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Phantom Song by Kate Sheeran Swed: Cyborgs, a Vigilante, and an Opera Star in a Solid Follow Up Novella

Phantom Song

Phantom Song

by Kate Sheeran Swed
Series: Toccata System, #2

Paperback, 179 pg.
Spells & Spaceships Press, 2019

Read: February 15, 2021
Grab a copy from your local indie bookstore!


Before I dig into this, here’s a warning—this is the second novella in a trilogy. I cannot talk about this in any understandable fashion without talking about a couple of the things from the first book. Most of what I want to say is no big deal, but one thing is a spoiler for an important revelation in the first book. If it were me, I wouldn’t mind knowing what I’m about to say when I started Parting Shadows Still if you’d prefer to be careful—you should just go read what I had to say about Parting Shadows and move on.

Are You Still Reading? Good.

So in Parting Shadows, we hear something about a vigilante running around Landry City—Astra speculates about that vigilante being one of the SATIS girls. Also, when Isabelle goes to the Opera in Landry City, something happens that rattles her—but other events are going on which makes that not such a big deal.

Phantom Song tells us about what happened at the Opera and about the vigilante. And that’s just the early chapters.

This book overlaps the events of Phantom Song but largely happens in its aftermath. We begin with a cyborg attacking a transport ship carrying a friend of Isabelle’s, Claire, and her mother. Claire is injured, but her mother gets her to safety. She wakes up as a cyborg herself—it was the only way to keep her alive. We later learn that it was SATIS who arranged for that. While she waits to see how raising an assassin goes, she has one constructed, too.

Claire spends her nights as that vigilante in order to find the cyborg that attacked her family (actually, she’s just hunting for the cyborg, the vigilante stuff is a side effect—but let’s not get into that). During the day, she’s the star of Landry City’s Opera.

Astra comes looking for the vigilante—to see if she’s right about the SATIS tie and to recruit some help in her efforts to stop Keyes. The two end up joining forces to take down the Cyborg first.

On Odd Prejudice

For a society so run by various AIs, there is a deep-seated prejudice against humans with cybernetic augmentation—no matter the reason for it. The prejudice is so strong that hospital staff—the same people that just saved Claire’s life through the implants—treat her with scorn because of them. It’s powerful but makes no sense.

Then again, no one said prejudices have to make sense. The ones that seem most prevalent in human society certainly don’t. So, spot on there.

Because of this hatred, Claire has to adopt a new identity and cover her cybernetic parts with long sleeves, dresses, and mask. Which works because of her new identity’s celebrity, but wouldn’t cut it in any other circumstance. That’s a nice touch—and the lengths Claire has to go to to protect herself paves the way for a very successful way to protect her double life.

So, what did I think about Phantom Song?

I know even less about Gaston Leroux’s Phantom of the Opera than I do, so I’m not going to pretend to be able to talk about this take on Phantom.

This is a short enough work—and so easy to spoil its own events, much less those of the prior book, that I feel like I’ve been unusually shallow talking about it. But that’s all you’re getting from me.

After doing all the heavy lifting in the first novella—setting up the rules of the world, the way AIs work, SATIS and her girls, and so on, Swed can just play in this novella. The story is more developed, she can sink deeper into the characters (having characters who have had a natural emotional development also helps), she can involve more characters and plotlines. In short, she can do more. Which leads to this being a more enjoyable read.

I don’t think this works that well as an entry point into the series—it’s a trilogy, that makes sense. But this is a great way to follow up on Parting Shadows and sets the stage for a big conclusion in Prodigal Storm. Which is exactly what you want in the middle book of a trilogy.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Flashback Friday—Some Assembly Required by Kevin Smith, Phil Hester and Jonathan Lau

Whoops, I got distracted reading last night and by the time I realized what time it was, it was too late to finish a post. I tried, but it was…vague and scattered. So, I decided to look at what I posted 5 years ago, just for giggles. This was technically posted 5 years and 2 days ago (the post exactly 5 years ago isn’t one I really want to revisit). I’ve been in a Facebook discussion about the TV series this was based on this week, so this one jumped out at me.


Some Assembly RequiredThe Bionic Man, Vol 1: Some Assembly Required

by Kevin Smith, Phil Hester and Jonathan Lau (Artist)

Trade Paperback, 248 pg.
Dynamite Comics, 2012

Read: February 16, 2016


I was a big fan of The Six Million Dollar Man as a kid, and when I got a little older I stumbled onto — and devoured (repeatedly) — Martin Caidin’s Cyborg. Throw in a strong appreciation for Smith’s work? And I’m clearly the target audience for this (so why did it take me 3+ years to read it? Good question).

The main story hasn’t changed: Steve Austin is a test-pilot, horrifically injured — almost killed — when a test flight goes wrong. A team of experts save his life, rebuild him with bionics, and set him loose fighting for truth, justice, and the American way and so on.

The story was nothing special — good, solid action/adventure story. There were a couple of nice twists on the TV show’s story/characters. Just enough to keep it updated and fresh. I’d have appreciated something closer to Cyborg, but I understand why they made the choices they made. Austin goes up against his bionic predecessor, who has gone rogue and now is running around attacking and raiding technology companies. The battle scenes may have been a bit too big and epic — but they fit in with the current cinema trends, so, I guess they worked.

I was sure I’d seen Jonathan Lau’s art somewhere before, but from what I can tell, I haven’t. Which is a shame — it’s great. I’m not going to say that it’s my favorite comic art — but it’s exactly what I want comic art to look like. Which seems like a contradiction, but let’s move on. Yeah, some of the gestures are over-done, and a couple of the men are just too huge. But otherwise, dynamic, easy to tell character-from-character, nice detail, overall very attractive. I’d be willing to give a book a second look just because of his art in the future.

There are some nice references — visual and verbal — to the TV series that are pretty seamlessly worked in. Which I appreciated — looks like the next volume will be less subtle about it (which is not necessarily bad). I’m not going to say this was a great comic that leaves me chomping at the bit for the next, but it was worth the time and entertaining. Not much more to ask for.

—–

3 Stars

The Friday 56 for 2/12/21: Phantom Song by Kate Sheeran Swed

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from page 56 of:
Phantom Song

Phantom Song by Kate Sheeran Swed

“The new ballet dancer entered from the wrong wing tonight,” she said-slash-sang, switching on the apartment’s news holo as she passed through the living room. She loved to fill her home with layers of background noise, constant streams of chatter over music over more chatter. She had no trouble flitting around or holding conversations without paying attention to any of it.

Sam, on the other hand, could never fully tune out the babble of voices. He tended to get pulled in. But Aunt C had given him a place to stay, and he didn’t feel right complaining.

She bustled into the kitchen and set her bags on the counter without glancing at him, removing containers that smelled like chicken and peanut sauce, with a tang of something peppery.

Parting Shadows by Kate Sherran Swed: Vengeance, A Heartbroken AI and some Bad Parenting Characterize this SF Novella

Parting Shadows

Parting Shadows

by Kate Sheeran Swed
Series: Toccata System, #1

Paperback, 135 pg.
Spells & Spaceships Press, 2019

Read: February 5-6, 2021
Grab a copy from your local indie bookstore!

What’s Parting Shadows About?

We’ve all read variations on this story before. You’ve got a brilliant scientist who convinces a sentient AI to break her programming by falling in love with him, then her to break his true love out of prison, ends up marrying the person and not the AI. This drives the AI to a decades-long-vendetta where she kidnaps a baby, molds the child into an assassin to exact her revenge for her. Okay, maybe we haven’t read that story before, thankfully we can now.

Based, to some extent, on Dickens’s Miss Havisham, SATIS is a tragic figure. I wavered between feeling sorry for it/her and being angry for the way it manipulated and abused Astra (the kidnapped baby). Okay, I didn’t waver too much.

Astra, it turns out, is pretty well-adjusted for someone that a deranged AI programmed from infancy to be a killer. She definitely has a better moral compass than you’d expect. Better. Not perfect. I grew to really like her.

So, what did I think about Parting Shadows?

There are a few other aspects of the book I’d like to talk about, but I think I’m going to hold my fire until book two or three when I have a better idea of how things go.

On the one hand, I’d like this to get a full novel-length treatment, there are a few things I think really need developed more (well, maybe not need, but it’d make me happier). But, this concise, punchy length is just what this story needs, who cares that I want to see some things expanded.

Now, everything I know about Miss Havisham comes from her appearance in the second Tuesday Next novel, and a vague sense from general cultural references, so I’m not how great a job she does at capturing that essence. But the way she talks about it, I’m betting she did it justice.

What I can say, is that she told a fun story, one that left me guessing and one that left me eager for the sequels. Which is more important than her take on her inspiration (if she’d nailed the Havisham, but told a dull story? That would’ve been crossing the line).


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 2/5/21: Parting Shadows by Kate Sheeran Swed

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from page 56 of:
Parting Shadows

Parting Shadows by Kate Sheeran Swed

Astra would never be a hero. Heroes had hearts.

She wrenched her hand away from Henry’s. “Stay away from me, and you’ll be fine,” she said, straightening away from the glass wall. Someone passing brushed by her shoulder and murmured an apology. She was vaguely aware that the braided guard had returned to Conor’s door. She could feel the woman’s eyes locked on her, as though Astra might pull a battering ram out of her pocket and attempt to rush the fortress.

She ignored them. She ignored everyone.

“I’m not worried about me,” Henry said.

Astra forced herself to turn away, nearly forgetting the cactus and swiping it off the wall at the last moment. “Then you’re even more of a fool than I thought.”

The Salvage Crew (Audiobook) by Yudhanjaya Wijeratne, Nathan Fillion: A Unusual Tale of Artificial Intelligence, Cascading Failure, and Poetry

The Salvage Crew

The Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

Unabridged Audiobook, 8 hrs., 21 min.
Podium Audio, 2020

Read: January 20-22, 2020

Red Dwarf Remix?

I’m not suggesting for a second that Wijeratne’s mind worked this way (at least I don’t mean to), but this is the impression I got as this started.

The Red Dwarf TV Show/Novels had a couple of great ideas at the beginning—an AI that ran the ship, that had a strange personality, an odd sense of humor, and wasn’t entirely reliable. The second was that the ship generated a holographic officer based on the memories and personality of one of a dead member of the crew (whoever was highest ranking/most needed among the dead). A long time ago, it had been determined that AI with memories and real emotions actually perform better than those not based on actual humans.

Our main protagonist and narrator in this novel is an AI, made from the memories and personality of an engineer who served his whole professional life in space (after leaving his family’s farm). He’s now in charge of a small salvage crew for the company Planetary Crusade Service, sent to a tiny planet Urmahon Beta to recover as much as they can from an old colony ship that presumably crashed there.

His role is Overseer, and his crew nicknames him OC. This is OC’s first command, if it goes well—and a few others—he can move up to a larger, better body/command. In a few decades or so, he could work is his up to a large ship, overseeing a major operation. Again, that’s if everything goes well.

Everything Doesn’t Go Well

OC is promised an “A-Team” of a crew for his first command. He doesn’t get one. They’re not a B-Team either. There are not enough letters to describe how far this trio is from an A-Team. For that matter, I’m not sure OC is A-Team material either—they land far off-course (turbulence during descent, we’re told).

Almost instantly, the crew starts falling apart, ignoring orders and protocol. They begin to build a base to work from, but get distracted by things like indigenous flora and fauna, personality conflicts, and evidence that suggests they may not be the only salvage crew on the planet (there’s a rival company with bionic operators with aggressive tendencies).

From a rough start, it gets worse, and the next few weeks are a spiral of cascading failure, disease, injuries, strife, crop failure, questionable vodka distillation, bargain-basement tech, and…well, I can’t keep going. It gets messy, and what starts off as a quirky, comedic version of The Martian with a side of Red Dwarf turns into something tense, taut, dark, and suspense-filled. It doesn’t stay that way, depending on how you want to count things, ends up taking one or two other overall flavors, while never completing shedding the offbeat humor that characterized the book since the opening paragraph.

Poetry and Other Quirks

I’m going to focus on OC, rather than the rest of the crew (and they are all worth writing about) to keep this short (and because you really need to get into spoilers to do a proper job of talking about the humans). He is funny. There’s a snarky, offbeat humor to his narration and dialogue throughout.

He’s also a poet. I’m not saying he’s a good one, but he is one. Frequently in Fantasy novels (particularly older ones that wear their Tolkien-influence on their sleeves), you get a lot of poetry/songs/etc., but that’s rarely a feature of Science Fiction novels. The Salvage Crew is the exception to this rule. OC writes it, recites it to his crew to encourage them, he quotes and ruminates on other’s poetry…he’s the most poetic AI I think I’ve ever encountered in a novel. He’s also a Buddhist, and will often apply that to his situation.

He also has the best curses. He’s frequently letting off steam by cursing his crew, PCS executives, or local fauna to a horrible future reincarnation. I could have listened to some of those for a solid hour.

Fillion’s Narration

It’s tough to say for certain, but I think that Fillion raised this about a star in my book (maybe just a half). It’s his voice, his charm that hooks you in and gets you to like, believe in and root for OC. That said, at some point, I stopped thinking of this as Fillion, and just let OC tell me a good story.

It’s not the best narration I’ve ever heard, but it’s really good and it made me hope that Fillion does more audiobooks.

Co-written by AI?

So, there was apparently actual AI software involved in the writing of this. I learned about this when I started writing this post, and I’m not sure I understood everything I skimmed (I didn’t want to take the time to read carefully instead of just posting this). I’m intrigued by this notion, but am relieved to see that the software only “helped” with portions of the book and that Wijeratne was the final word.

So, what did I think about The Salvage Crew?

Roughly the first half of the book* is about what I expected—an amusing SF adventure—and was a lot of fun to listen to. The rest of the book isn’t what I expected from the premise in terms of story or tone. And I was riveted. There are portions of the book that get into more philosophical territories, and while I wasn’t as interested in them as I think the novel wanted me to be, they were really well constructed and told.

* This is an estimate, I didn’t jot down notes about when the tenor of the plot/novel changes)

I’m really glad I took a chance on this book, I’ll definitely listen to future audiobooks by Fillion (assuming any are produced) and am probably going to be trying some of Wijeratne’s other novels. I heartily recommend it to SF readers/listeners.

Disclaimer: I received this eARC from Podium Audio via NetGalley in exchange for this post—thanks to both for this.


4 Stars

2021 Audiobook Challenge

Pub Day Repost: We Could Be Heroes by Mike Chen: A Super-Powered Thief and Vigilante Together Could Be Extraordinary

We Could Be Heroes

We Could Be Heroes

by Mike Chen

eARC, 336 pg.
Mira Books, 2021

Read: January 11-14, 2021
Grab a copy from your local indie bookstore!


At this point with Mike Chen, I don’t bother looking at the book blurb, I just read what he publishes. But so I could decide how much to say in this post, I had to go look at the blurb. Just between you and me, I think I wouldn’t have given as much away as it did, but now I feel a little freer about what to say.

Jamie Sorenson/The Mind Robber

Two years ago, Jamie Sorenson woke up in an apartment with no memory of who he was or how he got there (the name is something he picked). He’s a coffee snob, has taken in a stray cat that he’s named, “Normal.” He reads a lot of autobiographies and memoirs from the library, because he likes hearing life stories since he doesn’t have one.

Oh, and he has super-powers. He can read people’s memories, and erase a little bit of them. He uses these abilities to rob banks as “The Mind Robber.” He’s not living an extravagant lifestyle with these funds, in fact, he lives fairly frugally. His goal is to save up enough to finance his retirement on a tropical beach—just him, Normal, coffee, and books. If he can just pull off one or two more without getting caught, he should be able to do just that.

He was almost caught once, and he’s pretty sure he won’t be able to evade capture too easily next time. He was almost caught by:

Zoe Wong/The Throwing Star

She, too, woke up without memories in an apartment two years ago. She had a name tag, so at least she didn’t have to come up with a name. She spends her time watching horror movies on an app on her phone and drinking so much I think I might have liver damage from reading about it. She makes ends meet by working for a food delivery service.

She doesn’t drive for one, though, she has super-powers, too. Including speed—not Flash or Quicksilver fast, but she’s fast. So fast that she can deliver food fast enough to maintain a 5-Star rating, even though she’ll take quick detours to beat up criminals. She’s also super-strong (not quite Superman-level, but more than Captain America) and has a couple of other tricks up her sleeve.

She’s assembled enough of a uniform to stand up to the punishment her speed puts on normal clothing and to protect her identity, and was dubbed “The Throwing Star” by the press. Although, she’d prefer Shuriken, not that anyone asked. Besides, she’s pretty sure she’s of Chinese descent, not Japanese, so both names are problematic.

The Team Up

Jamie regularly attends a support group for people with Dementia or other memory problems. No one’s treating them there, it’s just a place for emotional support. One day, not long after he’s almost captured by The Throwing Star, Zoe walks in. Afterward, the two have a quick conversation by the coffee pot and (thanks to their abilities) recognize each other. For the sake of the group, they don’t start battling each other, instead, they talk.

A few things happen, and then Zoe decides to ask Jamie to help her with her memory—surely, he can use his powers for something other than crime, right? They strike a little quid pro quo deal and get to work.

From this point, two things happen, one harder to believe than the other. First, they start to uncover things about Zoe’s past (and Jamie’s, although he’s really not that interested at first) that lead them to a therapeutic organization that seems to have something else going on. And, the two begin to become friends.

It’s that “something else,” naturally, that gets their attention. It’s not long before they discover that not only does this organization (or maybe just what it’s a front for) hold the key to their pasts but has a secret plan to change to the world as we know it. To combat it, this thief and this vigilante might have to be something more, they might have to be heroes.

The Mad Scientist

A mad scientist at work is a mainstay of Super-Hero Fiction and Chen delivers that well. Not just a mad scientist, but one who doesn’t see herself in that way. Indeed, she’s going to save humanity from itself and the world from humanity while she’s at it. And sure, she’s doing this on her own, without consulting the countless lives that she’s going to radically alter, because when you’re a super-genius with a messianic-complex (among other psychiatric problems) playing with unimaginable technology, who cares what anyone else might think?

That sounds almost dismissive, and I don’t mean it to be. She’s a well-drawn character, absolutely convinced she’s doing the right thing, and is pretty convincing about it. Don’t get me wrong, I love a super-villain who’s just out to watch the world burn, or driven by pure avarice. I was raised on that stuff. But a super-villain convinced they’re the city’s/nation’s/world’s savior? There’s something more compelling about them, and that’s what we have here.

Extraordinaries

One challenge that non-Marvel/DC Super-Hero Fiction has it coming up with what they’re going to call their costumed, super-powered crime-fighters. Most of the time, I note the term and move on, while it’s usually a serviceable term, it’s a challenge to come up with something that really clicks on this front.

Chen’s world uses the term, “Extraordinaries.” That’s catchy, a little quirky, and it sticks with you. Sure, this is a minor point, but you add up enough of these minor points, and you elevate a good book into something more.

The Mike Chen Factor

The something more…does this have it? Readers of this blog know that I’m always game for a Super-Hero novel, and from early on, it was clear that this was a good one. And that’d be enough for me to recommend it, maybe even highly recommend it. But Here and Now and Then and A Beginning At The End have taught me that I should expect something more than just a good Time Travel/Dystopian/Super-Hero novel from him. The Mike Chen Factor.

And while I didn’t go looking for it—that would distract me from this entertaining story—I did keep wondering when it’d crop up (and if I’d recognize it right away). I think it popped up in a couple of different places and while I espied one instantly (or pretty quickly) the other slipped by me until it was in full bloom—making it my favorite.

The first thing that makes this more than a good Super-Hero novel is that it’s about the role our memories play in who we are—our identity, our personality, how we act. Two characters whose tabulas are about as rasa as you can get make excellent candidates to explore this. In the end, one character’s deliberate choices in spite of natural inclinations and what we learn about their past becomes something they didn’t expect. While the other character is driven by their past (especially the parts they can’t remember but shaped who they are) and ends up being a better (more complete) version of what they were all along.

So, you know, if you were looking for Chen to settle a debate, I think you can skip that.

The other expression of the Mike Chen Factor was the friendship that develops between Jamie and Zoe. This was something special. Too, too, too often when we look at relationships in fiction (in whatever medium) we focus on romantic relationships, familial bonds, or even that between enemies. We don’t see enough explorations of friendship. I wish we had more of them—Rick and Louis aren’t the only one’s with a beautiful friendship, a well-written one is a great thing.

And Jamie and Zoe’s friendship promises to be a beautiful friendship, it’s off to a great start, anyway. I think the reader sees it before either of them do, which is an added layer of fun. But before they realize it their mutual aid pact starts to carry shades of something else. They banter, they tease each other (including in that almost-cruel way that only good friends can), they look out for each other beyond what’s needed for their project and care about each other. Eventually, they’re inspiring each other to be more than they think they are.

So, what did I think about We Could Be Heroes?

This was great. It was a good Super-Hero Story that had a lot of other things going on. Like Chen’s other work, it could probably spawn a sequel or two—but probably won’t.

Can you enjoy this without spending time thinking about what he’s exploring in terms of identity, memory, and friendship? Sure—I don’t know why you’d want to, but if you’re just looking for a compelling story featuring people in outlandish dress flexing super-abilities, this would absolutely fill that need. On the flip side, if you prefer to focus on the other material? This would work, but you’d have to put up with the Super-Hero stuff, and that might be harder for you. If you’re a Greedy Gus like me and want it all? You’re definitely in for a treat.

There’s a little something for everyone here, get to it.

Disclaimer: I received this eARC from Harlequin Trade Publishing via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

We Could Be Heroes by Mike Chen: A Super-Powered Thief and Vigilante Together Could Be Extraordinary

We Could Be Heroes

We Could Be Heroes

by Mike Chen

eARC, 336 pg.
Mira Books, 2021

Read: January 11-14, 2021
Grab a copy from your local indie bookstore!


At this point with Mike Chen, I don’t bother looking at the book blurb, I just read what he publishes. But so I could decide how much to say in this post, I had to go look at the blurb. Just between you and me, I think I wouldn’t have given as much away as it did, but now I feel a little freer about what to say.

Jamie Sorenson/The Mind Robber

Two years ago, Jamie Sorenson woke up in an apartment with no memory of who he was or how he got there (the name is something he picked). He’s a coffee snob, has taken in a stray cat that he’s named, “Normal.” He reads a lot of autobiographies and memoirs from the library, because he likes hearing life stories since he doesn’t have one.

Oh, and he has super-powers. He can read people’s memories, and erase a little bit of them. He uses these abilities to rob banks as “The Mind Robber.” He’s not living an extravagant lifestyle with these funds, in fact, he lives fairly frugally. His goal is to save up enough to finance his retirement on a tropical beach—just him, Normal, coffee, and books. If he can just pull off one or two more without getting caught, he should be able to do just that.

He was almost caught once, and he’s pretty sure he won’t be able to evade capture too easily next time. He was almost caught by:

Zoe Wong/The Throwing Star

She, too, woke up without memories in an apartment two years ago. She had a name tag, so at least she didn’t have to come up with a name. She spends her time watching horror movies on an app on her phone and drinking so much I think I might have liver damage from reading about it. She makes ends meet by working for a food delivery service.

She doesn’t drive for one, though, she has super-powers, too. Including speed—not Flash or Quicksilver fast, but she’s fast. So fast that she can deliver food fast enough to maintain a 5-Star rating, even though she’ll take quick detours to beat up criminals. She’s also super-strong (not quite Superman-level, but more than Captain America) and has a couple of other tricks up her sleeve.

She’s assembled enough of a uniform to stand up to the punishment her speed puts on normal clothing and to protect her identity, and was dubbed “The Throwing Star” by the press. Although, she’d prefer Shuriken, not that anyone asked. Besides, she’s pretty sure she’s of Chinese descent, not Japanese, so both names are problematic.

The Team Up

Jamie regularly attends a support group for people with Dementia or other memory problems. No one’s treating them there, it’s just a place for emotional support. One day, not long after he’s almost captured by The Throwing Star, Zoe walks in. Afterward, the two have a quick conversation by the coffee pot and (thanks to their abilities) recognize each other. For the sake of the group, they don’t start battling each other, instead, they talk.

A few things happen, and then Zoe decides to ask Jamie to help her with her memory—surely, he can use his powers for something other than crime, right? They strike a little quid pro quo deal and get to work.

From this point, two things happen, one harder to believe than the other. First, they start to uncover things about Zoe’s past (and Jamie’s, although he’s really not that interested at first) that lead them to a therapeutic organization that seems to have something else going on. And, the two begin to become friends.

It’s that “something else,” naturally, that gets their attention. It’s not long before they discover that not only does this organization (or maybe just what it’s a front for) hold the key to their pasts but has a secret plan to change to the world as we know it. To combat it, this thief and this vigilante might have to be something more, they might have to be heroes.

The Mad Scientist

A mad scientist at work is a mainstay of Super-Hero Fiction and Chen delivers that well. Not just a mad scientist, but one who doesn’t see herself in that way. Indeed, she’s going to save humanity from itself and the world from humanity while she’s at it. And sure, she’s doing this on her own, without consulting the countless lives that she’s going to radically alter, because when you’re a super-genius with a messianic-complex (among other psychiatric problems) playing with unimaginable technology, who cares what anyone else might think?

That sounds almost dismissive, and I don’t mean it to be. She’s a well-drawn character, absolutely convinced she’s doing the right thing, and is pretty convincing about it. Don’t get me wrong, I love a super-villain who’s just out to watch the world burn, or driven by pure avarice. I was raised on that stuff. But a super-villain convinced they’re the city’s/nation’s/world’s savior? There’s something more compelling about them, and that’s what we have here.

Extraordinaries

One challenge that non-Marvel/DC Super-Hero Fiction has it coming up with what they’re going to call their costumed, super-powered crime-fighters. Most of the time, I note the term and move on, while it’s usually a serviceable term, it’s a challenge to come up with something that really clicks on this front.

Chen’s world uses the term, “Extraordinaries.” That’s catchy, a little quirky, and it sticks with you. Sure, this is a minor point, but you add up enough of these minor points, and you elevate a good book into something more.

The Mike Chen Factor

The something more…does this have it? Readers of this blog know that I’m always game for a Super-Hero novel, and from early on, it was clear that this was a good one. And that’d be enough for me to recommend it, maybe even highly recommend it. But Here and Now and Then and A Beginning At The End have taught me that I should expect something more than just a good Time Travel/Dystopian/Super-Hero novel from him. The Mike Chen Factor.

And while I didn’t go looking for it—that would distract me from this entertaining story—I did keep wondering when it’d crop up (and if I’d recognize it right away). I think it popped up in a couple of different places and while I espied one instantly (or pretty quickly) the other slipped by me until it was in full bloom—making it my favorite.

The first thing that makes this more than a good Super-Hero novel is that it’s about the role our memories play in who we are—our identity, our personality, how we act. Two characters whose tabulas are about as rasa as you can get make excellent candidates to explore this. In the end, one character’s deliberate choices in spite of natural inclinations and what we learn about their past becomes something they didn’t expect. While the other character is driven by their past (especially the parts they can’t remember but shaped who they are) and ends up being a better (more complete) version of what they were all along.

So, you know, if you were looking for Chen to settle a debate, I think you can skip that.

The other expression of the Mike Chen Factor was the friendship that develops between Jamie and Zoe. This was something special. Too, too, too often when we look at relationships in fiction (in whatever medium) we focus on romantic relationships, familial bonds, or even that between enemies. We don’t see enough explorations of friendship. I wish we had more of them—Rick and Louis aren’t the only one’s with a beautiful friendship, a well-written one is a great thing.

And Jamie and Zoe’s friendship promises to be a beautiful friendship, it’s off to a great start, anyway. I think the reader sees it before either of them do, which is an added layer of fun. But before they realize it their mutual aid pact starts to carry shades of something else. They banter, they tease each other (including in that almost-cruel way that only good friends can), they look out for each other beyond what’s needed for their project and care about each other. Eventually, they’re inspiring each other to be more than they think they are.

So, what did I think about We Could Be Heroes?

This was great. It was a good Super-Hero Story that had a lot of other things going on. Like Chen’s other work, it could probably spawn a sequel or two—but probably won’t.

Can you enjoy this without spending time thinking about what he’s exploring in terms of identity, memory, and friendship? Sure—I don’t know why you’d want to, but if you’re just looking for a compelling story featuring people in outlandish dress flexing super-abilities, this would absolutely fill that need. On the flip side, if you prefer to focus on the other material? This would work, but you’d have to put up with the Super-Hero stuff, and that might be harder for you. If you’re a Greedy Gus like me and want it all? You’re definitely in for a treat.

There’s a little something for everyone here, get to it.

Disclaimer: I received this eARC from Harlequin Trade Publishing via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Audiobooks of 2020

Given the large number of audiobooks I listened to in 2020, I sort of felt like I had to focus on them for one of these posts. But how to keep this from being just a rehash of the other best of lists? Well, I focused on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance?

Truth be told, this was a harder choice than I expected. Also, a couple of books that were in my mental rough draft didn’t make it to the final version when all was said and done (I’m still not sure I made the right call on a couple of these).

(in alphabetical order by author)

Dark JennyDark Jenny

by Alex Bledsoe, Stefan Rudnicki (Narrator)

My original post
Stefan Rudnicki brilliantly captures the humor, the confusion, the determination of Eddle LaCrosse and the situation he finds himself in—and then the horror, revulsion, and anger he has when he discovers what’s really going on. Starting with one of Bledsoe’s best books, Rudnicki goes on to bring it to life.

4 Stars

Dash & Lily's Book of DaresDash & Lily’s Book of Dares

by Rachel Cohn, David Levithan, Ryan Gesell (Narrator), Tara Sands (Narrator)

My original post
For me, this book came along at the right time—its particular brand of silly and escapist sweetness was exactly what it turned out that I needed. Add in a couple of stellar performances from Ryan Gesell Tara Sands and it’s just a delight. They can make you believe (even temporarily) in the magic of Christmas and young love.

3.5 Stars

Luck and JudgementLuck and Judgement

by Peter Grainger, Gildart Jackson (Narrator)

My original post
I’ve said it before, and I’ll keep on saying it: there’s a certain magic, an ineffable alchemy about Jackson narrating Grainger’s work. It’s just fantastic, I think I’d have liked these audiobooks with another narrator (or in print), but I don’t think I’d have liked them as much.

I could’ve listed each book in this series here, but I limited myself to this one because it’s an atypical crime for a novel, the solution (and how Smith and his team come to it) is offbeat, there’s some great humor and great emotional beats, too. It’s Grainger at his best and Jackson delivers it perfectly. There is a strong sense of humanity in these books, not just in the protagonists, but in the victim, the killer, the witnesses, the people who aren’t the killer but who aren’t up to anything legal/moral/ethical…everyone. There’s no one cartoon-y or over the top (in any direction).

4 Stars

The In BetweenThe In Between

by Michael Landweber, Brittany Pressley (Narrator), Mark Boyett (Narrator)

My original post
This is the story of what happens to a family when a young child goes missing during a teleportation trip that his parents make successfully (to put it too succinctly) It’s a gripping listen and wonderfully performed. As you may have guessed Brittany Pressley narrates the chapters from the mother’s point of view, and Mark Boyett takes the father’s. I don’t think I’d heard anything by either of them beforebut I’ll keep my eyes peeled for their names when I browse for audiobooks in the future. They truly did wonderful jobs. They got the emotion of the moment, the tensionand occasional moments of fun, joy, or reliefas well as giving a real sense of the characters. It didn’t happen often, but even when a character usually only seen in a Lillian chapter showed up in a Jackson, you could recognize them (and vice versa)which was nice. Landweber wrote a great story but Boyett and Pressley brought it to life.

5 Stars

GreenlightsGreenlights

by Matthew McConaughey

My original post
When Chris Hardwick interviewed McConaughey recently he described the audiobook as McConaughey playing McConaughey, which is a great way to put it, and I wish he’d posted this before I wrote about the book so I could’ve borrowed it then. But that’s it exactly, Yes, it’s his stories, but yeah, he’s performing. It feels like you’re sitting around the campfire or a table in a bar, listening to a great storyteller at work.

3.5 Stars

Crossing in TimeCrossing in Time

by D. L. Orton, Noah Michael Levine (Narrator), Erin deWard (Narrator)

My original post
Typically, when I post about an Audiobook, I close with a discussion about the narrator(s). But I started with it when I posted about this novel because Levine and deWard did such a great job, they’re the highlight of the experience for me. Typically, when there is a male narrator and a female narrator—the female will read all the narration and dialogue in the female character POV chapters, and the male will read all the narration and dialogue in the male character POV chapters. But here, deWard reads all the female dialogue, no matter the narrator (and vice versa). That’s a nice touch, and once I got used to it, I really appreciated it. Particularly, it helped the conversations between characters feel like conversations—there was a little bit of talking over each other, and so on. And when the two laughed together? That was either fantastic work by the narrators or by the editor (or both).

I’m not that sure how much I’d have enjoyed this book in print, but the way these two embodied the book made it one of the highlights of the year.

4 Stars

Far from the TreeFar from the Tree

by Rob Parker, Warren Brown (Narrator)

My original post
This was an Audible Original, so the Audiobook experience is a big part of it. Brown was a great choice of narrator—he’s the perfect voice for this material. He captured and shaped the tone as he needed to, and gave the right performances for each character.

I can’t help feeling like I need to say more, but I just don’t know what else to say. If I had problems with the performance, I’d probably be able to go on longer, but when a narrator gets it right, like Brown does here, what else is there to say? It was a brutal, brutal experience, with more twists than I can count, and a plot so complex I’m not able to talk about it in this small space.

4 Stars

Back to RealityBack to Reality

by Mark Stay & Mark Oliver, Kim Bretton (Narrator)

My original post
This is sort of a Fringe-inspired take on a Back to the Future/Freaky Friday mashup, and it’s as odd, and fun as that description makes it sound.

I’ll frequently (maybe too frequently?) talk about an audiobook narrator bringing the text to life. And Kim Bretton does that. But she does more than that—she fills it with life. Dynamic, energetic, vibrant…are just some of the adjectives that spring to mind. I was very happy when I just looked over her other audiobook credits and saw a couple of titles I was already thinking about—if she’s doing them, I’m giving them a try. (although, if I never hear her do another American male accent, I’d be more than okay).

Funny, sweet, amusing, heartfelt, laugh-inducing, touching, comic, imaginative—and did I mention humorous? This is 606 minutes of pure entertainment. I really encourage you to put this in your ear-holes. It’d probably work almost as well in print—Bretton’s great, but she has to have something to work with—but in audio? It’s close to a must-listen.

4 Stars

The Answer IsThe Answer Is . . .: Reflections on My Life

by Alex Trebek, Narrated by: Ken Jennings, Alex Trebek

My original post
Jennings was a great choice of narrator, since his time on Jeopardy!, the two are linked in the collective consciousness, and they clearly have a good relationship. He sounds like a natural when it comes to narration. But his work is overshadowed by the few chapters he didn’t read.

Trebek read a few chapters himself—the one about why he swears so often (it surprised me, too), the one talking about notable Jeopardy! contestants (like Jennings), the one about his wife (Trebek didn’t like the idea of someone else talking about his wife that way), and the last chapter, where he discussed his cancer and coming to terms with his impending death. I understand why he couldn’t do the entire book himself, but I’d have preferred it (nothing against Jennings—I’d have been content with Jennings doing the whole thing). But I’m so glad he did those chapters, you could hear the sincerity in his praise for Jennings, Eddie Timanus, Cindy Stowell, and others; his love for his wife; and the resolution and contemplation he’d put into his final days

4 1/2 Stars

Dawn PatrolDawn Patrol

by Don Winslow, Ray Porter (Narrator)

Wow. Despite this being my first and favorite Winslow novel, I wasn’t inclined to grab the audiobook. But then it was on sale and a fellow Winslow-fan recommended Porter’s take on the book. I didn’t know that Porter did audiobooks before this, but he’s on my list to watch for now.

I don’t know how to describe this—I was blown away. I’ve read the book two or three times, but Porter made it feel like it was all new. I was gripped. I was entertained. I was heartbroken. It’s as good as you can ask for an audiobook to be.

5 Stars

The Friday 56 for 9/18/20

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from 56% of:
Annihilation Aria

Annihilation Aria by Michael R. Underwood

Wheel was tired of waiting. Kenoa had flown up to low orbit to join her, so she’d spent most of the day talking to a destroyer-sized turtle while a barely-sentient tentacle-beast tried to stick its limbs up her nose.

Page 17 of 39

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