Tag: Non-Fiction Page 1 of 28

BOOK SPOTLIGHT: On Classical Trinitarianism: Retrieving the Nicene Doctrine of the Triune God edited by Matthew Barrett

Ideally last week, or at least today, I’d have posted about this book. But I bit off a bit more than I can chew requesting it when I did from Netgalley. I’m hoping it’ll be up next week–but that won’t be easy. Still, with the publication date coming up on Tuesday, I wanted to get something up about it. So here’s a Spotlight post. (largely taken from the Publisher’s Webpage about the book, I really hope they don’t mind–or that they’ll forgive me if they do mind).


Book Details:

Title: On Classical Trinitarianism: Retrieving the Nicene Doctrine of the Triune God
Genre: Theology
Format: Hardcover/e-Book/Audiobook
Length: 832 pages
Publisher: IVP Academic
Publication Date: October 1, 2024
Cover of On Classical Trinitarianism by Matthew Barrett

About the Book:

Modern theology claimed that it ignited a renaissance in trinitarian theology. Really, it has been a renaissance in social trinitarianism. Classical commitments like divine simplicity have been jettisoned, the three persons have been redefined as three centers of consciousness and will, and modern agendas in politics, gender, and ecclesiology determine the terms of the discussion. Contemporary trinitarian theology has followed the spirit of this trajectory, rejecting doctrines like eternal generation which were once a hallmark of Nicene orthodoxy and reintroducing subordinationism into the Trinity.

Motivated by the longstanding need to retrieve the classical doctrine of the Trinity, theologian Matthew Barrett brings together Protestant, Roman Catholic, and Eastern Orthodox scholars to intervene in the conversation. With over forty contributions, this ecumenical volume resurrects the enduring legacy of Nicene orthodoxy, providing a theological introduction that listens with humility to the Great Tradition.

In On Classical Trinitarianism, you find contributions from a wide range of scholars, including:

  • Katherin Rogers
  • Andrew Louth
  • Gilles Emery
  • Steven Duby
  • Gavin Ortlund
  • Adonis Vidu
  • Carl Trueman
  • Matthew Levering
  • Fred Sanders
  • Scott Swain
  • Karen Kilby
  • Amy Peeler
  • Thomas Joseph White

The distinct yet united voices of On Classical Trinitarianism summon the next generation to move past modern revisionism for the sake of renewing classical trinitarian theology today. Together, they demonstrate that Nicene orthodoxy can endure in the modern world and unite the church catholic.

About the Editor:

Matthew BarrettMatthew Barrett is professor of Christian Theology at Midwestern Baptist Theological Seminary, the editor-in-chief of Credo Magazine, and Director of the Center for Classical Theology. He is the author of the award winning book, Simply Trinity: The Unmanipulated Father, Son, and Spirit, as well as the author of The Reformation as Renewal: Retrieving the One, Holy, Catholic, and Apostolic Church. He is currently writing a Systematic Theology. He is the host of the Credo podcast, where he talks with fellow theologians about the retrieval of classical Christianity today for the sake of renewing the church.

Editor Links:

Twitter ~ Center for Classical Theology ~ Credo Podcast ~ MBTS Page

Irresponsible Reader Pilcrow Icon

The Teachings of Shirelle by Douglas Green: A Goofy Dog’s Wisdom

I’d held off posting about this while waiting for the author to get back with his Q&A answers. But he’s either too busy (or didn’t think the Qs were that interesting, and I have no problem with him thinking that). But National Dog Day seems like a good day to post about this book. So here we go.


Cover image for The Teachings of Shirelle by Douglas GreenThe Teachings of Shirelle:
Life Lessons from a Divine Knucklehead

by Douglas Green

DETAILS:
Publisher: Circuit Breaker Books LLC
Publication Date: July 09, 2024
Format: eARC
Length: 266 pg. 
Read Date: TEXT
Buy from Bookshop.org Support Indie Bookstores

What’s The Teachings of Shirelle About?

I’m just going to go with what’s on the author’s site:

“Relish the day. If you’re not in awe, you’re just not paying attention.”

She hadn’t even been in the crowded pound a week, but she’d already developed a nickname, “Knucklehead.” As a puppy she destroyed property and precious clothes; as an adult she injured her owner, ruined romances… and changed the world-views of those around her.

Have you ever watched an animal and wondered how it thinks, how it sees the world, how it views you? And have you ever wondered what wisdom you might learn if you could see things as that animal does?

This unique book is many things: an amusing and moving memoir about a memorable dog, a poetic ode to a human-animal connection, and a serious philosophical, psychological, and spiritual inquiry into the lessons a man gleaned from the simple-minded brilliance of a teacher, a lover, a liver of life to the fullest… a Knucklehead.

That penultimate sentence is demonstrably false, but the rest of that gives you a pretty good idea of what to expect from this book.

The Good

Douglas Green truly loved his knuckleheaded canine companion. That is incredibly clear. She was frequently a goof, that’s clear, and brought a lot of joy and laughter to Green’s life and to those with whom she interacted (mostly).

The parts of the book that were just stories about Shirelle were great and brought several smiles to my face (and I expect the same will be true for many readers). They’re relatable, they’re fun, they might make you chuckle.

I really appreciated moments like where Green tried to describe things like the joy Shirelle (and just about every dog) expresses when their person returns home. And he’s right—why don’t we have the same kind of joy for each other? (we could probably express it without the jumping). Many—maybe even most—of the lessons he takes from Shirelle are similarly well-written, well worth the time, and showed the a smilar kind of thinking.

I couldn’t help but think about Dave Barry and David Rosenfelt’s lessons from their dogs during this time.

Even the parts about Shirelle’s medical struggles—that eventually ended—and what Green went through to get her the care she needed were rewarding reading (although by the time we got to that part, a lot of the book fell into what I talk about in the next couple of sections). Her making it through so much was great to see, even as you feel bad that she had to go through it.

The Meh

I’m going to lump in just about everything that Green puts about his biography, his various jobs, his love life, and his professional and semi-professional pursuits here. I didn’t pick up this book to read about Douglas Green, his career in film or stage—or his move into psychotherapy.

When Green wrote about Shirelle in conjunction with this, that really helped—she’s why people come to the book after all. Shirelle as an unofficial and untrained therapy dog is the kind of thing readers want to see.

The Bad

The metaphysical claims that Green makes, the philosophy he espouses, and things along those lines were tiresome, not well conveyed, and typically interfered with the book as a whole. Your results may vary, obviously, but if I want to read about manifesting or things of that nature—I’ll go grab Rhonda Byrne’s book, not a book about a ridiculous dog.

I’m not entirely sure that those parts of the book were all that internally coherent—I mentally checked out during most of those parts of the book for both of our sakes. That way I wasn’t miserable and I wouldn’t end up going on an extended diatribe about them. I’m on the verge of that now, however, so I’m going to shut up.

Well, after this one additional note. If you’re going to appeal to a term from Christianity (or any other religion) to buttress your point, you should maybe do a quick web search to make sure it means what you think it means. Hint: Christ’s “Passion” doesn’t come close to contemporary usage of “passion,” no matter their etymological link. It’s hard to take someone seriously when they do that.

So, what did I think about The Teachings of Shirelle?

I don’t think that Green and I would get along in person (I’d be glad to be given the opportunity to discover otherwise, and the drinks would be on me). I don’t think we’d actively dislike each other, but we’d just rub each other the wrong way. Until we started telling stories about the silly balls of fur, energy, and devotion that we share our lives with. Then, I think we’d find some great common ground and probably enjoy the conversation.

I bring that up because I think this book works for me along the same lines. When it’s about Shirelle as the animal companion that makes people laugh and/or feel good in other ways, I think the book is at its strongest and most appealing. I’m down for that kind of thing anytime and Green handles it well.

When the book strays from that, it loses me—and the further it strays, the less I care about it and the more I’m going to find things to quibble with.

Are you going to agree with me? I don’t know. Are you going to think I’m out to lunch and really jibe with Green and everything he has to say? It’s possible.

Either way, if you’re a dog-lover—or if you’re someone who enjoys reading about dogs. You’ll probably be glad you gave this a shot, I am (generally).


3 Stars

Disclaimer: I was provided a copy of this ARC by the author in return for my honest opinion, which he may be rethinking now.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

The Lord Jesus Christ: The Biblical Doctrine of the Person and Work of Christ by Brandon D. Crowe: Christology 101

Cover of The Lord Jesus Christ by Brandon CroweThe Lord Jesus Christ:
The Biblical Doctrine of the
Person and Work of Christ

by Brandon D. Crowe

DETAILS:
Series: We Believe Series, Volume Three
Publisher: Lexham Academic
Publication Date: October 18, 2023
Format: Hardcover
Length: 316
Read Date: July 21-August 18, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s The Lord Jesus Christ About?

It’s a work on Christology–from Scriptural, historical, and systematic theological perspectives.

That seems a bit too pithy, but the few times I’ve tried that paragraph before now have really gone on and on. So–as I so often do when I’m struggling to answer this question–I’m just going to borrow from the Publisher’s description:

Jesus is the divine Son of God who has taken on human nature in the incarnation. As prophet, priest, and king, he leads his people in a new exodus. In The Lord Jesus Christ, Brandon D. Crowe reflects on Christ’s person and work. Crowe traces christological concerns throughout the Old and New Testaments and church history and then presents systematic and practical implications. Through a combination of biblical, historical, and theological study, Crowe provides a fresh and robust statement of who Christ is and what he has done.

Written from a confessionally Reformed perspective in dialogue with the great creeds of the church, The Lord Jesus Christ provides a thorough and trustworthy guide to understanding Jesus and his salvific work.

Breaking Things Down a Bit

I think a glance at a Table of Contents really gives an idea what the book is like and what Crowe’s approach to this is (I included page numbers for each part to show the weight he gives to each area)
Introduction: “Who Do You Say That I Am?”
Part 1: The Biblical Witness [pg. 9-146]
          I. The Son of God in Creation and the Old Testament
          II. The Son of God Promised in the Prophets
          III. The Son of God in the Gospels
          IV. The Son of God in Acts and Paul’s Letters
          V. The Son of God in Hebrews to Revelation

Part 2: Dogmatic Development [pg.147-294]
          VI. Pre-Nicene Christology
          VII. Creedal, Conciliar, and Modern Christology
          VIII. The Mediator of the Covenant of Grace
          IX. The Unity of the Mediator
          X. The Work of the Mediator
          XI. The Centrality of Christology for Christian Dogmatics

Part 3: Truth for Life and Mission [pg. 295-310]
          XII. The Gospel of Grace
          XIII. Pluralism and the Uniqueness of Christ

Conclusion: Seven Theses on the Person and Work of Christ

While Parts 1 and 2 are about even in page length, you will realize that the meat of the book is found in The Biblical Witness. The Dogmatic Development part is by no means lightweight, but it is easier to get through. I was a little surprised once I got there at how brief the last Part was–but it didn’t need to be longer to wrap up and apply the previous Parts.

Going Beyond this Work

Crowe is clear that this book isn’t supposed to be an end to one’s Christological reading, but it’s a start. In addition tote helpful footnotes and citations throughout, he concludes each chapter with four or so recommendations for further reading (not all will agree with a lot of Crowe’s arguments). I don’t know that I’m going to follow up with all of them (narrator: he will not), but I am going to chase down some of those works.

Each chapter ends with a clearly designated conclusion, so you can be sure you’re picking up on those parts that Crowe finds most important, which is a very handy little segment. As are the Seven Theses he ends the book with–undoubtedly for me and others, this is going to be the part of the book that gets referred to most often. You can get a quick look at a significant point to brush up on it or refresh your memory, before going back to the appropriate chapter (or chapter conclusion) to get the details you need.

So, what did I think about The Lord Jesus Christ?

This is presented in a text-book style but isn’t quite as dry as one. But I can easily see it functioning as one (and being a favorite of the students using it because of that style).

It took me longer to get through than I anticipated–which is not a bad thing, it just wasn’t what I expected. It is not a difficult read by any means (I can point to other words by Crowe that would fit that description better), but because of the comprehensiveness it’s shooting for, you do have to exercise the gray matter a little as you read.

It’s not polemic at all, and almost every controversy it tackles has been settled in the creedal tradition for centuries, so it won’t rankle any Trinitarian as they read their way through it (although this book, like the rest of the series, is firmly within the Confessional Reformed tradition and demonstrates it). Crowe shows not only a familiarity with contemporary–and older–Biblical scholarship, but is just as adept at bringing in major writers from Church History through today to weigh in on the Dogmatic Development sections.

All in all, this was an outstanding book, one that I will return to as a reference (and likely re-read in a couple of years). It’s also a great advertisement for the rest of the series, and I anticipate adding the rest of them to my shelves in short order (well, as short as I can–it doesn’t look like Lexham Press is really rushing to put them out).

Whether or not you grab them all, if you want a solid and accessible stand-alone Christology you’d be well served to turn to Brandon Crowe.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

PUB DAY REPOST: Mystery Science Theater 3000: A Cultural History by Matt Foy and Christopher J. Olson: They Riffed, so the Internet Could Snark

Cover to Mystery Science Theater 3000: A Cultural History by Christopher J Olson and Matt FoyMystery Science Theater 3000:
A Cultural History

by Matt Foy and Christopher J. Olson

DETAILS:
Series: The Cultural History of Television
Publisher: Rowman & Littlefield Publishers
Publication Date: August 20, 2024
Format: eARC
Length: 182 pgs.
Read Date: August 6-8, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Mystery Science Theater 3000: A Cultural History About?

This is a retrospective of the show—its history, development (highs and lows), spin-offs, and latest formats. It’s also an examination and consideration of the impact the show has made to its viewers and on the industry of entertainment, and the ripple effects it has had on pop culture.

It looks at how MST3K was shaped by the upbringing of its cast and writers—focusing on the tone and style of the hosts—as well as the network (or lack thereof) that brought the show to the audience.

It wraps up with an Appendix listing twenty episodes that best capture the show for new viewers—between the riffs, the movies themselves, and hosting segments—with each host being represented. They truly picked some gems—good for new viewers and established fans to go back and revisit some highlights.

The Worst We Can Find

“Hey, wait a second, H.C.,” I can hear some of you thinking, “you talked about this book last July.” Well, no. But I can understand the confusion. That was actually the book, The Worst We Can Find: MST3K, RiffTrax, and the History of Heckling at the Movies by Dale Sherman.

I haven’t done this a lot, but every now and then I read a book that is someone taking all/part of their doctoral dissertation and reworking it/part of it for a wider/popular audience. In many ways, that’s what this felt like—Foy and Olson’s work was the technical/academic book for those of a more scholarly persuasion, and Sherman’s was the version for the wider audience. Except that Sherman’s was longer, and it usually goes the other way.

This is not a criticism of either book—at all. They both over their respective emphases and quirks. They’re both dependent on interviews and articles produced by others; both are written by fans who’ve dedicated a good deal of time to both the research and production of the book—propelled by a greater deal of time developing an appreciation of MST3K; and both are the kind of things that die-hard fans will sink their teeth into. One’s just a bit more highbrow than the other.

Dissecting Some Frogs

Analysts have had their go at humor, and I have read some of this interpretative literature, but without being greatly instructed. Humor can be dissected, as a frog can, but the thing dies in the process and the innards are discouraging to any but the purely scientific mind.

The idea has been variously ascribed, but it seems that E. B. White and Katharine S. White first put it into print. Whoever said it first, the idea floated through the back of my mind at more than one point while reading this book.

There were repeated explanations of various jokes throughout the book—and not one of them was necessary (if you ask me, anyway). Maybe one or two of them will help younger readers who are not familiar with the pop culture of the 90s or earlier, but I think context alone will take care of the questions a reader will have. And you understand the authors’ impulse to explain them and maybe even admire their attempt while rolling your eyes at the outcome.

Flirting With Semantic Satiation

The term Intertexuality appears so often in this book, that you can imagine Tom Servo and Crow riffing on it. But it’s not like there are a lot of synonyms available, and it’s a real focus of the authors and a strong point of the book. Still, the SOL crews would hammer them on it.

The consideration of how MST3K has trained a couple of generations in approaching intertextuality, media consumption, and responses to them is the intellectual core of this book. The show, in all its various incarnations, has shaped both the viewers and other shows, internet content, and general internet discussion in ways that are larger than the show’s ratings may suggest. The cultural footprint is oversized given viewership (the tapes did keep circulating, at least metaphorically).

I, for one, had given this very little thought until Fry and Olson pointed it out—along with their discussion of MST3K and its spin-off projects being at the forefront of newer delivery systems for media and programming. Given their humble beginnings, it’s really quite remarkable.

So, what did I think about Mystery Science Theater 3000: A Cultural History?

I’ve read two other books in this series (and keep meaning to read others), Friends and Gilmore Girls, comparing this to those, I’d say it captures the strengths of both and avoids what I recall as the shortcomings of the Friends volume and the spirit of the Gilmore Girls book. If nothing else, the diversity in these three installments demonstrates a strength of the series. You’re not going to get cookie-cutter approaches to the various series in consideration. Each author/team of authors is going to approach the show in question differently, reflecting the preferences and focus of the authors.

The only shortcoming I can think of (outside the attempted academic explanations of humor) is the lack of space given to Emily’s hosting/riffing style compared to the other hosts. I’m certain that this is a function of how few episodes she has appeared in, but it would’ve been nice to get a little more about her.

I was entertained by the book—both due to the authors’ style and the memories it conjured. I thought about the show and its legacy in ways I hadn’t before. I kicked myself for not taking part in the crowdfunding efforts I didn’t participate in. I was inspired to watch a couple of episodes I’d somehow missed—and just to make time for the show in general. Mostly this was an exercise in getting to know more about old friends, and seeing them in a different light.

I’m a sucker for anything MST3K related, so you know this worked for me. Do I know if you’ll appreciate this book if you’re not a fan or a media studies student? I doubt it’s for you. But if you’re either of those things—you’ll get something out of it.

What do you think, sirs?

Disclaimer: I received a copy of this book from Rowman & Littlefield via NetGalley—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Mystery Science Theater 3000: A Cultural History by Matt Foy and Christopher J. Olson: They Riffed, so the Internet Could Snark

Cover to Mystery Science Theater 3000: A Cultural History by Christopher J Olson and Matt FoyMystery Science Theater 3000:
A Cultural History

by Matt Foy and Christopher J. Olson

DETAILS:
Series: The Cultural History of Television
Publisher: Rowman & Littlefield Publishers
Publication Date: August 20, 2024
Format: eARC
Length: 182 pgs.
Read Date: August 6-8, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Mystery Science Theater 3000: A Cultural History About?

This is a retrospective of the show—its history, development (highs and lows), spin-offs, and latest formats. It’s also an examination and consideration of the impact the show has made to its viewers and on the industry of entertainment, and the ripple effects it has had on pop culture.

It looks at how MST3K was shaped by the upbringing of its cast and writers—focusing on the tone and style of the hosts—as well as the network (or lack thereof) that brought the show to the audience.

It wraps up with an Appendix listing twenty episodes that best capture the show for new viewers—between the riffs, the movies themselves, and hosting segments—with each host being represented. They truly picked some gems—good for new viewers and established fans to go back and revisit some highlights.

The Worst We Can Find

“Hey, wait a second, H.C.,” I can hear some of you thinking, “you talked about this book last July.” Well, no. But I can understand the confusion. That was actually the book, The Worst We Can Find: MST3K, RiffTrax, and the History of Heckling at the Movies by Dale Sherman.

I haven’t done this a lot, but every now and then I read a book that is someone taking all/part of their doctoral dissertation and reworking it/part of it for a wider/popular audience. In many ways, that’s what this felt like—Foy and Olson’s work was the technical/academic book for those of a more scholarly persuasion, and Sherman’s was the version for the wider audience. Except that Sherman’s was longer, and it usually goes the other way.

This is not a criticism of either book—at all. They both over their respective emphases and quirks. They’re both dependent on interviews and articles produced by others; both are written by fans who’ve dedicated a good deal of time to both the research and production of the book—propelled by a greater deal of time developing an appreciation of MST3K; and both are the kind of things that die-hard fans will sink their teeth into. One’s just a bit more highbrow than the other.

Dissecting Some Frogs

Analysts have had their go at humor, and I have read some of this interpretative literature, but without being greatly instructed. Humor can be dissected, as a frog can, but the thing dies in the process and the innards are discouraging to any but the purely scientific mind.

The idea has been variously ascribed, but it seems that E. B. White and Katharine S. White first put it into print. Whoever said it first, the idea floated through the back of my mind at more than one point while reading this book.

There were repeated explanations of various jokes throughout the book—and not one of them was necessary (if you ask me, anyway). Maybe one or two of them will help younger readers who are not familiar with the pop culture of the 90s or earlier, but I think context alone will take care of the questions a reader will have. And you understand the authors’ impulse to explain them and maybe even admire their attempt while rolling your eyes at the outcome.

Flirting With Semantic Satiation

The term Intertexuality appears so often in this book, that you can imagine Tom Servo and Crow riffing on it. But it’s not like there are a lot of synonyms available, and it’s a real focus of the authors and a strong point of the book. Still, the SOL crews would hammer them on it.

The consideration of how MST3K has trained a couple of generations in approaching intertextuality, media consumption, and responses to them is the intellectual core of this book. The show, in all its various incarnations, has shaped both the viewers and other shows, internet content, and general internet discussion in ways that are larger than the show’s ratings may suggest. The cultural footprint is oversized given viewership (the tapes did keep circulating, at least metaphorically).

I, for one, had given this very little thought until Fry and Olson pointed it out—along with their discussion of MST3K and its spin-off projects being at the forefront of newer delivery systems for media and programming. Given their humble beginnings, it’s really quite remarkable.

So, what did I think about Mystery Science Theater 3000: A Cultural History?

I’ve read two other books in this series (and keep meaning to read others), Friends and Gilmore Girls, comparing this to those, I’d say it captures the strengths of both and avoids what I recall as the shortcomings of the Friends volume and the spirit of the Gilmore Girls book. If nothing else, the diversity in these three installments demonstrates a strength of the series. You’re not going to get cookie-cutter approaches to the various series in consideration. Each author/team of authors is going to approach the show in question differently, reflecting the preferences and focus of the authors.

The only shortcoming I can think of (outside the attempted academic explanations of humor) is the lack of space given to Emily’s hosting/riffing style compared to the other hosts. I’m certain that this is a function of how few episodes she has appeared in, but it would’ve been nice to get a little more about her.

I was entertained by the book—both due to the authors’ style and the memories it conjured. I thought about the show and its legacy in ways I hadn’t before. I kicked myself for not taking part in the crowdfunding efforts I didn’t participate in. I was inspired to watch a couple of episodes I’d somehow missed—and just to make time for the show in general. Mostly this was an exercise in getting to know more about old friends, and seeing them in a different light.

I’m a sucker for anything MST3K related, so you know this worked for me. Do I know if you’ll appreciate this book if you’re not a fan or a media studies student? I doubt it’s for you. But if you’re either of those things—you’ll get something out of it.

What do you think, sirs?

Disclaimer: I received a copy of this book from Rowman & Littlefield via NetGalley—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

PUB DAY REPOST: Red Dead’s History by Tore C. Olsson: A Historian Looks at the U.S. Shown in the Game

Cover of Red Dead's History by Tore C OlssonRed Dead’s History:
A Video Game, an Obsession, and America’s Violent Past

by Tore C. Olsson

DETAILS:
Publisher: St. Martin's Press
Publication Date: August 06, 2024
Format: e-ARC
Length: 288 pg.
Read Date: July 13-18, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Red Dead’s History About?

Like so many people around the world, the author got back into video games in 2020 as a way to fill the hours he wasn’t interacting with people in real life. Like so many others, one of the games that captured his attention was Red Dead Redemption II. Unlike so many people Tore C. Olsson is an American History professor, so while he was fun doing whatever it is exactly that you do in the game*, part of his brain was looking at the history and time being depicted in the game. Because if there’s one thing the game is known for, is being the most popular and influential game set in American History since The Oregon Trail from the 80s.

* It should be obvious that I don’t play video games at all, not even the one in question.

Olsson went on to make headlines—and pack lecture halls—by teaching a history course based on the games, and he’s now turned it into a book.

This is not a book about the game (although he talks about it a lot), it is not a point-by-point examination of the historical details (but it comes up a little), it’s primarily using the game, and the things shown/talked about/alluded to in it as a launching pad to discuss themes, movements, and particulars from post-Civil War America.

The focus for the book is Red Dead Redemption II, but Red Dead Redemption comes up from time to time—but not any of the other games in the franchise. Olsson’s discussion follows the geographic order and proportions of the game—starting with adventures in the West, moving to the Deep South (for the majority of the book), and then wrapping things up in Southern Appalachia.

Historical Accuracy of the Game

From the start, Olsson is clear, he’s not going to get into slicing and dicing the historical accuracy of Red Dead Redemption 2, but…he can’t help talking about it every now and then. He has a lot of good things to say about the history of the game (really, he wouldn’t have taught a class or written a book inspired by it without that), but the biggest note seems to be—if the game had been set 20-30 years earlier than it was, it would’ve been better.

There are particular points here and there where he will offer specific critiques and commendations—but that’s essentially the point he keeps coming back to.

Now, I don’t know enough about the storylines of Red Dead Redemption or Red Dead Redemption II to know why the developers insisted that the game takes place when it does—and it certainly seems like they did have an eye for historical detail—they just missed it. It might be a game continuity thing, there might be all sorts of explanations for it. I don’t know.

Now, Olsson isn’t sitting there like Neil de Grasse Tyson tweeting about the scientific inaccuracies in movies, the point of the book isn’t to critique the depictions of the era. But while he’s talking about the various topics, he will mention them briefly. It doesn’t take anything away from the game for him.

The West

The first section focused on is the one that the game is best known for (and, I’ll be honest, the only thing I thought the game had)—a strong take on the West. I’d like to say that I’d read a book about the subject of each chapter were Olsson to expand them, and that’s true in a perfect world, but I’m not sure I really would. But I’d be willing to.

I should note that it’s probably very easy to read several books on the topics of each chapter right now. And you never know, I just might.

This section covers things as nebulous as the concept of “The American West”—and when did it start dying/disappearing (if ever). Controversial topics like The Indian Wars, the amount of violence in the West (and some of the notable persons behind it), how Justice/Laws were enforced, and so on. Olsson also covers things you’d expect (especially if you actually know the game)—the construction of and use of the railways; cowboys; The Pinkertons; Butch Cassidy and The Sundance Kid.

I learned so much about all of these things—and I’m very tempted to go out in search of some of the books footnoted here.

The Deep South

As anyone who teaches American History—particularly in a place like Tennessee—is aware, talking about the Deep South in a post-Civil War era is a daunting task. But as that’s where the bulk of the gameplay takes place, the bulk of the book gets that treatment as well.

As with the rest of the book, Olsson talks about the game’s portrayal of this area and the topics, how media culture(s) depict of this area and the topics, and finally looking at the history of the area itself.

In this Part of the book, Olsson talked about such non-controversial topics as: The Paradox of Race; From Old South to New South; The White-Hooded Menace; The Tragedy of Lynching; In the Fields (largely post-War); Working on the Chain Gang; Mr. Jim Crow; The Lause Cause; New Orleans, 1899; and Votes for Women.

Obviously, there’s far, far too much to say about any of these topics than he has time for in a book of this size and scope—but what’s there is provocative (in a good way), thoughtful, and well-footnoted so curious readers (and there will be many after these chapters) can do some follow-up reading. Yes, that’s a sentence that applies to the book as a whole, but it seems apt to emphasize it here.

Southern Appalachia

This part feels very timely considering how much Appalachia, Appalachia, and portrayals of the area/its residents in the media have been in the last few weeks.

Olsson only gives three chapters to this part of the book (about 11%) as much as he might be kicking himself for that now. Like with Part I: The West, he starts by discussing “The Appalachian Myth.” Just what makes up this part of the country? Why has it captured the imagination the way it has? How much of what we think of when we think “Appalachia” is true now or ever was?

He then looks at the race to claim parts of it after the Civil War and how that shaped the culture and history of it. Then he spends a chapter looking at Blood Fueds—obviously focusing on the Hatfield/McCoy feud, what lies at its root—and the surprising ways it actually broke along family lines.

I was a little too tired while reading this section to get as much out of it as I think I ordinarily would’ve—and really should revisit it once the book is released, I think I missed some good stuff.

So, what did I think about Red Dead’s History?

I had some really good history professors and teachers over the years, so I really don’t want to say that Olsson is the professor I wish I had—but really, I don’t imagine many will read this book and not want to take a class or two from Olsson.

The writing is engaging, witty, and insightful. He has a real knack for making you care about something you really didn’t care about just a few pages earlier—for that matter, you may not have been aware it was a thing you could care about/be interested in just a few pages earlier. I’m not going to suggest you’ll agree with him all of the time, because you won’t. But you’ll almost certainly enjoy his perspective as well as his presentation of the facts.

I’m not really the target audience for this book—I figure that’s game players who want to dive in to get more depth about the context of the game. To learn the stories behind the game’s stories. Or those who now have an interest in American History and don’t know where to go get more information outside a stuffy-looking textbook. Given that, I think it says a lot when I tell you that I had a great time reading this, and am more curious the game than I had been before. Not so curious to actually play it (or buy the game, a console to play it on, etc.)—but enough to talk to my son who has played through it—and has spent a lot of time doing sidequests and whatnot, and maybe even to watch some gameplay videos online. And that’s more than I typically am interested in doing.

This is a great way to approach American History; it’s a good way to approach this type of media (games or otherwise); and it’s just an entertaining read regardless. It moves a little slower than a novel—but not much (for those who are daunted by non-fiction reads). Really, there’s not much to not commend about this book. You really should check it out.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Red Dead’s History by Tore C. Olsson: A Historian Looks at the U.S. Shown in the Game

Cover of Red Dead's History by Tore C OlssonRed Dead’s History:
A Video Game, an Obsession, and America’s Violent Past

by Tore C. Olsson

DETAILS:
Publisher: St. Martin's Press
Publication Date: August 06, 2024
Format: e-ARC
Length: 288 pg.
Read Date: July 13-18, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Red Dead’s History About?

Like so many people around the world, the author got back into video games in 2020 as a way to fill the hours he wasn’t interacting with people in real life. Like so many others, one of the games that captured his attention was Red Dead Redemption II. Unlike so many people Tore C. Olsson is an American History professor, so while he was fun doing whatever it is exactly that you do in the game*, part of his brain was looking at the history and time being depicted in the game. Because if there’s one thing the game is known for, is being the most popular and influential game set in American History since The Oregon Trail from the 80s.

* It should be obvious that I don’t play video games at all, not even the one in question.

Olsson went on to make headlines—and pack lecture halls—by teaching a history course based on the games, and he’s now turned it into a book.

This is not a book about the game (although he talks about it a lot), it is not a point-by-point examination of the historical details (but it comes up a little), it’s primarily using the game, and the things shown/talked about/alluded to in it as a launching pad to discuss themes, movements, and particulars from post-Civil War America.

The focus for the book is Red Dead Redemption II, but Red Dead Redemption comes up from time to time—but not any of the other games in the franchise. Olsson’s discussion follows the geographic order and proportions of the game—starting with adventures in the West, moving to the Deep South (for the majority of the book), and then wrapping things up in Southern Appalachia.

Historical Accuracy of the Game

From the start, Olsson is clear, he’s not going to get into slicing and dicing the historical accuracy of Red Dead Redemption 2, but…he can’t help talking about it every now and then. He has a lot of good things to say about the history of the game (really, he wouldn’t have taught a class or written a book inspired by it without that), but the biggest note seems to be—if the game had been set 20-30 years earlier than it was, it would’ve been better.

There are particular points here and there where he will offer specific critiques and commendations—but that’s essentially the point he keeps coming back to.

Now, I don’t know enough about the storylines of Red Dead Redemption or Red Dead Redemption II to know why the developers insisted that the game takes place when it does—and it certainly seems like they did have an eye for historical detail—they just missed it. It might be a game continuity thing, there might be all sorts of explanations for it. I don’t know.

Now, Olsson isn’t sitting there like Neil de Grasse Tyson tweeting about the scientific inaccuracies in movies, the point of the book isn’t to critique the depictions of the era. But while he’s talking about the various topics, he will mention them briefly. It doesn’t take anything away from the game for him.

The West

The first section focused on is the one that the game is best known for (and, I’ll be honest, the only thing I thought the game had)—a strong take on the West. I’d like to say that I’d read a book about the subject of each chapter were Olsson to expand them, and that’s true in a perfect world, but I’m not sure I really would. But I’d be willing to.

I should note that it’s probably very easy to read several books on the topics of each chapter right now. And you never know, I just might.

This section covers things as nebulous as the concept of “The American West”—and when did it start dying/disappearing (if ever). Controversial topics like The Indian Wars, the amount of violence in the West (and some of the notable persons behind it), how Justice/Laws were enforced, and so on. Olsson also covers things you’d expect (especially if you actually know the game)—the construction of and use of the railways; cowboys; The Pinkertons; Butch Cassidy and The Sundance Kid.

I learned so much about all of these things—and I’m very tempted to go out in search of some of the books footnoted here.

The Deep South

As anyone who teaches American History—particularly in a place like Tennessee—is aware, talking about the Deep South in a post-Civil War era is a daunting task. But as that’s where the bulk of the gameplay takes place, the bulk of the book gets that treatment as well.

As with the rest of the book, Olsson talks about the game’s portrayal of this area and the topics, how media culture(s) depict of this area and the topics, and finally looking at the history of the area itself.

In this Part of the book, Olsson talked about such non-controversial topics as: The Paradox of Race; From Old South to New South; The White-Hooded Menace; The Tragedy of Lynching; In the Fields (largely post-War); Working on the Chain Gang; Mr. Jim Crow; The Lause Cause; New Orleans, 1899; and Votes for Women.

Obviously, there’s far, far too much to say about any of these topics than he has time for in a book of this size and scope—but what’s there is provocative (in a good way), thoughtful, and well-footnoted so curious readers (and there will be many after these chapters) can do some follow-up reading. Yes, that’s a sentence that applies to the book as a whole, but it seems apt to emphasize it here.

Southern Appalachia

This part feels very timely considering how much Appalachia, Appalachia, and portrayals of the area/its residents in the media have been in the last few weeks.

Olsson only gives three chapters to this part of the book (about 11%) as much as he might be kicking himself for that now. Like with Part I: The West, he starts by discussing “The Appalachian Myth.” Just what makes up this part of the country? Why has it captured the imagination the way it has? How much of what we think of when we think “Appalachia” is true now or ever was?

He then looks at the race to claim parts of it after the Civil War and how that shaped the culture and history of it. Then he spends a chapter looking at Blood Fueds—obviously focusing on the Hatfield/McCoy feud, what lies at its root—and the surprising ways it actually broke along family lines.

I was a little too tired while reading this section to get as much out of it as I think I ordinarily would’ve—and really should revisit it once the book is released, I think I missed some good stuff.

So, what did I think about Red Dead’s History?

I had some really good history professors and teachers over the years, so I really don’t want to say that Olsson is the professor I wish I had—but really, I don’t imagine many will read this book and not want to take a class or two from Olsson.

The writing is engaging, witty, and insightful. He has a real knack for making you care about something you really didn’t care about just a few pages earlier—for that matter, you may not have been aware it was a thing you could care about/be interested in just a few pages earlier. I’m not going to suggest you’ll agree with him all of the time, because you won’t. But you’ll almost certainly enjoy his perspective as well as his presentation of the facts.

I’m not really the target audience for this book—I figure that’s game players who want to dive in to get more depth about the context of the game. To learn the stories behind the game’s stories. Or those who now have an interest in American History and don’t know where to go get more information outside a stuffy-looking textbook. Given that, I think it says a lot when I tell you that I had a great time reading this, and am more curious the game than I had been before. Not so curious to actually play it (or buy the game, a console to play it on, etc.)—but enough to talk to my son who has played through it—and has spent a lot of time doing sidequests and whatnot, and maybe even to watch some gameplay videos online. And that’s more than I typically am interested in doing.

This is a great way to approach American History; it’s a good way to approach this type of media (games or otherwise); and it’s just an entertaining read regardless. It moves a little slower than a novel—but not much (for those who are daunted by non-fiction reads). Really, there’s not much to not commend about this book. You really should check it out.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Grammar Sex and Other Stuff: A Collection of (mostly humorous) Essays by Robert Germaux: A Collection That (mostly) Amused Me

Cover of Grammar Sex and Other Stuff by Robert GermauxGrammar Sex and Other Stuff:
A Collection of (mostly humorous) Essays

by Robert Germaux

DETAILS:
Series: Grammar Sex Collection, #1
Publication Date: February 19, 2017
Format: eBook
Length: 82 pg.
Read Date: June 22-25, 2024

Research shows, and here I’m talking my made- up research, but I’m sure actual research would back me up on this . . . anyway, research, real or otherwise, indicates that once you’ve grabbed your readers’ attention (by, for example, throwing the word sex into your title), the best way to keep them turning those pages is to present them with prose so superbly written, so free of errors in spelling and punctuation and syntax, that they simply lose themselves in your wonderful narrative.

What’s Grammar Sex and Other Stuff About?

Well, that’s in the subtitle—it’s A Collection of (mostly humorous) Essays. The word “brief” is the only thing missing from the title—there are 32 of them and the book is 82 pages long, so none of them are all that long.

The title itself comes from the sixth essay, “Grammar Sex (How Dangling Your Participle Can Hurt Your Book Sales),” a fun list of tips for authors—aspiring or otherwise—when it comes to learning how to use language. That’s not all he has to say about grammar, either, a little later we’re treated to a series called “The Grammar Snobs Trilogy”—a combination of useful tips and some silliness (neither of which interfere with the other).

We also get essays about the brief experience he and his wife had as being an Arbitron family, Jury Duty, baseball (and the money behind it), a dog he bought in college, some semi-random observations, and more.

If You’d Like a Sample

Germaux has provided a few guest posts here over the years, in case you’d like to take a quick look at his work. One of those happens to be an essay from this book, so you can get an actual sample of this book—”Literally? Really?” popped up on this site back in 2016(!). It’s a good way to catch a little flavor of this collection—and just a decent read in general. You might as well read the others, while you’re at it (if you haven’t already—and/or could use a refresher)

So, what did I think about Grammar Sex and Other Stuff?

The non-humorous essays weren’t my favorite—they were a little too generic, a little too…something. They were heartfelt for sure, and I don’t want to take away from that. But they didn’t do much for me, it seemed like Germaux was restraining himself in one way or another so he could make a point, and I don’t think the price was worth the result.

The rest were well worth the (short) time it took to read—and probably worth more than the time. I’m not going to promise you that you’re going to laugh out loud on every page—or even in every humorous essay. But you’ll find enough amusing to keep going.

A couple of months ago, I described the humor of a Patrick McManus book as “gentle.” That’s a good word to describe this humor, too. However, there’s a little oomph to Germaux’s humor that McManus doesn’t really have—I attribute that to the clear influence of Dave Barry on Germaux. He doesn’t rip off Barry’s style or anything (and I should know, I used to do that a lot), but even beyond mentioning Barry a time or three, you can tell that Germaux has read his share of the Floridian humorist.

I had a good time with this collection, and am more than ready to try the next in the series (and not just because I accidentally purchased it when I tried to get this one). I do recommend this for some pleasant and mostly humorous reading time.


3 Stars

Self-Published Authors Appreciation Week Footer

The 2024 Self-Published Authors Appreciation Week Logo was made by Witty and Sarcastic Book Club

The Irresponsible Reader On…Self-Published Non-Fiction

(updated 7/23/24)
Self-Published Author Appreciation Week '24 Banner

From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility and doing all the work to get their words, their dreams, their blood, sweat, and tears. This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

In addition to the Q&As and Guest Posts I have this week, I’m also continuing my habit of highlighting the self-published works that I’ve blogged about over the last few years—just a sentence or two.  Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Today we’re going to be looking at Self-Published Non-Fiction—which are primarily memoirs at their core, it’s what the authors do with the memoirs that makes these really stand out. But there are a few other things, too.

bullet Life and Death Behind the Brick and Razor: Code Red Diamond by Isaac Alexis, MD—A prison doctor uses his experiences to give suggestions for a healthy/healthier life. (my post about it)
bullet How Not to Be an *SS: Essays on Becoming a Good & Safe Man by Andrew J. Bauman—Bauman calls men to an authentic, Biblical masculinity—one built on humility, kindness, and service. While offering concrete ways to set aside patterns of abuse and neglect. (my post about it)
bullet Kneading Journalism: Essays on baking bread and breaking down the news by Tony Ganzer—This is a collection of essays about the state of journalism, how people relate to and view the media we consume, and what the future may hold. Oh, and bread recipes, of course. It makes sense in context (and is a really great idea). (my post about it)
bullet Grammar Sex and Other Stuff by Robert Germaux — quick essays with humor and heart (my post about it)
bullet No Problem, Mr. Walt: Building a Boat, Rebuilding a Life, & Discovering China by Walt Hackman—Hackman was one of the first self-published authors to reach out to me, and I’m so glad he did. A fascinating read about a man deciding to have an authentic Chinese junk built for him to use as a houseboat in California. (my post about it)
bullet Finding Hope in Hard Things: A Positive Take on Suffering by Pierce Taylor Hibbs—The central premise is that God uses the “hard things” in life to shape us into the people he wants us to be, and uses some of the hard things in his life as case studies to demonstrate how they were used so the reader is equipped to look at their own lives and see the purpose in their suffering. (my post about it)
bullet The Great Lie: What All of Hell Wants You to Keep Believing by Pierce Taylor Hibbs—Paired with Hibbs’ characteristic clear prose and gift with language and illustrations, Hibbs reminds the reader that God is always speaking to us, through both the Creation and His Word. (my post about it)
bullet In Divine Company by Pierce Taylor Hibbs—Pierce’s treatment of prayer focuses on the communicative nature of God and His image bearers and then nurturing that in our lives to improve our prayer. (my post about it)
bullet Struck Down but Not Destroyed: Living Faithfully with Anxiety by Pierce Taylor Hibbs—Drawing on what he’s learned from over 12 years of anxiety, Hibbs talks about learning to see what God’s purpose in the suffering is (anxiety disorders specifically, but easily transferable to other types), understanding that His hand is guiding all things—including our problems—so how do we in faith (without denying the suffering) rest in faith. (my post about it)
bullet And Drink I Did: One Man’s Story of Growing Through Recovery by Jay Keefe—It’s all there in the subtitle, Keefe tells about his OCD, his alcoholic days, his getting sober, and how he’s trying to help others since then. Powerful stuff. (my post about it)
bullet If You Give A Mouse Metformin by Nikhil Krishnan, i Cenizal (Illustrator) — 1 part picture book parody, 1 part satire, 1 part good look at the pharmecutical process (the good and the bad) (my post about it)
bullet How to Take Over the World: Practical Schemes and Scientific Solutions for the Aspiring Supervillain by Ryan North—A tongue-in-cheek way to talk about some of the most advanced science around and how it can (and in some ways is) be used to destroy the world. (my post about it)
bullet The Genius’ Guide to Bad Writing by R.T. Slaywood, R.C. Martinez—A guide for the writer who is tired of success and wants to reclaim their lives from answering the siren call of fortune and fame that comes to every author. Slaywood and Martinez have a 10-Step program guaranteed to ruin a novel or two and stop a career dead in its spot. (my post about it)
bullet Uber Diva by Charles St. Anthony—a humorist writes a memoir of a Lyft/Uber driver mixed with a guide to starting/surviving/thriving as one in a tough market. St. Anthony also has a few other books out now that are probably worth a read. (my post about it)
bullet Flying Alone: A Memoir by Beth Ruggiero York—A female pilot’s memoir of her path from flight school to flying for TWA (now that I have a son learning to fly, some of her more harrowing experiences keep flashing through the back of my mind). (my post about it)

 


If you're a self-published author that I've featured on this blog and I didn't mention you in this post and should have. I'm sorry (unless you're this guy). Please drop me a line, and I'll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

Self-Published Authors Appreciation Week Footer

The 2024 Self-Published Authors Appreciation Week Logo was made by Witty and Sarcastic Book Club

REPOSTING JUST CUZ: The Body’s Keepers (Audiobook) by Paul L. Kimmel, M.D., Lane Hakel (Narrator): The Social History I Didn’t Realize I Needed

Last night, I ran out of energy without a post completed. 6 years ago today, my son got a kidney transplant, so I’m thinking more than usual about nephrology. So…yeah, let’s re-run this.


The Body's KeepersThe Body’s Keepers:
A Social History of Kidney
Failure and Its Treatments

by Paul L. Kimmel, M.D., Lane Hakel (Narrator)

DETAILS:
Publisher: Dreamscape Media
Publication Date: March 12, 2024
Format: Unabridged Audiobook
Length: 17 hrs., 59 min. 
Read Date: Fevruary 27-March 5, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s The Body’s Keepers About?

I feel underqualified to try to describe this book, and you’ll see why here in a sentence or two. So, I’m just going to paste what the Publisher’s Site says: (yes, I typically would cite the audiobook publisher here, but the print edition’s publisher gives more details)

A remarkable account of the kidney and the scientific, medical, and health evolution tied to our understanding of it.

The kidney is an extraordinary organ – in many ways the regulator, the metronome, the keeper of the human body’s delicate equilibrium. On a given day, minute by minute, it purifies the body of toxins it encounters from diet, climate, activity, and injury. It allows us to be and to move in the world. And yet most of us know so very little about these extraordinary vessels nestled in our bodies – and indeed millions of us only really learn about them when they stop working. Nearly a million Americans every year have end stage kidney disease, about 37 million have some form of chronic kidney disease. And it is an incredibly common universe of challenge and ailment that, until relatively recently, would simply kill those afflicted with it.

Renowned nephrologist Dr. Paul Kimmel takes us on an eye-opening journey through the history of kidney disease, dialysis, and transplantation. Drawing on both his extensive research and decades of experience in the field, he explains the development of treatments, technologies, and medical practices that have advanced the care of patients with kidney disease. Kimmel illuminates the impact of medical advances on the lives of those suffering from this debilitating disease and offers a clear understanding of the challenges that remain.

The Body’s Keepers also reveals the inequities and injustices at the heart of America’s healthcare system. Filled with case studies, personal histories, and first-hand accounts, the book reveals the shocking truth about the exploitation of vulnerable populations in the pursuit of profit. Kimmel examines how disparities in access to care have led to life-threatening consequences for many Americans. He also looks at the ways in which the medical industry has profited from the suffering of others, and how the path to health equity is still far from being realized. With unflinching honesty and a passionate commitment to social justice, his book is an essential read for anyone looking to understand the complexities of modern healthcare.

What Did I Think About the Narration?

With all due respect to Dr. Kimmel, this could very easily have been a dry-as-dust book. Yes, there’s occasionally some wit and some passion in the text–Kimmel’s personality does come through. Lane Hakel makes sure that shines through. He maintains the appropriate tone and seriousness to the subject, but with simple and subtle changes in inflection and so on to help maintain the listener’s engagement.

If nothing else, Hakel helped me pronounce a few terms and medication names that I’ve always stumbled on (or heard multiple ways).

I’m not saying that Hakel made this a joy to listen to, or that it was entertaining in the same way that, say, Luke Daniels makes a book–nor should it have been. But he keeps the listening experience accessible and interesting–even when the text seems just to be a list of names and acronyms. (which doesn’t happen often, but, occasionally it seems like it).

My Interest in the Book

So, I saw this on Netgalley the day after my son’s first dialysis treatment. And I clicked the request button as quickly as I could. I’ve talked in this space a little about his kidney transplant a few years ago. But what I know about kidney disease and the treatment of it doesn’t amount to much–and it’s very focused. So the opportunity to learn more–particularly in a history, was more than appealing.

Sure, I was discouraged a bit right off when one of the first things that Kimmel says is that he won’t be discussing the kidney disease my son had. But, he spent a lot of time talking about End Stage Renal Disease and transplants. So that more than made up for the skipped subject. And even the topics that didn’t directly have anything to do with my son were interesting to listen to. Because really, at the end of the day, the more medicine learns about various treatments for one area of kidney disease/treatment, the better off all patients are.

So, what did I think about The Body’s Keepers?

Can a non-medical professional read/listen to this and profit from this book? Absolutely. Are we the target audience? I don’t think so–well, those interested in the overlap of politics/economics/prejudices and medical treatments are definitely part of the target audience. So it’s not just the kind of book for M.D. after their name. But it’s not written for the person browsing a bookstore/library shelf for their weekend read, either.

This is an 18-hour listen, and it’s not the easiest listen, either–both because of the subject matter and the thoroughness with which Kimmel discusses things. Folks who are just idly curious are probably not going to make it through this book. But those who have a connection to the topic–because of their profession or professional interests, because (like me) they are or know someone going through these things, or because they’re invested in the social aspects and things like equitable access to care, or some other connection–will make it through this book and be glad for it.

For those who are interested in this subject, this is a fascinating book and a good audiobook experience. I do think I may end up getting the print edition just to make looking up a point or two easier. But for non-reference use? The audiobook is a good way to go.

I learned a lot, I have to say. The historical development of nephrology is fascinating. For such a young science the advances made are truly astounding (for example, when you hear how they made the first “artificial kidney”–the precursor to a dialysis machine, your mind will be boggled). The origins of the treatment of kidney diseases and injuries really start because of the World Wars and now kidney transplants happen all the time (not often enough for those on a transplant list for years), dialysis is routine, and the medical research is very promising to improve and innovate both.

Yes, the impacts of race, sex, income, and so on when it comes to access to and varieties of treatment are dismaying and befuddling (and on those providing the treatment). But the book suggests there’s every reason to be hopeful for the future, and that progress has been made. Easy for this white guy to say, but that was my takeaway from Kimmel. And, as in this post, I’m talking about this as a listening experience rather than commenting on the society that is depicted–the shortcomings of the system (especially in the U.S.) contrasted to the successes make for a more engaging narrative.

I should add that in the early chapters while doctors and researchers were still figuring out how to treat various kidney ailments, the symptoms and treatments (and failure rates), were strong reminders of how correct I was in choosing academic and career paths that took me far away from medicine. Some of that was rough for me (and no, I will not watch any documentary Dr. Kimmel decides to make in the future). People of stronger constitutions will not be bothered.

I’m really glad I listened to this, and encourage those interested to give it a try. It’s not a book for everyone, but for the right people will appreciate this.

Disclaimer: I received a copy of this book from North Star Editions via NetGalley–thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Page 1 of 28

Powered by WordPress & Theme by Anders Norén