Tag: Audiobooks Page 2 of 21

How to Stay Productive When the World Is Ending (Audiobook) by Reductress: Mara Wilson & Jay Aaseng: The “This is Fine” Meme, Expanded

How to Stay Productive When the World Is EndingHow to Stay Productive When the World Is Ending:
Productivity, Burnout, and Why Everyone Needs to Relax More Except You

by Reductress; Mara Wilson & Jay Aaseng (Narrators)

DETAILS:
Publisher: Andrews McMeel Publishing
Publication Date: June 20, 2023
Format: Unabridged Audiobook
Length: 4 hrs., 49 min.
Read Date: September 20-21, 2023
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What’s How to Stay Productive When the World Is Ending About?

People being compelled to choose between having money to buy food/shelter/necessities and health (all while maintaining a social media presence) in the midst of worrying about the immanent death of the earth from climate change and various and sundry pandemics—this is the book for you.

a collection of essays, how-tos, and “inspirational” phrases to help you laugh when staying both sane and productive in a commodified world feels impossible. From “‘Doing What You Love’ and Why That’s Bad,” to “Why I’m Prioritizing My Career Over Finding a Better Career,” this collection perfectly skewers the indignities, big and small, of living through late-stage capitalism.

The Narrators

Mara Wilson and Jay Aaseng did a great job—a very dry delivery (unless something else was called for) and earnestness really sold the satire. I can’t help but imagine that they had to do many takes of parts of this because it was difficult to get through with a straight face. Even for professionals like they are.

I think Aeseng got to show a little more range in his performance, but that’s just because some of the things he was asked to do demanded it—when Wilson got to do more than the straight, dry reading, she stepped up as well. Maybe if I wasn’t multitasking, I could’ve taken more notes and kept better track, and I’d see that the ratio was different.

Essentially, they did a great job—I’d listen to more audiobooks by them—and they thoroughly entertained me.

So, what did I think about How to Stay Productive When the World Is Ending?

The website for Reductress states that it’s

The first and only satirical women’s magazine, Reductress was founded in 2013 by Beth Newell and Sarah Pappalardo. The mission of Reductress is to take on the outdated perspectives and condescending tone of popular women’s media.

and that tone and direction are clear throughout this book. Thankfully, even when it’s not targeted toward me, I can still (frequently) enjoy humor and satire done well. And this book, reader, is done well.

Very little of the satire and humor was mean-spirited toward an individual, political persuasion, or most lifestyles (I honestly can’t think of an example at the moment that was, but I’m going to say this to be safe). It does skewer the lifestyles/thinking of those who promote/require people to have to hold down a side-hustle or three to make ends meet, for example. But even then, not in a mean way.

I don’t think people should grab this audiobook, however. (no offense to the narrators, see above) Or if you do, don’t listen from beginning to end in a sitting or two. Listen for 15± minutes at a time and then switch to a podcast or other audiobook. It’s just too much at once, and all the jokes blur together. Also, I’ve looked at some of the samples of the book online—between the graphics and layout, and the ease of picking it up, reading a bit and then putting it down; print is the way to go with this book.

That said—I thought it was frequently hilarious, funny at almost every point—each piece had something that made me grin or chuckle. Most had several lines that did that—and a good portion made me laugh out loud. I even played a couple of pieces to my wife and daughter (my chronically ill daughter really enjoyed the piece, “How to #Grind when your #SideHustle is #ChronicIllness”). It feels like cheating to mention this one in particular, but I have lived (and know others who have, too) “Why I’m Prioritizing My Career Over Finding a Better Career.” Reader, I laughed so hard. And cringed.

That’s pretty much my reaction to the book as a whole.

I would absolutely recommend this to anyone with the above caveat about format.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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On Earth as It Is on Television (Audiobook) by Emily Jane, Hayden Bishop (Narrator): DNFed Without Prejudice

On Earth as It Is on TelevisionOn Earth as It Is on Television

by Emily Jane, Hayden Bishop (Narrator)

DETAILS:
Publisher: Hyperion Avenue
Publication Date: June 13, 2023
Format:Unabridged Audiobook
Length: 11 hrs.,  25 min.
Read Date: July 19, 2023
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What’s the Publisher’s Description?

Since I didn’t come close to finishing this, I’m not even going to attempt a summary, so:

Since long before the spaceships’ fleeting presence, Blaine has been content to go along with the whims of his supermom wife and half-feral, television-addicted children. But when the kids blithely ponder skinning people to see if they’re aliens, and his wife drags them all on a surprise road trip to Disney World, even steady Blaine begins to crack.

Half a continent away, Heather floats in a Malibu pool and watches the massive ships hover overhead. Maybe her life is finally going to start. For her, the arrival heralds a quest to understand herself, her accomplished (and oh-so-annoying) stepfamily, and why she feels so alone in a universe teeming with life.

Suddenly conscious and alert after twenty catatonic years, Oliver struggles to piece together his fragmented, disco-infused memories and make sense of his desire to follow a strange cat on a westward journey.

Embracing the strangeness that is life in the twenty-first century, On Earth as It Is on Television is a rollicking, heartfelt tale of first contact that practically leaps off the planet.

So, Why Didn’t I Finish This?

I really wasn’t sure what to expect, but I’d been seeing this all over the place, so I thought I’d give it a shot. I’m actually very intrigued about where all of this was going, but at an hour in…I just couldn’t stick with it.

I think if I’d been reading it, I wouldn’t have stopped. There’s some wordplay (I think) that I couldn’t quite appreciate in an audio format. Bishop’s narration was fine, it’s just me and this book.*

* Okay, there were a couple of words that either she or I don’t know how to pronounce that got on my nerves, but that happens with many audiobooks that I enjoy.

I’m definitely not saying don’t try this book—and, I’m sure there are plenty of people who will enjoy the audiobook. I plan on coming back to the print version in a couple of months. But for now…not finishing.


0 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Catch-Up Quick Takes: A Handful February and March Books

Celeste was right, and I don’t have to write about everything—but I have a hard time convincing myself of that. I’m far overdue on saying something about these six listens and one read. So, let’s do a little catch-up (if only so I can feel better about myself). As always, the point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


The Devotion of Suspect XThe Devotion of Suspect X

by Keigo Higashino, Alexander O. Smith (Translator), David Pittu (Narrator)

DETAILS:
Series: Detective Galileo, #1 (in English, anyway)
Publisher: Macmillan Audio
Publication Date: Feb 1, 2011 
Format: Unabridged Audiobook
Length: 9 hr., 2 min.
Read Date: March 7-9, 2023
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(the official blurb)
A homicide detective consults with his friend, a genius and physicist about a tricky murder. His friend may be a college professor and not a detective, but there’s something about the way his mind works that helps Detective Kusanagi think better, and consulting his friend has worked in the past.

This is the murder of a seemingly odious man and it seems tied to his ex-wife, who’d been avoiding his abusive presence for years. Kusanagi can’t tie her to the killing, but there’s something going on that makes him want to. So he keeps investigating and then his pal gets involved, too.

This was a perfectly satisfying read, but I wasn’t as wowed by it as I expected to be. Sorry, Jeff, still appreciate the recommendation.

3 Stars

The Dead Will TellThe Dead Will Tell

by Linda Castillo, Kathleen McInerney (Narrator)

DETAILS:
Series: Kate Burkholder, #6
Publisher: Macmillan Audio
Publication Date: July 8, 2014
Format: Unabridged Audiobook
Length: 8 hrs., 37 min.
Read Date: March 10-14, 2023
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(the official blurb)
A pair of apparent suicides gets Kate Burkholder to dive into their pasts, and she discovers a common tie—to a 35-year-old murder of an Amish family. This puts her in a race against time to discover what’s (or who has) caused their deaths now, and if she can stop anyone else from dying while maybe solving this old horror.

The cold-case nature of this is a nice change of pace, but at the end of the day, it’s a brutal crime against the Amish. I’d just like to see someone else in her community the victim of a crime.

That came out wrongly. But it’d be nice to let this community have even some fictional relief.
3 Stars

Profiles in IgnoranceProfiles in Ignorance:
How America’s Politicians Got Dumb and Dumber

by Andy Borowitz

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: September 13, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 51 min.
Read Date: March 13-14, 2023
Buy from Bookshop.org!

(the official blurb)
Borowitz traces how mass media and the political parties (particularly one) have worked to dumb down politics, the electorate, and our elected officials since Reagan’s initial run for governor and ending in the present. It’s insightful, it’s depressing, but it leaves a little room for hope.

I really wish he’d done a better job of making this bi-partisan. While he might be right that one party is guilty of more of what he’s talking about, I refuse to believe they’re alone—which makes this feel like too much of a partisan attack, rather than an exploration of the topic. Both have their place—I’d just have preferred a little more of the latter.

I initially assumed that this would be typical Borowitz humor—which I appreciate. But no, this was serious in intent and execution. Earnest Andy Borowitz is an interesting concept. A little humor crept in, but not much. I prefer him when he’s trying to be funny, but I’d read/listen to more like this from him, too.
3 Stars

Space: 1969Space: 1969

by Bill Oakley, starring Natasha Lyonne and too many others to list.

DETAILS:
Publisher: Audible Originals
Publication Date: 2022
Format: Audible Original
Length: 5 hr., 35 min.
Read Date: March 29, 2023

(the official blurb)
This is more like an audio play than a book (with all the clunky dialogue that implies). Oh well.

So the premise is that Kennedy survived the Dallas shooting and the space race kicked into overdrive—and by 1969, we have a Moon Colony and a space station. Nancy Kranich is a nurse on the station (with an interesting past), and is pretty miserable, oddly enough. Nancy stumbles into a conspiracy involving an intergalactic threat and former vice-president Nixon (a largely forgotten figure by this time).

Without Natasha Lyonne (and most of the voice cast), I don’t know if I’d have finished this. But because of Lyonne, I’d enjoy relistening to it. It was amusing and strange—feeling like a classic radio SF drama but with some really contemporary sensibilities. I’m not sure it’s the best of both of those worlds, but it was a fun combination.

3 Stars

Hunting Fiends for the Ill-EquippedHunting Fiends for the Ill-Equipped

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: Guild Codex: Demonized, #3
Publisher: Tantor Audio
Publication Date: June 23, 2020
Format: Unabridged Audiobook
Length: 8 hrs., 28 min.
Read Date: February 1-2, 2023
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(the official blurb)
I’m having trouble remembering just what happened in this one—that’s the case for the entire Demonized arc so far, it’s all one story (which is great for the series, a pain when you’re trying to say “this is the one where…”).

I did enjoy the overall plot of this one, but my favorite parts are where this series overlaps with the other series in The Guild Codex—and I found myself increasingly impatient with Robin as she was off doing her own thing.

I am really tired of the will-they-won’t-they between Zylas and Robin—which is really a how-long-can-Marie-stretch-this-out.

3 Stars

Finlay Donovan Jumps the GunFinlay Donovan Jumps the Gun

by Elle Cosimano, Angela Dawe (Narration)

DETAILS:
Series: Finlay Donovan, #3
Publisher: Macmillan Audio
Publication Date: January 31, 2023
Format: Unabridged Audiobook
Length: 8 hrs., 38 min.
Read Date: February 9-13, 2023
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(the official blurb)
I am continuing to enjoy this series—but I’m not sure for how long. It’s getting harder and harder to accept the antics that Finlay and Vero get up to—and the way Finlay treats those around her. This book in particular stretched credulity. I fear that Cosimano is learning the wrong lessons from Evanovich.

I’d also like to see Finlay actually do some more parenting—it’s hard to sympathize with her plight when it comes to custody, etc. when she’s always handing off her children’s care to someone else (although, it does keep them safe).

Dawe’s narration is so good that I will put up with a little more zaniness. But without some changes to the series, I’m not sure how long I’ll stick around.
3 Stars

Anna and the Vampire PrinceAnna and the Vampire Prince

by Jeanne C. Stein

DETAILS:
Series: Anna Strong, #9.5
Publisher: Hex Publishers LLC
Publication Date: April 25, 2017
Format: Paperback
Length: 92
Read Date: February 17, 2023
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(the official blurb)
Anna’s in France dealing with her mother’s death, and her niece’s death is kidnapped. So she has to reach out to her local allies to try to rescue the girl.

The action bits were Stein at her best but the story felt rushed—but this was largely an excuse to revisit the characters, so it didn’t need to be too involved. As a bit of nostalgia, it was nice—but Stein did a good enough job wrapping up the series that I didn’t feel a giant need for something like this (as demonstrated by the fact that it took me 6 years to get around to reading it).

It was just fun enough to justify my time.
3 StarsThis post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, my opinions are my own.

This Bird Has Flown (Audiobook) by Susanna Hoffs, Juliet Stevenson: The Portrait of a Music Star as a Thirtysomething

This Bird Has FlownThis Bird Has Flown

by Susana Hoffs (Author and Narrator), Juliet Stevenson (Narrator)

DETAILS:
Publisher: Little, Brown & Company
Publication Date: April 4, 2023
Format: Unabridged Audiobook
Length: 12 hrs., 35 min.
Read Date: May 11-16, 2023


What’s This Bird Has Flown About?

Jane Star is your proto-typical one-hit-wonder. She rocketed to stardom via a cover song and its music video (which was intended to be a feminist critique of something, but really just made her into a sex kitten). She struggled to come up with another hit and eventually her career died down and she disappeared off the scene.

Following a major breakup, she’s trying to get her career re-established (if only so she can move out of her parent’s house). Her manager/friend arranges for Jane to spend some time in London with her to write—which turns into a once-in-a-lifetime chance to play with the man whose song put her on the map at the Royal Albert Hall. Can she use this to re-launch herself?

Meanwhile, she strikes up a whirlwind romance with a man she met on the flight to London. This is both an inspiration for her writing and a major distraction from it.

The Love Story

It absolutely didn’t work for me. At all. It was a lust/infatuation story fit better for teenagers than a world-weary rock star and a college professor.

And a lot of the “sexy” moments seemed to be trying too hard to be sexy, which just feels desperate.

So why did I persist?

The One Hit Wonder Looking for Another

The story about Jane Star, trying to cling to marketability and relevancy—and maybe, just maybe regaining some sort of career is the part of this novel that makes putting up with the rest worth it.

It’s hard not to wonder how much of Jane’s experience is based on Hoffs—but it’s an idle thought because what Jane is going through is more interesting than my own speculation. She’s trapped by that one cover song that thrust her onto the world stage and is something she just can’t live up to.

She’s trying so hard to recapture that magic, to live up to expectations that she can’t write anything. And anyone who’s lived through some sort of creative block will be able to identify with this.

But then there are some moments where she remembers why she’s a musician, gets to sing or play. Even gets to write a little. And it’s magic. Not just for Jane, but for the reader—Hoffs describes the sensation in a way that it’s impossible not to get caught up in it.

I love a good rock’n’roll novel, and Hoffs delivers here.

How was the Narration?

This is really where the book shone for me—Hoffs handled the narration and the dialogue for Jane, Stevenson did the rest of the characters.

Sure, we all know that Hoffs can sing—but she can handle other voice performance areas as well. I was really impressed by what she did and was thoroughly engaged throughout.

But Stevenson? Wow. Knocked. It. Out. Of. The. Park. Her accents, her emoting, her…everything. I hated every time a scene with her ended, and was only placated by knowing another was on the way, with her doing another voice or three. Her work as Pippa, Jane’s manager, alone made me a fan.

So, what did I think about This Bird Has Flown?

Overall, I enjoyed this. I didn’t get that invested in the “love” story but thought it resolved okay (probably more than okay if you are able to get invested in it). The novel wouldn’t hold up without it (although you could improve it without changing most of the rest of the novel), so I’m not going to trash it too much.

The creativity/musician/whatever storyline—along with the accompanying friendships and conflicts—was really well done and more than made up for my grinchy attitude toward the rest. I really got invested in it and thought my investment was rewarded.

I picked up the book because of a piece or two I’d read about Hoffs’ depiction of the musician’s life—and it paid off. It would’ve been nice if the rest had been as good, but I’ll take what I got. This Bird Has Flown is not great, but it’s a lot of fun with some fantastic moments. Give it a whirl.

If Hoffs tries her hand at novel writing again, I’ll be willing to try it.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

It’s Great to Suck at Something (Audiobook) by Karen Rinaldi: The Book Isn’t Quite Proof of the Title, But…

It's Great to Suck at SomethingIt’s Great to Suck at Something:
The Unexpected Joy of Wiping Out and What It Can Teach Us About Patience, Resilience, and the Stuff that Really Matters

by Karen Rinaldi

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: May 07, 2019
Format: Unabridged Audiobook
Length: 7 hrs., 15 min.
Read Date: June 12, 2023


What’s It’s Great to Suck at Something About?

The Publisher’s Description is:

When was the last time you tried something new? Something that won’t make you more productive, make you more money, or check anything off your to-do list? Something you’re really, really bad at, but that brought you joy?

Odds are, not recently. We live in a time of aspirational psychoses. We humblebrag about how hard we work and we prioritize productivity over happiness. Even kids don’t play for the sake of playing anymore: they’re building blocks to build the ideal college application. We’re told to be the best or nothing at all. We’re trapped in an epic and farcical quest for perfection and it’s all making us more anxious and depressed than ever.

This book provides the antidote. (It’s Great to) Suck at Something “shows how joy and growth come from risking failure and letting go of perfectionism” (The Wall Street Journal). Drawing on her personal experience sucking at surfing (a sport Karen Rinaldi’s dedicated nearly two decades of her life to doing without ever coming close to getting good at it) along with philosophy, literature, and the latest science, Rinaldi explores sucking as a lost art we must reclaim for our health and our sanity and helps us find the way to our own riotous suck-ability. Sucking at something rewires our brain in positive ways, helps us cultivate grit, and inspires us to find joy in the process, without obsessing about the destination. Ultimately, it gives you freedom: the freedom to suck without caring is revelatory.

My description would be—Rinaldi is a devoted surfer. That doesn’t mean that she’s a good one—she has witnesses and video evidence to back that up. But she doesn’t care—she still loves it. In fact, she’s learned a lot about herself—and probably about the way people tick—from being a lousy surfer, and now she has some good advice to share about being lousy at things (and continuing to do them). She weaves this advice with a semi-meandering recounting of her surfing career in the pages of this book.

A Quick Word About the Narration

Rinaldi’s narration on this was really good—I’d listen to her narrate another book easily. Maybe it’s easier because it’s her book and she knows the emotions she’s trying to evoke—but I’ve heard enough authors not know how to do that for me to really believe it.

So, what did I think about It’s Great to Suck at Something?

I should start by saying that I’m 100% on board with Rinaldi’s central thesis and think it’s something that more people need to embrace and practice. I just have problems with most of the rest of the book.

We’ve all been to those “meetings that could’ve been an email,” right?* As I was listening I kept thinking—this is a book that could’ve been an article. Maybe a series of them. Or a few blog posts. But it had no business being a book.

Of course, not at my current job. I’m talking exclusively about previous positions.

Or at least not this book. If this had been sold as a “memoir of a lousy but committed surfer with some advice you can apply to your own passions/hobbies.” It would’ve been fine. The book wasn’t about the benefits of sucking at things, it was about a big part of Rinaldi’s life, and through it she offered some observations on the human condition—some of which she can offer footnotes to.

The book really didn’t need the turn to spirituality it took toward the end. It was very out of place.

Trim the personal anecdotes to anecdotes/illustrations, amp up the advice (and the reasons for it) and you’ve got a decent, albeit shorter, book. But as it is, it’s hard for me to say that a reader or listener isn’t wasting their time.


2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Only Truly Dead (Audiobook) by Rob Parker, Warren Brown: This Trilogy Ends as Strongly as it Started

The Only Truly DeadThe Only Truly Dead

by Rob Parker, Warren Brown (Narrator)

DETAILS:
Thirty Miles Trilogy, Book 3
Publisher: Audible  
Publication Date: May 18, 2023
Format: Audible Original
Length: 7 hrs., 3 min.
Read Date: May 19-22, 2023

What’s The Only Truly Dead About?

The ending of And Your Enemies Closer has changed the scene for this series—DI Iona Madison is clinging to her career by her fingernails—under investigation from the events on that roof, as anyone officer should be. But also, thanks to her old boss’ (now exposed) corruption, she has to clean her reputation, too. Those same events reshaped the criminal landscape of Manchester and Liverpool, with new leadership trying to solidify their places.

Rumors are flying about something called the Twilight Express. But no one knows what it could be—other than big. Career-making (or saving) for the police officer who derails it.

It’s risky, but Madison sees only one way to put a stop to Liverpool’s newest crime lord—bring her former DI, his brother, Brendan, in as a consultant. Brendan resists—until his teenage son starts spending too much time with his uncle.

Find out what the Twilight Express is. Stop it. Extract Dan Foley from his uncle. Clear Madison’s name. Any of those would be enough to fuel a book. All four? That’s a daunting prospect. But Foley and Madison are probably the right people for the job.

Poor Red Shirts

Throughout this series, Parker displayed a real knack for introducing (or re-introducing) a character in such a way that you just knew they might as well be wearing a security red shirt from the original Star Trek (he’d also frequently tip his hat in dialogue sometimes so you’d know someone just changed into that uniform). Frequently it annoys me when an author does that—oh, okay, I can stop caring about this character and just wait until it happens.

Parker (with an assist from Brown), however, consistently got me invested in these Red Shirts—and usually surprised me when they were killed. The fact that he did that when I was expecting it here was even more impressive.

I don’t mean to say that he does this with every character’s death—there were characters who died—or survived—that I didn’t expect. And plenty of other surprising turns and twists along the way.

A Pleasant Bonus

Readers of Parker’s Ben Bracken series will see some old friends here—Salix and his NCA team get involved, which was fun.

If you’ve never read the Bracken books, it won’t hurt your appreciation of the characters—you’ll just see them as more people working alongside Madison and Foley. It’s just nice to see some familiar faces in this setting.

What About the Narration?

It’s always important to get a good narrator for an audiobook, doubly (or triply) so when it’s an Audible Original. This is the way that audiences get to experience the book*, so it needs to be great.

Warren Brown was a perfect choice for this trilogy—and you can hear that from the opening of Far from the Tree to the close of The Only Truly Dead. I’ve failed the previous two times to have something more to say about Brown’s work, so at least I’m consistent as I struggle here—he just does a fantastic job and there’s nothing to add to that.

He seems pretty busy with the whole TV thing, but I hope he finds the time for more audiobooks—he’s great at it.

* At least for several months before Red Dog Press can put it out in print.

So, what did I think about The Only Truly Dead?

This book just didn’t stop moving—sure, it was a little slow at the beginning as Parker was setting the stage—but even then, between moving between POV characters and scenes the book had momentum. And it kept accelerating and building up energy until it became unputdownable. (circumstances required I do that with about 90 minutes to go on Friday, and the only reason I didn’t delay any longer is that I knew it was only going to get worse—it was a long weekend waiting for a chance to dive back in)

The ending was as gripping as you could want. A character or two says that it had to end this way, and they were right. As satisfying dramatically as that is—it didn’t necessarily make it easier, or less tense, to read.

The only thing I want to call foul on is the final conversation between Madison and her Acting Chief Superintendent. I want to say that it’s nonsense and that as skeptical as he is of her, no decent officer is going to act that way. But…I can’t. Because it’s probably the most authentic moment in this procedural, if only for it being full of infuriatingly bureaucratic nonsense. You’ll know the scene when you get to it.

Even if the first two books in this trilogy hadn’t hooked me—this one would’ve and would’ve impressed me (incidentally, it’s not vital to have read the previous two to enjoy this). As with the sequel, this isn’t just a repeat of the first novel—new crimes, new characters to enjoy, new and surprising levels of depravity, and a few people stepping up to do what needs to be done to push back against the darkness. A mix of hope and darkness, and a reminder that both have lasting effects.


4 Stars

The Book That No One Wanted to Read by Richard Ayoade, Tor Freeman, Jarvis Cocker, Lydia Fox: In Print or Audio, It’s Just Delightful

I am fully aware that the following post overuses the word “delightful.” I wanted to use it at least a dozen more times. This is both a sign that my working vocabulary needs expansion and that this book is a delight. More the latter than the former.


The Book That No One Wanted to ReadThe Book That No One Wanted to Read

(Hardcover/Audiobook)
by Richard Ayoade
Narrated by Richard Ayoade, Jarvis Cocker, Lydia Fox
Illustrated by Tor Freeman

DETAILS:
Publisher: Walker Books US (hardcover); W.F. Howes, LTD. (audiobook)
Publication Date: March 14, 2023
Format: Hardcover/Audio
Length: 108 pg./49 min.
Read Date: April 4, 2023


What’s The Book That No One Wanted to Read About?

This is tricky without giving the whole thing away…but I think I can get close to it. Maybe more idea of the flavor?

We’re told at the very beginning that this book isn’t like others—other books are written by authors, while this book is written by a book. A book with opinions. For example, about authors:

Take it from me, authors can be quite annoying. They go on and on, filling up up page after page, but they have no idea what it’s like to be a book.

or these parts of Top Five Things That Grate My Gears (I’m only giving selections, but I want to give the whole thing):

1. People who fold the corner of the page to save their place.Have these savages not heard of novelty bookmarks? Or paper?…Which part of your body would you most like to have folded back on itself?*

2. People who underline certain words. ALL THE WORDS ARE IMPORTANT!

3. People who skip to the end. If the end was meant to come sooner, it’d be called “the middle.”

and don’t get it started on Ipswitch.

* The accompanying illustration of examples of ways to fold a body is delightful.

This book then goes on to tell a story in the second person about someone (presumably a middle-grade child, but really it could be anyone) who is going through a very large library and comes across the shelf holding The Book That No One Wanted To Read. That book then begins having a telepathic conversation with the “you” about being a book, the book’s plight as being so ignored, and how “you” can help it.

I’m not sure that makes sense—but it should give you an inkling of what you’re in for.

The Narration

Jarvis Cocker handles the bulk of the narration—he’s the voice of the opinionated Book telling the story, and as such is the voice that describes the “you” walking around. I could listen to his portions on repeat for a few hours at a time and be quite content (when I wasn’t laughing).

Richard Ayoade is the voice of the titular book and brings his distinguishing style to that narration. If you don’t smile listening to him as this character, you’re doing something wrong.

Lydia Fox provides the voice for the middle grader in conversation with the book. She’s just as fantastic as the others, and I only mention her last as I went in order of appearance.

This is one of those multi-narrator audiobooks where all the narrators are equally good—capturing the spirit and tone of the text and bringing it to life. I’d say that Cocker is the best narrator of the three, unless you asked me in the middle of one of Ayoade’s lines. Or while Fox was reading. I just loved all the audio aspects of this book.

The Illustrations

Oh, wow. I love the illustrations—they are absolutely great. It’s a sketchy kind of art, immediately relatable (think Jules Feiffer). They grab you right away and are just delightful—as funny as the text, without overshadowing it. They have the same voice, the same kind of humor, but don’t just retell the jokes in the book—sometimes they riff off them, expand them, and sometimes the humor is just adjacent to the jokes in the text.

I don’t normally recommend this kind of thing, but you can pick up the book and just look at the pictures (and read the captions) and have a good time without bothering with anything The Book is trying to convey.

So, what did I think about The Book That No One Wanted to Read?

When I heard about the book a few months ago, I was intrigued and made a mental note to look into it when it was released. Then I promptly forgot about it until I saw it on my library’s app. I’d intended on getting the text version, but I needed something short, so I jumped on it.

I was charmed instantly and loved the experience so much that I ran out to get the Hardcover so I could see the text, re-read portions—and check out the pictures. I haven’t found the time to read the whole book yet—but I have looked at every illustration and read bits of it a few times. This is why I’m giving you this strange hybrid format post.

If you’re going to encounter this book without the vocal stylings of Fox, Cocker, or Ayoade, you need the illustrations to make up for them. If you’re going to read the book without the benefit of the illustrations, you need narrators as strong as those three.

In case you haven’t noticed, I’m doing much better at conveying my reaction to the book than I am the book itself. The voice and tenor of the book are great—it’s goofy and strange, the humor is occasionally dry, it’s imaginative, it’s affirming and encouraging, it wraps you in a blanket of fun and makes you feel good. The characters all three of them—”you”, The Book That No One Wanted to Read, and the Book telling the story—are the perfect way to convey the contents. You don’t want a lot of characters wandering in and out of this one—keep it simple. But you don’t want this to become a monologue or an essay (although judging by the first and final chapter, it’d be great as one of those), so you need the three voices.

The best thing that comes to mind to compare it to is The Phantom Tollbooth. But shorter. And with the humor dialed up by a factor of 50.

I have one reservation. I’m not sure that the style of humor or the content of all the jokes are going to land right with an American Fifth Grader. It feels, perhaps, too British for that. But then again, American Fifth Graders are exposed to more than I was. Also, this could be the kind of thing that trains an 11-year-old’s sense of humor in the same way that stand-up albums I didn’t fully understand did mine. So what do I know?

Bookish adults are going to have a blast with this. Middle-Grade readers who are into slightly off-kilter books will really enjoy this. Most middle-graders, as far as I know, are slightly off-kilter themselves, so maybe they’re all the right audience. Just give them this book in their preferred format and you’ve likely got a winner.

I adore this book—and think it’s going to be a favorite of mine for years to come. I can’t wait to introduce my grandson to it—and frankly, a few older friends and relatives, too.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Catch-Up Quick Takes: Some Overdue Audiobook Takes

This is a post I’d hoped to get up the first week of February, making it…very late. But here we go…

As always, I want to say that the point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Destructive ReasoningDestructive Reasoning

by Scott Meyer, Luke Daniels (Narrator)

DETAILS:
Series: The Authorities, #2
Publication Date: November 16, 2022
Format: Unabridged Audiobook
Length: 9 hrs., 21 min.
Read Date: January 5-10, 2023

(the official blurb)
This sequel starts off with a sequence as silly, but slightly less cringe-worthy, as the first book before shifting to the major storyline. This one takes the team to Los Angeles to investigate a series of killings. The common thread amongst the victims is that they were playing a version of Dr. John Watson in a movie/TV series.

Not only have there been some killings, but there are three actors in the area who are currently playing Watson (or a Watson-figure), and the team has to investigate and keep them alive.

We get some mocking of the Entertainment Industry, general silliness when it comes to the team, and even a little more backstory on a couple of characters.

Overall, I didn’t like this quite as much, it felt like Meyer was trying too hard to be funny rather than tell a story in his signature way. Still, it was enjoyable enough to finish and want to see more.

Luke Daniels did his typical bang-up job. Ending the audiobook with bloopers was a fun bonus.

3 Stars

Ms. DemeanorMs. Demeanor

by Elinor Lipman, Piper Goodeve (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: December 27, 2022
Format: Unabridged Audiobook
Length: 7 hrs., 27 min.
Read Date: January 17-18, 2023

(the official blurb)
I saw this a few times on my Libby app and decided I wasn’t that interested as cute as it sounded, but at some point, I saw a cover blurb from Richard Russo. So, why not?

Jane Morgan is under house arrest and newly unemployed thanks due to a minor crime, a nosy neighbor, and a judge wanting to make an example of her. She’s forced to try to do things to help the time bearable—including making the acquaintance of someone else in her building also under house arrest.

There’s some romantic comedy here, some self-discovery, and just some warm-hearted fun. It’s not fantastic, but it’s a good way to spend some time. It’ll keep you engaged and entertained.

3 Stars

The Wizard’s ButlerThe Wizard’s Butler

by Nathan Lowell, Tom Taylorson (Narrator)

DETAILS:
Series: The Wizard's Butler, #1
Publisher: Podium Audio
Publication Date: April 20, 2021
Format: Unabridged Audiobook
Length: 12 hrs., 10 min.
Read Date: January 25-27, 2023

(the official blurb)
I feel like I should have a lot to say about this one, but I don’t (which kind of bugs me). It’s the story of a man being hired to be a butler/caretaker of an older man for a year. After that year, the unscrupulous relatives that hired him will pay Roger a disgusting amount of money and will ship Joseph Perry Shackleford off to a retirement home and take control of his money and property.

What is going to make this easier is that Mr. Shackleford forward thinks he’s a wizard. Roger could use the money and likes Mr. Shackleford, so he doesn’t care what the old man thinks he is. Roger wants to help him—and he’s pretty sure that his new bosses are up to no good, maybe he can cause them some trouble.

It turns out, however, that the old man actually is a wizard. Roger gets introduced to a world he couldn’t have imagined was real if he tried.

This book was charming as all get out. I really enjoyed the story, the world, the magic system, the characters (I really enjoyed the characters), and the way that Lowell put this together—Taylorson’s narration was effective and engaging, too.

This is the slowest-paced Urban Fantasy I’ve ever read—with stakes that are so far smaller than we’re used to, which doesn’t stop it from being something that holds your attention. It could probably be safely described as Cozy UF—Fred, the Vampire Accountant books have more violence, and it’s typically tame 90% of the time. And I’m more than ready for more of this kind of story.

3 Stars

Really Good, ActuallyReally Good, Actually

by Monica Heisey, Julia Whelan (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: January 17,2023
Format: Unabridged Audiobook
Length: 10 hrs., 13 min.
Read Date: January 20-25, 2023

(the official blurb)
This is a look at the ups and downs—and further downs, and deeper downs–of a young woman in the year after her divorce. It’s about grieving her relationship, friendship, dating (we’ll be generous/prudish and call it that), and accepting yourself–and accepting help.

I thought the prose and inventiveness in certain scenes were spot-on. There’s a lot of cleverness displayed throughout. But while there are some great moments, but I just didn’t think the journey was worth the destination—and I’m not that crazy about the journey, either.

It’s an utterly fine book.

3 Stars

How to AstronautHow to Astronaut:
An Insider’s Guide to
Leaving Planet Earth

by Terry Virts

DETAILS:
Publisher: Workman Publishing Company
Publication Date: July 15, 2022
Format: Unabridged Audiobook
Length: 11 hrs., 23 min.
Read Date: January 27-31, 2023

(the official blurb)
This is exactly what you want in an astronaut memoir—he talks about his interest in the program and why he wanted to become an astronaut, his training–both for the Space Shuttle and ISS—actual service on both—(obviously spending more time on the ISS because he spent more time on it and there was more to talk about), as well as what it’s like after returning to Earth. It’s not glowing about NASA or any space program—he’s frank and honest about problems, his own errors, and difficulties as well as what a fantastic opportunity it was for him.

He’s witty, thoughtful, and reflective throughout (in both the writing and his audio narration). I thoroughly enjoyed it and can see myself returning to this one in the future.

3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, my opinions are my own.

REREAD PROJECT: All Our Wrong Todays (Audiobook) by Elan Mastai: It’s Still The Best Time Travel Novel I’ve Encountered

All Our Wrong TodaysAll Our Wrong Todays

by Elan Mastai

DETAILS: 
Publisher: Penguin Audio
Publication Date: Feb 7, 2017
Format: Unabridged Audiobook
Length:10 hrs., 2 min.
Read Date: April 4-6, 2023


This is largely a reworking of my post about the ARC for this novel that I received from Dutton via NetGalley, but there’s some new material thrown in as well.

What’s All Our Wrong Todays About?

Avery Brooks famously asked, “Where are the flying cars? I was promised flying cars! I don’t see any flying cars! Why? Why? Why?” Elan Mastai’s book finally provides the answer. Simply put: we had it—flying cars, routine space flights, robots/other tech dressing us, feeding us, doing the everyday jobs that need to be done so that humans can focus on working in labs to make the world an even better place, to make the next technological leap forward. Essentially, everything that Science Fiction of the 1950’s told us to expect, we lived in George Jetson’s world.

Until July 11, 2016 when the first time machine was turned on and things went wrong, resulting in 40 years of history being rewritten and one man—Tom Barren—was the only one to know that we are now living in a dystopia. It’s a dystopia for everyone on Earth, but Tom, that is—his life in the 2016 that we know is much better than it was in the “original” 2016. So now Tom has to decide, does he try to restore the timeline (if he can even figure out how to do so), or does he keep things the way they are?

That’s less than you can see on Goodreads/Mastai’s site/Web retailers—and yet I think I gave away too much. But really, that’s barely scratching the surface.

The Science Part of Science Fiction

There’s a great mix of detail to the science (at least the ideas and theories behind it), yet keeping it at the level where we don’t get bogged down in technicalities (and kept Mastai from having to work them out)—he gets away with it by comparing it to the way that we don’t really understand how hydroelectric dams or incandescent light bulbs work.

This is the way to do Science Fiction for me—give me just a hint about the science, enough to make it plausible, but don’t get me details. My eyes gloss over and I frequently skim it, especially if it goes too long. I’m sure this disqualifies me from being a Hard SF fan. But I’m okay with that.

Chapter 56

Oooh, boy. Speaking of things to skim—many readers (particularly a handful of those who read this space) will want to skim Chapter 56—or skip it entirely if they listen to the audiobook.

I think it’s a mistake to do so, but I get the impulse.

It’s the literary equivalent to that scene from The Wire‘s 4th episode—it’s a mixture of genius and profanity and poetry. Mostly profanity.

It consists of two words, both of which are some of the “bigger” words on Carlin’s list of words that you can’t say on TV, or some of the middle words in McWhorter’s Nine Nasty Words.

In the audiobook version, it’s 2 minutes long. Mastai does a masterful job of varying the way he utters each blue syllable to convey meaning and make it more than just a monotonous stream of profanity.

While glancing at his Twitter feed, I saw Matsai commenting that “I find it endlessly amusing that every few months [an image] this page of my novel goes viral.” It’s really kind of sad that this chapter gets this much attention when the rest of the chapters (which are better in so many ways) barely get any attention at all—at least that I can see.

Putting aside the couthness of the vocabulary—in context it works so well, it encapsulates everything going through Tom’s mind in the moment as he realizes just how monumentally everything has gone wrong with his impetuous move.

How’s Mastai’s narration?

It’s almost as good as his writing—and I loved the writing. As always, I get nervous when I see that a writer does their own audiobook narration, but Penguin knew what they were doing when they put him behind the microphone. He’s a natural performer and gets the emotions of every scene perfectly, the nuances for the characters, when to ratchet up the tension and when to let things relax.

It’s obvious when you think about it—but not every author is capable of conveying what they know about a book through a performance. Matsai is one of the exceptions. I’d pay to hear him narrate other people’s work, too.

So, what did I think about All Our Wrong Todays?

In my original post, I’d said, “We’re going to be talking about Elan Mastai the way we recently talked about Ernest Cline or Andy Weir next year (assuming I can predict anything)—and he deserves it.” Sadly, it appears that I can’t predict anything. Because we’re not–and we should be. The voice grabs you right away from the humor, the honesty—the trouble with time travel grammar. I really wish that Jonathan Tropper’s endorsement of the book wasn’t right there on the front cover, because it feels like a cheat to compare Mastai to him now, but I want to. He’s got the same mix of humor, heart, drama, and inspiration as Tropper, he just blends science fiction themes in with those. The Tropper comparison is from the original post, too—now I’d add a comparison to Mike Chen–it’s the same kind of mix of heart, family, and SF (although Chen’s work was published later).

Tom Barren’s a great character (a questionable person, but a great character) that you’ll love spending time with. There are really a lot of great characters here, but he’s the only one I feel safe discussing. There are characters with warts, strengths, weaknesses, courage, bravery, and humanity in all shapes and sizes—some noble, some despicable, some pathetic. As is frequently the case, seeing multiple versions of the same characters in the various timelines tells you a lot about the people and/or worlds they live in.

Tom’s father, the one who developed the time machine—has some fantastic theories about time travel—it’s not just about time, it’s about space (between the earth’s rotation, movement through space, etc.), and for time travel to be really possible, both have to be addressed. Not only does it clear the TARDIS from every critique of time travelers/machines mentioned in the book, but it’s a really, really good point.

It’s one of those magic books that you don’t want to end, because you’ll have to leave the characters and world—but that you can’t get through fast enough because you just have to know how it turns out.

Is it flawless? No, I’m sure it’s not, but unlike almost every other book I’ve read this year (including the ones I’ve loved), I can’t think of a single problem. That says a lot to me. On a re-read, I’m not still not sure I can point to a problem. There are scenes I don’t like—but that’s because they’re effective in portraying darkness, and they were right to do so. But a deficiency? Nope, can’t think of one.

I’d originally said, “I have not been able to stop talking about this book for a week now—I think my wife and kids have started ignoring me when I bring it up. All Our Wrong Todays is a book that practically demands over-hyping—it’s only a huge amount of restraint that keeps me from spilling everything. I have a list of people I want to buy this for (started compiling it when I was about 10% finished), and the list is currently long enough now that I wouldn’t be able to buy any books for myself until June 2017 — so, sorry everyone, buy your own.” I still can’t stop talking about it, and bring it up anytime someone asks about Time Travel fiction, SF with heart, or just someone needing a book that’s not their normal genre.

My original conclusion was this: “I don’t know if I’ll be able to watch/read more time travel again—especially time travel involving love stories—but man, it’s absolutely worth it if this was my last.” I’ve read 3-4 time travel books (and a couple of Doctor Who-tie ins) since then, so it wasn’t my last–but the only one that’s come close to being as good was Chen’s Here and Now and Then. I enthusiastically recommended it then, I’m just as enthusiastic in my recommendation now—in either format. I’m annoyed that it took me so long to come back to this as a re-read, and I’m promising myself I won’t put it off that long again.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Semicolon (Audiobook) by Cecelia Watson, Pam Ward: No, Really—I Assure You, It’s Interesting

SemicolonSemicolon:
The Past, Present, and Future
of a Misunderstood Mark

by Cecelia Watson, Pam Ward (Narrator)

DETAILS:
Publisher:HarperAudio
Publication Date: July 30, 2019
Format: Unabridged Audiobook
Length: 3 hrs., 47 min.
Read Date: March 13, 2023

Grammar, in our mythical narrative, is part of the good old days. People used to know grammar properly, we think, the same way they used to walk three miles to school uphill in the snow, and everyone was polite, and better looking and thin, and well dressed.*

* I want to stress that the above represents my guesswork on punctuation, Watson’s is probably superior)

What’s Semicolon About?

I’m going to go the lazy route and just lift from the Publisher’s Website:

A page-turning, existential romp through the life and times of the world’s most polarizing punctuation mark
The semicolon. Stephen King, Hemingway, Vonnegut, and Orwell detest it. Herman Melville, Henry James, and Rebecca Solnit love it. But why? When is it effective? Have we been misusing it? Should we even care?

In Semicolon, Cecelia Watson charts the rise and fall of this infamous punctuation mark, which for years was the trendiest one in the world of letters. But in the nineteenth century, as grammar books became all the rage, the rules of how we use language became both stricter and more confusing, with the semicolon a prime victim. Taking us on a breezy journey through a range of examples—from Milton’s manuscripts to Martin Luther King Jr.’s “Letters from Birmingham Jail” to Raymond Chandler’s The Big Sleep—Watson reveals how traditional grammar rules make us less successful at communicating with each other than we’d think. Even the most die-hard grammar fanatics would be better served by tossing the rule books and learning a better way to engage with language.

Through her rollicking biography of the semicolon, Watson writes a guide to grammar that explains why we don’t need guides at all, and refocuses our attention on the deepest, most primary value of language: true communication.

Pam Ward’s Narration

Wow…just wow. Ward throws more emotion, dynamic changes, dramatic changes, and overall oomph! into this narration than several novels I can name. It was so striking, so entertaining, and engaging that most of what I liked and noticed about this book can be attributed to her.

Seriously, immediately before this, I’d listened to a book with multiple murders, other violent crimes, and a natural disaster threatening homes and livelihoods—Ward filled a book about a punctuation mark with more pathos and excitement than that.

At least half the stars down there belong to her.

So, what did I think about Semicolon?

A grammar attack is, quite simply, an ad hominem attack that looks more legitimate becuase it’s dressed up in a cap and gown.

The fact that this ends up being about more than the semicolon is both a strength and a weakness.

It’s a strength because Watson simply doesn’t have enough material to just talk about the semicolon for 200 pages (in the hardcover). The material was so wanting that she really had to spend a lot of time on the case about sales of alcohol in early 20th century Boson than it was worth.

I thought her material on Raymond Chandler and Martin Luther King, Jr. was fantastic. The origins of the semicolon and the ups and downs of its usage pre-grammar textbooks were fascinating.

But when she went off on grammar rules, how they get in the way of communication, can help shut down discourse, etc. The book suffered. Now, she was insightful, helpful, and persuasive on these points (and I say this as someone who reflexively comes down on the “prescriptivist” side in grammar debates). But when she did that, she walked away from “The Past, Present, and Future of a Misunderstood Mark,” and it bugged me. If Watson was going to write something like Emmy J. Favilla’s A World Without “Whom” or Gretchen McCulloch Because Internet, I’d be there in a heartbeat. (also, if she wanted to tackle punctuation beyond the semicolon like Shady Characters by Keith Houston, I’d be all for that) But for this book, she went too far afield for this reader’s taste and lost a lot.

At the end of the day—if you want a rousing celebration and examination of the winking half of an emoticon—or the mark’s more illustrious use and history, this is the book to grab. I almost never recommend a particular format of a book, but you need to listen to at least a sample of Ward’s narration.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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