Tag: Non-Fiction Page 2 of 31

My Favorite Non-Fiction Books of 2025

Covers of Algospeak, Class Clown, Food for Thought, Enshittification, Everything Is Tuberculosis, Killer Conversations with Rex Stout and John McAleer, Pronoun Trouble, How to Stand Up to a Dictator, and Robert E. Lee and Me, next to an image of an anthropomorphized Pilcrow and the words 'My Favorites of 2025 Non-Fiction'
My 2025 Wrap-up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Cover of Algospeak by Adam AleksicAlgospeak:
How Social Media Is Transforming the Future of Language

by Adam Aleksic

My original post
Language in general—but English particularly—is a constantly-changing thing, and these changes are happening faster and faster all the time. Algospeak is a great look at the hows and whys of a lot of the current evolutionary processes. It is about more than language—it’s also about how the Internet changes the way we think and express ourselves in general. And therefore, how society changes (which leads to Internet changes, and other circle-of-life things).

Aleksic has obvious expertise and passion for the subject (look at just one of his videos). He’s also active in these areas. It’s a great read, informative and entertaining. Hard to ask for more.


Cover of Class Clown by Dave BarryClass Clown: The Memoirs of a Professional Wiseass—How I Went 77 Years Without Growing Up

by Dave Barry

My original post
It comes as no surprise to any that I loved a Dave Barry book. It takes something pretty lackluster by him to get that reaction (and he doesn’t do that often–but I can prove it if you want). But this is something else–it’s insightful, it’s touching, it’s (seemingly) honest, and human. It’s a look at his childhood, his professional humorist origin story, and then scattered accounts of some of the very strange things that his profession has let him do.

I don’t say this about many authors–but I really don’t know that I’ve wondered anything about Barry’s personal life. But now that I know? I am more than happy to get some understanding about it. Does it necessarily help me understand his work better? No (but we’ll see the next time I take up his work, I guess). But it makes me like Barry the person a bit more.


Cover of Food for Thought by Alton BrownFood for Thought: Essays and Ruminations

by Alton Brown

Like any good fan of a TV show/personality, I like to know how they got started, how the show was developed, etc. Brown talks about how he got into food education media–and it’s not really how you’d expect. How he moved on from Good Eats to other things. There’s some great stuff about his education. But perhaps the most rewarding portion of the book is his musing and observations on the place of food/eating to human society (writ large or on an individual level).

Really, there’s so little to not appreciate from this book. Alton Brown has spent decades thinking and writing about food. This is the result of all that.


Cover of Enshittification by Cory DoctorowEnshittification: Why Everything Suddenly Got Worse and What to Do About It

by Cory Doctorow

I don’t know how to talk about Doctorow’s screed against Big Tech, the policies that led to these platforms that have taken over the internet and made it less-good than it used to be. Even that sentence is not a great way to talk about the book. The book wowed me. I wouldn’t say it radicalized me on some of this, but I sort of wish it did. The Ressa book below really struck me as a giant proof for Doctorow’s case (good idea to read the two of them around the same time). It’s a great–and terrifying–read.


Cover of Everything Is Tuberculosis by John GreenEverything Is Tuberculosis: The History and Persistence of Our Deadliest Infection

by John Green

I never imagined I would appreciate a book about an infectious disease. And despite all the good things I heard about this book, I didn’t rush to pick it up. But I’m so glad I did.

First of all, you could probably pick any number of things to use in place of Tuberculosis to trace human history, seemingly at major turning points and shaping societal developments. Say…bread, or writing, or…I dunno this is a sentence I regret starting. But from a certain point of view–you can buy the theory posited at the beginning of this book, that Tuberculosis shaped human history.

Green talks about the treatments that have been tried (and failed), the way it impacted population sizes, the devastation it’s left in it’s wake, and how things are going in the battle against the disease now. Interwoven with these is the story of one particular patient in Sierra Leone that Green met years ago. We follow his personal struggle–ups, downs, way downs, and more.

Green can relate these facts–even the bleak ones–in an engaging way that will stick with the reader. But then he drives it home and makes it gets you emotionally involved through the patient’s story.

You just can’t help but being taken in by the book and it’ll leave a lasting impression.


Cover of Killer Conversations with Rex Stout and John McAleerKiller Conversations with Rex Stout and John McAleer

My original post
Granted, there is a very limited audience for this kind of thing. But for that audience (and I’m part of it), this is catnip.

These snippets of conversations between Rex Stout and his biographer and friend are just wonderful. Quick back and forths on any number of topics–life, death, love, reputation, writing, Stout’s characters, his career, and more–it’s fun to read. It’s fun to think about. You’ll wish you were half as clever as Stout.


Cover of Pronoun Trouble by John McWhorterPronoun Trouble: The Story of Us in Seven Little Words

by John McWhorter

So, sure–this looks like it’s nothing but a screed on one side or the other about the problem we’re having with third-person pronouns the a socio-political front in English. And, yes, it is about that, (but only from a linguistic point of view), but there’s more to it. There’s also that pesky second-person plural.

Like in his book, Nine Nasty Words, McWhorter gives a quick look at the history of English pronouns one at a time–looking at various forms, usages, spellings, and assorted trivia. When appropriate, the then talks about some of the contemporary challenges and controversies with them.

Completely entertaining–McWhorter’s a great narrator–and very educating. I heartily commend this to you (no matter what you think of using “they” for the third-person singular).


Cover of How to Stand Up to a Dictator by Maria RessaHow to Stand Up to a Dictator: The Fight for Our Future

by Maria Ressa, read by Maria Ressa & Rebecca Mozo

Maria Ressa’s story is fascinating. It’s just that simple. I mean, you rarely find a Nobel Peace Prize recipient without an interesting backstory of some sort.

Like I said above, when you add this to Doctorow’s book and you see how everything he said is entirely possible and how it can work against someone.

There’s, of course, more than just Ressa’s story and struggles reflected here. There’s a call to action, a call to do the necessary work, and a call to hope, when it comes to oppressive governments or platforms.


Cover of Are Women Human by Dorothy L. SayersAre Women Human?

by Dorothy L. Sayers

These are two essays by Sayers on the subject of women in society–with a particular look at academia. They are pointed, clear, and witty.

I’m not sure what else to say, really.


Cover of Robert E. Lee and Me by Ty SeiduleRobert E. Lee and Me:
A Southerner’s Reckoning with the Myth of the Lost Cause

by Ty Seidule

My original post

This is a powerful read. This very-Southern, Lost Cause adherent, West Point history professor starts looking at what he’d been raised believing, and the systemic racism of the culture he’d been raised in. The book then recounts example after example after example of the racism everywhere and the excuses made for covering up the treason of the Confederacy everywhere, including the U.S. Army–the army he left and fought against.

I thought Seifert made a compelling case in an engaging read that will stick with you for a long time.


My Favorite Audiobooks of 2025

My Favorite Audiobooks of 2025

It’s time to talk about my favorite Audiobooks. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

As always, re-reads don’t count for these lists.

(in alphabetical order by author)

Cover of Food for Thought by Alton BrownFood for Thought: Essays and Ruminations

by Alton Brown

If you’re a fan of Brown, this is essential. It’s part memoir; it’s part behind the scenes of Good Eats, Iron Chef America, and more; it’s part musings on the state of cooking, food television, eating, etc.; and there’s even some cooking tips. I wouldn’t be surprised to learn a little more than that is covered.

The audiobook brings his signature style, snark, and passion to the material–which really doesn’t need anything to raise the level–but it doesn’t hurt. I had a blast reading it–I don’t know how many people I’ve pushed it on, either.


Cover of Sunrise on the Reaping by Suzanne CollinsSunrise on the Reaping

by Suzanne Collins, read by Jefferson White

I thought I was over the whole Panem/Hunger Games thing. I loved the original trilogy, but just couldn’t bring myself to read the prequels. A review or two and a co-worker convinced me to try this one.

As messed up as you may think that Haymitch was when we first met him…he deserved to be. He earned that–and more. Collins made that clear in the book, but Jefferson White brought that to life–with all the heartbreak, anger, and grief.

It was the audiobook that kept this from being something I checked off to satisfy an itch (and that itch would’ve been greatly satisfied, don’t get me wrong), and turned it into an experience that unsettled me in all the right ways.


Cover of Chitty Chitty Bang Bang by Ian FlemingChitty Chitty Bang Bang

by Ian Fleming, read by David Tennant

I remember precious little about the movie version of Chitty Chitty Bang Bang, and most of that is just the car. But some fellow-blogger mentioned Tennant doing this audiobook (and I’ve lost track of who that was, I feel lousy for it). Curious, I gave it a shot.

I came away with this with two firm impressions: when Fleming let his hair down, he could spin a fun tale. Not one that necessarily makes a lot of sense–but it’s fun. Second–David Tennant was as fantastic at this as I imagined.

I don’t know what else to say–I’m sure I’d have been entertained by just about anyone reading this book. But very few (if any) could’ve made me relish the experience the way I did.


Cover of Future Boy by Michael J. Fox and Nelle FortenberryFuture Boy:
Back to the Future and My Journey Through the Space-Time Continuum

by Michael J. Fox and Nelle Fortenberry

My original post

I was a huge Michael J. Fox fan at the time this book is set (okay, I’ve pretty much been a huge Michael J. Fox fan since then, too),  I was definitely part of the target audience for this. Throw in Fox as narrator, and you know I’m in.

As far as the narration goes, age and disease have impacted his voice—but it’s still Fox, and he delivers it well. The quick audio clips from others involved in the productions Back to the Future and Family Ties are fun bonuses.

This is a fun—and fast—look at a madcap time in Fox’s life with enough of the behind-the-scenes stuff. Fox’s trademark self-deprecation is on display as well.

The only problem with this book is its brevity. Beyond that, I have no complaints—fans of the actor or the film should enjoy this book. I sure did.


Cover of I See You've Called in Dead by John KenneyI See You’ve Called in Dead

by John Kenney, read by Sean Patrick Hopkins

My original post

Hopkins did a great job of bringing this very strange book to life and convinced me that an outrageous character like Bud Stanley could not only exist, but be someone I wanted to spend several hours with. Not just Bud Stanely, either–there’s a pretty diverse and wide cast of supporting characters that Hopkins did an equally convincing job with (the little neighbor boy was one of his best).

It’s not just the performance, obviously, I really got into this funny and heartfelt novel about friendship, mortality, and thinking about mortality. But it’s what pops to mind as I’m talking about audiobooks.

This was the whole package.


Cover of Songs for Other People's Weddings by David LevithanSongs for Other People’s Weddings

by David Levithan with songs by Jens Lekman, read by Jefferson Mays

I found the resolution of this novel disappointing, but I enjoyed a lot of the journey worth the time. This is a novel about a pop musician of some (small) renown who is much sought after as a Wedding Musician–it’s more than I can get into here, but alone is a charming story.

A bonus to this book is that Jens Lekman wrote and performs songs to go with the weddings. I don’t know what this looks like in the text version of the book–maybe just the lyrics, which is nice enough. But a novel about a singer that contains actual songs (purportedly by this singer) is a great bonus and adds something to the book.

Sure, I’m not crazy about most of the songs–just not my vibe. But that they’re there is really nice.


Cover of The Millicent Quibb School of Etiquette for Young Ladies of Mad Science by Kate McKinnonThe Millicent Quibb School of Etiquette for Young Ladies of Mad Science

by Kate McKinnon, read by Kate McKinnon & Emily Lynne (Narrator)

My original post
(Edging out the sequel, Secrets of the Purple Pearl, by a hair–I did go back and forth on it a bit)

Would I enjoy this in print? Yeah—especially the illustrations. But the performance by McKinnon & Lynne makes these things you have to listen to. And likely re-listen to.

These are silly, silly, silly adventure novels about three sisters who wind up at The Millicent Quibb School of Etiquette because they can’t manage to stay in other schools without being disruptive by being themselves. Quibb introduces them to a world of pizza, self-expression, curiosity, mystery, danger—and the chance to save the world from mad scientists.

I cannot say enough good things about this book. The plot is insane, the text are ridiculous, and the jokes are a great balance of silly enough for children but clever enough for adults. They’re perfect for young or young-at-heart readers. McKinnon and Lynne make a good book a great audio experience.


Cover of How to Stand Up to a Dictator by Maria RessaHow to Stand Up to a Dictator: The Fight for Our Future

by Maria Ressa, read by Maria Ressa & Rebecca Mozo

Ressa’s story–from childhood up through the present–is mind-blowing, and the kind of thing one might be skeptical about in a novel. And I’m not going to say more about it now.

But it’s her delivering this material–the raw emotion, the pride, the anger, the conviction–that makes this audiobook. It’s a great story, it’s a powerful call to action–and a strong dose of hope for the future.


Cover of The Accidental Joe by Tom StrawThe Accidental Joe

by Tom Straw

It is difficult to explain just how entertaining this is–and I’m not sure if the narration or the text gets the majority of the credit. Tom Straw did both, so he gets all the credit.

This is the story of a celebrity chef with a travel show who is recruited by the government to use his show as a way to conduct espionage. Which totally makes sense, right? Well…with an iron-clad plan like that, things get out of control.

The book is a hoot. The jinks are hi. And Straw’s narration is perfectly suited to the material.


Cover of The Bang-Bang Sisters by Rio YouersThe Bang-Bang Sisters

by Rio Youers, Kristen Sieh (Narrator)

My original post
So, this is a story about a touring rock band–and after their shows at various bars around the country, they occasionally slip away to kill some criminals that the judicial system can’t put away. Totally normal, stuff right.

Youers fills it with humor, heart, and so, so much violence. It’s fast, it’s furious, it’s bloody, it’s raw emotion, it’s dangerous. It is so much fun. It is Rock and Roll.

And Kristen Sieh? She’s just the lead vocalist that this album needed. I believed the music, I believed the vigilantism, I believed the sisterly-tie between the bandmates/friends/allies; I believed every second of the trap they were caught in and the way they got out of it.

It’s the kind of audiobook that leads me to overhyping.


REPOST: The Real Festivus by Dan O’Keefe: An Explanation for the Rest of Us!

I typically do a Festivus post on December 23, but I couldn’t come up with anything to do this year. However, I did finally get a copy of this book


Cover of The Real Festivus by Dan O'KeefeThe Real Festivus: The True Story Behind America’s Favorite Made-up Holiday

by Dan O’Keefe

DETAILS:
Publisher: Tarcherperigree
Publication Date: January 1, 2005
Format: Paperback
Length: 134 pg.
Read Date: December 21, 2024

What’s The Real Festivus About?

It’s right there in the subtitle, isn’t it? It’s “The True Story Behind America’s Favorite Made-up Holiday.”

In this book you will learn, should you choose, how to celebrate Festivus according to the true and ancient traditions that have guided it since its birth back in the mists of the 1960s. But be warned: the secrets of this book can be dangerous. Do not read it while driving a car; that would be a bad idea. Do not use it to hold down important papers on a desk; it is flimsy and your papers may blow away. If you handle it carelessly, you may sustain paper cuts that are not only painful, but may attract sharks while swimming at the beach. Also, the way things are going in this country, reading books might soon lead to your arrest and a one-way black helicopter ride to some kind of orbital prison, or forced labor on an undersea kelp farm. Depending on the judge you get.

Why is there a need for this book? Well, O’Keefe addresses that right off the bat with his opening words:

So you think the holiday known as Festivus involves a metal pole, do you? Feats of strength? Commercial breaks? WRONG. That’s just the television version. Because a network audience couldn’t possibly have handled the real thing. A family huddled around a table by candle-light one random evening a year, eating and drinking too much, singing in German about a black pig, bitching about people who didn’t like them into a barely functional tape recorder, and displaying obscene, hand-scrawled signs of a political nature.

But if you go beyond simple belief, if you are one of those lost souls who, captivated by the television portrayal of Festivus, actually celebrates the damn thing… what’s up with that? Don’t get out of the house much, do you? Maybe you should get a pet or a hobby or something.* If you don’t already have forty cats in your studio apartment, which will eat your eyes when you die, alone.

*Hard not to take that personally…

He starts with the need for Festivus (a quick critique of some of the major holidays); then moves into the name and what it could mean; its origin; common misconceptions about the holiday (i.e., the Seinfeld episode); and some of the details about the holiday: the floating date, the poems, music, dinner, and gifts; he then details some particular commemorations of the day; and then spends a few paragraphs detailing what the reader needs to pull off an “authentic” Festivus celebration to wrap it up.

So, what did I think about The Real Festivus?

This is not at all what I expected. Sure, I knew the TV version didn’t match up with the O’Keefe family version exactly. But just how little overlap there was (basically: the name) astounded me.

Once you get past the kvetching about the TV Show’s version of Festivus (which seems a little heavy-handed, I have to say, but I think he was going for funny), what this book really is becomes clear. It’s a memoir about an eccentric family’s equally eccentric ritual. Every family has them—the O’Keefes were just nice enough to record them and have one son who achieved enough notoriety to get a publisher to pay for these memories (and the skill to deliver them).

It’s an amusing book infused with a particular kind of sweetness. I don’t know that it’s the kind of thing that will change my Festivus celebrations in the future (I really like the pole), but it’s a rewarding read.


3 Stars

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The Faithful Executioner (Audiobook) by Joel F. Harrington, read by James Gillies: The Plight of a 16th Century Executioner

Cover of The Faithful Executioner by Joel F. HarringtonThe Faithful Executioner:
Life and Death, Honor and Shame in the Turbulent Sixteenth Century

by Joel F. Harrington, read by James Gillies

DETAILS:
Publisher: Novel Audio
Publication Date: October 24, 2017
Format: Unabridged Audiobook
Length: 9 hrs., 39 min.
Read Date: December 4-8, 2025
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What Does the Publisher Say About The Faithful Executioner?

Based on the rare and until now overlooked journal of a Renaissance-era executioner, the noted historian Joel F. Harrington’s The Faithful Executioner takes us deep inside the alien world and thinking of Meister Frantz Schmidt of Nuremberg, who, during forty-five years as a professional executioner, personally put to death 394 individuals and tortured, flogged, or disfigured many hundreds more. But the picture that emerges of Schmidt from his personal papers is not that of a monster. Could a man who routinely practiced such cruelty also be insightful, compassionate—even progressive?

In The Faithful Executioner, Harrington vividly re-creates a life filled with stark contrasts, from the young apprentice’s rigorous training under his executioner father to the adult Meister Frantz’s juggling of familial duties with his work in the torture chamber and at the scaffold. With him we encounter brutal highwaymen, charming swindlers, and tragic unwed mothers accused of infanticide, as well as patrician senators, godly chaplains, and corrupt prison guards. Harrington teases out the hidden meanings and drama of Schmidt’s journal, uncovering a touching tale of inherited shame and attempted redemption for the social pariah and his children.

The Faithful Executioner offers not just the compelling firsthand perspective of a professional torturer and killer, but testimony of one man’s lifelong struggle to reconcile his bloody craft with his deep religious faith. The biography of an ordinary man struggling for his soul, this groundbreaking book also offers an unparalleled panoramic view of Europe on the cusp of modernity, a society riven by violent conflict at all levels and encumbered by paranoia, superstition, and abuses of power. Thanks to an extraordinary historical source and its gifted interpreter, we recognize far more of ourselves than we might have expected in this intimate portrait of a professional killer from a faraway world.

How’s the Narration?

Gillies was fine. I did wonder a bit about why a British narrator was used, especially when Harrington brings up his own U.S. citizenship at least once. It’s not a big deal.

He also didn’t pronounce the Lutheran theologian Philip Melanchthon’s name in a way I’ve never heard before—and that threw me out of things for a moment.

Other than that, I had no substantive complaints. I don’t know that he wowed me, but he didn’t detract from the material.

So, what did I think about The Faithful Executioner?

One thing that should be remembered that the description doesn’t mention is that Executioners in that day were also healers—as a result of their training and experience in their primary profession, they understood human anatomy to a degree that most people didn’t, so they augmented their income by helping heal others.

It’s interesting little tid-bits like that that’ll keep you reading. But not for trivia, for the history.

Okay, this didn’t resonate with me the way it did with my friends who read this. I didn’t get as invested in Frantz’s story as Lawrence did.

That said, I was fascinated by this. The history of the era. The cultural/political shifts going on—and how that impacted his life/profession were my focus. I could’ve read a lot more about the “criminal justice system” (as much as there was one) described. Well, I like to think I could’ve—but I really needed it tied to Frantz’s story for me to actually stick with it.

And honestly, that’s basically it—I was only mildly interested in Frantz. It was the changing context around him that got me. I do find that strange—I really would’ve thought I cared about the guy and his poor family (don’t get me wrong, it’s not like I didn’t care—but not much—also, I found what the author said about the life of two of his children at the end strangely heartening). But the history—culture, penology, politics, health care, criminology? That material was just great.

The story of one man is gripping (and really, the stuff of novels), as is the look at humans at the time—if you’re looking for either (possibly both), you’re going to relish this book and are going to be so glad that Harrington stumbled onto these journals to bring them to us.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Future Boy (Audiobook) by Michael J. Fox and Nelle Fortenberry: How Marty McFly and Alex P. Keaton Crowded Out Michael J. Fox

Cover of Future Boy by Michael J. Fox and Nelle FortenberryFuture Boy:
Back to the Future and My Journey Through the Space-Time Continuum

by Michael J. Fox and Nelle Fortenberry

DETAILS:
Publisher: Macmillan Audio
Publication Date: October 14, 2025
Format: Unabridged Audiobook
Length: 3 hrs., 30 min.
Read Date: TEXT
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What’s the Publisher’s Description of Future Boy?

A poignant, heartfelt, and funny memoir about how, in 1985, Michael J. Fox brought to life two iconic roles simultaneously—Alex P. Keaton in Family Ties and Marty McFly in Back to the Future. Read by Michael J. Fox, this program features renowned clips and music from Back to the Future, plus interviews with the cast and crew of these legendary film and TV productions. Hear this amazing true story as only Michael J. Fox can tell it.In early 1985, Michael J. Fox was one of the biggest stars on television. His world was about to get even bigger, but only if he could survive the kind of double duty unheard of in Hollywood. Fox’s days were already dedicated to rehearsing and taping the hit sitcom Family Ties, but then the chance of a lifetime came his way. Soon, he committed his nights to a new time-travel adventure film being directed by Robert Zemeckis and produced by Steven Spielberg—Back to the Future. Sitcom during the day, movie at night—day after day, for months.Fox’s nightly commute from a soundstage at Paramount to the back lot at Universal Studios, from one dream job to another, would become his own space-time continuum. It was in this time portal that Alex P. Keaton handed the baton to Marty McFly while Michael J. Fox tried to catch a few minutes of sleep. Alex’s bravado, Marty’s flair, and Fox’s comedic virtuosity all swirled together to create something truly special.In Future Boy, Fox tells the remarkable story of playing two landmark roles at the same time—a slice of entertainment history that’s never been told. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon.

The Extras

There were some brief audio excerpts from conversations with some of the people involved in the movie. I think the book faltered there—the excerpts needed to be longer and/or we needed more of them. It really seemed like little audio teases more than anything else.

That said, I enjoyed them—and it’s a great way to do that kind of thing. I just wanted more.

So, what did I think about Future Boy?

I was a huge Michael J. Fox fan at the time this book is set (okay, I’ve pretty much been a huge Michael J. Fox fan since then, too), I was definitely part of the target audience for this. Throw in Fox as narrator and you know I’m in (I really enjoyed his work on No Time Like the Future).

As far as the narration goes, age and disease have impacted his voice—but it’s still Fox, and he delivers it well.

This is a fun—and fast—look at a madcap time in Fox’s life with enough of the behind-the-scenes stuff. Fox’s trademark self-deprecation is on display as well.

The only problem with this book is its brevity. Beyond that, I have no complaints—fans of the actor or the film should enjoy this book. I sure did.


3.5 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Robert E. Lee and Me by Ty Seidule: Taking Another Look at His Heritage

Cover of Robert E. Lee and Me by Ty SeiduleRobert E. Lee and Me:
A Southerner’s Reckoning with the Myth of the Lost Cause

by Ty Seidule

DETAILS:
Publisher: St. Martin's Griffin
Publication Date: January 26, 2021
Format: Paperback
Length: 256 pg.
Read Date: September 15-18, 2025
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As a retired U.S. Army officer and as a historian, I consider the issue simple. My former hero, Robert E. Lee, committed treason to preserve slavery. After the Civil War, former Confederates, their children, and their grandchildren created a series of myths and lies to hide that essential truth and sustain a racial hierarchy dedicated to white political power reinforced by violence. But for decades, I believed the Confederates and Lee were romantic warriors for a doomed but noble cause. As a soldier, a scholar, and a southerner, I believe that American history demands, at least from me, a reckoning.

What’s Robert E. Lee and Me About?

Ty Seidule grew up idolizing (he might argue nearly-literally) Robert E. Lee and his story and legacy. Everywhere he went growing up, there was Lee’s shadow. When he went to college, and then when he was in the Army and served in various capacities and places, it was still there.

At some point, as a historian and patriot, some things started to strike him as odd with what he was seeing. He rolled up his sleeves, did the work and, well…some things started to change.

Here, he looks at where the shadows of The Lost Cause and Lee were cast in the various places he lived over the course of his life and career—and what he, and others, should learn from that.

My Sole Complaint

I think I really only have one. It’s repetitive—no, not the fact that this is really a series of X was pro-Confederacy or racist; Y may have looked to be about history, but if you look at the context, it’s about downplaying such-and-such or ignoring what Robert E. Lee did. That’s the kind of repetitiveness the book is built on—anyone who reads the back of the book knows that’s what you’re going to get.

But Seidule uses certain phrases over and over again; he describes particular figures in the same way over and over again—that kind of thing. It’s hard to put up with—and it’s hard to resist the impulse to skim.

And I don’t want to skim a book like this—not with this topic, not with the kind of details he provides. But too often his writing makes that attractive.

So, what did I think about Robert E. Lee and Me?

The Lost Cause became a movement, an ideology, a myth, even a civil religion that would unite first the white South and eventually the nation around the meaning of the Civil War. The Lost Cause might have helped unite the country and bring the South back into the nation far more quickly than bloody civil wars in other lands. But this lie came at a horrible, deadly, impossible cost to the nation, a cost we are still paying today. The Lost Cause created a flawed memory of the Civil War, a lie that formed the ideological foundation for white supremacy and Jim Crow laws, which used violent terror and de jure segregation to enforce racial control. I grew up on the evil lies of the Lost Cause.

This is a hard book to read. Ignoring my problems with the way that Seidule put things—it’s just tough to read. The extent to which he shows how the Confederacy may have lost the Civil War, but won the narrative—not just in the thinking and speech of the Confederacy’s descendants, but of the US’, too.

Could it have been a little less about him and a little more about everything else? Sure—but framing things in terms of his life and service was a pretty nice move. It gave him something good to hang things on, and kept it from being a diatribe. (and really, I’m betting the percentage of text would show that it’s not that much about him).

I strongly recommend this book—primarily to those who rankle at the idea behind it. Those who have a reflex toward a “State’s Rights” explanation for the Civil War, those who want to talk about the character of Robert E. Lee and how noble he was for choosing the side he did (esp. when you look at what other people in his family did); those who are inclined to look at the idea of Southern Christian culture, etc. I’m not promising that it’ll convince you to shed all of that, but I think it’ll make you think and re-examine a few things. It’s not terribly long ago that I’d have counted myself among you—while Seidule wasn’t part of that change, he sure could’ve been had I read him earlier.

The rest of you will probably enjoy it, too—but it’s just confirmation of your biases, and more evidence to roll out to support those biases. Neither of which is necessarily a bad thing, but the book won’t be as meaningful for you.

It’s a powerful read that will stick with you for a while.

More and more people, especially white Americans, seemed to accept the reality of systemic racism in the United States, epitomized by the Confederacy and the Lost Cause myth. Was this the clarion call that would result in change? Would the country recognize its foundational problem and act?

Racism is the virus in the American dirt, infecting everything and everyone. To combat racism, we must do more than acknowledge the long history of white supremacy. Policies must change. Yet, an understanding of history remains the foundation. The only way to prevent a racist future is to first understand our racist past.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Did Jesus Really Say He Was God? by Mikel Del Rosario: My Kind of Apologetics

Cover of Did Jesus Really Say He Was God? by Mikel Del RosarioDid Jesus Really Say He Was God?:
Making Sense of His Historical Claims

by Mikel Del Rosario

DETAILS:
Publisher: IVP Academic
Publication Date: October 23, 2025
Format: eARC
Length: 256
Read Date: September 14-October 5, 2025
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What’s Did Jesus Really Say He Was God? About?

One of the most common things non-Christians will say about Jesus is something along the lines of, “He never claimed to be God, that’s something that Christians made up years/decades later.” As people probably no longer say, “big, if true.”

Del Rosario takes on this question (and variations of it) head-on—he takes just two passages of Scripture, examines what they say, looks at what critics say about it, and then argues that Jesus did claim divinity in the passages.

The Strengths

The strengths of this book come in the two parts (slightly more than 50% of the book) looking at Mark 2:1-12 (“The Healing of the Paralytic”) and Mark 14:53-65 (the examination before the Jewish leaders before going to Pilate). These passages are selected from Mark because it’s widely considered the earliest of the canonical gospels, and therefore less likely to have gone through any kind of mythologizing. Another reason they were selected is that the reaction of Jesus’ opponents highlights his claims of divinity.

For each passage, he begins by looking at the events depicted in the passage for a chapter or two. He then spends a chapter on the blasphemy accusation against Jesus. He concludes with a chapter on the claim of divinity made in the passage.

Seriously, I could’ve read more on each passage—not because he needed to say more, but because I enjoyed and benefited from the discussion. Or I could’ve read another passage or two for more examples of how his approach strengthens one’s confidence in Jesus’ claims.

The Weaknesses

Del Rosario employs a tool I’ve seen others use a couple of times—where they attempt to attach a numerical value on the probability of something happening the way a historical record says it does—and weighing that numerical value against a competing interpretation’s value.

Maybe this is just me, but it feels like trying to take history and making it a “real” science with numbers and whatnot. I just don’t understand the appeal of doing history this way.

I also tend to have a hard time following the discussion whenever it attempts to do that—maybe it’s a block on my part, maybe it’s because I already have little interest in it, or maybe it’s an inherent flaw in the idea. But I think the book would’ve been stronger without it.

So, what did I think about Did Jesus Really Say He Was God??

Del Rosario writes clearly and compellingly. The text—even when it gets technical—is straightforward and approachable by people who aren’t historical scholars (except for the numerical assignments).

Not only does reading this help buttress the confidence a reader has in the passage and Jesus’ claims in them, but Del Rosario gives his readers a model to follow when they come across similar passages. Whether that’s on your own or in reply to a challenge to Jesus’ claims of divinity.

Did he actually say x, y, or z? What do those sayings me? How did his listeners hear his claims? What is he really claiming in the passage—what does what he says mean? How does knowing that help make sense of his opponents’ reaction?

I really appreciated his focus on the text of Scripture in his apologetic here, not an appeal to reason or philosophical arguments, or a vague history—but to the revelation we’ve been given and then to see what that revelation said to the original readers/listeners.

I heartily encourage this book, and hope for a sequel or three, tackling similar passages.

Disclaimer: I received a copy of this book from IVP Academic via NetGalley—thanks to both for this. Sorry it’s up late, it’s been one of those months.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Mailman by Stephen Starring Grant: Fun Stories, Hard Work, and Some Things to Chew On

Cover of The Mailman by Stephen Starring GrantThe Mailman:
My Wild Ride Delivering the Mail in Appalachia and Finally Finding Home

by Stephen Starring Grant

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: July 8, 2025
Format: Unabridged Audiobook
Length: 9 hrs., 37 min.
Read Date: September 29-30, 2025
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What’s The Mailman About?

Steve Grant was a marketing consultant and behavioral economist who worked for some pretty big-name companies and firms. And then…he was laid off. He was the chief earner for his family of four (and two of those four would be starting college in the near future). What’s more, he was fighting cancer, so he really needed health insurance.

A quick aside: other than occasionally saying he had cancer, this memoir doesn’t talk about it. If you’re not into medical stories, you’re good here.

So, he ends up taking a job as a part-time rural mail carrier while he looks for another job in his field. The problem is, that job didn’t stay part-time. It became full-, and even more than full, time. Because he does this in 2020.

2020, as you might remember, was a pretty big year for Postal Carriers (and those in similar positions)—you’ve got people shut up in their houses with minimal contact with the outside world, you’ve got people ordering things like crazy online, and then there’s a tiny lil’ election that put a lot of focus on ballot security. So, really, Grant picked a good year for this career shift (however temporary)—at least if he wanted good material for a memoir.

And that’s what we have hear—a memoir of that time: the training, the first couple of days (a lot harder than he expected), the deluge of packages over the summer, some things he tried (and some he shouldn’t have) to do to make the job easier, some more interesting happenings while he was on the job, and a little bit more.

And it starts with the delivery of a sword… (you can’t go wrong with opening a book with a sword)

Things I didn’t Expect to Get

I expected a cute little book about being a rural postal carrier—and got that (maybe not cute, but an amusing take on it). What I didn’t expect was a beautiful excurses on patriotism (as brought about by taking the oath as a carrier).

I didn’t expect thoughtful discussion about guns in America—safety, use, and need for them (and how we’ll never be rid of them)—I’m sure it will rankle several on both sides of the aisle. He talks about books and their magic (and necessity), the importance of community. What he said about service and work…I really was wowed by a lot of the things he touched on.

Really, by the end, if Grant were running for office, he’d likely get my vote.

A Word About the Narration

Grant feels like a natural. He probably isn’t one, there’s likely a lot of hard work behind this, but he feels like one. He’s no stranger to giving presentations, or selling people on ideas—and that is clear here.

While it’s clear that he’s reading, it really feels from the heart. You can’t help but respond to an audiobook like that—especially one of this nature.

So, what did I think about The Mailman?

I was really impressed with this book. I’ve read/listened to a handful of “here’s a quirky memoir about job X” lately—and while I largely enjoy them, I rarely am moved. I was both amused and moved by this book.

It’s a great look at a divisive and eventful period in our contemporary history. It’s a part of life (as Grant notes) that we usually take for granted—like plumbing—until there’s a problem. And it really shouldn’t be. The postal service is the oldest U.S. organization (other than the Army), its history shaped a large part of our country’s early history—and the impact it has on us even today is easily forgotten. Grant calls us to pay at attention while talking about some antics there, some interesting people he encountered, and reminding us of the importance of serving.

I strongly recommend this for a good, thought-provoking, time.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BOOK SPOTLIGHT: How to Survive in a Scale-up Business by Vidya Murali

I’m pleased to host this spotlight for Vidya Murali’s recent release, How to Survive in a Scale-up Business. From what I can tell, I wouldn’t understand most of the book, but their publicist asked nicely. So why not help bring this to the attention of someone who is interested in business writing?

Book Details:

Title: How to Survive in a Scale-Up Business: Master the Human Skills Needed to Thrive in Young, High-Growth Businesses by Vidya Murali
Format: eBook/Hardcover/Paperback
Length: 166 pg.
Publisher: Routledge
US Publication Date: August 20, 2025
Cover of How to Survive in a Scale-up Business by Vidya Murali

About the Book:

Working in a scale-up is exciting, but it can also be exhausting. This book is your emotional survival kit for succeeding in a fast-paced and unpredictable environment.

Scale-ups attract ambitious, driven and hardworking individuals seeking excitement, ownership, freedom and greater rewards. However, these opportunities often come with challenges. Understanding the emotional and behavioural patterns commonly seen in scale-ups – and learning from others’ experiences – can help you move from struggling to thriving.

In this book, author Vidya Murali brings together:

  • A personal scale-up suitability checklist to help assess and understand whether scale-ups are the right environment for you based on your skills and preferences
  • Guidance on what to look for when interviewing, and how to set yourself up for success in the first 90 days
  • Insights, frameworks and coaching questions to tackle toxic patterns commonly seen in scale-ups
  • Real-life case studies from scale-up leaders with lessons and strategies
  • Practical strategies for introverts, highly sensitive people, ethnic minorities and people with ADHD and/or dyslexia to thrive in scale-ups
  • Tools for building your emotional skills to progress and thrive in scale-ups – including if you lose your job or face a mental health breakdown

A must-read for anyone transitioning into scale-ups or already working in one, this book will be of immense interest to graduates seeking their first full-time role, professionals transitioning from corporate environment, leaders – including founders – as well as HR professionals and coaches.

Book Links:

Amazon UK ~ Amazon US ~ Bookshop.org

About the Author

Vidya Murali has been working in the UKu2019s leading tech businesses, including Amazon and high-growth scale-ups such as Deliveroo. Having grown up in India before moving to the UK in 2006 and completing her MBA at the University of Cambridge, Vidya brings a unique perspective as a woman of colour and an introvert navigating high-growth and fast-paced business environments. She experienced significant anxiety in the wake of the pandemic, which prompted her to reflect on what matters most and prioritise her well-being. During this time, she started practising mindfulness meditation and began supporting others through coaching and mentoring. She now holds a leadership position and supports her colleagues and clients as they navigate the exciting u2013 yet chaotic u2013 environment of fast-moving scale-ups, helping them navigate the challenges and seize opportunities, and thrive.

LinkedIn


Thanks to Ambition Public Relations Limited for the request to feature this!

Samurai! by Saburo Sakai with Martin Caidin and Fred Saito: The War in the Pacific from the View of a Japanese Cockpit

Cover of Samurai! by Saburo SakaiSamurai!

by Saburo Sakai with Martin Caidin and Fred Saito

DETAILS:
Publisher: Bantam Books, Inc.
Publication Date: May 1978
Format: Paperback
Length: 315 pg.
Read Date: July 17-22, 2025
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In the Imperial Japanese Navy I learned only one trade—how to man a fighter plane and how to kill enemies of my country. This I did for nearly five years, in China and across the Pacific. I knew no other life; I was a warrior of the air.

What’s Samurai! About?

The inside page of my edition puts it this way, and I can’t do much better (although I might tone down the language a bit, but it’s not bad for the late 70’s)

The Outcast Who Became Emperor of the Skies

He was a school dropout, juvenile delinquent, and family disgrace—until he first stepped into an airplane. From that moment he soared into legend as Japan’s deadliest ace, and the most feared pilot of World War I.

SAMURAI! is the unforgettable saga of Saburo Sakai—a story of explosive action, violent victory, and personal agony that is absolutely true and vividly real . . . from the roaring of winged cannons in aerial combat, to the anguish of a defeated nation.

The Foreword Alone

The foreword to the book gives an abbreviated biography of Sakai and is the only point that Caidan and Saito are mentioned, to emphasize the “autobiographical” nature of the book*. It also describes some of the research that went into the book.

Honestly, you don’t have to read the whole book to get the idea that Sakai is an impressive figure. Just read the foreword. His post-ward activities alone are pretty impressive—possibly more so than the feats during the war, given the context.

If you’re at all curious about the book, read the foreword. If you’re still curious—dive in. If you decide, “I’m good,” at that point, you probably are. (Although you might want to take a glance at chapters 2 and 3 to see what his military training was like. If you’re similar to me, you’ll think that Full Metal Jacket‘s Gny. Sgt. Hartman wasn’t so bad after all.)

* There might be one or two mentions of Saito’s research in footnotes, but I’m pretty sure Caidin isn’t mentioned again. Like a good ghostwriter, he disappears.

Incredibly True

The back cover of my edition claims that this is “an incredibly true, powerfully moving story of glory, defeat, and ultimate victory—told by the man who lived it.”

Maybe it’s just me, but anytime you put a qualifier on “true,” my skepticism kicks in a little. I’d prefer something “credibly true” any day. Yes, this is an incredible story. And yes, I think it’s based on truth. Probably truth that’s grown a little in the telling.

Is this just fallible memory? Is it the story of someone whose accomplishments get embellished by himself/others a little over time to the extent they don’t remember the actual details? Is this the case of a ghostwriter goosing the facts to make for a better, more exciting read in the States? Possibly all of the above—I lean toward a combination of the latter two (my instinct to favor the third option is helped by the fact that this book wasn’t published in Japan).

It should be stated that the foreword claims that in addition to the hours and hours of interviews with Sakai that Fred Saito, an Associated Press correspondent, researched military archives (from multiple nations) and interviewed associates to authenticate this. How much of that ended up in the final product is beyond my ability to state.

The text points out some places where there are discrepancies between official records and witnesses and what the text states happened. So, it’s not like Caidin and Saito are unaware of some discrepancies.

On the Other Hand…

In April of 1944…With the secret reports available to me as an officer, I had been able to maintain a true appraisal of the war. The secret documents were a far cry from the drivel shouted over the radios to the unsuspecting populace. Everywhere in the Pacific our units were being forced back. Incredibly powerful American task forces, fleet units the size of which staggered the imagination, roamed the Pacific almost at will.

… We were still hanging on at Rabaul, but no longer did that once-mighty bastion threaten Moresby and the enemy’s other bases. Rabaul suffered in more ways than one. The Americans were using it for bombing practice, to break in their new replacements.

From the war in China, the reports internal to the Japanese military, what the civilians heard, and what American military/news reported, one thing that Sakai is clear about for almost the entire book—everyone was lying, exaggerating, hiding, and spinning facts.

So it’s no wonder at all that it’s hard to document or “prove” all of what he says. Probably everything we read about the War in the Pacific should have an asterisk following it, not just this book.

Sakai’s Mistakes and Injuries

No longer was I myself inviolate. It had been the enemy’s turn then, and no less than a miracle had brought me here on this train as it swayed along the tracks leading to Sasebo. A man sees the war differently after the doctors have scraped away rotten flesh from his skull, have dug jagged steel splinters from his body, and comforted him with the staggering living-death sentence, “It is not so bad, Sakai, you will be only half blind.” Only half blind!

Sakai is pretty upfront with mistakes, blunders, and times that his ego led him and others into trouble (although he was rarely alone in letting ego get the best of him). His first arial combat was just…ugly, and he got chewed out for it—as he should’ve, from what I can tell.

He sustained his share of injuries throughout the conflicts he was in—obviously, the worst was the injury that cost him most of the sight from his right eye. I’m not going to go into details about that incident—you really want to read about it yourself, even more than the hint you get in the Foreword.

But when you read about the medical care he received, you have to wonder a little bit what 2025 doctors would do differently. It’s not quite as bad as reading about Civil War surgeons dealing with injuries—but it’s not unlike it, either.

Still, that he came back from that at all to take to the air again says a lot about him. It probably also says a lot about how Japan was doing in the War at that time, and how much they needed pilots.

So, what did I think about Samurai!?

But to fly is just like swimming. You do not forget easily. I have been on the ground for more than ten years. If I close my eyes, however, I can again feel the stick in my right hand, the throttle in my left, the rudder bar beneath my feet. I can sense the freedom and the cleanliness and all the things which a pilot knows.

It’s easy to think of this—in part, anyway—as Sakai telling stories that make him look good (with a few exceptions for the sake of true or perceived humility). But he’s quick—and consistent—to praise others. He makes some of these other pilots sound really amazing, and I appreciated Sakai singing their praises and lamenting their deaths (as appropriate).

Like any good narrative about war*, Sakai does wonder about the costs to both sides.

…that night, for the first time, I thought of the enemy pilots I had shot down as other human beings like myself, instead of unknown entities in their planes. It was a strange and depressing feeling, but, as with every other facet of war, it was kill or be killed.

He doesn’t forget that—but in kill or be killed, survival comes to the forefront.

More than once, I realized that when I was pleased to hear about a close escape, or a great victory for him, that I was cheering against the U.S. in the War. And that feels more than a little strange, I have to say. It’s one thing in a work of fiction to get invested enough to cheer for an enemy or opponent. But in non-fiction?

I didn’t even get into the strange but sweet love story about Sakai’s first wife, and wish I knew more about what happened to her after the War, although it’s clear it’s not a happy story for anyone.

From his horrific days in training; through the combat in China; through hearing about how Dec. 7, 1941 could have had more infamy to live in; through his injuries and triumphs; through the end of the war—this was a riveting read. Yes, I have many questions about some of the details—but as a reader, not a professional historian, I can let those go and appreciate what we have.

I recommend this book, with some obvious caveats. But as someone rapidly approaching the time in life when I’m legally obligated to read WWII histories and watch hours of documentaries about it a week, this is a decent place to start. Fellow Gen Xers approaching the same deadlines would do well to give this a glance.

People who just love an exciting first-person account should do that, too.

* Maybe that’s my personal preference shining through.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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