I’d like to see him try. If he doesn’t show up, bad things will happen — and will likely continue to happen — but it’s hard to say just how bad it’d all be. But Reacher does show up, and he does his usual thing, and many more people live than otherwise would have. Which isn’t to suggest that no one dies after he shows up, it’s just that most of them aren’t the people that seemed likely to die 30 pages earlier.

There’s little violence until the end of the book (there’s Reacher’s dissuasion, and two other minor — by Reacher’s standards — fights), but once the fighting starts, it doesn’t stop until there’s a whole lot of violence and bloodshed. Tension and unease that’s been mounting slowly over the whole book, are unleashed – and most of the last twenty percent (or so, I’m just guessing) of the novel is as violent and action-packed as you could hope for. Once that switch is flipped, it’s on.

This wasn’t my favorite Reacher novel — by far — but it was a really engrossing read. I enjoyed it — and really think if Jack Reacher hadn’t been the fly in the ointment for the people trying to manipulate and hurt Shorty and Patty, I think I’d have enjoyed this much more. But I expect more from Lee Child than I do other writers, and this time, I just don’t think he pulled it off. I’m willing to bet he does better next year, and I’ll content myself with that hope.

—–

3.5 Stars2018 Library Love Challenge

The World Savers by Matt Cowper: A Bang-Up Start to a new Super-Hero Series

The World SaversThe World Savers

by Matt Cowper
Series: The Elites, #1

Kindle Edition, 257 pg.
2018
Read: December 11 – 12, 2018

There are going to be a lot of comparisons in this to Marvel/DC characters. This isn’t saying Cowper’s being derivative — nor is he ripping any character off. These are well-known and established types — he’s not doing anything that Ben Edlund didn’t do in The Tick, or Bendis in Powers, or Kirkman in Invincible — etc. I’m just going to say something like “Slab is a Thing-like character” so I don’t have to write three sentences to describe the Thing.

Beverly Gillespie (an Amanda Waller-esque character), the Secretary for Superhuman Affairs, is re-assembling the legendary team, The Elites. Enough time has gone by since they disbanded (for very good reasons) that the government wants to start them up again — under new leadership. Nightstriker — a very Batman/CW’s Arrow -type of guy. He’s driven, he’s obsessive, he’s seemingly incorruptible, and doesn’t play well with others and is pretty paranoid. Which is what attracts Waller — she wants someone who’ll go out of his way to keep the team’s integrity.

It takes some doing, but Nightstriker relents and selects a few people to join the new group — none of them are the crème de la crème, Nightstriker considers them misfits, actually. But misfits that he thinks can work well together and be a strong Gestalt-y greater than the sum of its parts entity. No sooner have they assembled, than their home base, Z City, is under attack. I’ll leave this vague, but essentially these opponents are Occupy Wall Street with a cult-like flavor, following a would-be world conqueror, with everyone within the group possessing some sort of metahuman abilities. So The Elites have to stop this group from destroying the city (or at least the financial and governmental structures), while learning to function as a team.

The book is told through the points of view of Nightstriker and a member of his Elites, Blaze. Nightstriker’s a strong take on the type — you know him pretty well almost instantly.You get his motivation, his way of doing things and can understand his paranoia about reforming this team. He sees himself as not just Team Leader, but Mentor/Coach to his team — but he has a lot to learn about being a Team Player as well as a Leader.

Blaze is a high schooler struggling with Biology tests while he goes around fighting crime in a Human Torch-ish way (with shades of Firestorm, too). He’s eager, he’s naive, he’s a little reckless, he has a sense of fun that’s outweighed by a sense of responsibility. He’s so wet behind the ears that it threatens to put out his fire. But he’s smart (probably smarter than he realizes) and has nothing but potential. Nightstriker sees all of that (and probably more), and sees similar qualities in the other recruits. I really enjoyed his chapters — the Nightstriker point of view is what the DC movies are (at their best), Blaze’s are Marvel movies. The two together make a powerful combination.

Metal Girl doesn’t have point-of-view chapters, but we learn a lot about her — her origin story, what makes her tick, etc. She’s sort of a Vision/Red Tornado/Metamorpho cocktail. That description can only work once you’ve read the book — it’ll click when you do. I really dug her as a character and can’t wait to see what Cowper has in store for her development.

There are two members of The Elites that are under-served — which isn’t too much of a complaint, there’s a lot of plates spinning in these pages and to try to fit in more of these two probably would be counter-productive. First is Buckshot — think the Green Arrow or Hawkeye, but with guns (it’s been too long since I’ve read anything with him in it, but maybe that makes him Arsenal-like) with a Western-motif about him and a talk-radio conservative world-view — I like him, but think Cowper overplayed some of his characteristics (just a little bit). The other one is Slab — he’s a Thing-type character, who really isn’t that much like Ben Grimm — although they’re similar. There’s something about this guy — as much as I enjoyed the rest of the cast, it wouldn’t surprise me at all if Slab becomes the heart and soul of the team — and maybe the guy who really comes through at the very end to land the coup de grâce in the finale. Maybe it’s just me, but I like Slab enough that if you told me that Cowper was releasing a novella starring him today, you’d be reading my review about it tomorrow.

There’s plenty of solid super-hero action with a much larger cast of characters than you expect going in — much larger than I’ve told you about, too. The best thing about the opponents of The Elites (I hesitate to call them villains — although it’s appropriate for at least some of them) is that there’s some merit to their cause, enough that at least some of the super-heroes fighting them have to consider their actions. The world seems awfully black-and-white at the beginning, but by the end there’s a lot of gray.

This takes place in the same world as Cowper’s Johnny Wagner, Godlike PI books, but it feels rather different. And it should — one’s a PI novel with super-hero overtones, the other’s a straight-forward super-hero book. I enjoyed the first of those books (and really should’ve read the second by now), but Double Lives took awhile to win me over. The World Savers had me by the end of the first chapter. Don’t ask me what the difference was, I couldn’t tell you. But it’s there.

Great action, great characters (with room to develop and signs that they will), a world teeming with possibilities, this is a strong intro to a series that could turn out to be great (it could also turn out to be simply really good — I’d be okay with that, too). This is a planned trilogy, and I’d pony up the cash for the next two installments right now if I could, I’m eager to see where Cowper takes these characters next (I have a small wish list, but I expect he has better plans).

Disclaimer: I received a copy of this book from the author in exchange for my post and my honest opinions.

Mr. Pizza by J. F. Pandolfi: A Winsome Tale of a Rookie Teacher

(WordPress is doing that thing again where it messes up the html in my post header. I think I’ve fixed it, but if the beginning of the post looks ugly, sorry, I’m doing my best)

Mr. Pizza
Mr. Pizza

by J. F. Pandolfi


ePUB, 298 pg.
L&A Publications, 2018

Read: December 4 – 5, 2018

On the verge of graduating from college, Tony Piza (long “I”, and yes, he’s heard all the jokes), decides he’s not ready to head to law school and would like to take a year off. Inspired by a suggestion from his roommate, he applies to teach at a Roman Catholic school near his home. He figures that it’ll be pretty easy — spout some facts and figures from the text-book, assign some homework, do a little grading, catch up on his reading. All while living rent-free with his parents and sister. Despite never having taken an education class, nor showing any previous interest in education, and some iffy interview questions, he’s hired.

Early on, he performs his duties just as he planned — and it’s as successful as you imagine. But before long, he starts to see his students as individuals, not some faceless mass. It’s just a few steps from there to caring about their education and trying to do something about it. Tony also makes some friends with fellow teachers — two other lay teachers (including the other male staff member), and one nun. They start to rub off on him — and even inspire him.

But that doesn’t mean he turns into Professor Charles W. Kingsfield Jr or George Feeny, he’s more like a version of Gabe Kotter or Charlie Moore. Unconventional, off-kilter, and comical — yet challenging. Both his lectures and his assignments bring out the strengths and weaknesses his students (and their parents) were unaware they possessed. They also get Tony in trouble with parents, school administrators and school board members.

Essentially, the novel is a bildungsroman, watching Tony’s development from someone who sees teaching as a vacation from his real life to someone truly invested in it. I don’t want to say that it’s a smooth transition or that he flips the switch and becomes the World’s Greatest 6th Grade Teacher ™. That would make for a very dull novel.

Pandolfi writes in a very smooth, assured style. There’s not a lot of artistic flourishes — that’s not a critique, just an observation. It is charming, frequently amusing, and pretty earnest. I was a little afraid after reading the description that this would be a satire that tried too hard, one of those books where you can see the writer trying to be funny (which almost never works) — but I’m pleased to say that it wasn’t. Tony seemed to try too hard, but not Pandolfi — a character doing that is annoying, but it’s a character trait; a writer doing that is frequently a a deal breaker.

Tony’s antics and judgement are a mixed bag, as I mentioned. Early on, some of his jokes/behavior didn’t seem like fun, they seemed capricious and even mean — but so did M*A*S*H‘s Hawkeye and Duke Forrest (the book and movie versions, anyway). From the get-go the 1973 setting and sensibility put me in that frame of mind, so that’s where my mind went. And sure, part of the book is to show his growth from that, but it’s pretty off-putting. Similarly, I had trouble swallowing how tone-deaf he was when it came to jokes about Roman Catholics (even after being warned), yet he was reflexively sensitive to other people/problems (frequently in a way that seemed at least somewhat anachronistic).

Ultimately, I was able to get past that — and it’s possible that without me putting something about that in my notes, I’d have forgotten to mention it. Because of his growth, by that last third or so of the book, you see almost no signs of this (except when his past comes back to haunt him). So, I guess I’m saying, if you’re put off by some of his early behavior, give him a chance.

His sister, Patty, has Down’s Syndrome. I really appreciated the way that Pandolfi treated her. She’s simply a character — there’s no After-School Special moment with her, she’s not an object of pity — she’s simply Tony’s little sister. There are funny moments with her, some sweet moments with her — just like there are with Tony’s mother and father.

Tony’s students, fittingly, come close to stealing the novel from Tony. As is the case with the Bad News Bears, the Sweathogs, Fillmore High’s IHP class, etc., you have to want to see the kids do well to care about their teacher. They’re a diverse group, each having some distinctive characteristics and/or problems. They come to believe in their “Mr. Pizza” long before the staff, or even Tony — and stay his biggest supporters through the ups and downs that ensue. If you don’t like at least most of the students, there’s something wrong with you and you should seek professional help. Or just re-read the book, because you probably missed something.

The rest of the cast of characters are well-drawn and believable. There are a few that I’m glad we didn’t get much time with (Tony’s extended family, for example). His friends, fellow teachers and principal are strong characters, a couple of them are better developed. But that’s simply due to time spent with them. Pandolfi has a gift for good characters, which is half the battle in a novel.

Mr. Pizza is a charming tale of a young man maturing at a turning point in his life. There’s some good laughs, some uncomfortable moments, and some earnest emotional beats. The book is a pleasure to read and it — and it’s protagonist — will win you over and get you rooting for them both.

Disclaimer: I received this book from RABT Book Tours in exchange for this post and my participation in the book tour.

—–

3.5 Stars

✔ Read a book with your favorite food in the title.

RABT Book Tours & PR

Pub Day Repost: Blood Feud by Mike Lupica: Sunny Randall’s Back in this Promising Reintroduction

Blood FuedRobert B. Parker’s Blood Feud

by Mike Lupica
Series: Sunny Randall, #7
eARC, 352 pg.
G. P. Putnam’s Sons, 2018
Read: October 5 – 9, 2018

I have a complicated relationship with Sunny Randall. Readers of this site have been frequently exposed to my love for Robert B. Parker’s Spenser and Jesse Stone novels, both by Parker and the continuations by Ace Atkins and Reed Farrel Coleman (let’s overlook Michael Brandman’s contributions for the moment). I enjoyed his stand-alone works, and I thought the first couple of Virgil Cole & Everett Hitch books were fun (I haven’t tried the Robert Knott continuations). Which leaves us with Sunny.

Sunny Randall, the story goes, was written to be adapted into a film series for Parker’s chum, Helen Hunt (incidentally, I’ve never been able to envision Helen Hunt in a single Sunny scene, but that’s just me). She’s a private investigator; a former cop; part-time painter (art, not house); emotionally entangled with her ex-husband, but can’t live with him; lives in Boston; and enjoys good food. But she’s totally not a female Spenser — she doesn’t like baseball, see? I’ve read all the books — some multiple times — and while I enjoyed them, I’ve never clicked with Sunny the way I have with others. Including every other Parker protagonist. Most of her novels are mashups and remixes of various Spenser novels, entertaining to see things in a different light — but that’s about it. Frankly, the most I ever liked Sunny was in the three Jesse Stone novels late in Parker’s run (but both characters are better off without each other).

So when it was announced that Mike Lupica would be taking up the reins of this series I was intrigued but not incredibly enthused. I only know Lupica from having bought a few of his books for my sons when they were younger. I didn’t get around to reading any of them, so he’s really a new author for me. And sure, I was a little worried about a YA/MG author taking the reins of a “grown-up” series. But not much — if you can write a novel, you can write a novel, it’s just adjusting your voice and language to be appropriate for the audience.

Enough blather — let’s talk about Blood Feud. Since we saw her last, Sunny has had to move, Richie (her ex-) has gotten another divorce (giving them the chance to date or whatever you want to call it) and has replaced her late dog, Rosie, with another Rosie. Other than that, things are basically where they were after the end of Spare Change 11 years ago (for us, anyway, I’m not sure how long for her, but less time has passed you can bet).

By the way — does anyone other than Robert B. Parker, Spenser and Sunny really do this? Your dog dies, so you go and get another one of the same breed and call him/her the same name? Is this really a thing?

Then one night — Richie is shot. It’s not fatal, but was done in such a way that no one doubts for a moment that it could have been had the assailant wanted it to be. For those who don’t know (or don’t remember), Richie is the son of an Irish mob boss, although he has nothing to do with the family business. He’s given a message for his father — his shooter is coming for him, but wants him to suffer first. This kicks off a race for the shooter — Sunny, the Burke family and the police (led by Sgt. Frank Belson) are vying to be the one to find the shooter.

Before long, the violence spreads to other people the Burkes employ — both property and persons are targeted by this stranger. It’s clear that whoever is doing this has a grudge going back years. So Sunny dives into the Burke family history as much as she can, so she can get an answer before her ex-father-in-law is killed. Not just the family history — but the family’s present, too. As much as the roots of the violence are in the past, Sunny’s convinced what the Burkes are up to now is just as important to the shooter.

Richie’s father, Desmond, isn’t happy about Sunny sticking her nose into things. Not just because of the crimes she might uncover — but he really wants to leave the past in the past. But as long as someone might come take another shot at Richie, Sunny won’t stop. This brings her into contact with several criminal figures in Boston (like Parker-verse constants Tony Marcus and Vinnie Morris) as well as some we’ve only met in Sunny books.

There are a couple of new characters in these pages, but most of them we’ve met before — Lupica is re-establishing this universe and doesn’t have time to bring in many outsiders, but really just reminds us who the players are. Other than the new Rosie, I can’t point at a character and say “that’s different.” He’s done a pretty good job of stepping into Parker’s shoes. Not the pre-Catskill Eagle Parker like Atkins, but the Parker of Sunny Randall books, which is what it should feel like (( wouldn’t have objected to a Coleman-esque true to the character, just told in a different way). I think some of the jokes were overused (her Sox-apathy, for one), but it wasn’t too bad. Lupica did make some interesting choices, particularly toward the end, which should set up some interesting situations for future installments.

The mystery was decent enough, and fit both the situations and the characters — I spent a lot of the novel far ahead of Sunny (but it’s easier on this side of the page). I enjoyed the book — it’s not the best thing I’ve read this year, but it’s a good entry novel for Lupica in this series, a good reintroduction for the characters/world, and an entertaining read in general. If you’re new to this series, this would be as good a place to hop on as it was for Lupica.

I want better for Parker’s creation (but I think I’d have said that for most of Parker’s run with the series), and Lupica’s set things up in a way that we could get that in the near-future. He’s demonstrated that he has a good handle on the character he inherited, the question is, what can he do with her from here? I was ambivalent about this series coming back, but I can honestly say that I’m eager to see what happens to it next.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post — thanks to both for this.

—–

3.5 Stars

Dry Hard by Nick Spalding: Who needs to drink when you can have this much fun reading?

Dry HardDry Hard

by Nick Spalding

eARC, 293 pg.
Amazon Publishing UK, 2019
Read: November 19, 2018

Kate Temple’s in PR, Scott Temple’s a marketing director for a distillery. Both of them rely on alcohol to get through their days (and nights). They used to have each other to rely on and curb their use, but as they’ve become more successful, they have to do more things away from each other and they really don’t have anyone to watch out for them. Also, because they spend less time with each other, both have a hole they need to fill throughout their days — which usually involves more drinking.

Things are getting bad enough that they both endanger their jobs (not to mention the property and safety of others) thanks to drunken escapades. But this doesn’t give either of them much pause — if anything it drives them to the bottle even more. Their teenaged daughter, Holly, can’t understand why these two can’t see how bad their drinking is, how much it’s hurting their marriage, how much it’s affecting her life. So, at Christmas, she decides to secretly film them at their drunken worst (which starts pretty early in the evening) and then she shows it to them, hoping this video intervention will awaken them to their problem.

It doesn’t work — her parents defend their drinking, downplay the mortifying things they do on video and generally blow her off. So in a fit of adolescent pique, she uploads the video to YouTube so her friends can see it. But the video catches the attention of a couple of popular YouTube celebrities and next thing they know, Kate and Scott are a viral sensation.

This very public shaming convinces them that they need to make some changes, and decide to cut out drinking totally. Holly tries to get them public support by uploading videos chronicling their efforts to live dry for a year, attaching the hashtag #DryHard. Things do not go well — well, maybe well, but not smoothly.

Now, here’s where Spalding distinguishes himself from almost every other writer on the planet — he makes all of that hilarious. Yes, Holly’s going through a lot because of her parents, but even in the way that Spalding describes it, her hardships are funny. At the 14% mark, I wrote in my notes “I have no idea if he can tell a story, but Spalding can make me laugh!”

I can thankfully report, he can tell a story — and still makes me laugh. The comedy comes from the situations, from the slapstick-y way his characters navigate the situations, and just the way he narrates (typically through the protagonists’ voices). It’s not just one thing that he does well — he can bring the laughs through multiple channels. Yes, the couple are careening toward rock bottom, but you laugh about it; yes, they’re dealing with very serious life and death issues — but Spalding makes you find the humor in the situations; they have monumental struggles that don’t go away just because they sober up, but you’ll ber chuckling and chortling while watching them flounder.

Oh, also, this has nothing to do with the plot, but Spalding’s description of Gin Fawkes — a flavored gin using orange peel and cinnamon produced by Scott’s distillery — is enough to make me consider becoming a teetotaler. Fantastic stuff. Funny and horrifying in equal measures.

This is the story of a family in crisis and the great lengths they go to to preserve that family. That right there sells me on the book — everyone wants the same thing — Kate and Scott’s marriage to recover. There’s not one person in the family thinking of pulling away, there’s not one more committed than the rest — both spouses are flawed and fallible, even Holly makes mistakes and loses her way, however briefly. No one’s blameless, no one’s to blame, Scott and Kate have got themselves to this point together, and together they’ll make it out. Too many books like this will take the “side” of one spouse — one is committed, one is faithful, one is stupid and blind to their own faults and one is the bigger/wiser person, etc., etc. Spalding doesn’t do that — he presents the Temples as mutually dysfunctional, mutually aspirational, and human.

Unlike a lot of similar authors, if Spalding had the opportunity for an honest, heartfelt emotional scene or a series of laughs — he’d pick the laughs 99 times out of 100. Thankfully, if he could go for a fairly honest and quite heartfelt scene with laughs, he’d go for that too. If he’d gone for fewer laughs and more of the honest and heartfelt moments, he might have a more complex, realistic, and substantive novel. Something more akin to Jonathan Tropper or Nick Hornby at their best. Instead, Spalding produced an entertaining, funny and frequently hilarious novel. The substance is there — but it’s hidden and easy to miss between the chuckles.

If you take the time to look for the substance/depth — you’ll find it and appreciate its presence. If you don’t and just laugh, you’ll be fine and have a good time — either way, you win.

This was my first Nick Spalding book — it will not be my last. Fast and funny — I had a blast reading this and laughed out loud more than I can remember doing in a long time. Read this. You’ll enjoy it.

Disclaimer: I received this eARC from Amazon Publishing UK via NetGalley in exchange for this post — thanks to both for this.

—–

3.5 Stars

Two Kinds of Truth by Michael Connelly: Bosch Enters New Territory and Revisits some Old in Two Very Different cases

Two Kinds of TruthTwo Kinds of Truth

by Michael Connelly
Harry Bosch, #20

Paperback, 402 pg.
Grand Central Publishing, 2018
Read: October 12 – 13, 2018

…he had never planted evidence against any suspect or adversary in his life. And this knowledge gave Bosch an affirming jolt of adrenaline and purpose. He knew there were two kinds of truth in this world. The truth that was the unalterable bedrock of one’s life and mission. And the other, malleable truth of politicians, charlatans, corrupt lawyers, and their clients, bent and molded to serve whatever purpose was at hand.

Harry Bosch continues to work as a volunteer San Fernando cold case detective until a very hot case comes in — a murder. Harry steps in to guide the full-time detectives through this investigation at a family-owned pharmacy. Quickly, they determine that there’s a tie between this killing and a criminal enterprise involving prescription drugs (opioids, to be specific). Soon, Harry’s doing something he’s never really done before to find some answers and hopefully bring the killers to justice. It’s a great setup to a story. There’s a blast from Harry’s past involved in the prescription drug side of the investigation, and I never thought I’d see this character again. It was a nice surprise.

That’s not only blast from the past in this novel. An old case of Harry’s is being re-opened (by “old” I mean pre-Black Echo, I think) — supposedly some new evidence has come to light exonerating the man Harry and his old partner arrested. Harry’s last LAPD partner, Lucia Soto, is one of the detectives being used by the DA in the re-opening of the case — but that doesn’t mean Harry’s getting much of a break. The position of the LAPD and the DA’s office is that Harry and his partner put away the wrong man — framed an innocent man — and it’s just a matter of time until he’s released and Harry will be sued for his role. Harry does the smart thing right away and gets Mickey Haller involved, he’s going to need legal help — and emotional support — to get through this.

The resolution to the Drugs/Murder story was a bit too easy, a bit too rushed for my taste — which is a shame, because I thought there was a lot more that Connelly could’ve done with it, and I was really enjoying it. That said, other than the resolution to it — I thought it was a great story, and if it even skews toward the truth when it comes to how these pills are procured/distributed, it’s one of the more disturbing stories that Connelly has ever told.

On the other hand, the resolution of the False Conviction story was never in doubt — Connelly’s not going to do that to Harry. The only question was how he was going to be cleared/how the murderer was going to be proven guilty again. The way it involved the work of Harry, Cisco, and Mickey together — especially with some wily moves on Mickey’s part was a whole lot of fun. I do think Harry’s reaction to his half-brother’s craftiness reeked of hypocrisy — he’s not above some of the same kind of moves (just not in a courtroom). The difference laying (in Harry’s eyes) in that he’s a cop, seeking justice and that Mickey’s a lawyer, seeking a win. Honestly, that reaction annoyed me a lot — which is one of the best parts of this series, I frequently am annoyed by Harry Bosch — he’s arrogant, hypocritical, and blind to his own faults. In other words, he’s human. He’s also dedicated, determined and generally honorable — qualities you can’t help but admire.

I know that this novel is one of the books that’s going to be the basis of the next season of Amazon’s Bosch, and I couldn’t help wondering throughout — how? Both storylines depend on an older Bosch than Welliver (the wrongful conviction story less-so), and one of them involves Mickey Haller, and I don’t see how they could use that character (but it could be done without him, if necessary). There are probably umpteen articles easily found online about how they’ll do it, but I’ll just wait to watch it. Still, the thought nagged at me throughout reading.

This is typical Connelly/Bosch — a strong, well=constructed story with compelling characters, a good pace and some twists that you won’t see coming. If this was written by anyone else, I’d have likely given it more stars. Maybe that’s wrong of me, but . . . something tells me Connelly will be fine no matter what I say. It’s a strong book, it’s an entertaining book — there’s a lot of good moments, but it could’ve been better.

—–

3.5 Stars

Page 25 of 41

Powered by WordPress & Theme by Anders Norén