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Irreplaceable: Humanity, Vocation, and the Limits of Technology by Gene Edward Veith Jr and A Trevor Sutton: Close, but No Cigar

Cover of Irreplaceable: Humanity, Vocation, and the Limits of Technology by Gene Edward Veith Jr and A Trevor SuttonIrreplaceable:
Humanity, Vocation, and the Limits of Technology

by Gene Edward Veith Jr. and A. Trevor Sutton

DETAILS:
Publisher: Baker Books
Publication Date: October 6, 2026
Format: TEXT
Length:TEXT
Read Date: TEXT
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We may be God’s agents, but we also have our own agency. God works through us when we love and serve our neighbors, but we also resist him using the very gifts he has given us to love and serve ourselves, even when that means harming our neighbors. That is to say, we are sinners. We sin in our vocations. And we sin in and through and by means of our technology. In fact, if technology is a medium that extends and strengthens our human powers, it can extend and strengthen our sinfulness as well.

What’s Irreplaceable About?

Essentially, the authors set out to take the Protestant (particularly Lutheran) idea of vocation and apply it to the technology of the mid-2020s. Automation, algorithmic decision making, generative AI, and similar technologies make big promises—but how do they relate to human work, human service, human vocation?

How do we harness technologies as a tool and use them as such, rather than let them displace human workers and diminish them?

Where the Book Succeeds

“Chapter 1: Mediated Work: Our Tools and God’s Tools,” is the best part of the book—and it’s not even close. There’s a lot of wisdom here and it should be meditated on.

A lot of the later chapters about “Technology in ____ Vocations—dealing with work, family, society, church and so on, have a lot to offer as well. Some things that aren’t really worth talking about, too.

The more abstract the book gets, the better it is. It’s when Veith and Sutton try to get their hands dirty and deal with particulars that I find them struggling.

Where the Book Falters

Primarily it’s in what the book doesn’t do or try to address.

“H.C.,” you say, “is that fair? No book can do everything.” This is very true—it can’t and I shouldn’t expect it to. But in a book exploring ethical responses to emerging technology from a Christian perspective, I would like to see some things addressed. The ethics behind the development of this technology—the exploitation of the workers, the theft of intellectual property, the goals and methods of the producers. The impact this technology and its growth can have on the word around us—politically (both in party and governmental senses as well as in what it does to human society) and environmentally. Lastly, the effects it can have on the human mind, not just human vocation.

ChatGPT and the Writing of the Book

Chapter 3 starts with a dialogue between one of the authors and ChatGPT—copied and pasted for our benefit, as an illustration (at least partially). I thought it was interesting—particularly because I thought doing so clashed with a point made later in the chapter.

But I have to think a little—how much more of this book was done aided by it (or a similar product)? While I’d prefer the authors to be able to say straightforwardly “There was no AI involved outside this one illustration,” (or, not at all). I’d really like to read what else they got some help with.

Why did I pick this up?

To say that Gene Veith’s book God at Work: Your Christian Vocation in All of Life, was formative for me is to understate it. I can still hear passages and concepts from it as I think through things today. So another book by him related to the idea of vocation? Sign me up without hesitation or forethought. (which is literally how I got this copy, as soon as I saw the title and author, I requested it immediately)

Secondly, I’ve found myself in conversation and books this year about AI/Large Language Models/Generative AI-or whatever you want to call it. Really only one book was a conscious decision to explore it more (I really thought I could dip into things with Doctorow’s book and walk away, rather than getting curious enough to dive deeper)—and thoughts from a Christian who thinks seriously about things (as I assume his co-author did, too), seemed like a good follow-up.

So, what did I think about Irreplaceable?

While the present technological landscape will soon change, God’s plan for human work as a locus for loving our neighbors will remain. While new and difficult questions will arise with each new technological development, God’s callings on our lives and our vocational identities will remain. The more that technology changes the world, the more important it will be to discern God’s work in us and through us and how it has the power to bring about enduring faith, hope, and love.

If I had written this a day or two after finishing the book, I’d have been a lot more positive. But the more I think about it, the more problems and questions I have. So I’d better get this written now, before it becomes a pan, eh? (that was a joke, it’s not pan-worthy).

I do think the book fails to address the AI industry as it actually is, instead presenting it in a way as it’s sold on being and working. Were this book written a few years ago, before the folks at OpenAI had released anything, and instead focused on emerging technologies, social medias, and that sort of thing, I’d be speaking much more positively about it. This it too much about the idea of AI, not the reality as it now is (and seems to be headed).

I don’t need Veith and/or Sutton to be running around like a Chicken Little (even a correct Chicken Little), but I think we should take off the rose-colored glasses for a bit. I did write down a couple of times in my notes, “this is too pie in the sky.” And I probably could’ve done that more.

I like the thoughtfulness of the book. I really did think about some things in a fresher way—and anyone who can invoke the Sewing Riots, the Luddites, and Milton from Office Space within a page or two to build an argument, deserves reading.

We need more books like this, we need more people interacting with Biblical wisdom, insights from the ages past, and contemporary technology—both the doomsayers and the proponents. The conversation started here needs to continue.

Irreplaceable just didn’t deliver everything it should’ve—it took the easy way out on some topics, and skirted others. I think the authors are capable of more, and just didn’t deliver. But, I encourage those curious about addressing the ideas and issues from a conservative Protestant prospective, to pick it up and wrestle with it.

And maybe to come back and tell me where I’m wrong.

Disclaimer: I received this book as a participant in the Baker Publishing Group Nonfiction Reviewer Program—a book that I requested. However, as always here, the opinions expressed are my own.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Confederacy Myth by Connor Williams: A Pro-U.S.A. Apologetic

Cover of The Confederacy Myth by Connor WilliamsThe Confederacy Myth:
How an Insurrection of Slaveholders Tried to Destroy the United States

by Connor Williams

DETAILS:
Publisher: St. Martin's Press
Publication Date: October 13, 2026
Format: eARC
Length: 288 pg.
Read Date: September 29-October 8, 2026
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What’s The Confederacy Myth About?

I’ve been struggling to find a concise way to describe this book without being too oversimplified or too detailed. Then, as I was starting this post, I noticed a couple of things on Williams’s website that helped. The last time it was updated, when he was just starting to write this book, the title was going to be Our Domestic Enemy: The Confederate Insurrection and the Civil War that Saved Our Nation, which gives a slightly different flavor than the final title. He describes the book as “leapfrogging back over a hundred and fifty years of sentimentalized stories and takes readers back to the causes, courses, and consequences of the Confederate insurrection, centering us squarely in the actions and writings of the American people as they fought the bloodiest war in our nation’s history.”

That’s a really nice way to put it. Williams tackles some of the myths about the Confederacy and the insurrection it started that have captured the imagination of many, looking at the data, the statements of people both in the USA and in the rebellion, and the results to help us see with a clear vision that the reason “the United States prevailed in the Civil War: five out of six Americans resisted the Confederate insurgency and instead put everything on the line to fight for democracy…our Republic.” (from the Publisher’s description).

The Book’s Argument

Williams, standing on things said by Lincoln, Douglas, various newspapers (loyal to the US and not), other government officials, and leaders of the rebellion, focuses on seeing the war as just that: a rebellion. One that fomented for decades—with some surprising support from within the U.S. government.

He shows how the slave states didn’t care for states’ rights before Lincoln’s inauguration—in fact, they used the federal government to override the laws of “free” states with the Fugitive Slave Act; how the would-be government of the C.S.A. didn’t believe in succession from it, making their effort to leave the U.S.A. more than a little hypocritical (as well as illegal and unconstitutional); how the insurrection was largely armed through stolen weapons and was outfought throughout the conflict. Yes, they did some major damage, but it was never a serious military (or economic) threat to the government.

Williams is also clear about the sound strategies of the U.S. Army in the West, as well as the struggles in the East (for too long). He’s not hagiographic about Lincoln or anyone else, but does emphasize the overarching goals of those loyal to the Constitution and freedom.

Why did I pick this up? Why did I keep reading?

I picked this up because I was hoping for a brief book countering the “Lost Cause” kind of thinking—and got it.

But I got so much more. On the one hand, who really thinks we need an apologetic for the U.S. in the 1860s? But that’s what this is—it’s not so much contra-Lost Cause as pro-America (which carries the former with it).

Just that slight difference of angle makes all the difference.

So, what did I think about The Confederacy Myth?

This was hard to read—especially as it covers the years pre-Ft. Sumter. Don’t get me wrong—I was well aware of all the problems that existed around slavery and the machinations of politicians around it. But in the years since I did any semi-serious reading on it, my memory had gotten too fuzzy. The United States really had fallen short of its ideals, and the politicians/courts weren’t helping much with the way they treated that issue.

Once we get to the chapters post-Sumter, it becomes easier to read, in a way. It becomes a us vs. them (or U.S. vs. Them) story, one that’s familiar. But Williams’s recounting doesn’t allow for romanticizing or glamorizing the insurrection along the way.

We don’t get a lot of post-Appomattox material, but we do get some—and can see how things might have been different (and might not have been), had Lincoln not been assassinated. It’s good to see a Congress that takes its job seriously and made sure that Andrew Johnson wasn’t able to make too much of a mess of Reconstruction and was able to move civil rights forward (not enough, but that’s a story for another time).

The number of things I highlighted and made notes about…if this were a hard copy, I’d probably have increased the weight by 50%. There’s just so much gold to be mined here.

This is a solid work, full of things we need to remember and consider today. It’s definitely going down as one of my favorites of the year and one I’ll recommend for a long time to come.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from May

I’m even behind on my catch-ups…this summer really did a number on my organization. Let’s see if I can get some of it back. Again, I want to remind the reader that the point of these quick-takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Cover of The Frame-Up by Gwenda BondThe Frame-Up

by Gwenda Bond, read by Shannon McManus (Narrator)

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: February 13, 2024
Format: Unabridged Audiobook
Length: 11 hrs., 3 min.
Read Date: May 4-6, 2026

This was a solid heist novel with just a dash of magic thrown in. Honestly, I’m not sure the magic was necessary—Bond has enough going on with the dash of romance, the family drama (increased by a “can’t go home again” story arc), and the art heist.

But throwing in the magic just kicked everything up a half a notch, if not a full notch. So I’m not complaining–I’m just trying to say that the criminal found family of it all was enough.

This is my second novel by Bond—and it’s enough to make sure that I’ll take a second look at other books by her.

Cover of The Terminal List by Jack CarrThe Terminal List

by Jack Carr, read by Ray Porter

DETAILS:
Series: The Terminal List, #1
Publisher: Simon & Schuster Audio
Publication Date: March 6, 2018
Format: Unabridged Audiobook
Length: 12 hrs., 24 min.
Read Date: May 7-11, 2026

Ugh. How did this get so popular? I’m not really that willing to spend time on talking about it. I can’t think of a single moment that I enjoyed–even Ray Porter couldn’t save it. I kept listening to see if it climbed up out of the horrible pit to make it to “extraordinarily mediocre.” Also, because I wanted to be able to tell someone that I gave it a full try.

Both are choices I regret. Cookie-cutter action from a Gary Sue super-soldier. Completely uninspired and derivative. And there are how many sequels???

Cover of The Arkadians by Lloyd AlexanderThe Arkadians

by Lloyd Alexander, read by Words Take Wing Repertory Co

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: November 9, 2010
Format: Unabridged Audiobook
Length: 5 hrs., 49 min. 
Read Date: May 18-19, 2026

I feel disloyal to my grade-school self in giving a Lloyd Alexander book a “meh.” But this one pretty much deserved it. Alexander’s playing around with Greek myths fell pretty flat for me, I didn’t connect with the characters, the story (especially the results for each character) was predictable, and the whole thing felt written by a formula. I did find some scenes amusing and/or effective, but I doubt I’ll return to this one again and again. (I probably will give it one more chance down the road, just to be sure it wasn’t my mood)

Cover of Booked by Alison GaylinBooked

by Alison Gaylin

DETAILS:
Series: Sunny Randall, #13
Publisher: G.P. Putnam's Sons
Publication Date: May 12, 2026
Format: Hardcover
Length: 320 pg.
Read Date: May 25, 2026
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This was entirely too quick to read–but I find that’s a thing with Gaylin’s Sunny book–she just gets in the groove and you’re rocketing through the thing. I really liked what she did with the recurring characters here, especially Blake. I’ve given up hope of a decent Richie storyline, but I didn’t mind this one. As far as the latest Malanie Joan drama–this might be my favorite use of her. The mysteries involved were pretty well executed, and I bought the way that Sunny finally uncovered the link that tied it all together. I’d seen the link (or something very much like it) coming for several chapters, but wasn’t sure Gaylin would pull off Sunny’s discovery. I think I’ve learned now to trust her. No Sunny Randall book has ever blown me away–but Gaylin makes me happy to see the series continuing and delivers a satisfying read every time.

Cover of Cultish by Amanda MontellCultish: The Language of Fanaticism

by Amanda Montel, read by Ann Marie Gideon

DETAILS:
Publisher: Harper
Publication Date: June 15, 2021
Format: Unabridged Audiobook
Length: 8 hrs., 21 min.
Read Date: May 21-26, 2026

This was truly disappointing—the subtitle made me think it would be one thing, and while the text would occasionally tip that way, it didn’t stick with it. Honestly, you should go read what Kathy @ 746 Books had to say about it. She captured my ideas better than I could.

Cover of Unread by Oliver JamesUnread:
A Memoir of Learning (and Loving) to Read on TikTok

by Oliver James

DETAILS:
Publisher: Hachette Audio
Publication Date: February 24, 2026
Format: Unabridged Audiobook
Length: 7 hrs., 10 min. 
Read Date: May 26-27, 2026
  1. James’ achievement—as well as his openness about the life experiences that got him to this point—should be celebrated. Seriously, I’m impressed and would love to sit and chat with him about it.
  2. Everyone should be upset at the education system that failed him—and almost certainly fails many others like him every year.
  3. There’s a lot to commend about this book.
  4. This is not good book. There’s too much redundancy that feels like it was included to make an arbitrary word count. The timeline is a bit muddy, and would’ve been better to follow had it been presented linearly. If it were a series of blog posts, or a book half the length, I wouldn’t have complained.
  5. To reiterate: this is a criticism of the book, not of the author, what he’s doing or how he’s doing it.

Cover of Starship Troopers by Robert A. HeinleinStarship Troopers

by Robert A. Heinlein

DETAILS:
Publisher: Ace
Publication Date: June 27, 2006
Format: Paperback
Length: 288 May 25-27, 2026
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There’s a lot to like in this—there’s a lot to be disappointed in, too. I was pretty much in until the big battle scene. But after that? It all fell short after that. Heinlein clearly had things he wanted to say about the role of a citizen, the role of the military, war, and so on—and he used this book to say them through various mouthpieces. Sadly, most of what we got was talk, theory, just ideas, unlike similar books that put the talk into action (albeit fictional, it’s more than just haverings).

I walked away dissatisfied. I know I open myself up to ridicule, mockery, and disdain for that—but that’s how it is. Others who’ve clearly been influenced by this novel have done a better job with it (e.g., Scalzi, Hurley, Card).

Cover of After the Fall by Edward AshtonAfter the Fall

by Edward Ashton, read by John Pirhalla

DETAILS:
Publisher: Macmillan Audio
Publication Date: February 24, 2026
Format: Unabridged Audiobook
Length: 9 hrs., 56 min.
Read Date: May 28-29, 2026

Maybe because of Ashton’s reputation, I went into this with expectations that were too high. Because I felt like I should enjoy what I was hearing more than I did throughout the whole book–and there’s no reason for me to think like that. It was a solid premise, and Ashton (and Pirhalla) did a good job in executing it. But the whole time I kept thinking, “he’s about to knock my socks off in the next development/chapter/scene,” and that never happened. There’s a lot to praise here, but it never made the jump from “pretty good.” And since I came in expecting more and didn’t get it, the book felt like a letdown. I don’t think I’m being fair to the book, but…

Cover of Remington Platypus by Steve NashRemington Platypus

by Steve Nash

DETAILS:
Publisher: Northodox Press
Publication Date: July 31, 2025
Format: eBook
Length: 362 pg.
Read Date: May 28-30, 2026

I really thought I’d written a full post about this, and I’m rather annoyed to find out that it doesn’t exist.

This is a fairly-standard, but well-executed, Police novel about a grizzled detective who does what it takes to get the job done—sort of a Harry Bosch figure. Although he’s on better terms with his superior and some of his colleagues. He’s taking on a drug supplier and goes too far, resulting in him being transferred to a small town, his hometown, where he struggles to fit in—except for the few who remember him. There he encounters some crimes that lead him right back into investigating the same supplier. And things get ugly from there.

But here’s the thing—all the creatures are animals. Animals who have formed a parallel society to humans, complete with schools, police services, and drug gangs. There are some animals who haven’t taken this civilization thing to heart—and remain wild and without speech, higher thoughts. We’ve seen a lot like this before, but not like this.

Combining these two tried-and-true story types is just brilliant. You make these people instead of animals and most of the novel works just fine. You take out the crime element and just leave the inter-animal conflicts in and it’d be a pretty cool story. The mashup of the two elevates this to something else. The only comparison that jumps to mind is the comic Fables combining crime fiction and fairy tales.

Raven was raving about this last year, and it’s easy to see why. You need to check out their post.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

An Icelandic Adventure by S. Bavey: Traveling with the Baveys

Cover of An Icelandic Adventure by S. BaveyAn Icelandic Adventure:
One Family’s Mostly Successful Quest for Puffins, Pleasure, and Perfect Pizza

by S. Bavey

DETAILS:
Publication Date: November 23, 2024
Format: eBook
Length: 118 pg.
Read Date: September 14, 2026

What’s An Icelandic Adventure About?

This is a day-by-day recounting of the Bavey family’s vacation to Iceland in June 2024—a great way to get away from some record heat in New England. The two parents and two teen children visited a number of places in their seven-night trip along the south coast (and back again).

Bavey gives a detailed itinerary, shares some nice photographs, and provides pronunciation guides throughout—I’m sure even with that help I didn’t read correctly, although I tried. That’s on me, not her.

Why did I pick this up?

I helped out with the book’s cover reveal back in November 2024, and picked it up when it came because it sounded fun. And it was.

But what led me to finally getting around to it was The 2026 BookTempter’s TBR Challenge prompt, “Treat yourself to a book that is not from your usual genre. Expand your minds!”

So, what did I think about An Icelandic Adventure?

One—it was a perfectly pleasant read. Bavey writes with a light, conversational touch—and did make me grin a few times. I do wonder about the level of detail when it comes to what was eaten, restroom breaks, and whatnot—and then the relative lack of detail when it comes to descriptions of some of the attractions.

Two, it felt like sitting down with a friend describing a family vacation—you can enjoy it, but not really get invested in it. Particularly if it’s somewhere you’re not terribly interested in visiting yourself.

Three, despite those two thoughts—there’s a reason this is not “a usual genre” for me—I really don’t have a desire to track down more things like this. It’s really not for me. Which isn’t to say that if Bavey, or some other aquaintence/friend, writes something like this in the future that I won’t pick it up (and likely have fun), but I’m not going hunting for them.

I do recommend it for a quick, pleasant read—full of nice tips if you’re visiting Iceland, including some great links in the back to various places.

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Parks and Rec by Jennifer Keishin Armstrong is worth at least 4,999 Candles in the Wind

Cover of Parks and Rec by Jennifer Keishin ArmstrongParks and Rec:
The Underdog TV Show That Lit’rally Inspired a Vision for a Better America

by Jennifer Keishin Armstrong

DETAILS:
Publisher: Dutton
Publication Date: April 7, 2026
Format: Hardcover
Length: 268 pg.
Read Date: August 13-28, 2026
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What does the Dust Jacket Flap Say About Parks and Rec?

More than fifteen years after Parks and Recreation premiered, it has become a streaming staple. It’s beloved for its jokes, characters, and expressions—the show even created a now widely observed holiday, Galentine’s Day. How did it all happen and how did the show transform from a ratings disappointment into a cult classic? Pop culture historian Jennifer Keishin Armstrong reveals all this and more in the authoritative history of the show, which is as full of humor, optimism, and heart as Parks and Recreation itself.

Through new and exclusive interviews, as well as deep insight and smart and entertaining pop culture analysis, Armstrong tells the story of how Parks and Recreation came to be: how it grew from The Office’s success and Obama-inspired optimism, how producers assembled one of TV’s most lovable casts but barely survived a mediocre first season, how the show found its voice by getting more political and more romantic, and how it became a cultural force despite middling ratings during its network run, going on to become a television savior of the Trump era and a modern classic.

Lovingly told and deeply researched, Parks and Rec is the ultimate history of the show that taught us what’s important in life: friends, waffles, and work.

The Heart of the Book

The subtitle tells the reader what to look for: “The Underdog TV Show That Lit’rally Inspired a Vision for a Better America.” But it’d be clear without that. The Introduction, as it should, points you in the right direction, but the ninth chapter, “‘A Singularly Compelling Representation of the Liberal Spirit’: Political Philosophy in Parks and Rec,'” is Armstrong cutting loose and saying most of what she wants to say about the show, what she’s been slipping in here and there throughout.

The final chapter, “‘Rupture and Repair’: Parks and Rec Meets the Modern Moment,” comes close to that—it focuses on the lasting impact of the show, the popularity on streaming (especially during the pandemic years of 2020/2021), as well as the brief reunion show during the early days of the pandemic.

It felt to me that these two chapters were what Armstrong really wanted to talk about, and she did the rest of the research and writing as an excuse to get them on paper. I’m sure that’s not true, but it really felt that way to me. Honestly, I’d have taken more of Chapter 9—either as a lengthier chapter or with a follow-up chapter on a similar theme. One, because they did seem like Armstrong’s voice and perspective came out clearer there than in the other chapters—but also because I think she probably had more to say on the topic.

My one question about it, however, is the placement. After a few chapters focusing on the individual seasons, we cut away for a look at the political philosophy—before returning for the last two seasons. It was jarring to be taken out of the BTS of the seasons for this discussion, and then jarring to go back to it. There’s a little overlap with the themes of the chapters on either side of it, but it wasn’t enough for me to feel comfortable. It also seems like a good wrap-up chapter before the last chapter.

The One Drawback

Armstrong—as I’m sure she was trained to do—keeps the prose straightforward and fairly dry. Yes, it’s clear that she loves the show, knows a lot about it (probably before her research, too), and appreciates the humor.

But none of that humor comes through. Compare that to What’s Next, about The West Wing (a drama), the authors are joking throughout—about the actors, the characters, stories/scenes. But this book about a comedy? Outside of the foreword, it’s practically without humor (it might even be more than practically, but I might have forgotten a little)

Although, if you really want all that, you can check out Jim O’Heir’s Welcome to Pawnee.

The Foreword

I don’t want to say too much about Nick Offerman’s foreword other than it’s possibly the best one I’ve read this year. It’s funny and heartfelt—it’s everything a fan wants to read a cast member from a beloved show say about that beloved show.

So, what did I think about Parks and Rec?

This was a strong and loving tribute to the show, the spirit of the show, and the ideals it was built on. What Armstrong gained from the interviews and relayed was great. Sure, some of it differs from, if not downright contradicts, what I’ve heard in interviews with various cast members—but that probably says more about the cast’s individual memories than it does Armstrong’s work. (it’s probably safer to believe her version)

One of the primary things I judge a book about a TV show on is: does it make me want to watch the show? Yes, yes it does. Granted, almost anything does—but this book really made me want to pull out my Blu-Ray box set and ignore the world for a couple of days.

I gained a greater appreciation for a lot of what the writers and actors were trying to accomplish; I loved some of the BTS material about episodes/scenes that mean a lot to me. And hearing about the appreciation that the cast had for each other, that guest stars had for their experiences, and that the writers and crew had for the project, just made me enjoy it all the more.

If you’re a fan of the show—or think you should be one—grab this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Detained: A boy’s journal of survival and resilience by D. Esperanza and Gerardo Iván Morales

Cover of Detained by D. Esperanza and Gerardo Iván MoralesDetained: A boy’s journal of survival and resilience

by D. Esperanza and Gerardo Iván Morales

DETAILS:
Publisher: Atria/Primero Sueno Press
Publication Date: May 13, 2025
Format: Hardcover
Length: 241 pg.
Read Date: July 20-August 1, 2026
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The Politics of Immigration

Is something that I won’t be addressing. And really, neither does this book, no matter what your first impressions are. (I had similar ones, too) Yes, the primary author clearly acted in a way that indicates a certain perspective on it—as much as a 13-year-old from Honduras might have one.

Anyway, the book isn’t about that. I’m not going to talk about that either—and I will trash any comments that do, too.

But enough of that:

What’s Detained About?

After his grandmother died, 13-year-old David Esperanza tries to provide for himself and his cousin in their small Honduran home. His parents went to the States when David was so young he can’t remember them, really. Aside from the weekly phone calls, anyway.

David finally admits he can’t make enough money to keep them fed and housed, so he and his cousin decide to join his parents in Nashville. David doesn’t relate this information to them, sure they’d forbid it. But he feels that he has no choice. They have great misconceptions about how long their journey will take, but it doesn’t take long for them to learn that lesson.

They stop in Guatemala to spend a day or two with an aunt, who sends her two sons with them for many of the same reasons. Hope for work, hope for food, hope for peace exists in the U.S., not where they live.

It’s not easy to get through Mexico—but they manage, relatively unscathed. One cousin has to turn back, but the rest make it. They get separated on the other side of the border and David spends months bouncing around from one facility to the next, waiting to learn what will happen to him. Throughout it all, he journals as often as he can.

Those journals—cleaned up and filled out a little bit—make up this book. Telling his story from before his grandmother’s death through his days in the various facilities.

Well, This is Just Too Eerie

So, so, so many of the events that happen to David and his cousins on their journey North—and what happens to David when he crosses the border felt familiar.

There’s a young character in Winslow’s Cartel trilogy who goes through so many similar things—I believe he’s sent North by his mother to prevent him from being forcibly initiated into a gang, so he can live with his aunt and uncle (it’s been a few years, so forgive me if my details are wrong). But the more exciting events on the walk/ride through Guatemala and Mexico are pretty much what befell David and his cousins (except condensed into one person), and a good deal of the events in the States were similar, too.

I have to wonder if Esperanza was interviewed by Winslow—although I can’t imagine that his experiences are all that unique, either. Anyway, it was just one of those parallels that I couldn’t stop thinking about.

Why did I pick this up? Why did I keep reading?

A local bookstore was selling this as a fundraiser for a charity that I felt interested in supporting—and the book looked like it could be interesting, too.

I kept reading because I wanted to see how the kid came through it all—and maybe how. I wanted to see how many adults treated him decently, how he clung to and/or found some hope…something.

What does this book tell us about humanity?

On July 13, 2018—roughly two and a half months after he was apprehended by Immigration officers—David wrote:

…ever since this morning, I’ve been thinking a lot about a story in the Biblia that Padre Juan talked about at church once in Naranjito. It’s about a man who gets beat up and thrown in a ditch by a gang, just like what happened to Damián. He’s hurt and lying in this ditch, and a priest walks past without helping him, because it’d be too much work or he’s afraid it’s a trap or he doesn’t want to get his clothes bloody or whatever. The man only gets saved when a buen Samaritano stops to help him. In a way, even though the priest didn’t do anything, he was just as bad, or almost as bad, as the gang that beat the man up. Padre Juan says the priest in the story was bad because he didn’t do anything. I thought it was interesting that Padre Juan told us about it, even though the bad person is a priest like him.

The point is, there are two ways you can hurt people. You can hurt a person actively, like by punching them or stealing from them or whatever. But you can also hurt a person passively, by refusing to give them help when they need it, or by pretending you don’t see them, or by acting like they don’t exist.

Since leaving Naranjito, there have been a few adults who have tried to hurt me actively—like the hombres del cartel who shot at us while we were riding La Bestia, or the pissed-off Migra guys who put me and my cousins in a refrigerator to freeze half to death. And all that was horrible, obviously. But in a way, when someone hurts you actively, the damage is mostly just physical. Back home, gangs are a fact of life, and even though I was always lucky—I was never directly targeted until the cartel chased me off La Bestia—there’s always a risk that someone will hurt you in an active way. But that doesn’t give me this horrible, whole-body feeling of worthlessness. In Naranjito, I never saw anyone get passively hurt. I’m sure some kids had parents and family who were bad to them, but in some ways, anyone’s kids were like everyone’s kids. Ifa kid was hungry, obviously it was their parents’ job to feed them, but if thelr parents were missing for some reason, the rest of the pueblo wouldn’t just let the kid starve to death.

Since crossing the border though, until breakfast this morning, I don’t think a single adult in los Estados Unidos would have cared if I’d starved. In los Estados Unidos, the passive pain has been the worst feeling of all. Passive pain is a little harder to explain than active pain, but I’ll try;

It hurts in a different way. The adults who have tried to actively hurt me aren’t as bad as all the adults who stand around, seeing what’s happening doing nothing. Looking bored. This has been everywhere since I got to el Norte. There have been a million examples: the woman behind the desk at oficina de la Migra who called Papa and filled out my registration on her computer before her buddies in green uniforms stuck me in a refrigerator. The bus drivers who shuttled me and a vehicle full of innocent kids from one kind of jail to another and never stopped to ask what we did to deserve this, why we weren’t in school, why we weren’t with our parents, why we were crying, why we were dirty, why my foot was oozing blood and pus and stinking up the entire bus like roadkill. The servers in the cafeteria who see this food is making us sick but won’t do anything about it, who won’t let us grab another box of Frosted Flakes. The worst of all are the tíchers, these useless tíchers who call us by our bed numbers, these grown-ups who speak fluent English and could really do something to help us, but who just stand around looking tired and annoyed while kids like me are kept from our parents for no reason, tíchers who don’t sound any alarms when nine and ten-year-olds are passing out on the campo de fútbol because they’re afraid to drink water, because they’re afraid to use the bathroom.

Sometimes it makes me want to grab a piece of cardboard and write I’m a kid, do something on it. It makes me want to grab a megaphone and scream “I’m a person! I’m supposed to matter!” But more often, it makes me wonder if maybe I don’t matter, it makes me want to collapse, it makes me want to give up, it makes me want to melt into my bunk, it makes me want to climb down the porta-potty pit and dissolve in the chemicals. It makes me never want to look anyone in the eye again.

The hope-giving thing there is that “until this morning”—but that event (a tícher letting them have an extra serving of Frosted Flakes—without knowing that was unacceptable) isn’t common. This book doesn’t paint a particularly pleasant picture of humanity—especially in the United States.

So, what did I think about Detained?

As I said at the outset, this is not a book about Immigration politics. It’s about how we treat people—particularly children—who have been apprehended by Immigration officers. It’s about how a children are treated little better than animals—despite everyone assuring them, in practically a gaslighting way, “You’re safe.” A sentence that I can’t believe David would ever believe again.

There are moments of joy, of relief, of hope. David’s first experience with Elote, the day before they cross the border brought a smile to my face (and made me crave some). And there are more moments with that tícher above. Like, in Henry: A Polish Swimmer’s True Story of Friendship from Auschwitz to America, there are moments of friendship and happiness to be found in the camps, too.

Is the writing the best? No. But it’s based on a semi-literate (even in his native language), barely educated 13-year-old’s journals—you’re not going to find Gabriel García Márquez-level prose here.

But the story David tells is engaging, gripping, heartbreaking, and tension-filled. You will get drawn in very quickly and you won’t be able to stop reading until the end. You won’t be able to stop rooting for him—even if you’re not crazy about his choices (or downright disapprove), it’s more than easy to understand them.

The book will exercise your compassion. It’s definitely worth the (minimal) effort to read—and you’ll find it rewarding. I strongly commend it to your attention.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

20 Books of Summer 2026

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The Irresponsible Reader On…Self-Published Non-Fiction

(updated 7/21/26)
Self-Published Author Appreciation Week Banner has a gray bird on a black disk. Around the disk are the words, 'Self Published Authors Appreciation Week.' In the top left corner, it says, 'July 20-27, 2026.' In the bottom right corner it says, '#SPAAW'

From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility, and doing all the work to get their words, their dreams, their blood, sweat, and tears on to the page (paper or electronic). This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

As part of this week-long celebration, I’m continuing my habit of highlighting the self-published works that I’ve blogged about over the last few years (or meant to blog about, but at least read)—just a sentence or two. Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Today I’m focusing on Self-Published Non-Fiction—which are primarily memoirs at their core, it’s what the authors do with the memoirs that makes these really stand out. But there are a few other things, too.

bullet Life and Death Behind the Brick and Razor: Code Red Diamond by Isaac Alexis, MD—A prison doctor uses his experiences to give suggestions for a healthy/healthier life. (my post about it)
bullet Life Lessons by Titan as told to Melaney Taylor Auxier—Illustrated by photos of the dog himself, Titan teaches about friends, making mistakes, eating well, being grateful, that sort of thing. (my post about it)
bullet How Not to Be an *SS: Essays on Becoming a Good & Safe Man by Andrew J. Bauman—Bauman calls men to an authentic, Biblical masculinity—one built on humility, kindness, and service. While offering concrete ways to set aside patterns of abuse and neglect. (my post about it)
bullet Kneading Journalism: Essays on baking bread and breaking down the news by Tony Ganzer—This is a collection of essays about the state of journalism, how people relate to and view the media we consume, and what the future may hold. Oh, and bread recipes, of course. It makes sense in context (and is a really great idea). (my post about it)
bullet Grammar Sex and Other Stuff by Robert Germaux — quick essays with humor and heart (my post about it)
bullet More Grammar Sex: Essays About Life and Stuff by Robert Germaux — more quick essays with humor and heart. (I apparently didn’t post about this…but basically see what I said about the previous book here )
bullet No Problem, Mr. Walt: Building a Boat, Rebuilding a Life, & Discovering China by Walt Hackman—Hackman was one of the first self-published authors to reach out to me, and I’m so glad he did. A fascinating read about a man deciding to have an authentic Chinese junk built for him to use as a houseboat in California. (my post about it)
bullet Fifth Sparrow Rising by Cindi Hartley—A little bit a bit of Hartley’s personal story and faith, a little bit of the experiences through some of the hardest parts of her life, and things she;s learned through it all. All told in the hope that she can show others they are “not alone and that there is a way to find light again, as well as be a light, even when one has lived through darkness.”
bullet Finding Hope in Hard Things: A Positive Take on Suffering by Pierce Taylor Hibbs—The central premise is that God uses the “hard things” in life to shape us into the people he wants us to be, and uses some of the hard things in his life as case studies to demonstrate how they were used so the reader is equipped to look at their own lives and see the purpose in their suffering. (my post about it)
bullet The Great Lie: What All of Hell Wants You to Keep Believing by Pierce Taylor Hibbs—Paired with Hibbs’ characteristic clear prose and gift with language and illustrations, Hibbs reminds the reader that God is always speaking to us, through both the Creation and His Word. (my post about it)
bullet In Divine Company by Pierce Taylor Hibbs—Pierce’s treatment of prayer focuses on the communicative nature of God and His image bearers and then nurturing that in our lives to improve our prayer. (my post about it)
bullet Struck Down but Not Destroyed: Living Faithfully with Anxiety by Pierce Taylor Hibbs—Drawing on what he’s learned from over 12 years of anxiety, Hibbs talks about learning to see what God’s purpose in the suffering is (anxiety disorders specifically, but easily transferable to other types), understanding that His hand is guiding all things—including our problems—so how do we in faith (without denying the suffering) rest in faith. (my post about it)
bullet And Drink I Did: One Man’s Story of Growing Through Recovery by Jay Keefe—It’s all there in the subtitle, Keefe tells about his OCD, his alcoholic days, his getting sober, and how he’s trying to help others since then. Powerful stuff. (my post about it)
bullet If You Give A Mouse Metformin by Nikhil Krishnan, i Cenizal (Illustrator) — 1 part picture book parody, 1 part satire, 1 part good look at the pharmecutical process (the good and the bad) (my post about it)
bullet Killer Conversations with Rex Stout and John McAleer—a collection of interview snippets between Stout and his biographer touching on topics like: his writing, the Wolfe mysteries, plotting, the modern detective story, talking about other authors and more. (my post about it)
bullet How to Take Over the World: Practical Schemes and Scientific Solutions for the Aspiring Supervillain by Ryan North—A tongue-in-cheek way to talk about some of the most advanced science around and how it can (and in some ways is) be used to destroy the world. (my post about it)
bullet The Genius’ Guide to Bad Writing by R.T. Slaywood, R.C. Martinez—A guide for the writer who is tired of success and wants to reclaim their lives from answering the siren call of fortune and fame that comes to every author. Slaywood and Martinez have a 10-Step program guaranteed to ruin a novel or two and stop a career dead in its spot. (my post about it)
bullet Uber Diva by Charles St. Anthony—a humorist writes a memoir of a Lyft/Uber driver mixed with a guide to starting/surviving/thriving as one in a tough market. St. Anthony also has a few other books out now that are probably worth a read. (my post about it)
bullet Flying Alone: A Memoir by Beth Ruggiero York—A female pilot’s memoir of her path from flight school to flying for TWA (now that I have a son learning to fly, some of her more harrowing experiences keep flashing through the back of my mind). (my post about it)

 


If you're a self-published author that I've featured on this blog and I didn't mention you in this post and should have. I'm sorry (unless you're this guy). Please drop me a line, and I'll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

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The 2026 Self-Published Authors Appreciation Week Logo was made by Witty and Sarcastic Book Club

The Reverse Centaur’s Guide to Life After AI by Cory Doctorow: Prudent, Thoughtful, and Entertaining (naturally)

Cover of The Reverse Centaur's Guide to Life After AI by Cory DoctorowThe Reverse Centaur’s Guide to Life After AI: How to Think About Artificial Intelligence—Before It’s Too Late

by Cory Doctorow

DETAILS:
Publisher: Macmillan Audio
Publication Date: June 23, 2026
Format: Unabridged Audiobook
Length: 5 hrs, 28 min.
Read Date: June 25, 2026
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A reverse centaur is a human who is conscripted into acting as an assistant to a machine. There’s a classic I Love Lucy episode where Lucy and Ethel are working on an assembly line at a chocolate factory, taking bonbons off the belt and wrapping them in paper. As the belt goes faster and faster, Lucy and Ethel have to work at superhuman speed. They’re reverse centaurs: the machine can move the chocolates from one place to another, but it needs a human to pack them into the box, and the humans who act as its assistant are made to work at a pace that exceeds all human capacity until calamity ensues.

What’s The Reverse Centaur’s Guide to Life After AI About?

If I try to summarize this, we’re going to be here for a while (or I’ll pitch it in a tweet-length paragraph that won’t do the job), so let me quote from the official blurb:

The Reverse Centaur’s Guide to Life After AI is not another anti-AI screed. Cory Doctorow uses AI in his work every day. As a creative person, he has no moral or dogmatic issue with AI—he thinks the technology is useful, even exciting, and full of potential. And yet.

AI has arrived surrounded by unprecedented hype driven by a tech industry desperate to maintain its unprecedented valuation based on its own promises of endless financial growth. Despite the fact that almost all of AI’s real-world implementations have proved underwhelming, AI is projected to be worth more than $16 trillion—a number that only makes sense if AI replaces vast swathes of the wage-earning human workforce. To justify that level of “value,” every story about AI must be presented as inevitable, world-changing disruption. Even the tales of the robot apocalypse are a calculated attempt to bolster the fearsome power of AI.

For Doctorow, it is imperative to see through that hype to the real story, to understand the technology not just for what it does, but for who it does it to and who it does it for. From that point of view, the story of AI is indeed dramatic and unprecedented, having generated an investment bubble so big that it endangers the entire world economy. In The Reverse Centaur’s Guide to Life After AI—as he so successfully did in Enshittification—Doctorow recounts both how we found ourselves in this dire situation and how we can get through it, to a life “after” AI in which the tools work for us, not the other way around.

There are three main themes to the book the philosophy of inevitablism that drives so much of the conversation around AI (particularly on the pro-AI side); the inevitable crash of the AI-bubble and what that will do to workers, industries, and the environment; and how to go on after the bubble pops—how we can use AI in a useful, constructive way to actually help people.

So, what did I think about The Reverse Centaur’s Guide to Life After AI?

…the future is up for grabs. It is not inevitable. Al isn’t a genie that can’t be put back into a bottle. How we use AI is up to us. Whether we use Al is up to us. The future can be ours, if we never stop remembering that the most important fact about a technology isn’t what it does, it’s who it does it for, and who it does it to.

I was much more anti-AI when I opened this book than I was at the end. I actually figured that Doctorow would give a pretty well-thought-out “another anti-AI screed” (I clearly didn’t read the description of the book). But Doctorow has made me reconsider some of my notions. I’m not sure he changed my mind—I’m still thinking.

I should rush to say that Doctorow doesn’t defend the notion of using so-called “generative AI” to create art, nor would I. But…transcribing audio files? Getting some facts for an article? If done in the right way, maybe.

But my post isn’t supposed to be about what I think—it’s about the reading experience. This is classic Doctorow—engaging, approachable, frequently amusing, thoughtful and thought-provoking. A good mixture of research and opinion.

The central image of the reverse centaur and the frequent call-backs to the idea that “the most important fact about a technology isn’t what it does, it’s who it does it for, and who it does it to” will stick with the reader, inform their ideas about AI, and so many other things.

The audiobook hold at my library came in a day before the hardcover—so I listened to it, and then re-read a couple of passages to make sure I heard what I thought I did to solidify my grasp on the notion. So, I think I can speak to both formats. It’s a short read (or listen), it’s an engaging read (or listen). Either way, as one would expect, with Doctorow sounding off on technology—you’re in for a treat.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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What’s Next by Melissa Fitzgerald & Mary McCormack: An Entirely Too-Brief Love Letter to The West Wing, The People Who Made It, and a Tribute to Public Service

Cover of What's Next by Melissa Fitzgerald & Mary McCormackWhat’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service

by Melissa Fitzgerald & Mary McCormack

DETAILS:
Publisher: Dutton
Publication Date: August 13, 2024
Format: Hardcover
Length: 608 pg. 
Read Date: June 1-27, 2026
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What’s the Jacket-Flap Say about What’s Next?

A behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure.

Step back inside the world of President Jed Bartlet’s Oval Office with Fitzgerald and McCormack as they reunite the West Wing cast and crew in a lively and colorful “backstage pass” to the timeless series. This intimate, in-depth reflection reveals how The West Wing was conceived, and spotlights the army of people it took to produce it, the lifelong friendships it forged, and the service it inspired.

From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, What’s Next will delight readers with on-set and off-camera anecdotes that even West Wing superfans have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television.

What’s Next revisits beloved episodes with fresh, untold commentary; compiles poignant and hilarious stories from the show’s production; highlights initiatives supported by the cast, crew, and creators; and makes a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.

It’s Not That Kind of Book

…the bad news: We will not be covering every single episode of The West Wing in this book. Or even every “iconic” one. Or even every so-called classic moment. There are not nearly enough pages in this book to dig down into all the hopeful-moving-dramatic-funny-romantic-bantery-big-block-of-cheese moments that were served up over seven seasons.

The fact that they took until page 206 to tell the reader that seems like it was too late. It was pretty clear—unless it was going to be very brief coverage of every episode.

Instead:

Finally, if you’re hoping to find within these pages genuinely sophisticated analyses of the nighttime basketball game from season 1 or the daytime hoops from that Camp David summit episode, we’re sorry to say it, but you’re out of luck. On the other hand, we won’t be going into Zoey dating that Jean-Paul guy, so there’s an upside too.

We’re happy for the trees saved by not having written a ten-thousand-page book, and we hope you’ll enjoy the upcoming deep dives into what we consider some stellar “key episodes.”

In lieu of that, the authors do recommend The West Wing Weekly podcast—which they drew a lot from throughout the book. It’s probably good that they didn’t, in a way, I (and many others) would’ve spent too long comparing their coverage to the podcast episodes.

Still, I’d have enjoyed it.

Tributes to Two Particular Stars

One of the longest chapters in the book was Thirty-Three, “Gone,” which covered the deaths of John Spencer and Leo McGarry. It was a fantastic tribute, featuring observations and stories from so many cast and crew about it. They also reprinted a couple of eulogies. Those cited in the chapter come close to hagiography—perhaps even indulge in it—but it’s hard to come away from that without a glimpse of the devotion that Spencer inspired in those that knew him and worked with him.

If you can read that chapter with dry eyes, well, as Mrs. Landingham would say, “I don’t even want to know you.”

Similarly, there’s a chapter devoted to singing Martin Sheen’s praises. It’s not nearly as emotionally hard-hitting, but just about as good.

Service Stories

Throughout the book, the authors talk about some of the ways that cast and crew volunteer for various causes and programs, help candidates campaign for office, and whatnot. Time after time, we read about them being inspired by something they learned about from someone on set. They go to pitch in with something that a coworker is working on, and then they become involved.

In addition to talking about the various causes they’re involved with, the reader is provided with links so they can donate/volunteer/learn more about them.

The show talks about the call to just show up. The authors try to provide opportunities to do so. It’s really a great combination.

So, what did I think about What’s Next?

I can’t tell you how many times I’ve watched the series straight through, and several individual episodes I’ve seen multiple other times. As I write this, Season 5 Episode 6, “Disaster Relief,” is on the other monitor. The Post-Sorkin Era is still getting on its feet and is benching Josh for Angela Blake—it’s a giant mistake (compounded by not keeping her around after this…ahhh, she’d have been fun to see after this). Yes, they make some delicious lemonade from this. But I’m going to stop talking about that now…I’m just saying that I’m exactly the kind of Wing-Nut they wrote this book for. *</span?

But boy, oh, boy, did it work for me. I cannot say enough good things about the book.

Do I wish we got a little more time on the “John Wells Administration”? Yes. We didn’t get the depth on the casting stories of the main characters that came in late. We didn’t get quite as many Key Episode features from that time. And so on.

But honestly, we didn’t get enough of those for the Sorkin years, either.

Honestly, I wanted at least another 400 pages.

Even at 600 pages, this book breezed by. I limited myself to 1-2 chapters a day just so I could relish the experience, and it moved too quickly for me.

Fans of the series should read this. People who aren’t as die-hard as some of us should probably give it a read—and then will find themselves rewatching it again—and likely turning to things like the podcast—because they’ve fallen further under the spell.

I can see myself coming back to this book—at least chapters and parts of chapters again soon. The index of organizations/causes in my copy should also get some use. The book is a thinly-disguised love-fest, and I was in all the way. You will be, too, if you’re at least a little bit interested in the idea.

* Then again, it took me almost two full years to read my pre-ordered copy.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from April

Once again, I’m a few weeks behind on this, but that “To Write About” stack is still calling. Time for me to do a few more of these—emphasizing pithiness, not thoroughness.


Cover of Violet Thistlewaite Is Not a Villain Anymore by Emily KrempholtzViolet Thistlewaite Is Not a Villain Anymore

by Emily Krempholtz, Emma Ladji (Narrator)

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: November 18, 2025
Format: Unabridged Audiobook
Length: 11 hrs.
Read Date: March 31-April 2, 2026

A nice little story about a supervillain (however coerced into it she might have been) trying to go straight and live a quiet life. Naturally, it doesn’t go that well, people learn who she is/was and…things get dicey. It’s a very cozy little story with just a hint of danger. This is primarily a Romance with a streak of Fantasy. Not totally my cup of tea, but a very pleasant book.

Cover of Guns of Brixton by Paul D. BrazillGuns of Brixton

by Paul D. Brazill

DETAILS:
Publisher: Fahrenheit Press
Publication Date: November 15, 2025
Format: Paperback
Length: 181 pg.
Read Date: April 15, 2026

This is a dark noir full of insane comedy and violence. Peopled by characters you love reading about and never want to meet the likes of in real life. The various plotlines and character arcs overlap and weave together in a way that is really impressive–and is very typical for this kind of read. Just kick back and enjoy it.

It’s fast and furious read that will make you want more from Brazill. I have to leave it for a catch-up post like this, where I’m forced to be vague, I’d end up telling you too much about it in a full-length post.

My only complaint is that as an American with little (read: no) understanding of FIFA history, I had to hit up a friendly-neighborhood search engine to understand the ending. I’d be clearer there, but I don’t want to ruin anything. It’s worth getting to that point and then learning what it meant–the delayed gratification is still gratifying.

Cover of Replaceable You by Mary RoachReplaceable You: Adventures in Human Anatomy

by Mary Roach

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: September 16, 2025
Format: Unabridged Audiobooks
Length: 8 hrs., 37 min.
Read Date: April 13-16, 2026

Overall, a really good look at the frontiers of human transplant technology—and other ways to replace broken/sick/malfunctioning human parts. Oh, and hair. There was a lot about hair replacement and the various technologies there.

As is typical for a book by Roach, there’s a lot of good information here. A couple of chapters that don’t seem worth it. Some jokes were winners. Some jokes didn’t seem worth the effort.

Frog and Toad Are Doing Their Best by Jennie EgerdieFrog and Toad Are Doing Their Best [A Parody]

by Jennie Egerdie, Ellie Hajdu (Illustrator)

DETAILS:
Publisher: Running Press Adult
Publication Date: October 5, 2021
Format: Hardcover
Length: 96 pg.
Read Date: April 17, 2026
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As I recall, I always thought that the Frog and Toad were pleasant enough, but needed something more to be something I’d read when there wasn’t anything else handy. Things were similar with my kids and the books. This is a little better—only because it’s updated and vaguely amusing to see the pair in 2020s mode.

The art is as perfect as it could be, like it was by the original artists.

It’s not a must-read, but it’s a quick shot of pleasure.

Cover of Worse than a Lie by Ben CrumpWorse than a Lie

by Ben Crump

DETAILS:
Publisher: Bantam
Publication Date: February 17, 2026
Format: Hardcover
Length: 368 pgs.
Read Date: April 16-17, 2026
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I had huge hopes for this one, expecting that I’d read the series to follow. That is not going to happen. The dialogue is atrocious. The plot was…fine, but executed messily, yet predictably. The bad guys are as evil as evil can be—no subtlety to it at all. Actually, that was one of my notes about the book as a whole—there’s nothing subtle about it. The solution and the aftermath were practically a fairy tale. I really can’t think of anything positive to say. The promising premise deserved a whole lot better.

Cover of This Book Made Me Think of You by Libby PageThis Book Made Me Think of You

by Libby Page, Zadeiah Campbell-Davies (Narrator)

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: February 3, 2026
Format: Unabridged Audiobook
Length: 10 hrs., 26 min.
Read Date: April 16-20, 2026

Oh, golly, this book was so heartwarming and sweet. It’s also a great look at grief and the way it lingers in the lives of those affected by death. Primarily it’s a sweet book about a (dead) husband’s love expressed through his wife’s passion for reading. Each month, a book is waiting for her at a local bookstore.

Oh, yeah—this is also a tribute to local bookstores and what they can mean for a community.

Grief, books, love, and bookstores. What more could you want?

Cover of A Memory Called Empire by Arkady MartineA Memory Called Empire

by Arkady Martine

DETAILS:
Series: Teixcalaan, #1
Publisher: Tor Books
Publication Date: February 25, 2020
Format: Paperback
Length: 480 pg.
Read Date: April 20-24, 2026
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Oh, there were just so many great ideas packed into this volume. Several layers of political machinations—with two cultures that are new to the reader. A mind-blowing technology that raises all sorts of questions about identity, memory, and life. A character death that makes me mad months later. And a looming threat that’s so far in the background that few characters realize it’s a thing.

I did enjoy it, I’m just not sure how much —but I’m so glad that I read it. I need to find time for book two.

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