4 Stars - The Irresponsible Reader

by Douglas Light

eARC, 252 pg.
Rare Bird/Vireo, 2018

Read: January 12 – 13, 2018

She smells of lemons and warm cinnamon and isn’t very pretty. Sliding onto the barstool next to me, she says, “Can I sit here?”

The bartender, the woman, and me — we’re the only people in the bar. She can sit anywhere. It’s not just a seat she wants.

I study her a moment then catch the bartender’s eye, the order is placed without a word. Whatever the woman wants. Alcohol, like long marriages, has a language of its own, one not composed of speech.

Now, that’s how you start a novel.

So, our narrator is orphaned the night after his high school graduation — however odd it may feel to call someone on the cusp of adulthood an orphan, he is one (and the back of the book says so). Suddenly his college dreams, plans for the future are gone, as is his past (other than memories). He finds his way from Iowa to Seattle and takes up residence in a homeless shelter. The closest thing he has to a friend there sets him up with a way to make some money — more than he’d been able to scrape together from an under-the-table gig at a gas station.

It’s obviously not above-board, but it’s good money. What else is a kid with no ties to society, no dreams, no means and nothing better to do? We bounce back and forth between the opening scene (and what follows) in the bar and his burgeoning criminal career. He bounces all of the globe playing small roles in what are likely significant crimes. The resulting story is a combination of tragedy, comedy of errors and Bildungsroman. All of which leads up to a concluding scene that is at once unexpected and the only appropriate thing that could’ve happened.

As a reader. you’re never impressed with our narrator’s choices. You may understand them, but it’s hard to be behind them. Especially because after a certain point, our young man makes a giant mistake. The reader knows this — and has to hope that whatever he does, he figures out his mistake or gets out of this life soon.

The plot’s decent and will carry you along well enough. But it’s not why you will stick with this book (at least not primarily), it’s Light’s writing. In the middle of all this, there are sentences like, “Walking the empty night street, my kidneys rattled with anxiety.” I’m pretty sure this is biologically nonsensical (I haven’t bothered to check with my son’s nephrologist, but I was tempted to), but that doesn’t stop it from being incredibly effective — you know precisely what Light’s going for there, and in the moment, your kidneys felts a little weird. There’s something to his writing that made me stop every so often to re-read a sentence or paragraph or passage — not because I missed something or didn’t understand what was happening, but because Light captured a moment, an idea, or phrase in such an engaging way that I didn’t want to move on.

I’m not sure if this is a very literary thriller, or a literary novel playing with thriller tropes. Nor am I sure that I care, but this is the kind of book that can appeal to both target audiences. It’s a good example of either genre, and a better example of why the distinctions are specious. There’s an interesting crime story here; a character study; a look at what happens to someone who has no connection to his future, society, or his past — oh, and it’s a good read, too.

Disclaimer: I received this ARC in exchange for my honest opinion about the novel, I appreciate the opportunity, but it didn’t influence the above.

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4 Stars

All Those Explosions Were Someone Else’s Fault by James Alan Gardner

By HCNewton

On January 11, 2018

In 2018 First Reads Challenge, 2018 Library Love Challenge, Fiction

All Those Explosions Were Someone Else’s Fault

by James Alan Gardner
Series: The Dark vs. Spark, #1

Paperback, 382 pg.
Tor Books, 2017

Read: January 9 – 10, 2017

…paranoia is our friend. Paranoia is our sunscreen, our condom, our duct tape. Paranoia tells the truth nine times out of ten, and the tenth time is when you weren’t paranoid enough. We will never correctly anticipate what flavor of shit will hit the fan, but we can calculate the trajectory and attempt to avoid the splatter.

Let’s start with the title, shall we? Straight off you know this book is going to be action-oriented, heavy on the explosions and most likely offbeat in style.

This is one of those books that it almost doesn’t matter how good the novel itself is, because the set-up is so good. Thankfully, let me hasten to say, the book lives up to the setup. So here’s the setup: it’s a parallel universe to ours, exactly like it (down to the certainty of the existence of Elton John), but in the 1980s Vampires, Werewolves, etc. admit their existence and sell their services — what services? Being turned, in exchange for exorbitant rates, so that the newly supernatural could enjoy their riches and powers for extended lifespans. Before long, the 1% are essentially all monsters in some way (literally so, not just depicted as monsters in print, on film or in song). The haves are supernatural, the have-nots are human — literally, these groups are two different species.

Yeah, the imagery isn’t subtle. It’s not supposed to be.

A couple of decades later, Sparks show up — Sparks are, for lack of a better term super heroes. They battle the forces of Darkness, so are obviously called Light (both groups have a tendency to be a little on the nose). There’s a pseudo-scientific explanation/excuse fr the way their powers work (contrasted to the magic of the other side). Fast-forward to the present, four college students/housemates are in an almost-deserted engineering lab building on campus when one of the labs blows up. This results in these four being turned into Sparks and they are immediately compelled to defend their city and combat a scheme launched and directed by Darks.

While doing this, they need to come to grips with this new reality for them, their news powers, their new identities, and so on — not to mention coming up with costumes.

This book features THE (triple underscore) best explanation of/justification for simple masks being an adequate disguise and/or the efficacy of removing a pair of eyeglasses to hide a superheroes identity.

The writing is crisp, the characters are fully fleshed out and the kind of people you want to spend more time with. I’m not going to get more into it than that, because you really need to experience the relationships (and many other things) by yourself.

This looked like a fun read, and it is a blast (no pun intended, but fully embraced), but it’s more — there’s heart, humor, some meta-narrative, and strong super-heroic and magical action. I really liked this one — it’s one of the best super-hero novels I’ve read in the last few years and the sequel can’t get here fast enough. Grab a copy today and thank me tomorrow.

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4 Stars

Love Story, With Murders by Harry Bingham

By HCNewton

On January 10, 2018

In Fiction, Fiona Griffiths, Harry Bingham, Mystery/Detective Fiction/Crime Fiction/Thriller

Love Story, With Murders

by Harry Bingham
Series: Fiona Griffiths, #2

Kindle Edition, 449 pg.
Sheep Street Books, 2016

Read: January 4 – 8, 2018

For me, these things aren’t only about finding the killers, but about giving peace to the dead. It’s not primarily a question of justice. The dead don’t care about that. The murder investigation, arrest and conviction are just part of the funeral rite, the final acts of completion. Gifts I bring the dead in exchange for the peace they bring me.

The peace of the dead, which passeth all understanding.

DC Fiona Griffiths continues her efforts to act normal, maybe even feel normal, getting along with her boyfriend and staying out of trouble with her superiors. Basically, things are going as well as they possibly can following the events of Talking to the Dead. But we know that’s going to come to an end, otherwise, this would be a really dull series. It comes to an end when Fiona and a colleague stop off on their way home to look at a case of illegal rubbish. In this particular case, the rubbish is a body part in a chest freezer. It’s a significant enough body part to make the detectives sure they’re looking for something more serious than illegal rubbish.

Over the next few days, the police are able to find some more of the woman, as well as start to understand how long ago she was killed and dismembered — which leads to an identification. Shortly thereafter, the police find pieces of a fresher corpse in the same area. While most detectives look for connections between the victims and hunt for clues to identify the killer, Fi begins learning more about the victims as individuals (not that she’s alone in this, it’s just she’s alone in her approach), what their lives were like, and what would lead someone to kill them. Fi investigates things in a way no other fictional detective — private or police — does. I’m not sure I can express it clearly, but when you read it, you’ll notice. When she starts to put the pieces together about what was going on the whole time, I was flummoxed — it’s nothing like where I expected things to go.

Aside from that are the relationships with her boyfriend, family and fellow police officers. The romance between Buzz and Fi is very strange, but sweet. She’s dealing with a different superior for these investigations. It’s not just Fi up to the same antics with a different boss — similar antics, yes, but Fi understands herself better now, and is able to do what she does in a way that her superiors are able to accept and use. As for her family? I’m not even going to try to talk about it.

Some people are better as corpses. They’re easier to like.

On the one hand, I really like watching Fi’s subconscious at work, making the connections, deductions, and guesses she needs to be making to solve the crime/find what she’s looking for, while she interprets it as “the dead” talking to her. Well, that’s one way to read it, anyway. It really could be that there’s something on the verge of supernatural going on. I like the hint of ambiguity that Bingham has given this world and Fi’s understanding of what’s going on.

I was, I don’t want to say surprised, but it was something like it by the ending. Maybe I’ve just been reading too many Mysteries lately with pretty ambiguous endings, but this one had a very satisfying ending with most of the loose ends tied up. This doesn’t mean that everything ended happily (for want of a better term), but that Fi’s fully able to satisfy her curiosity and need to know (at least about those things that came up in her professional life — her personal life is only slightly more settled by the book’s end than it was when it started).

A murder mystery — with, yes, a love story — that had some fantastic character moments, a really strong puzzle, all very well told. Fiona Griffiths impresses again. This is the best kind of sequel — the same kind of things that filled the first book in the series, but seen differently by everyone (including the protagonist) and with different results — Fi’s grown a bit (I want to stress “a bit,” she’s still basically the same person, which is good, I don’t want everything to be “normal” for this character), and is building on the events from the previous novel, not just repeating them. I’m truly annoyed with myself for waiting so long to get back to this series, and will not make the same mistake.

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4 Stars

Pub Day Repost: The Questionable Behavior of Dahlia Moss by Max Wirestone

By HCNewton

On January 9, 2018

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Yeah, this is a strange time for me to post, but I felt like Dahlia challenged me to. You’ll get it when you read the book.
—

The Questionable Behavior of Dahlia Moss

by Max Wirestone
Series: Dahlia Moss, #3eARC, 352 pg.
Redhook, 2018
Read: December 21 – 22, 2017

I am so glad that this eARC asked me not to quote anything from the book until I could check with the published version because by the time I hit 5%, I’d already come up with a handful of candidates of quotations to start this post with, and I didn’t want to have to choose.

Literally picking up where The Astonishing Mistakes of Dahlia Moss left off — with Emily Swenson asking Dahlia to be an industrial spy. She’s being sent to serve as a Temp in the offices of a game development company — they’re best known for a really simple game, the kind you play in line at the DMV or something, it’s relaxing. Still, it’s a gaming company and a pretty successful one at that — it’s the kind of place Dahlia should work (if she wasn’t becoming a detective). There’s another company about to buy them out, but they need some more information — there are rumors of problems in the office, are they true? Could they look at the existing code for the new version so someone can see why it’s delayed?

Dahlia jumps at the assignment — which is good, because otherwise the novel would be a very short, and pretty dull, story. She shows up for her first day to find, well, chaos? Chaos seems to be an understatement. She starts to acclimate pretty quickly and is behaving more professionally than just about anyone in the office. If Dahilia is the standard of professional behavior, that tells you everything you need to know about the rest. Oh, and then Dahlia finds a dead body. Now in addition to her Industrial Espionage work, there’s maybe a murder for her to look into in her spare time.

The problems she faces staying staying incognito: The detective in charge of investigating the murder/suspicious death knows about her from Shuler. There’s a reporter sniffing around — and scheduled to tour the company — who’s written about her exploits. Her friends can’t stop saying things to her coworkers about her being a detective. And, well, she’s just not that subtle of an investigator — she largely pulls it off, but that’s primarily due to the company being in turmoil and no one having a lot of attention to devote to the question “why is our temp asking all these questions?”

Part of the fun of these books has been watching Dahlia flail around, unsure what to do next. There’s less of that here — she’s learning. I’m not suggesting that she’s transformed herself into Kinsey Millhone or Joan Watson, but there’s something about her that’s less flailing. Maybe because she has some pretty clear objectives this time out. I liked that hint of growing skills. Not bad for someone with a recent concussion.

Now, to the rest of the cast: the people in the office, by and large, feel like characters from other series. Gamers, SF geeks, cosplayers . . . those seem like people Dahlia interacts with. Responsible adults with steady jobs? Nope — which serves the plot. There’s a knitting circle that feels like what Dahlia’s crowd will become in 30 years, and her interacting with them feels a bit more fitting.

The book is just as amusing as its predecessors, I literally laughed out loud a few times — not at big comic moments, but at a line of dialogue or a quip Dahlia makes. The big comic moments worked for me, but not as effectively. As always, half the fun is from the very odd circumstances that Dahlia finds herself, but the other half of the fun is the way Dahlia narrates things, the metaphors, pop culture references, etc. Yeah, I thought the Mad Men references were a little too close to each other — but I appreciated both of them so much, I didn’t care (also, pairing Joan Holloway with Della Street? Perfect). One of the things that the writers behind MST3K always said that when they go for super-specific references that are obscure, they know that not all viewers will get the joke, but those that do will love it. There’s a half-chapter in this book (and a couple of call-backs to it later) that I could swear was written just for me. And, yes, I loved it (I didn’t give the book a bonus 1/2 star because of it, but I thought about it).

There’s some maturing — at least indicators that maturing and responsibility are on the horizon for ol’ Dahlia. It reminded me of Lutz’ The Last Word in that respect, but I had a lot more fun with this The Astonishing Mistakes than I did with Izzy Spellman’s swan song (not that this is necessarily the end of Dahlia’s adventures, though it’s always seemed to be marketed as a trilogy). It’s good to see that trajectory with Dahlia (and, honestly, her roommate).

Other than that, there’s not much to differentiate this from the other two books in the series (as far as the writing goes, not the stories): the writing itself is fun, as is the story, a good mix of serious subject matter and comedic moments (none that detract from the tragedy of murder or anything). There’s some good character moments and a decent mystery, too. If you haven’t read any of Dahlia Moss’ adventures, you should grab one and dive in — this one will work just as well as the first or second. In the end, you’ll want to read all three.

Disclaimer: I received this eARC from Orbit Books via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Operation: Endgame by Pip Ballantine and Tee Morris

By HCNewton

On January 8, 2018

In Steampunk

Operation: Endgame

by Pip Ballantine and Tee Morris
Series: Ministry of Peculiar Occurrences, #6

Kindle Edition, 370 pg.
Imagine That! Studios, 2017

Read: January 2 – 3, 2017

Eliza and Wellington continue their pursuit of Jekyll. They start things off with the most exciting opening to one of these novels since we first met the duo in Phoenix Rising. From there, they get in a little official trouble, and get sent packing. They’re brought off of their suspension because Jekyll is leaving a path of corpses throughout Europe to draw them in. Yeah, it’s terrible, but it’s a fun story. While on the hunt, the couple make a new friend who I’d enjoy getting a book/series of her own, frankly — but first she’s a whole lot of fun to read and helps Eliza and Wellington out a bit, too. About halfway through the book (maybe a little longer), this story takes the turn it needs to and fully explores what Jekyll and Father Books were up to. This takes everything up a notch and really helps sell this finale. I can’t go further without ruining the book — but from here out this is the best thing that Ballantine and Morris have done yet.

Meanwhile, we continue the subplot of Agents Bruce Campbell and Brandon Hill chasing the House of Usher around trying to find out more/stop Operation: Ragnorak. Following their exploits in Russia last time, they’re primarily in the US and Italy for this book. They cross paths a few times with the always entertaining (for the reader, not the Ministry’s agents) Sophia del Morte. This was probably my favorite use for these two agents yet (although, I really did like the Russia stuff), and I thoroughly enjoyed everything but the very end of this storyline. I found the conclusion to this particular storyline disappointing — and maybe I’m supposed to, maybe we’re going to see the actual conclusion to it in the spin-off series (or in one that hasn’t started yet). I’m not saying that there wasn’t an ending to this, but it felt off somehow, like there’s more to be said.

This installment probably did a better job of tying the entire series together than the previous books did — not that there were continuity problems (at least not that I noticed), but books 2-5 built on each other and little else. Operation: Endgame helps you see the way that book 1 led to something in 3 and 6, etc. Which is probably easier to do when you know that you’re bringing everything to a close. The other two main stories (particularly the Books and Braun) also had a sense around them that this was it — do or die time, and no, “Oh, rats, they got away! I guess we know what we’re doing in the next novel!” It gave a heightened urgency, a heightened sense of import to everything that happened — or maybe it was the other way around. Or maybe it’s just me, because I knew it was the last book so that. I don’t think so — I think I’m going to credit Ballantine and Morris for writing that way.

A minor gripe: this really could’ve used one more copy-edit pass — there were too many sentences missing a word, and that kind of thing.

Operation: Endgame did everything it needed to do: it told a compelling story and it brought a series to a satisfying end. Not every series finale can do both, so it’s always a relief when one does (especially when it’s a series you really enjoy). I enjoyed the book on its own merits — a fun chase through, well, most of Western Civilization for Books and Braun; some nice stuff for Campbell and Hill — some chuckles, a little romance, a lot of excitement, some goofy Steampunk tech. The kind of thing that these Ministry of Peculiar Occurrences books have been delivering for years. I also enjoyed the book as a finale — the story of these two agents is over, but it’s not done in such a way that there’s nothing more to be done in this world. The door’s open for more adventures for the surviving characters, the Ministry as a whole, etc. but there’s no need for it — which is a nice bonus. I’ve got the first novel in the spin-off series (and hope to get to it soon), so I know we don’t have to say goodbye to everyone, just Eliza and Wellington (which is bad enough). If you haven’t read any of this series, I really do recommend it from start to finish.

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4 Stars

The Questionable Behavior of Dahlia Moss by Max Wirestone

By HCNewton

On January 2, 2018

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Yeah, this is a strange time for me to post, but I felt like Dahlia challenged me to. You’ll get it when you read the book.
—

The Questionable Behavior of Dahlia Moss

by Max Wirestone
Series: Dahlia Moss, #3

eARC, 352 pg.
Redhook, 2018

Read: December 21 – 22, 2017

I am so glad that this eARC asked me not to quote anything from the book until I could check with the published version because by the time I hit 5%, I’d already come up with a handful of candidates of quotations to start this post with, and I didn’t want to have to choose.