Tag: Audiobook Page 1 of 5

Another Girl (Audiobook) by Peter Grainger, Gildart Jackson: A Different Focus Keeps The Series Fresh

On February 19, 2024

In Audiobook, DC Smith & Kings Lake, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Another Girl

by Peter Grainger, Gildart Jackson (Narrator)

DETAILS:
Series: A Kings Lake Investigation, #4
Publisher: Tantor Audio
Publication Date: January 23, 2024
Format: Unabridged Audiobook
Length: 8 hrs., 38 min.
Read Date: February 13-15, 2024

What’s Another Girl About?

Serena Butler is loaned out to do some plainclothes intelligence gathering in a nearby city. She misses a check-in with her handler, right after saying something tantalizing about making some new friends. This galvanizes her team back at King’s Lake and her DCI pushes her weight and rank around to get involved in the investigation into her disappearance–and the drugs investigation Butler was helping with.

At the same time, there’s an apparent hit and run for the Murder Squad to look in back at home–and while they do their due diligence with that, their concern for one of their own clearly has captured their attention (also, an absent pathologist means a delayed autopsy, so they can only do so much).

A Change of Focus

Initially, DCI Cara Freeman and DC Serena Butler carried most of this book–although DI Tom Green gets a lot more focus than he’s ever received before. And that was just great, I always liked him, but I wanted to see him get to shine a bit. Freeman and Butler are a great pairing and really establish this as a different kind of entry in this series.

Yes, when Waters shows up roughly mid-way through the book, he ends up getting a lot of the focus, as we’re used to. Still, the narrative really does take advantage of Waters’ absence and explores the team and uses the multiple POVs to a greater advantage than Grainger has in the past. I don’t want Waters to get pushed to the background on a regular basis–but man, I really appreciated this.

But this is Serena’s book, really. We start with her assignment hitting a bump in the road and we finish by it going deeper than she was ready for. But throughout, we get to learn a lot more about this character that’s been around for twelve books and really takes on new life and a greater depth. She’s been a favorite of mine from early on in her first appearance–and I like her more now that I understand her better. Honestly, if she got her own spin-off series in the future, I’d be game, or just for more books like this. (a book that uses Green more would also be welcome, but given the way his character typically operates, I’m not sure that’s possible).

DC’s Shadow

DC Smith (it still feels strange to call him David) has always loomed large over these King’s Lake books, but it seemed to me that it was a little larger this time than it had been since Songbird (but it’s not like I keep statistics or anything). He’s either mentioned in conversation (by people on all sides of the law) or thought of by Chris and Serena–who will remember some advice/guidance he gave them–which allows Granger to slip in a line or two using his DC voice–and I’m always going to be in favor of that.

Which, I guess, brings us to:

A Word About the Narration

This is an audiobook, so I need to talk about the narration. But as I keep saying, I don’t know what to say about Gildart Jackson’s work on this series that I haven’t said umpteen times.

When his voice starts coming out of my phone, my mind instantly settles in for a good time. There’s a calmness that he evokes in me almost instantly (note: it’s not his voice, I rarely felt calm during the Alex Verus books). He catches the humor, the tension, the camaraderie, the…I don’t know, the spirit of these books. I’ve said it before, I’ll say it again, I’m not picking these up in print (although, I know at least one non-audiobook person who says they’re great in print), I have to have Jackson’s voice.

So, what did I think about Another Girl?

Grainger doesn’t frequently put his King’s Lake characters in peril (I thought about listing exceptions to that rule, but I won’t–but the point stands), this series is about typical investigations. But when he does, he does it effectively. And boy howdy, he does so here. I haven’t been this concerned for the fate of a Grainger character since A Private Investigation‘s close.

But more than just the danger aspect, watching Serena deal with the pressures of working undercover (especially as she initially wasn’t supposed to go as deep as she ended up) was so well done. Equally well done was watching her team fret about her when they couldn’t contact her and weren’t sure what was going on.

The hit-and-run story never got the time I initially expected, but the way that Grainger worked it into the overall storyline was his typical well-done work. He was able to weave it into the drugs story and show how it is about much more than drugs.

This tied this particular novel into something we first saw in On Eden Street and will likely show up for at least one more novel. Which isn’t to say that this novel isn’t largely a stand-alone like the rest, but there’s something that will tie it to further books.

I think I’ve rambled enough–possibly too much. I had a great time with this one, and as always I strongly encourage you to give this one a try. It would serve as a fine jumping-on point to the series (like every book so far), but if you have the time and means, I’d suggest starting at the beginning. Or somewhere. Just start with Peter Grainger, Gildart Jackson, and the detectives in and around King’s Lake Central.

Friends, Lovers, and the Big Terrible Thing: A Memoir by Matthew Perry: A Memoir of Self-Destruction

By HCNewton

On January 23, 2023

In (Auto)Biography, Audiobook, Non-Fiction

Friends, Lovers, and the
Big Terrible Thing:
A Memoir

by Matthew Perry

DETAILS:
Publisher: Macmillan Audio
Publication Date: October 31, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 49 min.
Read Date: December 6-7, 2023

My mind is out to kill me, and I know it. I am constantly filled with a lurking loneliness, a yearning, clinging to the notion that something outside of me will fix me. But I had had all that the outside had to offer!

What’s Friends, Lovers, and the Big Terrible Thing About?

This isn’t full of—but does contain—some good, behind-the-scenes stuff about Friends, Fools Rush In, The Whole Nine Yards, Mr. Sunshine, The Odd Couple, Studio 60 on the Sunset Strip, and other projects. But those don’t make up the bulk of the material. And those are interesting, amusing, and support the overall thesis of the book—he’s an addict who has been blessed with more good things than he knows how to handle.

There’s some juicy (largely nameless, but you can read between the lines) bits about his love life—as the title suggests. But again, there’s not much of that overall—and those, too, serve to support the overall thesis—even more than the professional matters do.

Then there’s the Big Terrible Thing—his addictions themselves, how he got started, how he maintained them, and his several attempts to get sober (of varying successes and lengths of success). He also goes into graphic (perhaps too graphic) detail about the physical toll they’ve taken on him—and the financial, emotional, and mental toll they’ve taken on those close to him.

How Perry Comes Across

When this book first came out (or just before it) there were more than a few headlines about some (I’m going to be charitable and call them) questionable jokes he made about Keanu Reeves and some people casting doubt about some of the particulars of some of his stories. Given how impaired he was during most of those disputed events (and just about every other event he recounts), I’m not surprised he doesn’t remember them correctly, and I don’t think it should be held against him. The Reeves jokes, on the other hand, might have seemed like a good idea at the time—but his editors really should’ve stopped them. I jotted down a note after the second one that “someone at Macmillan must have it out for him to let this make it to print.”

But both of those things pale in comparison to everything that Perry admits to in this book. He doesn’t come across as a good guy at all—and I don’t think he’s trying to. Sure, the fact that he’s (seemingly) coming clean about everything and (seemingly) taking responsibility for the lies, destructive behaviors, and despicable actions might make some people want to think better of him—but I don’t think he really wants that.

He comes across—and I realize this could be entirely calculated—as someone who is being honest about his shortcomings, seeking to explain the devastation his addictions have wrought on himself and many, many of those around him—how he’s somehow managed to have some success in the midst of that. He gives credit to some of those who’ve helped him get to this point in recovery—or kept him alive long enough to get there. In the end, however, Perry’s not a good guy and doesn’t pretend to be one. He’s a mess who will very likely kill himself if he relapses a time or two more.

So, what did I think about Friends, Lovers, and the Big Terrible Thing?

I’ve been a big fan of Perry’s since Friends (I can point to the joke that made me one)—I’ve seen almost everything he’s done (sometimes not because of him, but I appreciated his involvement). But I put this book under the category of “will get around to eventually, maybe.” Until I saw people reacting to how much of the focus of the book is on the Big Terrible Thing. And that piqued my interest.

That sounds ghoulish, I realize, but hearing a well-documented addict talking about their struggles is something that I appreciate. It helps me empathize with those I know fighting that fight, and I hope, helps me understand and appreciate their struggles.

Perry’s clear that he’s been given every opportunity, tool, and help to get sober and to maintain that sobriety. And he’s squandered almost every one of them. And it has yet to work. The amounts he takes on a regular basis when he uses is…it’s a shocking amount—and only someone as wealthy as he is could pull it off.

At the same time, there’s a glimmer of hope. A faint glimmer, sure. But there is one—and if someone whose rock bottom is as low as Perry’s was can maybe make it—there’s hope for others, too. And that’s the big thing I took away—there’s hope. Hope for other addicts, hope for Perry.

I thought this was a riveting and disturbing read—made tolerable by Perry’s off-kilter and somewhat humorous telling of the stories. It’s not like most celebrity memoirs I’ve read (but I don’t think it’s that ground-breaking)—but definitely worth the time.

4 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Treasure State (Audiobook) by C.J. Box, Christina Delaine:Return to Big Sky Country with Box’s PI

By HCNewton

On November 10, 2022

In Uncategorized

Treasure State

by C.J. Box, Christina Delaine (Narrator)

DETAILS:
Series: Cassie Dewell, #6
Publisher: Macmillan Audio
Publication Date: September 26, 2022
Format: Unabridged Audiobook
Length: 9 hrs., 20 min.
Read Date: October 25-27, 2022

What’s Treasure State About?

Cassie’s a bit better situated as a private investigator now, she’s not raking in the dough, but for a private investigator in Montana, I can’t imagine she could be doing much better. This book focuses on two independent cases—I don’t mind a good two-cases-turning-out-to-be-related-after-all mystery, but I really like seeing an investigator juggle two cases like this.

The first case is initially something that Cassie’s not interested in at all, but she gets sucked into things. A woman from Florida wants to hire her to find a con man who has bilked her out of a big chunk of change. She’d hired a local P.I. who traveled all over the country, seemingly milking her for expenses before ending up in Montana and ghosting her. He suggested that he was zeroing in on the target, and the client wants Cassie to take over from there.

Cassie focuses on the P.I.—if she can figure out what he was doing there, where he went—maybe even finding him—she can use that as a launching pad to finding the con man. This leads Cassie to find several other victims and a pretty solid lead on her target.

The other case is something she’s been working on off and on for a while—and will pay off significantly if she can successfully close the case. Years ago, someone left a cryptic poem on the whiteboard of a Montana restaurant, promising a pile of gold to whoever could crack the clues in the poem and find it. Someone claiming to be that poet hires Cassie to see if she can figure out who he is. He’s worried that someone could find the gold by figuring out who he is, rather than deciphering the clues. So he wants to see if he left himself open that way.* A couple of things break Cassie’s way while she’s working the con man case, and she starts to put two and two together. She just might be on the right path now.

* I hope that made sense in summary—it’s clear in the book, I assure you.

There’s a teeny-tine Joe Pickett cross-over here that will bring a smile to the face of Pickett fans (even those as behind as I am, and thankfully really doesn’t spoil anything for me). For people who haven’t read those, it’s not going to alter anything—you won’t even notice.

The Narration

This is now the third Dewell novel that Delaine has narrated, and while I don’t remember having a problem with the earlier female narrator, Delaine has definitely got this character down—and the recurring supporting characters, too.

When the perspective changes from Cassie to some others (the criminals particularly), she does a great job harnassing their characters, too, helping me to get into their headspace and like them even less than I was inclined to (well, in the case of the criminals, that is).

So, what did I think about Treasure State?

I liked coming back to this world for a bit. It was good to see Cassie’s son doing well and Cassie getting more stability in her life. Even better, her mother wasn’t around much, so she couldn’t get on my nerves. I don’t know what it is about Box and mother/daughter relationships, but I’m pretty sure a book could be written on it between this series and the Pickett series.

I was initially worried about some aspects of the con man case hitting some of the same notes as earlier Dewell novels—but I was glad to see that while they might have been the same notes, it was a different song. That’s a sentence that will make sense to people once they’ve read/listened to the book, but hopefully, it’s reassuring if you start to have the same concern.

The treasure hunt/poet storyline was nothing but fun for me. Simple, dogged, investigation that follows one trail after another. Yeah, she catches a break—but there’s reason enough to think that without the lucky break, she’d have gotten there anyway—it just would’ve taken longer. Give me this kind of story any day in a PI novel and I’ll be happy.

There’s a lot to like in this latest adventure with Cassie Dewell and nothing really to complain about. Give this a shot—whether or not you’ve spent time with her before, this PI novel will satisfy.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Truth (Audiobook) by Peter Grainger, Gildart Jackson DC Shakes the Dust Off and Steps Up for a Friend

By HCNewton

On November 7, 2022

In Audiobook, DC Smith & Kings Lake, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The Truth

by Peter Grainger, Gildart Jackson (Narrator)

DETAILS:
A DC Smith Investigation, #9
Publisher: Tantor Audio
Publication Date: October 25, 2021
Format: Unabridged Audiobook
Length: 8 hrs., 56 min.
Read Date: September 19-21, 2022

What’s The Truth About?

Charlie Hills, the former Desk Sergeant at King’s Lake Central and verbal sparring partner of DC Smith has a problem—his son has been arrested on drug charges. Charlie’s retired, and apparently forgotten about by everyone at the station, so can get no favors pulled on his son’s behalf. The lawyer he’s hired for his son is one of the best around, and they think they’re in good shape. But Charlie doesn’t want to wait for that.

DC Smith gets wind of the trouble and volunteers to help out—he first has to get himself hired on (albeit temporarily) with PI firm so he can get standing to do any investigating. Then he dives in.

It’s quite an adjustment having to rely on his own wits and guile, without any threat of official power behind him as he pokes around the evidence. On the other hand, when has DC not relied on his wits and guile more than anything?

The investigation brings him close to more than one unsavory character, a couple of faces from his past, and a little more danger than we’re accustomed to DC facing—along with a bit of international travel and our man having to figure out how Airbnb works. That last just might cause DC to retire for good.

What’s in a Name?

DC decides to do his PI work under his Christian name, David. If for no other reason, the joke wouldn’t work without any Detective Constables around. So apart from some old friends of his (and the series’ fans), he’s called David or Smith by everyone. This is a rather minor note, but imagine what it would be like if we actually learned Spenser’s name and everyone started using it.

I never adjusted to it—David will always be D.C. to me, and I didn’t stop doing audio double-takes every time anyone other than Jo referred to him as “David.” Neither in this post or any future ones (assuming there are future PI cases for him) will I call him anything but DC or Smith. It does make for a pretty clear line of demarcation between his two careers, but…ick.

Gildart Jackson’s Narration

I know I’m supposed to talk about the narration for this book—everyone who writes blog posts or articles about reviewing audiobooks says you have to. And, you really should—they are tasked to bring the author’s words to life, convey the characters, and keep the listener engaged.

But I’ve talked about Jackson’s work on the 8 previous Smith novels, 3 King’s Lake novels, and likely some Alex Verus stuff. I don’t know what to say about him that I haven’t said before. He’s perfect for this series and it’s fantastic to hear him spending this much time with DC and other old friends. But I don’t know how to say anything new about him and I’m tired of saying the same things over and over (and loyal readers are probably tired of my stretches toward novelty). So, I guess I have to take a pass on it this time.

So, what did I think about The Truth?

It’s great to see DC back in action again—such an old pro playing the fish-out-of-water is a nice touch, too. Sure, with Rebus and Bosch (among others), it’s not unheard of to see the retired police detective doing the PI thing. But it feels different (if inevitable) with DC. He’s been such a believer in the police services, and so denigrated PIs, that it’s striking to see him do this.

But oh, so good for the fans. It’s a good case for DC, no matter who is paying the bills. And it’s a good novel for the author—in particular, the last chapter or two are killers. Grainger’s firing on all cylinders here with DC back at the helm. It’s a joy to see.

It’s clear from what Jo’s said to Chris over the course of time in the King’s Lake books that DC needed something to do other than putter around the house and play around with the dog. So you knew something like this was coming. It also seemed like it’d take something like Charlie Hills being in trouble to get him moving. Now the hope has to be that he realizes how good it was for him, so that Grainger has to work in the occasional (or frequent, I’d be okay with frequent) case for DC between King’s Lake books.

I heartily recommend this one—it’d probably be best if you were familiar with the character before this novel, but not necessary. Come on in, the water’s fine.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Catch-Up Quick Takes: Out of House and Home; Word by Word; Scarface and the Untouchable; Yearbook; Is This Anything?

By HCNewton

On October 22, 2021

In (Auto)Biography, Audiobook, Fiction, History, Humor, Non-Fiction, Urban Fantasy

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. Here are some recent-ish audiobooks (and one left-over from 2020!).

Out of House and Home

by Drew Hayes, Kirby Heyborne (Narrator)
Series: Fred, The Vampire Accountant, #7
Unabridged Audiobook, 11 hrs., 11 min.
Tantor Audio, 2021
Read: September 29-30, 221
Grab a copy from your local indie bookstore!

(the official blurb)
Wow, it’d been almost ten months since I’d listened to a Fred, the Vampire Accountant book. After a pretty steady diet of them for a while, the break was a little strange.

Anyway, the wedding’s behind him, so there’s another new challenge for Fred—someone’s coming for him, and the House of Fred. This isn’t new, but the openness, brazenness, and intensity of the attacks are.

Fred has to be his most creative to get through this challenge with both his ethics and clan intact. Not to mention his life.

For reasons that make sense (and make some of the drama possible), Krystal was not around for most of this book. That bugged me, I’d have liked to have seen a bit more about married life between the two. Oh, well, there’s time for that to come.

Gentle humor, just enough action to keep you going, and a bunch of pleasant characters. The seventh installment of this series proves there’s plenty of life left in this story of the undead.
3.5 Stars

Word by Word: The Secret Life of Dictionaries

by Kory Stamper
Unabridged Audiobook, 9 hrs., 48 min.
Random House Audio, 2017
Read: September 16-20, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
If you’ve ever wondered how a dictionary—at least Merriam-Webster dictionaries—is produced, this is the book for you. If you hadn’t but the idea sounds pretty good now that you know a book like that exists (like I was), good news. Kory Stamper’s book will satisfy.

As the blurb says,

She explains why small words are the most difficult to define, how it can take nine months to define a single word, and how our biases about language and pronunciation can have tremendous social influence. And along the way, she reveals little-known surprises—for example, the fact that “OMG” was first used in a letter to Winston Churchill in 1917.

I found her discussion about trying to refresh the definition of “bitch” in the twenty-first century, with all the history and varied usage to pair nicely with John McWhorter’s chapter on the word in Nine Nasty Words. I’d love to hear the two of them discuss it.

There’s some humor, some scholarship, and word-nerd fun. It’s an entertaining and enlightening book.
3.5 Stars

Scarface and the Untouchable: Al Capone, Eliot Ness, and the Battle for Chicago

by Max Allan Collins and A. Brad Schwartz, Stefan Rudnicki (Narrator)
Unabridged Audiobook, 18 hrs., 36 mins
HarperCollins Publishers, 2018
Read: June 14-21, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
There is a lot of de-mythologizing in this history of Capone and Ness—not just of some of the myths that surrounded them during the 1920s and 30s—but of many of the “de-mythologizing” works that have been written about them since. According to Collins and Schwartz, both men—especially Ness—have been the victim of so much revisionist history that it’s almost impossible to really get at what these two did and were like.

Still, the authors think they’ve got it—or at least closer to it than others due to their research methods, etc. Hopefully, they have—I don’t know. They did tell a pair of compelling stories about Capone, Ness, and how they both rose to notoriety—and kept it.

I do think a text version of this would work a little better—I had a hard time tracking some of the not-as-important names/dates/events. It could be me, and probably is. I don’t think it was Stefan Rudnicki’s fault at all—he did a great job with the work (and it was nice to hear him doing something other than Alex Bledsoe novels).

3 Stars

Yearbook

by Seth Rogen (and a whole lot of other people)
Unabridged Audiobook, 6 hrs., 13 min.
Random House Audio, 2021
Read: September 7-8, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Simply put, this is a collection of stories from Rogen’s life—from doing stand-up as a teenager to his work on TV and in movies. There’s—no surprise at all—a lot of references to and stories about drug use.

I’m not a huge Rogen fan—have enjoyed some of his work, but not most of it. I have always appreciated his ability to tell a story in interviews, though, and that’s what we get here. Great literature? Nope. Insightful look into the human condition and/or the Entertainment Industry? Nope. Silly fun? Yup. I can’t imagine anyone picking up a Rogen book looking for more than the last option, anyway. So you get what you expect.

This was definitely a book to listen to on audio—listening to Rogen tell these stories adds a bit of humor and flavor to it that I think just reading it wouldn’t deliver.
3 Stars

Is This Anything?

by Jerry Seinfeld
Unabridged Audiobook, 6 hrs., 15 min.
Simon & Schuster Audio, 2020
Read: December 15-16, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Jerry Seinfeld keeps the notebooks he writes his jokes in and has always done so. Which made compiling this collection possible. This is a collection of what Seinfeld considers his best material.

It’s organized by decade, with a little narrative added to discuss his career/family. But it’s primarily joke after joke after joke after joke. As I recall, SeinLanguage was essentially the same thing, but the last time I read that was in the 1990s, and my copy is in a box. So I can’t verify that.

I’m not sure audio was the best method for me. It felt like listening to a comedy album recorded in a studio rather than in front of an audience. It just felt strange to hear it all without laughter or other audience reaction—or his reaction to the audience. Also, I think it’d work better taken in parts—not the whole 6 hours in a clump (I guess 2 clumps).

Still, it’s material from one of the best around—it’s an entertaining time.

3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

You’ll Never Believe What Happened to Lacey (Audiobook) by Amber Ruffin, Lacey Lamar: You’ll Laugh While You All Lose Hope in Humanity. Fun Times!

By HCNewton

On March 24, 2021

In Audiobook, Humor, Non-Fiction

You’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

Unabridged Audiobook, 5 hrs., 21 min.
Grand Central Publishing, 2021

Read: March 11-12, 2021
Grab a copy from your local indie bookstore!

I’m going to lean on quotations from the book pretty heavily for this one, I feel awkward about trying to summarize this—and am afraid I’d come across as too flippant. Which, yeah, is an odd thing to fear for a book that can be rightly shelved under “Humor”

The Authors/Narrators

Amber Ruffin is the host of The Amber Ruffin Show, a writer for and performer on Late Night with Seth Meyers, and is consistently funny and thoughtful. Even when, especially when?, I disagree with her (which happens a lot). She’s the primary author (even when retelling something that happened to her sister) and narrator of the book.

Lacey Lamar is her older sister, who lives in Nebraska and works in the healthcare and human service field. She’s apparently a pretty big geek, too. While her contributions to the book/audiobook are briefer than Ruffin’s, when she pitches in, it’s well worth it.

What’s You’ll Never Believe What Happened to Lacey About?

Early on, we’re told

My sister Lacey is a lightning rod for hilarious racist stories, She’s the perfect mix of polite, beautiful, tiny, and Black that makes people think: I can say whatever I want to this woman. And I guess you can. Hey, knock yourself out—but that doesn’t mean you won’t end up in a book.

She’s such a lightning rod that

Twice a week, I get a text from my sister that says, “Can you talk?” It’s my favorite because I know I’m about to be transported to a place that exists in real life and fantasy: the place where coworkers will put their whole hand in your hair, talking ’bout “It’s fluffy like a dog.” I realize this sounds terrible, but it’s like watching Dateline. You can’t believe it was the GIRLFRIEND who killed the HUSBAND! It’s the edge of reality. Technically, it happens, but it is barely plausible. Excited, I steal away to the elevator banks at work and listen to Lacey tell me a new horror story. It’s fantastic. As I stand there, mouth agape, listening to some new fresh hell, I am always struck by the fact that these stories will only exist in this phone call. Some will go on to become stories once the topic turns to “racist people at work” one night when Lacey is hanging out with her friends, but she’ll forget most of them because of the sheer volume. The. Sheer. Volume.

That’s what this book is, a distillation of that volume. A compilation of the best/worst of those stories. They are tragic. They are sobering. They are frequently pretty funny. But only in the way they’re told. Lamar and Ruffin share these stories with an air of “you have to laugh or you’ll cry.” The kind of resigned laughter when you realize that your situation isn’t going to get better any time soon, so you might as well find the pleasure in it. A lot of this is hard to listen to/read—but it’s usually worth it. There’s also a decent level of “a spoonful of sugar helps the medicine go down” running throughout this.

Some of these stories are old, but a lot of them are post-Obama stories. A lot of folks think things like this don’t happen anymore. But in this climate where people are becoming more brave with their racism, I think things may get worse before they get better. Just kidding, I don’t think things are gonna get better. Just kidding about just kidding. I’m Team Hopeful! My point is: Has anyone ever decided to take a look at one person’s buttload of racist stories? What happens when you do? I don’t know, but here you go.

Audiobook vs. Text Version

So my wife read the hardcover and I read the audiobook (but was able to use the hardcover to grab some quotations). The hardcover features pictures and illustrations, and different typefaces for each author (a feature more books should use). Judging by her responses and just flipping through it, that seems like a great way to go through the book.

The audiobook is primarily read by Ruffin, with some assists by Lamar. Ruffin’s a great performer and the text comes alive with her reading. I think some of the comedy comes through stronger in the way they tell the stories—because a lot of these things are dark and my response leaned to horrified until I heard one/both of them chuckle about it. Also, listening to Ruffin describe the pictures you can’t see is likely as fun as seeing them. I’m not saying that the audiobook is better/worse than the text, but I can say you won’t regret it.

So, what did I think about You’ll Never Believe What Happened to Lacey?

Black readers will read these stories and feel that really good, yet terrible feeling of going through something bad and realizing you’re not alone, and not only that, but that someone else has it worse! And, hopefully, the white reader is gonna read this, feel sad, think a little about it, feel like an ally, come to a greater understanding of the DEPTH of this type of shit, and maybe walk away with a different point of view of what it’s like to be a Black American in the twenty-first century. Hence this book.

For me, I think they succeeded. I’m not a fool, I didn’t think we’d fixed racism or anything—but the casual and blatant racism Lamar encounters at work (or outside of work) is astounding. I can’t count how many times I stopped the recording to say something to my wife to marvel at how blatant the people in this book were. She’d ask where I was, nod, and ask “have you got to X yet?” “Um, no?” “Well, it gets worse…” And it did.

At the same time, I laughed a lot. Those two sensations shouldn’t fit so well together, but they do.

This is a comic-tragedy. A tragic-comedy. Either or both. you won’t soon forget this book. Entertaining and educational. Eye-opening. Frustrating. I strongly recommend this.

4 1/2 Stars

My Favorite Audiobooks of 2020

By HCNewton

On January 6, 2021

In Audiobook, News/Misc.

Given the large number of audiobooks I listened to in 2020, I sort of felt like I had to focus on them for one of these posts. But how to keep this from being just a rehash of the other best of lists? Well, I focused on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance?

Truth be told, this was a harder choice than I expected. Also, a couple of books that were in my mental rough draft didn’t make it to the final version when all was said and done (I’m still not sure I made the right call on a couple of these).

(in alphabetical order by author)

Dark Jenny

by Alex Bledsoe, Stefan Rudnicki (Narrator)

My original post
Stefan Rudnicki brilliantly captures the humor, the confusion, the determination of Eddle LaCrosse and the situation he finds himself in—and then the horror, revulsion, and anger he has when he discovers what’s really going on. Starting with one of Bledsoe’s best books, Rudnicki goes on to bring it to life.

4 Stars

Dash & Lily’s Book of Dares

by Rachel Cohn, David Levithan, Ryan Gesell (Narrator), Tara Sands (Narrator)

My original post
For me, this book came along at the right time—its particular brand of silly and escapist sweetness was exactly what it turned out that I needed. Add in a couple of stellar performances from Ryan Gesell Tara Sands and it’s just a delight. They can make you believe (even temporarily) in the magic of Christmas and young love.

3.5 Stars

Luck and Judgement

by Peter Grainger, Gildart Jackson (Narrator)

My original post
I’ve said it before, and I’ll keep on saying it: there’s a certain magic, an ineffable alchemy about Jackson narrating Grainger’s work. It’s just fantastic, I think I’d have liked these audiobooks with another narrator (or in print), but I don’t think I’d have liked them as much.

I could’ve listed each book in this series here, but I limited myself to this one because it’s an atypical crime for a novel, the solution (and how Smith and his team come to it) is offbeat, there’s some great humor and great emotional beats, too. It’s Grainger at his best and Jackson delivers it perfectly. There is a strong sense of humanity in these books, not just in the protagonists, but in the victim, the killer, the witnesses, the people who aren’t the killer but who aren’t up to anything legal/moral/ethical…everyone. There’s no one cartoon-y or over the top (in any direction).

4 Stars

The In Between

by Michael Landweber, Brittany Pressley (Narrator), Mark Boyett (Narrator)

My original post
This is the story of what happens to a family when a young child goes missing during a teleportation trip that his parents make successfully (to put it too succinctly) It’s a gripping listen and wonderfully performed. As you may have guessed Brittany Pressley narrates the chapters from the mother’s point of view, and Mark Boyett takes the father’s. I don’t think I’d heard anything by either of them before—but I’ll keep my eyes peeled for their names when I browse for audiobooks in the future. They truly did wonderful jobs. They got the emotion of the moment, the tension—and occasional moments of fun, joy, or relief—as well as giving a real sense of the characters. It didn’t happen often, but even when a character usually only seen in a Lillian chapter showed up in a Jackson, you could recognize them (and vice versa)—which was nice. Landweber wrote a great story but Boyett and Pressley brought it to life.

5 Stars

Greenlights

by Matthew McConaughey

My original post
When Chris Hardwick interviewed McConaughey recently he described the audiobook as McConaughey playing McConaughey, which is a great way to put it, and I wish he’d posted this before I wrote about the book so I could’ve borrowed it then. But that’s it exactly, Yes, it’s his stories, but yeah, he’s performing. It feels like you’re sitting around the campfire or a table in a bar, listening to a great storyteller at work.

3.5 Stars

Crossing in Time

by D. L. Orton, Noah Michael Levine (Narrator), Erin deWard (Narrator)

My original post
Typically, when I post about an Audiobook, I close with a discussion about the narrator(s). But I started with it when I posted about this novel because Levine and deWard did such a great job, they’re the highlight of the experience for me. Typically, when there is a male narrator and a female narrator—the female will read all the narration and dialogue in the female character POV chapters, and the male will read all the narration and dialogue in the male character POV chapters. But here, deWard reads all the female dialogue, no matter the narrator (and vice versa). That’s a nice touch, and once I got used to it, I really appreciated it. Particularly, it helped the conversations between characters feel like conversations—there was a little bit of talking over each other, and so on. And when the two laughed together? That was either fantastic work by the narrators or by the editor (or both).

I’m not that sure how much I’d have enjoyed this book in print, but the way these two embodied the book made it one of the highlights of the year.

4 Stars

Far from the Tree

by Rob Parker, Warren Brown (Narrator)

My original post
This was an Audible Original, so the Audiobook experience is a big part of it. Brown was a great choice of narrator—he’s the perfect voice for this material. He captured and shaped the tone as he needed to, and gave the right performances for each character.

I can’t help feeling like I need to say more, but I just don’t know what else to say. If I had problems with the performance, I’d probably be able to go on longer, but when a narrator gets it right, like Brown does here, what else is there to say? It was a brutal, brutal experience, with more twists than I can count, and a plot so complex I’m not able to talk about it in this small space.

4 Stars

Back to Reality

by Mark Stay & Mark Oliver, Kim Bretton (Narrator)

My original post
This is sort of a Fringe-inspired take on a Back to the Future/Freaky Friday mashup, and it’s as odd, and fun as that description makes it sound.

I’ll frequently (maybe too frequently?) talk about an audiobook narrator bringing the text to life. And Kim Bretton does that. But she does more than that—she fills it with life. Dynamic, energetic, vibrant…are just some of the adjectives that spring to mind. I was very happy when I just looked over her other audiobook credits and saw a couple of titles I was already thinking about—if she’s doing them, I’m giving them a try. (although, if I never hear her do another American male accent, I’d be more than okay).

Funny, sweet, amusing, heartfelt, laugh-inducing, touching, comic, imaginative—and did I mention humorous? This is 606 minutes of pure entertainment. I really encourage you to put this in your ear-holes. It’d probably work almost as well in print—Bretton’s great, but she has to have something to work with—but in audio? It’s close to a must-listen.

4 Stars

The Answer Is . . .: Reflections on My Life

by Alex Trebek, Narrated by: Ken Jennings, Alex Trebek

My original post
Jennings was a great choice of narrator, since his time on Jeopardy!, the two are linked in the collective consciousness, and they clearly have a good relationship. He sounds like a natural when it comes to narration. But his work is overshadowed by the few chapters he didn’t read.

Trebek read a few chapters himself—the one about why he swears so often (it surprised me, too), the one talking about notable Jeopardy! contestants (like Jennings), the one about his wife (Trebek didn’t like the idea of someone else talking about his wife that way), and the last chapter, where he discussed his cancer and coming to terms with his impending death. I understand why he couldn’t do the entire book himself, but I’d have preferred it (nothing against Jennings—I’d have been content with Jennings doing the whole thing). But I’m so glad he did those chapters, you could hear the sincerity in his praise for Jennings, Eddie Timanus, Cindy Stowell, and others; his love for his wife; and the resolution and contemplation he’d put into his final days

4 1/2 Stars

Dawn Patrol

by Don Winslow, Ray Porter (Narrator)

Wow. Despite this being my first and favorite Winslow novel, I wasn’t inclined to grab the audiobook. But then it was on sale and a fellow Winslow-fan recommended Porter’s take on the book. I didn’t know that Porter did audiobooks before this, but he’s on my list to watch for now.

I don’t know how to describe this—I was blown away. I’ve read the book two or three times, but Porter made it feel like it was all new. I was gripped. I was entertained. I was heartbroken. It’s as good as you can ask for an audiobook to be.

5 Stars

Crossing in Time (Audiobook) by D. L. Orton. Narrated by Noah Michael Levine, Erin deWard: This Romance/SF is a Wild Ride!

By HCNewton

On June 16, 2020

In Book Tour, Fiction

Crossing in Time

by D. L. Orton, Noah Michael Levine (Narrator), Erin deWard (Narrator)
Series: Between Two Evils, Book 1

Unabridged Audiobook, 10 hrs., 17 min.
Rocky Mountain Press, 2015

Read: June 4-5, 2020
Grab a copy from your local indie bookstore!

Typically, when I post about an Audiobook, I close with a discussion about the narrator(s). But I’m going to start with it this time because Levine and deWard did such a great job, they’re the highlight of the experience for me.*

* This is not a slight against the novel. They were just that good.

In my experience, when there is a male narrator and a female narrator—the female will read all the narration and dialogue in the female character POV chapters, and the male will read all the narration and dialogue in the male character POV chapters. But here, deWard reads all the female dialogue, no matter the narrator (and vice versa). That’s a nice touch, and once I got used to it, I really appreciated it. Particularly, it helped the conversations between characters feel like conversations—there was a little bit of talking over each other, and so on. And when the two laughed together? That was either fantastic work by the narrators or by the editor (or both).

Levine, particularly when he was narrating the main male protagonist, sounded like a guy recounting a story from his past to a friend—and I could’ve listened to him all day. deWard was almost as good (the main female protagonist character was never as relaxed, so it would be out of character to sound that way—so it may be unfair to compare like that). They both made all the characters come alive (even the few I’d rather hadn’t)—and made the experience richer.

This is a Romance/Science Fiction story. It’s heavy on the romance (too heavy for my taste) and the SF is a wild, multi-dimensional/time travel story with the fate of the human race (throughout the multiverse) hanging in the balance. Orton typically balances the focused story on the central romance and the wider, all-humankind story really well—but she has a tendency to over-focus on the love story. That’s going to delight many readers/listeners, but it was a stumbling block for me. Both are told with heart and humor (not getting in the way of drama), that will suck you in and not let you go.

I don’t really know how to summarize the setup of the book in a paragraph or two—and the Book Blurb gives away a bit too much (but really is an entertaining blurb), so I’m not going to get into it more than I did in that last paragraph. Just trust me on this—if you like the feel of what I’m describing, give this a shot.*

* Or, fine, read the Spotlight where I’ve copied the Blurb.

The characters—from minor to major—are wonderfully drawn and fully-developed. There are a couple of characters that are technically allies to the protagonists (and humanity in general, but function largely as antagonists. And man, I really didn’t like them at all—just as I wasn’t supposed to. But those that you were supposed to like? I just wanted to spend more time with them all—the point-of-view characters in particular.

There are some wonderful dogs throughout the book, and I fully expect that they’ll be pretty important before the trilogy ends. For those of you who prefer felines, there’s one of them, too—and the inclusion of the inferior pet doesn’t hurt things at all.*

* Man, I hope that comes across as tongue-in-cheek.

As I said, this is the beginning of a trilogy and ends in a way that practically demands moving on to the next volume as soon as possible (which is easy as the entire trilogy is published)—while not really a cliff-hanger, it sure works like one.

This was a fun novel—even if it’s not really my cup of tea. I’d probably give it a 3-3 1/2 Stars, a fun read that I’d recommend…but that narration knocks it up to 4 (maybe I should give it a 4 1/2), a strong recommendation from me.

There’s a little too much romance in this Romance/Science Fiction for my taste—but it’s a compelling and entertaining read full of wonderfully drawn characters. I strongly recommend the audiobook, but if that’s not your thing, I expect the print edition will almost be as good.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.
My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: Crossing in Time (Audiobook) by D. L. Orton. Narrated by Noah Michael Levine, Erin deWard

By HCNewton

On June 16, 2020

In Book Tour, Fiction

I’m very pleased today to welcome The Ultimate Blog Tour for Crossing in Time by D. L. Orton. Narrated by Noah Michael Levine, Erin deWard. This Tour Stop consists in this little spotlight post and then my take on the audiobook coming along in a bit. Let’s start by learning a little about this novel, okay?

Book Details:

Book Title: Crossing in Time by D. L. Orton. Narrated by Noah Michael Levine, Erin deWard
Publisher: Rocky Mountain Press
Release date: April 30, 2019
Format: Ebook/Paperback/Audiobook
Length: 559 pages/ 10 hrs and 17 mins

Book Blurb:

When offered a one-way trip to the past, Iz sacrifices everything for a chance to change her dystopian future—and see her murdered lover one last time.

After a perilous journey through a black hole, she wakes up on a tropical beach, buck naked and mortally wounded—but twenty years younger! With only hours to live, she must convince an enraptured but skeptical twenty-something guy to fix their future relationship and thereby save the planet (no one is quite sure why.)

But it’s easier said than done, as success means losing him to a brainy, smart-mouthed bombshell (her younger self), and that’s a heartbreaker, save the world or not.

Across the infinite expanse of space and time, love endures…

(Unfortunately, it’s not going to be enough.)

About the Author:

DL ORTON, THE BESTSELLING AUTHOR of the BETWEEN TWO EVILS series, lives in the foothills of the Rockies where she and her husband are raising three boys, a golden retriever, two Siberian cats, and an extremely long-lived Triops.♂

In her spare time, she’s building a time machine so that someone can go back and do the laundry.

Website: http://www.DLOrton.com.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

The Sword-Edged Blonde (Audiobook) by Alex Bledsoe, Stefan Rudnicki: This Hard-Boiled Fantasy Mixes the Best of Both Genres

By HCNewton

On May 12, 2020

In Alex Bledsoe, Eddie LaCrosse, Fantasy, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The Sword-Edged Blonde

by Alex Bledsoe, Stefan Rudnicki (Narrator)
Series: Eddie LaCrosse, #1

Unabridged Audiobook, 8 hrs., 28 min.
Blackstone Audio, 2012

Read: April 22-24, 2020
Grab a copy from your local indie bookstore!

I’ve read this novel at least twice (13 and 11 years ago), and apparently have forgotten almost all of it. In fact, what I did remember as the climactic scene must belong to the second novel in the series, Burn Me Deadly. I can do better with the rest of the series (and not just because I actually wrote something about them—but I’m looking forward to taking another look at them in the coming months.

But I’m getting ahead of myself, I should introduce you to Eddie LaCrosse and his world. It’s your basic Fantasy world—swords, rumors of sorcery, small kingdoms, and so on. Eddie’s an ex-soldier, ex-mercenary, now “sword jockey” (basically a private cop). He’s got a little more on his résumé, but you’ll learn more about that as you dive in yourself. He’s been hired by an old friend, the King of a neighboring country to clear his wife of the horrific murder of her son. She doesn’t remember him, but when he meets her, Eddie realizes that he knew the Queen long before the King did.

Eddie’s investigation takes him through multiple kingdoms, into the remains of a cult, and into a criminal network that rivals anything that Varys put together for efficacy or ruthlessness. At the same time he does this, Eddie takes a trip through his personal history, reliving the time he knew the Queen (and events leading up to that). The two storylines are interwoven to help Eddie solve what seems like a perfect crime.

Both in the narration, LaCrosse’s character and the kinds of people we meet along the way, Bledsoe channels Chandler. LaCrosse is casually violent in a way that Marlowe indulged in a bit too often for me, and the (for lack of a better word) grotesque (in physical appearance and morality) criminals Eddie deals with in the latter parts of the book felt particularly Chandler-esque to me.

There’s some things that happen at the end that point to Eddie coming to terms with parts of his past that he’s been unable/unwilling to acknowledge existed. The character won’t change as a result of this (at least not much), but I think it opens the door for some of his rougher edges to be rounded out. How well that actually happens, I’ll have to see (I don’t trust my memory enough right now)—but at the very least, Bledsoe made it possible for the character to grow and evolve here.

Rudnicki’s narration didn’t really work for me initially—there was a quality to his voice that just didn’t click with me. But, I kept going because I liked the novel. Before the halfway mark, however, he’d won me over. I can’t put my finger on it (either good or bad), but he sold the emotional moments, the humor, and Eddie’s general attitude. Which is good enough for me.

It’s hard for me to rate this one on its own terms—I remember liking it. I remember what Bledsoe does with the characters. And those things color my rating, leading me to probably giving this another half-to-whole star more than I would otherwise. But also, for the world. The merging of Fantasy and Hard-boiled genres in a way that’s seamless and well-executed. I recommend this one and will be back for more soon.

Bookstooge posted about this book yesterday. It’s probably worth a read (I’ll read it later today, I didn’t want his voice in my head as I wrote this).

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.