Tag: Fantasy Page 15 of 43

Ohh, right…Peter Jackson Knew What He Was Doing (thoughts inspired by The Fellowship of the Rings Audiobook)

Tom BombadilSo I’m listening to the audiobook for The Fellowship of the Rings right now, and I spent some time today on the Tom Bombadil section—sooo much time (my rough estimate is 96 minutes).

I remember the first time I went through the book wondering what the purpose of all that time in the book was, but assumed I didn’t just didn’t get something, or that there’d be a payoff by the end of The Return of the King. I was curious about how the movies would handle that portion, but eventually, I shrugged it off and forgot about it. I remembered it when I walked out of the movie, thinking, “Hey, they left that bit out!”* and “good move.”

* After The Hobbit trilogy, it is hard to think of Jackson leaving things out, but it was something he did once upon a time.

Now I know that I’m not alone in not appreciating the Bombadil bits, and I can understand some of the defenses. Understand, but don’t buy them. I just don’t see the point of almost everything that happens for that hour and a half. (Feel free to tell my why I’m wrong!!) That said, Serkis almost made this bit tolerable. Almost.

That said, there have been some good things to come out of that character, and I figured I’d take the opportunity to boost the signal on them, since I’ve been thinking about them while listening to this part of the book. For example:

bullet The song, “In The House of Tom Bombadil” by Nickel Creek, which I could (and have) listen to on repeat for the better part of an hour.

bullet A few strips from the Sheldon comic by Dave Kellett (he may have others, but these are what I can find):
bullet CONVENTIONS!!!
bullet Support Group for Lame Sci-Fi and Fantasy Characters
bullet What Else Did We Miss from “The Lord of the Rings”?
bullet More Tom! More Tom! (meeting Lewis and Tolkein while time-travelling)
bullet Tra-la-lee!

All these are available in Pop Culture!…Building a Better Tomorrow by Avoiding Today by Dave Kellett, one of my favorite comic collections from the last few years.
Pop Culture

I really don’t have a point or anything, just needed to do something in response to the Tom Bombadil experience.

A Wizard’s Guide to Defensive Baking (Audiobook) by T. Kingfisher, Patricia Santomasso: If You’ve Ever Wondered How to Weaponize a Sourdough Starter, I’ve Got Just the Book for You

A Wizard's Guide to Defensive BakingA Wizard’s Guide to Defensive Baking

by T. Kingfisher, Patricia Santomasso (Narrator)

DETAILS:
Publisher: Tantor Audio
Publication Date: October 11, 2021
Format: Unabridged Audiobook
Length: 8 hrs., 30 min.
Read Date: February 2-3, 2022
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If you have ever prepared for a siege in two days, then you know what the next few days were like. If you haven’t, then you probably don’t. Well…a big formal wedding is about the same (and because we do cakes, I’ve been on the periphery of a few), except that if things go wrong in a siege you’ll all die horribly, and in formal weddings, the stakes are much higher.

What’s A Wizard’s Guide to Defensive Baking About?

Mona’s a 14-year-old orphan, working in her aunt’s bakery. She’s also a magic-user. Her forte is magic involving baked goods and dough. Sure, that seems like an odd thing to have as a focus of one’s magic abilities, but in this world, it really isn’t. One of Mona’s acquaintances can reanimate dead horses. Nothing else, just dead horses. I guess what I’m saying is that atypical magical specializations are typical for this world.

Mona isn’t exactly a powerhouse either, she possesses enough magic to do a few tricks (making gingerbread men dance) and give a little extra something to her baking—her aunt won’t let her rest on that and actually has to learn to be a good baker while she’s at it.

Despite not being that powerful, Mona finds herself targeted by someone who seems to be killing every mage they can find. One thing leads to another, as they tend to do, and soon Mona finds herself at the forefront of an effort to defend her Duchess and their city-state against an invading army.

Caveat Lector (or Auditor)

The very best thing about being a baker is watching somebody bite into a blueberry muffin or a fresh slice of sourdough dripping with butter and seeing them close their eyes and savor the taste. You’re making their lives better, just a little tiny bit.

You know the rule, never go grocery shopping when you’re hungry? That applies to this book, too. The number of breads, pastries, cookies, and other assorted baked goods described and celebrated in these pages is unusually high for a fantasy novel. But probably about par for a novel with the word “baking” in the title. If you’re hungry—especially if you’ve been restricting carbs for whatever reason—you’re going to be in trouble.

This is not a reason to avoid the book, it’s just a friendly heads up. Eat well before diving in, or have some good snacks on hand.

Patricia Santomasso

This isn’t one of those audiobooks where I’m going to say that the narration elevated the text—Kingfisher’s prose doesn’t need it. But I can easily imagine her doing that for other books.

That said, her narration practically oozes charm. I could’ve listened for twice as long and been just as entertained with her work. She infused Mona with the right combination of timidity, determination, and spunk (and, sure, fear) to bring her to life in the narration.

So, what did I think about A Wizard’s Guide to Defensive Baking?

I’d picked this book up a handful of times over the last year or so, but hadn’t found the time to work it in. Then my library added the audiobook to their digital collection and that took care of that issue. I really should’ve made the time for this last year (or the year before).

In very many ways this was a pretty standard fantasy story, and most of the story beats were just what you’d think they would be. But I didn’t care about that for a second. The execution is what counts—and Kingfisher’s execution won the day. Add in the very different magic system (or at least a very different application of a magic system) and you’ve got yourself a humdinger.

A Wizard’s Guide had heart, charm, and humor—it wasn’t non-stop jokes, but the narrative voice could make you think it was. The moving and affecting parts were moving and affecting, and the rest of the time I was probably grinning. This was a completely entertaining way to spend a few hours, you should check it out.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: Revenge of the Beast by Jack Meggitt-Phillips, Isabelle Follath (Illustrator)

I’m very pleased and excited today to welcome The Write Reads Ultimate Blog Tour for Revenge of the Beast Jack Meggitt-Phillips and illustrated by Isabelle Follath. It’s the follow up to their delightful The Beast and The Bethany, which you really should read if you haven’t. I’ll be posting my take on the novel in a bit here, but for now, let’s learn a bit about it.

Revenge of the Beast Tour Banner

Book Details:

Book Title: Revenge of the Beast by Jack Meggitt-Phillips, Isabelle Follath (Illustrator)
Release date: March 22, 2022 (US); September 30, 2021 (UK)
Publisher: Aladdin (US); Farshore (UK)
Format: Hardcover/Paperback/Ebook/Audiobook
Length: 288 pages

Revenge of the Beast

Book Blurb:

Lemony Snicket meets Roald Dahl in this riotously funny, deliciously macabre, and highly illustrated sequel to The Beast and the Bethany in which Bethany and Ebenezer try to turn over a new leaf, only to have someone—or something—thwart them at every turn.

Once upon a very badly behaved time, 511-year-old Ebenezer kept a beast in his attic. He would feed the beast all manner of objects and creatures and in return the beast would vomit him up expensive presents. But then the Bethany arrived.

Now notorious prankster Bethany, along with her new feathery friend Claudette, is determined that she and Ebenezer are going to de-beast their lives and Do Good. But Bethany finds that being a former prankster makes it hard to get taken on for voluntary work. And Ebenezer secretly misses the beast’s vomity gifts. And neither of them are all that sure what “good people” do anyway.

Then there’s Claudette, who’s not been feeling herself recently. Has she eaten something that has disagreed with her?

Book Links:

Amazon US ~ Amazon UK ~ Goodreads

About the Author:

Jack Meggitt-PhillipsJack Meggitt-Phillips is an author, scriptwriter, and playwright whose work has been performed at The Roundhouse and featured on Radio 4. He is scriptwriter and presenter of The History of Advertising podcast. In his mind, Jack is an enormously talented ballroom dancer, however his enthusiasm far surpasses his actual talent. Jack lives in north London where he spends most of his time drinking peculiar teas and reading P.G. Wodehouse novels.


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Catch-Up Quick Takes: I Don’t Have Much to Say About these Recent Books

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


The Sentence Is DeathThe Sentence is Death

by Anthony Horowitz, Rory Kinnear (Narrator)

DETAILS:
Series: A Hawthorne and Horowitz Mystery, #2
Publisher: HarperAudio
Publication Date: May 27, 2019
Format: Unabridged Audiobook
Length: 8 hrs., 36 min.
Read Date: December 22-23, 2021
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(the official blurb)
A notorious divorce lawyer is bludgeoned with an expensive bottle of wine and Horowitz finds himself dragged away from his day job by Hawthorne to chronicle the investigation.

Hawthorne seems to be more disagreeable this time out—almost like he was trying to be off-putting. Horowitz (the character) is a decent source of comic relief as he struggles to prove himself.

The mystery was pretty compelling—and while I think I got it before the duo (well, before Horowitz, anyway), it was a bit trickier than the first. All in all, it’s a fun listen.
3 Stars

The Iggy Chronicles, Volume OneThe Iggy Chronicles, Volume One

by Spencer Quinn

DETAILS:
Series: Chet and Bernie
Publisher: Atria Books
Publication Date: August 13, 2013
Format: Kindle Edition
Length: 49 pg.
Read Date: December 30, 2021

(the official blurb)
I’ve had this short Chet & Bernie story on my Kindle for ages, I think I started it a few times but got distracted quickly. Which makes no sense, because it’s not like it took too long to read.

It’s a fast read featuring Chet’s buddy, Iggy, and Bernie’s neighbor, Mr. Parsons. Bernie’s sharper than ever and he makes quick work of the mystery the duo literally stumbles into. It’s not a must-read, but it’s a fun one.
3 Stars

Zoth-Avarex's Escape PlanZoth-Avarex’s Escape Plan: A Pick-Your-Own-Path Experience

by K.R.R. Lockhaven

DETAILS:
Series: Zoth-Avarex, #2
Publication Date: June 13, 2021
Format: Kindle Edition
Length: 43 pg.
Read Date: December 31, 2021

(the official blurb)
Not surprisingly, Zoth-Avarex, was not happy being thwarted The Conjuring of Zoth-Avarex, and he wants revenge. Lockhaven presents this quest in a Choose-Your-Own-Adventure style. Without, it should be stressed, being so close to the style as to infringe on any trademarks or anything.

I laughed at this, it was truly ridiculous. I don’t know that this is the sequel I wanted/expected, but I’m glad we got it.
3 Stars

DogtologyDogtology: Live. Bark. Believe.

by Jeff Lazarus

DETAILS:
Publisher: Greenleaf Book Group Press
Publication Date: June 2, 2015
Format: Hardcover
Length: 189 pg.
Read Date: December 30-31, 2021
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(the official blurb)
The central conceit here is that humans are so obsessed with their dogs, have devoted so much time, energy, and work that it’s become a religion, with humans worshipping canines. This book is a look at that devotion and the rituals and beliefs that accompany it.

When this book sticks to poking fun at the obsessive nature of dog owners, and having fun with the nature of dogs, it’s pretty amusing. But it treads a little too close to mocking actual religion for me to get excited about it.

I’m not sure I laughed at all, but it’s frequently funny.
3 Stars

Gone MissingGone Missing

by Linda Castillo, Kathleen McInerney (Narrator)

DETAILS:
Series: Kate Burkholder, #4
Publisher: Macmillan Audio
Publication Date: June 18, 2012
Format: Unabridged Audiobook
Length:10 hrs., 8 min.
Read Date: January 3-5, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
Hey, Castillo found a way to get Kate out of town to investigate a crime involving the Amish. This has been my biggest (or one of my biggest) concerns with the series, that at the rate things were going, the Amish in her community would all die before we got to book 10.

There is a string of Amish youth going missing—enough that it’s got the attention of the state to assemble a Task Force—Kate Burkholder and John Tomasetti are recruited to be part of it.

What they end up finding is pretty disturbing, but a little less disturbing than the last couple. I like where the series is finding itself and can see me sticking around for a little longer than I feared I might have.
3 Stars

Two Witches and a WhiskeyTwo Witches and a Whiskey

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: The Guild Codex: Spellbound Series, #3
Publisher: Tantor Audio
Publication Date: February 27, 2019
Format: Unabridged Audiobook
Length: 8 hrs., 9 min.
Read Date: January 11-12, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
Okay, this is more like it, a very good way to bounce back from the last book which was a bit of a disappointment to me. I wasn’t terribly worried about the series—I have a friend who’s further ahead of me (I think she’s done), and I assume she wouldn’t have recommended it if there was a problem.

Tori and her friends get themselves tied up in a big ol’ mess that will result in Tori dying unless they can pull off the impossible, or at least the incredibly unlikely.

The police (both real and supernatural) are lurking around the edges, the druid she met last time is back, and we learn a bit about Kai’s past and background. A fun story and some good character growth.
3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Hobbit (Audiobook) by J.R.R. Tolkien, Andy Serkis (Narrator): Serkis (Naturally) Knocks It Out of the Park with this Audiobook

The HobbitThe Hobbit, or
There and Back Again

by J.R.R. Tolkien, Andy Serkis (Narrator)

DETAILS:
Publisher: Recorded Books
Publication Date: September 20, 2020
Format: Unabridged Audiobook
Length:10 hrs., 25 min.
Read Date: January 18-22, 2022 
Support Independent Bookstores - Visit IndieBound.org

What’s The Hobbit About?

I suppose it’s theoretically possible that in 2022 someone will be reading a book blog and not know the basics of this, right?

So a Hobbit (Bilbo Baggins) is recruited (quite presumptuously) by the wizard Gandalf to join a band of thirteen dwarves on their odyssey to sneak back into their territory which had been taken over by the dragon, Smaug. Their goal is to steal back the treasure (particularly an heirloom of the king’s family, the Arkenstone). There’s really no reason to think that Bilbo, who hates the idea of adventure and just wants to stay in his comfortable home all day (like 99.9997% of Hobbits) will make a capable burglar. But Gandalf insists on it, overrules the objections of the dwarves, and tricks Bilbo into accepting the role.

Along the way, they have various adventures—in addition to some nasty geographical features, they meet goblins, giants, trolls, freakishly huge talking spiders, a ware-bear, elves, and several others. Some of those are allies, many are not. Eventually, they reach the Lonely Mountain, face off against the dragon, find themselves in the middle of The Battle of Five Armies, and then (as the title implies) Bilbo goes back home.

The Narration

I saw that Serkis recorded this and almost jumped immediately—but I made myself hold off until he did the follow-up trilogy. Well, that happened last fall, so after I wrapped up my Alex Verus re-listen, I moved on to this series. What a delicious listen!

Serkis does a great job bringing individual characters to life—and keeping them individual. A couple of times I wondered if he was doing a McKellen impression with Gandalf, but I talked myself out of it—ditto for the other characters. I thought his Smaug was excellent, too.

The moment that [name redacted out of habit, can’t imagine I’m spoiling anything] turns on Bilbo was so well done that I felt something like surprise while I was waiting for it.

But the big question for me going in was how was he going to approach Gollum. Would he be prevented from duplicating the voice/characterization from the films in this format, because it wasn’t owned by some film company or something? Or was Serkis just sick and tired of doing it and wanted to try another approach? Nope and nope. His audiobook Gollum sounded just like the movie Gollum and I could’ve listened to that section of the book on a loop for few times through. I just loved it. It almost didn’t matter what he did the rest of the time.

I typically listen to audiobooks at more than 1.0x speed—it varies from book to book, narrator to narrator, genre to genre—what speed I use. Frequently, too, I’ll start at something like 1.2 and then work my way up as I get used to a narrator/book. Not with this one—I wanted to soak in the performance. I don’t think I made it more than a paragraph or two before I slowed to 1.0 and kept it there the whole time, I just really got into his performance (I’m not sure that I’ll do that for LoTR, those are some long reads).

Oof, I really should’ve thought of this before starting the book…

If you’re reading, it’s easy to skip and/or skim through the songs. If you’re listening to an audiobook—unless you want to stop everything you’re doing to focus on fast-forwarding just enough, you’re stuck listening to them all.

Call me a Philistine if you will, but I just can’t do the songs. And I consistently forget how many of them there are in this book. I tried, I really tried to pay attention, but I couldn’t. I do think Serkis did a decent job carrying a tune with them. I’d love a Behind the Scenes look at how they decided on a tune for him to use.

So, what did I think about The Hobbit Audiobook?

I’m not the Tolkein-fanboy that I (and many acquaintances) would’ve assumed I am. This is only my third (complete) time through the book—I tried a handful of times in grade school, but couldn’t make it through. I got some encouragement from a big fan in college to push through it so I could get to The Lord of the Rings, but didn’t get around to it until the year before Jackson’s LotR was released. I really enjoyed it then, and my appreciation grows in the re-reads. Serkis’ work here moved that up a lot, too.

It’s just a fantastic audiobook—any problems stem from the original text, not Serkis’s performance—if anything he helped the text (not that it needed much). I can’t wait to see what he does with LoTR, those books demand a bit more, and I’m confident he’ll live up to expectations, now I just want to hear it for myself.

If you’re at all curious about this, you should give it a shot—you’ll be glad you did. If you have no curiosity about this—are you sure? Should you reconsider your position? This’d be a great way on family vacations or something to introduce younger readers to the series, I’d think.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 1/14/21: Where the Drowned Girls Go by Seanan McGuire

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from Page 56 (and a little bit of 57) of:
Where the Drowned Girls Go

Where the Drowned Girls Go by Seanan McGuire

The matron narrowed her eyes. “Can scarecrows talk?” she repeated, tone clearly implying that there was only one right answer, and it wasn’t the one she expected from Emily.

…Silence and blending into the background were Cora’s forte. She was good at it. But she was also a hero, and heroes didn’t stand idly by while someone smaller was victimized.

“Scarecrows don’t talk,” she scoffed, loudly enough and clearly enough to guarantee she would be overheard. The matron stiffened. Cora acted like she hadn’t noticed, continuing blithely, “They’re just straw stuffed into old potato sacks. If scarecrows could talk, that would mean straw could talk, and if straw could talk, grass would be able to talk, and no one could mow their lawns.”

Where the Drowned Girls Go by Seanan McGuire: A Mermaid Saves Herself

Where the Drowned Girls GoWhere the Drowned Girls Go

by Seanan McGuire

DETAILS:
Series: Wayward Children, #7
Publisher: Tor 
Publication Year: 2022
Format: Hardcover
Length: 150
Read Date: January 10-11, 2022
Support Independent Bookstores - Visit IndieBound.org

And everyone knew that things from the other side of the door could absolutely leak through into this reality. Her hair had been brown, not aquamarine, before she found her fins. Christopher would die without his flute—literally die. Seraphina was the kind of beautiful that stopped hearts, and everyone who’d seen pictures of her from before her travels said that she hadn’t always been like that. She’d been attractive, not impossible. The doors made changes. The doors stayed with you.

What’s Where the Drowned Girls Go About?

Things have gone poorly for Cora since her return from the Moors, and things are getting worse for her. She’s now afraid of getting a door—because it might not lead to the world she wants. So now that “other school” starts to sound appealing to her. Maybe it wouldn’t be so bad to feel at home in this world—it’s certainly better than one of the alternatives. There’s no way that she’ll get those tools at this school (as much as she likes/loves her friends).

So she talks West into transferring her—and regrets the decision before the ink is dried. Still, she sets out to make the best of a bad situation—it’s still going to get her the results she’s been desiring, just not in a pleasant way.

Cora tackles the situation in a “no pain, no gain” manner. West’s school wasn’t helping (at least not the way she wanted), the Whitethorn Institute isn’t going to save her, it’s up to Cora to save herself.

Whitethorn Institute

“You’ve always said that there was a second school.”

Eleanor pulled her hands away. “The Whitethorn Institute. Cora, you can’t intend—”

“You said they steal your students sometimes. That when you’re not fast enough, or when the children are having a harder time adapting to life in this reality, that sometimes Whitethorn gets there first.” She sat up straight, giving Eleanor a challenging look. “You said it was where students go when they want to believe that everything that happened on the other side of the door was just a dream, or a delusion, and not a real thing at all.”

We’ve known about “the other school” for children who come back through their doors into our world—one for those who didn’t want to see their doors again, one for those who want to feel at home in this world. But this is the first time we’ve seen it.

It is not a nice place to be.

That’s about all I feel comfortable about saying—you’ll need to read the book to see how it’s not a nice place to be. I get that (especially as the series takes a pro-Eleanor West’s Home for Wayward Children stance) it’s not going to seem as nice, welcoming, and affirming as the school we’re used to. I expected that this school would come across as wanting, not just in contrast, but objectively,

But I think McGuire approached that idea in a lazy manner. It’s too obviously a bad environment. She had the chance to go subtle, and she didn’t take it. I kept thinking, “Oh, she’s making a commentary about X or Y” in the real world—but she was doing so with too broad a brush, and it’d end up applying to things she didn’t mean to attack.

Still, if you’re looking to make an establishment a villain, she did an effective job. I think it’d have been more interesting—and more fitting with the series—if there’d been more nuance to it. Give the readers a second school that has differing goals from the Home for Wayward Children, but let us respect them while disagreeing—then you’ve got something. Instead, we get an institution that might as well be twirling its mustache.

Regan

It’s not just Cora that we see here, Regan’s also came to this school after returning from the Hooflands. I appreciated that. I didn’t think we had enough of Regan—but it didn’t feel like the character would be showing up at West’s.

So, what did I think about Where the Drowned Girls Go?

McGuire is simply one of the best around—and this world she’s created in this series is just wonderful and I really enjoy all the time I spend in it. But this book seemed to be missing something. The previous books in the series all left the possibility open to revisiting the world on the other side of the door, the POV character, and so on—while telling a complete story.

This novel is also a complete story—but it feels (at least to me) too much like a Part One of at least a two-parter (if not three). And I think the book suffered from it. When we get to that second part, I might change my mind about this book, but now it just feels incomplete. Add in my problems with the presentation of Whitethorn and it makes for a less-satisfying read than I’m used to for this series.

I still recommend it as a read—you’re instantly sucked into this world, it’s fantastic to get a look at Whitethorn (if nothing else); the story of Cora, Regan, and the others is well-worth telling and reading; and McGuire’s language and imagination in this series are always fascinating. I just wanted more of this good thing.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Audiobooks of 2021

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the ShiverThe Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing ItFinlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim CurryA Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

This Bright FutureIn This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & SigilInk & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest TideThe Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate ProblemWe Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson's Greek GodsPercy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage CrewThe Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

The Nutcracker by E.T.A. Hoffman: A (weird) Classic Christmas Story

The Nutcracker

The Nutcracker

by E.T.A. Hoffman

Hardcover, 69 pg.
Fahrenheit Press, 2021

Read: December 20, 2021

What’s The Nutcracker About?

This is a story about a little girl who gets a nutcracker from her toy-making godfather. But this is no ordinary nutcracker: it’s magical—it’s a prince trapped in a wooden figure until he’s freed (like Belle’s Beast).

At night, this Nutcracker comes to life (like Buzz, Woody, and the rest) to do battle against the mice in the girl’s palace. The war between the Nutcracker and the mice—in particular, the seven-headed Mouse King, goes back to when the Nutcracker was human, and wages on.

And then things get weird…

A Couple of Confessions

I’m part of the probably 5-15% of Western Culture who needed the above, many of you probably rolled your eyes at me including that. But:

1. Until I got the newsletter from Fahrenheit Press talking about this release, I had no idea that this novel existed. Obviously, I knew about the ballet and a handful of the adaptations of it. But a novel started it all? What rock was I living under to have missed that?

2. I have never watched the ballet, or finished any of the various adaptations. I get bored, or distracted, or just decide it’s just a mess of a show. Maybe now that I’ve actually read the novel, I can make persevere to the end.

One Thing I’d Like to Know

Before the text itself, there’s a…it’s not really an epigraph or epigram, it’s too short to be an Author’s Note—well, maybe it’s the right length for that, I guess we should go with that. In it, Hoffman praises his skill and genius, not to mention the value of the book.

Now, I don’t know enough about the guy to know if he’s the world’s most delusional and/or arrogant writer—or is it satire? My gut says the latter, but I don’t know. Maybe he is the Narcissus of Prussian Literature. Do any of you know?

This Particular Edition

For the last two Decembers, Fahrenheit Press has hit pause on their particular brand of noir publishing to publish nice editions of Classic Christmas stories*.

This one came in a very nice hardcover with a great cover that is both on-brand for them and evocative of the story. It’s one of those hardcovers that’s going to last a while and is pretty enough to deserve it. You should absolutely try to get your hands on one while they’re still available.

* They also do some great charity work at this time of year, even as a struggling indie press, an example to us all.

So, what did I think about The Nutcracker?

The fantastical elements of this story were great—and the way it bounced back and forth between fantasy and reality—or make-believe and reality, if you’re Marie’s family—were wonderful. It was likely that Hoffman looked at the rules for story-telling around that, shrugged, and then did whatever he wanted to. The imagination behind it was truly impressive and I can tell why it’s inspired so many people to create works based on it.

The style, too, was fantastic—it’s a great way to tell a story. His word choice (and that of whoever translated this) were delightful. I felt like I was reading a descendant of things like Arabian Nights and The Brothers Grimm and a forerunner of writers like Lewis Carroll and William Goldman (The Princess Bride not Marathon Man). Although I will admit it occasionally left me a little bored—it was like he laid it on too thick from time to time, and I just couldn’t sustain my interest when that happened. Too much of a good thing, I guess.

It was a nice little book. I’m not saying I’m a convert to the story of the prince, the magic toys, and the seven headed-rat or anything. But I can see myself reading it again from time to time–I can definitely see this as a great thing to read this time of year to a kid if I had any around.

A Few Quick Questions with…K.R.R. Lockhaven

Earlier today, I posted my thoughts about K.R.R. Lockhaven’s novel, The Conjuring of Zoth-Avarex: The Self-Proclaimed Greatest Dragon in the Multiverse, a book I strongly recommend. The author was gracious enough to spend some time responding to some Qs that I posed, I hope you enjoy his As as much as I did.


I typically ask about what led someone to being a writer, but you talked about a little in your recent guest post here. So instead—what led to you being a firefighter? Other than giving you more of an income than novelist will likely provide, how does it affect your writing? Is Jake you putting yourself in the novel?
That’s a tough question, since my memory is patchy at best. But I think the seed of the idea was planted when I read The Sirens of Titan by Kurt Vonnegut. There’s a line in that book; “I can think of no more stirring symbol of man’s humanity to man than a fire engine.” Reading that awakened something in me, and eventually led to me try to become a firefighter. It was probably a little of that, and a little of wanting a job that was considered “cool,” because I felt/feel very uncool.

Jake, a firefighter character from my book, is actually modeled after one of my coworkers who is this big, fun-loving guy who is nice to everyone and loves to pull pranks. I am much closer in personality to the main character, Harris, who is meeker and much more unsure of himself.

All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to it?
The fire department I work for is at a nuclear site in eastern Washington State. It’s a place that suffers from…bureaucracy issues. As a writer, I have long wanted to satirize the entire site in some way, but I could never find an angle I liked. Early on in my writing “career” I wasn’t writing fantasy, but I always felt a pull to start writing it. Then one day it just hit me—what if, instead of being a nuclear site that once made atomic bombs, there was a magical site, hidden away by the government, that tried to conjure a dragon? I was immediately taken with the notion, and the ideas really started flowing. There was no turning back from that point.

There’s a tricky element to the tone—keeping it fun and funny while maintaining the threat represented by Zoth-Avarex intact. Did that come naturally, was that something you had to work on over multiple drafts to make sure it worked?
Tone is a very tricky thing! I have to admit that it wasn’t something I thought of when writing the first draft, but I have learned a lot about it since then. My brother was the first to point out to me some of the initial inconsistencies with the tone. I went back through everything with that in mind, and tweaked it to what it is now. I think the fact that Silvia, the woman the dragon captures, is made to feel as comfortable as a prisoner can feel (like “a guest without leaving privileges”), helps to give it enough immediacy to be compelling (hopefully), but not a life-or-death, this-isn’t-fun-anymore, feel.

It’s hard to pick just one or two things to focus on to ask about that don’t involve spoiling the whole book…but I want to talk about Eddie for a minute. Where did that character come from? How do you keep yourself from letting a character as fun as that from taking over the novel?
I’m glad you liked him! He was loosely based on an old curmudgeon of a firefighter I worked with early in my career. Sometimes I feel like an imposter when I get credit for dreaming up a character like that, when I really had an inspirational embarrassment of riches at my job. He is a larger-than-life kind of guy who I was lucky enough to get to hang out with for a while.

I love a novel with comic footnotes. Can you talk a little about the choice to use that technique—in general, and how you decide when to use a footnote to deliver the joke rather than keeping it in the text?
I love footnotes, too! I recently read Jonathan Strange and Mr. Norrell by Susanna Clarke, and I thought the footnotes really expanded on the world of the book.

I wish I could explain the decisions, but it was mostly done by feel. I thought footnotes could be used to expand the world of the Site, too, and to get a into Zoth-Avarex’s history and psyche. In the end, I deleted a ton of footnotes. Many just weren’t funny, and having too many of them distracted from the story too much. Some of my favorite parts of the book are in the footnotes, though. Like the thing with the rise and fall of an entire civilization that went on for almost two pages. That was fun to write.

What was the biggest surprise about the writing of The Conjuring of Zoth-Avarex itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV.”
The biggest surprise I found when writing the book is that I could actually write comedy. I wasn’t sure if I had it in me, to tell the truth. Among my group of friends, I’m probably the least funny of the bunch, but on the page, I have to admit that I have at least some comic ability. I was very hesitant to admit that, though. I mean, I made myself laugh with my goofball shit, but I didn’t know how others would receive it. It has taken a lot of positive feedback and some good reviews to convince me that maybe I don’t completely suck.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like The Conjuring of Zoth-Avarex?
Another tough one! I know every author thinks their book is so unique, but I do have a hard time coming up with comparable titles. I am no Terry Pratchett, or Douglas Adams, but I do think that people who enjoyed The Hitchhiker’s Guide to the Galaxy or anything by Pratchett might get a kick out of my book. Also anyone who grew up reading Tolkien, or just fantasy in general, and would like to see the genre lovingly skewered. One recent, semi-comparable title is The Part About the Dragon Was (Mostly) True by Sean Gibson.

What’s next for K.R.R. Lockhaven, author?
I was lucky enough to recently sign a three book deal with Shadow Spark Publishing, and they are going to publish my humorous hopepunk nautical fantasy trilogy. Book one, tentatively titled Marauders, Daughters, and Dragons, is slated to come out in the summer of 2022. The series will take place on another world, but will still be within the Zoth-Avarex multiverse (wink wink). My writing has made a slight shift toward the more heartfelt and serious, but there is still a lot of foul-mouthed fun, like a shit-talking bird companion, a reanimated skeleton with confidence issues, and a group of failed pirates who just want to sing and have adventures.

Thanks for your time—and thanks for The Conjuring of Zoth-Avarex, I had a blast with it and I hope you have plenty of success with it.
Thank you very much! I’m so glad you enjoyed my book. This interview was really fun! The questions were tough, and unique, and you really made me think. I loved it.


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