Tag: 4 Stars Page 62 of 88

The Pursuit by Janet Evanovich and Lee Goldberg

Why this took me so long to post, I’ll never know…it’s bad enough that it took me a month and a half to read it.

The PursuitThe Pursuit

by Janet Evanovich and Lee Goldberg
Series: Fox and O’Hare, #5

Hardcover, 304 pg.
Bantam, 2016

Read: September 2, 2016

“I’ll send your money, but don’t think about running out on me,” Dragan said. “Or I’ll torture and kill both of you.”

Nick shook his head. “You can’t go ten minutes without making a threat, can you?”

“It’s called leadership,” Dragan said. “Stay in touch.”

Following the cliff-hanger ending to The Scam, I wondered if this book would shake off the fairly well-established outline for these books and instead, we’d get Kate globe-trotting from exotic locale to exotic locale hunting them down. Thankfully, Evanovich and Goldberg had something better in mind (not that something like my idea wouldn’t have been fun), while pretty much sticking to the typical outline.

Nick’s kidnapping ends up setting the stage for taking down an international thief and would-be terrorist. This thief, Dragan, is the anti-Nick. He’s about profit, violence, and more profit. There’s no style, no fun, no zest . . . But Dragan knows what he needs to accomplish a couple of his biggest heists: Nick.

Naturally, he gets more than he bargains for (and I don’t just mean Kate). Of the various criminals, masterminds, thieves and all around nasty folks that these two have taken down or encountered, Dragan is the worst. Thankfully, Evanovich and Goldberg are able to balance the threat and the humor, the romance and the robbery.

It all comes down to relationships: which is really why we come back to this series. Kate and Nick (I’m gladdened/relieved/a little surprised by where they have the relationship now). Nick and Jake. Kate and Jake. The rest of the team with Nick and/or Kate. Jake and anyone he comes into contact with (if we could get some young, active duty Jake stories, that’d be awesome). I like the way that their team is doing non-con work together — despite their best intentions, Nick and Kate have formed an actual team. There are a couple of additions this go-around (one is a blast from the past, but still, new to this side of the road).

I think there’s a misfire here — there’s a new foil introduced into Kate’s life, an FBI agent who is to work with her without knowing about this little side-project. He’s a little humorous, but mostly annoying. And his existence seems to run counter to the people at the top of the FBI sanctioning (however unofficially) what’s going on here. I’m prepared for them to convince me otherwise, but until they do, I’m going to groan whenever he shows up.

The writing is crisp as ever, it seems so smooth and effortless that it has to take a lot of work. There’s a great info-dump (because that’s actually a thing, rare as it may be) about an infectious disease. Not only does it inform the reader, but it’s written in a way to flesh out a character and add a sense of threat to the narrative.

There’s an editing blunder in the final few chapters that took me out of the moment (using Kate’s name instead of one of Dragan’s crew), that was oddly reassuring to me — even the big publishers stumble, not just the small press/self-pubbed guys like I’ve been reading so much lately.

I can’t recall if I’ve mentioned Harry Harrison’s Slippery Jim diGriz when talking about this series, but this is Nick Fox at his Slippery Jimmiest (Kate is a little like Angelina diGriz, too, come to think of it — but not as much). Fans of either should look into the other. The Pursuit is another solidly entertaining adventure in this series. Really looking forward to what’s next.

Oh, I should add that if you’re a fan of eggs, you might want to eat a few extra before reading this book, because it’ll be tough to eat one for a while. Trust me on this one.

—–

4 Stars

Scrappy Little Nobody by Anna Kendrick

Scrappy Little NobodyScrappy Little Nobody

by Anna Kendrick

Hardcover, 271 pg.
Touchstone, 2016

Read: December 22 – 26, 2016


Unlike some of the celebrity memoirs I’ve read this year (and yeah, there’s been a lot of them — I’m not sure why), this is a pretty straight-forward one. Roughly chronological, it covers Kendrick’s life and career from childhood to the last year or two. What separates this is Kendrick’s voice — it is so strong, so funny (I almost wish I’d gone for the audiobook version — narrated by the author — instead for her literal, not just authorial, voice), so brutal.

Thankfully, she saves most of her mockery for herself, so she comes across as charmingly self-deprecatory and insecure.

I’m not sure what to say about this, without resorting to a very long list of quotations that will be too long, and yet not long enough.

I chuckled often, I enjoyed the look at her life and strange childhood; the behind-the-scenes anecdotes about some of her films and award-shows; the present-day social awkwardness. I may not have much to say, but it’s only because my brain isn’t firing right tonight (it seems), not because the book doesn’t deserve it.

If you’re a fan of Kendrick’s, you’ll enjoy this. If you wouldn’t call yourself a fan, but have enjoyed some of her work, you’ll probably enjoy this. If you don’t know anything about her, you still might like this (and get a list of movies to go look into).

—–

4 Stars

War Psalms of the Prince of Peace (2nd. Edition) by James E. Adams

War Psalms of the Prince of PeaceWar Psalms of the Prince of Peace: Lessons from the Imprecatory Psalms, Second Edition

by James E. Adams

eARC, 176 pg.
P & R Publishing, 2016

Read: December 18, 2016


This is the 25th Anniversary Edition of the book — revised and expanded, no less. I was so glad to get the opportunity to read this one — I’ve got a copy of the original edition, which I’ve read 3 or 4 times, and referred to often. So to get to read a new edition — and to have an excuse to revisit the book — I had to jump at the chance.

Adams begins by reassuring Twentieth Century Christians (and I assume those of us in the Twenty-First Century, too) that the Imprecatory Psalms do belong in Scripture, are just as inspired as the rest, and have a place in the life and piety of his readers. Imprecatory Psalms, I should probably mention, are those Psalms that call for the destruction or judgment of the psalmist’s enemies. From there, Adams argues that no only do they belong in our Bibles, but (like the other Psalms) they belong in Christ’s mouth. To prove this, he compares the Imprecatory Psalms to the Psalms of Repentance — if Jesus Christ can say/sing the latter properly, then it’s fitting for him to sing/pray the former. I’m not positive that’s the best argument he could make, but I tell you, Adams makes it work (it helps that he spent far more space than I just did).

Given that they’re part of the Bible, and that if they’re fitting to be used by Christ, then they have a place in the life of the New Testament saint — but what is that place? How are we to use them? Do we get to call down the wrath of God on our enemies? (Short answer: NO).

This here is the heart of the book, and where Adams is at his best. Yes, we are to pray these prayers, sing these psalms —

You may say, “This is the last thing my church needs! If our hearts are too lazy and cold to pray for those we love, how can we think of praying for enemies, as we find in the Psalms?” But I would challenge you, isn’t this the cause of our lack of prayer? We have not learned from the Lord Jesus how to pray!

Learning to pray these psalms is a theme he returns to time and again —

Without assistance how can we ever righteously pray this prayer? I answer this question unequivocally: We never can! We cannot pray this prayer on our own . . . not because we are too good, but rather because we are too prone to evil! Yet we must learn to pray it.

But why are we to pray these prayers?

Why are we taught to pray for God’s judgment on the enemy? So that they will be converted! Nothing could be clearer from this prayer [Ps. 83].

That’s the core of the book, right there — I’ll let you read his explanation, but that’s the ballgame.

On the whole, I can’t tell you what was revised, nor can I say exactly how it was expanded — and there’s just no way I’m going to break out my original and read them in parallel to give you the list. What this primarily tells me is that what he did to improve the book came in fairly seamlessly. So I’m guessing that means we’re talking about minor tweaks and clarifications — no major new sections or anything. Would I have preferred a new chapter or two? Some more in-depth explorations of particular psalms? Yes. But the book didn’t need a new chapter or two, and it wasn’t intended to be that narrow in focus, so that kind of material would’ve felt out of place.

This is an easy read — clear, crisp writing that is deep enough to make you think, but written in a way that you don’t notice that you’re dealing with weighty theology. Adams writes with conviction, passion, and care – which is always helpful but particularly so with a topic like this. You don’t want a dry dissertation here, you need heart to go with the thinking. There’s a sensitivity here, which is needed, but more than anything a desire to treat the Bible (and the Spirit who inspired it) as it ought to be.

This is a gem — it was a gem 25 years ago when it was published, and it’s a gem today.

Disclaimer: I received this eARC from P & R Publishing via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

4 Stars

Who Shall Ascend the Mountain of the Lord? by L. Michael Morales

Who Shall Ascend the Mountain of the Lord Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of the Book of Leviticus

by L. Michael Morales
Series: New Studies in Biblical Theology, #37

Paperback, 306 pg.
IVP Academic, 2015

Read: October 16 – November 27, 2016


So this is another one of those books that I’m not really qualified to talk about, but . . . whoops, here I go.

Morales doesn’t give us what you typically find/look for in a study of Leviticus — detailed explanations — or dodges — of the various purity laws and other commands and regulations contained in it. Instead, he begins by explaining his conclusion that Leviticus is the center of the Pentateuch, and that Chapter 16 is the center of it. Beginning in Genesis, everything is leading up to the Day of Atonement, and then everything from that is to be seen as the result of, or in light of that day.

That’s a lousy summary, but that’s the best you’re going to get from me in a couple of sentences. The argument is so detailed, so complex that I can’t really do much better without spending a few pages on it — and no one wants to read that (especially since you can read Morales doing a better job). At first, I thought that it was an interesting idea, but it really didn’t matter much. But as I read on and understood what he was doing better, it started to capture my imagination and draw me in. This was well argued, well researched — and well explained for even non-technical types like me.

But when it comes to Biblical Theology, the proof in the pudding comes from tying in his theses to the unfolding story of redemption — first in Israel’s story and then showing how it leads to Christ and His work on earth, His Ascension and pouring out of His Spirit to prepare a people to meet with Him on Mount Zion. The last two chapters were fantastic — and I’m going to have to reread them a few times to really wrap my brain around it all. There were moments of beauty here — it’s hard for an academically-inclined work to inspire and touch the emotions of a reader, but Morales did it.

This volume is the first I’ve read in New Studies in Biblical Theology (I believe it’s the first I heard of it, too) — the series is edited by D. A. Carson. The series aims “to simultaneously instruct and to edify, to interact with current scholarship and to point the way ahead. . . While volume notes interact with the best of recent research, the text of each work avoids untransliterated Greek and Hebrew or too much specialist jargon. The volumes are written within the framework of confessional evangelicalism, but they also engage a variety of other relevant viewpoints and significant literature.” If this is a representative volume, it won’t be my last in the series. If I can just pick another — the list of 41 is daunting — just too many choices.

Anyway, Who Shall Ascend was a challenging, interesting, educational and inspiring work — there’s not much more that you can ask for. If you’re up for the work, I heartily recommend it.

—–

4 Stars

The Last Dream Keeper by Amber Benson

The Last Dream KeeperThe Last Dream Keeper

by Amber Benson

Series: The Witches of Echo Park, #2

Paperback, 307 pg.

Ace, 2016

Read: March 25, 2016

Picking up right from where The Witches of Echo Park left off, Benson takes her coven deeper into the conflict with the mysterious forces threatening the Witches Council. The opening chapters of this book had me hooked soundly and almost immediately brought me right back to where I was when the first book ended. You want Lyse and the rest to really gel, to become the family they could be (and might have been before Eleanora’s death). Sure, you want them to get to the bottom of things, thwart evil and all that — but mostly you want to see them form a strong unit, maybe have a taste of happiness.

But circumstances won’t let that happen. Somewhere around the midway point (I think maybe a little beofre) the book takes a huge turn — the coven splits up. Some on personal missions, others off on an effort to enlist others to their cause, and some to keep things going at home. This was a risky move — these books are at their strongest when you have these women interacting with each other, drawing on each other’s strengths, augmenting their own weaknesses. So to eliminate this possibility takes real guts — I’m not sure I liked the move, but what Benson does with that kicks everything into a different gear — more action-packed and explosive. The magic that so defined the series up to this point is still there, it’s just used pretty differently.

And when I say that the plot takes this book in dramatically different directions than you expect, it is almost impossible to believe that the closing pages of this book and the closing pages of The Witches of Echo Park belong to the same series — much less are separated by only one novel. Somehow, however, Benson pulls it off — I really have no idea how. When I think about it, it doesn’t make any sense — but in the moment, it absolutely worked. I couldn’t turn the pages fast enough, and when it was done I started looking forward to whatever craziness Benson’s got in store for us.

—–

4 Stars

Tricked (Audiobook) by Kevin Hearne, Luke Daniels

Tricked Audiobook Tricked

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #4

Unabridged Audiobook, 10 hrs., 30 min.
Random House Audio, 2012

Read: October 19 – 24, 2016


This novel is essential to pivot from the first books to the remainder of the series — after drawing attention to himself by killing Aenghus Óg and the other shenanigans in next books, Atticus needs to disappear for a while — but first he has a promise to Coyote to keep.

When I first read this, I summed up the book by saying, “Again, Hearne doesn’t just deal with one people’s pantheon–Tricked is a mashup of Irish, Norse and Navajo stories (with a side order of several representatives from other continents). Not to mention a returning cast of urban fantasy monsters, and plain ole humans. Of course, Oberon gets time to shine after being absent for so much of Hammered, and he steals every scene he’s in.” I think I’ll let that stand for this time through the book, too.

Once again, I love listening to Daniels’ Coyote — and his other Coyote is pretty good, too (it makes sense in context, really). I’ve really got nothing else to say — it’s typical Daniels, fun and easy to listen to — his narration and characters keep you listening and do a great job of bringing the story to life.

It’s not the best book in the series, but it moves the overall story along, provides some good excitement and proves that Atticus doesn’t need his home environs, and his readers can be entertained while he takes his show on the road (which will prove to be a very good thing for the series).

—–

4 Stars

Every Heart a Doorway (Audiobook) by Seanan McGuire, Cynthia Hopkins

Every Heart a Doorway (Audiobook) Every Heart a Doorway

by Seanan McGuire, Cynthia Hopkins (Narrator)
Series: Wayward Children, #1

Unabridged Audiobook, 4 hrs., 44 min.
2016, Macmillan Audio

Read: November 17 – 18, 2016


When I get to considering my favorites of 2016, there’s no way that Every Heart a Doorway doesn’t make the Top 10 (see my initial post), so when I saw it available on the library’s audiobook site when I needed something to end the week with, I grabbed it, certain I was going to have a lot of fun.

Wow, was that a mistake. The story was just as good, the characters as rich, the world(s) just as fascinating — the writing, the wordplay, the language . . . it was just as good as I remembered. But man, the narration just didn’t work for me at all. The book is creepy, funny, spooky, beautiful — and remains so despite the narration. The jokes don’t land, most of the characters seem to lack affect. Actually, I have a list of problems, but I don’t want to get nasty, so I’ll just leave it at that.

I did pick up a bit of a William Ernest Henley’s “Invictus”-vibe towards the end this time that I hadn’t picked up the first time — but I still like it, regardless. I noticed more details, and appreciated the examination of the ideas of what’s home and what’s real maybe a little more this time, so it wasn’t a wasted effort. But it was a disappointing one.

I do want to make it clear that I don’t think Hopkins couldn’t turn in a good performance — I don’t have enough information to say that. I do think that she was wrong for this project, didn’t understand it, or had an off day. I’m not sure. But a novella as exceptionally good as Every Heart a Doorway deserves the best, and this wasn’t it. So for this audiobook (not the text version), I’ve gotta go with 4 stars (and even that feels a little generous).

—–

4 Stars

Midnight Riot (Audiobook) by Ben Aaronovitch, Kobna Holdbrook-Smith

Midnight Riot (Audiobook) Midnight Riot

by Ben Aaronovitch, Kobna Holdbrook-Smith (Narrator)
Series: The Rivers of London, #1

Unabridged Audiobook, 9 hrs., 57 min.
Tantor Media, 2012
Read: October 11 – 14, 2016


The best part about listening to this was being reminded just how good this novel was — sure, I remember liking it a lot (if for no other reason than I’ve read five more plus a collection of comics), but I didn’t remember it being this good.

Briefly — in this we’re introduced to a probationary constable named Peter Grant who’s approached by an odd witness to an odder (and disturbing) murder. What makes the witness odd? Well, he’s been dead for a couple of centuries. Soon thereafter, Peter’s meets a Chief Inspector who happens to be the last wizard in England. Peter’s transferred to his unit (doubling the size), taken on as an apprentice and thrust into a type of policing he wouldn’t have believed existed a week ago.

The investigation into this murder turns into an investigation for several murders — and a few other assorted crimes. Which, of course, involves diving into the history of London and brokering peace between competing river deities. That old yarn. It’s a great mix of magic and police work, basic Latin and advanced bureaucracy.

Holdbrook-Smith did a fine job with the narration, very engaging, often compelling — capturing the feel of the novel in just the way that everyone wants in an audiobook. I’d be more than happy to hear more from him.

It’s dark, it’s funny, it’s pretty complex — and, in retrospect, — does a much better job laying the foundation for the series than I’d remembered. A good amount of wonder and action combined.

—–

4 Stars

Off to be the Wizard (Audiobook) by Scott Meyer, Luke Daniels

Off to be the Wizard Off to be the Wizard

by Scott Meyer, Luke Daniels (Narrator)
Series: Magic 2.0, #1

Unabridged Audiobook, 10 hrs, 15 min.
Brilliance Audio, 2014
Read: August 8 – 16, 2016


I’m just going to steal most of what I said about the book before and add a little bit at the end about the audiobook — and Daniels in particular.

The first thing Martin always did when he found some new data file was to search for his own name. It may seem egocentric, but Martin wasn’t worried about that. He had spent a lot of time thinking about himself, and had come to the conclusion that he was definitely not self-absorbed.

There’s a great temptation — and frequently a rush — when discussing an amusing/funny book in SF or Fantasy to compare it with, well — the name rhymes with Schmouglas Schmadams — this can be damning, because almost nothing can live up to it. So I’m going to resist even saying the name. If anything, I think you could say this was reminiscent of Schmon Schmalzi — only funnier.

Martin Banks is the rather unimpressive hero here — a college dropout, living in a poorly-furnished apartment, working in “a cubicle farm, . . . a fluorescent-lighted, beige-walled abattoir for the human spirit where he had to spend most of his time,” and doing some minor hacking on the weekends, just to amuse himself. He stumbles upon a way to manipulate reality, to change things just a little bit here and there around him. Being human, it takes very little time before he begins using that ability in a way to draw the attention of the Federal Authorities. Which is not all that comfortable, so he heads off to England in the Middle Ages where he figures he can do okay for himself, living as a wizard using these abilities.

That’s when things start to get really entertaining (and I had no complaints up to this point). Anything more I say on this front is a horrible spoiler, so we’ll just leave it with really entertaining.

This is a coming of age tale — and, as it’s about a Millennial, it’s a delayed-coming-of-age story. But Martin’s not one of those protagonists that you have to see mature before you like him — you connect with him right away (or you’re probably wasting your time reading on). He definitely doesn’t mature in your typical way, which is part of the fun. I can’t help comparing Martin to Wesley Chu’s Roen Tan. But without the stakes that Roen had to deal with (and a nicer mentor).

Most of the characters we get to know are met after Martin’s time jump — so don’t worry if you find everyone in 2012 a little shallow and undeveloped. They are, but other people won’t be.

There are several things in the book that won’t hold up to much scrutiny — like his ability to get a smartphone signal in Dover, England in 1150. Adapt the advice Joel and the ‘bots used to give us, “just repeat to yourself . . . you should really just relax.” It’s worth it.

The book is just littered with wit — from the extended jokes, the funny visuals, or little asides like: “The fact that wristwatches weren’t invented yet made it difficult to look impatient, but he managed.” On nearly every page, there’s something to make you chuckle or laugh — or at least grin. I laughed enough that it was annoying to my family — not that I cared, mind you. But it’s not just a yuk-fest, there’s a well-written story here, in a great world with some characters you want to spend time with.

Daniels scores again here — his performance didn’t really remind me of his work on the Iron Druid Chronciles, which, I have to admit I was a little worried about. I got a kick out of his voice choices for Martin and Jimmy in particular — Martin’s voice when he got excited was perfect. I’m not sure I liked his choice of voice for Philip — it reminded me too much of Douglas Reynholm from The IT Crowd (I’m probably the only person on Earth who hears that, so take it with a grain of salt), and I never got used to it. But I loved everything else he did, so who cares, right? If anything, Daniels’ narration helped the material (not that it needed it).

Meyer’s writing holds up to a second-read, even jokes/situations I knew were coming worked pretty well — more than well, actually, judging by my laughter. I enjoyed it as much the second time through as the first, so that’s a pretty good sign.

—–

4 Stars

Washed Hands by Jonathan Charles Bruce

Washed Hands Washed Hands

by Jonathan Charles Bruce

Kindle Edition, 204 pg.
Scarlet River Press, 2016

Read: November 7 – 8, 2016

They were all cheap, terrible beers that screamed more of desperation than any kind of desirability. Not that I could ever really tell the difference between the cheap and quality stuff, except that cheap tasted like unfiltered gutter water and quality usually like uncooked bread juice. People would usually counter that beer was an acquired taste that you get used to before you learn to want it, at which point I would suggest that what they just described was essentially culinary Stockholm Syndrome.

I am a hit at parties.

My appreciation for this one was pretty much ensured within the first page or so — Monica Deimos’s character grabbed me that quickly. I can’t promise you will, but this character’s voice was so strong, so fun. This voice . . . I haven’t clicked with a voice like I did with this since, I’m not sure, maybe Mark Watney? If I quoted every pith/insightful/chuckle-worthy line that I wanted to, I’d probably get sued for copyright infringement. I know, a tough, quippy, self-deprecating, cynical female detective(-ish) character isn’t exactly new, but Bruce just nails the voice on a consistent basis. Monica may not be unique on that front, but she’s really well done.

Deimos works for this firm called Washed Hands, who are break-up specialists. If you want to/need to end a relationship with someone who just may flip out, get violent, refuse to listen, whatever — you hire them and one of their rejection counselors will make sure that everything works out. Monica Deimos is about the best they have — until one day she enters a client’s home to find the soon-to-be-dumped very murdered. Monica then finds herself very framed for this murder. Things get rolling from there.

She’s on the run from the cops (almost getting nabbed a few times), dead tired and with few people she can trust. She decides that the IT guy from Washed Hands, Jasper, is trustworthy (probably) and could help out. So the two of them team-up to find out the real killer’s identity and to clear Monica before tis’ too late.

Jasper is almost a stereotypical nerd — but there’s a little more to him. Some of the others in the office are probably just what they appear, but you can’t be too careful. Or so Monica thinks. She’s abrasive, socially awkward, and desperate enough to try anything — the frame job was good, and she’s pretty sure that she can’t beat it. Thankfully, Jasper has faith enough for both of them. I really liked him — actually, I really liked Monica, too, beyond the voice. There weren’t a lot of other characters developed that well (little time for that with Monica on the run), but there was potential with all of them.

This novel was very well constructed and plotted — enough humor and enough excitement to keep you engaged. I guessed the whodunit pretty early, and came close to the motive, too. But I wouldn’t have figured the how until about 2 or 3 sentences before Monica did. Bruce pulled off some very clever storytelling there.

Things I would enjoy seeing in future novels, if that’s what Bruce is thinking: More at Washed Hands — I can’t believe he’s got this great concept and uses it so little; More with Jasper (perhaps independently of Monica); More Monica — with Jasper, at Washed Hands, without Jasper, after Washed Hands, I don’t care, I just want to read more of her.

I don’t think I can say much more without reveling too much, so I won’t say much more at all.. Clever story, good characters, told in a way to keep me glued to the page, and a conclusion that I almost saw coming but couldn’t come close to predicting. Really can’t ask for much more.

Disclaimer: I received a copy of this from Scarlet River Press in exchange for this post and my honest take on the book — thanks, Scarlet River!

—–

4 Stars

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