Tag: Science Fiction Page 12 of 34

Prodigal Storm by Kate Sheeran Swed: The Toccata System Trilogy Wraps Things Up Satisfactorily and Entertainingly

Progigal Storm

Prodigal Storm

by Kate Sheeran Swed
Series: Toccata System, #3

Paperback, 179 pg.
Spells & Spaceships Press, 2019

Read: April 5, 2021
Grab a copy from your local indie bookstore!

If you’ve read what I had to say about the first two books in this trilogy and have yet to make up your mind about starting them, skip down to the “What did I think” heading, because there’s just no way to explain the setup to this without ruining the first book for you (and possibly the second).

What’s Prodigal Storm About?

A little over two weeks ago, Astra, the assassin raised by the revenge-driven AI, SATIS, had failed to carry out her mission to kill Conor. Conor is the child of the man who broke SATIS’s heart (after giving her the ability to have a broken heart). But because SATIS was careful, she had a large number of assassins as backups—including the woman acting as Conor’s bodyguard.

LJ (known to Astra and Conor as Laura), had carried out the mission, even though she loved Conor. She’s now holed up in a bar, trying to move on with her life. Her closest friend is Viv, SATIS’s liaison to humanity, who’d been a person of contact for nearly all the assassins. Now, Viv is trying to bring them to the bar she manages so they can get help in getting over SATIS’s death and hopefully find a way to live normal lives from here on out.*

* I got a real Orphan Black-sestra vibe from this gathering.

Little did any of them know that Conor had been saved by SATIS before she “died.” Now he’s on their planet, on a mission to take down his father’s AIs before they take over the Toccata system. The “sisters” band together to help him with this—even if several of them remember all too well that they’d been raised to kill him, and now they’re working with him. It’s not an easy transition.

I hope that made sense, it’s hard to summarize in a few paragraphs—I assure you, it makes a lot of sense when Swed spends several pages describing it.

A Broken Trend

Parting Shadows was inspired by Miss Havisham, Phantom Song was influenced by The Phantom of the Opera, but if Prodigal Storm is based on a classic work of literature, I didn’t recognize it (so I’m really hoping it wasn’t, I don’t want to be announcing my ignorance like this). I get that the needs of the story matter more than keeping up the literary allusions, but I missed that.

So, what did I think about Prodigal Storm?

I’ve had a really difficult time deciding what to say here, because it feels like I’m giving too much away about any/all of the books in the series—particularly this one.

The ending to the AI storyline was good—there were some good battle scenes, some interesting character development, and some fun new characters. I’ve got no complaints there. But what’s even better is seeing the “sisters” come together, building on the damaged (at best) childhoods that almost all of them had, thanks to SATIS), and turning it into something positive.

That’s not an easy road to travel by any means, and there are more than a couple of setbacks in these pages But there’s reason to hope throughout, too. This is a book about healing—even when it’s hard. It’s a story about forgiveness (and seeking it). It’s about the power of family (natural or adoptive*). And it’s about cleaning up the messes our parents have created.

* Again, see Orphan Black.

All in all, a solid conclusion to this series and reason enough to keep an eye out for new works by Swed. You should give the series a try.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 4/2/21: Prodigal Storm by Kate Sheeran Swed

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from page 56 of:
Progigal Storm

Prodigal Storm by Kate Sheeran Swed

(yup–I’m finally finishing the trilogy!)

…the full blast of the mocking tone still hit him in the chest. As if he’d been the one to hurt her.

“I could kill you right now with my bare hands,” she continued. “Or a kitchen knife, or the Edinburgh I’ve got strapped to my hip. You’re already trusting me.”

An old quote about protestations and truthfulness floated into his mind, a passage his Laura would have appreciated.

The Wasteland War by Michael R. Underwood: The Genrenauts are (FINALLY) Back—Are They Up for the New Challenges?

The Wasteland War

The Wasteland War

by Michael R. Underwood
Series: Genrenauts, Episode 7

E-Book, 53 pg.
2021

Read: March 26, 2021

The first thing Leah noticed was the dust. It whirled and whorled and danced everywhere. Orange and brown and soot-gray, this place had it all. She pulled the scarf up to cover her nose, holding it in place with her goggles.

She’d felt like a steampunk raver when she’d first put the outfit on, but now it totally made sense, both aesthetically and practically. It was hard to keep your eyes open when they were constantly filled with dust.

What are The Genrenauts?

Many of my readers weren’t reading this blog back in 2015-2016 where it likely seemed I talked about the Genrenauts every couple of weeks (14 posts from November 2015-December 2016, and one the following June), so let me give you a quick idea about the series, taken from the author’s site:

In Genrenauts, our Earth is just one of many in a multiverse. Each other Earth is the home to a familiar narrative genre: Westerns, Fantasy, Romance, Crime, etc. Each world is constantly playing out stories from its genre – archetypes and tale types smashing up against one another making tragedies and happily ever afters. But like any system, sometimes entropy takes hold, and a story breaks down. When that happens, the Genrenauts step in to fix the story.

Because if they don’t, the dissonance from the broken story ripples over and changes Earth on a fundamental level. (Science Fiction world goes off-track and scientific innovation stagnates, exploration halts; Fantasy world goes off-track and xenophobia rises, cultural rifts widen).

Our series starts when Leah Tang, a struggling stand-up comic, is recruited to join the Genrenauts and discovers that her seemingly useless genre savvy is suddenly an essential skill for survival in the story worlds. She arrives just in time, as story breaches have been ramping up – coming faster and causing more ripples.

Sounds great, doesn’t it?

What’s The Wasteland War About?

There are two things going on in this brief novella—first, Angstrom King, the AWOL Team Leader, stumbles upon a story breach while he was trying to resupply his stores. He believes that this breach will help him get evidence to support his theory so that he can eventually convince the High Council that he’s right about the rogue Genrenauts—or just that he’ll be able to find a way to stop the rogues himself.

While he’s trying to understand the nature of the breach and find this evidence, his old team arrives—adding a layer of difficulty and danger to everything he’s doing.

That breach is the second storyline—two communities in this wasteland—one a safe haven for those who need one, and a battleship with resources the other needs—had recently formed an alliance sealed by a marriage. And now, a few months later each side is convinced the other is betraying that alliance and are starting to retaliate against the other.

Hey, Where’s Leah?

Leah’s the point-of-entry character for the reader, we came into this world with her and she’s the one we understand things through. She’s largely sidelined during this mission, which makes it a little harder for me to connect with it. We’ve had extended periods where we focus on others in the team before, but Leah still carried the narrative weight of the novel/novella. This novella focuses so much on King and Shirin that there’s not that much time for Leah.

It was absolutely the right way to tell this story, King and Shireen ought to have been the focus of this novella, but I don’t want that to be the case for too long.

There’s another team member who’s even more absent from this mission—but it makes sense story-wise (as fun as it would’ve been to have them around).

The New Guy

Shirin and King exchanged messages…Shirin keeping King updated on the team and how Mendoza was leading—like a man that only has a hammer and therefore sees nothing but nails.

I know we’re not supposed to like the Team Leader brought in to replace Angstrom King, but it’s like Underwood went out of his way to ensure we wouldn’t. He’s proof that King had a very special thing going on, and that the Genrenauts as an organization might not be as great as Leah and the readers might have thought. King assembled a team with a variety of skills, interests, and abilities—and a team that relies on and trusts each other to function. Mendoza doesn’t value that variety and doesn’t care how it functions best, he’s only concerned with how he wants it to function.

I hope Underwood shows us enough about Mendoza so that we can appreciate him, and maybe even see that he’s trying to do the right thing, even if it’s not the way the King would’ve done it.

On the other hand, I don’t mind not liking the guy at all, so if he doesn’t do that, I won’t complain too loudly.

So, what did I think about The Wasteland War?

Entropy had its teeth in every world. But here, they were serrated.

First, it was so, so, so good to be back in this series. The last episode of Season One came out in the Fall of 2016, and I’ve been missing this series since. I’m glad Underwood has been able to pick this up again.

Outside of the short story, There Will Always Be a Max, this is the shortest Genrenauts episode, and while that’s frustrating because of my greed, it’s a great length for this particular story (but I hope it’s not the beginning of a trend). It’s also a great way to get back into this world—we get just enough to remember who the players are, remember the ongoing arc, and are treated to another adventure in the Wasteland.

Post-apocalyptic wastelands in the Mad Max mold are probably never going to be my thing, but that doesn’t mean I can’t enjoy something like this. I actually would’ve liked a little bit more of the Wasteland War story to balance out the larger arc. It felt like it was given short shrift—not quite as much as the Western World story was in The Shootout Solution, but it was close—although that had to establish the series, introduce the characters, and teach us the concept of a Genrenaut.

My gripes aside, this was a good story with plenty of action and a great atmosphere, and it sets up the rest of Season Two. I’m eager to see where things go from here.


3.5 Stars

Junkyard Bargain (Audiobook) by Faith Hunter, Khristine Hvam: Shining Takes to the Road for the Next Step

Junkyard Bargain

Junkyard Bargain

by Faith Hunter, Khristine Hvam (Narrator)
Series: Shining Smith, #2

Unabridged Audiobook, 5 hrs., 40 min.
Audible Originals, 2021

Read: March 2-3, 2021

The Law was uncertain. Vengeance wasn’t.

What’s Junkyard Bargain About?

Shining Smith needs to gear up and improve her weapons and armor if they’re going to take on the task they have ahead of them. This means traveling to Charleston, and selling some of the junk from her scrapyard, and making the right deals.

Standing in their way are rival bike gangs, corrupt police, sex slavers, and random other criminals. Whatever else happens—Shining isn’t going to allow those slavers to hang on to their captives (and likely won’t let them hang on to their lives, either). She needs to avoid the police, strike careful deals with the gangs, and survive the rest—all the while she’s noticing changes in her cats and expands the control Shining’s won enhancements have on those closest to her.

It’s really hard to explain without pretty much recapping everything in the first book.

How’s the Narration?

In short, Khristine Hvam is the perfect reader for Hunter’s work. She gets how Hunter’s mind works, she knows how to bring the characters to life and how to infuse them with the right kind of humanity. You read enough of an author’s books and it’s just impossible to think of anyone else doing it. Just not sure what else to say about her work.

So, what did I think about Junkyard Bargain?

After Junkyard Cats took several unexpected turns in the latter half, I didn’t know what to expect from this beyond more of the same. This novella may have ended up where it seemed to be heading from the beginning, but the route it took bore so little difference to what was expected that it’s hard to recognize that. Hunter is filling this post-apocalyptic world with more dangers and strangeness than we’d been exposed to last time, and you know the next installment will increase the danger.

When talking about the last book, I said that it was too brief and not deep enough. This isn’t the case this time—and not just because it was 40 minutes longer. This time it felt like there was a solid match between depth and time—to the point I wondered how she fit it all in the novella-length book.

There were some great action scenes, some solid surprises, and good character development. And…cats with telepathy. I can’t wait to see what #3 has in store.


3 Stars

2021 Audiobook Challenge

Ready Player Two by Ernest Cline: A Very 80s Sequel (IOW, Wholly Unnecessary and Completely Inevitable)

Ready Player Two

Ready Player Two

by Ernest Cline
Series: Ready Player One, #2

Hardcover, 336 pg.
Ballantine Books, 2020

Read: January 4-8, 2021
Grab a copy from your local indie bookstore!

Like Marty McFly, I woke up at exactly 10:26 a.m., to the song “Back in Time” by Huey Lewis and the News.

This was courtesy of my vintage flip-clock radio—a Panasonic RC-6015, the model Marty owns in the film. Id had it modified to play the same song at the same time Marty hears it, after he finally makes it back to the future.

I threw back the silk sheets of my king-size bed and lowered my feet to the preheated marble floor. The house computer saw that I was awake and automatically drew back the bedroom’s wraparound window shades, revealing a stunning 180-degree view of my sprawling woodland estate, and of the jagged Columbus skyline on the horizon.

I still couldn’t quite believe it. Waking up in this room, to this sight, every day. Not long ago, just opening my eyes here had been enough to put a grin on my face and a spring in my step.

But today, it wasn’t helping. Today I was just alone, in an empty house, in a world teetering on the brink of collapse.

What’s Ready Player Two About?

While still basking in the immediate afterglow of his victory, sudden power, and fame, Wade Watts discovers a secret innovation that OASIS founder James Halliday had tucked away for the winner of his contest.

Some see this new tech as a giant leap forward and a way to lay the groundwork for saving humanity from the worsening climate crisis, food shortages, and so on. Others see it as a tool to distract people and divert resources from better solutions to the problems that plague the world.

Releasing this tech had an unintended consequence—a new riddle from Halliday. No one was sure what the prize would be, but after his last riddle, who could pass it up? This one didn’t focus on the life and interests of James Halliday, or even Og (Halliday’s former partner and Wade’s new friend), but on Kira Morrow—the other member of GSS’s founders. Og’s wife and the great unrequited love of Halliday’s life.

Years go by, no one makes a lot of progress on that riddle—Wade’s group grows apart, teens grow into adults and friendships take on different meanings (well, there’s one splintering, but the rest are from growth). And then one day, something happens to force Art3mis, Shoto, Aech, and Parzival to regroup and get serious about solving this riddle, or they—and millions of others—would die.

A Very 80s Sequel

The general approach to 80s movie sequels seems to be, “the same as the original, but just different enough to justify the new movie.” And that’s really what we got here. Instead of Halliday’s Easter Eggs, we get the Seven Shards to find. Instead of Joust, we get Ninja Princess; instead of Rush, we get Prince; instead of Steven Spielberg, we get John Hughes; and so on.

Now, I liked the basic game design in the first book and it worked almost as well here. Some of the elements were great—like where the group had to go back to the pre-K level education planet and work through some of those games (and got to ride The Great Space Coaster!). I loved the John Hughes material (even stuff from movies I haven’t seen/obsessed over—which are the minority). But others didn’t work as well for me—the Sega Ninja/Ninja Princess bit seemed a bit too much like the Joust section—and even throwing in the twist to make it hard for Wade, it wasn’t that interesting. And don’t get me started on the interminable Prince* chapter—it felt like it was 110 of the 336 pages in this book.

* And no, it’s not just because I’m not a Prince fan—I probably like more of his songs than Rush’s. Which isn’t saying a whole lot.

Thematically this was the way to approach this book—it’s as 80s as you can get. It plays to Cline’s strengths, too. But, I wanted something newer, fresher in this book, and it just wasn’t there.

LØhengrin

Along the way, Wade makes a new friend, LØhengrin. She’s a young gunter, working hard on this second riddle, a popular YouTuber, and an unabashed fan of Wade’s (her avatar’s name is a clear tribute to his Parzival). Without her, Wade wouldn’t have made the progress he did before the threat—and it’s unlikely he’d have completed it.

The arc concerning LØhengrin and her crew is probably the best thing about this novel, actually. Which is only the secondary reason I have for mentioning her.

My primary reason is the voice-over that opens each episode of her YouTube show:

“Some people define themselves by railing against all of the things they hate, while explaining why everyone else should hate it too. But not me. I prefer to lead with my love—to define myself through joyous yawps of admiration, instead of cynical declarations of disdain. “

I just love the way that’s put. I should be more like that.

So, what did I think about Ready Player Two?

It was better than the Ready Player One movie. I should start there.

Unless you’ve been reading this blog since 2014, you won’t have seen me fanboy over Ready Player One (and even that was listening to the audiobook for my third time through the book). I get many of the criticisms and complaints readers have had over the book—and I share none of them. For me, it was a pure joy from beginning to end. I loved it. Which suggests that I’d be the ideal reader for this one, right? Wellllll…sort of.

Even if it doesn’t sound like it, this book was a lot of fun, and I enjoyed the whole thing. I’ve liked these characters and this world for a decade now, and getting to spend some more time with them was a blast.

But…it was too much of a re-hash. As a certain Canadian Band sang, “It’s all been done before.” The higher stakes didn’t feel that real—the motivation seemed hollow, you didn’t read this worried that millions were going to be killed, it’s not that kind of book, so it didn’t seem as urgent. Wade’s narration at the beginning of Ready Player One tells us from the get-go that he’s writing about how he won—so there’s no worry that he’ll fail there, either. Somehow, though, I felt more suspense through all of that book than this.

I thought Cline did a better job of some of the emotional/psychological material in this book—Wade’s (and Samantha’s) motivations and reactions to events and people are dealt with a greater subtlety and authenticity than Cline showed in his first novel—and Wade’s emotional maturity–eventual as it may be–is really portrayed well (we’re never really shown where his friends needed it).

Actually, that point could probably be generalized to the book as a whole—the writing is probably better, it’s a higher quality prose. But, I still think the book is lesser.

Completists are going to want to pick this up—and they should, as long as they go in with low expectations. But on the whole, you’d be better off reading the previous one again (or for the first time)


3.5 Stars

 

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Phantom Song by Kate Sheeran Swed: Cyborgs, a Vigilante, and an Opera Star in a Solid Follow Up Novella

Phantom Song

Phantom Song

by Kate Sheeran Swed
Series: Toccata System, #2

Paperback, 179 pg.
Spells & Spaceships Press, 2019

Read: February 15, 2021
Grab a copy from your local indie bookstore!


Before I dig into this, here’s a warning—this is the second novella in a trilogy. I cannot talk about this in any understandable fashion without talking about a couple of the things from the first book. Most of what I want to say is no big deal, but one thing is a spoiler for an important revelation in the first book. If it were me, I wouldn’t mind knowing what I’m about to say when I started Parting Shadows Still if you’d prefer to be careful—you should just go read what I had to say about Parting Shadows and move on.

Are You Still Reading? Good.

So in Parting Shadows, we hear something about a vigilante running around Landry City—Astra speculates about that vigilante being one of the SATIS girls. Also, when Isabelle goes to the Opera in Landry City, something happens that rattles her—but other events are going on which makes that not such a big deal.

Phantom Song tells us about what happened at the Opera and about the vigilante. And that’s just the early chapters.

This book overlaps the events of Phantom Song but largely happens in its aftermath. We begin with a cyborg attacking a transport ship carrying a friend of Isabelle’s, Claire, and her mother. Claire is injured, but her mother gets her to safety. She wakes up as a cyborg herself—it was the only way to keep her alive. We later learn that it was SATIS who arranged for that. While she waits to see how raising an assassin goes, she has one constructed, too.

Claire spends her nights as that vigilante in order to find the cyborg that attacked her family (actually, she’s just hunting for the cyborg, the vigilante stuff is a side effect—but let’s not get into that). During the day, she’s the star of Landry City’s Opera.

Astra comes looking for the vigilante—to see if she’s right about the SATIS tie and to recruit some help in her efforts to stop Keyes. The two end up joining forces to take down the Cyborg first.

On Odd Prejudice

For a society so run by various AIs, there is a deep-seated prejudice against humans with cybernetic augmentation—no matter the reason for it. The prejudice is so strong that hospital staff—the same people that just saved Claire’s life through the implants—treat her with scorn because of them. It’s powerful but makes no sense.

Then again, no one said prejudices have to make sense. The ones that seem most prevalent in human society certainly don’t. So, spot on there.

Because of this hatred, Claire has to adopt a new identity and cover her cybernetic parts with long sleeves, dresses, and mask. Which works because of her new identity’s celebrity, but wouldn’t cut it in any other circumstance. That’s a nice touch—and the lengths Claire has to go to to protect herself paves the way for a very successful way to protect her double life.

So, what did I think about Phantom Song?

I know even less about Gaston Leroux’s Phantom of the Opera than I do, so I’m not going to pretend to be able to talk about this take on Phantom.

This is a short enough work—and so easy to spoil its own events, much less those of the prior book, that I feel like I’ve been unusually shallow talking about it. But that’s all you’re getting from me.

After doing all the heavy lifting in the first novella—setting up the rules of the world, the way AIs work, SATIS and her girls, and so on, Swed can just play in this novella. The story is more developed, she can sink deeper into the characters (having characters who have had a natural emotional development also helps), she can involve more characters and plotlines. In short, she can do more. Which leads to this being a more enjoyable read.

I don’t think this works that well as an entry point into the series—it’s a trilogy, that makes sense. But this is a great way to follow up on Parting Shadows and sets the stage for a big conclusion in Prodigal Storm. Which is exactly what you want in the middle book of a trilogy.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Flashback Friday—Some Assembly Required by Kevin Smith, Phil Hester and Jonathan Lau

Whoops, I got distracted reading last night and by the time I realized what time it was, it was too late to finish a post. I tried, but it was…vague and scattered. So, I decided to look at what I posted 5 years ago, just for giggles. This was technically posted 5 years and 2 days ago (the post exactly 5 years ago isn’t one I really want to revisit). I’ve been in a Facebook discussion about the TV series this was based on this week, so this one jumped out at me.


Some Assembly RequiredThe Bionic Man, Vol 1: Some Assembly Required

by Kevin Smith, Phil Hester and Jonathan Lau (Artist)

Trade Paperback, 248 pg.
Dynamite Comics, 2012

Read: February 16, 2016


I was a big fan of The Six Million Dollar Man as a kid, and when I got a little older I stumbled onto — and devoured (repeatedly) — Martin Caidin’s Cyborg. Throw in a strong appreciation for Smith’s work? And I’m clearly the target audience for this (so why did it take me 3+ years to read it? Good question).

The main story hasn’t changed: Steve Austin is a test-pilot, horrifically injured — almost killed — when a test flight goes wrong. A team of experts save his life, rebuild him with bionics, and set him loose fighting for truth, justice, and the American way and so on.

The story was nothing special — good, solid action/adventure story. There were a couple of nice twists on the TV show’s story/characters. Just enough to keep it updated and fresh. I’d have appreciated something closer to Cyborg, but I understand why they made the choices they made. Austin goes up against his bionic predecessor, who has gone rogue and now is running around attacking and raiding technology companies. The battle scenes may have been a bit too big and epic — but they fit in with the current cinema trends, so, I guess they worked.

I was sure I’d seen Jonathan Lau’s art somewhere before, but from what I can tell, I haven’t. Which is a shame — it’s great. I’m not going to say that it’s my favorite comic art — but it’s exactly what I want comic art to look like. Which seems like a contradiction, but let’s move on. Yeah, some of the gestures are over-done, and a couple of the men are just too huge. But otherwise, dynamic, easy to tell character-from-character, nice detail, overall very attractive. I’d be willing to give a book a second look just because of his art in the future.

There are some nice references — visual and verbal — to the TV series that are pretty seamlessly worked in. Which I appreciated — looks like the next volume will be less subtle about it (which is not necessarily bad). I’m not going to say this was a great comic that leaves me chomping at the bit for the next, but it was worth the time and entertaining. Not much more to ask for.

—–

3 Stars

The Friday 56 for 2/12/21: Phantom Song by Kate Sheeran Swed

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from page 56 of:
Phantom Song

Phantom Song by Kate Sheeran Swed

“The new ballet dancer entered from the wrong wing tonight,” she said-slash-sang, switching on the apartment’s news holo as she passed through the living room. She loved to fill her home with layers of background noise, constant streams of chatter over music over more chatter. She had no trouble flitting around or holding conversations without paying attention to any of it.

Sam, on the other hand, could never fully tune out the babble of voices. He tended to get pulled in. But Aunt C had given him a place to stay, and he didn’t feel right complaining.

She bustled into the kitchen and set her bags on the counter without glancing at him, removing containers that smelled like chicken and peanut sauce, with a tang of something peppery.

Parting Shadows by Kate Sherran Swed: Vengeance, A Heartbroken AI and some Bad Parenting Characterize this SF Novella

Parting Shadows

Parting Shadows

by Kate Sheeran Swed
Series: Toccata System, #1

Paperback, 135 pg.
Spells & Spaceships Press, 2019

Read: February 5-6, 2021
Grab a copy from your local indie bookstore!

What’s Parting Shadows About?

We’ve all read variations on this story before. You’ve got a brilliant scientist who convinces a sentient AI to break her programming by falling in love with him, then her to break his true love out of prison, ends up marrying the person and not the AI. This drives the AI to a decades-long-vendetta where she kidnaps a baby, molds the child into an assassin to exact her revenge for her. Okay, maybe we haven’t read that story before, thankfully we can now.

Based, to some extent, on Dickens’s Miss Havisham, SATIS is a tragic figure. I wavered between feeling sorry for it/her and being angry for the way it manipulated and abused Astra (the kidnapped baby). Okay, I didn’t waver too much.

Astra, it turns out, is pretty well-adjusted for someone that a deranged AI programmed from infancy to be a killer. She definitely has a better moral compass than you’d expect. Better. Not perfect. I grew to really like her.

So, what did I think about Parting Shadows?

There are a few other aspects of the book I’d like to talk about, but I think I’m going to hold my fire until book two or three when I have a better idea of how things go.

On the one hand, I’d like this to get a full novel-length treatment, there are a few things I think really need developed more (well, maybe not need, but it’d make me happier). But, this concise, punchy length is just what this story needs, who cares that I want to see some things expanded.

Now, everything I know about Miss Havisham comes from her appearance in the second Tuesday Next novel, and a vague sense from general cultural references, so I’m not how great a job she does at capturing that essence. But the way she talks about it, I’m betting she did it justice.

What I can say, is that she told a fun story, one that left me guessing and one that left me eager for the sequels. Which is more important than her take on her inspiration (if she’d nailed the Havisham, but told a dull story? That would’ve been crossing the line).


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 2/5/21: Parting Shadows by Kate Sheeran Swed

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from page 56 of:
Parting Shadows

Parting Shadows by Kate Sheeran Swed

Astra would never be a hero. Heroes had hearts.

She wrenched her hand away from Henry’s. “Stay away from me, and you’ll be fine,” she said, straightening away from the glass wall. Someone passing brushed by her shoulder and murmured an apology. She was vaguely aware that the braided guard had returned to Conor’s door. She could feel the woman’s eyes locked on her, as though Astra might pull a battering ram out of her pocket and attempt to rush the fortress.

She ignored them. She ignored everyone.

“I’m not worried about me,” Henry said.

Astra forced herself to turn away, nearly forgetting the cactus and swiping it off the wall at the last moment. “Then you’re even more of a fool than I thought.”

Page 12 of 34

Powered by WordPress & Theme by Anders Norén