Tag: Urban Fantasy Page 17 of 42

PUB DAY REPOST: What Abigail Did That Summer by Ben Aaronovitch: Peter Grant’s Cousin Searches for Missing Kids

By HCNewton

On March 18, 2021

In Ben Aaronovitch, Rivers of London (Peter Grant), Urban Fantasy

What Abigail Did That Summer

by Ben Aaronovitch
Series: The Rivers of London, #5.7 (or so, I’m not sure how it’ll get numbered)

eARC, 232 pg.
Subterranean Press, 2021

Read: March 1, 2021

There are a few, uh, provisos, a, a couple of quid pro quos.

I almost feel like I need to go back and do a lot of re-reading before writing much about this book. I’d have thought that Abigail’s involvement with the Folly and Peter wasn’t this developed until later in the series.

Also, I know there’s a connection between Abigail and the talking foxes, but I don’t remember exactly when it comes about and how much of this book is Aaronovich filling in the backstory that he just breezes past in one of the novels.

I didn’t feel at a loss for context while reading the book, but I tell you what, I’m feeling it as I try to talk about the novella. So, I guess I’m saying, be nice and forgive any lapses in what’s to come:

What’s What Abigail Did That Summer About?

This novella is set during the events of Foxglove Summer and Peter’s not in London. But never fear, Abigail does talk to Nightingale a couple of times.

Abigail has a strange interaction with someone she used to know and sees someone else acting slightly strangely. She starts, not really investigating, but taking a close look around at everything. Then when the police start asking questions of kids in the park, showing pictures of those same people, she knows something’s up.

Not that she tells the police that, because they’re not going to believe her. She’s told that these children (and others) have gone missing, but then reappear at home, with fuzzy memories of the last couple of days. If Abigail, she thinks, with the help of some of the local talking foxes, can figure out what’s going on, she can point Nightingale in the right direction—which might help convince him that she’s ready for training.

But mostly, Abigail’s curious about what’s happening and has to figure it out.

Postmartin’s Contribution

Abigail’s first-person account is littered with footnotes by the Folly’s archivist, Harold Postmartin. Largely, these footnotes are to explain some of the more slang-y terms Abigail uses (although sometimes it’s a more technical note). He seems to go to great lengths to make sure that American readers can get what she’s saying. I halfway wonder if in UK editions those notes have differences.

I think I could’ve worked out the terms I wasn’t already familiar with, but the footnotes were entertaining enough that it doesn’t matter if I could’ve. This was a better way to deal with it.

So, what did I think about What Abigail Did That Summer?

This is absolutely a Folly-story, one that belongs in this series, but there’s no way that Peter Grant was the right character to use for this story, Aaronovich needed to use someone like Abigail to tell this, conveniently enough, there she was. She has a different way of thinking than Peter—and while there’s humor to her narration, it’s not the same as Peter’s (even if it’s occasionally similar). Seeing things from her perspective, it’s a great way to see how she’s similar to her cousin, while very much being her own person.

Frequently, with novellas, I walk away wondering why couldn’t we get a full novel out of it? This isn’t one of those times—the story is as long as it needs to be—it’s complex and satisfying. Also, we get a lot of development out of Abigail and get a better degree of understanding of her than we’ve had before.

That said, there are just so many things I want to know more about, but just making this novel-length wouldn’t take care of it. For example, we learn right off the bat that there’s something…different…about Simon’s mom—and Aaronovich teases us with a couple of more things. I want more of this. I want to know just what it is that Abigail’s doing for her. I want more adventures with Abigail and the foxes.

I’ve always wanted to see more Abigail in the novels—this underscores that for me.

In short, this was a fun story—a strange one at times, but fun—that makes me more curious about a character I already enjoyed, but now I want more of her—both on her own (like this) or in the main novels. I had a similar reaction to the novella The October Man, too. Although that probably is my reaction to anything in this universe (at least so far)—”I enjoyed that, can I have more like it?”

This would be an interesting jumping-on point for the whole series—I’m not sure I’d recommend it, but it might be enough to convince you to dive into the rest.

Disclaimer: I received this eARC from Subterranean Press via NetGalley in exchange for this post—thanks to both for this.

3.5 Stars

The Friday 56 for 3/5/21: Calculated Risks by Seanan McGuire

By HCNewton

On March 5, 2021

In Currently Reading, News/Misc., Quotations, The Friday 56

This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
Find a snippet, short and sweet.
Post it

from page 56 of:
Calculated Risks

Calculated Risks by Seanan McGuire

“I think that if there are flying bugs that big, I don’t want to see what eats them,” said Annie. “What happens when the suns go down?”

“With three suns, it’s possible that it’s never going to be what we think of as true night,” said Artie. “One of them may always be in the sky, or there could even be a fourth sun that’s currently behind the planet that’s going to rise while the others are setting.”

“This dimension is really stupid,” said Annie. “I do not like it here.”

“No one’s asking you to,” I said…

What Abigail Did That Summer by Ben Aaronovitch: Peter Grant’s Cousin Searches for Missing Kids

By HCNewton

On March 4, 2021

In Ben Aaronovitch, Rivers of London (Peter Grant), Urban Fantasy

What Abigail Did That Summer

by Ben Aaronovitch
Series: The Rivers of London, #5.7 (or so, I’m not sure how it’ll get numbered)

eARC, 232 pg.
Subterranean Press, 2021

Read: March 1, 2021

There are a few, uh, provisos, a, a couple of quid pro quos.

What’s What Abigail Did That Summer About?

This novella is set during the events of Foxglove Summer and Peter’s not in London. But never fear, Abigail does talk to Nightingale a couple of times.

But mostly, Abigail’s curious about what’s happening and has to figure it out.

Postmartin’s Contribution

I think I could’ve worked out the terms I wasn’t already familiar with, but the footnotes were entertaining enough that it doesn’t matter if I could’ve. This was a better way to deal with it.

So, what did I think about What Abigail Did That Summer?

I’ve always wanted to see more Abigail in the novels—this underscores that for me.

This would be an interesting jumping-on point for the whole series—I’m not sure I’d recommend it, but it might be enough to convince you to dive into the rest.

Disclaimer: I received this eARC from Subterranean Press via NetGalley in exchange for this post—thanks to both for this.

3.5 Stars

REPOST: The October Man by Ben Aaronovitch: Meeting Peter Grant’s German Counterpart

By HCNewton

On March 2, 2021

In A-B, Ben Aaronovitch, Fiction, Rivers of London (Peter Grant), Urban Fantasy

The last of the “I’m too tired to post about What Abigail Did That Summer” inspired reposts. I’m revisiting this one because it’s another Subterranean Press Rivers of London book that could inspire an entire non-Peter Grant-focused series.

The October Man

by Ben Aaronovitch
Series: The Rivers of London, #7.5

Hardcover, 208 pg.
Subterranean Press, 2019
Read: June 19 – 21, 2019

So about the time that the one German Magic Practitioner hears that Nightengale has taken on an apprentice in Peter Grant, she decides that it’s time for Germany to do the same — keeping the playing field level, and all — she finds that apprentice in a second generation police officer, Tobias Winter. We meet Tobias a few years into things when he’s called away from leave time to investigate something that may be supernaturally related.

He recognizes vestigia right away — although I think the manner of death would be a pretty big tip off, no matter what. A mysterious fungal rot that covers him in precisely the way that fungus doesn’t cover people. I can’t do justice to how creepy it sounds when Tobias narrates it for us — you’ll have to read it.

Tobias is teamed up with Vanessa Sommer, a local police officer who knows the area, knows a bit about the particular fungus, and is super-curious about magic. Naturally, there’s an encounter with a River or two, and an interesting take on regional history — because this is a Rivers of London novel, what else are you going to get?

It’s a quick read with great story and the kind of people that Aaronovich fills his books with — these just happen to speak German and look at things in a different way from Peter and those he usually runs with — Tobias isn’t as funny as Peter, but he’s amusing to read and handles things in ways that Peter doesn’t. Still, at the end of the day, Peter’d be happy getting the same result (and probably would be jealous how little property damage that Tobias inflicts before wrapping up the investigation).

We’ve been given glimpses of what Nightengale and his fellows got involved in during WWII, but here we get more details — from the German point of view. It’s always been clear that happened wasn’t pretty — but I didn’t realize just how devastating it was until now. It’s also interesting to see just how significant it was for Nightengale to make Peter an apprentice. He essentially kicked off an international magical arms race (of sorts). Don’t get me wrong, the main point of this book is to be introduced to new characters, to see how magic is dealt with somewhere that isn’t London — but man, what we learn about things in London is fascinating.

I don’t know how this qualifies as a novella — even a “long novella,” as I’ve seen it marketed. I have several novels within reach of me right now that are smaller than this. It’s a semantic thing, but book nerds are supposed to be into words — so I don’t get it. Two hundred eight pages does not mean novella to me. If someone can explain it (or point to where Aaronovitch or Subterrerean Press explained it already), I’d appreciate it. Just to scratch that intellectual itch.

Aside from what to call this book, I enjoyed it. Tobias is an good character, he’s no Peter Grant, but he’s not supposed to be (in either Aaronovitch’s mind or the German practitioners’). I’d like he and Peter or he and the Nightengale to brush up against each other — or to have extended contact (like FBI Agent Reynolds and the Folly have had). If Aaronovitch decides on writing another novella/novel/adventure with him, I’d jump on it. But I’m not going to be waiting expectantly — if he doesn’t want to write another (or sales don’t justify it), I can be satisfied with just this much that we’ve been given here.

This’d be a great jumping on point for someone who wants to get a feel for the Rivers of London and Aaronovitch’s style. It’s also a great way for devoted fans of that series to dabble in something new, get a fresh perspective and realize that Peter Grant’s world is smaller than he realizes — while enjoying a creative and fun story.

—–

3 Stars

Tales from the Folly by Ben Aaronovitch: Entertaining Quick Dips into the Rivers of London

By HCNewton

On March 2, 2021

In Ben Aaronovitch, Fiction, Rivers of London (Peter Grant), Urban Fantasy

I’m reposting this one because I thought of it during What Abigail Did That Summer because Abigail gets to shine a little bit in this collection—and because it was short Rivers of London stories, just like the (fairly long) novella).

Tales from the Folly: A Rivers of London Short Story Collection

by Ben Aaronovitch
Series: The Rivers of London

Kindle Edition, 139 pg.
JABberwocky Literary Agency, Inc., 2020

Read: August 1-3, 2020

If asked, I’d have thought I posted about this book weeks ago, so imagine my surprise this past weekend when I saw this title still on my “To Be Written” list when I was checking for something else. Better late than never…

What are the Tales from the Folly?

The subtitle pretty much gives it away, really. These are shorter works set in the Rivers of London series. The Folly is the unofficial name for the recognized British magical organization, following in the first formal study of magic made by Sir Isaac Newton (no known relation, but that doesn’t stop me from claiming him as an uncle), it’s currently formally organized as the Special Assessment Unit of the Metropolitan Police. The Folly is also the nickname for their headquarters. Either use works for this collection.

There are seven short stores (or one novella and six short stories) told from Peter Grant’s perspective—just like the series. Then there are four stories from the point of view of other characters in the series and three “moments” (Aaronovitch’s term for “something that is more of a mood than a story, something that will last a page or two and conjure an atmosphere).

Peter Grant Stories

Obviously, this is Peter’s series (at least so far…), so he gets the bulk of the space. Most of these take place around the time of the first few books in the series, but at different stages of Peter’s development. I enjoyed them all and most of them are good enough to justify the purchase price on their own.

I can’t put my finger on why, exactly, but the first story “The Home Crowd Advantage” is my favorite. It’s about a French practitioner who got up to no good during the 1948 London Games who revisits the scene of the crime in 2012 when rookie apprentice Peter Grant is the only one around to deal with him.

The last entry in this section is the novella, A Rare Book of Cunning Device that I talked about when it was released as an Audible Original in 2017. It’s rare for me to go from hearing a work to reading it, so it was interesting that way. I enjoyed it just as much this time around, but I think Holdbrook-Smith’s voice is a better one for this series than whatever is echoing around in my skull.

Everyone Else

The fact that Aaronovitch is able to tell stories outside of Peter’s perspective shows the strength of the series in my book, he’s built the world and the characters out enough that they can carry the weight of a narrative for at least a little bit.

We get a story from the perspective of one of the Rivers, one from Abigail’s perspective that will warm the cockles of your heart (and maybe make you a little sad for a bit), a nice one featuring Vanessa Sommer from Germany (making me hope we get back to Germany for another novel soon), the answer about what happened to the River Lugg after Foxglove Summer. Then there are the moments, one featuring Nightengale, one with Reynolds and one with Sommer’s pal Tobias Winter years before The October Man

So, what did I think about Tales from the Folly?

That’s easy, I thought it was great. I’d buy volume 2 tomorrow, and volume 3 next month. If Aaronovitch wrote that quickly, anyway. They’re like the comic series in a way—a nice way to spend some time in this universe without having to put in the time of a novel.

The collection covered the gamut of emotions and types of story typical of the series with Aaronovitch’s evident charm and skill. It’s a must for every Rivers of London fan.

4 Stars

REPOST: Foxglove Summer by Ben Aaronovitch

By HCNewton

On March 2, 2021

In Authors, Ben Aaronovitch, Fiction, Rivers of London (Peter Grant), Urban Fantasy

So the plan was, read What Abigail Did That Summer by Ben Aaronovitch on Monday and post about it Tuesday. What happened was: read What Abigail Did That Summer Monday, do some parenting things and have no energy left for anything else. Whoops. So, I’m going to repost a couple of Rivers of London books I thought of while reading the upcoming novella and we’ll try again tomorrow. This novel explains why Peter wasn’t around to give Abigail a hand (not that she’d have asked for it).

Foxglove Summer

by Ben Aaronovitch
Series: The Rivers of London, #5

Mass Market Paperback, 323 pg.
Daw Books, 2015
Read: January 9 – 10, 2014

“Hail the conquering hero,” said Beverly and held up her bottle to clink.
“Sic transit Gloria mundi,” I said, because it was the first thing that came into my head — we clinked and drank. It could have been worse. I could have said, “Valar Morghulis” instead.

It’s always a pleasure to spend some time in the pages of a Peter Grant/The Rivers of London novel, but Foxglove Summer is probably the most pleasurable entry in the series since Midnight Riot (The Rivers of London for non-US types). I’m not sure I can put my finger on why that’s the case, but that’s not something I’m going to worry about. Unlike Peter’s mother, who

never saw a gift horse that she wouldn’t take down to the vet to have its mouth X-rayed — if only so she could establish its resale value.

Two young girls have vanished in a small village slightly north of London, and Peter’s sent to make sure that the (supposedly) no longer active wizard in the area had nothing to do with it. Having done so, he decides to stick around and see if he can help with some of the routine/mundane work needed.

Naturally — well, I should say, Supernaturally, it’s not long before The Powers That Be ask him to see if there’s an angle to the case that’s more up his alley than theirs. Peter finds some undeniable evidence of magic at work and things get going from there.

Nothing against London — but loved this breath of fresh air in this novel. For example, Peter’s dealing with different superior officers to not want to deal with magic/supernatural — these don’t have the antagonism that usually shows up in London, they just don’t want anything to do with it. The town is full of interesting types — including traveling fair ride owners, tavern keepers, farmers, and vacationing journalists.

As always with this series, the sheer amount of British Police acronyms and assumed knowledge of structure and procedures are a hurdle many US readers won’t want to try (I’ve been told this by a few who I’ve tried to get to read these books) — it’s a little effort, and easily worth it to overcome.

My major — only? — gripe is that Peter’s not making a lot of progress with his magic, he seems to be pretty much where he was three novels back. Yes, he’s more confident, yes, he’s able to apply his knowledge of magic with some good old-fashioned police ingenuity — but his abilities and skills are still rookie-level. Without Beverly as magic back-up, he’d be in trouble. The two of them — plus one local cop out of his depth, but committed to work — are able to handle things.

Yeah, it was nice not to focus on Lesley and the Faceless One (which isn’t to say their shadows don’t loom over a good chunk of the book), but it’s clear that they’ll be back in a really big way soon. Which I’m looking forward to, as nice as it was to have this mental palate cleanser here. Foxglove Summer was great mix of police procedural, Urban Fantasy and Folklore — both traditional and contemporary (the area’s obsession with UFOs is great) — with Aaronovitch’s deft humor, pop culture references and tight plotting. We’ve got ourselves a winner here.

—–

4 Stars

A Two-Fer: Twenty Palaces and Child of Fire (Audiobooks) by Harry Connolly and Daniel Thomas May

By HCNewton

On February 17, 2021

In Audiobook, Harry Connolly, Twenty Palaces, Urban Fantasy

Twenty Palaces

by Harry Connolly, Daniel Thomas May (Narrator)
Series: Twenty Palaces, #0
Unabridged Audiobook, 8 hrs., 14 min.
Tantor Audio, 2020
Read: July 29-30, 2020
4 Stars

Child of Fire

by Harry Connolly, Daniel Thomas May (Narrator)
Series: Twenty Palaces, #1
Unabridged Audiobook, 10 hrs., and 9 min.
Tantor Audio, 2020
Read: September 8-10, 2020
4 Stars

What is The Twenty Palaces Series?

The Twenty Palace Society is a secretive and ancient group that has devoted itself to the regulation of magic in this world for the benefit of humanity. Those who use magic outside of the Palaces control have a tendency to unleash disaster—and by disaster, I mean things with the potential to destroy the world—and the Society stops them with extreme prejudice (and if collateral damage happens, so be it—we’re talking about the survival of the human race here).

Most of these threats come by way of unleashing Predators—beings from the “Empty Places” between dimensions. Their main drive seems to be coming into this (or any) reality and snacking on whatever life forms they can find. They typically begin by seeming to obey and/or help the humans who summoned them. But eventually, they turn on their summoners and exact a horrible price.

The Society’s methods, structure, and personnel largely lie in darkness, but we know a little bit—there are peers (magic users of impressive strength, but not as strong as others in the Society), investigators (whose purpose is to look for magical/Predatory activity), and wooden men. Wooden Men are cannon fodder. They’re the designated redshirts whose purpose is to draw the attention of the humans or Predators the Society is attacking so their peer can come in and eliminate the threat while they’re focused on the Wooden Man. It’s obviously not a place to be if you’re all that concerned with living a long and quiet life.

Our protagonist, Ray Lilly, is a Wooden Man (or becomes one in TP). In that book, he stumbles upon some unauthorized magic use, casts one spell himself (which would be enough to kill him over, but he proves useful to Annalise so she delays that), and then stumbles upon a group of predators and helps Annalise stop them from turning Seattle into a home base to bring in others of their kind and then to destroy humanity.

In Child of Fire, the two find themselves in a small town, where a man/company (it’s hard to tell at first) seemingly has made a deal with a Predator for some benefit to the town, but at the cost of the children of the town—and it happens in such a way that the memories of parents are affected enough that they don’t remember their children ever existed.

Publication/Listening Order

While I do think a good prequel can be fun, by nature they are wholly unnecessary. If you don’t have everything you need in the books/movies/whatever as they were published, the author/creators failed. Also, you probably don’t get something successful enough to generate a prequel.

Again, they’re fun. It can be entertaining to get an explanation for something in the original work (“Oh, so that’s why there’s a lampstand in the middle of the wood”), occasionally it gives you a new perspective on the series, that kind of thing. I was more than happy to read Twenty Palaces when the series had been mothballed, but I wasn’t clamoring for it.

But last year, when Tantor started putting out the whole series in audiobook form (the first book had been already, but the rest hadn’t been), I went with the order that Tantor published—Twenty Palaces first and then moving on to the rest.

I was surprised at how well it flowed. There’s very little time between Twenty Palaces and Child of Fire and it really felt like CoF was a sequel. There were just so many throwaway details in CoF that were there to make it seem like Ray had a past (not that we learned much about it), that there was a little bit of history with Ray and Annalise (but not much of one). As you read it (assuming you read in publication order), there’s a mysterious, violent past—one that it’s good to know Ray has, but we don’t need to know it.

Connolly did a great job of taking those details and building events in Twenty Palaces around them. I’m not saying this is the best way to listen to the books—but it makes them a lot more approachable. I can see why Tantor went the way they did.

Ray Lily

Yes, Ray Lilly is an ex-con with a violent streak. But he sincerely wants to live a straight life—while he admits to himself that he enjoys the rush of violence. He also likes the fact that his work for the Society matters. He tries to be a good, law-abiding citizen as much as possible. He works hard to prevent injury to those who have nothing to do with the Predators.

He’s incredibly loyal to Annalise—which is not a little twisted because Annalise has told him repeatedly that she will kill him.

He’s essentially what you expect in a male UF protagonist—but he’s as close to powerless as you can be in this world and yet survive. Which definitely marks him out as different. He also has a real talent for getting people (many people, anyway) to trust him and is better at inspiring bystanders to action than most UF protagonists (although most of them don’t need to recruit help, and Ray does). There’s a very human quality to Ray that makes you like him.

Annalise Powliss

Annalise is old (well over one hundred years old), but looks younger than Ray. She has a high voice and looks like she hasn’t had a decent meal in ages. But that’s deceptive—she’s supernaturally strong and magically powerful. While she doesn’t relish the prospect of collateral damage/fatalities—she’s familiar enough with the treat posed by Predators that she’s more than willing to let a town’s worth of citizens die to prevent all of humanity from being consumed. Still, she’s largely willing to indulge Ray’s compassion—up to a point.

Annalise has all the powers of your typical UF protagonist—maybe even more. But none of the wit, sarcasm, or optimism. For her, this is a duty, not one she particularly enjoys, but it’s something that has to be done.

Daniel Thomas May

I admit that I was worried about Daniel Thomas May as the narrator for these audiobooks. All I know him from is the Venators series, and this is about as far from a YA Portal Fantasy as you can get. But my worries proved groundless and he does a bang-up job portraying Ray Lilly and the horrors that this world holds.

More than that, I’m glad I listened to these if only for Annalise’s voice. It’s both exactly what Connolly says it sounds like—and is about 3.4 million miles away from what I’d imagined.

So, What Did I Think about these Audiobooks?

They’re just great—I thoroughly enjoyed being back in this world and I still don’t understand why the books weren’t bigger sellers. I hope they find a new audience in audiobook. I don’t know if I’ve ever talked about the series on this blog without using the phrase “criminally underselling,” (or words to that effect). It comes to mind once again, I just don’t get why readers didn’t get behind this.

They’re dark, they’re grim, they’re on the violent end of the UF spectrum (but I can easily find darker, grimmer, and more violent series)—but there’s a glimmer of hope throughout them all. Not just from Ray’s undaunted trust in humanity, but that’s where most of it comes from. Even with all the death and destruction, they’re entertaining reads and you get immersed enough in the world that you don’t want to come out of it.

You really should get these in your earbuds or in front of your eyes.

A Few Thoughts about Forged by Benedict Jacka

By HCNewton

On February 11, 2021

In Alex Verus, Benedict Jacka, Fiction, Urban Fantasy

Forged

by Benedict Jacka
Series: Alex Verus, #11

Mass Market Paperback, 294 pg.
Ace Books, 2020

Read: December 17-22, 2020
Grab a copy from your local indie bookstore!

The whole time I read this, I kept thinking, “How do I write something about this?” More than a month and a half later, I’m still not sure.

Book Blurb

I’m so unsure what to say, that I’m not even going to attempt to summarize the setup. I’ll just steal the back of the book:

To protect his friends, Mage Alex Verus has had to change–and embrace his dark side. But the life mage Anne has changed too, and made a bond with a dangerous power. She’s going after everyone she’s got a grudge against–and it’s a long list.
In the meantime, Alex has to deal with his arch-enemy, Levistus. The Council’s death squads are hunting Alex as well as Anne, and the only way for Alex to stop them is to end his long war with Levistus and the Council, by whatever means necessary. It will take everything Alex has to stay a step ahead of the Council and stop Anne from letting the world burn.

Not Quite Fully-Formed Thoughts

I was blown away by the first novel in this series, Fated back in ’12. The cover caught my eye, the pull-quote from Jim Butcher on the front put it in my checkout stack at the Library. I was impressed enough that I bought the paperback almost immediately. And the series has been an auto-buy for me since. Here we are at the penultimate novel and so much of my loss for words is attributable to not knowing what he’s going to do with the events of this book.

Yes, it’s a complete story—we even get introduced to a new character. But I’m not sure what any of the events will actually mean for Alex/the series, so my judgment feels like it’s in limbo. If he does X, Y, or Z in Risen, well, sure it’ll be worth it. But if he goes in another direction…I just don’t know.

I’ve read four Urban Fantasy series from start to conclusion. Anna Strong, The Hollows,* Kitty Norville, and The Iron Druid Chronicles. If you stand back and take in the series as a whole, the first three had a very similar arc, and the IDC had a different one. It sure seems like Jacka’s taking a more IDC approach. If I’m right, that puts things in the last couple of books in a certain kind of light, and I can evaluate them on that basis. If I’m wrong (to some extent) it puts those things in a different light, and I’ll think about them differently. At the moment the book is in a pretty “is the dress white and gold or black and blue” kind of place for me. I don’t usually say that kind of thing about a book, I normally know what I think about a book without wondering too much about the future of the sequel/series. But I can’t help it this time, even if it feels like a cop-out.

Which is not to say that I think there’s a superior way for Jacka to land this plane—I’m confident he’s going to nail the landing regardless.

* Yeah, sure, that was temporarily concluded, but let’s pretend that Harrison didn’t come back for the sake of this paragraph

So, can I say anything? Yeah. This was the most violent of any of the books, Alex knows full well that this is the endgame for something, and has nothing holding him back. I’m sure that in many ways the Alex Verus of the early series wouldn’t do what he’s doing now, and wouldn’t want to. But things have changed him, and he doesn’t have time to waste pulling his punches.

Alex is running out of choices—an odd thing for a diviner. He’s burnt a lot of bridges lately—many of which I held out hope that he could repair. Instead, he burnt them to the ground, gathered the ashes, stomped on them, and then scattered them to the four winds. I’m not sure that he has a whole lot of moves left—if Alex is the King on a chessboard, it truly seems he’ll be checkmated in just a couple of moves.

I enjoyed this book, I don’t particularly like the choices that Alex is making—but I get why he’s making them. I don’t particularly like the choices Jacka’s making, either—but I think he’s probably doing the right thing for the series.

I’m not sure what else to say, really. Come back this fall after Risen and I’ll probably be a bit more definitive.

There was another realisation too, something that was harder to explain. I had the feeling that Morden was going to survive all this. He wasn’t aiming to settle grudges and wasn’t seeking the crown, and because of that everyone else would always have someone they wanted dead more badly than him. When this was over he was going to be walking away, back to the forests and streams of his shadow realm and to his new group of disciples. The same wasn’t likely to be true for me.

4 Stars

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White Trash Warlock by David R. Slayton: A Broken Family is at the Center of a Battle for A City

By HCNewton

On February 1, 2021

In Book Tour, Fiction, Urban Fantasy

For the first part of this Tour Stop, we looked at the novel, White Trash Warlock from a distance, now it’s time to dive in.

White Trash Warlock

by David R. Slayton
Series: The Adam Binder Novels, #1

Paperback, 307 pg.
Blackstone Publishing, 2020

Read: January 26-27, 2021

What’s White Trash Warlock About?

Adam Binder has the Sight. He can see mystical/magical beings, forces, phenomena. He can’t do much beyond that—he’s pretty lightweight in magical terms. But it’s enough that it messes up his childhood—he’s always looking at and responding to things that only he can see. A family that can’t—won’t?—see what he says worries for him and tries to get him to abandon this. After his father deserts the family and his brother becomes “The Man of the House,” they try to get him help and eventually put him in a treatment facility.

We don’t learn a lot about the facility, but it seems to be something right out of Cuckoo’s Nest. However, he does meet someone there who teaches him how the magical world works and how to use his meager abilities. He leaves the facility when he turned eighteen and now scrapes by doing car repairs for neighbors while he scours the area for items that seem to be produced by a Warlock. He’s convinced that the Warlock is—or will lead him to—his father, and then will understand how he got these abilities.

Meanwhile, his brother, Bobby, having done his duty for his brother got out of their small Southern town, went to college, and is now Robert J. Binder, M.D. in Denver. Robert’s wife has had a couple of miscarriages and isn’t coping well with them—he’s a shell of her former, vibrant self—and really should be getting professional treatment (I’m not sure why Robert has lost confidence in the profession). It wouldn’t have done any good, mind you, but he still should’ve tried—but as the book opens, Robert Sees something attached to his wife. Realizing he’s out of his depth, he calls Adam and asks for help.

Adam’s clues to the Warlock are also leading him to Denver, so he goes—killing two birds and one transcontinental drive, you could say. Once he arrives in Denver, he Sees that Annie is possessed by some sort of magical being that’s running amok through the city. We learn after a bit that this 98 lb. magical weakling is just the David necessary to take down this magical Goliath (yeah, it seems counter-intuitive, but that’s part of what makes it work).

He has to make alliances with some of the local Guardians (magical beings tasked with guarding an area) for aid, but ultimately it’s Adam versus the Big Bad for the safety of Denver.

Adam and Robert

This relationship is the most interesting thing in the book to me—there’s plenty of competition for that, I should add—the Guardians, the nature and origin of the Big Bad, Adam’s abilities, are a few examples. But it’s the brothers that captured my attention.

To start with, locking your brother up and never once visiting him to see how miserable the conditions were and how lousy the treatment was going, is not a great way to endear yourself to him. Robert would say he just wants what’s best for his brother, and was (and is) just looking out for him. He doesn’t understand why Adam just doesn’t get an education, find a respectable job and settle down to start a family—you know, be normal.

They grew up poor. Their father physically abused them and did not provide for the family at all. Their mother managed to keep them alive, but that’s about it—she was more than ready to let Bobby take over when it was time—and only signed the papers committing Adam because Bobby told her to.

Their horrific childhood left scars on both of them (physical—I assume—and mental). What happened to Adam made things worse for him, and the relationship is apathetic at best, and downright antagonistic at its worst.

Still, Robert knows who to call when he needs help. And Adam responds. They won’t admit it, but they need each other. Just neither is willing to pay the price to admit it, or do the work to restore the relationship in any way.

Yes, defeating the Big Bad seems to be what the book is about, but it all hinges on this relationship. I loved the dynamic, the dysfunction, and how that played out.

The Worldbuilding

I’m not going to describe it, it wouldn’t be fair to the novel (and I wouldn’t do that great a job at it). Ditto for the magic system.

The magic system reminds me of others I’ve encountered (more in traditional Fantasy than in Urban Fantasies), but Slayton’s take on it is pretty intriguing and fresh. His worldbuilding is very developed, it’s been a long time since I saw something this well-thought-out and constructed in the first book of a series. Both are commendable.

The Spoiler-y Things I’m Not Going to Talk About

So, the things I most want to discuss about this book are all things that are either spoilers or I’d have to spoil something to talk about. Which is pretty annoying. A couple of examples:

There’s someone I fully expected to develop and/or reveal magic abilities from the moment we meet them up until the point it’s clear that won’t happen. I’m happy that Slayton zagged there when I was waiting for him to zig. Also, I thought the way he pulled it off was really well done.

There’s a supernatural being that we’re introduced to—but don’t really get to see at work. I’ve seen this type in multiple TV series and books over the years. I’ve never, ever, ever, ever found it done successfully. Most of the time, I want to throw a shoe at the TV or the book across the room (timing has denied me the temptation to hurl one of these books at a fitting TV show—probably saving me from having to replace something). Slayton’s approach just might be the exception to the rule. It has good potential, but it’ll take at least one more book to know this for sure.

The Things that Frustrated Me

The fact that the most interesting part of the book (see above) was the least developed and explored. One honest conversation—or even a half-way honest conversation that gets cut off shortly before it finishes—and we could’ve seen some really strong development in these two as people and their relationship. Sure, it’s probably realistic that we didn’t get it. It’s a narrative choice to push it further to help with tension. I see and accept that, too. I can probably come up with a couple of other reasons to not give the reader that. That doesn’t mean I wasn’t frustrated by not getting it. It’s just not anything to hold against the book.

The romance on the other hand? Yeah, I think I’m going to. I’ve seen some references to it being a triangle (which would be reason enough to not be interested), but I think it’s more of someone not letting go of something that’s over than it is a viable option. On the other hand—the viable option . . . how do I say this? Adam himself wonders if it’s an organic, natural interest in each other, or if it’s magically-induced. I think the text is pretty clear that it’s the latter. Which makes it less a love story and more of two people coming to accept something that’s a fait accompli (even if they’re both not aware that’s the case).

Lastly, the way the book ends—both in stopping The Big Bad and launching into the second novel. I’m not complaining about what happens, just the way that Slayton told it. It felt to me* like as Slatyon’s gearing up to start the endgame portion of the novel, he’s continuing to plant the seeds for the second book/an ongoing arc that takes more than just two books to resolve, and gets so interested in that arc that he rushed the final 25-30% (or so) of the novel so he could get on to writing the stuff he was really interested in.

I was reading a hard copy, so I knew exactly how many pages were left in the novel, and my reaction was still, “Wait, what? That’s it?”

* I want to stress that I don’t think Slayton actually did this, it just felt like it.

So, what did I think about White Trash Warlock?

At this point, it may sound like I’m down on the novel. I’m not. As I’ve noted before, it takes more words to talk about a problem/frustration than it does to say something complimentary. Which really bothers me, but such is language, I guess. “The way that ____ hides among the humans and gets Adam the access to ____ that he needs to figure things out is pretty entertaining and cleverly done.” Especially without filling in those blanks, it’s hard to make that as large as the paragraph about the love story.

I liked the book. I didn’t like it as much as I wanted to. I didn’t like it as much as many other people did, based on the blog posts I’ve read since I finished. But I liked it.

I’m also plenty curious as to what happens next and I’m curious about Slayton’s development as a writer—does he figure out a better way to pace a novel and to wrap things up? (I’m betting he does). I liked the world he set up and the magic system (systems?) at work, and would like to see them both explored more—I really want to see more Guardians. There’s a rawness to the writing that makes it feel more natural than a lot of UF. There’s a brokenness—as well as a resiliency—to the characters that is compelling and draws you in. There’s nothing but potential for growth here and the series has a strong foundation.

I kept flashing back to last year’s Burn the Dark while reading this, they seem to come from a similar place and have a similar aesthetic. I’m glad to see Urban Fantasy like this (I’m sure there are precursors that I’m not thinking of at the moment), it makes me think that the genre is going to stay interesting.

3.5 Stars

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: White Trash Warlock By David R. Slayton

By HCNewton

On February 1, 2021

In Book Tour, Fiction, Urban Fantasy

I’m very pleased and excited today to welcome The Blog Tour for the first in a new Urban Fantasy Series White Trash Warlock by David R. Slayton. This Tour Stop consists in this little spotlight post and then my take on the novel coming along in a bit. Let’s start by learning a little about this novel, okay?

Book Details:

Book Title: White Trash Warlock by David R. Slaton
Publisher: Blackstone Publishing
Release date: October 13, 2020
Format: Ebook/Paperback/Audiobook
Length: 307 pages

Book Blurb:

Guthrie was a good place to be from, but it wasn’t a great place to live, not when you were like Adam, in all the ways Adam was like Adam.

Adam Binder hasn’t spoken to his brother in years, not since Bobby had him committed to a psych ward for hearing voices. When a murderous spirit possesses Bobby’s wife and disrupts the perfect life he’s built away from Oklahoma, he’s forced to ask for his little brother’s help. Adam is happy to escape the trailer park and get the chance to say I told you so, but he arrives in Denver to find the local magicians dead.

It isn’t long before Adam is the spirit’s next target. To survive the confrontation, he’ll have to risk bargaining with powers he’d rather avoid, including his first love, the elf who broke his heart.

The Binder brothers don’t realize that they’re unwitting pawns in a game played by immortals. Death herself wants the spirit’s head, and she’s willing to destroy their family to reap it.

Purchase Links:

Amazon ~ Barnes & Noble ~ Bookshop ~ Apple Books ~ Indiebound ~ Audible

About the Author:

I grew up in Guthrie, Oklahoma, where finding fantasy novels was pretty challenging and finding fantasy novels with diverse characters was downright impossible. Now I live in Denver, Colorado and write the books I always wanted to read.

My debut fantasy, WHITE TRASH WARLOCK, is available now from Blackstone Publishing in paperback, ebook, and audio.

In addition to writing, I have taught workshops and appeared on panels at Denver Pop Culture Con, the Pikes Peak Writers Conference, the League of Utah Writers Quills Conference, and the Seymour Agency Winter Retreat. By day I’m a software implementation consultant.

I love connecting with readers, librarians, and booksellers.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.