Tag: Rivers of London Page 1 of 2

Rivers of London: Deadly Ever After by Celese Bronfman, José María Beroy (Pencils), et al.: A Couple of Brooks Wrangle With Unleashed Fairy Tales

Deadly Ever AfterRivers of London: Deadly Ever After

by Celese Bronfman, José María Beroy (Pencils) (and several other people)

DETAILS:
Series: The Rivers of London
Publisher: Titan Comics
Publication Date: January 24, 2023
Format: Paperback
Length: 112 pgs.
Read Date: March 18, 2023

What’s Deadly Ever After About?

Two of Beverly’s sisters, the twins Olympia and Chelsea Brook, are hanging out with some people they just met around a campfire. It’s just a relaxing moment—when one of the group suddenly starts trying to eat them all. Olympia tries a magic whammy on him, which doesn’t help too much, but the others are able to capitalize on this and subdue him.

Over the next couple of days, others in the group suddenly start acting strangely—an actor quits his current project, dresses up like a frog, and starts to make nature documentaries; another takes a bite of an apple and goes to sleep like Snow White.

The sisters try to get some help from the Folly, but they’re too busy. Abigail gives a quick consultation but isn’t that helpful. So the sisters have to figure out what’s afoot on their own and try to set things right.

What About Peter, Nightengale, etc.?

They’re pretty deeply involved in some strange case and we see them briefly here and there—I’m curious about what they’re up to, but I really don’t want either a comic or a novel/novella to tell us—I just want to live with the random and odd images.

How’s the Art?

The art for the Rivers of London has never been the strongest—it’s good, it’s dynamic, it moves the story along, and helps tell the story. But by and large, it’s not the greatest comic art in the world—I’ve never disliked it (I don’t think), but I’ve rarely been wowed by it either. It’s good, not great.

That’s what we have here—capable art that tells the story, conveys the emotions, and occasionally elicits a grin.

(all of this reads to me like the most sinistral left-handed compliment—I’m not trying to be that way, I’m apparently just having one of those days)

So, what did I think about Deadly Ever After?

I love the idea of getting stories in this world that only have a tangential connection to Peter and the rest. We all know that the entire Demi-monde/Supernatural world doesn’t revolve around the Folly. Things like this have to happen, before Peter was recruited, we know that Nightingale didn’t have time to handle everything—people cleaned up after themselves. And that’s what the twins try to do here—and mostly succeed.

I guess I really don’t have much to say beyond that—not only do I love the idea of this kind of story, I appreciated this example of them. We get a great magic story, meet some new people, and spend some time in this world that readers love. Can’t ask for more than that.

Sure, I hope to see more of the ol’ gang next time, but regular doses of the world outside like this one would be a good thing.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My Favorite Non-Crime Fiction of 2022

2023 Favorite Non-Crime
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s almost 40% Crime/Thriller Fiction, the rest of fiction is around 30% combined. Which is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

When it comes to this list of favorites, I had to choose—top five or top eleven. There are six I just couldn’t choose between—but hey, it’s my list, so here are my favorite 11 non-Crime Fiction Novels of 2022. It took me very little time to regret trying to write anything new about these books—I’m supposed to cover these in a measly paragraph? I borrow from my original posts, and really say less than I wanted to (or this post would be about 5 times as long as it is).

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

Amongst Our WeaponsAmongst Our Weapons

by Ben Aaronovitch

My original post
Any installment in this series is a strong contender for a favorite of the year even before I open it, and this one is a great example of why. While telling a pretty strong story, Aaronovitch expands this world and the reader’s understanding of it, a whole new magic system, and seemingly introduces the next major story arc for the series. We get to see almost every major (and more than a few minor) characters, too. For a fan, this book was a heckuva treat.

4 1/2 Stars

Wistful AscendingWistful Ascending

by JCM Berne

My original post
This novel—a Space Opera/Super-Hero mashup—hit just about every button I have and probably installed a couple of new ones (talking space bears, for example). If I try to expand on that I’m not going to shut up anytime soon. Read my original post—or just read the book.

4 1/2 Stars

The Veiled Edge of ContactThe Veiled Edge of Contact

by James Brayken

My original post
Brayken’s debut surprised me more times than I thought was possible. Every time I thought I knew what direction Brayken was taking for the story, the protagonist (or major characters), tone, or even genre—he’d make a sharp turn and make the book better than I thought it was. I have questions and qualms about some aspects of the novel—but this is going down as a highlight of 2022 anyway.

4 Stars

The Art of ProphecyThe Art of Prophecy

by Wesley Chu

My original post
In my original post, I said, “I don’t know that I can really express how excited I am about this book. The last time I was this enthusiastic about a Fantasy novel was Kings of the Wyld, and I’ve read some really good Fantasy since then. But this is a whole different level.” It features my favorite new-to-me-character of the year. It’s just a glorious read. I’ve read (and enjoyed) a lot of Chu’s previous work and this is so far beyond those that it’s hard to describe.

5 Stars

The Iron GateThe Iron Gate

by Harry Connolly

My original post
Every Twenty Palaces novel is better than the last—and The Iron Gate is no exception. This novel is a better version of everything Connolly has delivered before. We get character growth in a character I’d have considered pretty unchangeable, a dynamite plot (two, actually), and a disturbing monster to boot. There’s just so much to commend here—both for this novel and what it promises for the future.

4 1/2 Stars

The Part About the Dragon Was (Mostly) TrueThe Part About the Dragon Was (Mostly) True

by Sean Gibson

My original post
This is not a book to read if you’re in a “find out what happened and get to the end of the story” frame of mind. This is a “enjoy the trip, not the destination”/”stop and smell the roses” kind of book. The destination/what happens is fully satisfying, but the getting-there is so much better. This Fantasy/Comedy sends up and celebrates so many Fantasy mainstays that fans (and detractors) of the genre will have a blast on that front alone. The cast of characters is a blast and the protagonist, the bard Heloise, is even better.

4 Stars

Final HeirFinal Heir

by Faith Hunter

My original post
The fifteenth Jane Yellowrock novel was the series finale and the series went down the way it should—with a lot of heart, a lot of love, a lot of violence, and so many buckets of blood. I’ve been reading these for so long that I really didn’t want to see the series end (but it was time). From the jaw-dropping first chapter to the last lines that genuinely made me misty, Final Heir was a great ride.

5 Stars

Kaiju Preservation SocietyThe Kaiju Preservation Society

by John Scalzi

My original post
This book delivers all the ridiculous fun that the title (and premise) promises. Scalzi calls it a pop song, I tend to compare it to a popcorn movie. It’s not meant to provoke thought, to be pondered over, or analyzed. It’s meant to be enjoyed, it’s meant to be light and entertaining. Consider this me writing on the literary equivalent of a bathroom stall, “For a good time…”

5 Stars

Station EternityStation Eternity

by Mur Lafferty

My original post
A Murder Mystery set on a living Space Station with only three human characters surrounded by some of the strangest alien species you’ve seen (those three humans are pretty odd, too). This novel is one for mystery fans open to aliens walking around, SF fans interested in a different kind of story, and readers who like good things. Social commentary, a twisty narrative, a clever mystery, and more chuckles than I expected to get from this. An inventive read that’ll leave you wanting more.

4 Stars

Theft of SwordsTheft of Swords

by Michael J. Sullivan

My original post
Multiple people over the years have told me to read this book (some multiple times). I finally did, and regret not paying attention to them earlier. It’s more “traditional” Fantasy than the others on this list, there’s almost nothing that someone who’s read/watched a handful of fantasy series hasn’t been exposed to before. It’s the way that Sullivan has assembled these tried and true elements that is going to make you happy. The sword fights are fantastic. The imagination showed in the magic system, the magical creatures, and the politics—between races, within the remnants of the human empire, and the ecclesiastical politics—are really well conceived and effectively portrayed. I can’t wait to dive into the rest of the trilogy.

4 1/2 Stars

Adult Assembly RequiredAdult Assembly Required

by Abbi Waxman

My original post
This novel starts in the same bookstore that Nina Hill works in, and she’s around a lot—but this isn’t her book. It’s the story of a woman who moved across the country to start her life over, and the results aren’t what she expected. Adult Assembly Required is funny, it’s sweet, it’s heartwarming, and will make you feel good all over. It’s full of the Waxman magic.
5 Stars

Amongst Our Weapons by Ben Aaronovitch: Fear, and Surprise, and Ruthless Efficiency, and two Births.

Amongst Our WeaponsAmongst Our Weapons

by Ben Aaronovitch

DETAILS:
Series: Rivers of London, #9
Publisher: DAW
Publication Date: April 11, 2022
Format: Hardcover
Length: 294 pg.
Read Date: April 12-15
Support Independent Bookstores - Visit IndieBound.org

What’s Amongst Our Weapons About?

Peter’s called in for an initial assessment on an odd murder scene, just to make sure that there’s nothing magical about it. He brings along the newest trainee to the Folly’s Course in magical policing, just to familiarize police throughout the country with their methods. On an initial glance, it looks like it’s something that would belong to the Folly, but there’s an odd lack of vestigium—almost a suspicious lack. The method of murder—and the damage to the more technical devices in the area make it clear that this is a magical murder.

So, Peter and his trainee, join Guleed and Stephanopoulos in their investigation. They soon discover that this murder is actually the second in a string—there’s little to tie the two victims together at first glance, except a similar taste in platinum rings. “Taste” is a poor word there, it’s more of an obsessive need to have their ring that invites Gollum comparisons (however they might be discouraged).

This case is likely the most International that the novels have recorded (although no one leaves the country—as helpful as that might have been) and involves history and magical disciplines that Nightingale and Postmartin can only speculate about. In other words—everyone’s in for a pretty steep learning curve before this is all done.

I feel like I’ve spent a lot of words there to say very little, but it’s one of those setups, I’m not sure what else to do.

Everyone Expects…

With a title like that, if the words “Spanish Inquisition,” aren’t on the tip of your tongue, something’s wrong with you. So, you can’t help but look for the Inquisition to show up in the novel—it’s the how it shows up that’s clever and wholly within what you expect for the series.

Aaronovitch doesn’t work Monty Python into this novel quite as thoroughly as he did with the Hitchhiker’s Guide references in False Value—but it’s there. Which is a fun little garnish.

Building Worlds and Bridges

If everything else in this novel was a “bleh” (and it wasn’t), I’d consider this one a win only for the things I’m talking about in this section.

The Rivers of London series has a pretty well-developed world, and there’s a lot of room to play already. But Aaronovitch keeps building it out—and we get a good deal of it here. There’s a whole other side to the world of practitioners in England pre-WWII that we didn’t know about and that Nightingale hasn’t seen a reason to share with Peter before. I loved this new discipline, how it was introduced, and how it ties in with other non-Society of the Wise British practitioners.

It’s very clear that whatever the Magical community looked like pre-WWII, the War devasted it—alliances are shattered, secrecy and nationalism became the order of the day—with a healthy dose of suspicion. Slowly some of the barriers are coming down and Peter has a lot to do with that—his activity alone has helped practitioners in other nations (see: Germany) become aware of the Folly’s current status. Also, Peter’s relationship with Beverly and her family is strengthening and altering the relationship between the Folly, the Demi-monde in general, and The Rivers in particular. We see a big jump on the domestic front with the other discipline and some other things in these pages—but also, there’s a real sign that Peter’s trying to forge a stronger connection between the magical communities of the U.K. and the U.S. I can only hope that this will soon result in Tobias Winter and Peter meeting up.

Also, there’s something that was briefly mentioned in False Value that’s returned to here, but isn’t given all that much attention. I think, ultimately, this is going to be the post-Faceless Man Big Bad, and this slow build-up to it in a series of 2+ is great. I’m including this with the Worldbuilding because it’s pretty clear that whatever this ends up being, Peter (and I bet Nightingale, too) are going to have to reconsider what they know about the world.

Awwwww…

When the book opens, Beverly is close to delivering the twins. In practically every conversation that Peter gets into, someone is asking him about the upcoming birth, the christening (or whatever they end up doing), etc. Seemingly every minor character from the series so far is talking about it.

There are all sorts of goings-on at Beverly’s home to prepare for the birth—and those who aren’t asking Peter questions are chipping in to get things ready.

All hands are on deck—several in unexpected ways—on this front, and for long-time fans, this whole story through the novel is going to be a real pleasure—it’s the emotional heart of the novel and it pays off well. This storyline—especially the last ten pages of the book—is almost enough to tip me from the 4 Stars I was going to give the novel to a 5.

So, what did I think about Amongst Our Weapons?

I’ve tipped my hand already, I realize, but I liked this novel—a lot. This is fairly predictable—it’s the ninth novel in a series that I’m a completist in. I’ve read and listened to the previous eight novels, short stories, and novellas at least once—and have read all the comics one or two times, too. So, it’d take a massive drop in quality for me to be negative about this. It’s not my favorite in the series—but it’s on the upper end of the spectrum.

I do wonder if the main story could’ve been focused on a bit more in the midst of the personal story and all the expansion of the world that’s going on, it sometimes seemed to take a backseat to other things. I think we got a simpler story so that Aaronovitch could do all the extra things without overcrowding the novel. Also, I can’t think of a thing he should’ve cut. If anything, I think it could’ve been improved with another 100-150 pages of material. For example, we’d have been better served to have our favorite FBI Agent, Kim Reynolds, get 2-4 scenes showing some work in the States related to the crimes.

There are some great character moments—including from some unexpected corners. For example, we get some background on one character that I’d simply assumed we’d never learn more about (I think Peter was with me on this point). Like so many things in this novel, that’s a real treat for the fans.

It’s hard to say without knowing where things are going, but it feels to me like the first arc wrapped up in Lies Sleeping and False Value served as a chance for the characters and readers to catch their breath after it, and Amongst our Weapons is setting things up for the next arc. Given all the things that are set up? It’s going to make taking down the Faceless Man seem easy. I can’t wait.

Obviously, I recommend this to those who’ve read this series—although I probably don’t need to. If you’ve read this far and haven’t read the series—I encourage you to do so. I don’t know that this is where I’d jump on—it’s not a bad place, per se, but it’s not the best. Maybe try False Value first—however, going back to the beginning would be best.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: What Abigail Did That Summer by Ben Aaronovitch: Peter Grant’s Cousin Searches for Missing Kids

What Abigail Did That Summer

What Abigail Did That Summer

by Ben Aaronovitch
Series: The Rivers of London, #5.7 (or so, I’m not sure how it’ll get numbered)

eARC, 232 pg.
Subterranean Press, 2021

Read: March 1, 2021

There are a few, uh, provisos, a, a couple of quid pro quos.

I almost feel like I need to go back and do a lot of re-reading before writing much about this book. I’d have thought that Abigail’s involvement with the Folly and Peter wasn’t this developed until later in the series.

Also, I know there’s a connection between Abigail and the talking foxes, but I don’t remember exactly when it comes about and how much of this book is Aaronovich filling in the backstory that he just breezes past in one of the novels.

I didn’t feel at a loss for context while reading the book, but I tell you what, I’m feeling it as I try to talk about the novella. So, I guess I’m saying, be nice and forgive any lapses in what’s to come:

What’s What Abigail Did That Summer About?

This novella is set during the events of Foxglove Summer and Peter’s not in London. But never fear, Abigail does talk to Nightingale a couple of times.

Abigail has a strange interaction with someone she used to know and sees someone else acting slightly strangely. She starts, not really investigating, but taking a close look around at everything. Then when the police start asking questions of kids in the park, showing pictures of those same people, she knows something’s up.

Not that she tells the police that, because they’re not going to believe her. She’s told that these children (and others) have gone missing, but then reappear at home, with fuzzy memories of the last couple of days. If Abigail, she thinks, with the help of some of the local talking foxes, can figure out what’s going on, she can point Nightingale in the right direction—which might help convince him that she’s ready for training.

But mostly, Abigail’s curious about what’s happening and has to figure it out.

Postmartin’s Contribution

Abigail’s first-person account is littered with footnotes by the Folly’s archivist, Harold Postmartin. Largely, these footnotes are to explain some of the more slang-y terms Abigail uses (although sometimes it’s a more technical note). He seems to go to great lengths to make sure that American readers can get what she’s saying. I halfway wonder if in UK editions those notes have differences.

I think I could’ve worked out the terms I wasn’t already familiar with, but the footnotes were entertaining enough that it doesn’t matter if I could’ve. This was a better way to deal with it.

So, what did I think about What Abigail Did That Summer?

This is absolutely a Folly-story, one that belongs in this series, but there’s no way that Peter Grant was the right character to use for this story, Aaronovich needed to use someone like Abigail to tell this, conveniently enough, there she was. She has a different way of thinking than Peter—and while there’s humor to her narration, it’s not the same as Peter’s (even if it’s occasionally similar). Seeing things from her perspective, it’s a great way to see how she’s similar to her cousin, while very much being her own person.

Frequently, with novellas, I walk away wondering why couldn’t we get a full novel out of it? This isn’t one of those times—the story is as long as it needs to be—it’s complex and satisfying. Also, we get a lot of development out of Abigail and get a better degree of understanding of her than we’ve had before.

That said, there are just so many things I want to know more about, but just making this novel-length wouldn’t take care of it. For example, we learn right off the bat that there’s something…different…about Simon’s mom—and Aaronovich teases us with a couple of more things. I want more of this. I want to know just what it is that Abigail’s doing for her. I want more adventures with Abigail and the foxes.

I’ve always wanted to see more Abigail in the novels—this underscores that for me.

In short, this was a fun story—a strange one at times, but fun—that makes me more curious about a character I already enjoyed, but now I want more of her—both on her own (like this) or in the main novels. I had a similar reaction to the novella The October Man, too. Although that probably is my reaction to anything in this universe (at least so far)—”I enjoyed that, can I have more like it?”

This would be an interesting jumping-on point for the whole series—I’m not sure I’d recommend it, but it might be enough to convince you to dive into the rest.

Disclaimer: I received this eARC from Subterranean Press via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

What Abigail Did That Summer by Ben Aaronovitch: Peter Grant’s Cousin Searches for Missing Kids

What Abigail Did That Summer

What Abigail Did That Summer

by Ben Aaronovitch
Series: The Rivers of London, #5.7 (or so, I’m not sure how it’ll get numbered)

eARC, 232 pg.
Subterranean Press, 2021

Read: March 1, 2021

There are a few, uh, provisos, a, a couple of quid pro quos.

I almost feel like I need to go back and do a lot of re-reading before writing much about this book. I’d have thought that Abigail’s involvement with the Folly and Peter wasn’t this developed until later in the series.

Also, I know there’s a connection between Abigail and the talking foxes, but I don’t remember exactly when it comes about and how much of this book is Aaronovich filling in the backstory that he just breezes past in one of the novels.

I didn’t feel at a loss for context while reading the book, but I tell you what, I’m feeling it as I try to talk about the novella. So, I guess I’m saying, be nice and forgive any lapses in what’s to come:

What’s What Abigail Did That Summer About?

This novella is set during the events of Foxglove Summer and Peter’s not in London. But never fear, Abigail does talk to Nightingale a couple of times.

Abigail has a strange interaction with someone she used to know and sees someone else acting slightly strangely. She starts, not really investigating, but taking a close look around at everything. Then when the police start asking questions of kids in the park, showing pictures of those same people, she knows something’s up.

Not that she tells the police that, because they’re not going to believe her. She’s told that these children (and others) have gone missing, but then reappear at home, with fuzzy memories of the last couple of days. If Abigail, she thinks, with the help of some of the local talking foxes, can figure out what’s going on, she can point Nightingale in the right direction—which might help convince him that she’s ready for training.

But mostly, Abigail’s curious about what’s happening and has to figure it out.

Postmartin’s Contribution

Abigail’s first-person account is littered with footnotes by the Folly’s archivist, Harold Postmartin. Largely, these footnotes are to explain some of the more slang-y terms Abigail uses (although sometimes it’s a more technical note). He seems to go to great lengths to make sure that American readers can get what she’s saying. I halfway wonder if in UK editions those notes have differences.

I think I could’ve worked out the terms I wasn’t already familiar with, but the footnotes were entertaining enough that it doesn’t matter if I could’ve. This was a better way to deal with it.

So, what did I think about What Abigail Did That Summer?

This is absolutely a Folly-story, one that belongs in this series, but there’s no way that Peter Grant was the right character to use for this story, Aaronovich needed to use someone like Abigail to tell this, conveniently enough, there she was. She has a different way of thinking than Peter—and while there’s humor to her narration, it’s not the same as Peter’s (even if it’s occasionally similar). Seeing things from her perspective, it’s a great way to see how she’s similar to her cousin, while very much being her own person.

Frequently, with novellas, I walk away wondering why couldn’t we get a full novel out of it? This isn’t one of those times—the story is as long as it needs to be—it’s complex and satisfying. Also, we get a lot of development out of Abigail and get a better degree of understanding of her than we’ve had before.

That said, there are just so many things I want to know more about, but just making this novel-length wouldn’t take care of it. For example, we learn right off the bat that there’s something…different…about Simon’s mom—and Aaronovich teases us with a couple of more things. I want more of this. I want to know just what it is that Abigail’s doing for her. I want more adventures with Abigail and the foxes.

I’ve always wanted to see more Abigail in the novels—this underscores that for me.

In short, this was a fun story—a strange one at times, but fun—that makes me more curious about a character I already enjoyed, but now I want more of her—both on her own (like this) or in the main novels. I had a similar reaction to the novella The October Man, too. Although that probably is my reaction to anything in this universe (at least so far)—”I enjoyed that, can I have more like it?”

This would be an interesting jumping-on point for the whole series—I’m not sure I’d recommend it, but it might be enough to convince you to dive into the rest.

Disclaimer: I received this eARC from Subterranean Press via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

Tales from the Folly by Ben Aaronovitch: Entertaining Quick Dips into the Rivers of London

I’m reposting this one because I thought of it during What Abigail Did That Summer because Abigail gets to shine a little bit in this collection—and because it was short Rivers of London stories, just like the (fairly long) novella).


Tales from the Folly

Tales from the Folly: A Rivers of London Short Story Collection

by Ben Aaronovitch
Series: The Rivers of London

Kindle Edition, 139 pg.
JABberwocky Literary Agency, Inc., 2020

Read: August 1-3, 2020


If asked, I’d have thought I posted about this book weeks ago, so imagine my surprise this past weekend when I saw this title still on my “To Be Written” list when I was checking for something else. Better late than never…

What are the Tales from the Folly?

The subtitle pretty much gives it away, really. These are shorter works set in the Rivers of London series. The Folly is the unofficial name for the recognized British magical organization, following in the first formal study of magic made by Sir Isaac Newton (no known relation, but that doesn’t stop me from claiming him as an uncle), it’s currently formally organized as the Special Assessment Unit of the Metropolitan Police. The Folly is also the nickname for their headquarters. Either use works for this collection.

There are seven short stores (or one novella and six short stories) told from Peter Grant’s perspective—just like the series. Then there are four stories from the point of view of other characters in the series and three “moments” (Aaronovitch’s term for “something that is more of a mood than a story, something that will last a page or two and conjure an atmosphere).

Peter Grant Stories

Obviously, this is Peter’s series (at least so far…), so he gets the bulk of the space. Most of these take place around the time of the first few books in the series, but at different stages of Peter’s development. I enjoyed them all and most of them are good enough to justify the purchase price on their own.

I can’t put my finger on why, exactly, but the first story “The Home Crowd Advantage” is my favorite. It’s about a French practitioner who got up to no good during the 1948 London Games who revisits the scene of the crime in 2012 when rookie apprentice Peter Grant is the only one around to deal with him.

The last entry in this section is the novella, A Rare Book of Cunning Device that I talked about when it was released as an Audible Original in 2017. It’s rare for me to go from hearing a work to reading it, so it was interesting that way. I enjoyed it just as much this time around, but I think Holdbrook-Smith’s voice is a better one for this series than whatever is echoing around in my skull.

Everyone Else

The fact that Aaronovitch is able to tell stories outside of Peter’s perspective shows the strength of the series in my book, he’s built the world and the characters out enough that they can carry the weight of a narrative for at least a little bit.

We get a story from the perspective of one of the Rivers, one from Abigail’s perspective that will warm the cockles of your heart (and maybe make you a little sad for a bit), a nice one featuring Vanessa Sommer from Germany (making me hope we get back to Germany for another novel soon), the answer about what happened to the River Lugg after Foxglove Summer. Then there are the moments, one featuring Nightengale, one with Reynolds and one with Sommer’s pal Tobias Winter years before The October Man

So, what did I think about Tales from the Folly?

That’s easy, I thought it was great. I’d buy volume 2 tomorrow, and volume 3 next month. If Aaronovitch wrote that quickly, anyway. They’re like the comic series in a way—a nice way to spend some time in this universe without having to put in the time of a novel.

The collection covered the gamut of emotions and types of story typical of the series with Aaronovitch’s evident charm and skill. It’s a must for every Rivers of London fan.


4 Stars

Tales from the Folly by Ben Aaronovitch: Entertaining Quick Dips into the Rivers of London

Tales from the Folly

Tales from the Folly: A Rivers of London Short Story Collection

by Ben Aaronovitch
Series: The Rivers of London

Kindle Edition, 139 pg.
JABberwocky Literary Agency, Inc., 2020

Read: August 1-3, 2020


If asked, I’d have thought I posted about this book weeks ago, so imagine my surprise this past weekend when I saw this title still on my “To Be Written” list when I was checking for something else. Better late than never…

What are the Tales from the Folly?

The subtitle pretty much gives it away, really. These are shorter works set in the Rivers of London series. The Folly is the unofficial name for the recognized British magical organization, following in the first formal study of magic made by Sir Isaac Newton (no known relation, but that doesn’t stop me from claiming him as an uncle), it’s currently formally organized as the Special Assessment Unit of the Metropolitan Police. The Folly is also the nickname for their headquarters. Either use works for this collection.

There are seven short stores (or one novella and six short stories) told from Peter Grant’s perspective—just like the series. Then there are four stories from the point of view of other characters in the series and three “moments” (Aaronovitch’s term for “something that is more of a mood than a story, something that will last a page or two and conjure an atmosphere).

Peter Grant Stories

Obviously, this is Peter’s series (at least so far…), so he gets the bulk of the space. Most of these take place around the time of the first few books in the series, but at different stages of Peter’s development. I enjoyed them all and most of them are good enough to justify the purchase price on their own.

I can’t put my finger on why, exactly, but the first story “The Home Crowd Advantage” is my favorite. It’s about a French practitioner who got up to no good during the 1948 London Games who revisits the scene of the crime in 2012 when rookie apprentice Peter Grant is the only one around to deal with him.

The last entry in this section is the novella, A Rare Book of Cunning Device that I talked about when it was released as an Audible Original in 2017. It’s rare for me to go from hearing a work to reading it, so it was interesting that way. I enjoyed it just as much this time around, but I think Holdbrook-Smith’s voice is a better one for this series than whatever is echoing around in my skull.

Everyone Else

The fact that Aaronovitch is able to tell stories outside of Peter’s perspective shows the strength of the series in my book, he’s built the world and the characters out enough that they can carry the weight of a narrative for at least a little bit.

We get a story from the perspective of one of the Rivers, one from Abigail’s perspective that will warm the cockles of your heart (and maybe make you a little sad for a bit), a nice one featuring Vanessa Sommer from Germany (making me hope we get back to Germany for another novel soon), the answer about what happened to the River Lugg after Foxglove Summer. Then there are the moments, one featuring Nightengale, one with Reynolds and one with Sommer’s pal Tobias Winter years before The October Man

So, what did I think about Tales from the Folly?

That’s easy, I thought it was great. I’d buy volume 2 tomorrow, and volume 3 next month. If Aaronovitch wrote that quickly, anyway. They’re like the comic series in a way—a nice way to spend some time in this universe without having to put in the time of a novel.

The collection covered the gamut of emotions and types of story typical of the series with Aaronovitch’s evident charm and skill. It’s a must for every Rivers of London fan.


4 Stars

False Value by Ben Aaronovitch: Peter Grant Gets a New Job and a Great Series Gets Better

False Value

False Value

by Ben Aaronovitch
Series: The Rivers of London, #8

Hardcover, 294 pg.
DAW Books, 2020

Read: February 28-March 3, 2020
Grab a copy from your local indie bookstore!

“Somebody else came during the night and magicked them,” I said.

“Is that a real term—’magicked?'” asked Guleed.

“And it’s spelt with a ‘k,’ too,” I said. “But the technical term is actually ‘enchanted.’ Only the trouble with that word is that everyone starts thinking glass slippers and spinning wheels.”

There’s very little that I don’t like in The Rivers of London series, you may have noticed, but the friendship and banter between Peter and DS Sahra Guleed is possibly my favorite part of the books. The way they slip between discussions of magic (or magick) theory, police procedure, family stuff, the cases they’re working without missing a beat—or doing so professionally or like a couple of teenagers having too much fun under the nose of authority figures. It feels real, it feels natural, and it’s fun.

It’s also much more beneficial for each character—and the Queen’s peace—than his friendship with Leslie May.

After the series-altering events of Lies Sleeping, the question most readers had was, “Will the series be any good post-Martin Chorley?” Most were likely like me, with a firm “Very probably. Hope so.” False Value demonstrates that things are just fine without Chorley—better than fine, really (although everyone is dealing with the aftermath of everything he did).

Also, as nice as The October Man was, it’s great to be back with Peter and the rest of the Folly.

Most of the books in this series are about a Wizard-in-Training who happens to be a police officer. This book was a Crime Fiction novel about a guy who happens to be a wizard in training.

With the suspension he received at the end of the last book, and his future with the Police uncertain, Peter Grant goes off in search of a new job. He ends up finding work investigating some internal shenanigans for a tech giant headquartered in London. Peter’s computer-geek gets the chance to shine a bit as well as flexing his investigative muscles.

It’s not long before he discovers the source of the shenanigans, and that’s where things get interesting. The source is associated with The New York Libraries Association, “the militant magical wing of the New York Public Library Services.” Which is one of the American analogues to The Folly (just without the official police sanction). He and his superior are also investigating the company—because they’re convinced that SCC is utilizing magic in a potentially hazardous way, paving the way for something huge. I am beyond curious about the Libraries Association and hope we get to see them in action again soon. The whole thing is ripe with possibilities and it’s going to be great to see it all play out.

If you were to draw a Venn diagram with circles for Charles Babbage/Ada Lovelace, Artificial General Intelligence, and Wizardry—the overlap is where you’d False Value. Who wants more? The mix of contemporary cutting-edge technologies and Newtonian magic is just fantastic.

This all leads up to a wonderfully exciting climactic showdown between Nightingale, Peter and the rest on one side, The Librarians on another, and SCC on the other.

If we act now we might be able to roll them up before they know what’s hit them.”

Nightingale frowned into his teacup.

“Perhaps,” he said.

“What have we got to lose?” I said.

Nightingale looked up and gave me a strange, sad smile.

“Oh, everything, Peter, “he said. “But then such is life.”

Yeah, sure, there’s plenty of things going on with Abigail, Molly, Foxglove, and (of course) a very pregnant Beverly. But I just don’t have the time to talk about it all. I think it’s safe to say that this is the busiest novel in the series with something for every fan (more than one something, too).

We also got to check in with our favorite FBI Agent. She was able to give Peter all sorts of background about SCC and its founder (an American), which proved vital and interesting (she got some information about the Librarians in return). Better yet, some of what she uncovered changed Peter’s understanding of some of what went on in Lies Sleeping (the reader’s understanding, too). I’m betting this will prove to be at the core of the next arc for the series.

So now we have an idea about two groups in the States, German practitioners, ,and then a smattering of some in the UK. I love how they’re all very diverse, while sharing a lot in common.

I stopped short in the first sentence of the book:

My final interview at the Serious Cybernetics Corporation…

Serious Cybernetics Corporation? As in,

The Encyclopedia Galactica defines a robot as a mechanical apparatus designed to do the work of a man. The marketing division of the Sirius Cybernetics Corporation defines a robot as “Your Plastic Pal Who’s Fun to Be With.” The Hitchhiker’s Guide to the Galaxy defines the marketing division of the Sirius Cybernetic Corporation as “a bunch of mindless jerks who’ll be the first against the wall when the revolution comes,”

from The Hitchhiker’s Guide to the Galaxy. So I thought that Aaronovitch was having a little fun with an in-joke and moved on. But no, it was a theme throughout the entire tech company. HR is referred to as “the Magrathean Ape-Descended Life Form Utilization Service,” and Security (where Peter was applying) is “the Vogon Enforcement Arm.” The book is full of these things, and after page 14, I stopped counting them. There’s so many of these that around page 150, Peter says something about SCC “pushing copyright” after a particularly egregious example. I had a great time with this book anyway, but all this was a thick layer of icing on the cake.

A carefully and intricately plotted main story, some fantastic action scenes, and character growth—coupled with Aaronovitch’s signature style and wit. I just can’t think of anything wrong with this book—this is exactly the kind of book that I want to read.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Clearing the Deck: Tweet-length thoughts about books I can’t find time to write about

Yeah, I have a daunting TBR stack, but I also have too many books on my “To Write About” pile, and it’s bugging me. So, I’m cutting myself some slack, and am clearing the deck of everything from 2019 and before that I haven’t made time for. This was painful to do, I was looking forward to writing about most of these, but I’m just not going to get to them–and the 2020 books are starting to pile up, too. So, in 144 characters or less, here’s me cutting myself some slack.

(Click on the cover for an official site with more info)

Rivers of London: Detective Stories
3.5 Stars
Rivers of London, Volume 4: Detective Stories by Andrew Cartmel, Ben Aaronovitch, Lee Sullivan
Brief flashbacks showing what Peter et al. get up to between novels/comic series. A fun idea, well executed. Would enjoy another one like this.
Cry Fox
3.5 Stars
Rivers of London Volume 5: Cry Fox by Andrew Cartmel, Ben Aaronovitch, Lee Sullivan
This was a lot of fun, and showed a new side of a cool recurring character.
Rivers of London: Action At A Distance
3 Stars
Rivers of London: Action At A Distance by Andrew Cartmel, Ben Aaronovitch, Brian Williamson, Stefani Renne
A serial killer hunt and Nightingale backstory. Great combo.(some nice Molly material, too)
Geerhardus Vos: Reformed Biblical Theologian, Confessional Presbyterian
4 Stars
Geerhardus Vos: Reformed Biblical Theologian, Confessional Presbyterian by Danny E. Olinger
A biography and a discussion of his Vos’ major works. This was an excellent way to gear up for my 2019 Vos reading. Inspirational stuff.
The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant
3 Stars
The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant by Drew Hayes, Kirby Heyborne (Narrator)
A light Urban Fantasy about misfit monsters. Enjoyable enough to come back for more.
Open Season
4 Stars
Open Season by C. J. Box, David Chandler (Narrator)
Series Debut about a WY Game Warden with a nose for mystery. Loved the dual POVs (Pickett, his daughter). Addicting.
Please Don't Tell My Parents I'm a Supervillain
3 Stars
Please Don’t Tell My Parents I’m a Supervillain by Richard Roberts, Emily Woo Zeller (Narrator)
A cute story about kids of super-heroes/super-villains trying to get started in the biz without their parents’ involvement. Went on longer than it needed to, but fun enough to try volume 2.
Dragon Blood
3 Stars
Dragon Bones by Patricia Briggs, Joe Manganiello (Narrator)
Manganiello is a great choice for narrator. Nice little stand-alone fantasy story. Great dragons.
Savage Run
3.5 Stars
Savage Run by C. J. Box, David Chandler (Narrator)
Almost as good as the first Pickett novel. Mrs. Pickett gets to shine here, too. I’m so glad I finally got to this series.
Inkheart
3 Stars
Inkheart by Cornelia Funke, Lynn Redgrave (Narrator)
Gets a bit redundant, but I loved the concept. Better than the movie (which I kind of liked), but still could’ve been better.
Undeath and Taxes
3 Stars
Undeath and Taxes by Drew Hayes, Kirby Heyborne (Narrator)
A little better than the first volume, an enjoyable way to spend a few hours.
Dragon Bones
3 Stars
Dragon Blood by Patricia Briggs, Joe Manganiello (Narrator)
OK, so Dragon Bones wasn’t a stand-alone. Could’ve been, but it was nice to get a little more with these characters/this world. Still, give me a Briggs Urban Fantasy above this.
The Imputation of the Active Obedience of Christ in the Westminster Standards
4 Stars
The Imputation of the Active Obedience of Christ in the Westminster Standards by Alan D. Strange
I love this series. Strange packs so much material into this tiny package. Excellent stuff.
Badlands
3 Stars
Badlands by C. J. Box, January LaVoy (Narrator)
Cassie takes over The Highway series and moves to a new Oil Town in North Dakota. Midwest Winter, Drugs, Murder, Corruption and Too Much Money wreak havoc on her first week on the job.
Zombie Spaceship Wasteland (Audiobook)
3.5 Stars
Zombie Spaceship Wasteland: A Book by Patton Oswalt (Audiobook)
The memoir chapters are nice, the comedic bits are odd (and funny). An interesting look at Oswalt.
No Sweat
3 Stars
No Sweat: How the Simple Science of Motivation Can Bring You a Lifetime of Fitness by Michelle Segar, Ph.D.
A great way to look at keeping (or getting) yourself motivated to exercise.

Whispers Under Ground (Audiobook) by Ben Aaronovitch, Kobna Holdbrook-Smith

Whispers Under Ground (Audiobook)Whispers Under Ground

by Ben Aaronovitch, Kobna Holdbrook-Smith (Narrator)
Series: The Rivers of London, #3

Unabridged Audioboook, 10 hrs., 17 min.
Tantor Media, 2012

Read: July 24 – August 5, 2017


Okay . . . man, how to sum this one up. Peter, Lesley and Abigail Kamara (a teen-aged neighbor of Peter’s parents) go down into the tunnels of the Underground to look for ghosts, and find one. What we learn here will be important come The Furthest Station. This is a fun little foray into the wider supernatural world of this series.

And then we get back to police work — a man is stabbed at the Baker Street tube and there’s enough for Stephanopoulis to bring in Peter just to rule out magic. Which he can’t do. It turns out that the victim is an American, which makes everything unnecessarily complicated. And then it turns out that he’s the son of a US Senator, and things get worse. The FBI sends an agent — Kimberly Reynolds — over to help out/observe/get in the way. So Peter has to handle to non-normal side of the investigation, keep Seawoll from having to hear about magic (because it interferes with actual police work in his mind), and not let Reynolds know that there’s anything not run-of-the-mill about Peter and the investigation. All at the same time.

Very quickly, it seems clear that there’s something going on that Peter and the rest just don’t get. Yeah, magic was involved in the killing, but there’s no real trace of it in the victim’s life — not with him, his school, his friends, his enemies, or anything. So where’s that come into play? The answer comes when it’s least expected and in a direction that was impossible to predict.

Aaronovich really pulled a rabbit out of his hat this time. Sure, he made both the rabbit and the hat, so it’s to be expected that he’d do that. But, there’s just something about the way he did this one — police procedural that accidentally turns up the answers and leads to something bigger than anyone expected. A great balance of UF and Procedural (the last one was a bit too light on the procedural for me).

Guleed doesn’t get enough to do, but I liked her presence. Lesley really gets to shine a bit here, and her inability to be a regular part of the police force is underlined here for her and Peter — and just how horrible that is emphasized throughout. When Stephanopoulis is the rational, supportive authority figure for Peter (other than Nightingale), you know that Seawoll is a little over the top in his antagonism to all things Folly. But mostly, this was about characters we know and like getting to do things to keep us liking them, and probably liking them more while introducing some new figures for us to enjoy.

Really, the main take away I had from this audio production was a bit of joy over the fact that Holdbrook-Smith isn’t perfect. His Agent Reynolds was just bad. At least the American accent part of it. I enjoyed his flubbing of that more than I should have. Meanwhile, everything else he did was just fantastic — especially Lesley. The range of emotion, sarcasm, etc. that he can put into her voice while still accounting for her lack of face is just incredible. Also, Zach Palmer — the roommate of the murder victim — was just hilarious. I know a lot of that was in the text, but the way Holdbrook-Smith brought him to life was wonderful.

As impressed as I was with the way that Aaronvich did everything he did, something about this one didn’t work for me as much as others in the series do (either in this re-read or originally). I’m not sure why. Still, this was a good, entertaining book that anyone who likes the concept of a Police Officer/Wizard in training should enjoy.

—–

3.5 Stars

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