Tag: Non-Fiction Page 3 of 31

Algospeak by Adam Aleksic: A Simply Fascinating Look at Language’s Next Phases

I don’t know if my spellchecks have featured so many red-squiggly lines before (well, ones that I’m keeping anyway). You’d think they’d be closer to the cutting-edge, no?


Cover of Algospeak by Adam AleksicAlgospeak:
How Social Media Is Transforming the Future of Language

by Adam Aleksic

DETAILS:
Publisher: Knopf
Publication Date: July 15, 2025
Format: eARC
Length: 256
Read Date: July 12-22, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Algospeak About?

I can’t do a decent job of summarizing this (I’ve tried), so I’m just going to paste the Publisher’s Description.

From “brainrot” memes and incel slang to the trend of adding “-core” to different influencer aesthetics, the internet has ushered in an unprecedented linguistic upheaval. We’re entering an entirely new era of etymology, heralded by the invisible forces driving social media algorithms. Thankfully, Algospeak is here to explain. As a professional linguist, Adam Aleksic understands the gravity of language and the way we use it: he knows the ways it has morphed and changed, how it reflects society, and how, in its everyday usage, we carry centuries of human history on our tongues. As a social media influencer, Aleksic is also intimately familiar with the internet’s reach and how social media impacts the way we engage with one another. New slang emerges and goes viral overnight. Accents are shaped or erased on YouTube. Grammatical rules, loopholes, and patterns surface and transform language as we know it. Our interactions, social norms, and habits—both online and in person—shift into something completely different.

As Aleksic uses original surveys, data, and internet archival research to usher us through this new linguistic landscape, he also illuminates how communication is changing in both familiar and unexpected ways. From our use of emojis to sentence structure to the ways younger generations talk about sex and death (see unalive in English and desvivirse in Spanish), we are in a brand-new world, one shaped by algorithms and technology. Algospeak is an energetic, astonishing journey into language, the internet, and what this intersection means for all of us.

The Best Parts for Me

After the Introduction sets up the book and the reason for it—Aleksic traces the use of language to get around censorship back quite a ways—at least back to the use of grawlix and the like.

He also talks about things like rhyming cockney or leetspeak, how both use a sense of play to get around censorship or monitoring—as such, they’re precursors to Algospeak. Which is really just another form of slang that spreads just like all other forms of slang before it—through people talking to one another in person or through the media. That just happens on a faster and larger scale now than it used to.

What I found really compelling was the way he demonstrated the two primary sources for dominant Algospeak—4chan’s (and the like) channels and memes, and African-American English. It almost seems impossible for those two sources could produce something together, but Aleksic makes a compelling case for it.

The last chapter in total is worth the price of admission—but subsections discussing the “purity” of language that’s being shaken by these developments, and the new kinds of dialects emerging, etc., are just gold. It’s the kind of thing that I’ll return to again.

Not Sure this Really Helped

Starting in Chapter 3, “No Because What Happened to Your Attention?”, Aleksic spends a good deal of time in several chapters discussing the nitty-gritty aspects of getting TikTok’s/YouTube Shorts’/Instagram Reels’ algorithms to feed individual users certain types of short-form videos, and how creators work to get their videos to be fed to the largest amount of likely engagers. He discusses how word choice, speed of speech, how long it takes for a voice to start, camera movements, etc., etc. all play a role in this.

Yes, he does end up applying this to “How Social Media Is Transforming the Future of Language,” in each chapter. But it often seemed more like he was giving tips on how his readers could be better at getting attention for their own short-form videos/accounts (often using himself as a case study) than in discussing linguistic evolution. I was wrong each time I started to wonder about that. Nevertheless, I did.

That said…I found it great reading and more interesting than I might have just described it. There’s just so much of this that I’ve never thought about—or even realized I could think about. For someone who cut his teeth on Windows 3.11, 28.8k modems, and Usenet forums, I find a lot of this mind-boggling (and kind of cool, even if it does make me feel positively paleolithic).

So, what did I think about Algospeak?

A couple of years ago, my daughter got me hooked on the Instagram account of @etymologynerd, and his rapid-fire insightful (and fun) glances at word origins so on. So when I saw that he’d gone analog and produced a book, I just had to check it out (the book’s description helped, too). And I’m so glad I picked this up—and think you will be, too.

It’s because of this book that I publicly defended the use of “unalive” as a verb the other day. I can honestly say that I’d never expected that to happen. That right there is probably a huge endorsement for the book, I’m not sure what else I can say to match that for this stodgy stick-in-the-mud who still isn’t sure about using “contact” as a verb.

I found this whole discussion fascinating—sure, the bits about various speeds of talking depending on the type of influencer you are seem odd and too technical for me—but when Aleksic shows how this spills over into not just wider online speech, but into offline language use, it becomes worth it.

More than that, the chapters that are primarily focused on language development and how online use is shaping that (whether in text or video format), it’s like popcorn—I’ll shove handful after handful of that into my mouth without noticing that’s what I’m doing.

It’s entertainingly written, too. Aleksic’s passion for this kind of discussion comes through loud and clear. It’s not nearly as infectious as his videos are, but it’s close (of course, he can’t tweak the pace, volume, or anything else about the way that I read the way he can with his videos—so it makes sense). I do wonder how this would come across in audiobook—but I think you’re going to want the print version to slow down over some of the math.

This is about more than language—it’s also about how the Internet changes the way we think and express ourselves in general. And therefore, how society changes (which leads to Internet changes, and other circle-of-life things).

If you’re on the fence—read the Introduction and the closing chapter—and you’ll likely be convinced that you should read everything in between. Language in general—but English particularly—is a constantly-changing thing, and these changes are happening faster and faster l the time. With the tools provided in Algospeak, you can start to see some of this change in realtime—and that’s a gift in itself.

Language nerds—go get this. Other readers might want to check it out—and get started on becoming a language nerd.

Disclaimer: I received a copy of this book from Knopf via NetGalley—thanks to both for this. Sorry it’s up late.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Irresponsible Reader On…Self-Published Non-Fiction

(updated 7/22/25)
Self-Published Author Appreciation Week '25 Banner. Banner has a gray bird on a black disk. Around the disk are the words, 'Self Published Authors Appreciation Week.' In the top left corner, it says, 'July 21-27, 2025.' In the bottom right corner it says, '#SPAAW'

From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility and doing all the work to get their words, their dreams, their blood, sweat, and tears. This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

As part of this week-long celebration, I’m continuing my habit of highlighting the self-published works that I’ve blogged about over the last few years (or meant to blog about, but at least read)—just a sentence or two. Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Today we’re going to be looking at Self-Published Non-Fiction—which are primarily memoirs at their core, it’s what the authors do with the memoirs that makes these really stand out. But there are a few other things, too.

bullet Life and Death Behind the Brick and Razor: Code Red Diamond by Isaac Alexis, MD—A prison doctor uses his experiences to give suggestions for a healthy/healthier life. (my post about it)
bullet How Not to Be an *SS: Essays on Becoming a Good & Safe Man by Andrew J. Bauman—Bauman calls men to an authentic, Biblical masculinity—one built on humility, kindness, and service. While offering concrete ways to set aside patterns of abuse and neglect. (my post about it)
bullet Kneading Journalism: Essays on baking bread and breaking down the news by Tony Ganzer—This is a collection of essays about the state of journalism, how people relate to and view the media we consume, and what the future may hold. Oh, and bread recipes, of course. It makes sense in context (and is a really great idea). (my post about it)
bullet Grammar Sex and Other Stuff by Robert Germaux — quick essays with humor and heart (my post about it)
bullet No Problem, Mr. Walt: Building a Boat, Rebuilding a Life, & Discovering China by Walt Hackman—Hackman was one of the first self-published authors to reach out to me, and I’m so glad he did. A fascinating read about a man deciding to have an authentic Chinese junk built for him to use as a houseboat in California. (my post about it)
bullet Fifth Sparrow Rising by Cindi Hartley—A little bit a bit of Hartley’s personal story and faith, a little bit of the experiences through some of the hardest parts of her life, and things she;s learned through it all. All told in the hope that she can show others they are “not alone and that there is a way to find light again, as well as be a light, even when one has lived through darkness.”
bullet Finding Hope in Hard Things: A Positive Take on Suffering by Pierce Taylor Hibbs—The central premise is that God uses the “hard things” in life to shape us into the people he wants us to be, and uses some of the hard things in his life as case studies to demonstrate how they were used so the reader is equipped to look at their own lives and see the purpose in their suffering. (my post about it)
bullet The Great Lie: What All of Hell Wants You to Keep Believing by Pierce Taylor Hibbs—Paired with Hibbs’ characteristic clear prose and gift with language and illustrations, Hibbs reminds the reader that God is always speaking to us, through both the Creation and His Word. (my post about it)
bullet In Divine Company by Pierce Taylor Hibbs—Pierce’s treatment of prayer focuses on the communicative nature of God and His image bearers and then nurturing that in our lives to improve our prayer. (my post about it)
bullet Struck Down but Not Destroyed: Living Faithfully with Anxiety by Pierce Taylor Hibbs—Drawing on what he’s learned from over 12 years of anxiety, Hibbs talks about learning to see what God’s purpose in the suffering is (anxiety disorders specifically, but easily transferable to other types), understanding that His hand is guiding all things—including our problems—so how do we in faith (without denying the suffering) rest in faith. (my post about it)
bullet And Drink I Did: One Man’s Story of Growing Through Recovery by Jay Keefe—It’s all there in the subtitle, Keefe tells about his OCD, his alcoholic days, his getting sober, and how he’s trying to help others since then. Powerful stuff. (my post about it)
bullet If You Give A Mouse Metformin by Nikhil Krishnan, i Cenizal (Illustrator) — 1 part picture book parody, 1 part satire, 1 part good look at the pharmecutical process (the good and the bad) (my post about it)
bullet How to Take Over the World: Practical Schemes and Scientific Solutions for the Aspiring Supervillain by Ryan North—A tongue-in-cheek way to talk about some of the most advanced science around and how it can (and in some ways is) be used to destroy the world. (my post about it)
bullet The Genius’ Guide to Bad Writing by R.T. Slaywood, R.C. Martinez—A guide for the writer who is tired of success and wants to reclaim their lives from answering the siren call of fortune and fame that comes to every author. Slaywood and Martinez have a 10-Step program guaranteed to ruin a novel or two and stop a career dead in its spot. (my post about it)
bullet Uber Diva by Charles St. Anthony—a humorist writes a memoir of a Lyft/Uber driver mixed with a guide to starting/surviving/thriving as one in a tough market. St. Anthony also has a few other books out now that are probably worth a read. (my post about it)
bullet Flying Alone: A Memoir by Beth Ruggiero York—A female pilot’s memoir of her path from flight school to flying for TWA (now that I have a son learning to fly, some of her more harrowing experiences keep flashing through the back of my mind). (my post about it)

 


If you're a self-published author that I've featured on this blog and I didn't mention you in this post and should have. I'm sorry (unless you're this guy). Please drop me a line, and I'll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

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The 2025 Self-Published Authors Appreciation Week Logo was made by Witty and Sarcastic Book Club

REPOST: Heaven on Earth by Thomas Brooks: A Classic Examination of and Exhortation to Assurance of Faith

Heaven on Earth

Heaven on Earth: A Treatise on Christian Assurance

by Thomas Brooks

eBook, 325 pg.
originally published 1654

Read: July 14 – August 11, 2019

Assurance is not of the essence of a Christian. It is required to the well-being, to the comfortable and joyful being of a Christian; but it is not required to the being of a Christian. A man may be a true believer, and yet would give all the world, were it in his power, to know that he is a believer. To have grace, and to be sure that we have grace, is glory upon the throne, it is heaven on this side heaven.

I am his. I am as sure that I am his, as I am sure that I live. I am his by purchase, and I am his by conquest; I am his by donation, and I am his by election; I am his by covenant, and I am his by marriage. I am wholly his; I am peculiarly his; I am universally his; I am eternally his. This I well know, and the knowledge thereof is my joy in life, and my strength and crown in death.

Here we have a description of assurance, and then an expression of the assured heart. Brooks’ Heaven on Earth is both an explanation of the doctrine and an exhortation to pursue it. Quotations like this are just a hint of that. Brooks is one of the best Puritans on this topic—and everything the Puritans wrote about the doctrine is head an shoulders above their Continental brethren. This is pure gospel gold.

I liked my post about it last time more than anything I’d say this time, so let me just use it (the final paragraph is new):
I just might have myself a new favorite Puritan (I’m not the only one who has a list, right?). I’m kicking myself for not getting to Brooks earlier in life. What a wonderful book—I’m looking forward to getting to read more by him.

Aesthetically, this is fantastic. The language sings—the book begs to be read aloud (and I frequently did so, interrupting whatever anyone around me was doing). You can feel the passion, the fervor throughout. A few paragraphs from different chapters illustrate this:

Divine light reaches the heart as well as the head. The beams of divine light shining in upon the soul through the glorious face of Christ are very working; they warm the heart, they affect the heart, they new mold the heart. Divine knowledge masters the heart, it guides the heart, it governs the heart, it sustains the heart, it relieves the heart. Knowledge which swims in the head only, and sinks not down into the heart, does no more good than the unicorn’s horn in the unicorn’s head.

The only ground of God’s love is his grace. The ground of God’s love is only and wholly in himself. There is neither portion nor proportion in us to draw his love. There is no love nor loveliness in us that should cause a beam of his love to shine upon us. There is that enmity, that filthiness, that treacherousness, that unfaithfulness, to be found in every man’s bosom, which might justly put God upon glorifying himself in their eternal ruin, and to write their names in his black book in characters of blood and wrath. God will have all blessings and happiness to flow from free grace.

Faith is the first pin which moves the soul; it is the spring in the watch which sets all the golden wheels of love, joy, comfort, and peace a-going. Faith is a root-grace, from whence springs all the sweet flowers of joy and peace. Faith is like the bee, it will suck sweetness out of every flower; it will extract light out of darkness, comforts out of distresses, mercies out of miseries, wine out of water, honey out of the rock, and meat out of the eater, Judg 14:14.

But beyond that, the book is sound, it is orthodox, it is Biblical—throughout Brooks points the reader to The Book and The One Who inspired it. His aim is to show “that believers may in this life attain unto a well-grounded assurance of their everlasting happiness and blessedness.” He then goes on to examine the nature of that assurance, hindrances that keep believers from it, reasons to encourage believers to seek it, and how they can go about it, the difference between true and counterfeit assurance, as well as answering questions about assurance. Examining the doctrine from so many angles, you really feel (and probably do) that you come away from this book having an exhaustive look at the doctrine.

Chapter 6—which takes more than its fair share of space, almost half of the book—is an extended detour from the point of the book, but it still serves to support the theme. He begins by saying, “In the previous chapter, you saw the seven choice things which accompany salvation. But for your further and fuller edification, satisfaction, confirmation, and consolation, it will be very necessary that I show you,” these seven choice things. Which are:

(1.) What knowledge that is, which accompanies salvation.

(2.) What faith that is, which accompanies salvation.

(3.) What repentance that is, which accompanies salvation.

(4.) What obedience that is, which accompanies salvation.

(5.) What love that is, which accompanies salvation.

(6.) What prayer that is, which accompanies salvation.

(7.) What perseverance that is, which accompanies salvation.

It is such a great chapter, and would make a remarkable little booklet unto itself that I really can’t complain too much that it’s such a departure from the rest of the book (though it did take me a little bit to get used to the notion).

Banner of Truth puts this out in paperback, monergism.com puts this out as a free e-book. Either way you go for it, this is a treasure I heartily suggest you grab.

When I read this five years ago, it struck me like a breath of fresh air, it was precisely what I needed at the time. I read it again last month, looking for the same thing. I didn’t find it—don’t misunderstand, it was very helpful, inspiring, and insightful. I was reminded and grew in my understanding of assurance. And, I collected a handful of great quotations from Brooks. But…the book as a whole didn’t sing for me. The first time, I didn’t know what to expect. This time, I probably came in with expectations that were too high. Last time I read it, I gave it 5 Stars. This time, I logged it as 3 Stars. So…let’s call it 4, shall we?


4 Stars

2019 Cloud of Witnesses Reading Challenge

REPOST: The Christ of Wisdom by O. Palmer Robertson

The Christ of WisdomThe Christ of Wisdom: A Redemptive-Historical Exploration of the Wisdom Books of the Old Testament

by O. Palmer Robertson

eARC, 432 pg.
P&R Publishing, 2017

Read: May 7 – 21, 2017


Robertson’s preface laments the way that the Wisdom Literature of the Old Testament is usually ignored in Redemptive-Historical studies —

…how do you fit these wisdom books into the flow of redemptive history that consummates in the Christ? By letting them be what they are in their own distinctiveness. They are, it should be remembered, canonical, divinely revealed, and authoritative writings that tell the world how and what to think about the deeper mysteries of human life. Rather than submitting to the moldings and bendings of modernity, these books broaden our understanding of the nature of redemptive history. Divine progress in the complete restoration of reality does not merely move in a purely linear fashion like the flight of an arrow moving across time and space without deviation until it reaches its target. This “third dimension” of redemptive history moves in a cyclical pattern. For certain aspects of God’s salvation perform according to a pattern of regulated repetition.

To ignore this dimension of redemptive history is to exclude a major portion of the old covenant canon—and that you do not want to do.

So how do you discuss these books from a RH point of view? This is what Robertson seeks to do in this book — not as a final answer, but as the beginning of a search for wisdom along these paths.

In one sense, Robertson could’ve made this easier to talk about this book — there’s not one central argument developed throughout. There’s a general discussion (brief) of wisdom, wisdom Biblically defined, that is. And then using that discussion, Robertson looks at the Wisdom Literature of the Old Testament (and Lamentations, which is not usually considered Wisdom Literature, but can function as such), summarizing each book, looking at the various forms of wisdom described and passed on through it.

Simply,

Wisdom is the ability to understand the basic principles inherent in God’s created order, and to live by those principles. Wisdom enables a person to summarize these basic principles in a succinct and memorable fashion. Wisdom is living out the whole of life with a constant awareness of accountability before a loving, gracious, and just Creator and Redeemer.

The work he does to get to this summary is well worth the time and effort to work through. Actually, that goes for everything in the book, but I’ll hold off on saying that kind of thing for a few paragraphs.

The chapter on Proverbs is, fittingly, the longest and most developed. He discusses various approaches to the book, to understanding its construction and from there trying to understand it:

A much more accurate view of the theology of Proverbs may be gained from a covenantal perspective. The wise sayings of the book are not presented in a vacuum. They are not purely moralistic aphorisms. Instead, they are steeped in theistic assumptions. These wise observations about how the world works assume that God the Creator is none other than Yahweh, the Lord of the Covenant.

This, right here, would help so much of what I’ve read about Proverbs over the last few decades. To get into everything that Robertson says about the pursuit of Wisdom, passing it on and living by it from this book would make this post unbearably long — but it builds the foundation for everything that comes. Proverbs covers Wisdom as a whole — the rest of the book deals with it in specific areas.

While dealing with the personification of Wisdom in Proverbs 8, Robertson gives an excursus, “Athanasius as the Champion of the opponents of Arianism,” that is just gold. I’d love to see this developed into something longer.

Following Proverbs, he moves on to Job. Job doesn’t give us the answers to the puzzling circumstances of life, but for those who understand the book, they learn how to puzzle through the circumstances, how to think about them — how to ask God about them. Yes, there are answers given in the book — not easy answers, not the answers anyone necessarily wants, but answers — answers tied to the hope of the Resurrection. But wisdom knows to look for those answers in the difficulties of life, with a sure faith that is willing to look at dark circumstances and say, “I don’t know why this is happening, but I trust in Him Who does.”

Ecclesiastes, is, naturally, a tricky chapter — Robertson threw me a curveball when setting aside the usual discussion of authorship of the book to note

But a related question of some significance for understanding the book has been generally neglected. This neglected question is the identity of the “target audience”of Ecclesiastes.

Chewing on this a little helps get through some of the discussion of authorship. There are so many divergent readings of Ecclesiastes that your head can swim just trying to get a sense of them, Robertson is a pretty sure guide through them before landing on his conclusion that Ecclesiastes presents a “realistic picture of life” — one that is a precursor to Paul’s discussion in Romans 8, where creation is subjected to frustration, but that this is being renewed. I do think this chapter could’ve been organized in a more straight-forward way, but I appreciate the way that Robertson makes you work through various considerations and themes before leading to his conclusions — which are all very helpful.

His discussion of Lamentations, summed up in the subtitle “How to Weep,” was one of the best things I’ve read on the book (an admittedly too-short list). You may think that’s a pretty easy thing to learn — but there’s a wise way, a godly way to weep over the tragedies that will come into our lives. The book of Lamentations teaches us that — and, here’s the RH emphasis coming through — there’s a hope tied to the wise weeping. A hope tied to faith in God’s commitment to preserving a repentant people to Himself.

Lastly, we get to the wisdom of “How to Love” (in a marital sense) in the Song of Songs. The way he reads the book is a “Redemptive-Historical” way, in

terms of the redemptive work of God in restoring humanity to the situation prevailing at the time of creation . . . a restoration of the initial blessing of man and woman in their relation to each other, just as when they first stood in each other’s presence “both naked” but feeling “no shame” (Gen. 2:25). This Song rejoices in the fullness of God’s redemption of the marriage relationship.

He concludes this chapter uniquely, with a script for a Dramatic Reading of the Song of Songs — I think there could’ve been a bit more instruction on how to approach such a Reading — and why — than he gave. But I really appreciated that part.

He could’ve used a conclusion to wrap things up — returning to the closing admonition of the opening chapter. But that’s probably just a taste thing on my part.

There’s a focus on the literary/poetic forms in each book tying in the themes and teachings of them to the way the author presents them. This kind of discussion — no matter the type of literature (inspired or not) always stretches me. I imagine I’m not alone in that — in fact, I bet many people will skip those parts. This is to their own detriment. Robertson discusses these matters in a way that takes some effort to understand, but it’s effort that pays off.

This is a truly helpful book — not full-fledged commentaries on any of the books, but helpful summaries pointed towards seeing the wisdom passed down in each book, and tied into the Redemptive work going on in history all around us. I found it interesting that the recent A Biblical-Theological Introduction to the Old Testament doesn’t approach some of these books the same way as Robertson — in some ways flatly contradicting him. I’d hoped for more overlap between the two works approaching this material from the same framework — but none of the contradictions or differences change the overall message of the Biblical material, just shadings. Honestly, in each case, I think Robertson’s readings are easier to square with the texts in consideration (and not just because he has more pages to develop his points, either).

Robertson, as always, delivers the goods with this book. The reader has to think about what he says, has to drag out their Bible and use the two books together, but will ultimately come out the better for it. I found this book to be incredibly helpful, insightful and something that drove me back to the fullness and fulfillment of all the wisdom of God — Jesus the Messiah. Just where Robertson wants his readers to focus.

Disclaimer: I received this eARC from P&R Publishing via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

4 Stars

Killer Conversations with Rex Stout and John McAleer: Ridiculously Fun (and insightful, too, if you’re into that sort of thing)

Cover of Killer Conversations with Rex Stout and John McAleerKiller Conversations

with Rex Stout, John McAleer

DETAILS:
Publisher: Andrew McAleer
Publication Date: March 30, 2025
Format: eBook
Length: 91 pgs.
Read Date: May 21, 2025

How Does the Publisher Describe Killer Conversations?

Rex Stout: Killer Conversations (formerly Royal Decree) is a must read for aficionados of detective fiction. Here Edgar winner John McAleer shares some of his most memorable conversations with Nero Wolfe creator Rex Stout. Featuring an updated Introduction by crime fiction icon William G. Tapply and an Afterword by Grand Master Edward D. Hoch, Killer Conversations is an essential collectors’ volume. These in-person discussions with Stout were compiled to inform and gratify, in Stout’s own words, the millions of Rex Stout fans who would be putting these questions to him as if he were alive answering his mail from Wolfe’s West 35th Street Brownstone. Hailed by CBS as the “American Conan Doyle,” in Killer Conversations Stout discusses, among other things, his writingcraft, the Wolfe mysteries, plotting methods, characterization, the modern detective story, his service aboard President Teddy Roosevelt’s yacht, and offers his appraisal of crime fiction icons such as—Agatha Christie, Georges Simenon, G. K. Chesterton, and more. Killer Conversations will keep mystery fans glued to their chair till midnight chimes the hour. And why not, isn’t that what a Stout mystery does?

(the only problem with this blurb is the bit about midnight chimes the hour…the only way most people would be reading this until midnight is if they started at 11:20p.m.)

Some of My Favorite Responses

This is a great collection of pithy takes on everything outlined above—and Stout was great at them. I have to share some to give you a little taste (and because I just had to share some). I won’t cite all the best ones here—but I’m tempted to.

McAleer: When you were writing for the pulps, between nineteen twelve and nineteen seventeen, did you see yourself as a hack writer or as an aspiring young writer on his way to the top?

Stout: I have never regarded myself as this or that. I have been too busy being myself to bother about regarding myself.

McAleer: I know a writer who, before beginning a book, separates a ream of paper into unequal piles of twenty-three, thirty-seven, forty, twenty-seven, and so forth, because he knows in advance how many pages will go into each chapter. How does that strike you?

Stout: He isn’t a writer, he’s a puzzle fiend. Revolting.

McAleer: You’ve said you’d rather have written Alice in Wonderland than any other book in English written in the last century. Why?

Stout: I could write pages about it and they would have to be well written. While giving glorious entertainment in the form of playful nonsense, it does the best job in the English language of exposing our greatest fallacy, that man is a rational animal. A couple of instances out of many: The Queen’s “Off with their heads” shows that the greatest danger of unlimited power is not that it can act by malice but that it can act on whim. The shifting of places at the Mad Hatter’s tea party shows that if all of the members of a group wish to make a change it is not true that they should change in unison in the same direction. To do this right would take hours.

McAleer: Yet you hold Hammett in high regard?

Stout: Certainly. He was better than Chandler, though to read the critics you wouldn’t think so. In fact, The Glass Key is better than anything Hemingway ever wrote. . .Hemingway never grew out of adolescence. His scope and depth stayed shallow because he had no idea what women are for.

McAleer: Inspector Cramer is called “Fergus” Cramer in Where There’s a Will. Later, in The Silent Speaker, his initials are given as “L. T. C.”. How do you explain this discrepancy?

Stout: No significance. Laziness. I didn’t bother to check whether he already had a first name. Of course all discrepancies in the Nero Wolfe stories are Archie Goodwin’s fault.

So, what did I think about Killer Conversations?

Some of the answers Stout gives are deep. Several are flip. He doesn’t always use more than one word (really, would a little elaboration of killed him?) All are just fun to read.

This is a Lay’s Potato Chip kind of read—I bet you can’t read just on Question and Answer. You have to keep going—you might be able to make yourself stop because of something, but you won’t want to. It’s just too much fun to keep going.

Also? This is clearly going to be re-readable (I almost slipped into a re-read while putting this post together).

Ultimately, the question you want to ask yourself about this book is this: Do I want to learn more about Rex Stout? If the answer is yes, you’re going to have a blast with this. If you don’t—why have you read this far? You might appreciate someone talking about obscure authors and classics of the mystery genre. But you’re probably not going to be that engaged.

Me? I loved it. The two cover life, death, love, reputation, writing, Stout’s characters, his career, a little bit about people in his life, and more. If this book was three times as long—I’d say the same thing.

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REPOSTING: Breaking Bread with the Dead by Alan Jacobs: Interacting with the Classics from a Contemporary Perspective in Order to Learn and Critique

Earlier this year, I re-read three books by Alan Jacobs in what he styles as a trilogy of sorts (my paraphrase), with the intention of writing new, longer, posts about them all–or maybe one mega-post about all three. Neither of those happened, and I’m pretty sure it’s not going to happen this year–as much as they deserve it. But I still wanted to reflect on them a bit and call your attention to them. So, I’m just going to repost what I’ve said before–this one, in particular, deserves much more than I gave it. I maybe should try again next year.


Breaking Bread with the Dead

Breaking Bread with the Dead: A Reader’s Guide to a More Tranquil Mind

by Alan Jacobs

Hardcover, 192 pg.
Penguin Press, 2020

Read: September 26-October 15, 2020
Grab a copy from your local indie bookstore!

What’s Breaking Bread with the Dead About?

If I tried to summarize this book (unless I read it 3-4 more times), it would be out-of-control, just me blathering on for 4+ pages. So, let’s have mercy on us all and just appropriate what’s on the publisher’s site:

From the author of HOW TO THINK and THE PLEASURES OF READING IN AN AGE OF DISTRACTION, a literary guide to engaging with the voices of the past to stay sane in the present

W. H. Auden once wrote that “art is our chief means of breaking bread with the dead.” In his brilliant and compulsively readable new treatise, Breaking Bread with the Dead, Alan Jacobs shows us that engaging with the strange and wonderful writings of the past might help us live less anxiously in the present–and increase what Thomas Pynchon once called our “personal density.”

Today we are battling too much information in a society changing at lightning speed, with algorithms aimed at shaping our every thought–plus a sense that history offers no resources, only impediments to overcome or ignore. The modern solution to our problems is to surround ourselves only with what we know and what brings us instant comfort. Jacobs’s answer is the opposite: to be in conversation with, and challenged by, those from the past who can tell us what we never thought we needed to know.

What can Homer teach us about force? How does Frederick Douglass deal with the massive blind spots of America’s Founding Fathers? And what can we learn from modern authors who engage passionately and profoundly with the past? How can Ursula K. Le Guin show us truths about Virgil’s female characters that Virgil himself could never have seen? In Breaking Bread with the Dead, a gifted scholar draws us into close and sympathetic engagement with texts from across the ages, including the work of Anita Desai, Henrik Ibsen, Jean Rhys, Simone Weil, Edith Wharton, Amitav Ghosh, Claude Lévi-Strauss, Italo Calvino, and many more.

By hearing the voices of the past, we can expand our consciousness, our sympathies, and our wisdom far beyond what our present moment can offer.

So, what did I think about Breaking Bread with the Dead?

Really, what I want to do at this point is to write a series of posts about this book (probably not one per chapter, I could probably combine a couple of chapters together). But really, they’d be the equivalent of those old Chris Farley SNL interviews, “So, you remember X? Yeah…that was cool.”

I’m not saying this book is perfect, but it’s insightful, it’s thought-provoking, and it’s impossible to read without feeling a whole lot more well-read than you are* and (simultaneously) be inspired to read more and more widely. This is essentially true of everything Jacobs writes, I have to admit, so that’s not news. But it’s accurate.

* This is not necessarily true for you, just me.

At the end of the day, you may not agree with every way that Jacobs applies his principles for reading outside your time/culture/perspective, but those principles he enumerates are pretty sound—and at the very least provide a starting point. I think Jacobs is right more than he’s not, and even when I’m not convinced by him, I still find a lot to value.

Get it, chew on it, see if you can apply it yourself.


4 1/2 Stars

2020 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

REPOSTING: How to Think by Alan Jacobs

Earlier this year, I re-read three books by Alan Jacobs in what he styles as a trilogy of sorts (my paraphrase), with the intention of writing new, longer, posts about them all–or maybe one mega-post about all three. Neither of those happened, and I’m pretty sure it’s not going to happen this year–as much as they deserve it. But I still wanted to reflect on them a bit and call your attention to them. So, I’m just going to repost what I’ve said before–oh, man…after the last few years, this book is needed more than ever.


How to Think: A Survival Guide for a World at OddsHow to Think: A Survival Guide for a World at Odds

by Alan Jacobs
Uncorrected Proof, 156 pg.
Convergent Books, 2017

Read: October 3, 2017

I haven’t read any of them, but over the last few years I’ve seen a pretty good number of books about human thinking processes — how it works, how it can/can’t be changed, and how this can/may/should change the way we approach decision-making, etc. (it’s not that I’m uninterested, there’s only so much time). Unlike me, Alan Jacobs has read many of these — and one thing he notes, that while these books are great on the science of human cognition, there’s also an art to it. Enter this book.

The sub-title is “A Survival Guide for a World at Odds.” Now, while it’s clear that our society is quite divided, I honestly don’t think that the world is really all that much more divided than we’ve been before — even in this society. However, I think it’s safe to say that we’re much more open and aggressive about the divisions that exists, and far less inclined to listen to the other side(s). Jacobs’ writing can help his readers bridge some of the divisions with those they interact with (not every one will want to, I’m sure, but they could try if they want to). I almost think that this book could be called How to Disagree instead, because so much of the book (but not all of it) is about how to disagree with others like civil, empathetic, adults, looking to change minds (or have our own be changed); not simply to attack someone or win an argument.

Jacobs begins by showing what strategies, devices, etc. we all already use in our thinking (taken largely from common sense/experience or all the science-y books mentioned above), and then as we’re aware of these, he shows how we can improve them. Building on ideas from one chapter to the next and showing how something we learned already can inform what he’s discussing now, these are not individual essays, but a cumulative case. I find it difficult to give examples for just that reason — his is a carefully laid out argument, and summarizing some of my favorite components would do little justice to those parts and not work that well out of context. So, I’ll keep it vague. He addresses how the idea of “thinking for oneself” is impossible, how it’s problematic to have an “open mind” always, the importance of waiting, of not having to address everything, and how it’s vital to keep a diverse selection of thoughtful people in your life.

Jacobs doesn’t only draw from social sciences and philosophers (but he does, and frequently — in an accessible way), he cites and draws from Robin Sloan, Walter White, C. S. Lewis, George Orwell and many others. He does so in a way that illustrates his points, strengthens and furthers his arguments. (I point this out, because I just finished a book that seemed only to do this kind of thing to lengthen chapters — no light was added, just space taken up). While readers from High School on up can feel as if the ideas are stretching their minds, the writing will not — Jacobs (as always) is good at convincing the reader they can handle bigger ideas.

Frankly, I wish this book (or one much like it) was required reading for anyone wanting a social media account — I’ve been telling all sorts of people to read it for a few days now, and I probably won’t stop anytime soon. How to Think is helpful, insightful, entertaining, wise, and — dare I say? — thought-provoking. Go get it.

Disclaimer: I received this copy from a Goodreads Giveaway.

—–

4 Stars

REPOSTING: Reread Project: The Pleasures of Reading in an Age of Distraction by Alan Jacobs: A very different model of what reading can be all about.

Earlier this year, I re-read three books by Alan Jacobs in what he styles as a trilogy of sorts (my paraphrase), with the intention of writing new, longer, posts about them all–or maybe one mega-post about all three. Neither of those happened, and I’m pretty sure it’s not going to happen this year–as much as they deserve it. But I still wanted to reflect on them a bit and call your attention to them. So, I’m just going to repost what I’ve said before–which, yes, means two posts about this book.


The Pleasures of Reading in an Age of Distraction

The Pleasures of Reading in an Age of Distraction

by Alan Jacobs

Hardcover, 150 pg.
Oxford University Press, 2011

Read: January 2-3, 2020
Grab a copy from your local indie bookstore!

Read what would give you delight—at least most of the time—and do so without shame. And even if you are that rare sort of person who is delighted chiefly by what some people call Great Books, don’t make them your study intellectual diet, any more than eat at the most elegant of restaurants every day. It would be too much. Great books are great in part because of what they ask of their readers: they are not readily encountered, easily accessed. The poet W. H. Auden once wrote, “When one thinks of the attention that a great poem demands, there’s something frivolous about the notion of spending every day with one. Masterpieces should be kept for High Holidays of the Spirit”—for our own personal Christmases and Easters, not for any old Wednesday.

I picked this up as my first book of the year as a way to refresh the mind, come into the year with a reminder of what kind of reader I want to be. As I write this, I’m deliberately not looking at what I wrote last time I read this, but you may find it interesting. Maybe not. I don’t know if I’ll end up repeating myself.

I remember this book being as close to a mission statement for my approach to reading as you could hope for—particularly because I came to it late in life. It’s not like this is a book I read in college and it shaped me/my thinking, but it’s something that I came to a couple of years ago and it was as if a more erudite and thoughtful version of myself had written it.

The beginning of the book is the heart of it, he sets forth his central theses, core argument:

one dominant, overarching, nearly definitive principle for reading: Read at Whim.

Reading shouldn’t be about self-improvement (primarily), it isn’t the mental equivalent of eating Brussels Sprouts. It should be for pleasure. And to maximize that, Jacobs will argue—read at whim.

Following that, Jacobs talks about many aspects of reading for pleasure—note-taking, thinking about what we read, focus (and how to expand it), the role of ereaders (he’s surprisingly pro-ereader), fighting distractions, evaluating what we read and more.

I was particularly struck this time through by his section on re-reading. For growing in appreciation for, or understanding of a work. Or because you enjoy escaping into a well-known and beloved world for a period.

Jacobs frequently quotes Auden, at one point he cites Auden’s five ratings for a book—I think we should maybe replace the standard 5-Star system with this:

For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don’t like it; I can see this is good, and, though at present I don’t like it, I believe with perseverance I should come to like it; I can see that this is trash but I like it; I can see that this is trash and I don’t like it.

Most of all, this is a celebration of/appreciation of reading. Jacobs is a kindred spirit to us readers as well as a humanities professor. Reading is both a passion and a profession—and both (particularly the former) are clearly seen in these pages.

Our goal as adults is not to love all books alike, or as few as possible, but rather to love as widely and as well as our limited selves will allow.

Hear, hear. That’s a good reminder.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

REPOSTING: The Pleasures of Reading in an Age of Distraction by Alan Jacobs

Earlier this year, I re-read three books by Alan Jacobs in what he styles as a trilogy of sorts (my paraphrase), with the intention of writing new, longer, posts about them all–or maybe one mega-post about all three. Neither of those happened, and I’m pretty sure it’s not going to happen this year–as much as they deserve it. But I still wanted to reflect on them a bit and call your attention to them. So, I’m just going to repost what I’ve said before–which, yes, means two posts about this book. I like all of this, except the rating–what was I thinking?


The Pleasures of Reading in an Age of DistractionThe Pleasures of Reading in an Age of Distraction

by Alan Jacobs

Hardcover, 150 pg.
Oxford University Press, USA, 2011

Read: December 21 – 25, 2015

A while back my teenage son drifted into the room where I was reading, tilting his head to catch the title of the book in my hands. It was that venerable classic How to Read a Book, by Mortimer Adler and Charles van Doren. “Oh man, he said, “I had to read that in school last year. Maybe I learned something about how to read a book, but after that I never wanted to read a book again.”

Oh, I hear ya, brother! I endured Adler/van Doren for a graduate-level course and thought it was one of the most pointless books I’d ever read. Now, Jacobs finds more profit in the tome than I do, but he’s clearly not a fan.

The book starts with a call to read what you want, reading based on whim, rather than thinking of it as a self-improvement program (which it is, in a way, but it doesn’t have to be followed like one). In fact, Alden, Harold Bloom, etc. turn

reading into the intellectual equivalent of eating organic greens. . . That sort of thing is not reading at all, but what C. S. Lewis once called “social and ethical hygiene.”

Instead, Jacobs calls for people to:

Read what gives you delight–at least most of the time–and so without shame. And even if you are that rare sort of person who is delighted chiefly by what some people call Great Books, don’t make them your steady intellectual diet, any more than you would eat at the most elegant of restaurants every day.

Jacobs is a Professor of the Humanities at Baylor University, and author of many books and articles on books, reading, and authors. He’s one of those guys I’ve seen the name of everywhere, and associated with insight, but if push came to shove, I couldn’t tell you why. But now he’s the professor I wish I had (nothing against most of the early ’90s English department at the University of Idaho, most).

Reading on a whim doesn’t mean you can’t stretch yourself, read above your comfort level, or to better yourself — but you do it because it interests you, because you want to (and when you want to), rather than subjecting yourself to someone’s checklist.

After that, Jacobs moves into trying to understand how reading works, how it captures so many imaginations — and sure, he cites some studies that explain how we take black marks on paper and make them ideas in our head, at some point even the professionals have to stop and say, “it just works.” (but Jacob puts it better).

We also get discussion about the “iron-clad Law of Diminishing Returns” regarding rereading too soon (and yet, why we should reread). An interesting defense of/encouragement of fanfic. I was surprised, quite surprised, at his advocacy for e-Readers — I fully expected him to be solidly Dead Tree Edition Only, whoops — I don’t use my Kindle the way he does, but I can see where it’d work for him (or Nook, either). Why a lot of the doomsayers about the state of reading/publishing are wrong.

But mostly this is advice and guidance for the reader trying to recapture the same joy that he had before (or never had), encouragement for the active reader to keep at it, the person who still can’t get poetry, etc., etc.

I can’t resist another quotation. Towards the end of the book, he talks about the joy of finding a book by Serendipity:

serendipity is the near relation of Whim; each stands against the Plan.

Plan once appealed to me, but I have grown to be a natural worshiper of Serendipity and Whim; I can try to serve other gods, but my heart is never in it. I truly think I would rather read an indifferent book on a lark than a fine one according to schedule and plan.

Charmingly written, full of allusions (that most of us can get even without reading the works), witticisms and research — a book to entertain and edify. This one really speaks to me as a reader — it’s practically a mission statement for this blog. I expect I’ll come back to this one soon (maybe even annually). Still, for this time, I’m rating it 4-Stars, though I expect it’s a 5-Star book. I think it’s because I read it in 2-5 page spurts (one of those weeks, y’know?) after I got to page 70. Which doesn’t do the thing any favors. Towards the end of the book, Jacobs says:

All books want our attention, but not all of them want the same kind of attention.

I didn’t give this the right kind, and I’ll regret that for awhile.

If you like this blog, you’ll dig this book.

—–

Big Thanks to Aman Mittal for pointing me to this book — I haven’t read his take on it in a couple of months, so I don’t know how much we agree, but I know his post made me look for the book.

—–

4 Stars

Class Clown by Dave Barry: A Chuckle-Filled Peek Behind the Curtain

Cover of Class Clown by Dave BarryClass Clown:
The Memoirs of a Professional Wiseass: How I Went 77 Years Without Growing Up

by Dave Barry,

DETAILS:
Publisher: Simon & Schuster
Publication Date: May 13, 2025
Format: eARC
Length: 256 pg.
Read Date: May 4-6, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Class Clown About?

It’s really all there in the subtitle: it’s Dave Barry’s memoirs about his career as a professional wiseass—primarily through his humor column, but he’s found other outlets for it, too.

Here’s some of the jacket copy to help beef that up:

America’s most beloved wiseass finally tells his life story with all the humor you’d expect from a man who made a career out of making fun of pretty much everything.

How does the son of a Presbyterian minister wind up winning a Pulitzer Prize for writing a wildly inaccurate newspaper column read by millions of people?

In Class Clown, Dave Barry takes us on a hilarious ride, starting with a childhood largely spent throwing rocks for entertainment—there was no internet—and preparing for nuclear war by hiding under a classroom desk. After literally getting elected class clown in high school, he went to college, where, as an English major, he read snippets of great literature when he was not busy playing in a rock band (it was the sixties).

He began his journalism career at a small-town Pennsylvania newspaper where he learned the most important rule of local journalism: never confuse a goose with a duck. His journey then took a detour into the business world, where as a writing consultant he spent years trying, with limited success, to get corporate folks to, for God’s sake, get the point. Somehow from there he wound up as a humor columnist for The Miami Herald, where his boss was a wild man who encouraged him to write about anything that struck him as amusing and to never worry about alienating anyone…

Class Clown isn’t just a memoir; it’s a vibrant celebration of a life rich with humor, absurdity, joy, and sadness. Dave says the most important wisdom imparted by his Midwestern parents was never to take anything too seriously. This laughter-filled book is proof that he learned that lesson well.

His Origin Story

The first four chapters are the most autobiographical part of the book—a little less than 50% of it. Here we cover his parents, his childhood, schooling, and early career—from his first newspaper job, his detour through business education, and then finding his way back to journalism and becoming a humor columnist.

This is all the nitty-gritty stuff—what were his parents like? (nothing like you’d guess) What did his childhood entail? (bad jokes and throwing things) What did he write before making money with booger jokes? And so on.

This was the more educational—in a good way, I stress—part. He wrote about is parents, in particular, with warmth and humanity. He was open about some of their struggles, but with sensitivity. I really appreciated the way he talked about his marriages—past and present—very briefly, yet definitively. There is some humor, but it’s largely self-directed, or at the culture he and his parents were in.

This is really the kind of thing you come to a memoir for, and Barry did it well. He quotes some of his more serious (and some of his less-serious) columns here to show what he’s said about these things in the past.

Topical Memories

A little over half the book is devoted to what I’m describing as “Topical Memories”—he has a chapter on things like “My Readers,” “Politics,” and “Books, Music, and Movies.” In these, he relates a collection of stories and anecdotes from all over his career along these lines.

So we get stories about the great things his readers have sent him—and some of the less positive things they’ve said. Scandals he created—inadvertently or not. How he was involved in Obama’s first inaugural parade, or had Bruce Springsteen sing backup for him, how he accidentally offended an audience of Russians by screening one of his films. I particularly enjoyed him talking about his feud with his Neil Diamond-loving readers (I’m a pretty big Diamond fan, but thought Barry’s jokes were good and deserved, for what it’s worth)

There are several extended quotations from his columns here—and we get a lot of the stories behind the columns, too. Not the nuts-and-bolts of how he wrote them, but what led to them.

If the Origin Story chapters were educational—this was recess. Just a lot of fun and goofing off, telling wild stories and recounting past glories (and blunders). It was exactly the kind of thing that Barry readers pick up his books for.

The Appendix

I don’t frequently talk about appendices; they’re supplemental material, and I prefer to focus on the main portion of the book, but every now and then, one comes along that demands attention.

For example (as you might have guessed), this appendix. It was a hoot—its title is “A Good Name for a Rock Band.” Barry (like many of us) will frequently pick up on a phrase from something he quoted and say it would be a good name for a rock band (also known by the super-easy and memorable acronym WBAGNFARB). After discussing this practice a bit, Barry gives a non-exhaustive, but extensive list of some of those bands.

I think reading them in context is best—but you definitely can appreciate them in a different way with no context whatsoever. They are definitely more ridiculous that way.

It’s worth picking the book up from the shelf at your local bookstore/library just to read those few pages. (Of course, you’d be better served by reading the whole thing). Even people who don’t have a background with Barry will find some laughs there.

So, what did I think about Class Clown?

I’m fairly certain at this point in my life that I’m hardwired to enjoy Davy Barry’s writing, and that I don’t have the neuroplasticity to change that. No matter what apps for seniors I try. So maybe take this with a softball-sized grain of salt.

I really enjoyed this book. A lot—and on several levels.

Part of me would’ve liked a little more depth, a little more digging into details of his life, maybe his approach to writing. But it’d just feel strange knowing that much about Barry—and we all know what happens to a joke when you dissect it, knowing too much about how his sausage is made might not be that entertaining. Really, for Dave Barry—this is about as deep as we want. Every time I started to say “I wish he’d given us more about X,” I stopped myself and realized that no, this was just the right amount.

So no, it’s not as self-revealing as say, Patrick Stewart’s or Matthew Perry’s books—and that’s good.

This is a great way to get to know Barry a little better—given the nature of his work, a lot of us have had a para-social relationship with him before that was a phrase people used. It’s nice for us to deepen that relationship to a degree—before we get back to jokes about exploding cows, questionable song lyrics, or whatever.

I heartily encourage readers of Dave Barry to pick this up—even casual readers will have fun with this, you don’t have to be a die-hard like me. He’s one of a kind, and it’s great to bask in that for a little while.

Disclaimer: I received this eARC from Simon & Schuster via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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