Tag: SF

Blades of Winter by G.T. Almasi

Blades of Winter
Blades of Winter by G.T. Almasi

My rating: 4 of 5 stars

If we didn’t already have a term, “kickass female protagonist,” someone would have to invent it to discuss this book. Almasi’s Alix Nico — a 19-year-old bionically enhanced superspy is everything you want in a heroine — smart, sassy, and reckless — she’s an adrenaline junkie, a crack short, and has the beginning of a drinking problem. Equal parts Juno MacGuff, Jaime Sommers (Wagner, not Ryan), and Syd Brystow.

The action kicks off during the first sentence and really doesn’t stop until the last couple of pages. There are a couple breaks for agency briefings and hospital recovery times following a mission, true — but otherwise, it’s flying around the world, running/driving down alleyways and shooting up bad guys.

ExOps is the well-oiled covert machine that Alix works for — as her mother does, and her father did. All her life, really, had revolved around this — her schooling, her family and now her career — her rivals, friends, and boyfriend/partner are all part of this. By and large, the ExOps characters are stock characters, but Almasi’s put enough individuality to them to make them well-rounded. Alix is a prodigy of sorts, shooting up through the ranks faster than most — and sometimes cutting a few corners to do that — which leads to a lot of scrutiny from her mentor, colleagues and superiors. She’s too valuable to be wasted, too green to be fully trusted, and too reckless to be left to her own devices.

As great as the bionically-enhanced fight scenes are, as much as I dig the characters — the thing that seals the deal on this book for me is the setting. He starts with a World War II where Germany has a lot more success, which leads to a different kind of Cold War — between the U. S., Greater Germany, the Soviet Union, and the Nationalist Republic of China(!). This “Shadowstorm” (catchier name than Cold War, don’t ya think?) propels intense scientific progress — particularly as it relates to weapons and spycraft development. So by the early 1980s (where we pick up the action), the weapons and related tech far surpass our own. Yet it feels pretty 80’s-ish. I’m not sure how Almasi does that (beyond references to Reagan — actually, I really liked the whole presidential history we’re given here), but I’ll take it.* Despite the world taking on a literally different shape, it still feels like reality. Most alt-histories I’ve run across feel like parodies of reality, this feels like the real thing.

This novel is told with wit, verve and panache — a fun read that I immediately passed on to my teenage sons. Hope that Almasi has a few of these in his tank.

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*(okay, sure, some of the slang seems more Twenty-Teens than Alt-80’s, but, eh, in the moment you buy most of it — that’s enough)

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4 Stars

Dusted Off: Old Man’s War by John Scalzi

Old Man's War (Old Man's War, #1)Old Man’s War

by John Scalzi
Mass Market Paperback, 362 pg.
Tor Books, 2007

I have to admit, I came to this with a degree of trepidation. I’ve really enjoyed Scalzi’s “lighter” works and wasn’t sure I was going to be able to get into his more serious SF. Boy, was I wrong. This was a blast–sure, not as funny as Agent to the Stars or The Android’s Dream, but it wasn’t supposed to be, it was still a rollicking good time–action, hard SF, and heart (even a couple of laughs)–everything you could ask for.

It starts out as sort of an inverse Ender’s Game, instead of kids being recruited to fight far-off aliens, we get senior citizens enlisting. Humanity’s colonies are spreading through the galaxy and running into all sorts of other species who are trying to do the same, and conflicts ensue. I can’t think of much more to say here without major spoilers.

Great cast of characters, believable future tech, creepy aliens, intense battles…fun, solid read, really looking forward to the sequel.

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4 Stars

Dusted Off: Emperor Mollusk versus The Sinister Brain by A. Lee Martinez

Emperor Mollusk versus The Sinister BrainEmperor Mollusk versus The Sinister Brain by A. Lee Martinez
My rating: 4 of 5 stars

What a fun read (not hilarious, as the cover implies–and I believe, Martinez tweeted he didn’t like the word)!

This tale of our solar system’s biggest supervillian, conqueror (and would-be conqueror) of planets, destroyer of armies, and uber-mad scientist reads like a semi-serious Douglas Adams book. All of the wit, all the imagination, all the “where did he get that loopy (and great) idea from?”, none of the compulsion to go for the laugh every x number of paragraphs. It’s a great look at what makes a supervillian of the evil-scientist variety tick.

I’ve read about half of Martinez’ works, and he seems to go out of his way to make each significantly different than the last–but there are certain hallmarks–they’re clever, very enjoyable, and they display an essential humanity in characters you wouldn’t normally sympathize with/think of in this way. Such a treat.

Dusted Off: Chasing the Moon by A. Lee Martinez

Chasing the MoonChasing the Moon by A. Lee Martinez
My rating: 3 of 5 stars

It’s so hard to write anything about Martinez’ work, because it’s just so weird. And I mean that in a good way. Comic, but rarely laugh-out-loud; SF/Fantasy/Supernatural-ish, but approachable for those who prefer to stay away from that; books that feel like they’re the start (or middle of) a series, but are all stand-alones. One thing that connects them all is the humanity of the characters–particularly the protagonists, but not entirely reserved for them. Whether we’re dealing with supernatural creatures (vampires, werewolves, etc.), witches, aliens, robots, extra-dimensional creatures, monsters, cult leaders, or just Average Joes/Janes caught up in all of the madness–his characters have heart and humanity that shine through like nobody’s business.

In this particular tome, Diana finds the perfect apartment for her needs and budget, almost too good to be true, and jumps at it. Then she finds out that the catch to this deal is that she’s just signed on to be the one thing that stands between the world at large and a monster named Vom the Hungering, who will (one day) devour everything in sight. Hilarity ensues.

To say more would ruin this light (but not too light), engaging and very fun read. Do yourself a favor and give it a shot.

The Darwin Elevator by Jason M. Houg

The Darwin Elevator
The Darwin Elevator by Jason M. Hough
My rating: 4 of 5 stars

Well, this was a heckuva read. Solidly built world, you can see it — practically smell it. Yeah, it takes a little while to fill the picture in, but really from the get-go you have a pretty clear idea what this particular distopia is like.

But it’s more than just another distopian novel about survival — thankfully. Actually, it’s hard to put a finger on exactly what kind of SF novel this is without giving away everything, because every now and then — just when you think you have an idea what kind of book this is going to be, and what’s going on and what’s going to happen — Hough comes along, slaps you upside the head and says, “Nope, not that,” and proceeds to pull the rug out from underneath you. Characters you think you’ll be spending time with for the trilogy are killed. Constants turn out to be temporary. The shifts in direction aren’t such to give you whiplash, but it is enough to make you rethink everything you’ve read/predicted up to that point.

At some point, I started to mentally fill out one of those AD&D alignment grids for the characters — with 2 exceptions (and I guess you could make the argument for another one or two) they’re all some sort of “Neutral.” A couple of “Neutral Good”s, one “Neutral Evil,” (and of course, the exceptions — one “Lawful Good” and one “Chaotic Evil” (or “Total D*ck”), but on the whole, everyone is “Neutral”, just out to survive. Maybe find a little comfort and fun, but mostly just trying to survive in this uncertain world. Which is no mean feat.

It’s that need to survive that creates most of the conflict, most of the motivation for characters — and makes the whole thing so compelling. Almost every decision becomes a matter of life or death — sometimes for the person making the decision, sometimes for large groups of people, occasionally for the human race.

In the end, I think more questions were raised than were answered — but I didn’t feel cheated by any means, it wasn’t that Hough bit off more than he could chew, or left a lot of red (or potentially red) herrings laying around. Nope. He answered questions, he resolved plotlines, saw characters through their arcs. And those answers, resolutions and arcs led organically to new ones. The way it should be. He didn’t end things on a cliffhanger, but there’s almost no way someone could read that last line and not get impatient waiting for the sequel.

Doubleblind by Ann Aguirre

I’m in kind of a rush posting this, not a lot of time to proofread/make sure it makes sense. If you see a problem, leave me a note in the comments, I’ll fix it. Thanks!

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Doubleblind
Doubleblind by Ann Aguirre

My rating: 3 of 5 stars

There’s a danger when reading serialized fiction in letting too many months — or potentially more dangerous — too many books pass between volumes. That’s exactly what happened between Wanderlust and Doubleblind for me. I spent far too much time in the first 50 pages or so trying to remember characters/events — even with a pretty well-done “let’s get reacquainted with everyone” chapter 1, that still moves the plot forward.

I’m not sure how much that effected my enjoyment of the book, but it did make it unreasonably difficult to get into. But that’s my fault, not Aguirre’s. I also was put off by Jax’s too frequent internal rehashing of the state of March and their relationship. That eventually slowed down — due to plot and (gasp!) character development. There’s one UF heroine who has similar problems with the internal rehashing, and Jax reminded me far too much of her for the first half of the book or so, but Aguirre does the right thing — she has Jax move on from that (by her own volition, as well as events around her), the character I kept comparing her to only grows when forced to in the last quarter of the book, and then spends the bulk of her next book complaining/trying to get back to where she was.

Jax being able to move on, and change as change is warranted (not changing for changes’ sake), makes me like her and her creator all the more.

And really, that’s what this series has been about — this book more than the rest — Jax shedding the party-girl, reckless youth, part of her, and maturing. Making determined choices to not be who she used to be, but instead thinking about her decisions and actions, taking responsibility of the outcomes, and working for the betterment of her crew, her employer, and humanity as a whole (though, she’ll settle for the betterment of her crew). Actually, in this, she’s reminding me a lot of Izzy Spellman (see my review of her latest).

Now, while this is what the book is really about (IMHO), there’s all this other plot-y stuff going on. Jax and her crew (and some others) are on a planet populated by an insectoid culture, trying to bring them into their planetary alliance while dodging threats from their hosts as well as from within (including, possibly, treachery of the worst kind). Oh, and this fledgling planetary alliance is trying to get its sea legs, while fighting off organized crime with more muscle than the government, not to mention the previous ruling power trying to get things back under their control. All the while, a nearly unstoppable alien force is starting to wage war against humanity, who needs the Jax’s mission to be a success so they can have a shot in the oncoming war.

And seriously, you don’t need the character development, the personal growth elements of this — you just need the politics, the intrigue and the impending doom to get a book to work (see: A Song of Ice and Fire). But you add in what’s happening to Jax, as well as her closest friends, and you’ve got yourself one rockin’ SF adventure.

I’m sure I won’t wait as long for book #4. I’m not that stupid.

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