Tag: Rick Riordan Page 1 of 2

In Audiobook, Comics, DC Smith & Kings Lake, Don Winslow, Faith Hunter, Fantasy, Fiction, Fletch, General Fiction/Literature, Gregory Mcdonald, Harry Bosch, Harry Dresden, Humor, Jim Butcher, M. W. Craven, Michael Connelly, Michael R. Underwood, Mystery/Detective Fiction/Crime Fiction/Thriller, Non-Fiction, Renée Ballard, Science Fiction, Theology/Christian Living, Urban Fantasy, Washington Poe, YA/MG/Children's Books

I did this back in January 2020, and need to do it again.

I frequently mention how looming Mt. TBR is getting for me, but what’s worse is my “To Write About” pile, I know I’m never going to catch up with that properly and it bugs me to no end. But in the interest of something being better than nothing, a dash of realism, and a heavy dose of self-care, I’m cutting myself some slack. So I’m clearing the deck of everything from 2020-2022 that I haven’t made time for. This was painful to do, I was looking forward to writing about most of these, and I have so much that I want to say. But I’m just not going to get to them—and other books are starting to pile up, too. So, in 144 characters or less, here’s me cutting myself some slack.

How bad am I at keeping up with my To-Write-Titles? I put together the list of books for this post in January 2023. And am just now getting to it. I wish that was a joke.

(Click on the cover for an official site with more info)

	Battle Ground by Jim Butcher I just can’t talk about this one yet. I need more time. (yeah, they’re fictional characters, but I’ve spent too long with them to not be reeling)
	Desert Star by Michael Connelly Loved it while reading it. But I have more and more questions about all of it the longer I think about it. Not Connelly’s best but well worth it
	Dead Ground by M. W. Craven Not a typical Poe and Tilly case, just as good and gripping as the rest though.
	The Posthumous Memoirs of Brás Cubas by Machado de Assis, Flora Thomson-DeVeaux (Translator) A strange and somewhat humorous look at a ghost’s POV on his life. I want to read it a few more times to really get a handle on it. Heckuva read
	Nightwing: Year One Deluxe Edition by Chuck Dixon If there’s a better Nightwing writer out there, I’d like to see it. A great, great, great telling of his origin.
	Mythos by Stephen Fry Drags a little. Wish he could pick a tone for his retellings/commentary on the classic stories. Still, it’s Stephen Fry talking—worth the time.
	Heroes: Mortals and Monsters, Quests and Adventures by Stephen Fry See above, but felt it dragged a bit more.
	Teen Titans: Beast Boy by Kami Garcia, Gabriel Picolo (Penciller) A solid, believable update of Gar Logan’s backstory. Very promising follow-up to the Raven book. Really impressed with Picolo.
	Teen Titans: Beast Boy Loves Raven by Kami Garcia, Gabriel Picolo (Penciller) Bring the two together and it’s even better. I’m curious about the overall story, but would read just them being awkward together. Like the art.
	Missing Pieces: A Kings Lake Investigation by Peter Grainger, Gildart Jackosn (Narrator) The Murder Squad tackles a cold case and is as excellent as ever. I don’t know how to talk about this series w/o being redundant. I want more!
	Junkyard War by Faith Hunter, Khristine Hvam (Narrator) This was utterly fine. A lot didn’t go the way I expected. But I’m still in this series for the long haul.
	The Dime by Kathleen Kent One of the best first chapters ever. The rest is pretty good. Not sure I buy the motive for the murders, nor that I want to see what comes next.
	Batman: City of Crime by David Lapham If you buy (I can’t) Batman losing sight of his mission, this story about him recovering it is great. If you can’t…well, it’s pretty good.
	Bluebird, Bluebird by Attica Locke, J.D. Jackson (Narrator) A stunning work of fiction. Words fail me. A deeply compromised Texas Ranger tries to solve a potential hate crime and keep his job.
	Flynn by Gregory McDonald, Donald Corren (Narrator) I expected the Fletch narrator for some reason, but Corren won me over in minutes. One of my favorite novels of all-time. Great audio version.
	Son of Fletch by Gregory McDonald, Dan John Miller (Narrator) Oh, I wanted to love this. But I just liked it. I’ll probably hear Miller in my head anytime I read Fletch in print.
	Fletch Reflected by Gregory McDonald, Dan John Miller (Narrator) This is not the way the series should’ve ended. Some fantastic moments, but not sure it was worth it. Miller was solid as always.
	Last Couple Standing by Matthew Norman Norman’s best female characters (to date). Stupid premise, but it almost convinces me to like it by the end. Lots of great moments.
	Weakness Is the Way: Life with Christ Our Strength by J.I. Packer Packer’s great on 2 Corinthians and what Paul tells about weakness as a way of life for the Christian.
	The Monster in the Hollows by Andrew Peterson I’m not sure I loved the way the story went in this one, but I grew to appreciate it. Characters are still great.
	The Warden and the Wolf King by Andrew Peterson Whatever my misgivings about the last one, this was the right way to end the series. Just what I wanted (if mildly predictable)
	Deathstroke, Vol. 1: The Professional by Christopher J. Priest I prefer the version Wolfman and Perez initially told about his origin, but this ain’t a bad version. And I see why it was necessary. Good ’nuff
	There Goes The Neighborhood by S. Reed I stopped working with a book tour company because they wouldn’t let me be honest about this book ever. So I won’t be. Loved ALL of it. <3<3<3<3
	Percy Jackson’s Greek Gods by Rick Riordan, Jesse Bernstein (Narrator) If Percy Jackson edited D’Aulaires’s book you’d get this. A great way to introduce the myths to young readers. Bernstein is a spot-on Percy.
	Percy Jackson’s Greek Heroes by Rick Riordan, Jesse Bernstein (Narrator) See above, but with heroes.
	I Will Judge You by Your Bookshelf by Grant Snider If someone looked into my brain, took all of my ideas and feelings, and improved them, you’d get this book. But only one-third as good as this.
	All These Worlds by Dennis E. Taylor, Ray Porter (Narrator) Taylor and Porter are unbeatable together. This is funny (duh), and the grief and sadness are real. As is the anger. Is the ending too easy?
	The Fellowship of the Ring by J.R.R. Tolkien, Andy Serkis (Narrator) Serkis nails the narration (as you’d expect). Is there a better first book of a series in Fantasy?
	The Two Towers by J.R.R. Tolkien, Andy Serkis (Narrator) Serkis is tremendous here. This whole book is ridiculously good.
	The Return of the King by by J.R.R. Tolkien, Andy Serkis (Narrator) One day the pacing on this won’t surprise me. The book gets better every time. Serkis was phenomenal.
	Annihilation Aria by Michael R. Underwood Found family stars in this fun, space opera about archeologists fighting an empire.
	The Cartel by Don Winslow The best of the trilogy. Shocking. Moving. Gripping. All-too-real—if you told me this was non-fiction, I’d almost believe it. A true classic.

My Favorite Audiobooks of 2021

By HCNewton

On January 4, 2022

In Audiobook, Fantasy, Fiction, History, Humor, Kevin Hearne, Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Non-Fiction, Politics/Current Affairs, Rick Riordan, Science Fiction, Seanan McGuire, Toby Daye, Tufa, Urban Fantasy

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

In This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

Daughter of the Deep by Rick Riordan: An Overdue Sequel to Verne’s Nemo Stories

By HCNewton

On November 26, 2021

In Fiction, Rick Riordan, Science Fiction, YA/MG/Children's Books

Daughter of the Deep

by Rick Riordan

Hardcover, 336 pg.
Disney-Hyperion, 2021

Read: November 18-22, 2021
Grab a copy from your local indie bookstore!

What’s Daughter of the Deep About?

So here’s the thing—the events and characters of 20,000 Leagues Under the Sea and The Mysterious Island are based on actual events and people—but Verne was given a few skewed details. One hundred-fifty years later, descendants of these people are running rival schools their ancestors founded, the Land Institute and the Harding-Pencroft Academy.

Students at HP are only told about their origins at a certain point, and their mission is to graduate future leaders in a variety of disciplines to guard the science that Nemo developed and slowly, carefully introduce it to the world.

Land Institute students are told their origins earlier and their mission is to rush that science out into the world—even if by doing so, it’ll unleash societal upheaval, economic trouble, and will upend established science for years.

The two schools are in sort of a cold war until the Land Institute launches an attack on HP, and the freshman class has to head to sea to try to survive. While on the run, the class is told about HP’s origins and our central character, Ana Dakkar, learns about her family history, forcing her to take a leadership position and more.

Can Ana and the rest of the freshman survive the Land Institute*? Can they utilize Nemo’s technology in ways no one else has? Who will control Nemo’s heritage?

* It is unfortunate that the ocean-going HP Academy is rivaled by the “Land Institute.” It feels a little too-on-the-nose, even though it’s named for Ned Land.

Plausibility

Because this is aimed at the MG crowd, I can buy the whole “a bunch of preteens/teens outsmart and outperform dangerous and super-smart older teens” nature of the plot—it’s pretty much a given in the genre.

Also, the whole Land Institute teachers/administrators allowing students to start killing people is a pretty hard pill to swallow. For some reason, I had an easier time buying competing mythological figures setting teens against teens.

But hey…if it’s in a universe where everything in 20,000 Leagues Under the Sea is based on reality, and that Nemo’s tech worked (and still does!)? Well, hey, I can buy a little less-than-plausible High School actions.

So, what did I think about Daughter of the Deep?

I had a lot of fun with this. A goofy premise, but well-executed. I dug the characters, the action was solid and the pacing was good—enough to keep the reader engaged and entertained, while giving enough breathing room for a little character development.

And there’s a giant cephalopod—every undersea adventure needs one of them.

If this is the beginning of a series (and it feels like it), there’s a good chance I’ll come back for more. But honestly? I think it’d be better as a stand-alone.

Either way, this is a fun ride—and one that’ll hopefully spur the target audience into giving Jules Verne himself a try.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 11/19/21: Daughter of the Deep by Rick Riordan

By HCNewton

On November 19, 2021

In Currently Reading, News/Misc., Quotations, The Friday 56

This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
Find a snippet, short and sweet.
Post it

from Page 56 of:
Daughter of the Deep

Daughter of the Deep by Rick Riordan

The world is quiet except for the slosh of waves against the hull and my captor’s ragged breathing in my ear. It must be hard work pulling me along, using me as a human shield while swimming backward toward his pontoon. I hope he drowns.

Above us, Gem says grimly, “I’ve got the shot, sir.”

I don’t think he meant for us to hear this comment, but voices carry at sea. The idea of him firing makes my stomach twist. With the ocean swells, and the movements of the ship and my captor, it would be a tough shot even for Gem. Besides, I assume my captor still has his little hypodermic needle somewhere at hand. I hope he sticks himself with it.

“Stand down, Mr. Twain,” Hewett orders.

Really? I think. That’s all you’ve got, Hewett?

“That’s right,” my captor mocks, “stand down, Mr. Twain.”

Top 5 Saturday: Books Inspired by Mythology

By HCNewton

On February 29, 2020

In Books, Fantasy, Fiction, Kevin Hearne, News/Misc., Urban Fantasy, YA/MG/Children's Books

The Top 5 Saturday weekly meme was created by Amanda at Devouring Books.

Rules!

Share your top 5 books of the current topic—these can be books that you want to read, have read and loved, have read and hated, you can do it any way you want.
Tag the original post (This one!)
Tag 5 people (I probably won’t do this bit, play along if you want)

This week’s topic is: Books inspired by Mythology. Which you’d think would be super-easy—and it was fairly easy—but coming up with a fifth took a little more work than I expected.

Bad Blood
by
Lucienne Diver

An Urban Fantasy featuring a strong, snarky, female PI who doesn’t believe the family legend that she’s descended from Pan and Medusa. But when Apollo himself shows up to hire her, she starts to come around . . . I admit I don’t remember a lot of this (I read it 7 years ago), but it was one of the first I thought of when I decided to do this list and I do keep asking myself why I never got around to reading the rest of the series.

American Gods
by
Neil Gaiman

Honestly, not my favorite Gaiman (maybe on a second read that’d change). But man, there are passages in this book that are pure magic. Epic in scope, but filled with fantastic characters, and Gaiman’s prose, you can absolutely understand why it’s beloved and so widely-read.

The Long Dark Tea-Time of the Soul
by
Douglas Adams

Unless I read something I cannot recall, this was the first book I read that made use of mythological characters in a contemporary setting. I absolutely loved the idea and wondered why more people didn’t do that. Clearly, they do (just see the rest of this post and the others posting on this theme today), but at the ripe old age of 15, it was revolutionary to me. Odin, Thor, Loki and a few other Norse dignitaries are flitting about London and the area, inflicting damage, killing innocents, and driving nursing home staff crazy. Throw in Dirk Gently and Adams at his best and you have a killer read.

Hunted
by
Kevin Hearne

Members of five (I think) pantheons show up in this book—in what’s probably Hearne’s finest use of them all. A good story for Atticus, Oberon, and Granuaile (Oberon has his best dramatic moment, as I recall) aside from that, but a great way of blending the various pantheons into the Iron Druid’s world. One of my Top 2 in the series.

The Lightning Thief
by
Rick Riordan

How can you have a list like this and not include this book (or one of the legion it spawned)? The book that started a craze and gave Riordan the ability to quit teaching. This set the template for all of Riordan’s myth-inspired books (be it Greek, Roman, Egyptian or Norse mythology) and is just fun (unlike some of the latter books which got a bit preachy and tedious). It’s not quite Potter-level of fame/influence, but it’s the closest we have in the States, a nice collection of kids, a creative way of brining myths to the 21st Century, and a rollicking good time.

The Dark Prophecy by Rick Riordan, Robbie Daymond

By HCNewton

On October 23, 2017

In Audiobook, Fantasy, Fiction, Rick Riordan, YA/MG/Children's Books

The Dark Prophecy

by Rick Riordan, Robbie Daymond
Series: Trials of Apollo, #2

Undabridged Audiobook, 12 hrs, and 31 min.
Listening Library, 2017

Read: October 5 – 11, 2017

I’m not sure how to give a plot synopsis here — basically, it’s the continuation of the Trials of Apollo. He has another task to accomplish — another of the new emperors to take down before the third one, in the next book. It’s the same ol’ set up that has served Riordan so well — and will continue to do so for years to come.

Basically, Apollo/Lester has to go and find another Oracle. To do so, really, he has to face a lot of people that he’s hurt/disappointed over the millennia. He learns a lot about himself, matures a bit. That part was good — and the whole thing was entertaining. But it felt stale. I liked The Hidden Oracle a lot and was excited to see where this series went. Now, I’m not so sure. I’ll finish the series, but with greatly diminished expectations.

Not that it got into details, but there was a lot more intimated/flat-out said Apollo’s sexual history than I’m comfortable with for a MG book. The previous books in the Percy-verse suggested sexual orientation and activity, there was some romance, but this went much further than any of those. Honestly, it went a step too far. If this wasn’t a part of the Percy-verse, or was clearly marketed toward older readers, it wouldn’t have been that bad and I wouldn’t have said anything about it. But that’s not the case here.

As far as the audiobook goes, it was rough. Robbie Daymond was very aware that he was reading amusing material and he read it like each line was a punchline. It was the vocal equivalent of mugging for the camera, if you will. Now, there were a couple of serious and poignant moments, and Daymond pulled those off well, but otherwise it was tough to listen to.

I didn’t like the narration, and didn’t think the story/writing was as crisp as the first book in the series. But it was still entertaining enough. This isn’t the one to start reading Riordan. But it’ll do for his older readers.

—–

3 Stars

The Hammer of Thor (Audiobook) by Rick Riordan, Kieran Culkin

By HCNewton

On May 22, 2017

In Audiobook, Fantasy, Fiction, Rick Riordan, YA/MG/Children's Books

The Hammer of Thor

by Rick Riordan, Kieran Culkin (Narrator)
Series: Magnus Chase and the Gods of Asgard, #2
Unabridged Audiobook, 10 hrs., 34 mins..
Listening Library, 2016
Read: May 10 – 12, 2016

Thor’s hammer is missing, so not only can he not stream Netflix (I’d forgotten that was a thing in this series) on it, he can’t intimidate the giants into not invading. You can guess which bothers him more. The Valkrie Samira and her pal Magnus have to go find it before things get out of hand.

I didn’t like this one as much as the first book in this series — but I didn’t dislike it. It’s still the same outline that Riordan is following with these books — there’s a quest; the hero and his friends have to go find the whatever to stall doomsday a little longer; to get the X the group has to beat a series of mini-challenges and then they’ll have a shot at the X. Since this is a book 2, they’ll get X, but many other things will go wrong, forcing the series into another book. For the most part, the minor challenges worked better for me than I expected.

I enjoyed Magnus’ friends — Samira in particular; although I’m pretty torn about the new character added to Magnus’ group: Alex Fierro — a child of Loki. I understand what Riordan was trying to do with this character, but I’m not sure he succeeded. I’m not convinced that Alex was a person, and not just a conglomeration of traits. But I have hope. Alex’s presence, I thought, ended up short-changing some of the other characters when it came to action and involvement in the plot, which I wasn’t crazy about.

I really enjoy seeing different authors’ take on the same mythological characters. Comparing/contrasting Kevin Hearne’s and Riordan’s Thors and Lokis would make for a very entertaining piece (I think Riordan’s Thor is more comical, but his Loki just might be more sadistic), and I will admit I got distracted a couple of times listening to this by thinking about the differences.

The best part of this was seeing how the problems Magnus, etc. are dealing with intersect some of what Percy, Annabeth and Apollo are going through in Riordan’s other series, and the strong hint that we’ll see some sort of cross-over soon. We’d understood that the Egyptian gods were threatening the earth about the same time that the Problems with Camps Jupiter and Half-Blood start up, but this was a much more explicit description. I like thinking that the various pantheons are having troubles at the same time, and that Earth could be doom in any number of ways simultaneously.

I bought this in hardcover the week it came out (last October, I think), but haven’t been able to find/make the time to read it. When I saw it as available on my library’s audiobook site, I figured I’d jump — just to get that TBR pile a little smaller. I hadn’t listened to Riordan on audio before, and was curious ow it translated. I was surprised to hear Kieran Culkin’s name (and voice) at the beginning of this — he didn’t strike me as the kind of actor who’d do audiobooks. I’m glad that he did, though. I really enjoyed his work throughout the novel — the narration, the characters — he just nailed it. That’s how Magnus Chase should sound.

It was entertaining enough to keep going, and I trust that Riordan knows what he’s doing, I’m just not convinced that he did all he could to make this book as good as it could be.

—–

3 Stars

The Hidden Oracle by Rick Riordan

By HCNewton

On September 16, 2016

In Fantasy, Fiction, Rick Riordan, YA/MG/Children's Books

The Hidden Oracle

by Rick Riordan
Series: Trials of Apollo, #1

Hardcover, 361 pg.
Disney-Hyperion, 2016

Read: August 31, 2016

Only 361 pages? Riordan is taking it easy on his readers. And maybe himself.

Anyway, following the events of The Heroes of Olympus, Zeus is a little displeased with Apollo and demonstrates this by turning him into a human teen (read: YA/MG novel star) and casting him to earth. He appears to be fully human — not even a demigod like Percy and the rest. Speaking of Percy, as soon as Apollo figures out what happened to him and where he is, he makes a beeline for Percy’s apartment to get help. Smart move. Percy gets him to Camp Halfblood and disappears back to NYC to do homework.

Once there, Apollo begins trying to figure out what quest he’ll have to do to return his status to quo. Along the way, he’ll make some friends, get a better perspective on himself and his offspring (yeah, that’s not weird), and maybe go through some of that personal growth. Note that I said, “some” personal growth and “better” perspective — that’s not saying much, basically Apollo comes across as a teenaged-Gilderoy Lockheart with a conscience. Instead of the large number of missions that we’ve become accustomed to in these books, there’s really just one (plus the series-arc mission) — such a nice change.

A lot of people from the Percy Jackson and The Heroes series are name-dropped and discussed, not to mention the few that we see — there’s even a nod to the Magnus Chase series — thankfully, my favorite is one of those who shows up in the flesh. There’s also a good amount of in-jokes to please the long-time fans. But readers new to this universe shouldn’t be put off by any of this — it’s absolutely approachable, maybe even moreso than anything since The Lightning Thief.

This is told in the typical breezy style that characterized non-adult mystery Riordan novels, but given the different protagonist, feels a little fresher. A little briefer, a little change of pace — still full of that Riordan magic. The Hidden Oracle is a sold first-entry in yet another adventure in this world. Give it a shot.

—–

3.5 Stars

The Sword of Summer by Rick Riordan

By HCNewton

On November 11, 2015

In Authors, Fantasy, Fiction, P-U, Rick Riordan, YA/MG/Children's Books

The Sword of Summer

by Rick Riordan
Series: Magnus Chase and the Gods of Asgard, #1

Hardcover, 491 pg.
Disney – Hyperion Books, 2015
Read: November 6 – 7, 2015

Maybe you’re thinking, Oh, Magnus, you didn’t really die. Otherwise you couldn’t be narrating this story. You just came close. Then you were miraculously rescued, blah, blah, blah.

Nope. I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water.

The medical term for that is dead.

Gee, Magnus, what did it feel like?

It hurt. A lot. Thanks for asking.

Welcome to Rick Riordan’s latest tale of the offspring of mythological deities and the humans silly enough to fall for them. We’ve done the Greek pantheon, spent some time with the Egyptians, and came back for another round with the Greeks — this time with their Roman counterparts, but now we’re in for something new: Norse mythology. A whole new kettle of fish. This involves a new type of central character, a new kind of setting, new challenges. Which gives us the best thing from Riordan since the Percy Jackson & the Olympians series.

Magnus Chase is a homeless teen, orphaned a couple of years back when his mother was killed. Since then, he’s lived on the streets of Boston, spending his days in museums and libraries, learning as much as he can about whatever, and establishing relationships with generous restaurant employees and fellow homeless people. Two of whom track him down one day to let him know that there are people looking for him. It turns out that this is his sixteenth birthday and life just got a lot more dangerous for him. The people seeking him are family and they’re sure that he’s about to be hunted by beings he doesn’t believe exist.

The quotation above shows how well that being hunted works out for Magnus.

But he goes down fighting — to save himself, bystanders, and a couple of friends. So a Valkyrie (who happens to be Muslim, a combination that fascinates me) takes him to Valhalla — where he makes some more interesting friends, and enjoys a quality of (after-)life that’s far better than the streets. But then, someone casts doubt on the worthiness of his selection, which puts that Valkyrie in hot water.

So now Magnus has to take things into his own hands, prove that he’s worthy, defend the Valkyrie, and prevent Ragnarok from starting — or, if things go wrong, kick it off. It could go either way, really. One of the best pieces of advice he gets — the thing that inspires him is:

The thing about fate, Magnus: even if we can’t change the big picture, our choices can alter the details. That’s how we rebel against destiny, how we make our mark.

Now it’s just a question of what kind of mark he leaves.

Love, love the voice/attitude, I’ve seen some criticisms of it from parents, but I think it’s fun, and it’s just the kind of thing to feed into his audience (both the target and those who’ve grown up reading Riordan and still read him despite no longer being age-appropriate). It’s the clearest, crispest, funniest narrative voice since the Percy books — and might end up surpassing them by the end of this series.

I really don’t know that much about Norse mythology — world tree, Ratatoskr, Asgard, Valhalla, Odin, ravens, Hel, etc. I’ve got, but the details are really fuzzy. Most of what I know about Norse myth comes from Kevin Hearne’s Iron Druid Chronicles and Jacqueline Carey’s Daisy Johanssen/Agent of Hel Urban Fantasy books. So I’m learning a lot — and I assume younger readers will, too. The few pages of supplemental materials in back of the book are such a nice help! I really enjoy Riordan’s take on these mythological figures — both those I know and those I’m new to. I think the Thor you meet in these pages is fantastic. Yeah, Hearne’s Thor is a better character, but Riordan’s Thor induced more chuckles.

There are some great chapter titles here — I tend to ignore them (anything beyond a number is a distraction), which is short-sighted, I realize, but that’s what I do. In this book? It’d be really dumb to skip them. Every now and then I’d stop to go back and read the last few that I’d missed. If they’re not the funniest (and most creative) lines in the book — they’re in the top 2%.

The tie-in to the Percy Jackson books is obvious (and I felt really stupid having to have it spelled out for me in the opening chapters rather than sussing it out much earlier) and unexpected, but I can’t wait to see how that develops. But even more entertaining are the jokes about aspects of the Percy-verse — flat-out funny, and nice bit of fan service, too. Oh, and they won’t make a lick of difference to the Riordan-novice.

I just realized that I haven’t even addressed the titular sword. I don’t know what to say about it without ruining anything, but if I was eleven years old? It’d be my favorite sword ever — better than Excalibur or anything that Tolkien could offer (as someone much older than 11, I don’t think that, but I wouldn’t argue with my younger self).

One other thing — I read a review from one review site that I respect that dampened by enthusiasm for getting this — but I decided that Riordan had earned my trust (and I was curious), so I gave this a shot. That review complained about the sarcasm — I don’t get that, but apparently that’s a thing for some parents. And they complained about the addition of cussing — now maybe I missed it, but outside of the taking the names of Norse gods in vain (and that could be argued), the only cussing I saw was in dialogue tags. As in “…,’ he cussed.” Seriously? If we have to shield our middle graders from the concept of cussing, they’re not going to survive the middle grades. There were a few other complains that were about as baseless as these — I kept waiting to see these problems as I read and missed every single one.

Which isn’t to say this is a perfect book — but man, it’s the best he’s done in quite a while. The problems I have are really not worth getting into, they don’t ruin the experience, and if you’ve read Riordan before, you’ll be expecting them (they’re less problematic in this book than the last 2-3). The Sword of Summer is funny, exciting, with real heart — just the thing for middle grade readers (or those who don’t mind reading below their fighting weight).

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4 Stars

The Blood of Olympus by Rick Riordan

By HCNewton

On November 5, 2014

In Authors, Fantasy, Fiction, P-U, Rick Riordan, YA/MG/Children's Books

The Blood of Olympus

by Rick Riordan

Hardcover, 516 pg.
Disney-Hyperion, 2014
Read: October 25 – 28, 2014
Well, after ten novels, it’s time to say good-bye to Percy, Annabeth, Grover, and the other residents of Camp Half-Blood — not to mention their new-found allies and friends (when they’re not trying to wipe them out) from Camp Jupiter. But first they have to stop Gaea and her army of giants from wiping out the gods, humanity, and all life as we know it.

Just another day for these demi-gods, really.

As is the norm for Riordan’s books, our heroes are faced with a series of tasks which build up to a major confrontation — this time, a couple of them. It’s amusing as usual to see these kids outwit various minor gods, titans, etc. Good teacher that he is, Riordan gives his readers plenty of education about the Greek and Roman pantheons under the thin disguise of plot development.

The big epic battles that he’s been building for since the beginning of this series — well, they were epic. They were tension filled. And still managed to be funny. And will likely be read with breaths caught, and lumps in throats. Possibly the funniest visual in Riordan’s works appears in the midst of one of these battles, and for a second I was torn between enjoying it and turning the page to find out what happened next.

My one quibble was that the resolution to the Gaea story was a little too easy, a little too quick after all this build up. Still, the way he wrapped up the other story lines and conflicts was sufficient, so I was able to move past it easily. Riordan continues dabbling in themes I’d prefer not to see in MG books, but I know I’m in the minority on that.

At the end of the day, especially at this point in these series, it’s the characters that readers care about. I read this ahead of my son (who started these back when there were only three in the original series, and is now a good deal older than the target audience) and made a joke about something bad happening to Grover — and the glare he gave me probably took a year off my life. It’d that kind of dedication that Riordan instills in his fans. As such, there’s plenty of development and resolution given to these characters — Riordan doesn’t spell out their futures the way that Rowling did at the end of her series, but he gives us enough to be able to say good-bye.

Riordan does right by his characters — Reyna, Jason, and Frank particularly. Annabeth and Piper shine like neither has before. And Leo Valdez is even more of a star than he was before (if I’m going to talk about my son’s soft spot for Grover, I’d better be honest about my Leo-centric focus). I’m not saying they all survive, or are otherwise unscathed, but Riordan treats his characters with respect and keeps his readers turning the pages.

It’ll be odd not getting a new adventure with these characters next year, but I’m looking forward to seeing what Riordan does with the Norse pantheon (and learning about them, too).

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4 Stars